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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 8
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 3
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 07/22/1995
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Volume 8, Number 3 Circulation: 592
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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"A Sunny Day in Firil" 1 Arthur King 22 Nober, 1015
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Swordmay James Bayers Mid-1014
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A Rogue's Gambit 1 Mike Schustereit Seber 3, 1014
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the Dwarf 1 Rogers Cadenhead Mertz 9, 1015
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@wonky.jjm.com>.
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Back issues are available from ftp.etext.org in pub/Zines/DargonZine.
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Issues and public discussion are posted to newsgroup rec.mag.dargon.
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DargonZine 8-3, ISSN 1080-9910, (C) Copyright July, 1995 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@wonky.jjm.com>.
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All rights reserved. All rights are reassigned to the individual
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contributors. Stories may not be reproduced or redistributed without
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the explicit permission of the author(s) involved, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@wonky.jjm.com>
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It's always interesting meeting people whom you know only over the
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Internet. I recently had the pleasure of playing host as two of the
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project writers came to Boston to visit. Jon Evans came up from
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Washington DC for a day, and Carlo Samson flew in from Chicago and
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stayed for an entire week. I'd met both of them before, but they hadn't
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met one another, and a great deal of fun was had by all. Textual
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travelogues and JPGs of our vacation pictures can be obtained via
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anonymous ftp from ftp.shore.net in the /members/ornoth/ directory.
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The other big news this time around is that both DargonZine and I
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will be undergoing a change of network address in the very near future.
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In addition to continuing our current services, we'll also be creating a
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significant WWW home page. Watch this space for more details!
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This issue highlights several of our new writers. We begin with
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Arthur King's "A Sunny Day in Firil", which I'm sure you'll enjoy. It
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introduces us to a carriage driver and takes place almost a year after
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the Baranur/Beinison war leaves Dargon in chaos. Some fan mail would
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encourage him to get part two written soon.
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Our second story is "Swordmay", by James Bayers. It's a short
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vignette about a swordsman and a challenge he must overcome.
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The third story is the first installment in Mike Schustereit's
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"Rogue's Gambit" series, which depicts a band of outlaws fleeing
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Beinison during the height of the war in the south.
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Our last story is the first part in Rogers Cadenhead's "The Dwarf".
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Rogers appearred in DargonZine 7-6 with "Endgame", and I'm sure you'll
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enjoy his new story. I'm anxiously awaiting the next installment, which
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Rogers hopes to have ready for the next issue. (No ETA on the next issue
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yet, though.)
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Please welcome our new crop of writers; I hope you enjoy their work
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as much as I'm enjoying working with them.
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========================================================================
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"A Sunny Day in Firil"
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by Arthur King
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<arthur@biostat.bsc.gwu.edu>
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22 Nober, 1015
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As the wagon swayed to a stop the merchant stepped out into the
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rain-soaked street, one hand pressing a silk handkerchief to his face to
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ward off the smell of manure within and the cold, damp night without. He
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winced as his boots sunk two fingers deep into the mud, but resigned
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himself to their fate and stepped gingerly around towards the warm light
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spilling from the front of the wagon. The shadow cast by the wind-blown
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sign hanging over the door of the Lucky Lady swept across the building's
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front like a drawstring curtain opening and shutting with manic abandon.
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Soon the merchant's shadow cut through its path as he stepped into the
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glow of the lantern hanging from a pole that jutted over the driver.
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The driver peered down at the foppish little man that emerged from
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the darkness and decided that his passenger truly was detestable. When
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he had first met the merchant at the marketplace two bells ago after
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carting the man's wool from the docks, he thought he disliked the fellow
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simply because of the request for "discreet" transport to a place of
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"delicate companionship." Now as he gazed at the powdered face peering
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up at him, pasty from the rain and indignant as if the ill weather had
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somehow been his fault, the driver affirmed that the fellow was truly a
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worm.
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Dabbing at his fur-lined bliant with his handkerchief, the merchant
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squinted up at the figure that hunched against the chill, its features
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shadowed in the wide brim of its hat. "I will not require you any
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further," he stated flatly, "but hold a moment ... " The merchant fished
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about within his scrip and produced a small pouch. He offered it to the
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driver with an ingratiating grin. "Here's a little something to forget
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me by." He stood there, waiting for the driver to take it. The driver,
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however, just sat unmoving in the rain.
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The smile remained, but the merchant's teeth clenched as he blinked
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several times in irritation. "Go on. Take it. It's yours." His voice
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dropped to a conspiratorial level. "Just tell no one that you brought me
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here."
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Another moment crawled by, then the driver slowly extended a cupped
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hand towards the merchant, stopping just a forearm's length in front of
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the pouch. Then he was still again, waiting.
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Scowling now, the merchant stomped forward, the mud greedily
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sucking him down several inches. He lost his footing and pitched
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forward, just barely catching himself on the seating board with his free
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hand. As he flailed and sputtered about, trying to shove himself
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upright, the driver pinched the pouch lightly from his grasp, tucked it
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into his cloak, and touched the brim of his hat.
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"Have a pleasant evening," he murmured.
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Righting himself and quaking with indignation, the merchant spun
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about and marched towards the Lucky Lady, moist sounds dogging his
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steps. He stopped for a moment to kick distastefully at a small knot of
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rats that crouched by the doorstep until they grudgingly moved aside,
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then he flung open the door, lighting the street with the warm
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candlelight from within. He glowered briefly at the wagon and its
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driver, who was again sitting perfectly still, watching him. With a
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snort of disgust, the merchant slammed the door shut.
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Once his passenger was safely within the brothel, the driver
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chuckled quietly to himself and produced the pouch from his cloak. At
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first glance the pouch itself seemed to be expensive, made of a soft
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sapphire-colored suede or possibly even velvet. Rivulets of blue
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rainwater on his fingers betrayed the cheap dye, however, and gray
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blotches appeared on the fabric as the rain struck the pouch, washing it
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clean. Shaking his head at some peoples' need to appear wealthy, he laid
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his whip across his lap and undid the pouch's drawstrings. Within,
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nestled among a handful of Bit coins, rested twelve Mints glinting in
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the lamplight.
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In disbelief he pulled one of the coins from the pouch, held it up
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close to the lamp and scraped it with a fingernail. Unlike the pouch,
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though, the coin was completely genuine. Wealth was obviously not just
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in the merchant's appearance. While not enough to make the driver a
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wealthy man, twelve Mints would make the road to buying his wagon much,
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much easier. No longer a driver for Harthill's Carts and Messengers,
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he'd strike out on his own, travelling across Baranur with merchant
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caravans or peddling his own bartered wares. He tied the pouch back up,
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tucked it into his belt, and snapped the reins. His horses obliged and
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pulled away from the Lucky Lady, glad to do something besides stand and
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shiver in the road.
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Crouched figures scampered along the sides of the street, people
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whose business required them to go home -- or go out -- well after most
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people had retired. Clutching cloaks or wraps around their bodies, they
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hugged the sides of the buildings, trying to ward off the driving rain.
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It looked as if they were afraid to be caught in the light of the
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wagon's lamp; perhaps some of them were. Part of the driver's mind kept
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track of their movements, waiting for a knife to appear from a sleeve or
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a club to be uncovered, but the rest of his thoughts were wrapped warmly
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around the money at his belt.
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He had only traveled two streets down from the Lucky Lady when one
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of the figures veered into the street, waving frantically. Long
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accustomed to such odd behavior from the city folk, the horses slowed
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their gait but continued trudging forward, stopping only when the driver
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reined them in. First casting looks over his shoulders to see if
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ambushers were approaching, the driver peered sourly into the street,
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trying to see who was keeping him from his bed. The blockade was a
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woman, wrapped in a blanket and wearing a damp gown that was little more
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than a chemise. Her hair hung in strands down about her shoulders, and
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her makeup streaked down her face in thin rivulets. She stared into the
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lamp light with a stricken expression, as if she was a damned soul
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gazing at Stevene's splendor. The driver's hand tightened on the lash.
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She was obviously a whore. Perhaps the Lucky Lady was allowing its
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residents a bit of freedom these days.
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"Carter? Could you please aid a lady in need?" Despite her wretched
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appearance her voice was firm and carried easily over the spattering
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rain.
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"I don't make them," he snapped. "I just drive them."
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She stepped forward uncertainly. "What?"
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He walked the horses forward a few steps in response. She drew
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herself up warily, but held firm.
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"I am a driver, not a carter, 'lady in need,' and I'm driving home
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at the moment."
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Dismissing his words with a shake of her head, she continued, "I
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need to get to Tanner's Street immediately." All semblance of waif-like
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vulnerability melted away as her posture firmed and her gaze fell
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squarely on the driver's face.
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He gestured to his right with the whip. "A half-bell walk that way.
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Near the river front. Watch for cutthroats."
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"A half of that if you push those nags," she countered, and walked
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resolutely towards the wagon. As she approached he could see her
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features more clearly. Without the makeup smeared over it her face would
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be quite lovely, if perhaps strained with the weight of age. About
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thirty-five years old; just slightly more than his wife would have been.
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She would have turned thirty and one last ...
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The driver felt a sudden chill as he struggled to remember Naysa's
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birthday. Nehru's Blood, had he truly forgotten?
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Now standing to his left, the whore gazed up at him. She tried to
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smile suggestively, but her expression looked ghoulish under the makeup.
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"Perhaps I could give you something for barter."
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Firil. Naysa had been born in Firil, the sixteenth day. They had
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met in Shireton eight years past, on the twenty-second of Firil, and wed
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a year later, on the twenty-ninth. His happiness had ended three years
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later, the nineteenth day of Seber, when the lung rot that had gripped
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her fifteen days before finally snatched her away from him.
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The litany of dates settled him somewhat. He still held onto Naysa
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in his mind, at least.
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His attention returned to the woman. His throat felt constricted
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when he spoke. "Again?" he managed to croak out.
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"I was wondering what I could give you so you would take me to
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Tanner's street." Her chin jutted forward exposing her pale neck as she
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looked at him through half-closed eyes.
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"Money," he replied, without knowing why he was even continuing
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this conversation.
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Her languid smile faded and her eyelids raised; all traces of
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seductiveness had disappeared like her previous guise of helplessness.
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She seemed to assay the driver for a few moments. Finally, she spoke,
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her voice completely business-like.
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"I can give you four Bits."
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He was tempted to pull away right then, letting her recede in the
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night behind him while he rode to the stable house at Harthill's, to his
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small room and warm bed, but having more coins was still better that not
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having them, even if they had been earned lying down. More, something in
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her face, even under the garish makeup, still reminded him of Naysa.
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Sighing inwardly, he said, "Ten. Nasty part of town."
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"Five. No more."
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"Seven," he grumbled, leaning down towards her, "no less." Part of
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him hoped that she'd refuse.
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Her eyes unfocused for a moment as she frowned in thought, then
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fixed on the driver again. They were light brown, almost hazel in color,
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and arresting. "Very well. Seven Bits."
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Despite the rain, now falling like volleys of arrows, she had slid
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open the window over the driver's right shoulder. Resting her chin on
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her folded arms, she now sat quietly, eyes closed, seeming to bask in
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the water that washed the makeup from her face. The driver knew that the
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wagon's interior was getting soaked and wanted to just shut the window
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on her, but something held him back; after all, he had seven more Bits
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in his vest pocket than he had started with. With an occasional shout of
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"gee" or "haw" he navigated the streets which had grown steadily emptier
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of people. The buildings crept slowly by, many with feeble candlelights
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peeking out from behind shuttered windows, many more wholly dark.
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After some time the woman broke the silence. Putting on another
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leering smile, she purred near his ear, "So, how long were you a
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soldier?"
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Surprised both by her voice and the question, the driver turned his
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head sharply to face her.
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She chuckled. "I can just tell. You've got that look about you."
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He turned back to hunch over the reins. "Just a year. Tended the
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pack animals. Didn't see any combat."
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"Are you wed?" she inquired sweetly.
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The driver felt his throat tighten again. "Once," he spat.
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Thankfully, she let it go at that. Her attention turned to the
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staccato rhythm that drifted from Belisandra's tavern on their right.
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Unlike other establishments that catered to a young and fickle clientle,
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Belisandra's had managed to remain viable for longer than a year,
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perhaps due to it's ability to find the latest sultry dance that would
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incense all righteous Stevenics. Closing her eyes once more, the woman
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patted her arm in time to the music and kept the beat for a few menes
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after the tavern was well behind them.
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They turned onto Layman Street, nearing the poor quarters of town.
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The woman leaned out of the window further, trying to look the driver in
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the face. Still purring slightly -- perhaps she was hoping he'd rethink
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his price -- she said, "I'm called Shandi. What's your name?"
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He didn't turn to look at her. After a brief pause, he muttered,
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"Tobias."
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"Tobias ... " she mulled over the name. "I think I knew a Tobias
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once ... "
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Some of the bile he had been holding broke free. His voice rumbled
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like the thunder overhead. "I doubt it. I don't roll into strange beds
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with hired leg-spreaders."
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She grew very quiet, her expression turning grim. She stared at him
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coldly for a moment, then asked quietly, "Why do you hate me?"
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When no answer came, she withdrew into the wagon and slid the
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window shut.
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'I hate you, "Shandi,"' Tobias replied in his mind, 'because you
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kept me from going home. Because you weren't about to let me leave
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without taking you in. Because you, a whore, reminded me of my dead
|
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wife, and made me think I had actually forgotten her.'
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The reasons were true enough, but didn't explain the depth of his
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contempt. Whelped in Margala's House, he had been spared the fates most
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male children met in that now-gone brothel: a midnight trip to the
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waters of the Coldwell or delivery over to the tastes of certain rare
|
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clients. When his mother had grown bored of raising a son she had
|
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delivered him to the orphanage, and from there he had been handed to a
|
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stabler. Less than a son but more that a hireling, Tobias had been
|
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raised well enough, but the name 'Whoreson' had clung to him throughout
|
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his boyhood. Now the surname was gone, but the shame remained.
|
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Tobias was suddenly sorry he had lashed out at his passenger.
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Cursing himself, he snapped his whip over the horses. The wagon lurched
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with the sudden acceleration, causing the lantern to swing wildly about
|
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his head.
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|
Decaying buildings loomed like cliffs over the narrow strip of
|
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|
Tanner's Street. No light came from any doorway or window, and the only
|
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sign of life was a stocky man sitting on a doorstep, apparently
|
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|
oblivious to the downpour, a large clay bottle cradled in one arm. He
|
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|
peered balefully up from under greasy hair as the lantern light fell on
|
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him, his head lolling slightly. His mouth twisting into a snarl, he
|
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turned his back to the light, grabbed the bottle, and took a long drink.
|
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Tobias reined the horses in and rapped on the window over his
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shoulder. "We're here."
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The window slid open. Shandi squinted and blinked out into the
|
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|
light. Only faint remnants of her makeup remained on her face now, but
|
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|
there was still a blotch of color on one cheek, underneath a small cut
|
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|
previously hidden by powder. When her eyes fell on the man she inhaled
|
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|
with a sharp hiss and winced slightly. Tobias gave her a suspicious
|
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look, but before he could ask any questions she shoved the board back
|
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into place with a loud bang.
|
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The fellow glanced over his shoulder at the noise, staring warily
|
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|
at the driver. The wagon rocked slightly as its passenger emerged. A few
|
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|
moments later the whore walked from behind the wagon and down the
|
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|
street, holding the blanket around her shoulders, head bowed.
|
||
|
Rising to his feet with a look of outrage and letting the bottle
|
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|
drop from his hand into the muddy street, the man took an unsteady step
|
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|
towards the woman. "Lidia," he snarled at her as if choking on glass.
|
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|
Shandi -- Lidia -- raised her head slowly to stare at the man
|
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|
venemously. "I got here as fast as I could."
|
||
|
More than drink caused the fellow to sway as he wobbled towards
|
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|
Lidia. His right foot was twisted inward and his knee was unmoving,
|
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|
forcing him to throw his leg outward in a strange arc as he walked. Rain
|
||
|
had so completely soaked his linen shirt that it clung like a second
|
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|
skin, revealing his powerful chest and arms. A thick eating knife
|
||
|
dangled in a leather sheath from his belt. Apparently oblivious to her
|
||
|
words, he growled out "You're late," as if pronouncing a judgment. He
|
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|
stopped a pace away from her and scratched at his chest with a meaty
|
||
|
hand.
|
||
|
Lidia seemed to fade slightly as she stood there, like the
|
||
|
condemned hearing the gavel drop. "Anruss, don't," she said as if by
|
||
|
rote. Anruss extended a hand out, palm up. They stood there in the rain,
|
||
|
frozen for a moment, then a corner of Anruss' mouth hitched up in a
|
||
|
smirk. Lidia tensed, then slowly reached inside the blanket, her gaze
|
||
|
locked on the man's face. Her hand was clenched as she withdrew it and
|
||
|
tentatively placed it over his. Tobias heard the dull clink of coins as
|
||
|
her hand dropped limply to her side.
|
||
|
Anruss stared at the coins blankly as small spasms began moving
|
||
|
across his face. He muttered gutturally to himself -- Tobias recognized
|
||
|
the familiar sound of merctalk -- then his eyes crawled back to Lidia's
|
||
|
face.
|
||
|
"Eight Bits. You're a bell late for eight Bits."
|
||
|
"I tried -- " Her words were cut off as Anruss clenched the coins
|
||
|
in his hand and drove the fist into her abdomen. She crumpled forward
|
||
|
onto him then toppled over, retching. Anruss' face was devoid of
|
||
|
expression as he took a lurching step to one side of her.
|
||
|
"Woman, I -- "
|
||
|
"Wait!" Tobias was startled to hear himself shout.
|
||
|
Anruss turned his head to look at the driver as if noticing him for
|
||
|
the first time.
|
||
|
"She ... overpaid," Tobias muttered. Here." He began fumbling at
|
||
|
his belt pouch to grab her seven Bits. By the time he had procured them
|
||
|
Anruss was facing him fully. Behind him Lidia had drawn herself up to
|
||
|
her hands and knees, head bowed, her hair caked with mud.
|
||
|
Anruss looked towards Tobias but not at him; his eyes were focused
|
||
|
on some distant point. He nodded slowly as he spoke. "Overpaid. My wife
|
||
|
... overpaid." A thin, cold smile appeared on his face. Still nodding,
|
||
|
he swayed back around to Lidia. Letting the coins scatter in the mud, he
|
||
|
shot a hand out, grabbed her hair, and wrenched her head back. "We have
|
||
|
no money for a thrice-dammed bed and you're tossing what we get away,"
|
||
|
he said tonelessly. His head continued bobbing in agreement with some
|
||
|
unknown thought as he raised his other hand.
|
||
|
There was a sound like a board snapping clean. Anruss yowled and
|
||
|
clamped his hand over the back of his neck as he whirled back around.
|
||
|
"*Enough!*" Tobias felt his whole body vibrating as he sat with the
|
||
|
whip held behind him, poised for another strike. Two pairs of eyes
|
||
|
stared up at him in shock. "I am to see my passengers safely to their
|
||
|
destinations and this is not 'safe.' Leave her be."
|
||
|
"You codless, Shuul-damned bastard!" Anruss bellowed. In a blink
|
||
|
his knife was in his hand. "You are going to get a second mouth!"
|
||
|
Lidia knelt in the street, arms folded across her stomach. "Tobias
|
||
|
... stop ... not yours ... " she managed to gasp out.
|
||
|
Anruss wheeled on her. "*Tobias?* You rolled with him and then
|
||
|
brought him *here?*" He rocked closer to her and brought his good leg
|
||
|
back to kick. Lidia turned her head away and closed her eyes.
|
||
|
Without even thinking, Tobias leapt from his seat and hooked his
|
||
|
arm around Anruss' neck, dragging them both into the street. Anruss made
|
||
|
a startled, squawking noise as he fell, his knife spinning off into the
|
||
|
night. His right arm pinned beneath his body, Anruss flailed about with
|
||
|
his left, but only managed to grab a handful of the driver's cloak.
|
||
|
Tobias brought his right arm around and hammered Anruss' temple with the
|
||
|
butt of his whip. Anruss let out a soft grunt, twitched, and fell limp.
|
||
|
Tobias raised the whip up a second time and pounded it into his
|
||
|
opponent's skull before noticing that he wasn't struggling anymore. He
|
||
|
stayed poised there for a few moments, trembling, his breath coming in
|
||
|
choked heaves. Finally rising to a crouch, Tobias rolled Anruss onto his
|
||
|
back and stared into his face. The man's eyes were rolled back into his
|
||
|
head and his face continued to spasm as he gasped for air. He was still
|
||
|
alive. Tobias let out a shuddering sigh. He wasn't a murderer -- no one
|
||
|
saw the fight -- he was still alive -- everything was still fine in the
|
||
|
world.
|
||
|
Then he saw Lidia. She was only two steps away and moving in, her
|
||
|
face distorted with rage as she stared down at Anruss. She had picked up
|
||
|
her husband's knife.
|
||
|
Crying out inarticulately, Tobias sprang over Anruss and collided
|
||
|
into her. Pain shot through his left hand as it struck the blade of the
|
||
|
knife. She tried to shove around him, but he grabbed hold of her wrist
|
||
|
and held fast.
|
||
|
"Lidia, no!"
|
||
|
Her gaze seemed to burn as she sneered at him. "Is it your turn
|
||
|
now?" she spat, trying to twist her hand free. Although his grip was
|
||
|
slick with his blood and the rain, Tobias managed to hang on.
|
||
|
Fighting down his panic, Tobias tried to speak in calming tones.
|
||
|
"You knife him and you'll twist for it, not him."
|
||
|
She stopped struggling and glared up into his face.
|
||
|
"No one will know. Even if someone's watching, no one will tell."
|
||
|
Her voice was seething with anger.
|
||
|
She had a point. This was her life, not his. He had interfered
|
||
|
enough.
|
||
|
"All right," he said quietly, and let go of her wrist. Stepping
|
||
|
back, he looked down at his hand. The cut ran diagonally across his palm
|
||
|
and was encrusted with mud, but it was shallow. He kept staring at the
|
||
|
wound, not wishing to look at the scene in front of him.
|
||
|
Lidia walked forward slowly and stood over Anruss, staring down at
|
||
|
him. His eyes were closed now, and his breaths came more easily except
|
||
|
for an occasional gurgle as rain fell into his gaping mouth. The right
|
||
|
half of his body was covered in glistening mud. Lidia stood motionless
|
||
|
for a full mene, watching him, the tip of her knife wavering as if she
|
||
|
was drawing sigils in the air. Tobias raised his head to look upon her.
|
||
|
Her shoulders drooping, she stepped over the prone figure. Anruss
|
||
|
let out a plaintive groan and shuddered as if in response to her
|
||
|
passing.
|
||
|
"Let's go." She muttered, climbing up onto the seating board of the
|
||
|
wagon. She sat down, wrapping her arms about herself to ward off the
|
||
|
chill, the knife still clutched in her hand. "I have a friend. Close to
|
||
|
old town. Could you get my coins?"
|
||
|
|
||
|
Most of the journey passed in silence, Lidia staring over the
|
||
|
horses into the street and rocking slowly back and forth. As they rolled
|
||
|
down Traders Avenue, she turned to look at the driver.
|
||
|
"Thank you," she said quietly.
|
||
|
The driver grunted in return.
|
||
|
"He ... Anruss ... was wounded. A Beinison mace got his leg. He
|
||
|
killed eleven men for Baranur and came home with almost nothing. No one
|
||
|
wanted him ... but me."
|
||
|
"So he beat you and whored you."
|
||
|
She turned from him and her back straightened. "I loved him, once.
|
||
|
And these days we need to eat. *I* need to eat. Sometimes he does odd
|
||
|
jobs." Her lip twitched. "He'll try and find me, get me back."
|
||
|
"And will you go?"
|
||
|
"I don't know what I'll do. I have nothing now."
|
||
|
They sat for about half a mene, riding in silence except for the
|
||
|
creaking of the wheels and the pattering of rain on the wagon's roof,
|
||
|
and then she spoke up again. "He has friends. Men who work for Liriss.
|
||
|
He'll send them for me."
|
||
|
Tobias felt his stomach knot. He was now entangled with Liriss. If
|
||
|
his men would be searching for her then they'd also be looking for him.
|
||
|
Why had he involved himself in all this?
|
||
|
The driver looked over at his passenger. She was hunched down
|
||
|
again, her rain-heavy hair hiding her face, her knuckles white around
|
||
|
the handle of the knife. Tobias remembered a day in mid-Firil when the
|
||
|
sun had shone brightly, and decided he knew the answer.
|
||
|
The driver nodded slightly. He was content, if not entirely at
|
||
|
peace. Sitting up a bit straighter, he snapped at the reins and the
|
||
|
horses picked up their gait.
|
||
|
|
||
|
The rain had abated by the time they reached Nochtur Street. An
|
||
|
occasional cluster of drunks meandered by, laughing and singing, trying
|
||
|
desperately not to slip on the cobblestones. A few asked in slurred
|
||
|
voices if they could get a ride; the driver ignored them and they
|
||
|
drifted away.
|
||
|
Lidia climbed down, wincing slightly and holding her stomach when
|
||
|
she touched the ground.
|
||
|
"Will you be all right?" asked Tobias.
|
||
|
She gave him a wry little smile, shrugged, and turned towards a
|
||
|
two-story building. Tobias turned the wagon about as he watched her
|
||
|
walk, pale and wraith-like in the night. "Good-bye," he murmured to
|
||
|
himself.
|
||
|
|
||
|
She had climbed up the stoop and was about to knock on the door
|
||
|
when Tobias called out her name. She turned, too tired to even be
|
||
|
puzzled, and saw him hurl something towards her. A small splash and a
|
||
|
clinking sound drew her attention to a nearby puddle. A pouch thick with
|
||
|
coin lay within it, its dye darkening the water. She glanced back up and
|
||
|
saw the driver touch the brim of his hat, then snap the reins. The wagon
|
||
|
started up with a lurch, then rolled into the night, bouncing and
|
||
|
rattling on the cobblestones.
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
Swordmay
|
||
|
by James Bayers
|
||
|
<bayers@kaiwan.com>
|
||
|
Mid-1014
|
||
|
|
||
|
She gently took his head in both of her hands and turned it toward
|
||
|
her so that he couldn't look away.
|
||
|
"Listen to me, Palan" she said with a look of intensity. "I know
|
||
|
you have doubts, but I'm telling you that you can do it." She looked
|
||
|
into his eyes for a long moment.
|
||
|
"I am unsure..." he started.
|
||
|
Wrapping her arms around him, she pulled him close. "I know," she
|
||
|
said in a whisper, smoothing his hair back.
|
||
|
"What if I fail?"
|
||
|
"You will not."
|
||
|
"What if I do?"
|
||
|
"Listen," she said forcefully, pushing him away. "I said you can do
|
||
|
it."
|
||
|
She placed her hands on his shoulders as much to keep him at a
|
||
|
distance as to touch him.
|
||
|
Staring into his eyes, she asked, "Would I lie to you?"
|
||
|
He hung his head.
|
||
|
"Would I?"
|
||
|
"No," replied Palan, but it lacked conviction.
|
||
|
Groaning in exasperation, she took him by the hand and half led,
|
||
|
half dragged him out of her bedroom into the large courtyard outside. It
|
||
|
was cobbled with rounded paving stones and a huge oak grew in its
|
||
|
center. The canopy of leaves above filtered out much of the harsh
|
||
|
sunlight.
|
||
|
Against the tree leaned a great sword. Curiously unadorned, the
|
||
|
blade, as long as a man was tall, was utilitarian in every way.
|
||
|
She let go of him and he stood there, shoulders drooped, and eyes
|
||
|
downcast.
|
||
|
Taking the hilt of the great sword, lacking the strength to lift
|
||
|
it, she let the point of the weapon drag on the ground as she brought it
|
||
|
to him.
|
||
|
"There," she said, positioning his hands on the hilt. "Now,
|
||
|
remember what I told you?"
|
||
|
He nodded.
|
||
|
"What?"
|
||
|
"That I can't parry. That distance and the lunge are my only
|
||
|
defense."
|
||
|
"Right, and what else?"
|
||
|
"Keep the blade moving. Momentum is power."
|
||
|
"Is that all?"
|
||
|
"No. Timing," he said, a smile coming to his lips, "timing is
|
||
|
everything."
|
||
|
"Very good. Are you ready?"
|
||
|
He nodded again.
|
||
|
She waved her hand.
|
||
|
At first there was nothing, but then four man-shapes slowly began
|
||
|
to take shape and solidify. They were rough-looking types, dirty, with
|
||
|
unkempt beards, and they wielded and wore a chaotic collection of light
|
||
|
armor and weapons.
|
||
|
The corners of Palan's mouth turning down, he adjusted his grip on
|
||
|
the handle of the great sword and began to turn, the big blade lifting
|
||
|
off the ground as he did so. Increasing the speed of the spin, the tip
|
||
|
of the sword hissed audibly as it cut through the air.
|
||
|
Still the ragged men advanced. One, an elder with a gray beard,
|
||
|
moved his lips endlessly as if speaking. He swung a flail -- three
|
||
|
lengths of chain attached to a handle -- overhead. Another, a smallish
|
||
|
man with shifting eyes, held a dagger in one hand and a short sword in
|
||
|
the other. The third, a rotund man with a big black beard, carried a
|
||
|
hatchet and shield, but the one that caught his attention was the forth,
|
||
|
a spearman, the only adversary who could match his reach. He would have
|
||
|
to watch that spear.
|
||
|
Timing... As the great sword arced, pointing toward his
|
||
|
adversaries, Palan darted toward them, flipping the huge blade up
|
||
|
overhead, and pulling it down and around. In what amounted to a lunge
|
||
|
the length of three men, he used all the strength in his shoulders to
|
||
|
slam his weapon full into the midriff of the flail wielder.
|
||
|
The tip sliced through. A snapping sound. Bits and pieces of armor
|
||
|
flew. Red blood sprayed. Jerking sideways, the old man fell to the
|
||
|
ground, a deep, red gash across his chest.
|
||
|
Momentum... Palan carried the swing through, and when the blade
|
||
|
pointed away, he retreated under it.
|
||
|
"Well done," she shouted, clapping and jumping about in her
|
||
|
excitement.
|
||
|
He flashed her a grin.
|
||
|
Still they came on, their faces expressionless, as if they were
|
||
|
dead.
|
||
|
In that manner peculiar to great swordsmen, Palan lunged in once
|
||
|
more. His target, the rotund man, braced his shield. The vibration of
|
||
|
impact transferred down the length of the blade and stung his hands.
|
||
|
The crack of wood snapping... Biting through the soft iron banding
|
||
|
-- splinters flying -- the great sword slammed into the fat man's
|
||
|
shoulder and stuck!
|
||
|
Running back as fast as he could -- yanking with all his might on
|
||
|
the hilt -- he pulled it free.
|
||
|
With shifty-eyes and the spearman already rushing in to take
|
||
|
advantage, it was all he could do to unceremoniously retreat, trailing
|
||
|
the sword behind him like a child dragging a stick. It clanged as it
|
||
|
bounced over the rough cobbles.
|
||
|
Building up to top speed, skidding to a stop, Palan let the heavy
|
||
|
sword continue on. Grasping it with both hands, whipping it about, he
|
||
|
caught shifty-eyes but a pace away. The impact knocked the small man to
|
||
|
the ground as if he were smitten by the hand of a giant.
|
||
|
But it was too late. Charging, all of his weight behind that
|
||
|
needle-sharp point, the spearman drove the head of his weapon deep into
|
||
|
Palan's chest.
|
||
|
He stood there, unsteady. Dropping his great sword, he stared first
|
||
|
at the spearman, then at the spear haft that protruded from his ribs.
|
||
|
The ruffians' outlines wavered for a moment, then they were gone,
|
||
|
along with Palan's injury.
|
||
|
She came from behind him and wrapped her arm in his.
|
||
|
"You know," she said, "you don't have to go. You can stay here
|
||
|
forever."
|
||
|
Palan looked at her. His expression changed with every heart beat
|
||
|
as conflicting emotions struggled for supremacy.
|
||
|
Finally, after a long while, he said, "I'm ready."
|
||
|
"Are you sure?" she asked.
|
||
|
He lowered his eyes and sighed. "Yes."
|
||
|
Slowly, deliberately, she reached up, put her hands behind his head
|
||
|
and pulled him toward her. Light as the brush of a feather at first, her
|
||
|
kiss grew more passionate with every passing moment. Embracing as if
|
||
|
trying to merge with each other, they gently swayed.
|
||
|
Gasping for air, they stopped.
|
||
|
She rested her head on his chest. "I believe in you."
|
||
|
"I know," he replied.
|
||
|
"Come back to me," she said.
|
||
|
|
||
|
The colors of the courtyard blurred and combined...
|
||
|
"... ye addled, boy?" said the graybeard, a flail in his hand, "I
|
||
|
said we'll be takin' that sword, 'n yer pouch as well."
|
||
|
It all came back to him now: he was on a dirt road a mile or two
|
||
|
from Dargon, and these four had come out of the trees to block his way.
|
||
|
They were all there; graybeard, shifty-eyes, the rotund one, and the
|
||
|
spearman.
|
||
|
"There be four 'o us," continued the old one, waving a hand at his
|
||
|
comrades for emphasis, "just throw yer things o'er here, and we'll let
|
||
|
ya's be."
|
||
|
"Yah," snickered shifty-eyes, "we'll letcha be."
|
||
|
Flipping the great sword off his shoulder, Palan began to turn.
|
||
|
Soon the tip of the blade hissed as it cut through the air.
|
||
|
"Well," said graybeard, "ya asked fer it. Get 'im."
|
||
|
The other three didn't move. They stared at each other and their
|
||
|
leader with uncertainty.
|
||
|
"Damn, he be only one," he said. Graybeard hesitated for a moment.
|
||
|
"He ain't e'en right in the head. 'e probably lifted 'at swords from
|
||
|
someones 'imself. Looks, I'll be doin' it."
|
||
|
"He bloody well looks like 'e knows what 'e's doin' to me,"
|
||
|
whispered the rotund one to the spearman out of the corner of his mouth.
|
||
|
Cautiously, the old man advanced toward the spinning swordsman, the
|
||
|
flail at the ready.
|
||
|
Dashing under his huge blade, wielding it up and around, Palan
|
||
|
lunged a full three spans. The blade cleaved into graybeard and sent him
|
||
|
stumbling into a heap.
|
||
|
Not slowing a bit -- he spun about -- lunged once more and clipped
|
||
|
off the head of the spearman's weapon.
|
||
|
The three, their eyes wide and their mouths open, froze for a
|
||
|
moment, but only a moment. When their wits returned they bolted,
|
||
|
dropping anything that might slow them down.
|
||
|
He stopped spinning and watched as they ran through the trees until
|
||
|
they disappeared. The old man was moaning, but judging by the pool of
|
||
|
blood that he laid in, he wouldn't suffer much longer.
|
||
|
Palan walked over to a nearby stream and knelt next to it to wash
|
||
|
the blood off his sword. Reaching down with a cupped hand to scoop up
|
||
|
some water, he started at the reflection he saw there.
|
||
|
It wasn't his. It was hers.
|
||
|
"Did I startle you?" she asked, her eyes twinkling.
|
||
|
"Maybe a little," he replied with a grin that quickly faded. "Thank
|
||
|
you."
|
||
|
She was quiet for a long moment while she looked into his eyes.
|
||
|
"It's all you," she replied.
|
||
|
They reached out to each other, but when his hand touched the
|
||
|
water, the resulting ripples dissolved the reflection. He waited for a
|
||
|
time, but she did not return.
|
||
|
Hefting the heavy sword over his shoulder, Palan started down the
|
||
|
dusty road for Dargon.
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
A Rogue's Gambit
|
||
|
Part I
|
||
|
by Mike Schustereit
|
||
|
<schustmv@cglpo1.usachem.msnet.bp.com>
|
||
|
Seber 3, 1014
|
||
|
|
||
|
The horses plodded down the road, their hoofbeats echoing back from
|
||
|
the forest's edge. The ancient hardwoods shaded the edge of the road
|
||
|
where the renegades stumbled upon a collection of motley huts. Though
|
||
|
not quite a town, the men saw the beginnings of the organization needed
|
||
|
to create one. Ramshackle huts on either side of the road reeked of rot
|
||
|
and decay, with litter strewn everywhere. A couple of people digging
|
||
|
amongst the refuse stopped to watch the men as they rode by.
|
||
|
The lead horse, a graceful charger, skittered nervously as a pack
|
||
|
of rats crossed the road at his feet. "Look at them," the first rider,
|
||
|
Caleb OneEye said, "they have the run of the place."
|
||
|
The rats feared no one. They swarmed over the road, nipping at the
|
||
|
legs of the horses, causing the people of the camp to clear a path. The
|
||
|
renegades turned their gaze to the people milling in the street. There
|
||
|
were no predators in that crowd, just people holding on to their
|
||
|
humanity as best as they could.
|
||
|
"By the gods," Caleb OneEye spoke, "this place is damned."
|
||
|
The thin man behind him chimed in, "Perhaps your gods have forsaken
|
||
|
this place!"
|
||
|
"Speak not of the gods like that Facon," warned Caleb, "they have
|
||
|
an unusual sense of humor. The legends say they allowed men to control
|
||
|
their destinies once, until man scorned them. Now we play a grand game
|
||
|
of King's Key, mere pieces on the board of the gods. This may not be the
|
||
|
best of places ..."
|
||
|
"But it feels sort of like home," the third rider replied
|
||
|
sarcastically. Dalton, the scout, had seen places like this before, on
|
||
|
different fronts, but never within the empire itself. It was more proof
|
||
|
that the war with the Baranurians had been a big mistake.
|
||
|
Caleb frowned, "... but everything has its place in the world. This
|
||
|
however, was not here the last time I came through. It seems that war
|
||
|
has made the pieces more expendable." He tugged at the ends of his
|
||
|
drooping mustache as if to emphasize his distress. Dalton watched the
|
||
|
knight examining the situation and wondered, just what had he seen?
|
||
|
Trent Illinsta chimed in, "Oh, and when was that?"
|
||
|
When Caleb let the question go unanswered, Trent turned to the
|
||
|
scout, "Dalton do you know where we are?"
|
||
|
The scout ignored the ex-cavalry captain's question and looked at
|
||
|
the people watching them. He shivered at the dead eyes staring back at
|
||
|
them. The disease had left its mark, leaving blackened and puckered
|
||
|
wounds on their skin. The waxy look of the remaining flesh made the
|
||
|
warrior leery. It was hard to consider them human.
|
||
|
"What have we done?" Dalton asked, "Have we doomed ourselves?"
|
||
|
A veteran of the war, he did not fear the honest death that came
|
||
|
from battling one's enemies, but this was no foe he could defeat with
|
||
|
his sword. Still he kept the pommel firmly in his hand. He feared little
|
||
|
however from the living members of the camp -- it was their disease that
|
||
|
held his gaze.
|
||
|
The rest of the renegades held their weapons just as tightly. Even
|
||
|
after getting used to the grisly battle scenes of the war the dead
|
||
|
strewn through the streets shocked them. Corpses lay where they fell,
|
||
|
often with hands outstretched in pleading gestures. Dogs fought over a
|
||
|
corpse's arm that even after the plague was still fat and juicy.
|
||
|
Dalton stopped, watching the dogs tugging on the arm of the dead
|
||
|
man. One lost its grip and suddenly the glint of gold caught Dalton's
|
||
|
eye. He shifted in his saddle as if to get off, then reconsidered and
|
||
|
rode on. Getting caught stealing now would only land them back in a
|
||
|
Beinison prison, even this close to the border.
|
||
|
Of the five renegades, Dalton had the most to lose by being caught
|
||
|
within Beinison territory. All of the men received sentences of death
|
||
|
before their escape, but Dalton was a deserter from the army and the
|
||
|
army wanted him bad. He fingered the scar on his forearm, marking him as
|
||
|
a military criminal. The army was clear on that. In the prison, military
|
||
|
criminals got the harshest beatings and little to no food. In the rat
|
||
|
infested cells the prisoners fought to keep their food, only to find
|
||
|
that it was inedible.
|
||
|
When Facon first brought Trent and Caleb to plan their escape, he
|
||
|
feared them knowing of his brand. Even after hearing the plan that Facon
|
||
|
had devised, he kept his background to himself. Military prisoners were
|
||
|
often separated from the rest of the prisoners, for even convicts still
|
||
|
felt allegiance to the empire and would tear a traitor to pieces. Once
|
||
|
they escaped, he found that for one reason or another all except
|
||
|
Selvinus had been prisoners of the military.
|
||
|
At first he had hesitated to let his arm show, but Trent displayed
|
||
|
his brazenly, and Caleb rarely got cold enough to cover it. The brand
|
||
|
gave them something in common, but still he trusted no one.
|
||
|
Dalton knew that at least one of his comrades would lose no sleep
|
||
|
by turning him over to a certain death. The war had gone badly for the
|
||
|
empire and everyone was hoping to make some kind of profit from it. The
|
||
|
territories of the empire were slowly breaking apart, realigning to
|
||
|
their former borders. Still they rambled about, rarely leaving the roads
|
||
|
and staying in whatever inns they came across. Dalton had urged the
|
||
|
de-facto leader to speed up their exit, but Caleb was relentless.
|
||
|
Caleb spoke rousing Dalton from his musings. "I know you are
|
||
|
questioning my course," he said.
|
||
|
"It's not that I don't follow where you are headed. But aren't you
|
||
|
worried about pursuit?" Dalton asked.
|
||
|
Caleb glared back at Selvinus. The fat merchant obviously found the
|
||
|
scrutiny discomforting, slowly letting his horse fall to the back of the
|
||
|
group. Dalton grimaced when the fat man pointed in their direction,
|
||
|
informing Trent of their private conversation.
|
||
|
After letting Selvinus and Trent get far enough away to prevent
|
||
|
them from overhearing his conversation with the scout Caleb leaned over
|
||
|
to confide in Dalton. "The people looking for me will not give up."
|
||
|
Dalton nodded in understanding.
|
||
|
"We have been running from them since my escape," Caleb continued,
|
||
|
"and each day my instinct tells me they are getting closer."
|
||
|
Dalton glanced over his shoulder at Selvinus. The fat man held the
|
||
|
attention of the former cavalry captain by waving his flabby arms in the
|
||
|
air to stress his point. Smiling, Dalton faced the knight, letting his
|
||
|
thoughts become words.
|
||
|
"So rather than elude them," Dalton said, "we're going to become
|
||
|
the hunter instead of the hunted."
|
||
|
"Exactly my thoughts," Caleb nodded. "Our escape was an insult and
|
||
|
a black mark on the eye of the new factions. With power on their side,
|
||
|
the Order of the Star will certainly try to eliminate me. No matter who
|
||
|
we turn to, they will hold us. Whoever brings us back, dead or alive,
|
||
|
will win. From the moment we escaped, we could trust no one outside this
|
||
|
group."
|
||
|
"We may not even have that luxury," Dalton snorted, looking back at
|
||
|
Selvinus and Trent.
|
||
|
"They know we are being hunted," Caleb replied, "so they will help
|
||
|
as long as it is to their advantage."
|
||
|
"If we're going to hunt our pursuit, we'll need a better army than
|
||
|
this," Dalton added. Caleb said nothing. Dalton watched as Selvinus was
|
||
|
using his hands to describe some imaginary deed he had done.
|
||
|
"It does not matter. Our strength is not in numbers, it is in
|
||
|
desperation. Eventually we will have to cross paths," replied Caleb,
|
||
|
"and then I will settle my debts. The knights have honor. They will
|
||
|
fight us as equally as possible, but with the odds stacked in their
|
||
|
favor. I know the way the Knight Commander thinks."
|
||
|
He shook his reins and shouted, "But let them beware! I, and only
|
||
|
I, choose my actions." He furiously spat at a dog taking a sudden
|
||
|
interest in his steed.
|
||
|
In Dalton's estimation, Caleb OneEye was much more than a simple
|
||
|
man sparring with his destiny. Once a Knight of the Star, he had chosen
|
||
|
his course of action knowing it would carry the brand of a renegade.
|
||
|
"What made you decide to speak out?" Dalton asked.
|
||
|
"I do not know for sure," Caleb answered, "but I knew that I could
|
||
|
no longer serve the mad designs of the emperor Untar. My fellow knights,
|
||
|
unyielding in their loyalty, passed judgment blindly. Rather than face a
|
||
|
coward's punishment, I arranged for my escape with the last of my
|
||
|
family's money."
|
||
|
Dalton absently rubbed the scar on his right forearm in response.
|
||
|
"I too, felt the sting of the Emperor's insanity," he agreed.
|
||
|
"I recognized that in you, and in Facon," Caleb said, "but we
|
||
|
needed Selvinus' contacts and the steel that Trent provided."
|
||
|
"Selvinus is still not happy that you have assumed command," Dalton
|
||
|
jested. "He would draw a blade on you, except that you would finish him
|
||
|
easily."
|
||
|
Caleb's smile hinted that he too had thought of that possible
|
||
|
outcome.
|
||
|
|
||
|
Facon listened to the two ex-soldiers laughing at the image of
|
||
|
Selvinus skewered on their swords. He shivered at the cold cruelty that
|
||
|
war had made so commonplace. Then again had it not been there all along?
|
||
|
Whether or not Untar had brought chaos upon them was not as important as
|
||
|
surviving. Even if the brutal savagery had been hidden by a thin veneer
|
||
|
of civility, when it came down to it, to survive they would all become
|
||
|
killers.
|
||
|
As for Selvinus, Facon felt sure leadership was not a concern, nor
|
||
|
even escape from the murder charges facing him. Only escape from the
|
||
|
heat that made his obese body sweat endlessly drove the man onward. He
|
||
|
yearned for the next inn down the trail.
|
||
|
The man had definitely been privy to the creature comforts of the
|
||
|
royal duchy. He complained whenever he could about the places they slept
|
||
|
and more than once refused to leave before finishing a meal. However,
|
||
|
the casual mention of the troops on their trail was enough to spoil the
|
||
|
fat merchant's appetite.
|
||
|
Carefully, Facon let his horse drop back so he could listen to
|
||
|
Trent and Selvinus as they talked. The group often divided into these
|
||
|
two groups and secretly Facon feared the two men plotted against the
|
||
|
others.
|
||
|
He overheard Selvinus saying, "... why even last night, Caleb flew
|
||
|
into a rage because I refused to share a room with Facon." Facon could
|
||
|
almost picture the fat man's pout as he whined. "I let my reputation
|
||
|
with the sword do its work," he continued, "and even after the cutter
|
||
|
lulled me to sleep with his dull talk, my money was left untouched."
|
||
|
Trent merely agreed, not wanting to have the fat man elaborate.
|
||
|
"Look at this place," Trent interrupted the fat man, "these people
|
||
|
deserve to die." Facon's thin fingers clutched the reins, making his
|
||
|
knuckles white. They did not deserve any of the things that happened to
|
||
|
them, yet the thin walls of the crudely erected huts could not hide the
|
||
|
filth and desperation that clung to these people. In his estimation,
|
||
|
theirs was a treatable affliction if treated in the towns and cities.
|
||
|
Here where the water ran deep, the tormented and deranged souls of this
|
||
|
camp were ensuring the spread of the ravenous disease by bathing,
|
||
|
urinating, and defecating in the slow moving water. The host of rats
|
||
|
only served to multiply the problem.
|
||
|
As Facon watched them scrubbing the open and festering wounds, he
|
||
|
wondered how long before the river carried the infection back to the
|
||
|
people who shunned these poor souls. Would they flock to the temples
|
||
|
when the dead started piling up in the streets of the royal duchy? What
|
||
|
price would the people of Beinison pay before they looked elsewhere for
|
||
|
salvation?
|
||
|
That was his crime. He believed the gods of Beinison to be figments
|
||
|
of the people's imagination. Fueled by a powerful priesthood, the
|
||
|
Beinison gods governed every aspect of everyday life.
|
||
|
He had held his tongue in public, but in the council chambers, he
|
||
|
vented his anger on the priests and lords present. Measured and careful
|
||
|
was their response. Mindful of his standing in the eyes of Untar, they
|
||
|
waited until after the emperor was dead, then imprisoned him for
|
||
|
slandering the gods.
|
||
|
Even without Untar, Facon had friends sympathetic to him. Indeed
|
||
|
there were many in the empire who sympathized with the same beliefs that
|
||
|
the cutter had expressed. Their warnings served him well, allowing for
|
||
|
him to secure most of his wealth with people who leaving Beinison. Once
|
||
|
in the prison however, his skills in comforting people worked to his
|
||
|
advantage. The guards soon learned to trust him, allowing him to roam
|
||
|
the prison freely to minister to the wounded or dying.
|
||
|
Once before, he had been important to the empire. From humble
|
||
|
beginnings, his skills as a cutter had thrust him from simple healing to
|
||
|
the politic shrouded halls of the Emperor's palace. Eventually his
|
||
|
straightforward views landed him a position of decision-making. Untar
|
||
|
often revealed his fears to the cutter, knowing Facon's loyalty to him
|
||
|
was unquestionable. In return, the Emperor had showered many favors upon
|
||
|
Facon during the years he held the post of Emperor's cutter.
|
||
|
As the Emperor's cutter, Facon was present when the news came of
|
||
|
the massacre of Dalton's company. After hearing his side of the story in
|
||
|
prison, Facon believed Dalton a victim of circumstances, yet a rope was
|
||
|
in his immediate future. As for the true cause of their destruction,
|
||
|
only Sir Aurtoc could answer that, but he was dead, his skull already
|
||
|
bleaching in the sun. None of these men had secrets from the cutter.
|
||
|
Facon personally viewed the bodies of the women Selvinus had
|
||
|
brutalized and murdered, though he never would let the man know that. As
|
||
|
he watched the husbands, fathers, and brothers claiming the women for
|
||
|
burial, Facon had shaken with anger at the cruelty of the killer. When
|
||
|
they brought Selvinus before the Emperor, Facon had been there. The look
|
||
|
the condemned merchant had given Untar burned into Facon's mind. The man
|
||
|
was scum.
|
||
|
Only Caleb OneEye puzzled the cutter. It was rare for the
|
||
|
knighthood to have a rebel and even rarer that the Emperor intervened in
|
||
|
the justice of the order. Untar himself attended Caleb's trial, sitting
|
||
|
regally off to the side. He watched the proceedings with interest and
|
||
|
finally requested to hear Caleb's testimony.
|
||
|
Head held high Caleb faced his emperor. The knight silently dared
|
||
|
anyone in the room to question his courage or fighting ability. After
|
||
|
hearing the knight's testimony, Untar praised the knight for his
|
||
|
valiance and his family honor, then watched as the Knights of the Star
|
||
|
condemned him to death for his treason. Privately the emperor cursed the
|
||
|
decision, but felt it necessary to not interfere, to maintain morale.
|
||
|
During the last days before the final conflict, Untar often visited
|
||
|
the knight in his cell, questioning Caleb on strategy. Soon thereafter
|
||
|
he made the decision to lead his troops on the battlefield. In those
|
||
|
last days before his death, the Emperor surprised many people. Even as
|
||
|
he rode through the dreary camp, the changes in the Emperor still
|
||
|
baffled the cutter.
|
||
|
Facon watched as the people of the camp trudged towards the lone
|
||
|
stone building bearing the mystic symbols of the gods. Their existence
|
||
|
was at an end, yet they toiled for their gods. Held in the grip of their
|
||
|
disease, they could not shrug off their beliefs. Only death would free
|
||
|
them.
|
||
|
Everyone except Facon mumbled a prayer as they passed by the camp
|
||
|
chapel. As for Facon, he could only imagine the precious treasures left
|
||
|
to try to regain the favor of the gods. Wealth laid down as tokens to
|
||
|
non- existent gods, for miracles and favors that would not materialize.
|
||
|
No one would be stopping to rob the hastily built chapel however,
|
||
|
for the breeze blowing by filled the air with the smells of the camp.
|
||
|
The men spurred their horses into a trot to get away from the horrid
|
||
|
town.
|
||
|
Caleb this place stinks," Trent sniffed, "whatever reason we came
|
||
|
through here for, it ain't worth it."
|
||
|
For once Facon had to agree with the unruly cavalry captain. The
|
||
|
stench had an overwhelming effect, making him jittery and nervous. He
|
||
|
pictured the tormented people of the camp, reaching out for his help,
|
||
|
and it made him sick to think of not being able to do anything.
|
||
|
Caleb turned in his saddle, "Shut up! If you find our company
|
||
|
displeases you, then maybe you should seek your own trail."
|
||
|
I'm not going anywhere," Trent replied, "you promised me ..."
|
||
|
"I promised you safe passage out of the city," Caleb broke in. "We
|
||
|
are weeks from the royal duchy, so I think I have fulfilled my end of
|
||
|
the bargain."
|
||
|
"Hey," Trent snarled, "I got you out of there."
|
||
|
"We all did our share," Facon interjected.
|
||
|
"Caleb! Trent," Selvinus whined, "do you want to argue or get us
|
||
|
away from here."
|
||
|
The two warriors turned to regard the fat man. Conscious of being
|
||
|
the center of attention, Selvinus moved his mount closer to Caleb's. "I
|
||
|
don't want to camp the forest tonight," he whined, "so let's get
|
||
|
moving."
|
||
|
Caleb nodded his head in agreement and steered his horse clear of
|
||
|
some broken crockery in the road. The charger pranced for a moment,
|
||
|
longing to break into a run.
|
||
|
In response Caleb spurred him, making the horse leap toward the end
|
||
|
of the row of houses. Then, once beyond the narrow confines of the hut
|
||
|
walls Caleb's mount shook his mane and snorted.
|
||
|
"It seems," Caleb announced, "that a fresh wind is in the air. Let
|
||
|
us ride for someplace new and put this cursed empire behind us."
|
||
|
"I'll agree to that," Dalton agreed, spurring his horse forward
|
||
|
until he rode alongside Caleb's. As their horses put distance between
|
||
|
them and the diseased camp, Facon looked back, cursing again the men who
|
||
|
believed in the humor of the gods to save them. "Why do I care," he said
|
||
|
to no one in particular, "they are no one to me."
|
||
|
In his heart though, he knew he lied.
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
The Dwarf
|
||
|
Part I
|
||
|
By Rogers Cadenhead
|
||
|
<rogers@pobox.com>
|
||
|
Mertz 9, 1015
|
||
|
|
||
|
Cyrus Gatney flipped through a picture-book as he slowly rode home
|
||
|
on the back of his mule. The pages were adorned with woodcut pictures of
|
||
|
griffons, grobbins and other fantastic creatures, and Cyrus stared in
|
||
|
wonder as he imagined himself a fierce hunter. In his vision the
|
||
|
stallion he rode moved as swiftly as a wildcat, carrying the armored man
|
||
|
with ease as they bore down on prey.
|
||
|
In his reality, the steed under his rump was a glassy-eyed old mule
|
||
|
with a decided predisposition against work. Carrying several hundred
|
||
|
pounds on her back in the form of hairy, sweaty Cyrus Gatney was
|
||
|
something the mule did with marked reluctance.
|
||
|
As he and the mule crested the last hill before home, a small
|
||
|
farmhouse not far from Myridon, Cyrus had his eyes firmly locked onto
|
||
|
the hand-bound book he had purchased at significant cost from a
|
||
|
traveling priest earlier in the day. He was almost within the fence
|
||
|
around his home when the acrid smell of smoke reached his nostrils.
|
||
|
Cyrus looked up to see the remnants of his home burned to the
|
||
|
ground, save a few support beams that stood resolutely upward like
|
||
|
exposed ribs. He was close enough to see into his sleeping room; close
|
||
|
enough to see the blackened forms of a larger figure and a smaller one
|
||
|
half as big; close enough to see a few unsullied tresses of golden hair
|
||
|
on his wife's head and the ropes that had tied her to their son.
|
||
|
What Cyrus Gatney was too close to see, to his eternal regret, was
|
||
|
the lightly wooded copse which flanked the front of his farmhouse.
|
||
|
There, a foursome of young men had been waiting for his arrival home,
|
||
|
and they moved towards his back as Cyrus slid off his mule and dropped
|
||
|
the forgotten picture-book from his trembling hands.
|
||
|
|
||
|
His boots caked in manure, Ulmer Nirnov swore at the pair of oxen
|
||
|
driving his plow through the fallow field. It was spring in Shireton,
|
||
|
and that meant a lot of work ahead. The narrow strip of land he was
|
||
|
farming had delivered a wheat crop the past two years, and the soil
|
||
|
needed a respite before a crop of highland beans could be planted to
|
||
|
help restore it. Unfortunately for Ulmer, fallow ground still required
|
||
|
plowing.
|
||
|
One of the oxen wasn't cooperating today. Surprisingly, it was the
|
||
|
older of the two, a fat brown veteran of many long spring days in the
|
||
|
fields. Ulmer walked around the animals to face the quarrelsome beast,
|
||
|
checking its eyes and nose for signs the ox might be sick. It appeared
|
||
|
to be healthy, and a test of the yoke showed that it was lashed securely
|
||
|
to the horns of both animals.
|
||
|
Ulmer walked back to the plow, readied himself and struck the older
|
||
|
animal violently on the backside with a short leather whip. It let out a
|
||
|
pained bleat and yanked the plow forward.
|
||
|
The rest of the long day's toil went a little easier than had the
|
||
|
morning. As the afternoon passed and the red fingers of dusk spread out
|
||
|
over clouds to the west, Ulmer was still working, driving the tired,
|
||
|
grunting beasts to exhaustion.
|
||
|
"You don't have to clear the field in a single day, Ulmer." The
|
||
|
gentle admonishment came from Apted, an older villager and friend who
|
||
|
had snuck up behind him. "The sun's coming up again on the morrow."
|
||
|
Ulmer began the removal of the yoke without looking at his friend.
|
||
|
"I wasn't aware of that," he said.
|
||
|
"I see," Apted said as he helped Ulmer unfasten the loops of rope.
|
||
|
Apted stared at the younger man for a moment before saying anything
|
||
|
else. "Now," he began, "I don't want to tell you your business ..."
|
||
|
"Then don't," Ulmer said sharply.
|
||
|
"It needs to be said," Apted responded, a faint hint of blood
|
||
|
rising to the surface of his cheeks. "You ought not push Old Brown so
|
||
|
hard this early in the season. Gunt would have your head on a pole if we
|
||
|
lost him."
|
||
|
Both men knew exactly what Manor Lord Gunt's reaction would be if
|
||
|
Old Brown was killed or incapacitated. The village had only five oxen
|
||
|
left since the war, after all, and Gunt was looking for an excuse to
|
||
|
claim a penalty from Ulmer. The plowman had managed to establish his own
|
||
|
small farm near the forest, a freehold outside of Gunt's holdings.
|
||
|
Ulmer reflected on Apted's words, then said, "You're right. I will
|
||
|
make sure he's rested tomorrow and slow up a bit. I'm sorry to have
|
||
|
spoken to you like that."
|
||
|
"None the bother," Apted said. "Besides, you're half likely to
|
||
|
cripple yourself working this hard. Or Trissa will do you harm if you
|
||
|
don't get home for dinner!"
|
||
|
At the mention of going home, Ulmer looked away in the direction of
|
||
|
a nearby stream. "Better get the oxen to water," he said. "Good night to
|
||
|
you."
|
||
|
Apted watched him lead the animals away and then headed to the
|
||
|
village and his own family. Once within Shireton he passed by Trissa,
|
||
|
who was carrying fresh bread home from the common oven, her two young
|
||
|
sons close behind. His friendly nod was met with a smile by Trissa. Her
|
||
|
youngest, Aaron, nodded also and greeted the farmer. He had much more a
|
||
|
mouth on him than his older brother did. "Hello, sir," Aaron declared.
|
||
|
Apted gave the boy a friendly pat on the head and continued home.
|
||
|
As he walked through his front doorway, Apted was welcomed by his wife,
|
||
|
who had watched him passing by Ulmer's family.
|
||
|
"Aaron's growing a bit stocky, I guess," she said.
|
||
|
"I guess," Apted replied.
|
||
|
By the time Ulmer arrived at his home that night, it was long dark.
|
||
|
|
||
|
After seeing her sons to bed at the conclusion of a hard summer
|
||
|
day, Trissa heard a telling snort in the garden behind her cottage.
|
||
|
Grabbing a broom handle, she charged outside and into the rows of
|
||
|
growing cabbage. A small white pig, intently chewing on a vetch plant,
|
||
|
finally looked up to see a wild-eyed harridan bearing down with death in
|
||
|
her eyes. The pig bolted from the yard, narrowly avoiding an early trip
|
||
|
to the meal table.
|
||
|
At least that's what Trissa wanted the little scavenger to think.
|
||
|
It was protected from becoming bacon by order of Lord Gunt, who wanted
|
||
|
to build up the village's store of animals this year. Trissa thought the
|
||
|
pigs were beginning to recognize this fact, and she had needed to scare
|
||
|
them off several times the past few days alone.
|
||
|
Stepping back through the garden in her bare feet, Trissa stumbled
|
||
|
and accidentally uprooted a fledgling plant as she regained her balance.
|
||
|
Ulmer was not yet home, so she took the time to repair the damage and
|
||
|
lightly repack the plant.
|
||
|
As Trissa kneeled in the yard under the gray haze of early
|
||
|
nightfall, she was unseen by two neighbor women who walked out of an
|
||
|
adjoining cottage. One of them was Apted's wife Coira.
|
||
|
"Looks like the Nirnovs have retired early," Coira said. Trissa was
|
||
|
about to raise up and correct this perception but her neighbor continued
|
||
|
to speak. "It's a real shame what's become of their youngest."
|
||
|
"What do you mean?" asked Magdal, a gray-haired woman who had spent
|
||
|
the winter with her son in nearby Dargon. "Little Aaron is sick?"
|
||
|
"No, not in the way you think," Coira replied. "He's not sprouting
|
||
|
up like Gull or any other child I've seen. Something's gone awry and
|
||
|
he's all thick and bulgy. His head's not right anymore, as well."
|
||
|
Magdal clucked in horror. Trissa, unable to muster enough will to
|
||
|
stand up, dug her hands into the soft soil of the yard, pressing the
|
||
|
tips of her fingers hard into the ground until her arms began to shake.
|
||
|
"Dearest be," Magdal said. "Do you mean to say the little one's a
|
||
|
dwarf?"
|
||
|
"An abomination," Coira said.
|
||
|
When Ulmer returned home that evening, it was a bit later than
|
||
|
usual. He found Trissa sitting by the remains of the fire, tracing
|
||
|
grooves in the ashes with a dull stick. Aaron and Gull were long asleep.
|
||
|
"You've been out late," Trissa said angrily without turning to face
|
||
|
him.
|
||
|
"I'm sorry, sweet," he said, kneeling at her side and extending an
|
||
|
arm to touch her shoulder. Trissa shrugged it away from her body as if
|
||
|
she could catch something from the touch.
|
||
|
"In fact, you barely return at all before bedtime," she continued.
|
||
|
"That's not true," Ulmer said.
|
||
|
"It isn't? Name the last time you were home to play with Gull
|
||
|
before supper." They were facing each other now, but Ulmer could hardly
|
||
|
look at his wife. Her pale green eyes burned a fiery emerald.
|
||
|
"It's been too long," he admitted, staring down at the ashes.
|
||
|
"Since before plowing," she said. "And I haven't mentioned Aaron
|
||
|
yet a'tall."
|
||
|
Ulmer suddenly found himself thrown into a fury, and he rose to his
|
||
|
feet. "Nor will you!"
|
||
|
"We need to talk about this," she said. Ulmer started to remove
|
||
|
himself from the room, either to the darkness of the other side of the
|
||
|
cottage or the darkness of the street. But Trissa said something next
|
||
|
which made him stay.
|
||
|
"After all, everyone else in Shireton is talking about him, so why
|
||
|
shouldn't we?"
|
||
|
Trissa related the gist of Coira and Magdal's conversation to
|
||
|
Ulmer. He spat out a hateful and uncharacteristically brutal curse
|
||
|
against the chattering women. The two sat down, Ulmer on a wooden bench
|
||
|
and his wife on the floor, leaning against his outstretched leg. This
|
||
|
was the first time the long-married couple had directly discussed the
|
||
|
subject of Aaron, who had stopped growing in the manner of other
|
||
|
children at least a year before. The five-year-old had beautiful
|
||
|
features -- his mother's curly reddish locks and shining eyes -- and an
|
||
|
appetite for learning like his father. But it had become particularly
|
||
|
evident with the blossoming of this spring that he was growing
|
||
|
differently than others, his head out of proportion to his short, stocky
|
||
|
body. Gull, only two years older than his sibling, was two heads taller
|
||
|
and thin as a rail.
|
||
|
"I wanted to believe that he would come around," Ulmer said
|
||
|
quietly. "That's fool's thinking on my part."
|
||
|
Trissa wiped her eyes, which were tearing up from a mixture of
|
||
|
sadness and the spent fire's soot. "There has to be something to do.
|
||
|
Perhaps my father ..."
|
||
|
"Corambis can do nothing," Ulmer said. Trissa's father was a
|
||
|
notable sage and astrologer in the city of Dargon.
|
||
|
"You've spoken to him?" Trissa asked incredulously.
|
||
|
"When I went into the city to buy another plowshare," Ulmer said.
|
||
|
"That was months ago!"
|
||
|
"I did not tell you because the news was not good," he explained.
|
||
|
"Your father took out some of his books and spent the afternoon poring
|
||
|
over them to see what might be ailing Aaron. At first he mentioned food.
|
||
|
He said a child that starves is like a tree -- it won't grow. But we've
|
||
|
always eaten well on my share of the village crops."
|
||
|
Ulmer went on, looking past his wife into a bare corner of the
|
||
|
room. "Corambis finally decided that it needs have something to do with
|
||
|
the humor of the blood. At a young age if a disturbance takes place it
|
||
|
won't be made right." He put a comforting hand on his wife's arm as he
|
||
|
related what her father had concluded: "Aaron will never be half as tall
|
||
|
as a normal man."
|
||
|
The last statement washed over Trissa like a chill wind. She fell
|
||
|
sobbing into her husband's lap. Ulmer, a fourth- generation farmer whose
|
||
|
ancestors helped to clear the forest and scratch out a life for
|
||
|
themselves in Shireton, did not let himself cry. He stroked his wife's
|
||
|
long reddish-brown locks and whispered softly to her that things would
|
||
|
work themselves out as the gods intended.
|
||
|
Shortly after sunrise, Ulmer left for the fields and Trissa cleaned
|
||
|
up the fire pit with Aaron's help. Gull dug for worms in the garden.
|
||
|
Before Ulmer left, the conversation of the previous evening was not
|
||
|
discussed, as if like the log of the fire it had been consumed and swept
|
||
|
away. They did not talk much at all in the subsequent days.
|
||
|
|
||
|
"I beg of you, do not do this!" Blindfolded and tied up at wrist
|
||
|
and ankle, the young man began to sob as Caruso brought his horse-drawn
|
||
|
wagon to a stop and dismounted. The youth cast a pathetic figure, curled
|
||
|
up in the back of the small wagon.
|
||
|
"Do what?" Caruso responded as he pulled a rope off a saddle hook
|
||
|
and threw one end over a tree branch. "You should wait to find out what
|
||
|
I'm going to do before you start begging."
|
||
|
Caruso's captive, a pale, fleshy man of about sixteen, shifted his
|
||
|
weight against his bonds but couldn't loose himself. "Tell me, demon!"
|
||
|
he spat.
|
||
|
"In a moment, friend," Caruso said as he finished tying a running
|
||
|
knot in one end of the rope and fastened the other to his wagon. "If
|
||
|
your nose was any better, you'd know exactly why this is happening."
|
||
|
"My nose?" the youth asked.
|
||
|
"Can't you smell it?" Caruso said, angrily grabbing the man's shirt
|
||
|
and pulling him upwards to a seated position. "The burned wood; the
|
||
|
burned flesh of a woman and her child!"
|
||
|
Caruso ripped off the cloth obscuring the man's vision, allowing
|
||
|
him to see the noose hanging above and the remains of a burned-out house
|
||
|
beyond the copse of trees. He grabbed the backside of the man's head and
|
||
|
turned it towards the center of the house.
|
||
|
"I'm surprised you don't remember," Caruso said. "Have you put so
|
||
|
many wives and children to the torch that the memories run together?"
|
||
|
"No," the man said, his lower lip fluttering. "I did not ..."
|
||
|
"Silence!" Caruso brought the backside of his gloved hand sharply
|
||
|
against the man's face, catching the bone beneath an eye. At six feet
|
||
|
tall, Caruso loomed above the younger man, his dark eyes ablaze with
|
||
|
ferocity. "You came here to kill a child and his parents because the
|
||
|
child was a dwarf. Afterward, you stole books from this farmhouse and
|
||
|
sold them to a passing merchant in Myridon."
|
||
|
Caruso removed a small leather-bound book from his saddlebags. The
|
||
|
man stared at him in silence, then turned his eyes up towards the
|
||
|
knotted rope a few feet away. Caruso grabbed his captive's head again,
|
||
|
so that he could see the inscription on the inside front cover. It read,
|
||
|
"To my friend and fellow dreamer, Cyrus Gatney."
|
||
|
Caruso stared at the face of the man and saw terror beginning to
|
||
|
give way to resignation. "You have one chance to avoid this noose,"
|
||
|
Caruso said with soft and steady deliberation. "Others helped you do
|
||
|
this, with the killing and perhaps with the planning. Give these people
|
||
|
to me and you'll be lucky enough to wake up tomorrow. Stay silent and
|
||
|
I'll have you dancing from this rope in two menes."
|
||
|
There was only a brief hesitation before the man began confessing.
|
||
|
They were all soldiers home from the war. It had been a plan
|
||
|
orchestrated by two of his friends, and the biggest incentive was the
|
||
|
belief that Cyrus Gatney had squirreled away a sizeable fortune over the
|
||
|
years.
|
||
|
"The Gatney child was a dwarf," Caruso said. "Are you telling me
|
||
|
that it wasn't a cause?"
|
||
|
"Of course it was," the man replied. "We figured it was doing the
|
||
|
town a favor. They wanted the Gatneys out for a long time."
|
||
|
When his questions were complete, Caruso rode back into Myridon to
|
||
|
pay a few visits around the community. He left the captive behind,
|
||
|
securely bound to a tree on the Gatney farm with his mouth gagged and
|
||
|
one leg severely broken below the knee.
|
||
|
"Don't go anywhere while I'm away," Caruso told the man before
|
||
|
mounting his horse.
|
||
|
|
||
|
Summer passed over Shireton and left behind the makings of a strong
|
||
|
harvest. The belief in the village was that the gods were repaying the
|
||
|
peasant farmers for their sacrifices during the war, including those of
|
||
|
four families who had given the most and lost men in battle.
|
||
|
Unfortunately, Manor Lord Gunt issued an edict that quelled much of
|
||
|
the euphoria and optimism which had sprouted up among the verdant
|
||
|
fields. Gunt, recent inheritor of the farmlands of Shireton, announced
|
||
|
that he would be doubling the cost of the village mill and increasing
|
||
|
the amount of tribute he would levy on the fall's crops. These moves
|
||
|
were justified by hardships endured during the long war, he reasoned.
|
||
|
The villagers, who had endured more in wartime than young master
|
||
|
Gunt, voiced their grievances in small clusters of people over the next
|
||
|
few days. Ulmer normally would've been at the center of these
|
||
|
discussions, and would have tried to convince his neighbors that little
|
||
|
could be done. Gunt, like his predecessors, needed to assert his
|
||
|
leadership over those who owed him fealty. Ulmer had lived under Gunt's
|
||
|
father when he tried the same many years back, and in that time the
|
||
|
levies were eventually softened to something liveable.
|
||
|
Today however, Ulmer remained at a distance from the candid and
|
||
|
unflattering discussions of Lord Gunt. Except among his mother's family,
|
||
|
there was a growing chill between the Nirnovs and other residents of
|
||
|
Shireton. Some of it was self-imposed, since neither Ulmer nor Trissa
|
||
|
could forgive those whose wagging tongues had spoken ill of their
|
||
|
youngest boy. The rest was a realization, growing more brazen by the
|
||
|
day, that the sight of Aaron made people uneasy.
|
||
|
One morning after Ulmer had left for the fallow fields, Apted
|
||
|
called together the village children for a bird run. The ripening corn
|
||
|
was becoming an alluring feast for magpies and other bothersome birds,
|
||
|
and it was the task of every child old enough to walk to venture into
|
||
|
the fields and drive them away.
|
||
|
Armed with anything that could be cobbled together to make noise,
|
||
|
children eagerly left their homes to join Apted, one of the eldest
|
||
|
members of the village. A mentor of sorts to the children, Apted was
|
||
|
having as much fun as they were.
|
||
|
By the time the procession neared Trissa and Ulmer's cottage, more
|
||
|
than 20 children surrounded Apted. Several of the younger ones were
|
||
|
disregarding his orders to refrain from noisemaking, and both Gull and
|
||
|
Aaron heard their approach from a distance. Gull grabbed a dull piece of
|
||
|
metal and a stick and headed out. Aaron was a little slower, and Trissa
|
||
|
grabbed his shoulder as he left to join the crowd, an old breadpan in
|
||
|
hand.
|
||
|
"Mayhap you should stay with me, little one," Trissa said, even
|
||
|
though she had agreed the day before that Aaron was old enough to go.
|
||
|
The child looked crushed at the thought he wouldn't be included,
|
||
|
and his mother couldn't bear to enforce her change of heart. She patted
|
||
|
him on the back before he could voice any objections. "Go on, then," she
|
||
|
said. "Gull, keep an eye on your brother!"
|
||
|
"I'll be careful," Aaron said. "You can watch from the garden and
|
||
|
see all the blackbirds fly away!" He ran towards the gathering, an
|
||
|
excited flurry of arms and legs around a body different from those of
|
||
|
his peers. To see him around the other children illustrated how
|
||
|
different he was becoming. Different, she thought, but with all the
|
||
|
handsome innocence of a young boy beginning to grow up.
|
||
|
Trissa smiled to see how happy he and Gull were. As she saw Apted
|
||
|
looking towards Aaron, she started to think he would ask the child to
|
||
|
stay behind. He didn't, but did glance once at Trissa as if she should
|
||
|
have kept Aaron home.
|
||
|
|
||
|
"Have you seen this man in recent days?" Caruso held out a sketch
|
||
|
of a dark-haired man in his early twenties with a thin nose and a
|
||
|
clefted chin. "His name is Ergard, but he may not be using it these
|
||
|
days." Two merchants looked over the drawing but did not appear to know
|
||
|
Caruso's prey. Before leaving Myridon, Ergard had told an acquaintance
|
||
|
he was heading for Dargon. Caruso had followed the lead to this small
|
||
|
roadside tavern between Shireton and Dargon.
|
||
|
"Why do you want to know?" one asked. The men had been playing
|
||
|
paquaratti, a popular card game, when Caruso walked up to their table at
|
||
|
Gent's. The small tavern had a reputation for attracting thieves and
|
||
|
slavers.
|
||
|
"Unsettled business," Caruso replied. "Finding him would be worth
|
||
|
100 Florens to me, so be sure to keep your eyes open."
|
||
|
The men went back to paquaratti and Caruso sat down at a table
|
||
|
across the tavern. Gent's smelled of rain-soaked wood and old smoke, and
|
||
|
the three were the only patrons on this dusty summer morning. Caruso
|
||
|
removed his overcoat and folded it over a chair, still feeling the
|
||
|
weight of seven days' travel on his bones. He found himself craving a
|
||
|
glass of akavit, though neither a bartender nor barmaid was anywhere in
|
||
|
evidence.
|
||
|
It had been a hard summer for the finder. He had come down from the
|
||
|
mountains when word reached him of Cyrus Gatney's child, and Caruso's
|
||
|
plan was to bring back a living thing, not bury a family. Hunting down
|
||
|
their killers was taking its toll -- avenging a wrong did nothing to
|
||
|
make him feel right.
|
||
|
Though the faces of the dead never strayed far from Caruso's
|
||
|
thoughts, he pursued his calling with a single-minded zeal. Finders were
|
||
|
often the only friends these people had, when living or dead. Still,
|
||
|
Caruso ruminated, it would be nice to come across more live ones.
|
||
|
"Caruso, right?" The messenger stood at Caruso's shoulder, handing
|
||
|
him a sealed tube and receiving a Floren in return. The messenger looked
|
||
|
at the coin but did not otherwise move. Caruso pointed out to the street
|
||
|
and stood up next to the much-shorter man. The messenger got the
|
||
|
message.
|
||
|
Sitting back down at his table, Caruso unstuck the seal and
|
||
|
unrolled the parchment.
|
||
|
"To Caruso the Finder from Corambis deSaavu," began the letter.
|
||
|
Caruso did not know the scholar but certainly knew of him, and the fact
|
||
|
that Corambis had tracked him down was an impressive credential in its
|
||
|
own right. The letter was comprised of several pages of densely penned
|
||
|
script.
|
||
|
By lunchtime, Caruso was headed for Shireton.
|
||
|
|
||
|
Nibbling on a carrot, Trissa walked out to the front porch of her
|
||
|
home and looked at the other villagers working in their gardens or
|
||
|
talking in the street. There were mostly women in the range of her gaze,
|
||
|
the men away in the fields and children out with Apted.
|
||
|
The absence of Aaron and Gull had left Trissa anxious and fidgety
|
||
|
all morning. Several times she considered making the walk out to the
|
||
|
creek where the children were likely to be. Most of the blackbirds had
|
||
|
been spooked by now, for certain, and the sons and daughters of Shireton
|
||
|
were probably making a grand adventure of their time away from the
|
||
|
village. Trissa stayed home, thinking that her sons would soon return.
|
||
|
A few of the women across the street glanced at Trissa but did not
|
||
|
acknowledge or greet her. Trissa Nirnov had lived in Shireton for more
|
||
|
than 20 years, coming from Dargon to live with an aunt after her
|
||
|
mother's death. Her father Corambis had returned to Dargon, but Trissa
|
||
|
did not begrudge the quieter life that was hers in the farming village.
|
||
|
For 15 years she had been the wife of Ulmer Nirnov, and his role as
|
||
|
village plowman made them a respected part of the small community.
|
||
|
Those days had passed. The year had grown increasingly harder for
|
||
|
the Nirnovs, as the people of Shireton put a distance between themselves
|
||
|
and the family. Making matters worse was the death in the spring of
|
||
|
Trissa's aged aunt, the last tie to her mother's family, and her
|
||
|
father's ill-fated visit a few month's past.
|
||
|
No one spoke openly with the Nirnovs about Aaron's condition, but
|
||
|
they were talking often about it amongst themselves. Some of their
|
||
|
children had begun to echo the hateful and frightened chatter.
|
||
|
As Trissa watched Coira and a few others standing outside the
|
||
|
common oven, she could not help but think that the woman was talking
|
||
|
about Aaron. Living next door to each other and having husbands who were
|
||
|
longtime friends, Trissa and Coira were confidants for years. They had
|
||
|
not spoken to each other, aside from pleasantries, since Trissa
|
||
|
overheard Coira's conversation with Magdal.
|
||
|
To Trissa's surprise, Coira approached her as she returned home
|
||
|
carrying freshly baked bread. The older woman nodded curtly as she
|
||
|
walked up to Trissa, who remained silent.
|
||
|
"I think we need to talk about Aaron," Coira said.
|
||
|
"Do you mean Aaron, or abomination?" Trissa asked, raising her
|
||
|
voice.
|
||
|
"I don't know what you mean," stammered Coira.
|
||
|
"I know the words you use to describe my child, Coira. I heard you
|
||
|
telling Magdal all about the monster in your midst."
|
||
|
"Lies!" Coira said. "But whether you want to hear it or not, the
|
||
|
child is a dwarf. You know the stories; you know that it's a punishment
|
||
|
from the gods."
|
||
|
"Punishment?" Trissa stepped off her porch and stared closely into
|
||
|
Coira's eyes. "He's a little boy!"
|
||
|
"Of course he is," Coira said. "But it is not our place to question
|
||
|
their wisdom. He could be paying for something your father has done. For
|
||
|
dabbling in forbidden knowledge, perhaps."
|
||
|
They blamed Corambis! Trissa had not expected to hear this, but it
|
||
|
was probably a commonly held notion among the people of Shireton. Books
|
||
|
and magic were alien to most of them, and being alien, were feared.
|
||
|
"Get out!" Trissa yelled, and she could see that the argument was
|
||
|
being closely watched by several neighbors.
|
||
|
Coira's expression turned cold and openly hateful. "You're not
|
||
|
welcome here anymore!" she spat, turning away and leaving. "You should
|
||
|
be glad I told you."
|
||
|
Trissa spun on her heels, went back into her house to put on shoes,
|
||
|
and quickly headed off to find Ulmer.
|
||
|
As she did so, Aaron and Gull were playing in the creek near
|
||
|
Shireton with a group of younger children, as Trissa had suspected. They
|
||
|
had ventured quite a distance away from Apted and the older members of
|
||
|
the bird patrol, looking for a good stretch of water upon which to skip
|
||
|
stones.
|
||
|
"Let's go to Pig's Bottom," Sark suggested. It was the name given
|
||
|
by the children to a pond fed by the creek further downstream. Wild pigs
|
||
|
liked to forage in the low-lying area for roots and nuts.
|
||
|
"Good idea!" Gull said. "I know a great place there to throw
|
||
|
stones."
|
||
|
The others were of like mind, but as they headed further down the
|
||
|
creek, Aaron grabbed his brother by the arm. "We should go back," he
|
||
|
said. "Apted will be mad."
|
||
|
Sark, a year older than Gull and one of Magdal's grandchildren,
|
||
|
overheard Aaron. "You go back to Sap-Head. We're not afraid like a
|
||
|
little dwarf."
|
||
|
"I am not!" Aaron protested. Since he had never heard the term
|
||
|
dwarf before, his denial was about being scared. "I'll go."
|
||
|
The six children walked alongside the creek towards Pig's Bottom,
|
||
|
out of earshot from Apted and the others.
|
||
|
When Trissa found Ulmer in the field, he had stopped the oxen and
|
||
|
was on the ground looking at his plow. "In the name of Saren what have I
|
||
|
done?" he said to himself, exasperated, invoking the name of the Olean
|
||
|
god of suffering. The coulter, a vertical blade that cuts a path for the
|
||
|
plowshare, had broken on a submerged stone.
|
||
|
"That looks bad," Trissa said, surprising her husband.
|
||
|
"It is," Ulmer replied. The coulter seemed beyond repair. "I'll
|
||
|
have to see Lord Gunt about a new one. What are you doing out here?"
|
||
|
"Coira talked to me today about Aaron."
|
||
|
Ulmer sat up and wiped dirt off his clothing. "What did she want?"
|
||
|
"To let me know we're not wanted," Trissa said.
|
||
|
"This is madness!" Ulmer said. "Shireton has been my family's home
|
||
|
for 100 years. I'll be damned if I let them drive us out of it."
|
||
|
"I don't care about these people or what they think," Trissa said.
|
||
|
"I just want what's best for us."
|
||
|
"Living here is what's best," Ulmer said. "I'm going to call a
|
||
|
village meeting on this tonight."
|
||
|
The talk with Coira still fresh in her mind, Trissa looked
|
||
|
intimidated at the suggestion of facing more than 100 people whose
|
||
|
thoughts could be equally venomous. "Can that work?" she asked.
|
||
|
"It will," Ulmer said, embracing his wife and running his hand
|
||
|
through the curls of her reddish-brown hair.
|
||
|
After removing the yoke from the oxen, the Nirnovs made the trek
|
||
|
back to the village, talking little. As they crossed a small wooden
|
||
|
bridge over the creek that came from Shireton, Aaron, Gull and the
|
||
|
children with them could have been seen in the distance, heading away
|
||
|
from the village. But Ulmer and Trissa were not looking in that
|
||
|
direction, having spotted Apted and a large group of children close by.
|
||
|
They hurried towards the group but did not see Gull or Aaron.
|
||
|
Apted spoke first as Ulmer and Trissa approached, the concern
|
||
|
evident in their faces. "Some of the children have strayed a bit," he
|
||
|
said. "I'm sure they haven't gotten far."
|
||
|
As the adults started to discuss where to look for the missing
|
||
|
children, a stranger to the village rode up on a spotted gray horse. He
|
||
|
was a broad and tall man with long black hair that reached his
|
||
|
shoulders.
|
||
|
"I am looking for the Nirnov family," Caruso said.
|
||
|
|
||
|
As they reached Pig's Bottom, Gull pointed to a cliff wall on the
|
||
|
other side of the pond. "We need to get up that rock," he said to his
|
||
|
compatriots. "You can throw stones a long way from up there."
|
||
|
"That's a bad place for throwing," Aaron said. "Too high up."
|
||
|
"Wrong! Let's climb it and I'll show you." The others agreed with
|
||
|
Gull, and they worked their way around the pond. Pig's Bottom was
|
||
|
nestled in the thick woods that surrounded Shireton, and the children
|
||
|
had to push their way through trees and undergrowth. At one point
|
||
|
Apted's son Reshua surprised a sleeping pig in a leaf-strewn gully. Both
|
||
|
animal and boy took off at the sight of each other, screaming or
|
||
|
snorting their fright. The other children were still making fun of
|
||
|
Reshua when they reached the top of the cliff.
|
||
|
The cliff was about 50 feet above the surface of the pond. A hollow
|
||
|
had dug itself out at the base of the rock, and the water there was
|
||
|
murky and still. No other people could be seen at the pond.
|
||
|
"This isn't so high," Reshua said, eager to make amends for being
|
||
|
scared by the pig.
|
||
|
Sark and he walked over to the edge, which sloped slightly
|
||
|
downwards. "Looks high to me," he said.
|
||
|
While the others looked out onto the pond, Gull and his brother
|
||
|
were searching for suitable stones. They had to be as wide as a coin and
|
||
|
mostly flat, and Gull took off his shirt to hold all the ones they
|
||
|
found.
|
||
|
After they distributed about two dozen stones among the six
|
||
|
children, it didn't take long to discover that Aaron was right about the
|
||
|
cliff. It was too high up for a tossed stone to skip across the water.
|
||
|
The game switched to an accuracy contest, as they tried to hit birds, a
|
||
|
nest, rocks and one unfortunate turtle.
|
||
|
Reshua was the first to run out of things to throw. As the other
|
||
|
children were looking for a second turtle that Sark had spotted, Reshua
|
||
|
saw a fist-sized rock he could pull out of the side of the cliff. He
|
||
|
stepped to the edge, leaned over and tugged at it. The ground gave way
|
||
|
beneath his feet.
|
||
|
"Sark!" Reshua screamed for his best friend as he fell off the
|
||
|
cliff and plummeted into the water. Sark was first to the edge, but it
|
||
|
was more precarious footing than he anticipated. Gull grabbed at his
|
||
|
shoulders but couldn't catch Sark before he went over the edge also,
|
||
|
slamming into the rocky face of the cliff once before falling into the
|
||
|
water.
|
||
|
Gull pushed Aaron a few feet away from the precipice and told him
|
||
|
not to move. He did the same for another younger boy. Gull and a boy his
|
||
|
age then scrambled along the side of the cliff until they could reach a
|
||
|
safe place to descend.
|
||
|
"Help me!" either Sark or Reshua pleaded. "It's deep here!"
|
||
|
Several minutes passed before Gull and his companion reached the
|
||
|
water. They found Sark at the base of the cliff, blood oozing from a cut
|
||
|
where his skull met the back of his neck. Sark was unconscious as Gull
|
||
|
pulled him out, and his breathing was labored.
|
||
|
Reshua could not be seen. Gull took off his shoes and dove into the
|
||
|
water. He was a good swimmer, having learned the past summer at this
|
||
|
same pond. But it took more than 10 dives before he found Reshua and
|
||
|
pulled him out of the dark water.
|
||
|
Reshua was dead. Gull finally let himself think about it as he
|
||
|
reached the water's edge with the body. He began sobbing and couldn't
|
||
|
make himself stop.
|
||
|
At the top of the cliff, Aaron sat motionless, listening to his
|
||
|
brother but too afraid to look. "What's wrong, son?" Apted was the first
|
||
|
to find the children, having heard Gull's sobbing. He grabbed Aaron by
|
||
|
the shoulder and turned him around.
|
||
|
"Sark and Reshua fell," Aaron stammered, pointing to the edge.
|
||
|
Apted quickly looked to see what Aaron meant, believing it must
|
||
|
surely be a minor accident. When he saw Reshua's prone form, it was
|
||
|
obviously too late to save him.
|
||
|
His youngest son, the one who most reminded Apted of his father,
|
||
|
was gone. Apted looked at Gull, sitting in the water below with his head
|
||
|
in hands, and turned around to see Aaron. The dwarfen child looked up at
|
||
|
him and began to tremble. "They're not hurt, right?" Aaron asked.
|
||
|
"Right?"
|
||
|
Despite his wife's protestations, Apted was not one of the
|
||
|
villagers who believed Aaron's affliction was a divine punishment
|
||
|
visited upon his family by the gods. He was not comfortable around the
|
||
|
child, admittedly, but thought people would grow used to the dwarf.
|
||
|
Apted now saw that his beliefs were an affront to the gods. The
|
||
|
people of Shireton had ignored the portent of Aaron's birth, and it cost
|
||
|
them dearly.
|
||
|
"This is your fault!" Apted raged against the little child at his
|
||
|
feet. He picked up Aaron and held the boy over the precipice, the
|
||
|
child's legs dangling above the water and rough-edged rocks. Apted
|
||
|
looked downward for the right place to drop the boy. "Why didn't I see
|
||
|
this sooner?"
|
||
|
|
||
|
To Be Continued
|
||
|
|
||
|
========================================================================
|
||
|
|