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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 10
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 8
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 12/06/1997
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Volume 10, Number 8 Circulation: 680
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Friendships of Stone 2 Mark A. Murray Naia 5, 1015
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Pudlong and the Beanstalk 3 Jim Owens Late Spring, 1016
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Quadrille 3 Alan Lauderdale 7-8 Sy, 1012
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.shore.net/~dargon. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 10-8, ISSN 1080-9910, (C) Copyright December, 1997 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories may
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not be reproduced or redistributed without the explicit permission of
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the author(s) involved, except in the case of freely reproducing entire
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issues for further distribution. Reproduction of issues or any portions
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thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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After our very popular "Night of Souls" issue, in this issue we
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return to three ongoing storylines. Among these is Mark Murray's
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"Friendships of Stone" series, which began in DargonZine 10-6. We also
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continue Alan Lauderdale's ongoing "Quadrille" series and conclude Jim
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Owens' "Pudlong and the Beanstalk" trilogy, both of which began in
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DargonZine 10-5.
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If you are new to DargonZine, let me reassure you that we try to
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avoid having issues where all of the stories require you to have read
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|
prior works, but as you can see, we don't always succeed. We understand
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that as you peruse a new magazine, it's frustrating to discover that you
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need to go back and read a bunch of prior works before you can make
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heads or tails of the material at hand.
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|
That's especially true of DargonZine, where there is a huge body of
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|
prior knowledge, contained in a voluminous mass of undifferentiated
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prose that has built up over more than a dozen years. The fortunate
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thing is that our body of knowledge is a no more than a click or two
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away.
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But that's still more effort than it ought to be. As a magazine
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where users can subscribe and unsubscribe at the push of a button, it is
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imperative that we not only capture the attention of our new readers,
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but also hold their attention by giving them enough background
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|
information about the milieu that they don't feel like they've been
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thrown into the middle of a story. Perhaps our biggest challenge is
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bringing new readers up to speed on Dargon, so that they can appreciate
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and enjoy the storylines we craft in that setting.
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One of the most successful techniques we have employed to address
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this issue is the Online Glossary. Each time a Dargon-specific thing
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appears in a story on our Web site, its name is a hyperlink to a
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description of that entity. This enables readers to quickly garner the
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background information they need in order to appreciate each story.
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We've also created a "New Reader Introduction" page that also lives on
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the Web site, describing many of the most frequently-encountered people,
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places and things. Furthermore, although it's not obvious until you
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start reading, a majority of our storylines are essentially
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self-contained, requiring no specialized knowledge to appreciate.
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But despite these efforts to help bring new readers up to speed, we
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could use your input as well. We would love to hear from you if you have
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any ideas about how we can do a better job helping people get over this
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hurdle. The longevity and interrelatedness of our anthology should not
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be a barrier to new readers.
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========================================================================
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Friendships of Stone
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Part 2: Tara and Sharin
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by Mark A. Murray
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<mmurray@weir.net>
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Dargon, Naia 5, 1015
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Tara hated missing time with her friend, Sharin, but her uncle
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needed her help, and so she spent the entire day working with him. Her
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uncle, Captain Adrunian Koren of the town guard, usually had her working
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on the guard schedules or the paperwork for expenses. Today was no
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different, except that he wanted the schedule done before she left. By
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the time she finished, it was late afternoon. She had wanted to spend
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the day with Sharin wandering through the marketplace looking for new
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cloth. Melrin was coming up, and she wanted a new dress for the
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festivities. She was hoping to salvage some of the day and was hurrying
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to Sharin's tent. Zed, her pet shivaree, loped along beside her.
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Zed always drew stares when she took him out in public. Even though
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he wasn't any bigger than a large dog, his weasel-like appearance
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gathered attention. Not many people knew what a shivaree looked like,
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but they noticed Zed's bushy tail, long body, short legs, rough brown
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fur, and pointed snout. While people stopped, stared, and talked about
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him, their attention piqued his curiousity and that always got him into
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trouble, so Tara was forced to keep a close eye on him.
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Since it was near dark, the marketplace was almost empty. A few
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vendors had stayed, hoping to sell more of their wares. Most others were
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long gone by now, though. One vendor called out to her to buy his still
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fresh bread. She ignored him and continued on down the street. As she
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walked through the center of the marketplace, she sighed. "No looking
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for new cloth today," she thought.
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As she neared Sharin's tent, she heard voices inside and slowed
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down, not wanting to disturb her if she was with a customer.
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"You're crying," a voice inside the tent said.
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"Ben!" someone else hissed. She heard a small grunt, and quietly
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moved closer to the tent opening.
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"He wasn't a nice man, was he?" the first voice asked. Both voices
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sounded like they came from children. She hesitated to open the flap and
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interrupt a business conversation, but then she heard crying from
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inside. All hesitation gone, she hurried into the tent.
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"What's going on?" she asked. Inside she saw Sharin leaning against
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her workbench with her face buried in her hands. Her long dark hair was
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covering half of her face, almost hiding her hands.
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"Sharin? What's happened?" Tara asked. She quickly went over to her
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friend. Sharin threw her arms around her and started bawling. Sharin's
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tall thin body shook as she cried. Tara hugged her tightly.
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"Look Matthew!" Ben nearly yelled. "That's the same thing as the
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figurine!" He was pointing to Zed. "But bigger!" Zed looked from Sharin
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to Ben before going over to sniff Sharin's leg. Tara moved to see what
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Zed was doing and Sharin took a step back.
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"She'll be okay, Zed," Tara told the shivaree. Zed turned around
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and moved to sniff the two boys. "They're okay, too, Zed," Tara huffed.
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She didn't want Zed biting anyone, especially two young boys. Both were
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dressed in warm winter clothes, but the clothes were old, worn, and
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patched. The smaller boy had light brown hair that was cut short, while
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the taller boy had slightly longer and darker hair that hung down to his
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shoulders. She watched Zed twirl around twice before settling on the
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ground at their feet.
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"It is bigger," Matthew stated. "I wonder --"
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"Who are you?" Tara interrupted. "And what happened? What did you
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say to her?" When she had entered the tent, she hadn't noticed anything
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that would cause Sharin to cry. She had not seen any broken figurines.
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The small desk in the back of the tent that she sculpted on was a
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cluttered mess, but that was normal. A long workbench on the right held
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stones and tools and that was normal, too. She could only guess that the
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boys had said something to upset Sharin.
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"Huh? We didn't say anything!" Ben replied. "It was that man that
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was here that caused it."
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"What man?" Tara asked. Turning her attention to Sharin, "Stop
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crying and tell me what happened."
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"A noble threatened me," Sharin said between sobs. Her crying was
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lessening, but she was still breathing in gasps. "Just like my brother.
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It's going to happen all over again. I'm going to end up just like my
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brother!" She started bawling again.
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"What brother?" Ben asked. Sharin's crying reached another level of
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intensity.
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"Ben!" Matthew scolded. "You're just making it worse!"
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"But I didn't do anything. I just asked about her brother."
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"Her brother is dead," Tara replied. Turning her attention back to
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Sharin, she said, "And you aren't going to end up like him, either! Do
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you hear me?" Sharin nodded and wiped her face on the sleeve of her
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shirt. "Now, I still don't know what happened."
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"It started with a dragon --" Ben began.
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"A dragon?" Matthew and Tara asked in unison. Sharin looked at the
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two of them and giggled through her crying, almost making her choke.
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"A dragon, Ben?" Matthew asked. "How did this start with a dragon?
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It was that noble that made her cry."
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"Yes, how did it start with a dragon when there are no dragons?"
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Tara also asked.
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"Yes, there are!" Ben replied.
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"No, there aren't!" Matthew stated.
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"Are too!"
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"Are not!"
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"That man said there are dragons," Ben said. "And you believed in
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them once before."
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"Yeah, but that man explained that there *were* dragons, but there
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aren't any now," Matthew said.
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"He said they were --"
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"Enough!" Tara yelled. "I don't care about dragons. I want to know
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what happened to make Sharin this upset."
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"We don't really know," Matthew told her. "We just overheard a man
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talking to her inside this tent. We were outside and the flap was
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closed, but we could hear them talking."
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"Yeah, especially when they both started yelling at each other,"
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Ben added.
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"The man wanted her to come with him and do sculpting for him, and
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she didn't want to go. He said that she would eventually, whether she
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wanted to or not."
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"Is that what happened?" Tara asked Sharin. Sharin nodded, her
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breathing and her tears almost under control.
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"He ... he was ... some noble," Sharin stuttered.
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"Who was he?
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"I don't know. He just started asking me questions about my
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figurines and then he wanted me to work for him. He said he had money to
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buy me good tools, a proper work area, or anything else I wanted. I
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started to get upset and never asked him his name. I just wanted him to
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leave."
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"He almost knocked us onto the ground when he left," Ben added.
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Tara looked at the boys and saw that Ben was sitting on the ground next
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to Zed, rubbing behind the shivaree's ears. Zed was leaning closely
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against Ben with his head in Ben's lap and his eyes closed. She looked
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at Matthew, who was still standing looking at her. Their eyes met, and
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he looked down at the ground.
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"He did almost knock us down," Matthew said.
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"So, I have a noble threatening my friend, no one knows his name,
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and he tries to knock kids onto the ground? Is there anything else?"
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"He was mean," Ben added.
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"And that makes a mean noble with no name who knocks people down,"
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Matthew re-stated.
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"He had a small scar above his left eye," Sharin said, remembering
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some of the details about the noble. She had stopped crying, but was
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still a bit shaken.
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"I guess that makes him a mean noble with no name who knocks people
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down and has a scar above his eye," Ben said.
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"He didn't have a beard, either," Matthew remembered. "That makes
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him ... um ... a mean noble with no name and a scar above his eye
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without a beard and ... oh! ... who knocks people down!"
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"He was plump, too," Sharin giggled. "That's a mean noble with no
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name who's plump with a scar above his eye and no beard who knocks
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people down!" Ben broke out laughing, which caused Zed to look up to see
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what was going on.
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"I don't want to know anymore," Tara laughed. "I have a hard enough
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time remembering half of what you're saying let alone adding more." She
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noticed that Sharin had stopped crying and was smiling, although her
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eyes were still slightly red.
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"You don't think he'll do anything, do you?" Sharin asked Tara.
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"No. I don't think he will. Most nobles think of themselves as the
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center of the world. What they want, they try to get. Most times, they
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do get it, but people are different. You don't see nobles buying people
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in the marketplace, do you? You can't just buy people here in Dargon,"
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Tara explained.
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"I've never seen a noble buying a person in the marketplace," Ben
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said.
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"Who are you?" Tara asked again, realizing she didn't get an answer
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the first time.
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"Ben."
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"I thought you didn't want to know anymore," Matthew asked,
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smiling.
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"About the noble. You knew what I meant," Tara replied, smiling
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also.
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"My name is Matthew. Ben and I are best friends."
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"They came to get a figurine," Sharin told Tara. "It's the dragon
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one over there," she said, pointing towards the corner of the tent.
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Matthew and Ben followed her finger, for they hadn't seen the dragon,
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yet.
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"It's great!" Ben exclaimed as he went over to it. He bent down to
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get a closer look at it. The wings were outstretched and open with the
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wing bone showing through the membrane along the forward edges of the
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wings. It was reared up as if to take flight, the forearms raised
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outward, talons extended. Ben ran his hand over the wings, over the
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body, over every part of the dragon. He stopped at the head where two
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horns protruded from above the eyes.
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"It's beautiful," Matthew whispered. "It almost looks like a real
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dragon. Or what a real dragon would be if they were real."
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"They are real," Ben insisted. "And they look like this." Ben
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picked the dragon up and stood. He held it close to his body as he
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turned it over, looking at every detail.
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Matthew turned and walked back to where Sharin was standing. "Thank
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you," he told her. "We'll show it off to everyone we can."
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"Show it off?" Tara asked.
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"It was our deal," Sharin replied. "I make it for them, and they go
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out into the marketplace and show it to everyone they see. Tell the
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people where they got it from. I was hoping it would bring in more
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business. Things haven't been too good lately."
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Matthew thought about what she said before asking, "If you aren't
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doing good, why didn't you want to work for the noble? You would have
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gotten more money. What's so bad about that?"
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"He was mean," Ben replied quickly.
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"Besides that, Ben," Matthew said.
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"My brother used to work for a noble," Sharin began. "He ..."
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"You don't have to tell them," Tara said.
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"I know, but I've held it inside too long. It's still upsetting me,
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and maybe if I talk about it ... It can't be worse than it is now."
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Tara hugged her friend and went to go look at the dragon, letting
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Sharin tell her story in her own way and in her own time. Ben was right,
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she noticed as she saw the dragon. It looked life-like. A dragon
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captured in miniature and turned to stone. She wondered where Sharin got
|
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the ideas to sculpt such details. It was something she would have to
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remember to ask about later.
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"My brother ... was not from here," Sharin began. "I am not from
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here. I am Lanoam and my village is a great distance from here. The
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children that were born into our village were always deformed. The
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|
healers worked to correct the children's bodies, but there were so many
|
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|
being born that way. My brother, however, was born whole and healthy.
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|
"As he grew, he realized that our people needed help. It was taking
|
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|
stronger and stronger magic to heal the children. He pleaded with the
|
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|
village elders, but they would not listen to him. After nineteen
|
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|
summers, he convinced the elders to let him search out other people and
|
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|
find something that would save the children. He believed that other
|
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people would have magic that would help us, and so he left in search of
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them.
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"One day, a summer after he left, a sparrow came to me with a
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message from my brother. He was in trouble, and I left our village to go
|
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|
to him. When I found him, he would not look into my eyes; he would not
|
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hold me close in a loving embrace. He only told me of what happened to
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him after he left our village.
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"He searched and searched and found a noble who promised to help
|
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|
him in return for aid from my brother. My brother told the noble that he
|
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|
could heal and sculpt and strengthen metals so that they would not
|
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|
break. The noble forced my brother to use his talents only for
|
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|
destruction. He was forced to heal only the noble's soldiers, to
|
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|
strengthen swords and other weapons so that the noble could conquer
|
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|
neighboring territories.
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|
"My brother was maimed when he did not comply with the noble's
|
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|
wishes. And after he told me all of this, he took his own life." Sharin
|
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|
sobbed. Her crying had started again. She cried for her lost brother and
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|
she cried for herself; she was lost just like her brother.
|
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|
"I'm sorry," Matthew whispered. "I've never had a brother, but if I
|
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|
did, I wouldn't want to lose him, either."
|
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|
"You're afraid the noble will treat you like the other one did your
|
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|
brother, aren't you?" Ben asked. He held the dragon figurine close to
|
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|
his body with both hands.
|
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|
"Yes," Sharin answered.
|
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|
"You might as well tell them the rest, Sharin," Tara told her. "So
|
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|
that they understand all of why you don't want to end up like your
|
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|
brother."
|
||
|
"I returned to my people after my brother's death," Sharin said.
|
||
|
"Less babies were surviving birth. I told the elders what had become of
|
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|
my brother, and I also told them that I would finish his quest. They
|
||
|
agreed, and I left my home again to continue the search for someone or
|
||
|
something to help my people.
|
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|
"I came through Dargon many summers ago, and that is when I met
|
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|
Tara. She helped me through some trouble that I had. I left soon after
|
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|
and continued my quest. It wasn't long before I felt lonely and afraid.
|
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|
Tara had been the only person that I had met that showed me kindness and
|
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|
love.
|
||
|
"So, I returned to Dargon. Perhaps instead of searching for someone
|
||
|
to aid me, I could stay in one place that many people travelled through
|
||
|
and search for them as they came to me.
|
||
|
"The fate of my people is on my shoulders. Should I end up like my
|
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|
brother, I will have failed him and my village."
|
||
|
"That's why you were so upset after he left your tent, wasn't it?"
|
||
|
Ben asked.
|
||
|
"Do you always ask silly questions?" Tara asked him.
|
||
|
"Yes," Matthew answered for Ben, smiling. "He always does."
|
||
|
"Do not," Ben replied.
|
||
|
"Do too," Matthew said.
|
||
|
"Do not."
|
||
|
"Do too."
|
||
|
"You two enjoy arguing, don't you?" Tara asked, and then realized
|
||
|
she had just asked a question Ben would have asked. She laughed at
|
||
|
herself, and the two boys stopped arguing to look at her.
|
||
|
"What's so funny?" Ben asked, which made Tara laugh harder. Sharin
|
||
|
shrugged her shoulders, as she didn't understand the joke either.
|
||
|
"Nothing," Tara managed to say. "Just something that was funny to
|
||
|
me," she giggled.
|
||
|
"You haven't found anyone to help?" Matthew asked, changing the
|
||
|
subject. Sharin shook her head.
|
||
|
"Tara has helped me search this past year. We've been to all the
|
||
|
temples in town, and asked the visiting priests when they came to
|
||
|
Dargon. We've bothered and asked just about everyone we could think of."
|
||
|
"It's dark out, Matthew," Ben said, interrupting. "We should have
|
||
|
been home already. Rachel's going to yell at us." Matthew turned around
|
||
|
to peer outside. It was dark outside.
|
||
|
"I didn't realize it was this late," Matthew said. "We've got to
|
||
|
go."
|
||
|
"I'll walk you home," Tara said. "I'm not so sure Zed will want to
|
||
|
come, though. He's asleep." The boys turned and looked at Zed. The
|
||
|
shivaree was rolled over on his back, feet in the air, sound asleep.
|
||
|
"I forgot he was there," Matthew said.
|
||
|
"So did I," Ben echoed.
|
||
|
"I'll walk with you," Sharin added.
|
||
|
"What about your shop?" Tara asked. "Aren't you afraid someone will
|
||
|
steal some of your figurines?"
|
||
|
"No," Sharin replied. "Help me get the ones outside back in here,
|
||
|
and I'll explain." The four of them went outside to get the figurines,
|
||
|
and Zed woke up. He rolled over, yawned, and slowly got to his feet. "I
|
||
|
made a deal," Sharin started to explain, "with some shadow boys. They
|
||
|
watch my shop whenever I'm not around, and I either pay them or I sculpt
|
||
|
something for them. There's always one or two around the marketplace, so
|
||
|
I just look for them and let them know I'm going to be gone."
|
||
|
"Shadow boys? You trust them?" Tara asked as she carried a figurine
|
||
|
inside. Zed was headed for the opening as she entered and she was forced
|
||
|
to step over him. "Oh, Zed, you're awake. Good, but stay out of the
|
||
|
way."
|
||
|
"I trust them as long as I pay them," Sharin said, smiling. "And so
|
||
|
far, they haven't demanded much in payment."
|
||
|
"Liriss would have charged you a lot if you were dealing with him,"
|
||
|
Tara told her. "In fact, I'm surprised he hasn't approached you.
|
||
|
Although he has been busy with other things lately. Or so my uncle
|
||
|
says."
|
||
|
"Who's Liriss?" Ben asked.
|
||
|
"Who's your uncle?" Matthew asked.
|
||
|
"My Uncle is Captain Adrunian Koren of the town guard, and Liriss
|
||
|
is no one you need to know about," Tara stated. "And someone I hope you
|
||
|
never meet."
|
||
|
"Ben, you need to leave the dragon here," Matthew told his friend.
|
||
|
"We'll come get it in the morning."
|
||
|
"Can't I take it home?"
|
||
|
"We haven't worked for it, yet," Matthew explained. "It'll be here
|
||
|
in the morning." Ben frowned as he set the dragon sculpture on the
|
||
|
ground. He looked at it one final time before he left the tent.
|
||
|
"That's it," Sharin said, tying the tent flaps closed after all
|
||
|
were outside. "Let's find a shadow boy, and then we can walk you two
|
||
|
home." Sharin led the way as she knew the places where the shadow boys
|
||
|
normally would be. It wasn't very far before she found one, and told him
|
||
|
that she would be gone a bell or so. He nodded and whispered something
|
||
|
to her before running off. "He's going to get someone else because he
|
||
|
has something to do. That and he wanted to know what the dog was."
|
||
|
Sharin grinned, and Tara frowned. "I told him it was a shivaree."
|
||
|
"I met some shadow boys before," Matthew said. "A long time ago,
|
||
|
before I met Ben, I wanted some friends. There was this group of boys
|
||
|
that played near my house. They always seemed to have fun, and I wanted
|
||
|
to play, too.
|
||
|
"One day, I asked them if I could join in their game. One of them
|
||
|
yelled at me and told me to go home. He said they didn't have any
|
||
|
homes."
|
||
|
"They don't," Sharin said. "And it's good that you didn't end up
|
||
|
with them. Most of them aren't very nice. I don't know why they watch my
|
||
|
shop for the meager pay that I give them. Maybe they like the stone
|
||
|
sculptures I do for them. But if they thought I had money stashed away
|
||
|
in my tent ... well, they would rather rob me than work for me."
|
||
|
"Yes," Tara agreed. "Shadow boys have to survive on the street.
|
||
|
They don't have homes. They'll cheat or steal to get something, but most
|
||
|
of them won't beg. They'll kill before they'll beg. The only family they
|
||
|
have is each other. Even then, they have been known to turn on one
|
||
|
another."
|
||
|
Another shadow boy ran up to them and they stopped their
|
||
|
conversation. The shadow boy told Sharin that if she wasn't gone longer
|
||
|
than two bells, he could watch her tent. More than two bells, and she
|
||
|
was on her own.
|
||
|
"Where do you live?" Tara asked the boys.
|
||
|
"That way," Ben said, pointing. Matthew looked in the direction Ben
|
||
|
was pointing, thought about the way the streets were situated, and
|
||
|
guessed that Ben was right. But he didn't understand how Ben knew that
|
||
|
so quickly.
|
||
|
"Lead the way," Sharin told Ben.
|
||
|
"Are you two good friends?" Ben asked as he led them down the
|
||
|
street. "Matthew and I are best friends. Well, he's my only friend,
|
||
|
really. But still my best friend. And I was wondering if you can have
|
||
|
more than one good friend."
|
||
|
"We're good friends, yes," Tara replied. "We've been friends ever
|
||
|
since we met."
|
||
|
"Tara is the only friend that I have, too, Ben. And she's my best
|
||
|
friend," Sharin stated.
|
||
|
"What about your village?" Matthew asked.
|
||
|
"I didn't really have friends there. I played with other kids when
|
||
|
I was young, but no one that I could call a friend. Not like Tara is."
|
||
|
"That's Matthew's house," Ben said, pointing. "Matthew, his mom and
|
||
|
Rachel share the house. I live two houses down, but I'm mostly at
|
||
|
Matthew's house."
|
||
|
"Ben's mom isn't home very much," Matthew explained. "She's gone
|
||
|
all night usually, and sleeps most of the day away. So Ben stays at my
|
||
|
house. Rachel watches us when my mom isn't there." Matthew opened the
|
||
|
door to find Rachel sitting in a chair, sewing. Jerid was leaning
|
||
|
against a wall, his laughter cut short as the door opened. Both looked
|
||
|
over and Rachel frowned.
|
||
|
"You should have been home bells ago," she scolded.
|
||
|
"They were helping me," Sharin said as she and Tara entered the
|
||
|
house.
|
||
|
"Who are you?" Jerid asked. "Oh! Tara," he said as he noticed her
|
||
|
entering.
|
||
|
"Hello Jerid," Tara said with a smile on her face. "Uncle Koren,"
|
||
|
she thought, "would love to hear about this." Jerid was a Lieutenant in
|
||
|
the Keep's guard, and Koren was a Captain in the town guard. Koren was
|
||
|
always trying to find out more about Jerid, as the two of them were
|
||
|
rivals -- professional rivals -- in Dargon.
|
||
|
"You know her, Jerid?" Rachel asked, very interested in the answer.
|
||
|
"Yes, she is Adrunian Koren's niece. If the boys were with her,
|
||
|
they were in no trouble, and probably safer than with a town guard
|
||
|
escort. Zed's with you, isn't he?"
|
||
|
"Yes. He's just outside. I didn't want to frighten anyone in here,
|
||
|
so I told him to stay there. Besides, we have to be going. Uncle Koren
|
||
|
will worry, too, if I'm not home soon."
|
||
|
"What's this?" Eileen asked as she stepped through the door. "I
|
||
|
just get off work and find more people here than at the inn. Who are
|
||
|
you?" Turning to her son and Ben, she asked, "Why aren't you two in
|
||
|
bed?"
|
||
|
"Mom," Matthew explained, "this is Tara and Sharin."
|
||
|
"Wasn't there a brown furry creature outside?" Tara asked Eileen.
|
||
|
"No, why?"
|
||
|
"He's wandered off again. Zed!" she yelled as she went out the
|
||
|
door.
|
||
|
"I should go with her," Sharin said as she went out the door, too.
|
||
|
Both girls heard Eileen ask what was going on. Then they heard the boys
|
||
|
start in on what happened with Rachel's voice trying to be heard over
|
||
|
them.
|
||
|
"Zed picked the best time to wander off," Sharin remarked.
|
||
|
"Zed!" Tara cried. "Yes, he certainly did! I'm going to lock him in
|
||
|
my room next time I go anywhere." She jumped as she felt something brush
|
||
|
her legs. "Zed!" she scolded as she looked down and saw it was the
|
||
|
shivaree. "Don't scare me like that!"
|
||
|
"You did jump," Sharin giggled. "And don't be mean to him. He did
|
||
|
come when you called. Didn't you Zed?"
|
||
|
"Are you going back to the tent?"
|
||
|
"I have to," Sharin replied. "All my sculptures are there. I don't
|
||
|
want any of them to get stolen."
|
||
|
"Why'd you bring all of them to the tent?"
|
||
|
"Because I was hoping to sell them all! I need the money or I won't
|
||
|
have a room to sleep in. Not that I'm going to sleep in it tonight; I
|
||
|
have to sleep in the tent."
|
||
|
"You're not sleeping in the tent," Tara told her. "That's too
|
||
|
dangerous."
|
||
|
"It isn't. The town guard walks through the marketplace all the
|
||
|
time at night. Those other merchants don't want their wares stolen,
|
||
|
either. Even if they have a nice building to lock them up in."
|
||
|
"I'll stay with you, then," Tara said.
|
||
|
"And have your uncle worried to death? No. I'll be fine for
|
||
|
tonight. You're right, though. I shouldn't have brought all of them.
|
||
|
Tomorrow, will you help me take them back to my room?"
|
||
|
"I could go tell my uncle and then come back. And yes, I'll help
|
||
|
you tomorrow."
|
||
|
"No, that's a wasted trip, especially at night. No use wandering
|
||
|
Dargon alone any more than you have to," Sharin told her. They were
|
||
|
close to the tent, and Sharin looked for the shadow boy. She found him
|
||
|
sitting down, leaning against a shop, asleep.
|
||
|
"Aren't you supposed to be guarding my tent?" she asked him. He
|
||
|
jumped up when she spoke and looked around wide-eyed.
|
||
|
"Ol's balls," he cursed. "I'm sorry. Don't tell anyone, okay?"
|
||
|
"You watch her tent for another two bells, and she won't," Tara
|
||
|
interrupted, seeing a perfect opportunity to have someone watch over
|
||
|
Sharin. The shadow boy looked at Sharin, who nodded.
|
||
|
"Okay," he muttered and sat back down. Looking up at them, he
|
||
|
added, "And I won't fall asleep again." They left him there and went to
|
||
|
the tent. Tara helped clear off the workbench to make room for Sharin to
|
||
|
sleep. It wasn't quite long enough, but it would have to make do.
|
||
|
"You'll be okay?" Tara asked her friend.
|
||
|
"Yes. My tent's never been bothered before, and no one knows I'm
|
||
|
staying here except you. I'll be fine."
|
||
|
Tara hugged her and left. She made sure Sharin tied the tent flaps
|
||
|
closed before she left to go home. Sharin would be fine, she told
|
||
|
herself. Now she, on the other hand, had better be alert. Even with Zed,
|
||
|
walking through Dargon at night, alone, wasn't exactly the safest thing
|
||
|
to do. Fortunately, she ran across a town guard patrol and they escorted
|
||
|
her home.
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
Pudlong and the Beanstalk
|
||
|
Part III
|
||
|
by Jim Owens
|
||
|
<gym@ncweb.com>
|
||
|
Late Spring, 1016
|
||
|
|
||
|
It was a hot day, several days later, as Levy sat in the back of
|
||
|
the family wagon as it rumbled along the road. Levy was thirsty and
|
||
|
uncomfortable. He was resting his feet, having walked nearly five
|
||
|
leagues. He squinted up at the sun, then gazed dourly at the wagon ahead
|
||
|
of his own. Its driver had put a canopy up, something Levy could also
|
||
|
have done if it hadn't been for that fact that neither of the other two
|
||
|
wagons in the small caravan had canopies, and Levy didn't want to appear
|
||
|
to be trying to set himself equal to the occupant of the leading wagon,
|
||
|
Lord Farley.
|
||
|
And Pudlong, Levy reminded himself. It was an unusual thing.
|
||
|
Pudlong himself sat beside the fat ruler, both dressed in fine silks.
|
||
|
Lord Farley looked much better in the silks -- Pudlong's coarse features
|
||
|
just didn't lend themselves to the finery, although Levy had to admit
|
||
|
that the peasant certainly carried himself more nobly than the greasy
|
||
|
lord. It made for a strange scene. It almost hadn't been that way. Levy
|
||
|
remembered the chain of events that led to his current position.
|
||
|
|
||
|
"Give me that!" Mon-Haddar had screamed when he saw Pudlong with
|
||
|
the seed.
|
||
|
"No! Pudlong ..." Levy had yelled, but the wiry wizard was already
|
||
|
wrenching the find from the peasant's grasp.
|
||
|
"Mine! It's mine!" The old man roared. But as he passed his hands
|
||
|
over the surface of the seed, his visage clouded over. "No. No! It's not
|
||
|
here. There's nothing here!" He rubbed it frantically, but nothing
|
||
|
happened. Bren then stepped up behind the man and yanked the bean from
|
||
|
him, throwing him to the ground in the process. He then stared at the
|
||
|
bean for a moment, then heaved it to Levy almost in revulsion.
|
||
|
"Levy, take it!"
|
||
|
Levy put out his hands to catch it. But the seed was actually made
|
||
|
of gold, and the sheer weight of it bowled Levy over. As he sat there on
|
||
|
his rump, he marveled that the skinny wizard had been able to even hold
|
||
|
it. He cast an appraising look at Bren, mentally noting that the
|
||
|
ex-herald was stronger than he looked.
|
||
|
"Give that back!" Mon-Haddar shouted from the ground, his arm
|
||
|
outstretched, but Bren silenced him with a swift boot.
|
||
|
Levy stared at the bean. Its lustrous surface almost seemed to draw
|
||
|
him in. He ran a hand over its hard, smooth surface, but all he felt was
|
||
|
cold gold.
|
||
|
"What is this supposed to do, Mon-Haddar?" Levy demanded, not
|
||
|
feeling a bit foolish for his undignified posture. Aside from profanity,
|
||
|
Mon-Haddar said nothing. Levy stroked the bean, but nothing happened.
|
||
|
"'ere, m'lord," Pudlong said helpfully, "you 'ave to do it like
|
||
|
this." He extended a hand with two fingers out, and slowly drew them
|
||
|
along the bean's surface. At the same time he closed his eyes, and
|
||
|
gestured slowly at the surrounding field. This time Levy did feel
|
||
|
something. He had no idea what it was; it wasn't a vibration, it wasn't
|
||
|
heat, or motion, or sound, or anything he knew. But something happened
|
||
|
to the bean, and then all around, from every plant, from every weed,
|
||
|
there came a tiny rustling, almost a crackling. As the four men watched,
|
||
|
astounded, every plant in the field slowly grew an extra handsbreadth.
|
||
|
Pudlong opened his eyes, a sweet, dreamy smile on his face. "That's 'ow
|
||
|
you do it."
|
||
|
Levy stared up at the peasant. "How did you know to do that?"
|
||
|
"It's 'ow it works, lord." Came the simple reply.
|
||
|
"But ... how did *you* know that?"
|
||
|
"Well I just ..." Pudlong paused. "Well I ... I ..." He frowned. "I
|
||
|
don't rightly know, lord."
|
||
|
Levy stood, handing the heavy talisman to Pudlong. "Make them small
|
||
|
now."
|
||
|
"Oh, you can't do that," Pudlong responded easily. "The good what's
|
||
|
done is done." He faltered then. "'er, if you please, m'lord. I mean,
|
||
|
that is how it is ... isn't it?" He looked around the group for support.
|
||
|
Levy smiled, patting the peasant slowly on the back. "Of course,
|
||
|
Pudlong, just as you say." Levy carefully took the man by the arm and
|
||
|
steered him toward the hut. The others followed, Bren throwing a savage
|
||
|
look of warning at Mon-Haddar. As they walked, Levy looked around. Every
|
||
|
plant in Pudlong's field, even as far as Levy could see, had grown.
|
||
|
Across the simple dirt road, in the neighbor's field, all was as it had
|
||
|
been.
|
||
|
"Pudlong, can you make just the beans grow?" Levy asked carefully.
|
||
|
"Sure, m'lord." Pudlong cradled the bean in one arm and casually
|
||
|
waved at the plants. The same sound stopped them all in their tracks, as
|
||
|
the bean plants, and only the bean plants, stretched themselves toward
|
||
|
the sun. Not a weed in sight grew. Bren cursed softly under his breath.
|
||
|
Pudlong turned slowly to look at Levy, a sudden understanding in his
|
||
|
eyes.
|
||
|
"Things 'll change now, won't they?"
|
||
|
Levy nodded soberly. "Yes they will, Pudlong." He looked around at
|
||
|
the enchanted field. "Yes they will."
|
||
|
|
||
|
And they had. The five had walked up the road to D'yarn's field,
|
||
|
and Pudlong repeated the same miracle on D'yarn's potatoes that he had
|
||
|
performed on his own beans. D'yarn joined them as they moved to the next
|
||
|
farmer's field and repeated the act. That farmer too followed them, and
|
||
|
by the time they reached the keep, a small crowd had formed. Lord Farley
|
||
|
joined them at the gate.
|
||
|
"What is this?" He asked sternly, glaring at Levy.
|
||
|
"Lord Farley, Pudlong here has something to show you." Levy said
|
||
|
carefully, presenting Pudlong to his lord, ignoring the hissing and
|
||
|
popping sounds that seemed to be coming from Mon-Haddar.
|
||
|
"It's a bean, m'lord. It does magic." Pudlong handed the bean to
|
||
|
Farley, who sagged under the weight, but kept a tight grip nonetheless.
|
||
|
He studied it a moment.
|
||
|
"How does it work?"
|
||
|
"Like this, m'lord." Pudlong touched the bean, and glanced over at
|
||
|
a small tree growing wild by the gate. He gently motioned in the air, as
|
||
|
if stroking the sapling's trunk. He slowly raised his hand higher and
|
||
|
higher, as all around came soft gasps of delight and awe. As his arm
|
||
|
reached its maximum extension, he rotated his hand around and cupped it,
|
||
|
as if holding it out to cradle something. Sure enough, an apple landed
|
||
|
softly in his upheld palm. Before the stunned crowd stood a majestic,
|
||
|
fully-fruited apple tree. Lord Farley simply stood and stared
|
||
|
slackjawed. Levy stepped up beside him and whispered in his ear.
|
||
|
"It only works for Pudlong."
|
||
|
Farley closed his mouth and stared at his peasant.
|
||
|
|
||
|
And so the circus had begun. With his court in tow, Farley began to
|
||
|
parade his latest treasure around his extensive holdings. During the
|
||
|
recent war, the land had been stripped and trampled, burned and looted.
|
||
|
The crops had gone in late, and there were not enough bodies to tend the
|
||
|
soil. Pudlong's gift was more welcome than any box of precious gems, and
|
||
|
Farley immediately put it to good use.
|
||
|
Starting in the center of the realm and working outward, every
|
||
|
field and every orchard was blessed by the new wizard. The wagons would
|
||
|
stop, Farley would announce his intentions to the assembled peasants,
|
||
|
and Pudlong would make the particular plot of land mature to fruition.
|
||
|
Then the party would move off to the next plot.
|
||
|
With Farley and the court came Bren and the Barels, and Mon-Haddar
|
||
|
and Yellow. Mon-Haddar never lost the hungry look that frightened and
|
||
|
worried Levy, and Levy never let his eyes off the cagey wizard for more
|
||
|
than a few menes at a time. Bren too watched the wizard. Yellow didn't
|
||
|
seem to watch much of anything, and only Eleya seemed to want to watch
|
||
|
him, having taken a fancy for the slender youth. Sarah watched her.
|
||
|
Thully rode in the wagon with Pudlong, sitting behind him and stroking
|
||
|
his thinning hair, and Farley rode beside Pudlong, expounding on how
|
||
|
many great things Pudlong was going to do for him, to make him rich.
|
||
|
Pudlong himself seemed quite bemused by the whole affair. He
|
||
|
quickly adapted to the attention and fame his new abilities brought. He
|
||
|
continued to defer to Farley in everything, and whatever favors Farley
|
||
|
bestowed on him were equally shared with the attentive and adoring
|
||
|
Thully. She even sat in his lap as they rode in the wagon, no mean feat.
|
||
|
All in all, Pudlong seemed to be having a grand time, and seemed to be
|
||
|
none the worse for wear because of it.
|
||
|
At Farley's insistence, Pudlong quickly discovered the limits to
|
||
|
his new power. It seemed that there was no size limit to how large a
|
||
|
field Pudlong could grow, or how many trees, but he could only grow one
|
||
|
field at a time. Levy noticed that the limits seemed to be the limit of
|
||
|
Pudlong's own mind; if Pudlong couldn't see it, it wouldn't happen.
|
||
|
Once, Farley asked Pudlong to grow pears on an apple tree: it didn't
|
||
|
happen. When Farley asked Pudlong to bless all the land at once, Pudlong
|
||
|
tried, screwing his eyes up tight and breathing hard, but again, nothing
|
||
|
happened. When Farley asked Pudlong to grow a cow, Pudlong and the cow
|
||
|
just stared at each other, with equal amounts of interest and
|
||
|
intelligence. And when Farley asked Pudlong to kill the weeds in a
|
||
|
field, Pudlong simply and flatly stated that the bean didn't "do that
|
||
|
sort of thing, m'lord."
|
||
|
And so the weeks went. The entourage tromped through sunny fields
|
||
|
and down narrow winding paths to stately orchards and wet rice paddies.
|
||
|
In each place, Farley would pronounce, Pudlong would gesture, and the
|
||
|
plants would grow, then they'd move on. After almost a month it looked
|
||
|
like the tour would end, but then Farley crossed the border of his own
|
||
|
land and began blessing the crops of his neighbor. They passed the
|
||
|
well-armed caravan that carried the payment back to Farley's keep. Bren
|
||
|
stared, Mon-Haddar salivated, Farley beamed, Pudlong waved, and Levy
|
||
|
just shrugged. Their own caravan kept right on going.
|
||
|
|
||
|
That night they camped in a clearing in the woods. All around, the
|
||
|
scrub pine gave off a fragrant odor. Levy could smell the autumn
|
||
|
approaching. It was a familiar feeling, and one he normally would have
|
||
|
welcomed in stride. But for some reason he felt a sense of foreboding,
|
||
|
as if a great evil was looming. He tried to shake it off, but it clung
|
||
|
to him. He met Bren at the campfire. Bren was scanning the dark
|
||
|
treeline, his hand tight on the hilt of his sword. Levy eyed the
|
||
|
ex-herald.
|
||
|
"You feel it too," was all Levy said. Bren nodded, never taking his
|
||
|
eyes off the trees.
|
||
|
"You take first watch," Levy said, "wake me at the last bell." Bren
|
||
|
nodded, and Levy slid under the covers beside Sarah. He lay there,
|
||
|
remembering what the scrolls had said. He began to pray.
|
||
|
The dawn found Sarah finishing her watch, the children sleeping
|
||
|
around her. Levy and Bren were up also, earlier than usual, standing
|
||
|
near the patient oxen. On the other side of the communal fire, Farley
|
||
|
sat in the wagon, talking with Mon-Haddar. Pudlong was approaching the
|
||
|
two from the edge of the clearing, where a stream bubbled and laughed.
|
||
|
By its edge, just visible in the morning mist, Yellow and Thully were
|
||
|
washing, at each's owner's insistence. All around the campground, the
|
||
|
rest of the royal court was about their morning business.
|
||
|
It was on this tableau that the monster appeared. His head showed
|
||
|
over the tops of the trees with such rapidity that no one even had a
|
||
|
chance to shout before the giant had parted the trunks like weeds and
|
||
|
stepped into the middle of the clearing. Dressed in rusting mail and
|
||
|
tattered leathers, the giant was a grizzled apparition. His beard alone
|
||
|
was as long as a man was tall. He studied the group, as if looking for
|
||
|
something.
|
||
|
As the giant scanned the campground, each person reacted. Sarah
|
||
|
flattened herself over the children, grabbing the blanketed forms and
|
||
|
drawing them close. Levy dashed to her side. Bren stepped back, eyes
|
||
|
wide, and drew his sword, his feet wide apart in a fighting stance.
|
||
|
Yellow and Thully continued their lavage, oblivious to the crisis.
|
||
|
Mon-Haddar took one glance at the creature and ran. Farley called his
|
||
|
guards to him, while Pudlong just stood and gaped.
|
||
|
Finally the monster saw Farley, sitting in the royal wagon.
|
||
|
"YOU!!" He bellowed. "I'LL BET YOU TOOK IT!!" His voice shook the
|
||
|
entire clearing. With half a step the giant covered the distance to
|
||
|
Farley's wagon. With one swipe of a mammoth hand he brushed aside the
|
||
|
guardsmen, and with the other hand he snatched Farley off the wagon. He
|
||
|
lifted the struggling lord to his face and shouted at him. "GIVE ME BACK
|
||
|
MY GOLD!!"
|
||
|
In moments the Barel children found themselves in the wagon, tossed
|
||
|
there by six desperate hands. Sarah was on the buckboard, reins in hand.
|
||
|
Levy was switching the oxen wildly, his eyes fixed on the towering
|
||
|
creature in the clearing. Bren was also facing the giant, sword drawn,
|
||
|
backing away after the wagon. Thully and Yellow, by the creek, finally
|
||
|
had seen what was going on and were standing, awestruck, while the
|
||
|
lord's entourage scrambled about in panic. To a man, the guards were
|
||
|
trying to pick themselves up after having been swatted aside like
|
||
|
kittens. The giant stood unopposed in the center, Farley crammed into
|
||
|
his fist. He started to turn, to leave the clearing with his prisoner,
|
||
|
when a small man ran in front of him.
|
||
|
"Stop!" Pudlong stood there, bean in the crook of his hand, while
|
||
|
he held the other arm out to warn off the miscreant.
|
||
|
"EH?" boomed the giant.
|
||
|
"Put my lord down," Pudlong commanded firmly.
|
||
|
"DOWN?" The giant exclaimed. "HA!"
|
||
|
The giant started to reach down for Pudlong. For a moment
|
||
|
indecision flashed across Pudlong's face. Then his expression hardened,
|
||
|
and he made a violent gesture with his free hand. The ground rippled and
|
||
|
shook, and a thunderous roar filled the air. Every plant within a
|
||
|
hundred handsbreaths of the giant suddenly started growing. Not like the
|
||
|
gentle increase that Pudlong generally drew forth, but an explosive
|
||
|
surge, leaping up, lunging higher. And each one was growing *toward* the
|
||
|
giant. Tree roots, thick and gnarly, heaved up from the soil and
|
||
|
fastened themselves to the giant's feet. Creeping vines flashed up along
|
||
|
his legs, twining themselves around his waist. Grass and weeds sprouted
|
||
|
from his pant cuffs, then in a twinkling propagated up his legs and
|
||
|
covered his whole body. In an instant there were trees around him,
|
||
|
hedging him in, pinioning his arms and actually lifting him off the
|
||
|
ground. The giant barely had time to let loose a frustrated bellow
|
||
|
before his head was enveloped in growth. A startled Farley fell from his
|
||
|
grasp, only to be cushioned in a sudden thicket. Before the shaken guard
|
||
|
could even reassemble itself around the quaking Farley, the giant was
|
||
|
completely obscured by writhing mass of greenery that hadn't been there
|
||
|
mere moments before.
|
||
|
Pudlong threw himself at Farley's feet.
|
||
|
"M'lord!! M'lord!! Are you alright!?!?" He patted the man's feet
|
||
|
obsessively, as if to reassure himself that they were there.
|
||
|
"Yes, yes, I'm fine. Pudlong! Pudlong, you saved me!! You saved my
|
||
|
life!!" Farley seized the startled peasant and drew him into a
|
||
|
passionate bearhug.
|
||
|
"Aye, m'lord, I thought for a moment you're a goner!"
|
||
|
Bren joined the rest of the court as they crowded around the Lord.
|
||
|
Levy stood and stared at where the giant had stood. The trees and plants
|
||
|
continued to move, as if they had a life of their own, but one by one
|
||
|
they pulled back from the central mass, separating themselves out, and
|
||
|
even shrinking in some cases. After a mene, the miraculous growth still
|
||
|
remained, but as a mere thicket. The giant was gone. Levy immediately
|
||
|
thought of the beanstalk. He suspected that it too was now nowhere to be
|
||
|
found. Something important had happened.
|
||
|
By this time Pudlong and Farley were being carried on the shoulders
|
||
|
of the guard, surrounded by shouting courtiers. Sarah appeared at Levy's
|
||
|
side, still frightened. Yellow and Thully joined them, as they watched
|
||
|
the joyous group celebrate their lord's amazing rescue. From his vantage
|
||
|
point Levy studied Pudlong's face. He stared at it a long time, trying
|
||
|
to make out what was going on behind that pleasant visage. He finally
|
||
|
gave up, not able to find anything at all.
|
||
|
|
||
|
The circus continued touring throughout the last of the summer. It
|
||
|
was just after the first cold night of the season that Mon-Haddar made
|
||
|
his move. One night, as the camp lay sleeping, Mon-Haddar stirred
|
||
|
beneath his bedroll. He listened for a long moment, then reached his
|
||
|
hand into a large sack he had tucked away beneath his covers. With a
|
||
|
whispered incantation he flung his hand into the air. A silvery dust
|
||
|
twinkled for a moment in the cold moonlight, then floated away, settling
|
||
|
on the sleeping group.
|
||
|
The wizard waited for a dozen heartbeats, but no alarm arose, no
|
||
|
cries rang out. He squinted at the watchmen standing near Farley's
|
||
|
wagon, then craned his neck to pick out the other guards hidden in the
|
||
|
gloom. He carefully extracted a small jar from under the blanket and
|
||
|
opened it, whispering all the while. A dozen small insects flew out.
|
||
|
Mon-Haddar watched for several menes until the last of the guards had
|
||
|
been bitten, and fallen asleep.
|
||
|
Mon-Haddar arose, taking his sack of silver dust with him. He again
|
||
|
tossed the dust into the air with a chant. He strode among the sleepers,
|
||
|
repeating the gesture and the words, until he came to the wagon where
|
||
|
Farley, Pudlong and Thully lay, the now-asleep guards around them. There
|
||
|
he repeated the gesture three times, coating the entire wagon with a
|
||
|
thick coat of the sleeping powder. Then he carefully reached in and
|
||
|
slipped the golden bean from Pudlong's unfeeling arms. Without the
|
||
|
excited energy of his first encounter, the bean's weight was almost too
|
||
|
much for the man to handle, and it thumped and banged against the sides
|
||
|
of the wagon. But everyone slept on while Mon-Haddar carried the heavy
|
||
|
loot to his horse and lashed it safely into a saddle bag. He then tossed
|
||
|
his bedroll over the horse's back. He glanced only briefly at Yellow,
|
||
|
asleep with the rest, then took the horse's reins and walked off into
|
||
|
the night.
|
||
|
Levy awoke the next day almost at noon. He blinked a few times and
|
||
|
leaped to his feet, startled that he had overslept so badly. He looked
|
||
|
around in relief to see that the entire entourage seemed to still be
|
||
|
there. In fact, most were still sleeping. The few who were awake were
|
||
|
stumbling about, doing getting-up things, all looking quite groggy. Levy
|
||
|
rubbed his eyes, and was surprised to find the silvery powder smeared
|
||
|
over his fists. He looked about, and there seemed to be the silvery
|
||
|
powder everywhere. He glanced over at Yellow, who was still sleeping
|
||
|
soundly beside the empty spot where Mon-Haddar had slept. Bren stood up
|
||
|
from his bedroll, obviously unhappy with himself for having slept late.
|
||
|
When Levy hurried toward Pudlong's wagon, Bren followed.
|
||
|
The guards were standing in their places, watching the occupants
|
||
|
stretch. As the two approached, Pudlong scratched his furry pate, looked
|
||
|
confused, and began to glance about for the bean. When Levy saw him
|
||
|
begin to search, his stomach clenched.
|
||
|
"Thully, luv, 'ave you seen it?" Pudlong was asking.
|
||
|
"Naw, but I can feel it," she replied without opening her eyes,
|
||
|
patting his crotch familiarly.
|
||
|
"No, luv, the other one."
|
||
|
"Awww, I like *this* one."
|
||
|
"Didn't you put it under the spare wheel last night?" Levy asked as
|
||
|
he stepped up to the wagon.
|
||
|
"No, I always sleep with it in my ... " Pudlong stopped as he
|
||
|
dragged a heavy object wrapped in a cloak from under the spare wheel. As
|
||
|
he unwrapped it a hint of gold peeped out.
|
||
|
"What's this stuff?" asked Farley, sitting up and brushing off the
|
||
|
silvery dust.
|
||
|
"And why's it all wrinkled?" asked Pudlong, running his hand over
|
||
|
the golden bean. Sure enough, the surface of the bean was covered with a
|
||
|
series of fine wrinkles.
|
||
|
"Mebbe the dust came from the bean," Thully wondered. Pudlong
|
||
|
started hard at the bean, a worried look on his face. He stroked it
|
||
|
carefully with two fingers, unsure. He glanced at a small pine tree
|
||
|
growing nearby. He raised his hand and stroked the air as if to stroke
|
||
|
its bark. The tree obligingly grew, taller and taller, until it towered
|
||
|
over the appreciative group.
|
||
|
"Well, if it did, it doesn't seem to have hurt it any," Farley
|
||
|
said.
|
||
|
"No, it doesn't," Levy replied, smiling first at the tree, then at
|
||
|
an uncomprehending Bren. "No, it doesn't seem to have hurt anything at
|
||
|
all."
|
||
|
|
||
|
That day Levy and Sarah took their leave of Pudlong, Thully, and
|
||
|
Farley. With Bren, they began the long trek back north, after having
|
||
|
extracted promises from Pudlong and Farley to keep them informed as to
|
||
|
the beanstalk's final fate. They packed the children in the wagon and
|
||
|
hitched up the oxen. Just as they were getting ready to leave, Yellow
|
||
|
walked up to them.
|
||
|
"Have you seen Mon-Haddar?" he asked.
|
||
|
"No," replied Sarah. "Why?"
|
||
|
"His horse is gone, and all his things," replied Yellow, frowning.
|
||
|
"I'm afraid he left in the night," stated Levy firmly. "I doubt
|
||
|
he's coming back."
|
||
|
Yellow looked back at the spot where his master had slept. "Did he
|
||
|
say where he was going?"
|
||
|
"Back to the hole where he came from, I imagine," Levy replied
|
||
|
wryly. He glanced down at Yellow. "Or maybe not, if you know where that
|
||
|
is. I wouldn't try to follow him, either. I doubt you'd be able to catch
|
||
|
him."
|
||
|
Yellow fell silent, staring at the ground.
|
||
|
"Levy," Sarah asked, staring at Levy with a curious expression,
|
||
|
"shouldn't we look after him? At least until Mon-Haddar comes back for
|
||
|
him?"
|
||
|
"Of course," Levy replied, catching on immediately, "of course we
|
||
|
should. Why wouldn't we?"
|
||
|
"What do you mean, sir?" Yellow asked.
|
||
|
"Well, you can't stay here with Farley. He won't have you. And we
|
||
|
might meet up with Mon-Haddar later, farther down the road. You should
|
||
|
come with us, just in case."
|
||
|
Yellow thought about it a moment, then his expression brightened.
|
||
|
"I guess that just makes sense. I'm sure the master would want that."
|
||
|
"Go fetch your stuff and your horse. We're leaving now," Sarah
|
||
|
admonished the young man. Yellow trotted off to do as bidden. Sarah
|
||
|
looked down at Levy, who shrugged.
|
||
|
"We'll figure something out," was all he said.
|
||
|
|
||
|
It wasn't until a week later, as they were halfway to Magnus, that
|
||
|
Bren finally broached the subject. They were sitting around a table in
|
||
|
an inn, the Barels and Yellow eating dinner while Bren drank from a
|
||
|
large stein.
|
||
|
"He stole it, didn't he."
|
||
|
"'course 'e did," Levy replied around a corncob.
|
||
|
"'Oo 'tole what?" Yellow asked similarly.
|
||
|
"The bean," Bren replied, looking intently at Levy. "Mon-Haddar
|
||
|
stole the bean. That's what that was all about at the wagon, the morning
|
||
|
we left. That's why he snuck off in the night."
|
||
|
"The master stole the bean?" Yellow asked, astounded.
|
||
|
"Yes, he did. He sprinkled the silver dust on us, to keep us from
|
||
|
waking up, then he stole the bean and left."
|
||
|
"But, but," sputtered Yellow, "but the bean was still there!"
|
||
|
"A fake," Bren replied, taking a drink. Levy nodded.
|
||
|
"I knew it was coming. Sarah and I made a copy and I hid it in the
|
||
|
wagon. It's much easier to sneak something into somewhere than to sneak
|
||
|
something out of somewhere."
|
||
|
"We used some of our gold leaf and a chunk of lead we bought along
|
||
|
the way," Sarah explained easily.
|
||
|
"But it still worked," Yellow protested. The children were
|
||
|
listening too.
|
||
|
"It never was the bean doing it," Levy explained. "Oh, I'm sure it
|
||
|
gave the power to Pudlong, but once that happened it was Pudlong that
|
||
|
was doing it. After all, look at what the power turned out to be. Who
|
||
|
ever heard of a magic bean that would make plants grow faster? The power
|
||
|
was based on who and what the receiver was. If I had gotten it, I don't
|
||
|
know, maybe the carts wouldn't have worn out. No, all Mon-Haddar stole
|
||
|
was a big chunk of gold."
|
||
|
"Still a valuable prize," commented Bren.
|
||
|
"Well, I wasn't sure he was going to steal it, or I would have told
|
||
|
Farley. No, what we did worked out just right."
|
||
|
Bren didn't comment.
|
||
|
"I don't know if anyone noticed, but over the last week we were
|
||
|
there, Pudlong had to concentrate longer when he worked his magic, and
|
||
|
the plants grew slower," Levy continued.
|
||
|
"I noticed," Sarah commented.
|
||
|
"As we were traveling, Yellow showed me the scrolls one night. They
|
||
|
indicated that the power would only last 'for a season'. Normally that's
|
||
|
just a phrase for 'a short time'. But I think it's literal. Next growing
|
||
|
season Pudlong will not be able to grow anything anymore, except
|
||
|
normally, that is."
|
||
|
"What will happen to Pudlong?" asked Sarah.
|
||
|
"Oh, he'll go back to being a regular peasant. Or not. Who knows.
|
||
|
Farley may set him up as an advisor or something. The gold leaf will
|
||
|
wear off the bean eventually anyway. Maybe Farley will just assume the
|
||
|
bean is wearing out."
|
||
|
"But what about Mon-Haddar? He *is* a wizard. What if he figures
|
||
|
out how to make the bean do it again?" asked Yellow.
|
||
|
"I wouldn't worry about that," Levy replied. "I don't think he's
|
||
|
going to be able to use the bean to cause anyone any trouble, except
|
||
|
maybe himself."
|
||
|
|
||
|
The air wasn't quite as cold for the novice as the snow lying on
|
||
|
the ground outside, but nonetheless the hair on her skin stood on end as
|
||
|
she carried the scroll carefully to her master's chamber. It was more
|
||
|
fear than chill that inspired this, however. It was uncomfortable to
|
||
|
walk into the master's chamber, alone and unprotected, but even a full
|
||
|
suit of mail would have been little protection from that man's baleful
|
||
|
glare. The novice shuddered as she pushed open the thick door and
|
||
|
stepped inside. The air was warmer there, thick with the strange scent
|
||
|
of growing things. It was not a friendly warmth, however, and the novice
|
||
|
shivered yet again.
|
||
|
"Finally!" The master's voice emerged from behind a screen as a
|
||
|
hand extended to snatch the scroll from the young woman's hands. "You're
|
||
|
sure it's the right one?"
|
||
|
"It -- it has the words you told me to look for, master," the
|
||
|
novice replied, her eyes fixed on the outstretched arm. "M-may I go back
|
||
|
to bed now, o-or at least dress and eat?"
|
||
|
"Dress and eat, yes, but come right back when you're through -- I
|
||
|
may yet need you for something."
|
||
|
The novice nodded and hurried out the door, shaking. She wasn't
|
||
|
shaking from the cold though, but from what she had seen. After she left
|
||
|
the master stepped out from behind the screen. His stiff, shaking hands
|
||
|
unrolled the scroll. He reached a hand up to brush away the leaves that
|
||
|
grew from his green hair. As he did the bark on the back of his hand
|
||
|
left parallel scratches in the skin of his forehead. He tried twice to
|
||
|
sit down, but his unyielding joints would not cooperate. Finally in
|
||
|
frustration an oath escaped his lips.
|
||
|
"Blasted peasant!"
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
Quadrille
|
||
|
Part III
|
||
|
by Alan Lauderdale
|
||
|
<lauderd@phadm1.cpmc.columbia.edu>
|
||
|
7-8 Sy, 1012
|
||
|
|
||
|
VII. So Many Witnesses
|
||
|
|
||
|
Londron rumbled to a stop at the door of Camron's warehouse. He had
|
||
|
nothing to shoot or throw at the girl. She was running fast along the
|
||
|
river-side of Commercial Street, apparently making for the sleazy
|
||
|
neighborhood south of Layman.
|
||
|
Londron contented himself with calling for the Watch and crying
|
||
|
about burglars and theft. There was scarcely any chance of anyone
|
||
|
showing up quickly enough to chase after her, but he figured it was the
|
||
|
least a night watchman could do. Then he remembered seeing the fallen
|
||
|
Jarvis, and added murder to his catalogue.
|
||
|
"What's the matter?" Two members of the City Watch hurried around
|
||
|
the corner, from Oceanview or thereabouts. They'd shown up with
|
||
|
impressive, even amazing promptness. Londron was stunned. It was as
|
||
|
though they'd been lingering in the area waiting for him to call for
|
||
|
help, they came so quickly.
|
||
|
"A thief," Londron said. "A murderess."
|
||
|
"What, the girl we saw running away?"
|
||
|
"Yes! You saw her? Why didn't you go after her?"
|
||
|
"You were shouting about murder and robbery. Why should we think
|
||
|
that the girl was responsible?"
|
||
|
"You saw someone else more likely?"
|
||
|
"Well, no." The Watchman made a snap decision. "After her, Carver!"
|
||
|
"Why me?"
|
||
|
"Because I thought of it first," the other watchman explained
|
||
|
triumphantly.
|
||
|
Demonstrating that his own intellectual caliber was easily a match
|
||
|
for his colleague's, Carver dutifully turned and ran after the girl.
|
||
|
Tempted to tell the watchman how useless he thought him, Londron
|
||
|
instead turned away and started back across the barn to check on Jarvis.
|
||
|
"It's not that important, I suppose," he said over his shoulder. "I know
|
||
|
the girl."
|
||
|
"Who is she?" The remaining watchman followed him.
|
||
|
"Camron's new bookkeeper. Her name's Ariel. She hasn't been in the
|
||
|
city long -- only a few days." Londron crouched down by the still form
|
||
|
of Jarvis. "I think I heard that she's staying with Camron's cousin."
|
||
|
"Well, this is a fine way to repay his generosity." The watchman
|
||
|
glanced around at the lamp and open barrel. He sniffed. "Whatever was in
|
||
|
this barrel smells pretty good," he observed.
|
||
|
"Kurin's Shield!" Londron exclaimed. "Jarvis *is* dead."
|
||
|
"Tastes pretty good, too," the watchman remarked licking his
|
||
|
fingers. "The girl killed him? That's pretty hard to believe."
|
||
|
"Not when this thing's lying right beside poor Jarvis," Londron
|
||
|
said, picking up the crowbar. "See, there's blood on this end of it."
|
||
|
"Uh huh. Nasty." The guard sucked a finger thoughtfully.
|
||
|
"Murder is never nice," Londron declared pompously. "Aren't you
|
||
|
going to call out the whole Watch to look for her?"
|
||
|
"Hardly sounds necessary," the watchman remarked, digging in the
|
||
|
barrel again. "You know where to find her."
|
||
|
"But she's not going to go back there now! And we should bring her
|
||
|
in quickly, don't you think? Get a confession out of her right quick.
|
||
|
Maybe the execution'd be at Scything Day."
|
||
|
"Dicing a girl -- that'd get a crowd out," the watchman agreed. He
|
||
|
looked in a pouch he'd found in the barrel and pulled out a tiny purple,
|
||
|
velvet dress. "Does she like dolls?" he asked.
|
||
|
|
||
|
VIII. At Large in Dargon Town
|
||
|
|
||
|
For a moment, Mouse was out on the wharf, under the cool stars and
|
||
|
smelling the ocean's salt. She was, in fact, smelling the salt from the
|
||
|
estuary of the Coldwell River, since her captor was running upriver
|
||
|
along the wharf parallel to Commercial Street. But sea air is sea air
|
||
|
and that was about as much as Mouse could notice before she was stuffed
|
||
|
inside a leather sack that stank of rancid oil and sweat.
|
||
|
The sack was empty but for some dirt, some pits, a few twigs,
|
||
|
Mouse, and a stocking. The sack and contents were thrown around and then
|
||
|
bounced around. Mouse decided that the sack had been thrown over the
|
||
|
girl's shoulder and that she'd then resumed running. Mouse also decided
|
||
|
she'd had enough.
|
||
|
The mouth of the sack was held closed by a rawhide drawstring, one
|
||
|
end of which the girl was presumably clutching in front of her. The
|
||
|
drawstring was meant to be pulled tight by the weight of the bag and its
|
||
|
contents. Right now, though, that weight was not very much. Mouse began
|
||
|
squeezing herself out the mouth of the bag and was pleased to find first
|
||
|
that she could push wider the opening and second that there was plenty
|
||
|
of friction between the drawstring and the eyelets of the bag that it
|
||
|
was threaded through. Even though the thing was bouncing against the
|
||
|
girl's back, the mouth of the bag stayed open while Mouse climbed out.
|
||
|
Mouse breathed again the fresh, sea air. She glanced at the dark
|
||
|
buildings and river the girl was running by, looked up at the gibbous
|
||
|
moon, and looked down at the hard road the kidnapper's boots were
|
||
|
tredding lightly over. Then she remembered her purple dress. The
|
||
|
kidnapper had carelessly neglected to grab the dress, not to mention the
|
||
|
other valuable stuff such as the draft she'd written of remarks she
|
||
|
intended to make to the Duke. Those valuable items were still back in
|
||
|
the barrel.
|
||
|
There was nothing for it, then; she had to go back. Mouse prayed to
|
||
|
Araminia for luck and jumped off the kidnapper's sack. Landing with a
|
||
|
delicate thud, she rolled a little ways away from the river and then sat
|
||
|
up.
|
||
|
The running girl hadn't noticed the departure. She continued her
|
||
|
steady, fast pace. But Mouse noticed now that she was being followed. A
|
||
|
heavier tread was coming along the wharf toward Mouse. She looked at the
|
||
|
man, saw that he was armed with a crossbow, and decided she didn't want
|
||
|
to risk becoming a target. She froze and waited for him to trot by,
|
||
|
which he did.
|
||
|
The man with the crossbow was hardly watching the road. His
|
||
|
attention was on the girl, who had turned right and was racing along one
|
||
|
of the piers that jutted out into the river. Reaching the end, she
|
||
|
didn't pause a moment but dove off. There was a splash from behind the
|
||
|
pier and then quiet. The pursuing man, breathing heavily and cradling
|
||
|
his crossbow, walked slowly out along the pier.
|
||
|
Mouse got gingerly to her feet, pleased that she was able to do so
|
||
|
and that it only hurt a lot. Although she was annoyed with the
|
||
|
kidnapping swimmer, Mouse had other things to do than see if she was
|
||
|
going to get shot. One was to get out of the immediate area in order to
|
||
|
reduce the chance of herself getting shot at. She recalled the incident
|
||
|
of Brother Tomastin and his squirrel-hunting expedition that had
|
||
|
continued too far into the fading light of dusk. His eyesight wasn't
|
||
|
that great at high noon either and the miss with his quarrel had been a
|
||
|
very near thing. Mouse felt a strong inclination not to loiter.
|
||
|
Instead, grumbling *very* quietly to herself about how she couldn't
|
||
|
take one step in Dargon before getting herself kidnapped by some crazy,
|
||
|
desperate burglar, Mouse started downriver again toward ...
|
||
|
Where did she think she was going, anyway?
|
||
|
"Buttercups!" she exclaimed to herself. "This is a mess." Hoping
|
||
|
that the right building would magically identify itself for her anyway,
|
||
|
Mouse continued to walk along the wharf. She soon heard the man with the
|
||
|
crossbow walking after her. He wasn't hurrying particularly, but he was
|
||
|
still likely to overtake her. She didn't feel like talking to him and
|
||
|
his crossbow, trying to explain everything to him and that very sharp
|
||
|
quarrel. So she ran into the mouth of a street that went up away from
|
||
|
the wharf. There, she hoped to wait for him to pass.
|
||
|
She was surprised to find the kidnapper walking toward her along
|
||
|
the street.
|
||
|
Or someone who looked like the kidnapper, anyway.
|
||
|
This girl was similar. She was dressed the same, wearing a cloak
|
||
|
with the hood pulled up and a paler dress underneath. But this girl was
|
||
|
dry and was carrying a full pack of possessions on her back. Mouse knew
|
||
|
firsthand that her kidnapper's sack was so close to empty as made no
|
||
|
difference.
|
||
|
Mouse made up her mind in an instant, helped greatly by that
|
||
|
crossbow she knew was around the corner: There could be a terribly
|
||
|
tragic mistake if she didn't do something. She ran forward to the
|
||
|
approaching figure.
|
||
|
The figure was plodding along the street, hooded head bent forward
|
||
|
at a dejected or perhaps merely exhausted angle. Mouse had to get right
|
||
|
in front of her to be noticed at all.
|
||
|
"What -- ?" She noticed, stopping abruptly.
|
||
|
"Sh!" Mouse cautioned. "There's a problem up ahead -- "
|
||
|
"Are you a messenger from Iliara?" the hooded figure asked.
|
||
|
The question meant nothing to Mouse, but it did stop her speech for
|
||
|
a moment. "I've never been called *that* before," she admitted, hands on
|
||
|
her hips. "Who's Iliara?"
|
||
|
"She's the goddess of the air." The girl threw back her hood. "I'm
|
||
|
one of her followers, you see. At least, I'm trying to be one of her
|
||
|
followers." She was young, Mouse saw, and she was pretty. And, to the
|
||
|
extent that Mouse had made out anything under the other's hood, this
|
||
|
girl resembled the kidnapper. "Stefan was teaching me The Way, before,
|
||
|
of course -- "
|
||
|
"Of course," Mouse interrupted, suspecting that this might turn
|
||
|
into a long story. "But right now there's a man with a crossbow coming
|
||
|
toward that corner -- " she gestured over her shoulder " -- and he's
|
||
|
likely to shoot you with it. By mistake, perhaps, but a bolt's still a
|
||
|
bolt."
|
||
|
"Crossbow?" the girl repeated, struggling to set aside Stefan and
|
||
|
follow Mouse's warning. "That's not right. That wouldn't be earth
|
||
|
magic."
|
||
|
"Maybe not," Mouse shrugged, "but Brother Freyo could gouge his way
|
||
|
through an inch of wood with one of those things -- and launch the thing
|
||
|
in an instant -- "
|
||
|
"Who's Brother Freyo?"
|
||
|
"The one who didn't teach Tomastin enough about when not to -- Oh,
|
||
|
never mind. Let's just avoid the man at the end of the street, all
|
||
|
right?"
|
||
|
"I -- " The girl simply was not catching on!
|
||
|
"Look!" Mouse grabbed the hem of the girl's dress. It was
|
||
|
definitely dry. "Here's an alley. We can wait in here for him to go
|
||
|
past." She tugged mightily but irrelevently.
|
||
|
"He's looking for me?" the girl asked, moving slowly toward the
|
||
|
alley. "If he's looking for me, why would he go past? Won't he be able
|
||
|
to find me?"
|
||
|
"He will if you stay out in the middle of the street like this,"
|
||
|
Mouse replied. "Now come on."
|
||
|
"Who's Brother Freyo?"
|
||
|
"Sh!"
|
||
|
"Should I know him? Or Tomastin?"
|
||
|
Mouse climbed all the way up the girl and put her hand against the
|
||
|
latter's mouth. "Get it?" she asked.
|
||
|
The girl said nothing, which was just what Mouse wanted.
|
||
|
The two waited while a pair of boots trod through the stillness
|
||
|
along the waterfront.
|
||
|
"Good," Mouse said, as the girl stepped again out into the street.
|
||
|
"You'll be wanting an explanation, I suppose."
|
||
|
"Ye -- Aggh!" Both the girl and Mouse yelped as a reeking liquid
|
||
|
splashed down on them.
|
||
|
"'Ware slops," a voice above remarked casually. "Damned queenie,"
|
||
|
it added.
|
||
|
"Yuck!" Mouse exclaimed.
|
||
|
"Iliara!" the girl exclaimed, staring up the street. "It's a trap!"
|
||
|
"What?"
|
||
|
"Poison! And him -- I've seen him before, I'm sure of it."
|
||
|
Mouse turned on the girl's shoulder and tried to make out what she
|
||
|
was staring at. There was a figure of some sort in the shadows up the
|
||
|
street, but Mouse could make out no more than that. "What are you -- ?"
|
||
|
The girl dropped her gear, turned and raced down the street toward
|
||
|
the water.
|
||
|
"Wait!" Mouse shouted, grabbing hold of the cloak she was perched
|
||
|
on. "No! Don't!"
|
||
|
"The poison!" the girl exclaimed. "Priests of Haargon must've
|
||
|
poured it on me. It's foul -- "
|
||
|
"Damned right!" Mouse exclaimed. "It's piss!"
|
||
|
Abruptly, the girl shucked her cloak -- and also Mouse. Tangled up
|
||
|
in the cloak, which fortunately absorbed the fall on the wharf, Mouse
|
||
|
heard another splash of girl diving into the river.
|
||
|
"I thought I'd already done this tonight," Mouse muttered to
|
||
|
herself, crawling out from under the cloak. She looked at the water, and
|
||
|
glanced back up the street. She could see no one there. "And I'm not
|
||
|
sure that a bath right now was a good idea." She sniffed and wrinkled
|
||
|
her nose. "Smells pretty bad, though," she admitted. Shrugging and
|
||
|
hoping the water was warm, she jumped after the girl.
|
||
|
|
||
|
IX. Sorting Out the Jurisdiction
|
||
|
|
||
|
Reyakeen Sylk seethed. "Listen, you idiot," he stormed again at the
|
||
|
watchman, "it's me, Sylk. I work for Duke Jastrik -- "
|
||
|
"Tell it to Lord Clifton," the watchman said, gesturing at the
|
||
|
small, open door of Camron's Trading House. "Hey Onions," he shouted
|
||
|
inside. "I found someone suspicious."
|
||
|
"You got the girl?" a voice inside shouted back.
|
||
|
"Well, no," the watchman watching Sylk admitted. "She jumped in the
|
||
|
harbor and disappeared. But I ran into Dru and asked him to keep an eye
|
||
|
out. And I found someone else nosing around this place."
|
||
|
"I was not 'nosing around' this place. I was looking for someone."
|
||
|
"Who's conveniently disappeared," the watchman sneered.
|
||
|
"That's why I was looking for him," Sylk said with forced calm.
|
||
|
"Well, we didn't see any other man hanging around this place and
|
||
|
we've been watching this place all night."
|
||
|
"I know," Sylk sighed.
|
||
|
"You know?" the guard cried. "That's suspicious too!"
|
||
|
"Onions blabbed about it at the Rogue and Quiver -- "
|
||
|
"I only told my best friends," another Watchman declared, emerging
|
||
|
from the warehouse. "And I don't think you're one of them," he added,
|
||
|
peering at Sylk.
|
||
|
"But Kittara Ponterisso is, right?" The man nodded. "I'm one of
|
||
|
*her* best friends," Sylk declared. "Reyakeen Sylk. She might've
|
||
|
mentioned me."
|
||
|
"Oh. Sure," Onions lied. "A couple times maybe. Not like you and
|
||
|
she are all that close. Now, me and her, we talk a lot so I happened to
|
||
|
mention to her our special assignment here -- So why're you hanging
|
||
|
around here?"
|
||
|
"As I told your colleague here, I was looking for someone -- "
|
||
|
"A girl?" Onions interrupted.
|
||
|
"Man. Tall and wiry, I'd say, and his clothes were dark."
|
||
|
"That's it?"
|
||
|
"I never saw him up close."
|
||
|
"He wasn't wearing a dress, was he?"
|
||
|
"I think I'd've mentioned that if he were."
|
||
|
"The girl wasn't that tall, either," Onions' colleague put in.
|
||
|
"So what are you two working on?" Sylk asked.
|
||
|
"Robbery and murder," Onions replied, not without relish. "Want a
|
||
|
look?"
|
||
|
|
||
|
X. If the Noose Fits
|
||
|
|
||
|
"Let me see if I understand this yet," Ariel whispered. She and
|
||
|
Mouse, still more than a little damp, had moved to another alley, one
|
||
|
that was a little closer to Camron's office. It wasn't too close,
|
||
|
though, owing to the number of members of the Watch who'd gathered
|
||
|
there. "Someone who looked like me killed Jarvis and kidnapped you from
|
||
|
Camron's office tonight."
|
||
|
"Right," Mouse whispered back. "And even though you did work in
|
||
|
Camron's business and aren't sure whether Jarvis liked you and also work
|
||
|
for someone named Iliara and have someone named Haargon enthusiastically
|
||
|
out to get you, and chose tonight to run away from home and happened to
|
||
|
go jump in the harbor this evening just like the person who resembles
|
||
|
you, there should be no problem persuading the Watch that it wasn't you,
|
||
|
but someone who only looks like you."
|
||
|
"Right," Ariel said. After a pause, she added "Wrong, huh?"
|
||
|
"I'd lock you up," Mouse admitted. "Except that I happen to know
|
||
|
that I saw two separate people go for a swim tonight."
|
||
|
"Right!" Ariel replied with triumph. "So all I have to do is bring
|
||
|
you along with me to Camron's. You can explain what you saw and
|
||
|
everything'll be fine."
|
||
|
"Sure. They'll lock me up along with you," Mouse said. "For
|
||
|
exhibition: Smallest Criminal Genius In The Kingdom. All they have to do
|
||
|
is ask themselves what I was doing at Camron's in the first place and
|
||
|
they'll have me tagged as your partner in crime."
|
||
|
"But that's not what happened!"
|
||
|
"Makes for a pretty believable story, though. Doesn't it?"
|
||
|
"Maybe. Why would I want to kill Jarvis?"
|
||
|
"Why would someone who looks like you want to kill Jarvis?" Mouse
|
||
|
asked.
|
||
|
"I don't know why anyone would want to kill Jarvis," Ariel sighed.
|
||
|
"Maybe it was a plot by Haargon to blame me," she suggested.
|
||
|
"Who is this Haargon, anyway?" Mouse asked.
|
||
|
"I told you -- "
|
||
|
"I know, but it doesn't sink in."
|
||
|
"Haargon is evil. He's the god of earth, and weight and depth and
|
||
|
darkness. He's so evil that only followers of darkness, secrecy and
|
||
|
dread would want to worship him and draw their strength from his might."
|
||
|
"So there's a gang of evil priests of Haargon who're out to get
|
||
|
you," Mouse shrugged. "And that's because of that Iliara person -- "
|
||
|
"She's the Goddess of the Air," Ariel corrected quickly. "She rules
|
||
|
over lightness and height. And she's good and noble and inspires all her
|
||
|
worshippers with -- "
|
||
|
"What worshippers?"
|
||
|
"Huh?"
|
||
|
"Where are all the worshippers of Iliara? If you've got some
|
||
|
priests of Haargon after you and you say that the followers of Iliara
|
||
|
and the followers of Haargon are locked in a ceaseless struggle over the
|
||
|
fate of the world, where are some worshippers of Iliara to help you
|
||
|
out?"
|
||
|
"Well, it's a pretty tough battle for everybody," Ariel admitted.
|
||
|
"I did get a couple of messages from other followers of Iliara. They
|
||
|
urged me to be strong and hold firm in the faith -- "
|
||
|
"But regretted that they couldn't help you out just now?"
|
||
|
"The battle lines are drawn tautly for everybody."
|
||
|
"So you think Haargon's behind this?"
|
||
|
"I'm sure of it."
|
||
|
"Then let's go."
|
||
|
"To Camron's?" Ariel stood up.
|
||
|
"Hardly," Mouse replied. "If this was Haargon's work, it's certain
|
||
|
that he's expecting you to be arrested and held in gaol. Whatever the
|
||
|
Watch might think of my ability to tell a true story, I'd have to agree
|
||
|
with that forecast. If we go see the Watch, I'd expect us to remain
|
||
|
locked up until the matter is fully resolved. And there are too many
|
||
|
ways of resolving the matter that don't appeal to me. No. I'd rather
|
||
|
stay at liberty a while longer so that we can try ourselves to find your
|
||
|
look-alike. And that means going to see Brother Terkan."
|
||
|
"Do I know him?"
|
||
|
"You didn't know Freyo," Mouse said. "Why should you know Terkan?
|
||
|
Go away from the harbor," she added, changing the subject completely.
|
||
|
"We're looking for Fiddlers' Alley."
|
||
|
"Where?"
|
||
|
"It's off Castle Rise -- "
|
||
|
"The other side of the river?"
|
||
|
"How should I know? I just got here in a barrel. But Muskrat says
|
||
|
Fiddlers' Alley is more of a street in Dargon than a lot of the supposed
|
||
|
streets are."
|
||
|
"Oh. Who's Muskrat?"
|
||
|
|
||
|
XI. A Rat for Sylk
|
||
|
|
||
|
Kittara knocked on the door of the room where Sylk was said to be
|
||
|
seething. There were a few rooms at Duke Jastrik's house in Dargon where
|
||
|
one was supposed to be able to seethe undisturbed, but Kittara
|
||
|
recognized none of them. Upon hearing a barked response, she pushed the
|
||
|
door open and strolled in.
|
||
|
"I never did find my quarry," she yawned, sliding casually into the
|
||
|
only chair in front of the desk where Sylk was working. She gazed across
|
||
|
the lamplight at her frazzled superior. "You look like you've been up
|
||
|
all night."
|
||
|
Sylk glared admiringly at her. "You don't," he said.
|
||
|
"Oh, but I have been. Seeking here and searching there." Kittara
|
||
|
shrugged. "I gather you had better luck?"
|
||
|
"You can gather I had *worse* luck," Sylk growled. "No, I never
|
||
|
found the other one either. But I did make the mistake of stumbling into
|
||
|
somebody else's business."
|
||
|
"That does sound like a mistake."
|
||
|
"And now Jastrik's Consul has decided to make it *my* business."
|
||
|
"And that sounds like misfortune."
|
||
|
"So now I'm going to make it *your* business also -- which is only
|
||
|
fair recompense, since you're the one who got me into this mess."
|
||
|
"Uh uh. To me it sounds like petty tyranny," Kittara insisted. "But
|
||
|
why should the Duke's Consul have a monopoly on that? What's the mess?"
|
||
|
"Jarvis was killed last night."
|
||
|
"Jastrik's bookkeeper?"
|
||
|
"Jastrik's *favorite* bookkeeper. Jastrik's bookkeeper whom Jastrik
|
||
|
relied on to keep all the other bookkeepers in Baranur honest -- at
|
||
|
least when it came to dealings with Duke Jastrik. Herst expects Jastrik
|
||
|
will be very upset when the news gets to him."
|
||
|
"Uh huh."
|
||
|
"So Herst has asked me to please see what I can do to ensure that
|
||
|
when the news gets to Jastrik it also includes the happy fact that we've
|
||
|
identified the killer and have her awaiting the King's Justice."
|
||
|
"'Her'?"
|
||
|
"'Her'. The good news is that we have a witness -- or as good as --
|
||
|
and the witness knows the killer. Jarvis was auditing a local broker
|
||
|
named Camron and it'd appear that one of Camron's bookkeepers -- name's
|
||
|
Ariel -- killed him."
|
||
|
"A bookkeeping girl killing an auditor?" Kittara exclaimed. "Don't
|
||
|
you find that a little farfetched?"
|
||
|
"Not with a crowbar I don't."
|
||
|
"She used a crowbar?"
|
||
|
"It seems that she was breaking into one of Camron's shipments -- a
|
||
|
barrel of stuff called Rhubarb Relish. Jarvis happened to be working
|
||
|
late and surprised her. So she coshed him on the head with the crowbar
|
||
|
and ran."
|
||
|
"Then who was the witness?" Kittara asked.
|
||
|
"The night watchman. Londron."
|
||
|
"Why didn't he surprise her?"
|
||
|
"Apparently, she'd knocked him out already. Slipped something in
|
||
|
his tea when he wasn't looking. There was a noise which roused him and
|
||
|
brought him running -- he says -- just in time to see the girl drop the
|
||
|
crowbar, grab something out of the barrel and run."
|
||
|
"Why would anyone kill for relish?" Kittara mused. "There's a sick
|
||
|
joke in that somewhere," she added.
|
||
|
"I'd have to wonder if there wasn't something else in that barrel
|
||
|
with the relish," Sylk replied. "Also, there's another possible reason
|
||
|
for murder: Jarvis's notes -- they're pretty nearly impenetrable to
|
||
|
anyone who isn't Jarvis, I'd say. But they seem to indicate that Jarvis
|
||
|
was finding things he didn't like in Camron's books."
|
||
|
"Aha!" Kittara said.
|
||
|
"Yeah. And then there's the note she left -- "
|
||
|
"The girl left a note at the crime scene?"
|
||
|
"Hardly. Have a look at it -- "
|
||
|
Kittara glared at Sylk.
|
||
|
"-- or don't," Sylk quickly added, remembering how little Kittara
|
||
|
liked letters. "Perhaps I should just read it to you. The girl had
|
||
|
packed up all her stuff and left the house she was staying in this
|
||
|
evening. She left a note for the folks she'd been staying with. They're
|
||
|
Marcus and Karina. Karina is Camron's cousin. Anyway, Marcus passed
|
||
|
along the note when the Watch went there looking for Ariel." He read:
|
||
|
|
||
|
I'm sorry, but I can't stay here. My presence puts you in
|
||
|
danger, and I care too much for you to do that. I am going to
|
||
|
find myself somewhere to live while I might be hurting anyone.
|
||
|
You can reach me at Camron's, as I still have to work
|
||
|
something for the next couple of days. Thank you for
|
||
|
everything.
|
||
|
|
||
|
"I'm surprised Marcus didn't destroy that," Kittara said. "Perhaps
|
||
|
the girl was an unpleasant tenant."
|
||
|
"No. The report is that Karina was very upset to hear that Ariel
|
||
|
was in trouble. They both were, in fact."
|
||
|
"Did they have any idea where Ariel might've gone?"
|
||
|
"They didn't offer any. Millhouse -- he's the Watch officer who
|
||
|
visited them. Millhouse thinks Karina knows more than she's told so
|
||
|
far."
|
||
|
"So that's one possibility. Any others?"
|
||
|
Sylk grimaced. "Dargon's not a very big town," he said, "until
|
||
|
you're trying to find someone in it. All I can think of is to ask
|
||
|
everyone at Camron's business more thoroughly."
|
||
|
"Ugh," Kittara agreed.
|
||
|
|
||
|
XII. The Close Bonds Forged By A Shared Pursuit
|
||
|
|
||
|
"Here?" Ariel asked.
|
||
|
"I think this is Terkan's house," Mouse agreed.
|
||
|
They were standing in a street that they'd agreed was most likely
|
||
|
Fiddlers' Alley, though Ariel felt more comfortable in the designation
|
||
|
than Mouse. Before them stood the house that Mouse (with Ariel's
|
||
|
reluctant agreement) felt was most likely to match the description that
|
||
|
Brother Muskrat had given her. In the dim, diffuse light, all the houses
|
||
|
looked dolefully similar and, with the dawn bell not yet struck, there
|
||
|
wasn't anyone around to be asked for confirmation. There'd been a few
|
||
|
members of the Watch, from time to time, but for obvious reasons, Mouse
|
||
|
and Ariel chose to steer clear of them.
|
||
|
Ariel had risked asking one man to direct her after she and Mouse
|
||
|
had gotten several blocks away from Camron's. He'd seemed a reasonable
|
||
|
risk to accost because he'd been alone and he'd been hurrying along the
|
||
|
street. He'd not cared to linger in her company, but he did suggest that
|
||
|
Fiddlers' Alley was somewhere across the river in the Height. And Ariel
|
||
|
had learned enough about Dargon in her few days of residence to know
|
||
|
that Coldwell Height or just the Height was what they called the
|
||
|
respectable area upriver from the keep.
|
||
|
"So what do we do now?" Ariel asked.
|
||
|
"We knock."
|
||
|
"We?"
|
||
|
"You knock and I sit on your shoulder giving you encouragement."
|
||
|
Ariel knocked. With Mouse's promised encouragement, she continued
|
||
|
knocking for menes. Finally, they heard someone approach the other side
|
||
|
of the door.
|
||
|
"Who's there?" a voice called through the still closed door.
|
||
|
"You'll have to do the talking while the door's closed," Mouse told
|
||
|
Ariel.
|
||
|
"Mouse," Ariel called back. With further prompting from Mouse, she
|
||
|
added "From Rockway House, to see Brother Terkan. Brother Caleb wrote
|
||
|
him that I was coming."
|
||
|
"Before dawn?"
|
||
|
"I don't think Brother Caleb knew when I was going to arrive."
|
||
|
There was the sound of someone fussing with a bar and then the door
|
||
|
opened slightly. A tousled young man wearing a jerkin thrown hastily
|
||
|
over his nightshirt peered out at Ariel and Mouse.
|
||
|
The light was behind his callers, so there wasn't that much to see:
|
||
|
A bedraggled young woman, still smelling harbour-wet, stood waiting
|
||
|
through his inspection. Except for the lack of baggage, it was certainly
|
||
|
the outline of a traveler. There was something on her shoulder, though.
|
||
|
A cat?
|
||
|
"What do you want?" the young man asked. His tone was surly.
|
||
|
"Are you Brother Terkan?" the cat asked.
|
||
|
"His student," the young man replied, staring more closely at such
|
||
|
a clever cat. "Bret. What are you?"
|
||
|
"Mouse."
|
||
|
He continued to peer. She was awfully small, but "You're a girl?"
|
||
|
Bret guessed.
|
||
|
"I'm a girl named Mouse," the tiny person said quickly. "And this
|
||
|
is my friend Ariel. Brother Terkan does live here, doesn't he?"
|
||
|
"Yes. How'd you get so small?"
|
||
|
"By focusing on the little things in life -- may we come in?"
|
||
|
"Master Terkan didn't say anything about being visited by a mouse."
|
||
|
"I'm not *a* mouse -- "
|
||
|
"This isn't working," the woman named Ariel said. "Maybe we should
|
||
|
come back at midday."
|
||
|
"You've got somewhere else we can go in the meantime?" Mouse
|
||
|
retorted. "Look, Bret, can we at least come in off the street and wait
|
||
|
somewhere for a more reasonable time to greet our host?"
|
||
|
The young man considered, but only briefly. His prospective guests,
|
||
|
after all, looked far more pathetic than dangerous. And interesting.
|
||
|
Not that they looked like much of anything at all, in the darkness,
|
||
|
but women called at Brother Terkan's house so seldom that anyone female
|
||
|
was interesting. And Bret's imagination could go quite far on a fair
|
||
|
voice and a lack of girth. The salty dampness notwithstanding, the woman
|
||
|
might be worth lighting a candle for and the mouse -- She seemed likely
|
||
|
to be a sorceress. "Focusing on the little things in life" sounded as
|
||
|
though it could be an obscure key to arcane power. Or mere obscurantism.
|
||
|
But sorceresses were fond of that sort of thing, Bret knew. He swung the
|
||
|
door open wider.
|
||
|
"Come in," he invited. The girl came in as soon as he said the
|
||
|
words. "There's a room you can rest in until Terkan is ready to receive
|
||
|
you."
|
||
|
"What's going on here?"
|
||
|
"Or perhaps we'll skip the waiting," Bret said under his breath.
|
||
|
Ariel and Mouse looked up the narrow staircase at a short,
|
||
|
middle-aged man holding a taper. The latter had wrapped himself in a
|
||
|
ragged-looking robe and a scowl.
|
||
|
"Are you Brother Terkan?" Mouse called up.
|
||
|
"Who're you?" the man responded. He started down the stairs.
|
||
|
"Mouse. Are you Brother Terkan?"
|
||
|
"Very seldom. Normally, I'm Terkan -- or Master Terkan to my
|
||
|
inferiors -- like Bret, here. No one calls me Brother Terkan except -- "
|
||
|
The man stopped. "You've come from Rockway House," he resumed. "Though I
|
||
|
thought Caleb said I'd get one visitor. A small one named Mouse. Well,
|
||
|
he didn't exaggerate about that. So you're the scribe whose work I've
|
||
|
had several occasions to admire."
|
||
|
"And you're the client whose generosity I've had a couple of
|
||
|
occasions to appreciate," Mouse reciprocated.
|
||
|
The two took a moment to approve of each other.
|
||
|
Then Terkan turned to Ariel. "But who are you?" he asked.
|
||
|
"She's Ariel," Mouse said. "She's a very good friend of mine and
|
||
|
has been helping me find my way around the city. And I needed the help.
|
||
|
I hadn't realized how big it was."
|
||
|
"It'd be interesting to imagine a town you'd call small," Terkan
|
||
|
said.
|
||
|
Mouse forced a smile. "We're sorry about disturbing you so early in
|
||
|
the day. Before it's even begun, in fact."
|
||
|
"I'd awakened already, anyway."
|
||
|
"Oh. Well." Mouse glanced at the bedraggled Ariel. "We haven't
|
||
|
slept yet this night and are pretty tired. Do you think --"
|
||
|
"You've been up all night?" Terkan interrupted. "What could you
|
||
|
have been doing? Dargon Town gets very quiet once the sun goes down."
|
||
|
"Avoiding the agents of Haargon," Ariel declared.
|
||
|
"Haargon?" Terkan repeated.
|
||
|
"I really don't think this was the right time to bring that up,"
|
||
|
Mouse said. To Terkan, she said "You've heard of Haargon?"
|
||
|
"Uh -- no!" Terkan exclaimed. "But the name, I don't know of any
|
||
|
lords bearing it."
|
||
|
"He's an evil god," Ariel explained.
|
||
|
"Oh," Terkan said.
|
||
|
"He rules the earth and depth and heaviness."
|
||
|
"I see."
|
||
|
"Doesn't help jog your memory any, does it?" Mouse asked.
|
||
|
Terkan glanced at her. "Haargon," he said. "No, I don't think so.
|
||
|
But this god has agents?"
|
||
|
"Priests, too," Mouse said.
|
||
|
|
||
|
XIII. The Unreasonable Demands of Employers
|
||
|
|
||
|
Alec seethed. "Yes!" He repeated. "I lost her!" He didn't stomp his
|
||
|
foot because that would have been childish. Also, with the thick carpet
|
||
|
on the floor of Cleo's chamber, the gesture would've been ineffectual.
|
||
|
Instead, he simply said "It was sheer good luck that I managed to catch
|
||
|
up with her at all -- "
|
||
|
"The Grace of Haargon, you mean," Cleo responded. "You are doing
|
||
|
His work, you remember."
|
||
|
"Of course I remember. *You* remind me every time I report to you.
|
||
|
He, on the other hand keeps any assistance He gives really subtle. I
|
||
|
mean, if He's trying to be helpful, why'd He let that Marcus muck things
|
||
|
up on me?"
|
||
|
"The ways of Haargon are not for mortals to judge -- and especially
|
||
|
not for unbelieving mortals like you to comment on. Where did you see
|
||
|
the girl last?"
|
||
|
"Oyster Street. She ran to the end of it and dove into the harbor."
|
||
|
"Did she? Ah, off a pier?"
|
||
|
"Off the wharf."
|
||
|
"Oh?"
|
||
|
"Uh huh." Alec decided to explain the nautical distinction to the
|
||
|
earthbound priest. "A pier," he said, "as you'd know if you ever visited
|
||
|
the waterfront, is the structure that sticks out into the harbor,
|
||
|
whereas a wharf is any place, including parts of Dock Street itself,
|
||
|
where a ship can tie up to load or unload -- "
|
||
|
"Enough!" Cleo shouted. "Thank you," he added sourly, "but I didn't
|
||
|
hire you to advise me about the architectural niceties of Dargon. You're
|
||
|
supposed to be reporting to me about the whereabouts of that girl Ariel.
|
||
|
At that, you seem to be doing a less than satisfactory job." The priest
|
||
|
examined one of his black, dirt-encrusted fingernails. "Do you know, for
|
||
|
example, why she dove into the water?"
|
||
|
"Well, no," Alec admitted. "Not really. She left her backpack with
|
||
|
her few worldly possessions lying in the street, shucked her cloak on
|
||
|
the wharf itself, dove in and just swam away from everything. Here's the
|
||
|
pack and cloak." Alec kicked them.
|
||
|
"You couldn't learn anything from them?"
|
||
|
"Only that she doesn't know enough to get out of the way of a slop
|
||
|
bucket. And that her hair's finally going to start looking different --
|
||
|
she had *three* combs and now she has none. And that she may be a good
|
||
|
bookkeeper but she's a lousy seamstress. Oh, and that she kept a
|
||
|
journal."
|
||
|
"And she's likely to discontinue that practice also?"
|
||
|
Alec produced the book.
|
||
|
"Such an extravagance," Cleo said. "And so revealing." He reached
|
||
|
for it. "You've read through it already, I expect?"
|
||
|
Alec held onto it. "There's nothing useful there. There's a lot
|
||
|
about someone named Stefan and some stuff about trying to make her new
|
||
|
start here in Dargon Town. She liked Marcus and Karina. But there's not
|
||
|
a clue where she was swimming to."
|
||
|
"You're certain?"
|
||
|
"Yes."
|
||
|
"Then I guess you'll have to look elsewhere. In the meantime,
|
||
|
though, I should like to have a look through that book."
|
||
|
"No."
|
||
|
"No?"
|
||
|
"I told you. There's nothing useful in it."
|
||
|
"You don't know everything that's useful."
|
||
|
Alec shrugged. "I know the scope of my job. Keeping an eye on the
|
||
|
girl and reporting her movements to you. I found the journal; I'll use
|
||
|
it to further my work -- 'cept that it isn't useful for that purpose, so
|
||
|
I guess I'll see that it doesn't get used against her at all." He stood
|
||
|
up.
|
||
|
"That's not your job!" Cleo roared "Judging my actions with regard
|
||
|
to that girl!"
|
||
|
"So you say. Consider it my hobby."
|
||
|
"I'll withold your fee."
|
||
|
"Try making a threat I didn't think would happen anyway." Rapidly,
|
||
|
Alec walked out of Cleo's chamber. He hurried through the cellar,
|
||
|
ignoring the handful of minions of Haargon who were pursuing their
|
||
|
earthy chores there. Pulling the door closed behind him and pausing only
|
||
|
to take a gulp of relatively fresh air, he ran up the outdoor steps two
|
||
|
at a time.
|
||
|
"I am really beginning to hate that priest," he told himself before
|
||
|
trying to think calming thoughts and stroll casually around the
|
||
|
apparently innocuous house to Thockmarr Street. "But I'm still left with
|
||
|
the problem of finding the girl." For want of anything better, he ambled
|
||
|
toward the marketplace.
|
||
|
"Perhaps she likes haggling."
|
||
|
|
||
|
========================================================================
|
||
|
|