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1703 lines
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From WHITE@DUVM.OCS.DREXEL.EDU Tue May 12 10:35:22 1992
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Received: from DUVM.OCS.DREXEL.EDU by eff.org with SMTP id AA26841
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(5.65c/IDA-1.4.4/pen-ident for <RITA@EFF.ORG>); Tue, 12 May 1992 10:35:11 -0400
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Message-Id: <199205121435.AA26841@eff.org>
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Received: from DUVM by DUVM.OCS.DREXEL.EDU (IBM VM SMTP R1.2.2MX) with BSMTP id 3308; Tue, 12 May 92 10:31:24 EDT
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Date: Tue, 12 May 92 10:31:14 EDT
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From: "Avid Reader - Fledgling Writer" <WHITE@DUVM.OCS.DREXEL.EDU>
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To: RITA@EFF.ORG
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Status: OR
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1 /
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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 3
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Issue 5
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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------------------------------------------------------------------------
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-- DargonZine Volume 3, Issue 5 03/23/90 Cir 971 --
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------------------------------------------------------------------------
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-- Contents --
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------------------------------------------------------------------------
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Two Bits and a Silver I Michelle Brothers Yuli 17, 1013
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Materia Medica III Max Khaytsus and
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Michelle Brothers Yuli 22-23, 1013
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Be Careful What You Wish For Bill Erdley Janis 13, 1014
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------------------------------------------------------------------------
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1 Two Bits and a Silver
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Part 1
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by Michelle Brothers
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<b.c.k.a. brothers%tramp@boulder.colorado.edu>
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The street-lamp lighters had just emerged to begin doing their
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jobs when Eliowy slipped out from behind the glass-blowers shop on
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Atelier Street. The purse she had just lifted was heavy in her hand
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but would just barely cover the amount she was supposed to bring in
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for the night. The purse was heavy not just from the weight of the
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coins within, but the girl had no time to address the feelings of
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regret she had in taking the coins from their owner. At the moment
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keeping her own skin intact was of more importance than the moral
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considerations involved.
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Eliowy hurried down the street as quickly as she could without it
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being obvious that she was in a hurry. She was supposed to have her
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day's wages, if they could be called that, in by sunset, and already
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the burnished disk of the summer sun was sinking below the horizon.
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She was running a little late because she had been trying, over
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the course of the last few weeks to steal enough extra money so that
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she could buy a horse to facilitate her escape from Dargon and,
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incidentally, Liriss.
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Eliowy picked up her pace. The memory of her tall, hulking boss
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made her slightly sick.
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The deal that he had offered her at first hadn't seemed too bad.
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He had set her up in a boarding house until, according to him, she
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could get back on her feet. This would have been fine, except that she
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hadn't really needed any help but she wasn't able to convince him of
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that. He had insisted. Not seeing any immediate harm in it, Eliowy
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accepted.
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A few days later, just as she was about to tell Liriss `thank you
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very much, but I have to be going', the man had suggested that she
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might like to repay him for his kindness in putting her up for a time.
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Eliowy hadn't been able to refuse.
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It took her a few weeks to realize that she wasn't getting any
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closer to paying Liriss off. He still paid for her room and board and
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just a week ago had purchased her a new tunic and cloak for winter.
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Frightened at the implications of this, Eliowy had given him more
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money, in hopes of erasing the debt faster. This plan backfired when
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she was unable to produce the same amount the next night. Liriss had
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warned her in a low, cold voice that if she didn't bring in the full
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required donation the next night, he would turn her over to his guards
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for a night to teach her a lesson. He had added, in a much gentler,
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honey sweet voice, that there was no place in Dargon that she could
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hide that he couldn't find her, so she'd better not even think about
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trying to run out on him.
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Eliowy had left that interview profoundly disturbed. She believed
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everything that Liriss told her, less one. She believed that he could
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find her in Dargon, but doubted that his reach extened much further
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than that. Besides, she had out run and out-foxed Teran for the last
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ten months: Liriss, a man she had never seen to leave his office,
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should be much less of a challenge. The next night she brought him the
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exact amount that she was supposed to and saved the difference in a
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small ceramic jar to put towards a horse.
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The thought of her old mentor made Eliowy walk a little faster
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yet. According to Liriss, he had left Dargon two days after Eliowy had
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been taken into the crime lord's `care'. Whether this was true or not,
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she didn't know, but she did know that sooner or later Teran would
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make his way back to Dargon and if she was still here by then, he
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would find her. She had to put as much distance between both Teran and
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1Liriss as possible as soon as possible.
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Full night had fallen and the last of the merchants had left the
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market square leaving only the rats and other night prowlers out when
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Eliowy arrived at the building that housed Liriss's office. The
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building was a three story affair made of wood and solid red bricks.
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Windows were scattered all about the face of the building along the
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wall that had the best view of the market place. Liriss, Eliowy had
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learned, was a great people watcher.
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The auburn-haired girl shuddered as she climbed the stairs to his
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office because lately that watching had included her.
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The door that let her out onto the third floor opened on silent
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hinges and Eliowy walked the distance down the hallway slowly. Liriss
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was still having her deliver her daily take to him directly, instead
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of giving it to one of his lieutenants as the other girls did. She
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wasn't quite sure why, although the intimidation factor probably had
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something to do with it.
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She opened the office door. Liriss's latest secretary, the third
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in the last month, was seated at the small desk set to one side of the
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entrace to the crimelord's inner sanctum, carefully applying a pale
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green powder to her eyelids. She looked up as Eliowy closed the door.
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"You're late," she observed quietly. "He's waiting for you. Go on
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in." And she turned back to peering in the polished bronze mirror,
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wielding her eyebrush with care.
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Eliowy swallowed and stepped up to the last door. She composed
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herself, knocked sharply, and entered.
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As usual, Liriss was standing with his back to the door holding a
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glass of some dark liquor, staring out his prized picture window. He
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turned slightly as Eliowy entered. She stopped a few feet from the
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polished oak desk he stood behind, leaving the door open at her back.
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"You," he said flatly, returning his gaze to the window, "are
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late."
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"I have the money," responded Eliowy promptly, to change the
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topic. She had gotten a lecture, not too long ago, about the hazards
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of being late with one's required payment. The alternatives to being
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prompt that Liriss had chosen to mention had not been pleasant. Eliowy
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had mentally prepared her lines of defense for the next time she was
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late, because she knew there would be a next time, and wanted to avoid
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the consequences. Dodging the question was the first line.
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"That does not alleviate the fact that you are bring it in late,"
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snapped Liriss, turning to face Eliowy fully, brown eyes blazing
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angrily.
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"I brought in a little extra," added Eliowy quickly. "I got lucky
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today." Second line -- bribery.
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"You know the penalty for delivering payments late," Liriss
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continued, as though Eliowy hadn't spoken. "You were warned once
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before--"
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"I had to out run the guard!"
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Last line of defense. Lying or honesty. Whichever sounded the
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best at the time, coupled with prayer. Liriss stopped talking abruptly
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and the glare in his eyes became darker. Eliowy forced herself not to
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cringe under his gaze.
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"You had to out run the guard," he repeated. With deceptive
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casualness he set his glass down on the desk. "Just how is it that
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you're earning this money, young lady, that you should need to run
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from the guard?"
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Eliowy swallowed hard, not liking the look in the man's eyes.
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"Pickpocketing," she said. "How else should I get it?" She
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couldn't understand the look of utter disbelief that covered Liriss's
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features. How else was she supposed to earn the money he wanted?
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Granted, he could, like Teran, disapprove of stealing, but it wasn't
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1as though she had many options. No one would hire her for honest labor
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and she really doubted that Liriss cared that she was thieving. The
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look on his face was one of surprise, not disapproval.
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"Pickpocketing. How else could you earn it!" said Liriss in a
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brittle voice. "Since you don't seem to know, I think tonight will be
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very--"
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"Sir!"
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Liriss turned with a black look to the open door to face his
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first lieutenant, Kesrin, who held one of his employees by one arm.
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"My Lord," said Kesrin with a significant look, silently
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reminding him that he had other business to deal with that evening. He
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had been Liriss's second lieutenant until the disappearance of Cril
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over two months ago, and was allowed a certain amount of familiarity.
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"Kesrin," Liriss acknowledged him with a sharp nod and turned
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back to the young woman before his desk. "Eliowy, you may go. Do not
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be late again, or you will be visiting the barracks. Am I clear?"
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"Yes sir!"
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Eliowy didn't bother to question her luck. She ducked out the
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door.
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Liriss took a deep breath and forced his temper down. He could
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deal with the girl and her education later. This was just a little
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more important.
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"Come in, Kesrin. Tilden."
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Kesrin closed the door with a brief glance out, and shoved Tilden
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into a position before the desk while Liriss seated himself. The crime
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lord took a swallow from his glass, narrowly studying the man before
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him. Tilden stared at the desktop.
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"Rumor has it, Tilden, that you've been complaining about my work
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policies," said Liriss after a suitable interval of time had passed.
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"According to some of my men, you seem to have this quaint idea that
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you deserve better than you've been getting from me. Is this correct?"
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After being the sole survivor of a party of men sent out to bring
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back Kera, a thief in Liriss's employ, and returning without her,
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Tilden had been removed from his cushy position as one of the crime
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boss's scouts and put to work as simple guard, watching one of his
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gambling establishments. Tilden was a little upset about his new
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position.
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"I'm the best damn scout you've got, Liriss," said the man hotly,
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looking up. "I shouldn't be doing a job that you've got muscle for!"
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"I see," said Liriss, sounding regretful, "I wish that you had
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expressed your displeasure to me earlier, Tilden. Then I wouldn't have
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to deal with the seeds of discontent that you have sown among my
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troops." Tilden shifted uncomfortably and Liriss took another sip of
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wine. "Kesrin, take Tilden here to the blocks--"
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"NO!"
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"--I have no use for disloyal and incompetent men in my ranks."
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Tilden lunged suddenly for Liriss's throat but was caught and
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pinioned by Kesrin before his hands made it halfway across the table.
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Carefully, almost gently, Kesrin knocked him out.
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"And when you're done with that, Kesrin," added Liriss. "See what
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you can do about whipping the men back into shape. I don't want to
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have to make any more examples of this sort."
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"Of course, Lord Liriss," Kesrin pulled open the door. "And I'll
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send Hollis in to you."
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"You do that," said Liriss, distractedly. He stared out his
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window for a long while before designing to notice the woman standing
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there, crafting plans to tighten his grip on his people to make future
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repetitions of the month's incidents unlikely. People failing in their
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assigned tasks and having deserters did not make for a smooth running
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1operation. Liriss hated it when things didn't run smoothly.
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With a sharp gesture, he beconed Hollis to his side.
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"Don't do this to me, Kesrin! Kesrin, you can't do this. Let me
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go! Please, you can't just leave me here to die, Kesrin!" Tilden
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struggled futilely against the chains being locked around his wrists
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and ankles. His voice raised to a paniced scream. "You can't just
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leave me!"
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"Yes, I can, Tilden," said Kesrin calmly. He stood a few feet
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away, holding a torch, and watching calmly as the guards manacled the
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ex-scout to the granite slab that Liriss used for his executions. "You
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were warned. You did not heed that warning."
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"Let me go, Kesrin," repeated Tilden frantically as the men left
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his side. They walked quickly away as the scout jerked frantically
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against the chains. "You hate him as much as I do. Let me go and we'll
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kill him together!"
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"No," said Kesrin, just loud enough to be heard over the pounding
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of the waves. "You cannot hate him as much as I do." He stared past
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the block to the narrow stairs that the guards were slowly climbing.
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"I will deal with my Lord Liriss. When the time comes." His cool
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reguard refocused on Tilden's sweaty, spray covered face. "Goodbye,
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Tilden. May you gain wisdom in your next incarnation." And he turned
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and walked away, feet splashing softly in the rising tide.
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"Kesssrriiinnn....!"
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Two torches were left burning in salt encrusted brackets on the
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handrail of the stairs that led to Lord Liriss's private execution
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grounds. The light reflected eerily off of the slowly rising water,
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turning the sea foam to silver.
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Liriss's lieutenant, Kesrin, had been gone for some time when
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Eliowy made her way down the slippery stairs. The water had risen to
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almost thigh level as she waded out. As she splashed towards him,
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Tilden jerked in his bonds.
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"Did you come back to gloat, Kesrin?" he demanded, in a voice
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cracked raw from screaming. "Or is it you, `Great Lord Liriss', to see
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if your oh so faithful servant did his job properly!"
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"Neither, actually," said Eliowy. "And if you hold still, I'll
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try and get your wrists free."
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"Rescue! You're here to rescue me!" Tilden's hoarse voice dropped
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to a whisper of desperate hope, unwilling to question his luck. "Did
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you get the keys?"
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"No. I have to pick the lock. Now hold still."
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Tilden held, while Eliowy swore softly to herself. Before she
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left Rubel, she had been in the process of learning to pick locks,
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under the friendly tutelage of her friends the twins, Piper and
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Skeeter. The two were first rate cutpurses who had developed their
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lockpicking skills for those rare times when one or the other of them
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was caught. They had just started to teach her the dubious art when
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she left. As a result, progress was slow. By the time Eliowy had the
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scout's ankles free, the ocean had crept up to her thighs.
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"Hurry," hissed Tilden.
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"I'm doing my best," retorted Eliowy.
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"Why are you doing this?" asked Tilden abruptly, as Eliowy
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fumbled with the lock. Each wave, as it came, nearly lifted her off of
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her feet, making the effort to pick the locks that much more
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difficult.
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"Because," said Eliowy, shaking sea water out of her face. "No
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one deserves to die like this. And I owe you one. Your timely arrival
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saved me from..." Eliowy broke off, then began again. "I followed
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Kesrin out and when I figured out what he planned to do, I had to go
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1find a lockpick. That's what took me so long. Sorry."
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`I can't believe it,' thought Tilden in shock. `Liriss hired
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someone with a conscience. And when I'm done with him, he won't be
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able to corrupt any more young people like her again!'
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"It's all right," he said to Eliowy, forcing himself to calm
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down. "You're here and that's something."
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Eliowy didn't reply. After what seemed like an eternity to Tilden
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she said, "Jerk your arm. I think I got it far enough."
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Tilden yanked on the chain and felt resistance; he pulled harder
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and fell to one side, almost off the block, as his arm came abruptly
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free. "Give me the lockpick," he ordered. Eliowy handed it to him;
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little more than stiff wire twisted and curved to try and strengthen
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it. Tilden didn't bother to comment. He was able to unlock the last
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manacle with deft ease.
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"Let's go," he said, levering himself up, off of the slab.
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Together they waded over to the wooden staircase that led to the
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top of Liriss's private pier.
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"Can you think of anyplace I can hole up?" asked Tilden as they
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climbed. "I can't exactly go back to the guards barracks and they know
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all of my hideouts."
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"I think I know a place where you can stay," said Eliowy, after a
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pause. "You plan to take on Liriss, don't you?" she added, knowing
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that that was the only reason the man would need a place within Dargon
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city limits to hide.
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"I plan to make him pay for trying to kill me," replied Tilden,
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eyes gleaming with hate. "That man has lived far too long and ruined
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too many lives..." He continued ranting about Liriss and Kesrin,
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laying out in detail the plans he had for each.
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Eliowy said nothing else as she led the man to one of the places
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she had staked out as a potential hiding place for herself. While she
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agreed with Tilden that the crimelord had to go, she didn't want to
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get involved with trying to assassinate him. After she got the scout
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to safety, she planned to leave him. He could take care of himself and
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the time to leave Dargon was running out fast for her.
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------------------------------------------------------------------------
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1 Materia Medica
|
||
|
Part 3
|
||
|
Max Khaytsus
|
||
|
<b.c.k.a. khaytsus%tramp@boulder.colorado.edu>
|
||
|
and Michelle Brothers
|
||
|
<b.c.k.a. brothers%tramp@boulder.colorado.edu>
|
||
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|
||
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|
||
|
A ten foot grey stone wall came into view, appearing suddenly in
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|
the green of the forest, after the bend in the road. The gate to the
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courtyard was open and Rien and Kera were able to simply ride in. They
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did not go unnoticed, however. A lone guard looked up from his
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|
restless pacing and after straightening his tabard, quickly
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approached.
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||
|
"Is this the Connall residence?" Rien asked as the man strode up
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|
to him.
|
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|
"Yes, it is, sir," said the man politely. "May I help you?"
|
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|
"High Mage Marcellon Equiville should be expecting me," Rien
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said.
|
||
|
The guard seemed to be taken aback for a moment. "Your name?"
|
||
|
"Rien Keegan. I was sent by Dyann Taishent."
|
||
|
"If you'll wait, sir, I'll go see if the High Mage is available,"
|
||
|
the guard responded and turned smartly and headed towards the main
|
||
|
house. Another guard appeared to replace him in the courtyard before
|
||
|
he made it inside.
|
||
|
"Well rehearsed," Rien commented to Kera as they dismounted. They
|
||
|
remained standing next to each other, holding onto the horse's reins
|
||
|
and looking over the noble's estate.
|
||
|
The stone wall went on for a good fifty yards, forcing the road
|
||
|
outside to turn deeper into the forest, while inside a large courtyard
|
||
|
with trees and green, well cared for shrubbery led up to a two story
|
||
|
stone house. Other than the single man at the gate, there were no
|
||
|
other guards or servants visible.
|
||
|
The first guard reappeared at the house's front door with a
|
||
|
young, dark haired woman who could not be much older than Kera. They
|
||
|
were speaking quickly to each other as they walked over to Rien and
|
||
|
his edgy apprentice.
|
||
|
"Good morning," the woman said, inclining her head politely. "I
|
||
|
am Myrande Shipbrook, the senechal of Connall Keep. I understand that
|
||
|
you are here to see the High Mage."
|
||
|
"We were told he would be expecting us," Rien answered. "I am
|
||
|
Rien Keegan and this is my apprentice, Kera."
|
||
|
"Please follow me," Myrande said, smiling. "Marcellon will see
|
||
|
you in the Baron's study. Sergeant, please see to their horses."
|
||
|
Leaving their mounts, Rien and Kera followed Myrande into the
|
||
|
house where they were taken down a corridor and asked to wait for the
|
||
|
wizard in a large room. It was the Baron's study, filled with books
|
||
|
and decorated with weapons on the walls. By the window stood a large
|
||
|
desk, with a disorganized stack of papers on top. An ink well and a
|
||
|
nearly new quill stood beside the untidy stack of pages and a large
|
||
|
padded chair sat behind the desk, turned to face out the window behind
|
||
|
the desk. Four other comfortable looking chairs were scattered about
|
||
|
the room.
|
||
|
"High Mage Marcellon will be with you in just a few minutes,"
|
||
|
said the senechal, walking to the door. "Please, make yourselves
|
||
|
comfortable. I will send for refreshments." And she stepped out,
|
||
|
closing the door behind her.
|
||
|
Rien walked over to the bookshelf to take a look at the titles.
|
||
|
Most dealt with war and weaponry, but there were quite a few on
|
||
|
tactics, law, and a couple of histories as well.
|
||
|
1 "Rien, I'm sick of these wizards and witches," Kera said,
|
||
|
prowling the room.
|
||
|
He turned around. "We seem to be lacking alternatives. What
|
||
|
troubles you more? The disease or the people who can cure it?"
|
||
|
Kera sighed and sat down. "They both bother me, but look at how
|
||
|
much more trouble looking for a cure caused..."
|
||
|
"Are you saying you'd rather have the disease take its course?"
|
||
|
"Damn it, Rien! This is all my fault!"
|
||
|
"Is it?" Rien asked. "How could it be?"
|
||
|
Kera burst into tears. "I led you down that alley! I stabbed
|
||
|
you..."
|
||
|
Rien embraced her. "You did not lead me. I followed...and you
|
||
|
wounded me in self defense. That dog could have been anywhere, as
|
||
|
could I..." He stroked her hair back. "We got into the trouble looking
|
||
|
for a cure. We have to look for it together. It's not something
|
||
|
magical that will find us on its own. I don't want you feeling guilty
|
||
|
or thinking that it's all your fault, because it's not."
|
||
|
Kera didn't reply, merely buried her head in Rien's shoulder and
|
||
|
shook.
|
||
|
|
||
|
Marcellon and Myrande stood outside the study door, patiently
|
||
|
waiting for the sounds inside to stop.
|
||
|
"How could I go in there right now?" Marcellon asked no one in
|
||
|
particular. "Can you imagine what they are going through?"
|
||
|
"I don't even know why they came here," Myrande answered.
|
||
|
"What?" Marcellon snapped around.
|
||
|
"I said I don't know why they are here in the first place,"
|
||
|
Myrande said again.
|
||
|
"Come along," Marcellon said, leading Myrande down the corridor,
|
||
|
away from the door. "The two mages who came to see me yesterday sent
|
||
|
them over. This couple was attacked by a dog diseased with
|
||
|
lycanthropy...or perhaps a man diseased with it."
|
||
|
"You mean like werewolves?" Myrande asked, eyes wide.
|
||
|
"My Lady Myrande," Marcellon smiled kindly. "Werewolves are only
|
||
|
a myth. This is a real disease that, over the course of time, makes
|
||
|
severe alterations on the diseased body. I have a book on the subject.
|
||
|
I may have brought it with me from Magnus..."
|
||
|
"Are they dangerous?" Myrande asked. "Maybe I should have a guard
|
||
|
posted."
|
||
|
"Unless they bite someone they are not dangerous," said
|
||
|
Marcellon, the seriousness of his tone belaying the lightness of his
|
||
|
words. "I doubt that there will be any problems."
|
||
|
|
||
|
When the door opened and Marcellon walked in, Rien and Kera stood
|
||
|
with their arms around each other by the window. "I am sorry to
|
||
|
intrude," he said, not expecting to walk in on something like this.
|
||
|
The pair separated. "I am Marcellon Equiville."
|
||
|
"I'm sorry, sir," Rien answered. "It was not proper on our part."
|
||
|
"It's quite all right," the wizard replied, smiling. "I
|
||
|
understand your situation."
|
||
|
Once again Rien introduced himself and Kera and Marcellon invited
|
||
|
them to sit down, after taking a seat behind the desk. "I will be more
|
||
|
than happy to see what I can do for you," he went on after everyone
|
||
|
had seated themselves. "I am not very familiar with the disease, but I
|
||
|
am a doctor and from what I understand, you have never approached a
|
||
|
physician."
|
||
|
"No, sir, we have not," Rien said, "but it was your reputation as
|
||
|
a wizard that made the final choice for us."
|
||
|
Marcellon smiled good naturedly. "It is a much stronger
|
||
|
reputation, I agree, but I intend to be a doctor. Magic does not solve
|
||
|
1all the world's problems."
|
||
|
"Before you agree to help us," Rien said, "I'd like to discuss
|
||
|
the matter of the fee."
|
||
|
"I will not charge you any money," Marcellon said. "I have more
|
||
|
than I know what to do with as it is. I simply request that you, at
|
||
|
some future time, perform a task for me that I will require to be
|
||
|
done."
|
||
|
"I've taken that path before--" Rien began warily, but was
|
||
|
interrupted by Marcellon.
|
||
|
"I can guarantee that it will in no way compromise your morals."
|
||
|
Rien paused to think. "You do realize that we need two cures?"
|
||
|
"Yes."
|
||
|
"And that I am Ljosalfar?"
|
||
|
"Yes," the wizard said again. "The price I named accounted for
|
||
|
all that."
|
||
|
Rien looked at Kera, expecting approval or at least some sort of
|
||
|
comment but she said nothing. Realizing that it was to be his decision
|
||
|
entirely, he turned after a long pause and nodded to Marcellon. "I
|
||
|
accept."
|
||
|
"Good," Marcellon said. "Myrande will give you rooms here as I
|
||
|
will need you around while I do my work. We can begin right after
|
||
|
lunch."
|
||
|
|
||
|
Rien walked into the room Marcellon converted into a small
|
||
|
laboratory. Kera sat on a chair, holding a cloth compress against her
|
||
|
arm. Next to her stood Myrande and Marcellon. The wizard was cleaning
|
||
|
the side of a small glass tube filled with blood.
|
||
|
"This is good," the wizard said, handing the vial to Myrande. The
|
||
|
senechal took the glass over to another table as he turned to Rien.
|
||
|
"Have a seat," he said. "You're next." He returned his attention to
|
||
|
Kera, as Rien pulled up a chair, and removing the cloth on Kera's arm,
|
||
|
cast a quick spell. "Go wash the blood off. It will be fine."
|
||
|
Kera got up, looking suspiciously at her arm and went over to a
|
||
|
basin of water and began washing the blood off.
|
||
|
"Now, you," Marcellon walked over to Rien. "Elves are naturally
|
||
|
nocturnal, is that correct?"
|
||
|
"Yes." Rien's expression darkened at the use of the slang term
|
||
|
for Ljosalfar.
|
||
|
"Then you haven't noticed any changes in your vision?" continued
|
||
|
Marcellon, oblivious to the change in expression.
|
||
|
"No."
|
||
|
"Any other changes?" Marcellon asked.
|
||
|
"I'm afraid not," Rien said.
|
||
|
"Nothing to be afraid about," Marcellon answered, selecting a
|
||
|
sharp instrument off of the array on the table. "It could be a sign
|
||
|
that your organism is putting up a good fight or that you are immune.
|
||
|
We'll see." He looked at Rien's arm and frowned. "Someone had drawn
|
||
|
blood before and not too many months ago," he said, indicating the
|
||
|
lattice of thin scars below the inside of his elbow.
|
||
|
"Yes," Rien said with distaste. "I expect that you will be more
|
||
|
sparing with my blood than the other was." He smiled crookedly to take
|
||
|
the sting out of his words.
|
||
|
By this time Myrande finished with the task that she had been
|
||
|
occupied with and came back, holding a clean, empty vial which
|
||
|
Marcellon took from her. "I wish I could tell you this won't hurt,"
|
||
|
said Marcellon, "but purposely desecrating flesh almost always tends
|
||
|
to be painful. Are you ready?"
|
||
|
Rien nodded and Marcellon made a small incision in his forearm.
|
||
|
Blood slowly dripped into the waiting vial.
|
||
|
"There," the wizard said after a short while and removed the
|
||
|
1container, moving quickly over to the table where Myrande had taken
|
||
|
the first vial.
|
||
|
Myrande quickly took his place and instructed Rien on how to hold
|
||
|
the cloth compress to stop the bleeding until Marcellon could heal the
|
||
|
wound, then went over to the wizard to help with the collected sample.
|
||
|
Kera came over to Rien and sat down in a chair next to his. "I
|
||
|
was hoping you'd be squeamish," she sighed and he playfully swatted
|
||
|
her.
|
||
|
"You're hoping for the wrong things," was his quick retort.
|
||
|
Marcellon came back. "Let me see your arm," he told Kera.
|
||
|
She stretched it out, palm up to display that there was no trace
|
||
|
of the incision, not even a scar.
|
||
|
"Good," Marcellon approved his own work and turned to Rien. "Let
|
||
|
me see yours."
|
||
|
Rien stretched his arm out, removing the compress. The bleeding
|
||
|
had stopped, but a bloodied cut remained.
|
||
|
Marcellon examined it and cast his healing spell again. He looked
|
||
|
over the arm again and then said, "this is the first time I've cast
|
||
|
anything on a member of your species. It's good to know that magic is
|
||
|
a universal doctor."
|
||
|
"You had doubts about the spell working?" Rien asked.
|
||
|
"Small ones," Marcellon admitted, "but it appears as if nature
|
||
|
makes us all of the same dough. Go ahead and wash up."
|
||
|
After cleaning his arm, Rien came over to the table where the
|
||
|
others stood. In the middle was a deep dish with ice chips and water
|
||
|
in which stood the two vials of blood. Around the dish stood other
|
||
|
vials and jars and medical instruments, neatly arranged by category
|
||
|
and size. Myrande was quietly preparing a solution while Marcellon
|
||
|
chatted with Kera. He turned as Rien approached.
|
||
|
"What now?" Rien asked.
|
||
|
"Now I study the blood," Marcellon answered. "Actually I will
|
||
|
only study Kera's for now, as I am vastly more familiar with human
|
||
|
physiology. You're free for the rest of the day. I will see you two at
|
||
|
dinner." And the mage turned away and, picking up an empty vial, moved
|
||
|
purposefully towards the other end of the table.
|
||
|
|
||
|
Kera pulled at her new tunic, trying to settle the stiff fabric
|
||
|
around her shoulders to her satisfaction. It was a deep shade of red,
|
||
|
decorated on the hem and collar with gold thread, and quite becoming
|
||
|
on her. Kera couldn't stand it. Dressing up to have dinner wasn't her
|
||
|
idea of a good time, no matter who the hosts were. The fact that they
|
||
|
were nobility just made the situation worse. Frowning into the
|
||
|
polished brass mirror, she tugged again at her collar.
|
||
|
She turned at a knock on the door.
|
||
|
"Come in."
|
||
|
"Are you ready?" Rien asked through the door.
|
||
|
"Yeah. Come on in."
|
||
|
Rien stepped into the room and looked Kera over. She was a
|
||
|
contrast to him, with his dark blue and silver trimmed tunic and blond
|
||
|
hair. He nodded approvingly.
|
||
|
"You look nice," he complimented.
|
||
|
"I don't like this," declared Kera, pulling at the front of her
|
||
|
tunic to emphasize her point.
|
||
|
Rien shrugged. "You don't wear travel clothes when you dine with
|
||
|
the Baron." He looked narrowly at her. "Be glad I'm not having you
|
||
|
wear a skirt." Kera shuddered at the thought and Rien smiled faintly.
|
||
|
"Now, if you're ready to go?"
|
||
|
Kera sighed, nodded, and followed Rien out into the hall. They
|
||
|
had been given rooms in Connall Keep proper, along the outside wall so
|
||
|
that their windows over-looked the main courtyard and gave a wonderful
|
||
|
1view of the forest over the wall. Despite the simplicity of the
|
||
|
furnishings, Kera found herself a little in awe of the place.
|
||
|
They turned into the main hallway and walked down the main
|
||
|
staircase. At the foot of the steps, Rien paused, trying to remember
|
||
|
the directions he had been given to get to the dining hall. After a
|
||
|
moment he moved off to the right. A short walk brought them to the
|
||
|
doors that led to the smaller of the Keep's two meeting halls. Two
|
||
|
guards, in the livery of House Connall pulled the doors open as they
|
||
|
approached.
|
||
|
"You look nice, too," said Kera suddenly.
|
||
|
"What?" Rien turned his attention from studying the tapestry
|
||
|
decked hall to his apprentice.
|
||
|
"I said `you look nice, too'," repeated Kera. Her eyes darted
|
||
|
nervously to the table in the middle of the room where four people sat
|
||
|
talking. The hall was lit with many candles and a large fire was lit
|
||
|
in the hearth behind the table and the added illumination made their
|
||
|
shadows dance eerily. Kera grinned weakly up at Rien who smiled
|
||
|
reassuringly.
|
||
|
"Welcome to Connall Keep," declared a tall dark haired man from
|
||
|
the head of the table. He rose and bowed slightly. "I am Baron Luthias
|
||
|
Connall. This is my Senechal, Myrande," he indicated a dark haired
|
||
|
woman seated to his left.
|
||
|
"We met earlier today," said Rien, inclining his head in the
|
||
|
woman's direction. "A pleasure to see you again, Lady."
|
||
|
Myrande smiled at him and Luthias continued his introductions.
|
||
|
"Ittosai Michaya, my Castellan," a black haired man with narrow brown
|
||
|
eyes to his right, "and I believe that you already know Marcellon."
|
||
|
The red robed wizard smiled and inclined his head from his place at
|
||
|
the foot of the table.
|
||
|
Rien bowed politely and Kera quickly, if a little awkwardly
|
||
|
followed his example.
|
||
|
"I am Rien Keegan, and this is my apprentice, Kera."
|
||
|
Kera bowed again as the senechal smiled at her.
|
||
|
"Have a seat," said Luthias, gesturing to the empty chairs, "and
|
||
|
we'll start dinner."
|
||
|
Rien gestured for Kera to sit next to Myrande while he seated
|
||
|
himself next to Ittosai.
|
||
|
After they had settled themselves, servants brought out the first
|
||
|
course of dinner, a hearty soup.
|
||
|
"You are here, I understand," said Luthias, after everyone had
|
||
|
had a chance to begin their meal, "seeking the cure to a disease that
|
||
|
you have."
|
||
|
"Yes," confirmed Rien. "We managed to contract an illness that is
|
||
|
rather difficult to cure and were directed here by a mage who thought
|
||
|
that Lord Marcellon might be able to help us."
|
||
|
"I'm certain that I can help you," said Marcellon. "Besides, you
|
||
|
present me with a rare opportunity. I've never had a chance to study
|
||
|
an elf before." He smiled, taking some of the clinicalness out of the
|
||
|
statement.
|
||
|
"You mean that elves aren't a myth?" said Luthias vaguely
|
||
|
surprised. "I've heard the stories but..."
|
||
|
"Not the last time I checked," smiled Rien. Kera concentrated on
|
||
|
her soup, hiding a smile.
|
||
|
"Pardon," said Ittosai in a strangely accented voice. "But I am
|
||
|
unfamiliar with the term. What is an `elf'?"
|
||
|
"A pointy eared human," said Kera. Rien shot her an icy glare
|
||
|
from across the table.
|
||
|
"Except for culture, there are few other differences between
|
||
|
ljosalfar," he emphasized the name, "and humans. Your social structure
|
||
|
is much more rigid than ours is," said Rien to Ittosai reluctantly. He
|
||
|
1disliked casually discussing his heritage. "My apprentice is correct,
|
||
|
however. Our ears are somewhat pointed." He did not offer to show them
|
||
|
and no one asked.
|
||
|
"Where do you come from?" Kera asked Ittosai suddenly. Everyone's
|
||
|
attention shifted abruptly back to her and she suddenly wished that
|
||
|
she had kept her mouth shut, but she pressed on. "You don't look quite
|
||
|
like anyone I've ever seen in Dargon before. Sir." She didn't feel it
|
||
|
was polite to mention his accent.
|
||
|
Ittosai smiled, his dark eyes sparkling.
|
||
|
"You are correct. I am not from here," he said. "I am from Bichu,
|
||
|
it is an island in the ocean of Valenfaer."
|
||
|
Kera's eyes widened a little as the rumors she had heard about a
|
||
|
Bichuese invasion gained a bit more credibility because of his
|
||
|
presence. A servant appeared at her elbow, distracting her from
|
||
|
further questions.
|
||
|
The soup dishes were removed and replaced with the main course, a
|
||
|
roasted fowl with vegetables that was finer than anything Kera had
|
||
|
ever tasted. Finer, even, than what Liriss was accustomed to having.
|
||
|
The thought of Liriss almost ruined her appetite, so Kera concentrated
|
||
|
on the conversation to get the thought of the crime lord and his
|
||
|
assassin out of her mind.
|
||
|
"What sort of business are you in, Rien?" Myrande was inquiring.
|
||
|
"I am an adventurer, Lady," replied Rien. Kera looked sharply at
|
||
|
him as he continued. "I am still young. I want to see the world before
|
||
|
I settle down to a trade."
|
||
|
"Ah, the restlessness of youth," said Marcellon with a sigh.
|
||
|
Again Kera's attention was distracted. Youth indeed! The mage looked
|
||
|
no older than a thirty year old man and Kera knew that Rien, who
|
||
|
looked younger than Marcellon, was at least fifty, if not older.
|
||
|
"There is much to see in the world," continued the wizard, "and so
|
||
|
little time to see it in."
|
||
|
`You're telling me,' thought Kera ruefully, thinking about the
|
||
|
disease coursing through her veins. Time was short and if the old man
|
||
|
couldn't cure them...Kera's musings were interrupted by Myrande asking
|
||
|
her: "And how did you meet Rien, Kera?"
|
||
|
"By accident, my Lady," returned Kera promptly, and, taking her
|
||
|
cue from Rien, did some hasty adjusting of the facts. "He saved my
|
||
|
life in an alley and I offered to...keep him company after that. It
|
||
|
does get kind of lonely adventuring alone. He's teaching me
|
||
|
sword-craft so I don't end up in that sort of situation again."
|
||
|
"You're a swordsman?" Luthias asked Rien eagerly, laying down a
|
||
|
bone from dinner.
|
||
|
"Yes, Lord," said Rien carefully. "I have some skill with the
|
||
|
weapon. Every adventurer should, don't you agree?"
|
||
|
"Of course," supported Luthias immediately. "It's a skill every
|
||
|
man should have." Ittosai nodded in agreement. "Would you be
|
||
|
interested in a sparring match tomorrow?"
|
||
|
"No, Luthias," said Marcellon, as Rien cast about for a suitable
|
||
|
reply. "I don't want you beating on my patients. I need him in one
|
||
|
piece tomorrow."
|
||
|
"There is no honor in taking on an opponent who is not at his
|
||
|
best," said Ittosai quietly.
|
||
|
"Perhaps some other time, Lord Luthias," Rien said, graciously
|
||
|
inclining his head.
|
||
|
"Yes, some other time," sighed Luthias.
|
||
|
Myrande also sighed and the sound almost seemed to say `men!'.
|
||
|
"Lady Myrande," said Rien, looking over at the woman. "You are
|
||
|
the senechal of this house. Are you a doctor as well?"
|
||
|
"I am simply helping Marcellon," replied Myrande with a smile.
|
||
|
"And I have some experience with mixing potions." An unreadable glance
|
||
|
1was exchanged between her and Luthias.
|
||
|
Rien nodded and concentrated on finishing his meal.
|
||
|
Again servants appeared to clear away the plates and dessert was
|
||
|
served. There was little discussion during this last course and what
|
||
|
was said was limited to sincere compliments to the cook's skills. Kera
|
||
|
was surprised to learn that the the dessert confection was an
|
||
|
imitation of a Bichuese delicacy.
|
||
|
As the last dished were cleared away, Marcellon turned to Rien.
|
||
|
"I would appreciate it, Rien, if you and your apprentice," he
|
||
|
smiled over at Kera, "would stay around the keep for the next few
|
||
|
days. I may need you for tests at odd hours."
|
||
|
"That won't be a problem, Lord Marcellon," said Rien. "I will
|
||
|
need to go back to the inn, however, to pick up the rest of our
|
||
|
belongings if we are going to be staying here."
|
||
|
"There's no problem with that. Now, if you will all excuse me,"
|
||
|
he pushed his chair back. "I'm going to retire to my laboratory to
|
||
|
begin my research."
|
||
|
Everyone rose, paid their respects to each other, and went their
|
||
|
separate ways. Kera followed Rien out of the hall.
|
||
|
"Why didn't you agree to fight Lord Luthias after we're cured?"
|
||
|
she asked as they climbed the stairs to Rien's room.
|
||
|
"Other than not being positive about being cured?" said Rien.
|
||
|
"It's considered bad form to beat your host in a fight."
|
||
|
"Are you so sure that you'd win, then?"
|
||
|
"I am not sure, but I have many more years of experience than
|
||
|
he," said Rien, opening the door and pulling his cloak off of the
|
||
|
chair he had tossed it on. "The odds are in my favor to win."
|
||
|
"Just how old are you?" asked Kera curiously as Rien swirled the
|
||
|
cloak around his shoulders.
|
||
|
"Wouldn't you like to know," said Rien. Kera glared at him. "I am
|
||
|
going for a walk. I will be back later this evening. You stay out of
|
||
|
trouble, understand?"
|
||
|
"Of course I'll stay out of trouble," Kera replied, offended.
|
||
|
"Where are you going?"
|
||
|
"For a walk. I will be back soon."
|
||
|
"Where? We're in the middle of a forest!"
|
||
|
"Precisely."
|
||
|
And Rien walked back into the hall and down the corridor with
|
||
|
Kera trailing after him, muttering unkind phrases at his back.
|
||
|
|
||
|
The following morning Rien went directly north from the Connall
|
||
|
Keep, wanting to enter Dargon from a point where he would not be
|
||
|
particularly noticeable. After over two hours of travel through the
|
||
|
forest he reached the ocean, about ten leagues west of the city. He
|
||
|
turned east, the horse slowly trudging through loose sand which began
|
||
|
a few feet past the edge of the forest, creating a few yards of beach
|
||
|
before being swallowed by the sea.
|
||
|
The horse slowed its pace on the new terrain and Rien relaxed,
|
||
|
enjoying the ride and the crisp ocean air. To one side, as far as the
|
||
|
eye could see, a broad leaf forest slowly turned into evergreens and
|
||
|
on the other side the ocean ran off into the distance, somewhere
|
||
|
meeting with the horizon and becoming one with the sky.
|
||
|
After another hour of gentle riding, the forest thined out,
|
||
|
giving way to cultivated fields and harder, open ground. Rien guided
|
||
|
the horse off the sand and nudged it into a trot, towards the line of
|
||
|
buildings visible a league or so ahead. By the time he reached town,
|
||
|
the red disk of the sun was hanging low over the ocean. Rien
|
||
|
dismounted, leading his horse up to the pier, deciding to walk the
|
||
|
rest of the way, both so he could watch the sunset and give darkness a
|
||
|
chance to cover the city.
|
||
|
1 Daily life on the docks was coming to a stand still and the
|
||
|
transition to the night-life was beginning. Loading conducted on the
|
||
|
few ships currently in port had been halted long before sunset and now
|
||
|
crews were lighting lanterns to illuminate the decks before they
|
||
|
retired to the ale-houses for the night.
|
||
|
Rien paused at the pier that Kera showed him a few days before. A
|
||
|
ship was now docked at it and a lone guard patrolled on deck. Leaving
|
||
|
his horse, Rien came closer to examine the vessel. It wasn't a small
|
||
|
craft. A good sixty feet long, but nothing to compare to the one
|
||
|
hundred foot giant about a league back. Rien circled forward to read
|
||
|
the ship's name, out of curiosity. Large red letters spelled out
|
||
|
_Ocean_Lady_ across the bow. Nothing unusual about that, despite what
|
||
|
he knew about the owner of the ship. He was about to turn back when he
|
||
|
heard a commotion from beneath the pier, followed by a splash. Noting
|
||
|
that the guard was now on the far side of the ship, Rien went down the
|
||
|
stairs beneath the pier.
|
||
|
Two men with swords stood with their backs to him, facing an
|
||
|
unarmed young woman. From their stances it wasn't difficult to deduce
|
||
|
that they meant nothing good for her. Rien was about to rush them,
|
||
|
when he noticed a third man getting up in front of him. The other two
|
||
|
were backing the girl into deeper water. Not giving the situation a
|
||
|
second thought, Rien kicked the man getting up and, drawing his sword,
|
||
|
advanced after the other two.
|
||
|
One of the men turned to the sound of his companion falling back
|
||
|
into the water and decided to change the subject of his attack. His
|
||
|
swing was parried by Rien and the man's companion became aware of the
|
||
|
new opponent as the sound of their swords clashing echoed underneath
|
||
|
the pier. The girl, now waist deep in the water and no longer facing
|
||
|
an armed opponent, stopped backing into the ocean.
|
||
|
Rien parried two more swings, before trying to disarm one of his
|
||
|
opponents. The swords met with a loud clank, locking together for a
|
||
|
moment. In the dim light the soldier observed Rien's eyes change color
|
||
|
and involuntarily took half a step back. Rien took the opportunity to
|
||
|
groin him and shove him into the water. So much for chivalry.
|
||
|
Ducking the swing of the other man, who was finally able to get
|
||
|
close enough to engage him, Rien made a half turn and swung back,
|
||
|
catching his opponent on the arm. The man's sword went flying into the
|
||
|
water with a dull splash, next to the girl. She hesitated, wondering
|
||
|
whether or not to pick it up, then deciding against it, ran out of the
|
||
|
water past the two fighting men.
|
||
|
Rien's opponent produced a stiletto to continue his fight, but it
|
||
|
was knocked from his grasp with a quick slash from Rien's blade. With
|
||
|
another swing Rien finished the man and turned back to the one who was
|
||
|
again raising himself from the water. A quick, deadly thrust caught
|
||
|
him in the chest and the man submerged one more time.
|
||
|
Rien waited patiently, knee deep in the rising water. Neither of
|
||
|
the men rose again. The first one, the one Rien kicked, was lying face
|
||
|
down in the water, not far from the shore line. Rien resheathed his
|
||
|
blade, ready to leave, when another man appeared on the stairs. He was
|
||
|
wearing chain mail and carried his sword in hand. Rien recognized him
|
||
|
as the guard from the _Ocean_Lady_.
|
||
|
The guard looked around, spotting Rien and the body in shallow
|
||
|
water. "You! Who are you?"
|
||
|
Rien backed up to one of the rocks sticking out of the water and
|
||
|
climbed up. The guard entered the water, sword at the ready and Rien
|
||
|
stood up.
|
||
|
"I asked you a question!" the guard barked.
|
||
|
Rien remained silent, attempting to lure the guard deeper into
|
||
|
the water. In spite of chain mail not being excellent armor, it was a
|
||
|
lot more than what Rien had to depend on and some compensation was
|
||
|
1needed. As soon as the guard waded into hip deep water, the padding
|
||
|
under his armor started absorbing water. Rien jumped one stone back,
|
||
|
out of the guard's reach and drew his sword again.
|
||
|
Seeing that his armor was weighing him down, the guard was about
|
||
|
to retreat, but Rien's drawing of his sword was an open challenge he
|
||
|
could not turn his back on. He proceeded further into the water after
|
||
|
Rien, taking a swing when he was close enough.
|
||
|
Rien parried and swung at the guard's torso, changing his attack
|
||
|
at the last moment. The guard tried to parry the attack, but the feint
|
||
|
caught him off guard and Rien's sword impacted at the base of his
|
||
|
neck, cutting half way through the chain and flesh. The guard dropped
|
||
|
his sword and spasmodically grabbed at Rien, missing his target and
|
||
|
sinking into the water. Rien stayed perched on the rock. It was dark
|
||
|
now and only the splashing of the waves disturbed the night. Four
|
||
|
people killed to save a girl from...what?
|
||
|
Rien tried to reconstruct the scene in which he entered. Back on
|
||
|
the pier he had heard a commotion and a splash. The girl had probably
|
||
|
attempted to escape and in the process of doing so, knocked one of the
|
||
|
men to the ground. By the time Rien made it down, the two other men
|
||
|
had the girl cornered. It all made sense, except for who the girl was.
|
||
|
Her amber eyes reminded him of someone he once met, but he could not
|
||
|
place the person or the event. And why was she here? Perhaps Kera
|
||
|
would be able to identify the girl and her conflict with Liriss, but
|
||
|
that would have to be solved at a later time.
|
||
|
With two leaps Rien made it to the first of the stone pillars and
|
||
|
jumped off into the water to return to the pier. The only thing that
|
||
|
could happen here now would be for someone to find the bodies and Rien
|
||
|
did not want to wait around for that. He returned to the pier only to
|
||
|
find that someone had appropriated his horse. He wasn't too concerned
|
||
|
about the loss of the animal itself, but the loss of transportation
|
||
|
annoyed him greatly. It upset Rien enough to want to rough up the
|
||
|
first person in sight, but luckily no one was around and by the time
|
||
|
Rien finally saw a person wandering the streets, he was sufficiently
|
||
|
cooled off.
|
||
|
It took him three times longer than it should have to get to the
|
||
|
inn, but he finally arrived, with his temper more or less intact. At
|
||
|
the inn, as he made his way to the stairs, the inn keeper came up to
|
||
|
him. "Sir, a woman stopped by yesterday evening asking about you. She
|
||
|
didn't want to leave a message, but I thought I'd mention it to you
|
||
|
anyway."
|
||
|
"A woman?" Rien asked, wondering who in the world it could be. He
|
||
|
knew few people in Dargon and to his recollection, an old woman wasn't
|
||
|
one of his acquaintances.
|
||
|
"An elderly lady, on the plump side, with grey hair," the man
|
||
|
answered.
|
||
|
"She didn't say what she wanted?"
|
||
|
"No, sir. Just asked if you were in and then left."
|
||
|
"Thank you for letting me know," Rien said. He dug into his purse
|
||
|
and produced a few coins. "See if you can find me a good horse by
|
||
|
tomorrow morning. I am willing to pay for promptness and
|
||
|
inconvenience."
|
||
|
Promising he'd try, the inn keeper returned to his place behind
|
||
|
the bar and Rien went up to his room. He took out the key and put it
|
||
|
in the lock. He met resistance when he tried to turn it. He applied a
|
||
|
little more pressure but neither the key nor the door budged.
|
||
|
Removing the key, Rien examined it and the lock. For the first
|
||
|
time in a week there was a problem with the door. He reinserted the
|
||
|
key and forced it about in the lock before turning it. The locking
|
||
|
mechanism clicked and he pushed the door open.
|
||
|
The first thing that caught Rien's eye when he lit a candle was a
|
||
|
1crescent, sloppily drawn in red on the opposite wall. He glanced
|
||
|
around the room, but nothing else appeared out of order. Rien
|
||
|
approached the wall to get a closer look at the design. The symbol
|
||
|
seemed to be painted in blood. He went back to the corridor, to call
|
||
|
in the maid who had been lighting candles while he was fumbling with
|
||
|
the lock, but she was no longer there. Rien looked both ways in the
|
||
|
corridor, then turned back to the room. To his surprise, the wall was
|
||
|
clean. Closing the door, Rien approached the wall again and examined
|
||
|
it closely. There was no trace of anything ever having been spilled or
|
||
|
written there.
|
||
|
Rien sat down on the bed, wondering exactly what he saw...or as
|
||
|
it stood, what he thought he saw. Footsteps behind him alerted Rien
|
||
|
that he was not alone and he looked quickly over his shoulder, but the
|
||
|
room was empty. Somewhat shaken by the apparent failure of his senses,
|
||
|
Rien blew out the candle and sat down in the middle of the bed, trying
|
||
|
to free his mind from all that seemed to be cluttering it, but found
|
||
|
he was unable to concentrate.
|
||
|
Rien opened his eyes. The candle was still burning, but by the
|
||
|
time he made it over to the table, the room was once again dark. He
|
||
|
sat on the edge of the bed, wondering what could have caused this
|
||
|
madness. Madness...was lycanthropy finally taking its toll? Rien
|
||
|
looked at his hands. They were covered with short grey fur. "No..." He
|
||
|
dropped back onto the bed, ignoring the phantoms around him and forced
|
||
|
his mind to go blank. The world descended into darkness.
|
||
|
|
||
|
It was nearly midnight when Myrande made her final rounds of
|
||
|
Connall Keep. Luthias had long since retired, but Myrande felt it was
|
||
|
her duty to see that everything was settled for the night before she
|
||
|
sought her bed.
|
||
|
Ordinarily there was nothing that needed her attention at this
|
||
|
late hour, so when she entered the minor dining hall seeing a small
|
||
|
figure seated on a bench in front of the banked fire was a surprise.
|
||
|
As she advanced further into the room, the figure resolved itself into
|
||
|
the young woman who was guesting in the Keep with the man who had
|
||
|
sought Marcellon.
|
||
|
Myrande moved around the dining table, her soft leather shoes
|
||
|
making almost no sound against the well worn stone floor. She sat on
|
||
|
the edge of the bench, on the side opposite of Kera, before the girl
|
||
|
realized that Myrande was there.
|
||
|
Kera's reaction to what seemed to be the sudden appearance of a
|
||
|
stranger was to make a grab for her dagger. It took her a second to
|
||
|
realize that Myrande was not a threat. Silently she berated herself.
|
||
|
Myrande should not have been able to sneak up on her like that. Being
|
||
|
with Rien so much must be causing her to lose her edge.
|
||
|
"I'm sorry, my Lady," she mumbled, releasing the dagger. "I
|
||
|
didn't realize that it was you."
|
||
|
"It's all right," said Myrande softly. She paused for a moment
|
||
|
then said, "it's late. I would have expected you to be asleep by now."
|
||
|
Kera shrugged noncommittally, staring into the dying fire. "I'm
|
||
|
not really tired," she said.
|
||
|
Myrande waited patiently.
|
||
|
"He's not back yet," said Kera abruptly, turning to face
|
||
|
Connall's senechal. "It's almost midnight. He should have been back by
|
||
|
now and I'm afraid that something's happened to him."
|
||
|
"Rien?"
|
||
|
Kera nodded. Fear lurked in the back of her dark grey eyes. Fear
|
||
|
that Liriss, or one of his men, or the assassin had gotten him. Fear
|
||
|
that the disease had taken an unexpected turn in him. Fear that he
|
||
|
might simply have left her.
|
||
|
Myrande slid further down the bench to sit next to her.
|
||
|
1 "You're very worried about him, aren't you," she said gently.
|
||
|
Kera nodded again. "Have you known him long?"
|
||
|
"Not very long," replied Kera. "But...he's different. Different
|
||
|
from all of the other men that I know." Myrande smiled knowingly and
|
||
|
allowed her to keep talking. "He's the only person who's ever treated
|
||
|
me like a human being and I never really gave him much reason to. I
|
||
|
haven't known him for very long, but I think he's pretty special and
|
||
|
yes, I am worried." Her gaze challenged Myrande to laugh or refute
|
||
|
anything that she had said.
|
||
|
Instead of ridiculing her, the dark haired woman nodded in
|
||
|
understanding and smiled.
|
||
|
"I do understand. I feel pretty much the same way
|
||
|
about...someone, too." she said softly.
|
||
|
"What if something happened to him," cried Kera, sudden tears
|
||
|
coursing down her cheeks. "He could be dead in some alley for all I
|
||
|
know or the disease could have..." she choked on expressing the last
|
||
|
thought.
|
||
|
Myrande wrapped her arms around Kera's shoulders and let her cry
|
||
|
herself out. They talked a little, after that, about love and life and
|
||
|
death, then Myrande led Kera back up to her assigned room, reassuring
|
||
|
her that if Rien wasn't back by morning, a search party would be sent
|
||
|
out.
|
||
|
She retired to her own room, hoping that he would make it back by
|
||
|
the next day. There were enough problems right now, without adding yet
|
||
|
another one to the list.
|
||
|
------------------------------------------------------------------------
|
||
|
1 Be Careful What You Wish For...
|
||
|
by Bill Erdley
|
||
|
<b.c.k.a. berdley@bucknell>
|
||
|
|
||
|
All I was supposed to do was feed the horses.
|
||
|
It was my turn to do the barnwork chores. Telia smirked at me as
|
||
|
I got up from the breakfast table. Last week she had done the barn
|
||
|
work; this week she was helping Mother with the house chores. It was
|
||
|
cold and wet outside; it had been snowing all night, and that made the
|
||
|
upcoming trip to the barn look even worse. I don't think I would have
|
||
|
minded so much if she wouldn't have made a face at me as I took my
|
||
|
cape from the hook. She stuck her tongue out at me, and I replied with
|
||
|
the same. As usual, I was the one who was caught by my father, who
|
||
|
clouted me in the head and yelled and promised more punishment if I
|
||
|
didn't tend to my chores "right this minute." As I made a hasty exit
|
||
|
from the house into the cold morning air, I vowed that someday, very
|
||
|
soon, she'd get what was she had coming to her.
|
||
|
|
||
|
Just because she's seen five summers less
|
||
|
than my fifteen, Mother and Father treat her like a
|
||
|
queen and me like a slave. It's not fair.
|
||
|
|
||
|
The snow that had fallen the night before had mixed with enough
|
||
|
rain to make the ground a slushy, sloppy mess. It was too warm for the
|
||
|
snow to stay frozen for long, and between the snow, the puddles and
|
||
|
the mud, my feet felt frozen by the time I reached the barn.
|
||
|
|
||
|
One of these days, when no one else is
|
||
|
around, I'll get her good.
|
||
|
|
||
|
I grabbed the old, wooden pitchfork and started cleaning the one
|
||
|
empty stall in the barn. Father still hadn't replaced the gelding that
|
||
|
had broken it's foreleg in the fields last year, but I didn't care.
|
||
|
With an empty stall to move horses into, I didn't have to clean a
|
||
|
stall that was occupied by a huge, smelly beast.
|
||
|
|
||
|
I should take some of these horse cookies
|
||
|
and put them in Telia's bed. That'd get her.
|
||
|
|
||
|
As I pushed the first stall's waste out the barn's back door into
|
||
|
the pit, I thought I saw a couple of horses at the edge of the woods.
|
||
|
They were probably neighbors headed to our house, to talk to Father or
|
||
|
to invite themselves in for some of Ma's elderberry pie. I went back
|
||
|
into the barn and closed the door.
|
||
|
|
||
|
They'll stop and I'll have to take care of
|
||
|
their horses. They'll be all wet and need to be
|
||
|
brushed down and bedded in the empty stall. I'll
|
||
|
smell like a horse for days.
|
||
|
|
||
|
I transferred Steos, our stallion, into the bare stall. I began
|
||
|
to clean the now empty stall, moving as fast as I could, so that I
|
||
|
could be done before those stupid neighbors arrived. Several field
|
||
|
mice, who probably came in to get out of the rain, scurried quickly
|
||
|
away when I disturbed their home in the straw. I finished the stall
|
||
|
quickly, and pushed the refuse to the back door of the barn. When I
|
||
|
opened the door, I could see that the horses were closer, and more!
|
||
|
There weren't a couple of horses; there were at least twenty or more!
|
||
|
I stood there and watched for a moment, but they were still too far
|
||
|
away to see anything, so I pushed the dirty straw into the pit and
|
||
|
1went back into the barn. There had been rumors of war spreading among
|
||
|
the farmers in the area, but Father always answered the neighbors'
|
||
|
fearful musings with "There ain't nothin' here worth fightin' for, so
|
||
|
calm yourselves."
|
||
|
I moved the old mare, Yonda, into the clean stall and moved Seh,
|
||
|
the other mare, out of her stall. I put a halter on her and tethered
|
||
|
her to a barn post. Now I could clean both stalls at the same time. If
|
||
|
Father came out and saw the mare out of her stall, I would get a
|
||
|
whipping, but I hoped that the weather would keep him in the house. I
|
||
|
desperately wanted to get the stalls cleaned and the horses fed before
|
||
|
the men and the horses got here.
|
||
|
|
||
|
Maybe they are soldiers heading for a
|
||
|
battle, dressed in armor and carrying huge swords
|
||
|
and crossbows and pikes. Maybe they will stay the
|
||
|
night, and tell us stories of storming castles and
|
||
|
skirmish lines. That way I won't have to sit and
|
||
|
listen to Telia practice on her stupid harp. She
|
||
|
sounds like a wounded cat when she sings, and her
|
||
|
harp playing is horrible. She'll never become a
|
||
|
bard like Mother and Father say she will.
|
||
|
|
||
|
When I was pushing the last of the dirty straw to the back door,
|
||
|
I thought I heard the sound of horses. The travellers must have
|
||
|
arrived more quickly than I had hoped. I kicked open the door and
|
||
|
pushed the straw out toward the pit. As the manure fell into the open
|
||
|
hole, I saw the knight for the first time. I knew he was a knight,
|
||
|
dressed in his magnificent armor. His shield hung from the saddle, as
|
||
|
did his sword and scabbard. A second horse held a smaller man, also
|
||
|
armored, but by his face I could tell that he was younger. A third
|
||
|
horse was ridden by an ugly man, who had thick black hair and a
|
||
|
scowling face. The rest of the horses were still a good distance from
|
||
|
the barn. My eyes were drawn back to the knight.
|
||
|
|
||
|
A real knight!
|
||
|
|
||
|
Father used to tell us stories about knights. Telia didn't pay
|
||
|
much attention, but I did. Father used to say how knights were chosen
|
||
|
by the king to defend him and his people against evil wherever it was
|
||
|
found. He said that knights were the greatest fighters in the land;
|
||
|
that they fought with flashing swords and shining armor, and that the
|
||
|
best knights were chosen to defend the king himself!
|
||
|
|
||
|
I want to run up and beg to see his sword
|
||
|
and his armor and plead with him to tell stories,
|
||
|
but that wouldn't be polite. Oh, admit it, you're
|
||
|
scared of him...
|
||
|
|
||
|
The young man saw me first, turned toward the knight and spoke.
|
||
|
The knight immediately looked in my direction and, raising his hand,
|
||
|
brought the men to a stop. Then he and the young man turned their
|
||
|
horses and rode toward me.
|
||
|
"Boy," the knight spoke as he reigned his horse to a stop in
|
||
|
front of me, "I would speak to your father. Take me to him."
|
||
|
His voice rang with authority. It almost felt like his voice had
|
||
|
the power to control my very actions. It was thick with an accent that
|
||
|
I had never heard before. I found myself leading his horse around the
|
||
|
barn by the bridle, followed by the younger man. I turned to look back
|
||
|
at the knight, and saw him sitting straight in his saddle, looking
|
||
|
directly forward. The youth was looking around, as if he were watching
|
||
|
1for something to jump out from behind every tree and building. I don't
|
||
|
know what he expected to find, since our closest neighbors were a long
|
||
|
ways off, and Mother, Father, and Telia were all in the house.
|
||
|
I held the horse's halter while the knight dismounted, assisted
|
||
|
by the youth that I finally realized must be his squire. Father said
|
||
|
that squires were knights-in-training and that they had to do all the
|
||
|
chores for the knight and that I could never be a squire because I
|
||
|
hated chores so much. The squire helped straighten the knight's
|
||
|
tabbard once the knight was on the ground, then accompanied him to the
|
||
|
door of the house . The knight turned before he knocked and looked
|
||
|
right at me:
|
||
|
"You had better return to your chores, son. I wouldn't want your
|
||
|
Father to be angry with me for taking you away from them."
|
||
|
I turned and ran back toward the barn. I don't know why I ran; it
|
||
|
was as if my legs just decided that they had seen enough and really
|
||
|
wanted to get away from there. I looked back before entering the barn,
|
||
|
the knight had already gone into the house. I stood there at the barn
|
||
|
door, looking toward the house, straining to hear what was being said.
|
||
|
|
||
|
The house is too far way for you to hear
|
||
|
anything, you dummy! Besides, he's a knight. What
|
||
|
use would he have for you? You can't even talk!
|
||
|
|
||
|
When you live way out here, away from other people, it's easy to
|
||
|
forget that you're not like other people. Mother and Father and Telia
|
||
|
are used to seeing what I wanted to say in my gestures. When I made
|
||
|
the trip into town with Father a while back, people laughed when they
|
||
|
realized that I couldn't talk. They acted like I was a dunce and made
|
||
|
fun of me. So I just don't go into town anymore.
|
||
|
|
||
|
They wouldn't dare laugh if I was a knight.
|
||
|
They would stand and admire my armor and my sword
|
||
|
and my horse. It wouldn't matter that I couldn't
|
||
|
talk. I could just imagine myself on the knight's
|
||
|
horse, riding into battle beside my squire and
|
||
|
fighting the enemy, swords flashing and armor
|
||
|
shining in the sun. The battlefield would be
|
||
|
filled with the shouts of victory as we fought our
|
||
|
way from one end to the other, dispatching our foes
|
||
|
with ease. Other knights and their squires would
|
||
|
be fighting, too; and soon all of the enemy would
|
||
|
be gone and we would triumphantly ride into the
|
||
|
city, to the cheers and admiration of all of the
|
||
|
people...
|
||
|
|
||
|
"Derrio, come here! Now!" My Father stood at the door and shouted
|
||
|
at me.
|
||
|
|
||
|
Great. There's a knight in the house and my
|
||
|
Father is standing outside the door and yelling at
|
||
|
me like a little child!
|
||
|
|
||
|
I ran back across the yard, thinking that perhaps the knight
|
||
|
needed something and that I was to run and get it for him.
|
||
|
"Derrio, go out to the barn and move the horses into the lower
|
||
|
pen. Then make sure that each stall is bedded with fresh straw. After
|
||
|
you've done that, make sure that the loft ladder is up so that the men
|
||
|
in there can use the loft to rest. Go!"
|
||
|
|
||
|
Boy, does he look scared! Why is he so
|
||
|
1 afraid of the knight?
|
||
|
|
||
|
Seeing the fear in his face made me run all the faster back to
|
||
|
the barn. I can't remember ever seeing his eyes so big or hearing his
|
||
|
voice shake so much. That knight must have said something that really
|
||
|
frightened him. I wonder what he said...
|
||
|
|
||
|
Maybe he needs another squire. Maybe he
|
||
|
just told Father that he is going to take me along
|
||
|
with him and that Father would have to manage the
|
||
|
farm on his own.
|
||
|
|
||
|
I heard men inside the barn even before I managed to open the
|
||
|
door. I guessed that they must be the men that I saw far behind the
|
||
|
knight, near the woods. I couldn't hear what they were saying, but it
|
||
|
didn't matter. All of a sudden I was scared; I mean REALLY scared. I
|
||
|
couldn't figure out why, but I knew that I didn't really want to be
|
||
|
anywhere near them. Father's orders were clear, though, so I knew that
|
||
|
I had to go in, no matter what I wanted to do or how I felt. So in I
|
||
|
went...
|
||
|
The men were scattered all over the barn and many had already
|
||
|
taken to the loft. Most of them were busy taking off their armor, but
|
||
|
there were several by each door and a couple were in Steos' stall,
|
||
|
checking him over like I had seen Father do when the horse threw a
|
||
|
shoe. The two by the front door watched me as I went past them and
|
||
|
headed for the stalls. I quickly untied Seh from where I had left her
|
||
|
tethered, then opened Yonda's stall and led her out. I grabbed Seh's
|
||
|
halter as I passed her and led them both toward the front door. The
|
||
|
men that were there opened the door for me without saying a word, and
|
||
|
soon I had both of the horses in the lower corral. I turned and was
|
||
|
surprised to see two other men leading Steos out of the barn. They
|
||
|
turned to come toward me, but I pointed toward the upper pen. Putting
|
||
|
the stallion in with the mares was just asking for trouble, so I
|
||
|
decided to put Steos in the other pen. As I closed the gate, I nodded
|
||
|
to the men in thanks, but they ignored me and went back into the barn.
|
||
|
|
||
|
Rude. And mean-looking. These men give me
|
||
|
the creeps. Boy, I wish Telia were out here doing
|
||
|
this instead of me. These guys would scare her
|
||
|
silly. That would serve her right for making fun
|
||
|
of me this morning at breakfast.
|
||
|
|
||
|
I re-entered the barn and headed for the loft ladder. I still had
|
||
|
to throw straw into the stalls, so I grabbed the pitchfork on my way.
|
||
|
It wasn't until I was heaving straw into the empty stalls that I
|
||
|
realized how much these men stank! They were all in the process of
|
||
|
removing their armor, and with each piece that came off, the stench
|
||
|
got worse. I never thought that men could smell worse than horses, but
|
||
|
these men...
|
||
|
"Derrio, Mother and Father want you to hurry an' get done so you
|
||
|
can come into the house." Telia's voice seemed a little higher than
|
||
|
usual, like she was scared.
|
||
|
|
||
|
Good.
|
||
|
|
||
|
"And Father said to make sure that you put Steos in the upper pen
|
||
|
and not in the lower pen with Seh and Yonda or they'll be fighting all
|
||
|
day."
|
||
|
|
||
|
Great. Now he'll think that I put Steos in
|
||
|
1 the upper stall because he told me to instead of
|
||
|
remembering it myself. Why doesn't he ever let me
|
||
|
do things myself?!
|
||
|
|
||
|
I heard several of the men start to laugh and one of them said
|
||
|
something about "having some fun with the young lady."
|
||
|
|
||
|
Tickle her. She hates that. Oh, if these
|
||
|
smelly, ugly men start tickling her...
|
||
|
|
||
|
Telia screamed.
|
||
|
|
||
|
I may not like my sister very much
|
||
|
sometimes, and I've made her scream myself plenty
|
||
|
of times; but I can tell the difference between an
|
||
|
"I don't like this" scream of displeasure and a
|
||
|
scream of sheer terror.
|
||
|
|
||
|
I ran to the edge of the loft and saw several of the men around
|
||
|
her, and one was reaching under her skirt! She was screaming and
|
||
|
trying to get away, but two other men were holding her down.
|
||
|
|
||
|
Hey! What are you doing!? Leave her alone!
|
||
|
|
||
|
I ran for the loft ladder. I still had the pitchfork in my hand,
|
||
|
so I couldn't climb down very fast. I jumped the last few rungs and
|
||
|
ran toward the men. I heard one of the men still in the loft yell
|
||
|
something, but I was too busy running and hoping I could get my sister
|
||
|
out of there before they could catch me. I turned the pitchfork around
|
||
|
so that the prongs curved up; that way it wouldn't stick the man that
|
||
|
I hit. I ran right toward the kneeling man, looking right at the back
|
||
|
of his head.
|
||
|
|
||
|
You will be first.
|
||
|
|
||
|
When I swung, he moved forward slightly, so that I hit him in the
|
||
|
back instead of in the head. He groaned and slumped sideways, falling
|
||
|
into another of the kneeling men. I raised the fork and turned toward
|
||
|
another man. Suddenly the fork was torn out of my hands. The ugly man
|
||
|
that I had seen riding the horse earlier had run up beside me and
|
||
|
grabbed it. He clouted me in the head with his fist and sent me
|
||
|
sprawling.
|
||
|
Telia screamed harder.
|
||
|
|
||
|
Telia!
|
||
|
|
||
|
I tried to get up but the ugly man swung the fork at me and hit
|
||
|
me in the legs. Both legs buckled and felt like they were on fire.
|
||
|
A man knelt over Telia and yelled at her, shaking his fist.
|
||
|
|
||
|
Telia, get out of here!
|
||
|
|
||
|
I rolled over but I couldn't stand because my right leg had
|
||
|
cramped. The ugly man swung the fork again and hit me in the back.
|
||
|
The man hit Telia across the face with his hand.
|
||
|
|
||
|
Leave her alone, you bastard!!
|
||
|
|
||
|
I was trying to crawl backwards, but I found that I was against a
|
||
|
stall and I couldn't go anywhere.
|
||
|
1 The man hit Telia again, harder this time, and she stopped
|
||
|
screaming.
|
||
|
|
||
|
Come on, Telia, fight! FIGHT AND SCREAM!!!
|
||
|
|
||
|
The ugly man raised the fork again, then a hand came from behind
|
||
|
him and grabbed it. He looked and saw another man, in horribly dented
|
||
|
and tarnished armor, take the fork away from the ugly man and hit him
|
||
|
once with it, hard. The ugly man fell to the floor groaning and
|
||
|
holding his head. The armored man turned toward me, but I couldn't see
|
||
|
his face because of his helm. He dropped the fork toward me, then
|
||
|
turned and ran toward Telia.
|
||
|
The barn door flew open and the Knight came in, sword drawn. As
|
||
|
soon as he saw the men around Telia, he sheathed his sword and ran
|
||
|
toward them. The armor-clad man who had saved me from a beating ran
|
||
|
towards Telia also, and got there first. One of the kneeling men saw
|
||
|
the Knight coming and tried to stand, but the man that saved me kicked
|
||
|
him away from Telia while he swung his sword at the man who had hit my
|
||
|
sister.
|
||
|
The knight roared something in a language that I couldn't
|
||
|
understand. All of the men, including the one that helped me, stopped
|
||
|
instantly.
|
||
|
I wanted to get back to my feet, to run over and help Telia, but
|
||
|
my legs still felt numb and didn't seem to want to do what I wanted
|
||
|
them to do.
|
||
|
|
||
|
Come on, legs. I've got to get to Telia!
|
||
|
|
||
|
I finally managed to get back to my feet, and I staggered over to
|
||
|
where Telia lay. The armored man pushed the dead man off Telia and
|
||
|
knelt beside her, but I managed to squeeze past him.
|
||
|
Her head was twisted all wrong!
|
||
|
She was lying on her back. Her skirt had been torn away and there
|
||
|
was blood all over her legs and on the ground. The armored man slid
|
||
|
his hand over her face, then stood back and I knelt beside her.
|
||
|
"I'm sorry, kid," the man said as I lifted her head into my lap.
|
||
|
|
||
|
You're sorry?! YOU'RE sorry! They've
|
||
|
killed her! She's dead and they've killed her!
|
||
|
Kill them all! KILL THEM ALL! I'm sorry, Telia.
|
||
|
I didn't mean it. I didn't want them to hurt you.
|
||
|
I didn't want this to happen. Why did you come in
|
||
|
here? Why? Why did Father have to send you out
|
||
|
here? It's not fair. Damn them ALL! I didn't
|
||
|
really want you to get hurt. I wished for it but I
|
||
|
didn't mean it. WHY DID I WISH FOR IT AT ALL?!?
|
||
|
IT'S ALL MY FAULT!!
|
||
|
|
||
|
I knelt there and cried, not knowing or caring what went on
|
||
|
around me. Nothing else mattered except the fact that I had, somehow,
|
||
|
caused my sister's death by the stupid wishes that I had made. I was
|
||
|
finally drawn from my self-pity by a hand on my shoulder. I looked
|
||
|
around and saw my Father kneeling beside me.
|
||
|
"Derrio, I will take her into the house." That was all he said. I
|
||
|
could tell that he was almost crying himself, and for once I was glad
|
||
|
that I couldn't speak; it saved me from having to say something to
|
||
|
him. I rose and removed my cloak, draping it over Telia's body as
|
||
|
Father picked her up. He walked to the door, then out into the yard,
|
||
|
but I couldn't follow.
|
||
|
|
||
|
1 How can I face them? It was what I said;
|
||
|
those things that I wished for caused Telia to die.
|
||
|
I never wanted her to get hurt. I didn't want her
|
||
|
to die. I was angry and I thought some mean things
|
||
|
and I wanted for revenge. Now she's dead and I'm
|
||
|
to blame. And they will know; Mother and Father
|
||
|
will know the minute that they look at me. They
|
||
|
can always tell my thoughts, even when I try to
|
||
|
hide them. They will take one look at my face and
|
||
|
they will know. How can I face them? What am I
|
||
|
going to do?....
|
||
|
|
||
|
Many different thoughts ran through my head as I wandered around
|
||
|
aimlessly in the strangely deserted barn.
|
||
|
|
||
|
I could run out the back of the barn and
|
||
|
into the woods and as far away from here as I can
|
||
|
go..., but where would I go? I could jump off of
|
||
|
the loft or out of the upper window..., but Mother
|
||
|
and Father have already lost one child today.
|
||
|
|
||
|
My mind ran wild with possibilities, each too scary or noo hard
|
||
|
or too stupid to consider. At the end of it all, I realized that the
|
||
|
only thing that I could do was to go and confront them; tell them that
|
||
|
it was my fault.
|
||
|
|
||
|
They will hate me. Mother will scream and
|
||
|
cry and Father will stand there and quietly tell me
|
||
|
to leave and never come back.
|
||
|
|
||
|
As I walked toward the door, one of the knight's men came back
|
||
|
into the barn. He ran past me without looking at me at all, and went
|
||
|
directly to the ladder. I stepped through the door and headed for the
|
||
|
house. It was then that I saw the knight and the armored man that
|
||
|
saved me. They were standing in the yard, swords drawn, facing each
|
||
|
other.
|
||
|
|
||
|
They are going to fight each other!
|
||
|
|
||
|
I stopped dead in my tracks. They were the two that had tried to
|
||
|
save Telia. Now they were going to fight!? It didn't make sense.
|
||
|
I heard the loft door open and I looked up. The man that had
|
||
|
passed me must have opened it, but I couldn't see him, standing where
|
||
|
I was almost directly beneath the door. I stepped back into the barn
|
||
|
and walked into the first stall so I could see him. He appeared to be
|
||
|
bending over, tugging at something. He turned back toward the window
|
||
|
and I saw that he held a crossbow!
|
||
|
|
||
|
He meant to shoot someone! The knight!! Or
|
||
|
the other one! Damn this stupid tongue! How can I
|
||
|
warn them? If I try to run out there I'll be too
|
||
|
late!
|
||
|
|
||
|
I saw the pitchfork lying near the stall where the armored man
|
||
|
had dropped it. I ran and grabbed it, then ran for the door. Once
|
||
|
outside, I saw the two fighting. They couldn't know about the man in
|
||
|
the loft. I turned and hit the barn with the fork, again and again.
|
||
|
When I finally stopped to look, the armored man was lowering his
|
||
|
shield, which now had a crossbow bolt imbedded in it! The knight was
|
||
|
pointing to the barn and shouting. Several men came running toward the
|
||
|
1barn. I stepped out of the way, hoping that they were coming for the
|
||
|
man in the loft and not for me. I was right, for they ran past me and
|
||
|
into the barn. Very soon they emerged, dragging the man from the loft
|
||
|
with them. They took him to the knight, who slapped the man's face,
|
||
|
spoke to him, then waved his hand in dismissal. The crossbowman was
|
||
|
dragged to one side and thrown to the ground, his captors standing
|
||
|
beside him. He didn't even try to get up.
|
||
|
The knight and the other man resumed their fighting. I didn't
|
||
|
understand why they were fighting, but I knew that they were serious.
|
||
|
Several times I saw the second man falter, but he recovered each time.
|
||
|
Then I saw the knight almost fall in the mud, but he recovered, too.
|
||
|
I was so enthralled by the battle that I almost missed the
|
||
|
movement out of the corner of my eye. Looking past the house, I saw
|
||
|
something moving just inside the forest's edge. When I looked harder,
|
||
|
I saw that there were men all along the forest border. Several men on
|
||
|
horseback emerged and galloped toward the house. I had tried to warn
|
||
|
the two armored men, but several of the other men grabbed me and held
|
||
|
me back. I tried to tell the other men, but they were too interested
|
||
|
in the fight before them.
|
||
|
Then again, so was I.
|
||
|
I turned back toward the fighting men and saw that they were no
|
||
|
longer fighting. Much to my amazement, it was the man in the tarnished
|
||
|
armor that was standing over the knight, who was kneeling on a muddy
|
||
|
patch of ground. The knight held out his sword to the mysterious man,
|
||
|
who shook his head. The knight stood and removed his helm as his
|
||
|
opponent removed his own. I had gotten close enough to hear what was
|
||
|
being said...
|
||
|
"... You promised me that, should I conquer. I have. You are an
|
||
|
honorable man, and you will keep your word."
|
||
|
I looked for the first time at the speaker, the man who had saved
|
||
|
me. His face was drawn and haggard and his hair was disheveled by the
|
||
|
helm; he was almost as sorry a sight as the tarnished armor that he
|
||
|
wore. The voice, however, was strong and rich; like the knight's -- a
|
||
|
voice of authority.
|
||
|
"I have what I want. I won't kill an honorable enemy without
|
||
|
need, sir. Return to your home."
|
||
|
The knight stared at the man who had just defeated him and spoke:
|
||
|
"Whoever your teacher was, he trained you well in the ways of
|
||
|
fighting; and in the Knightly Code. Would to God we weren't enemies,
|
||
|
Luthias Connall; this day, you would have your Knighthood from me."
|
||
|
The knight offered his hand to the man named "Luthias Connall."
|
||
|
Luthias' smile grew, and content calm flooded his eyes. "I have
|
||
|
never been so honored, Sir Lawrence," he said, and he shook the
|
||
|
Knight's hand.
|
||
|
"I believe, Sir Lawrence, that I can fulfill that office." A
|
||
|
mighty voice boomed from behind me. I turned to see ANOTHER knight,
|
||
|
who was dismounting from his horse. He was accompanied by an older
|
||
|
man, much too old to be a squire, climbing down from a horse as well.
|
||
|
"Honor given by an enemy is a high compliment, one that Luthias
|
||
|
has well earned. Count Connall, kneel."
|
||
|
|
||
|
A COUNT!! Knights and Counts?! What is
|
||
|
going on here?
|
||
|
|
||
|
Count Connall knelt in the mud, and the knight who had just
|
||
|
arrived walked over to him, drew his sword, and spoke:
|
||
|
"I, Edward Sothos...."
|
||
|
Luthias lunged forward and grabbed the speaking man's arm. "Sir
|
||
|
Edward, you can't! You know what I need!" There was a desperate look
|
||
|
in Luthias' eyes, one which I have seen in the eyes of frightened
|
||
|
1animals. There was so much going on here that I didn't understand.
|
||
|
"You no longer need it." The older man, who now walked past me to
|
||
|
stand near Sir Edward, spoke for the first time. His voice is strange;
|
||
|
soft and soothing, yet there is something about it that was out of the
|
||
|
ordinary. I couldn't quite figure out what it was. "The drink I gave
|
||
|
you... I cured you. By accident, I cured you."
|
||
|
The look on Luthias' face changed to a look of confusion. "I
|
||
|
don't believe it."
|
||
|
"How long since the last time, then?" The older man, who wore red
|
||
|
robes, was smiling.
|
||
|
Luthias' face changed. He eyes went blank for a moment, like he
|
||
|
was trying to remember something. Then his eyes slowly widened and a
|
||
|
smile took over his face.
|
||
|
The knight named Sothos began once again, as if taking the smile
|
||
|
on Luthias' face as a cue. "I, Edward Sothos, Knight of Baranur, have
|
||
|
been called upon to convey upon Luthias of Connall the office of
|
||
|
Knighthood..."
|
||
|
|
||
|
A Knighting Ceremony!! This is a real
|
||
|
knighting ceremony, just like father described!
|
||
|
|
||
|
"Who asks this charge for him?"
|
||
|
The red-robed man started to speak, but the other knight spoke
|
||
|
first.
|
||
|
"I so ask." This seemed to surprise Luthias.
|
||
|
"You know him worthy?" Sir Edward asked.
|
||
|
"I so know."
|
||
|
"So be it. I, Edward Sothos, Knight of Baranur, charge you,
|
||
|
Luthias of Connall, to take up the office of Knighthood. Do you accept
|
||
|
the charge, with all its honors and obligations?"
|
||
|
"I so accept," Luthias answered, his voice now stronger and more
|
||
|
confident.
|
||
|
"Do you vow to protect and serve your homeland, your lady, and
|
||
|
your King?"
|
||
|
"I so vow."
|
||
|
"Do you vow to be in and above all things, a Knight, a follower
|
||
|
of Chivalry and Honor?"
|
||
|
"I so vow."
|
||
|
"How do you so vow?"
|
||
|
"Upon my honor, my sword, and my life."
|
||
|
"Then I, Edward Sothos, Knight of Baranur, with this silver chain
|
||
|
do convey upon you, Luthias of Connall, that office." Sir Edward
|
||
|
turned toward the older man, who mumbled something, then handed the
|
||
|
knight a silver chain. Edward turned back toward Luthias and draped
|
||
|
the chain across Luthias' shoulders. He then slapped Luthias on the
|
||
|
cheek with the flat of his sword. "Let that be your last unrequited
|
||
|
blow." Sheathing his sword, Sir Edward spoke loudly, for all to hear.
|
||
|
"Rise, Sir Luthias, Count Connall."
|
||
|
Sir Luthias began laughing as he got to his feet.
|
||
|
In a quieter voice, Sir Edward said "I am proud of you."
|
||
|
|
||
|
Strange. I know that there are enemies
|
||
|
here, but at this moment, I can't tell who is
|
||
|
friend and who is foe.
|
||
|
|
||
|
Sir Luthias turned toward the knight that he had been fighting
|
||
|
only moments before. "Return now, Sir Lawrence. You will have safe
|
||
|
passage out of the country. You have my word, as a Knight."
|
||
|
Sir Lawrence grinned. "Thank you, Sir Luthias. May you and I live
|
||
|
to laugh about this someday."
|
||
|
1 "I'll treat you to a drink," Sir Luthias said.
|
||
|
"I drink to you now," Sir Lawrence answered, taking a silver horn
|
||
|
from his belt. Without putting anything into it, he raised it and
|
||
|
pretended to drink. When he was finished, he held the horn out to Sir
|
||
|
Luthias, who repeated the action.
|
||
|
|
||
|
I wonder what is meant by this ritual; or
|
||
|
even if it is a ritual?
|
||
|
|
||
|
"Thank you," Sir Luthias said, handing the horn back to Sir
|
||
|
Lawrence. He hesitated, then held out his sword to Sir Lawrence.
|
||
|
"Again, thank you."
|
||
|
Sir Lawrence took it from him. "This sword was given to me by my
|
||
|
master when I was made a Knight. Today I took the place of your
|
||
|
master; today you became a Knight." He held out the sword to Luthias.
|
||
|
"I have had no student more worthy than you."
|
||
|
"I am deeply honored." Luthias took the sword from Lawrence once
|
||
|
again.
|
||
|
Sir Lawrence bowed to the other two knights and the old man, then
|
||
|
turned to the main group of men that had come with him. "Let us ride!"
|
||
|
Lawrence's squire brought the knight his horse. Sir Lawrence mounted
|
||
|
and rode around his men, shouting orders to hasten their progress.
|
||
|
When they appeared to be ready to leave, Lawrence turned back toward
|
||
|
the other two knights, who still stood near the muddy patch of ground
|
||
|
where the duel took place. He drew his sword and saluted Edward and
|
||
|
Luthias, who returned the gesture.
|
||
|
While Sir Lawrence gathered his men, I stood near the older man
|
||
|
who had arrived with Sir Edward. He was dressed in robes, much like
|
||
|
the local Vicar, but he smiled at me when he noticed that I was
|
||
|
looking at him, which is something that the Vicar would never do. His
|
||
|
gaze felt strange, though, like he was looking inside me. I turned
|
||
|
toward Luthias, who was watching the departure of Sir Lawrence and his
|
||
|
men.
|
||
|
|
||
|
How can I thank him for saving me and for
|
||
|
trying to save Telia? He is a stranger. He will
|
||
|
not understand me.
|
||
|
|
||
|
I felt compelled to speak, yet I knew that the only sounds that
|
||
|
would come from my mouth would be groans and grunts. I approached the
|
||
|
two knights and caught Luthias' attention.
|
||
|
|
||
|
Thank you.
|
||
|
|
||
|
I put my hand over my heart, touched my lips, then extended my
|
||
|
hand toward him. Mother had taught me a few symbols that could,
|
||
|
hopefully, be understood by others.
|
||
|
He looked at me questioningly.
|
||
|
|
||
|
I knew it. He doesn't understand!
|
||
|
|
||
|
I pointed toward the barn. I swung my arms as if I were swinging
|
||
|
the pitchfork, then pointed to my legs.
|
||
|
He looked at the barn, then back at me. He nodded, but the
|
||
|
confused look remained in his eyes.
|
||
|
|
||
|
How can I make you understand. You saved
|
||
|
me! You tried to save Telia!
|
||
|
|
||
|
I clasped both hands over my heart, then extended them toward him
|
||
|
1once again.
|
||
|
"He is trying to thank you, Luthias." The older man's words
|
||
|
startled me, but I nodded and made the signs once again.
|
||
|
"You are welcome. I am truly sorry about your sister. Had I only
|
||
|
arrived a few moments sooner, I might have been able to save her...."
|
||
|
An old, haunting look crossed his face. "But I couldn't save Roisart,
|
||
|
either."
|
||
|
|
||
|
Your eyes are so sad. Are you going to cry
|
||
|
for my sister, even though you didn't know her? I
|
||
|
wish I could be like you.
|
||
|
|
||
|
I hesitated for a moment, then knew what I wanted more than
|
||
|
anything else in the world. I wanted to become a knight; a knight like
|
||
|
Luthias. Perhaps by becoming a knight, I could clear my conscience of
|
||
|
my sister's death. I approached Luthias and reached toward him. He
|
||
|
didn't back away. I touched the chain upon his chest, the chain that
|
||
|
had been placed on his shoulders by Sir Edward, then I touched my own
|
||
|
chest, tracing a line where the chain would fall across it.
|
||
|
|
||
|
Please. Teach me. Show me how to become a
|
||
|
knight. Please.
|
||
|
|
||
|
Luthias seemed to understand immediately. He smiled; a warm and
|
||
|
genuine smile which told of compassion and kindness and, strangely
|
||
|
enough, of sorrow.
|
||
|
He turned, grinning, to Sir Edward. "Since I am now a knight, I
|
||
|
will have need of a squire, won't I?"
|
||
|
"At least one," Sir Edward replied.
|
||
|
Sir Luthias turned toward me. "Will you become my squire?"
|
||
|
Sir Edward's eyes seemed ready to fall from their sockets.
|
||
|
"Luthias, you cannot make this boy your squire! He is not of noble
|
||
|
descent; he is just a farmer's son.
|
||
|
"What difference does that make?" Luthias argued. "I know 'noble'
|
||
|
sons who are dishonorable cowards. This 'farmer's son' was brave
|
||
|
enough to try to rescue his sister from twenty armed men -- alone!
|
||
|
This display of bravery by itself is an indication of this lad's
|
||
|
worthiness. Social class has nothing to do with it."
|
||
|
Sir Edward frowned. "I see your point, Luthias, but still, it is
|
||
|
quite rare to make a peasant into a Knight. You do realize that he
|
||
|
will have to be Knighted someday if he becomes your squire."
|
||
|
"That is the general idea," the robed man observed dryly.
|
||
|
"He's already displayed Knightly qualities," Sir Luthias reminded
|
||
|
Sir Edward. "He tried to rescue a lady and defend her. He bravely
|
||
|
faced the danger." He paused. "Look, Edward, I'd rather Knight a
|
||
|
peasant with a noble heart than a coward with a noble name."
|
||
|
"Again, you have a point," Sir Edward admitted. "I'm not certain
|
||
|
I approve, but I can't stop you. To a point, I even agree with you."
|
||
|
"So," Sir Luthias began, "would you like to squire to me?"
|
||
|
|
||
|
Yes! YES! I'll learn, I promise. I'll do
|
||
|
all of the chores that you ask me to do, and I
|
||
|
won't complain. Thank you! THANK YOU!
|
||
|
|
||
|
"We'll have the ceremony later this week. I cannot keep calling
|
||
|
you 'boy', though. What is your name?" Then he winced, remembering
|
||
|
that I couldn't talk.
|
||
|
"His name is Derrio." My father's voice startled me, although I
|
||
|
should have seen Mother and him approaching. "Is it true? Is there a
|
||
|
war coming?"
|
||
|
1 The grim Sir Edward nodded. "It is already here. The Beinison men
|
||
|
that were here were an advance scouting force sent to find the
|
||
|
locations of our forces. As it appears, they will invade through this
|
||
|
area, so your farm is no longer safe."
|
||
|
"Let us leave this place," my mother said to my father, holding
|
||
|
back the tears that must be for Telia. "I no longer have a desire to
|
||
|
stay."
|
||
|
"Could your armies use another archer?" Father's voice wavered
|
||
|
slightly. "I may not be a good as your regulars, but I have won the
|
||
|
county's archery contest for the last two years in a row. And my wife
|
||
|
could cook and care for the wounded."
|
||
|
Sir Edward smiled. "We can always use archers." He then looked at
|
||
|
mother, who stood looking at the ground.
|
||
|
Sir Luthias laughed loudly. "And a cook, a REAL cook, would
|
||
|
probably boost morale more than anything else!"
|
||
|
The robed man looked over his shoulder. "Come. We should be
|
||
|
getting back to Pyridain. Another storm is coming." He approached me.
|
||
|
"And I find myself curious as to why this boy is unable to talk."
|
||
|
I suddenly remembered Sir Lawrence's silver horn. He wore that
|
||
|
horn like a symbol; something that set him apart from the rest of the
|
||
|
knights. I broke and ran for the house. I knew what I needed to do. I
|
||
|
burst into the house and headed straight for Telia's room.
|
||
|
When I entered, I saw Telia on the bed. She was lying there,
|
||
|
under the quilts, as if she were asleep. On the other side of the room
|
||
|
I saw what I had come for. Her tiny harp stood on a table by itself. I
|
||
|
picked it up carefully. This was the first time I had ever held it.
|
||
|
|
||
|
You will never sing again, little harp. The
|
||
|
fingers that coaxed you to play are gone. Your
|
||
|
strings are silent, angry over what has happened.
|
||
|
No, you will never sing again, but you will speak.
|
||
|
You will speak to me every night when I lay you
|
||
|
aside before I sleep. You will remind me of what
|
||
|
has happened here, and of what I have done. You
|
||
|
will remind me when I forget about her. Her voice
|
||
|
is stilled forever, so now I must be that voice.
|
||
|
And I will speak for you, Telia; I promise you. I
|
||
|
will speak through my actions; through my deeds and
|
||
|
through my presence. One day, I will be a knight,
|
||
|
and on that day, this harp will become my symbol.
|
||
|
It will become a symbol of ... of ..."
|
||
|
|
||
|
I had run out of words, but not tears. I watched as a tear ran
|
||
|
slowly down one of the strings of the little harp. I knew that it was
|
||
|
one of mine, but for that moment, the harp wept.
|
||
|
------------------------------------------------------------------------
|
||
|
1 ** ************
|
||
|
*** *********** **** **** ********* *** **** ***********
|
||
|
**** ** *** ** *** *** *** ** *** *** **** **
|
||
|
***** *** *** *** *** **** *** ****
|
||
|
****** *** ******** ****** ******** ****
|
||
|
*** *** *** *** *** *** *** **** *******
|
||
|
*** *** *** *** *** *** ** *** *** ****
|
||
|
********* ***** **** **** ********* **** *** ****
|
||
|
*** *** **** **
|
||
|
*** *** ------------------- **** ***
|
||
|
****** ***** The Online Magazine ***********
|
||
|
****** ***** of Amateur Creative Writing ************
|
||
|
---------------------------
|
||
|
|
||
|
|
||
|
Athene is a free network "magazine" devoted to amateur fiction
|
||
|
written by the members of the online community. Athene is not limited
|
||
|
to any specific genre, but will publish quality short stories dealing
|
||
|
with just about any interesting topic.
|
||
|
|
||
|
The magazine is published monthly, and comes in two formats --
|
||
|
ASCII and PostScript. The content is identical across both formats, but
|
||
|
the PostScript version is designed for printing on laser printers while
|
||
|
the ASCII edition can be read online as well as printed.
|
||
|
|
||
|
To subscribe, send mail (no interactive messages, please) to:
|
||
|
|
||
|
Jim McCabe
|
||
|
MCCABE@MTUS5.BITNET
|
||
|
|
||
|
Please indicate which format (ASCII or PostScript) you prefer to to
|
||
|
receive. Back issues, an index, and submission information are also
|
||
|
available upon request.
|
||
|
1 QQQQQ tt
|
||
|
QQ QQ tttttt
|
||
|
QQ QQ uu uu aaaa nnnn tt aaaa
|
||
|
QQ QQ uu uu aa aa nn nn tt aa aa
|
||
|
QQ QQ uu uu aa aa nn nn tt aa aa
|
||
|
QQQQQQ uuu aaaaa nn nn tt aaaaa
|
||
|
QQQ
|
||
|
______________________________________
|
||
|
|
||
|
A Journal of Fact, Fiction and Opinion
|
||
|
______________________________________
|
||
|
|
||
|
Quanta is an electronically distributed magazine of science fiction.
|
||
|
Published monthly, each issue contains short fiction, articles and
|
||
|
editorials by authors around the world and across the net. Quanta
|
||
|
publishes in two formats: straight ascii and PostScript* for
|
||
|
PostScript compatible printers. To subscribe to Quanta, or just to
|
||
|
get more info, send mail to:
|
||
|
|
||
|
da1n@andrew.cmu.edu
|
||
|
da1n@andrew.bitnet
|
||
|
|
||
|
Quanta is a relatively new magazine but is growing fast, with over
|
||
|
two hundred subscribers to date from seven different countries.
|
||
|
Electronic publishing is the way of the future. Become part of that
|
||
|
future by subscribing to Quanta today.
|
||
|
1------------------------------------------------------------------------
|
||
|
(C) Copyright March, 1989, DargonZine, Editor Dafydd
|
||
|
<White@DUVM.BitNet>. All rights revert to the authors. These stories may
|
||
|
not be reproduced or redistributed save in the case of reproducing the
|
||
|
whole 'zine for further distribution without the express permission of
|
||
|
the author involved.
|
||
|
|