150 lines
7.2 KiB
Plaintext
150 lines
7.2 KiB
Plaintext
|
GwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwD
|
||
|
T h e G R E E N Y w o r l d D o m i n a t i o n T a s k F o r c e
|
||
|
Presents:
|
||
|
"Shakespeare Silliness: Part the First"
|
||
|
by Lobo
|
||
|
|
||
|
We all know the famous poem "The Seven Ages of Man" by good ol' Willy S.,
|
||
|
don't we? Well, if not, here goes:
|
||
|
|
||
|
THE SEVEN AGES OF MAN
|
||
|
from _As You Like It_
|
||
|
by William Shakespeare
|
||
|
|
||
|
All the world's a stage
|
||
|
And all the men and women merely players;
|
||
|
They have their exits and their entrances,
|
||
|
And one man in his time plays many parts,
|
||
|
His acts being seven ages. At first the infant,
|
||
|
Mewling and puking in the nurse's arms;
|
||
|
And then the whining schoolboy, with his satchel
|
||
|
And shining morning face, creeping like snail
|
||
|
Unwillingly to school. And then the lover,
|
||
|
Sighing like furnace, with a woeful ballad
|
||
|
Made to his mistress' eyebrow. Then a soldier,
|
||
|
Full of strange oaths, bearded like the pard,
|
||
|
Jealous in honor, sudden and quick in quarrel,
|
||
|
Seeking the bubble reputation
|
||
|
Even in the cannon's mouth. And then the justice,
|
||
|
In fair round belly with good capon lined,
|
||
|
With eyes severe and beard of normal cut,
|
||
|
Full of wise saws and modern instances;
|
||
|
And so he plays his part. The sixth age shifts
|
||
|
Into the lean and slippered pantaloon,
|
||
|
With spectacles on nose and pouch on side;
|
||
|
His youthful hose, well saved, a world too wide
|
||
|
For his shrunk shank; and his big manly voice,
|
||
|
Turning again toward childish treble, pipes
|
||
|
And whistles in his sound. Last scene of all,
|
||
|
That ends this strange eventful history,
|
||
|
Is second childishness and mere oblivion,
|
||
|
Sans teeth, sans eyes, sans taste, sans everything.
|
||
|
|
||
|
|
||
|
Well, there it is. My English teacher, thinking we were all poets, said
|
||
|
that we should all re-write that poem so that it reflects something that is as
|
||
|
important to us as the stage was to Shakespeare and that makes sense in the here
|
||
|
and now. Here is what I wrote at first:
|
||
|
|
||
|
THE SEVEN PHASES OF CRIME
|
||
|
by Lobo
|
||
|
|
||
|
All the world's a crackhouse
|
||
|
And all the men and women merely junkies;
|
||
|
They have their habits and the the things they do,
|
||
|
And one man in his addiction does many things,
|
||
|
His jobs having seven phases. At first the crack baby,
|
||
|
Whining when he doesn't get his high;
|
||
|
And then the boy-dealer, with his backpack
|
||
|
And shining AK-47, walking sulkily
|
||
|
To make his rounds on the streets. And then the full-fledged dealer,
|
||
|
Working at the furnace, melting cocaine into crack
|
||
|
To give to the ho's that he pimps. Then a gangster,
|
||
|
Clothed in solid colors and doing drive-bys,
|
||
|
Jealous of others who dared to enter his 'hood.
|
||
|
Seeking to smash the others
|
||
|
Even with an enemy's gun in his mouth. And then the cartel,
|
||
|
With fine cars and Armani suits
|
||
|
With mistresses and "designer drugs",
|
||
|
Full of advice or bullet-holes;
|
||
|
And so he runs the business. The sixth phase shifts him
|
||
|
Into the lean and mean Mafia Don.
|
||
|
With wiretap on chest and sawed-off at his side;
|
||
|
His pinstripe suit, well preserved, way too small
|
||
|
For his fat body; and his big manly jive,
|
||
|
Going back to when he was a kid on the streets, lungs
|
||
|
And throat ruined by cigarettes and crack pipes. Last phase of all,
|
||
|
That ends this organized criminal's days,
|
||
|
Is losing control of his bladder
|
||
|
As a hitman's bullet enters his brain.
|
||
|
|
||
|
|
||
|
Well, since it was supposed to be something important to me and because I
|
||
|
didn't think my teacher would like that, I started over and wrote this, although
|
||
|
"The Seven Phases of Illegalities" is much funnier:
|
||
|
|
||
|
THE SUB-ROUTINES OF MAN
|
||
|
by Lobo
|
||
|
|
||
|
All the world's a computer
|
||
|
And all the men and women merely circuits and programs;
|
||
|
They have their useful times and their useless times,
|
||
|
And one man in his life accesses many programs, but never for himself,
|
||
|
This sequence operating under many sub-routines. At first the child
|
||
|
Is made. Thrust just from the womb into the circuit board known as life,
|
||
|
He does nothing at all but retrieve one or two programs, again and again,
|
||
|
Always with the great fear of being replaced by a newer model of himself.
|
||
|
If he is lucky, he might know love, and if he abounds with
|
||
|
Luck, the object of his affections might just love him back. He lives,
|
||
|
Maybe having children in the form of updated versions of programs, maybe
|
||
|
Even his own. He then becomes an artifact, finally outdated, finally
|
||
|
almost
|
||
|
Finished with his work. At this point he is often retired, and he might go
|
||
|
on
|
||
|
A few trips. Usually, he will be thrown in a hole, and covered with dirt,
|
||
|
Along with many of his comrades. If he is ever again allowed to use his
|
||
|
Talents, it will be to show young children what life and computing were
|
||
|
Like in his generation. His remains may be discovered years down the road
|
||
|
And studied by those more advanced than he, just to see how something this
|
||
|
Simple could have possibly worked. In the final sub-routine of this grand
|
||
|
Program that we call life, the man is finally laid to rest; without heart,
|
||
|
mind,
|
||
|
Body, or soul, he falls to the all encompassing oblivion.
|
||
|
|
||
|
Sure, it's corny, cheesy, etc., but so what? Sure there aren't seven sub-
|
||
|
routines in that poem, but the teacher still liked it. In fact, I got a 100 on
|
||
|
it. Woo woo.
|
||
|
|
||
|
Thus, we leave you until the next exciting installment of Shakespeare Silliness,
|
||
|
a satire of that most celebrated of plays, _Romeo and Juliet_.
|
||
|
|
||
|
Both poems by me were written on February 7, 1994, just in case you were
|
||
|
wondering. It's just taken me until today, May 22, 1994 to actually put them in
|
||
|
the same file and to type up the one by Shakespeare.
|
||
|
-Lobo
|
||
|
|
||
|
GwD Command Centers-
|
||
|
Chaos (806)797-7501
|
||
|
SysOp-Seth Sometimes (Mission Control)
|
||
|
GridPoint (405)920-1347
|
||
|
SysOp-Transderm-Nitro (First Conquest, we finally got the new number!)
|
||
|
Federation Slayers' (806)798-8168
|
||
|
SysOp-Big Red Fed
|
||
|
The Starchy White Boy BBS (803)###-####
|
||
|
SysOp-Fastjack (Moved to South Carolina, number available soon)
|
||
|
Light My Fire (806)795-4926
|
||
|
SysOp-Ailanthus
|
||
|
The Snake's Den (806)793-3779
|
||
|
SysOp-Diamondback
|
||
|
The Siege Perilous (806)762-0948
|
||
|
SysOp-Longshot
|
||
|
Brazen's Hell (301)776-8259
|
||
|
SysOp-Brazen (Eastern Outpost)
|
||
|
Club Baby Seal (817)429-4636
|
||
|
SysOp-Zippy (Penile Implant Site)
|
||
|
/---------------\
|
||
|
copyright (c) 1994 by Lobo of GwD Inc. :FIGHT THE POWER:
|
||
|
GREENY world Domination Task Force copyright (c) 1993 by Lobo: GwD :
|
||
|
All rights reserved to The Wearer of the Green Undies! \---------------/
|
||
|
GwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwDGwD24
|