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721 lines
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From: JAYMACHADO@delphi.com
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To: "Bits N Bytes Distribution List" <bits-n-bytes@acad1.dana.edu>
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Subject: Bits and Bytes Online v1 #16
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Date: Mon, 24 Jan 1994 19:40:19 -0500 (EST)
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NOTE: There are one or two obscenities in the following material. I
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didn't say it, I didn't say it. Apologies in advance to the easily
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offended. Feel free to edit cusswords in your local press run of B&B.
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======================================================================
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" ...Will there be roadkill on the information highway? Will there
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be littering laws? And when we pull over to the information gas
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station, will the restrooms be clean and sanitary?"
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- Tom Tomorrow
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======================================================================
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BBB III TTT SSS BBB Y Y TTT EEE SSS ONLINE EDITION:
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B B I T S B B Y Y T E S =THE ELECTRONIC
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BBB I T SSS AND BBB YYY T EEE SSS =NEWSLETTER FOR
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B B I T S B B Y T E S =HIGH-TECH
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BBB III T SSS BBB Y T EEE SSS =DUMPSTER DIVERS
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======================================================================
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Volume 1, Number 16 Frank Zappa Dec. 21, 1940 - Dec. 6, 1993
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======================================================================
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Everyone who is seriously involved in the pursuit of science becomes
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convinced that a spirit is manifest in the laws of the universe -- a
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spirit vastly superior to that of man, and one in the face of which
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we, with our modest powers, must feel humble.
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- Albert Einstein
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======================================================================
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FZ-1: Food Gathering in Post Industrial America
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"One of the hallmarks of contemporary life is what I perceive to be
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a conspiracy against conscious thought. Every aspect of government
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at every level has conspired to minimize education and to punish any
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individual or group that chooses to experience the full benefits of
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the First Amendment. The contemporary message -- the subtext of
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contemporary life -- is keep your fucking mouth shut and be a drone.
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And government is set up in such a way now with its complete disregard
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for the value of education that they're going to perpetuate a type of
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stupidity that makes it possible to have an entire nation of people
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watching late-night infomercials on TV with their phone-in credit
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card. How else could such things exist, if it weren't for the
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disastrous state of education in America?" (Frank Zappa, interviewed
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in 1992)
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======================================================================
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Remote Control (Andrew Hultkrans)
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>From the Oval Office on down, they've been pitching the Info
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Superhypeway, but nobody has bothered to unpack the press kit. The
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interactive incarnation of TV has been mitosing in the dark for almost
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a decade, at the bottom-feeder level of technology -- you know, those
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infomercials, those home shopping channels? The higher-tech version
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will simply pump up the volume.
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The lure of interactivity is that you can create your own programming.
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And as you make your choices, you reveal yourself utterly. The AI
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expert systems are playing gotcha! with your soul. As they hone their
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analysis of your view-purchase patterns, they will feed you back what
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they determine you want, pre-determining your desires, as you become
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ever more narrowly what your psychographic profile says you are. The
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spiral narrows relentlessly down to the center...
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You are what you watch.
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(Andrew Hultkrans, "Remote Control: The Interactivity Myth." Mondo
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2000 #11, p. 22)
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======================================================================
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A Superhighway Through The Wasteland?(*) (Jay Machado)
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If the electronic information superhighway is properly constructed and
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regulated, it will be open to anyone wishing to speak, publish, and
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communicate.(*) One of the most exciting things about the Internet is
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making contact with people with whom you share values, interests and
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attitudes. With increased bandwidth via fiber optic the possibilities
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for entertaining and educating ourselves grow exponentially. Computer
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entertainments will be emailed over the net - multimedia desktop
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productions, high-tech home movies - all that stuff will be wired back
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and forth by just plain folks for the amusement of their net.friends.
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America's Most Uploaded Home Videos. The TV networks have already been
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losing their lustre to the cable upstarts. "They" want to keep people
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tuned-in so they can sell "them" our attentive gazes. "They" don't
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know what to do with all the new marketting possibilities just yet but
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you can bet that "they'll" be taking the low road to the foamy yellow
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nozzle of nocturnal mass desire just as soon as some wormboy
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advertising exec sells "them" a map of the territory.
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The entertainment and communications giants, who have been cutting a
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bewildering array of deals and forging new alliances in the past year
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are ready to rock and roll. They're ready to jump in and start
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building franchises off whatever rights they happen to have acquired.
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Barney TV. The Elvis Channel. The Computer Network. The scent of
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money is in the air, and the perception that the window of opportunity
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is small -- that whoever gets in there NOW with a killer app all
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America will flock to will control their hearts and wallets for the
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foreseeable future. Mr. and Mrs. John X. Public will want to deal with
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only one device to get their brave new entertainments piped in, and it
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had better be easier to use than a VCR. The cable companies and the
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phone companies both want you to use their plumbing to access the
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net, and both are developing prototypes for the front-end "boxes"
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(which will include some sort of computer inside) for their systems.
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To add to the confusion some cable companies are planning to offer
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connections to the internet and to long distance phone service, and
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phone companies want to offer pay-per-view movies and events over the
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phone lines. The local bells now want to begin offering new services
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in order to remain competitive in the new marketplace. Federal law
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needs to be changed to allow this to happen, and there is activity in
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Washington to do just that. One worry expressed there is that all
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involved will be tempted to pass the bill for the needed
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infrastructure improvements on to existing customers, who may only be
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interested in basic phone and/or cable services. Sound confusing? Call
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the 800 at the end of this magazine and we'll explain it to you in
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easy monthly payments. Operators are standing by.
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Often there is no long-range plan, no sense of where the industry is
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going. They are basically throwing things against the wall and seeing
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what sticks. Some companies have acquired properties in the telco/
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cable realm just so they won't be locked out when the technology
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matures and the "killer application" jumpstarts the interactivity
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revolution. They want large numbers of viewers, so you can bet they'll
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be aspiring to the lowest common denominator -- so you'll get the SEGA
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channel starring Sonic the Hedgehog and psychic home shopping on the
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Elvis Network. Seeking to minimize concerns about their proposed
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mergers, the megamedia companies promise us that in addition to
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entertaining us they will connect students with learning resources,
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provide forums for political discussion, and increase economic
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competitiveness. Hallelujah! But the motives of all concerned must be
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centrally scrutinized in the light of what's at stake here. Both
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broadcast and cable TV debuted to similar fanfare -- and what do we
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have so far? We've got MTV, Baywatch, Jim 'n' Tammy, World Wrestling
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on pay-per-view and infomercials -- it's "the slime oozing out from
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your TV set." (Zappa) Good golly! I'm not above a little cheezy TV
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from every now and then, but there's GOT to be more!
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The inherent possibilities of the new types of connections now being
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constructed go far beyond any of the aforementioned -- high-speed
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links between people at home and other individuals and online services
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mediated by and thru video culture are going to bring about some
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strange cultural anomalies. You think people have a hard time telling
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where to draw the line between fact and fiction now? Wait till people
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start "interacting" with and getting advice from their favorite movie
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stars. "I've got this pain in my chest Dr. Welby." And how about those
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kids lying down in the middle of busy roads because they saw it in a
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movie? Humans (as any subgenii can tell you) sure are good at pulling
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the wool over their own eyes. I don't know whether to laugh or cry.
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And of course the televangelistas and new age flim flam men will have
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whole new audiences to bedazzle with high-tech warm fuzzies. The
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saddest part is that many will be lured in and thus fall from the path
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of Kuthumi, who is gentle and wise. The Firesign Theater said "There's
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a seeker born every minute," and Frank reminded us that "there's a big
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difference between kneeling down and bending over" -- as some former
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choirboys can tell you. But I regress.
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Public debate on the issues involved is crucial. Keeping in mind what
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happened with TV, we need to try t/o make sure we don't end up with
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*another* multi-cultural wasteland on our hands. One fact that goes
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unmentioned in these debates is the fact that we, the American public,
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*own* these valuable broadcast frequencies -- that the broadcast
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spectrum is in fact LEASED to the networks and telcos by the FCC.
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They are contractually beholden to US as owners to make sure they are
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providing a public benefit. And they're not opposed to concepts like
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public-access -- they just don't want to *pay* for them, despite the
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fact that one way or another they'll be raking in billions of dollars.
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The potential is there for interactive multimedia to be both
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enlightening and entertaining, sometimes both at the same time.
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However, none of the interactive services will be possible if we have
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an eight-lane data superhighway going into every home and only a
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narrow footpath coming back out.(*) This is the setup the telcos,
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cable companies and Hollywood Inc. want to build in to the system, so
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they can keep a firm grip on our time and attention, the new and true
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currency of the age of information. They must not be enamored by the
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concept of the masses (TH-th-that's US folks) entertaining ourselves,
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cutting out the middleman. America's Funniest Home Video is an attempt
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to keep control of the market (our attention) but I for one could do
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w/o the host's pathological banter between clips.
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The truly revolutionary aspects of these technologies emerge when
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private individuals become originators, broadcasters, and intelligent
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filterers of information and entertainment. B&B O/L is something along
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those lines, albeit in a strictly text-based implementation. There are
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some multimedia zines and such available for download on the net. My
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sense of the word net includes more than the internet. The thriving
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world of local online BBS systems will remain important and convenient
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points of internet access for many people. This is already occurring.
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The right front-end will go a long towards making forays into the
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dataverse safer and more enjoyable for all involved. The development
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of common "formats" for information, the development of things like
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Uniform Resource Locators (URL) amongst the library community on the
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internet, will make it easier for soon to be released intelligent
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agent technologies like General Magic Inc's Telescript programming
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language to navigate the dataverse performing their appointed rounds.
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Easy Access -- that's the real "magic app" everyone is waiting for.
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There's a wealth of information (sports scores, news, weather, TV
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schedules, UFO sighting reports, personal and business email, stock
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information, real estate info, etc.) out there, and right now it's too
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hard to get at unless you are willing to learn how to navigate the
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internet -- not everyone's cup of tea, although everyone could benefit
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from some subset of the information available.
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The authors(*) contend that we need a superhighway that encourages the
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production and distribution of a broader variety of programming, one
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that would be required to offer "open platform services." This type
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of network would bypass the bottleneck caused by today's systems,
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which make producers negotiate for channel space with cable companies
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around the country. In an open-platform network, everyone would have
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access to the entire superhighway, so programmers could distribute
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information directly to consumers. This would lead to diversity in the
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electronic media, just as low production and distribution costs enable
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a wide variety of newspapers and magazines. New laws are needed to
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prevent abuses by the media giants that will control the highway. For
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example, controlling companies should be required to carry other
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programmers' content, much like phone companies, which must provide
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service to anyone who is willing to pay for it.
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(* Mitch Kapor and Jerry Berman, "A Superhighway Through The
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Wasteland?" NYT 11/24/93, p. A25)
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======================================================================
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In Brief...
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=> NBC PLANS TV "BUG". NBC plans to introduce a new "bug' that will
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flash on-screen to alert viewers at the beginning of an interactive TV
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show that they can play along. You must belong to a service that has
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the interactive option as part of their service. (NYT 11/19/93, p. D4)
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=> CHINA TO GET U.S. SUPERCOMPUTER. President Clinton has decided to
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sell China a sophisticated $8 million Cray supercomputer as a goodwill
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gesture. Meanwhile, human rights abuses continue there, and the
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Chinese military view us as an enemy. What's the deal somebody?
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(SOURCES: NYT 11/16/93, p. A16, 11/19/93, p. A1)
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=> IRS: MORE ELECTRONIC RETURNS FOUND FRAUDULENT. In the first 8
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months of 1993, the IRS identified more than 23,000 fraudulent
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electronic returns -- double that of last year even though the total
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number of returns filed electronically increased by only 14%. The
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Government Accounting Office also reported a significant decline in
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the number of returns filed for 1992, 3.7 million less than the IRS
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was expecting. Some people just don't want to pay their "fair" share!
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(SOURCE: WSJ 11/10/93, p. A6)
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=> MOTHER OF ALL DISCLAIMERS. This disclaimer is from Haventree
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Software's EasyFlow program: "If EasyFlow doesn't work: tough. If you
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lose millions because EasyFlow messes up, it's you that's out the
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millions, not us. If you don't like this disclaimer: tough. We reserve
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the right to do the absolute minimum provided by law, up to and
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including nothing. This is basically the same disclaimer that comes
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with all software packages, but ours is in plain english and theirs is
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in legalese. We didn't want to include any disclaimer at all, but our
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laywers insisted." (SOURCE: WIRED 2.01, January 1994, p.35)
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=> A VIRUS AS A SALES AID. In Hempstead, L.I. a computer contractor
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was found guilty of using a virus to attempt to collect an unpaid bill
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from a customer. He infected the client's system with the virus,
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threatening loss of data if they did not pay for services rendered.
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They claim his work was substandard and were withholding payment.
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(SOURCE: NYT 11/23/93, p. A1)
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======================================================================
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THE ONLINE WORLD
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=> MICROSOFT ONLINE? That's the rumor anyway. MS is pondering starting
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an online service along the lines of America Online or Compuserve.
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Online shopping and such, of course. Online upgrades. Kindly Uncle
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Bill. Rumor has it that the graphic front end will be installed on all
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machines as part of Windows 4.0, due out next year. Apple is
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contemplating a similar start-up, eWorld. I want my mtv.com.
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(SOURCE: Boardwatch, November 1993)
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======================================================================
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NEW PRODUCTS AND SERVICES:
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=> THE ACE CARD. Best Data is set to release an incredible add-on card
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for IBM PCs. Developed by IBM, the ACE (Advanced Communications
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Enhancement) system uses DSP (Digital Signal Processing) technology to
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create a single card that is a 14.4 V.32bis modem with 9600 Fax send
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and receive, a 16-bit CD quality stereo sound card, an answering
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machine, a voice mail system, a fax server, and a full duplex speaker
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phone. It will eventually do OCR and then read your faxes to you. The
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card has microphone input, audio in/out, and telephone line jacks. It
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supports speech recognition, text to speech, and speech synthesis. In
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the future they have pans for the card to support colorfax, full
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motion video, JPEG/MPEG, voice over data, voice recognition, it
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slices, it dices. You get the picture. Is it a wonderful life, or
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what? Suggested retail is $259, street price $200. (ACCESS: Best Data
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Products 818/773-9600) (SOURCE: Boardwatch, November 1993, p. 34)
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=> WINDOWS 4. Chicago (as Microsoft calls it) is slated for release in
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mid-1994. Indications are that it will trade performance for features,
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that it will be reasonably compact (4 MEG) and will be backward-
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compatible (duh). In addition to implementing the Windows 32 bit API
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(which will help insure compatibility across Windows 3., NT and Cairo
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also) Windows 4 will also have a new user interface, plug and play
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hardware, a configuration manager, and support for many devices like
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VCRs, laserdisks, mobile computing, pen computing, and automatic file
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synchronization. Probably work your home appliances if you're so
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inclined. (SOURCE: PC WEEK 12/13/93, p. 2)
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======================================================================
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FZ-2: Say Cheese . . .
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It has been suggested that the Gross National Product is perhaps not
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the best indicator of how well we are doing as a society since it
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tells us nothing about the Quality of our Lives . . . but, is this
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worth dwelling upon as we grovel our way along in the general
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direction of the 21st Century? When future historians write about us,
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if they base their conclusions on whatever material goods survive from
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Present-Day America, we will undoubtedly stand alone among nations and
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be known forevermore as "THOSE WHO CHOSE CHEESE."
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As you will recall, folks, nobody ever had as much going for them in
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the beginning as we did. Let's face it . . . we were fantastic. Today,
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unfortuantely, we are merely WEIRD. This is a shocking thing to say,
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since no Red-Blooded American likes to think of his or herself as
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being WEIRD, but when there are other options and a whole nation
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CHOOSES CHEESE, that is WEIRD.
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Our mental health has been in a semi-wretched condition for quite some
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time now. One of the reasons for this distress, aside from CHOOSING
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CHEESE as a way of life, is the fact that we have (against some
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incredibly stiff competition) emerged victorious as the biggest bunch
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of liars on the face of the planet. No society has managed to invest
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more time and energy in the perpetuation of the fiction that it is
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moral, sane and wholesome than our current crop of Modern Americans.
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This same delusion is the Mysterious Force behind our national desire
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to avoid behaving in any way that might be construed as INTELLIGENT.
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Modern Americans behave as if intelligence were some sort of hideous
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deformity. To cosmeticize it, many otherwise normal citizens attempt a
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peculiar type of self-inflicted homemade mental nose-job (designed to
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lower the recipient's socio-intellectual profile to the point where
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the ability to communicate on the most mongolian level provides the
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necessary certification to become ONE OF THE GUYS). Let's face it...
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nobody wants to hang out with somebody who is smarter than they are.
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This is not FUN.
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Americans have always valued the idea of FUN. We have a National
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Craving for FUN. We don't get very much of it anymore, so we do two
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things: first, we rummage around for anything that might be FUN, then
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(since it really wasn't FUN stuff in the first place) we pretend to
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enjoy it (whatever it was). The net result: STRESSED CHEESE.
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But where does all this CHEESE really come from? It wouldn't be fair
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to blame it all on TV, although some credit must be given to whoever
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it is at each of the networks that GIVES US WHAT WE WANT. (You don't
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ask-you don't get.) Folks, we now have GOT IT . . . Iots of it . . .
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and, in our Infinite American Wisdom, we have constructed elaborate
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systems to insure that future generations will have an even more
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abundant supply of that fragrant substance upon which we presently
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||
|
thrive.
|
||
|
|
||
|
If we can't blame it on the TV, then where does it come from?
|
||
|
Obviously, we are weird if we have to ask such a question. Surely we
|
||
|
must realize by now (except for the fact that we lie to ourselves so
|
||
|
much that we get confused sometimes) that as Contemporary Americans we
|
||
|
have an almost magical ability to turn anything we touch into a
|
||
|
festering mound of self-destructing poot.
|
||
|
|
||
|
How can we do this with such incredible precision? Well, one good way
|
||
|
is to form a Committee. Committees composed of all kinds of desperate
|
||
|
American Types have been known to convert the combined unfulfilled
|
||
|
emotional needs and repressed biological urges of their memberships
|
||
|
into complex masses of cheese-like organisms at the rap of a gavel.
|
||
|
Committee Cheese is usually sliced very thin, then bound into volumes
|
||
|
for eventual dispersal in courts of law, legislative chambers, and
|
||
|
public facilities where you are invited to eat all you want.
|
||
|
* * *
|
||
|
The Quality of Our Lives (if we think of this matter in terms of "How
|
||
|
much of what we individually consider to be Beautiful are we able to
|
||
|
experience every day?") seems an irrelevant matter, now that all
|
||
|
decisions regarding the creation and distribution of Works of Art must
|
||
|
first pass under the limbo bar (a/k a "The Bottom Line"), along with
|
||
|
things like Taste and The Public Interest, all tied like a tin can to
|
||
|
the wagging tale of the sacred Prime Rate Poodle. The aforementioned
|
||
|
festering poot is coming your way at a theatre or drive-in near you.
|
||
|
It wakes you up every morning as it droozles out of your digital clock
|
||
|
radio. An ARTS COUNCIL somewhere is getting a special batch ready with
|
||
|
little tuxedos on it so you can think it's precious.
|
||
|
|
||
|
Yes Virginia . . . there is a FREE LUNCH. We are eating it now. Can I
|
||
|
get you a napkin?
|
||
|
|
||
|
(c) Frank Zappa, April 1, 1981
|
||
|
======================================================================
|
||
|
Virtual Satisfaction
|
||
|
|
||
|
The will to virtuality gets an economic boost from a depressed
|
||
|
economy. Virtual satisfactions are cheaper. Movies do well in
|
||
|
depressions. There's a TV in every hospital room. Can we doubt that it
|
||
|
won't be long before every hospital room comes equipped with a virtual
|
||
|
reality helmet? A cyber-punk "fantasy": You check into the hospital.
|
||
|
As soon as you hit the bed the helmet goes on and it doesn't come off
|
||
|
until you're released except for when it's time for you to go under
|
||
|
anaesthesia.
|
||
|
|
||
|
Virtual satisfactions are cheaper. This is how the hatred of existence
|
||
|
works: A nihilistic will projected against future generations
|
||
|
motivates indebtedness. Under the sign of possessive individualism
|
||
|
possessed individuals work the economic destruction of the future in
|
||
|
the name of just deserts, security, and self-fulfillment. "Who cares?
|
||
|
I'll be dead before the shit hits the fan." "Are we having fun yet?"
|
||
|
Smile buttons. Smile signs on canisters of pesticide in the chemical
|
||
|
fields of the great midwest. (Arthur Kroker and Michael A. Weinstein,
|
||
|
"The Political Economy of Virtual Reality (1): Pan-Capitalism".
|
||
|
CTHEORY)
|
||
|
======================================================================
|
||
|
Television is the first truly democratic culture -- the first culture
|
||
|
available to everybody and entirely governed by what the people want.
|
||
|
The most terrifying thing is what the people do want. - Clive Barnes
|
||
|
======================================================================
|
||
|
All the World's a Stage... (Neil Postman)
|
||
|
|
||
|
Television does not extend or amplify literate culture. It attacks it.
|
||
|
. . .If television is a continuation of anything, it is of a tradition
|
||
|
begun by the telegraph and photograph in the mid-nineteenth century,
|
||
|
not by the printing press in the fifteenth. . . .
|
||
|
|
||
|
Our television set keeps us in constant communion with the world, but
|
||
|
it does so with a face whose smiling countenance is unalterable. The
|
||
|
problem is not that television presents us with entertaining subject
|
||
|
matter but that all subject matter is presented as entertaining, which
|
||
|
is another issue altogether. . . .
|
||
|
|
||
|
To say it still another way: Entertainment is the supra-ideology of
|
||
|
all discourse on television. No matter what is depicted or from what
|
||
|
point of view, the overarching presumption is that it is there for our
|
||
|
amusement and pleasure. That is why even on news shows which provide
|
||
|
us daily with fragments of tragedy and barbarism, we are urged by the
|
||
|
newscasters to "join them tomorrow." What for? One would think that
|
||
|
several minutes of murder and mayhem would suffice as material for a
|
||
|
month of sleepless nights. We accept the newscasters' invitation
|
||
|
because we know that the "news" is not to be taken seriously, that it
|
||
|
is all in fun, so to say. Everything about a news show tells us this -
|
||
|
- the good looks and amiability of the cast, their pleasant banter,
|
||
|
the exciting music that opens and closes the show, the vivid film
|
||
|
footage, the attractive commercials -- all these and more suggest that
|
||
|
what we have just seen is no cause for weeping. A news show, to put it
|
||
|
plainly, is a format for entertainment, not for education, reflection
|
||
|
or catharsis. And we must not judge too harshly those who have framed
|
||
|
it in this way. They are not assembling the news to be read, or
|
||
|
broadcasting it to be heard. They are televising the news to be seen.
|
||
|
They must follow where their medium leads. There is no conspiracy
|
||
|
here, no lack of intelligence, only a straightforward recognition that
|
||
|
"good television" has little to do with what is "good" about
|
||
|
exposition or other forms of verbal communication but everything to do
|
||
|
with what the pictorial images look like. . . .
|
||
|
|
||
|
Television is our culture's principal mode of knowing about itself.
|
||
|
Therefore -- and this is the critical point -- how television stages
|
||
|
the world becomes the model for how the world is properly to be
|
||
|
staged. It is not merely that on the television screen entertainment
|
||
|
is the metaphor for all discourse. It is that off the screen the same
|
||
|
metaphor prevails. As typography once dictated the style of conducting
|
||
|
politics, religion, business, education, law and other important
|
||
|
social matters, television now takes command. In courtrooms,
|
||
|
classrooms, operating rooms, board rooms, churches and even airplanes,
|
||
|
Americans no longer talk to each other, they entertain each other.
|
||
|
They do not exchange ideas; they exchange images. They do not argue
|
||
|
with propositions; they argue with good looks, celebrities and
|
||
|
commercials. For the message of television as metaphor is not only
|
||
|
that all the world is a stage but that the stage is located in Las
|
||
|
Vegas, Nevada. (Excerpted from "Amusing Ourselves To Death" by Neil
|
||
|
Postman [Penguin Books, 1985])
|
||
|
======================================================================
|
||
|
TV Factoids From the Deep
|
||
|
|
||
|
The average child has watched more than 200,000 commercials by the
|
||
|
time he graduates from high school. He or she will have spent more
|
||
|
time watching television than sitting in a classroom. Each year, the
|
||
|
average viewer sees 18,000 commercials. In one year, 250,000 Americans
|
||
|
wrote to Marcus Welby, M.D. asking for medical advice. A Detroit
|
||
|
newspaper offered $500 dollars to 120 families to turn off their TV
|
||
|
sets for one month. 93 of the families turned the offer down. By age
|
||
|
14, devoted viewers will have witnessed 11,000 television murders. The
|
||
|
National Institute of Mental Health reports that pre-school children
|
||
|
show "unwarranted aggressive behavior" after heavy television viewing.
|
||
|
When asked to choose between their fathers and their TV sets, more
|
||
|
than half the young people in a survey chose television. We'll be back
|
||
|
after these words from our sponsor...
|
||
|
(SOURCE: The Society for the Eradication of Television's Fact Sheet,
|
||
|
reprinted in Apocalypse Culture [Feral House, 1990])
|
||
|
======================================================================
|
||
|
FZ-3: Break Out the Baseball Bats
|
||
|
|
||
|
"I was asked, 'Don't you think you should be more subtle in your
|
||
|
approach?'" he [Frank Zappa] said in a 1988 interview. "With reading
|
||
|
and listening comprehension where they are in the United States today,
|
||
|
it is time to get out the baseball bat."
|
||
|
======================================================================
|
||
|
THE KULTCHUR KORNER
|
||
|
|
||
|
=> BLIPVERTS. The shortest commercial in history was aired on TV in
|
||
|
the Pacific Northwest. The ad, for a popular chocolate candy named
|
||
|
Frangos, is four frames long and lasts 1/14th of a second. Cost per
|
||
|
frame: $395. (SOURCE: NYT 11/23/93, p. D4)
|
||
|
|
||
|
=> HIGH-TECH HATRED. Some leaders of the extreme right are making the
|
||
|
technological leap to satellite television. On October 9, the La Porte
|
||
|
Church of Christ launched "Truth for Our Times," shown twice weekly on
|
||
|
the Keystone Inspiration Network. Pete Peters, church founder is the
|
||
|
host. On the first show he attacked homosexuals, saying "There is
|
||
|
going to be a death penalty for homosexuals...". Also attacked was gun
|
||
|
control and Federal child immunization. The Jews are behind it all,
|
||
|
of course. Ah ha! It's going to be a strange twisted ride towards the
|
||
|
millenium. (NYT 11/16/93, p. A27)
|
||
|
|
||
|
=> GOODBYE HOMEWORK! Homework, once a childhood fact of life, may be
|
||
|
headed for extinction, reports the Wall Street Journal. Work-weary
|
||
|
parents are partially to blame, as are parents who place too much
|
||
|
emphasis on extracuricular activities. Additionally, some parents
|
||
|
can't help with homework because they never learned the basic concepts
|
||
|
when *they* were in school. One teacher said parents call in and
|
||
|
complain if the homework is too hard. This was a third grade teacher!
|
||
|
"I'm fighting against Nintendo!" said one teacher, who said that 17
|
||
|
years ago, 80% to 90% of all students turned in their homework. Now
|
||
|
that figure is less than 50%. Some teachers water down the assignments
|
||
|
and some allocate time during class for assignments, which leaves less
|
||
|
time for instruction. Students who don't do homework are not only
|
||
|
lacking in basic skills like spelling and grammar, but they are not
|
||
|
learning how to turn facts into ideas by writing essays and research
|
||
|
papers. They are not learning how to reason, which renders them unfit
|
||
|
for many jobs outside the political and entertainment industries.
|
||
|
(SOURCE: WSJ 10/11/93, p. B1)
|
||
|
======================================================================
|
||
|
A Different Take on Newton (Jaron Lanier)
|
||
|
|
||
|
There is a very narrow range of human behavior which, if properly
|
||
|
exercised, will make the Newton appear to be an intelligent product.
|
||
|
The problem here is that people change when they believe they are
|
||
|
interacting with artificial intelligences. People make themselves
|
||
|
stupid in order to make the machines appear smart.
|
||
|
|
||
|
Imagine that, in an alternate universe, the Newton had been advertised
|
||
|
as a portable display of data that would allow you to do a little bit
|
||
|
of data entry on the go, instead of as an intelligent assistant. I
|
||
|
think that advertised as such, it would be rather successful. I
|
||
|
pretend that's what it is - rather than an intelligent assistant - and
|
||
|
I find that I'm about the only person I know who likes the thing.
|
||
|
|
||
|
Not much has been said about the Newton's interface, but it is about
|
||
|
the best I've seen. I showed the Newton to a 4-year-old, and after a
|
||
|
brief demo she was using it with tremendous grace and fluency. I
|
||
|
believe that the craft of interface design is one of the most
|
||
|
important frontiers of culture. The Newton's user interface is a rea]
|
||
|
triumph, but its positioning as an artificially intelligent personal
|
||
|
assistant is all wrong. (Excerpted from "Newton: Great Interface; AI
|
||
|
in Your Face," by Jaron Lanier, Wired 1.6 (Dec. '93), p. 111)
|
||
|
======================================================================
|
||
|
If one wishes to be the master of an art, technical knowledge is not
|
||
|
enough. One has to transcend transcend technique so that the art
|
||
|
becomes an "artless art" growing out of the Unconscious.
|
||
|
- D.T. Suzuki
|
||
|
======================================================================
|
||
|
Phooey on GUIs! (Jef Raskin)
|
||
|
|
||
|
Bluntly: Graphical User Interfaces (GUls) are not human-compatible. As
|
||
|
long as we hang on to interfaces as we now know them, computers will
|
||
|
remain inherently frustrating, upsetting, and stressful.
|
||
|
|
||
|
An operating system, even the saccharine Mac or Windows desktop, is
|
||
|
the program you have to hassle with before you get to hassle with the
|
||
|
application. It does nothing for you, wastes your time, is unnecessary.
|
||
|
Some will ask, "How can you run a computer without an operating
|
||
|
system?" But newcomers to computers know the answer. When they first
|
||
|
see a desktop they ask a much more intelligent question: "What is all
|
||
|
this crap? Why can't I just get about my business?"
|
||
|
|
||
|
Another big mistake is the concept of an application. Applications are
|
||
|
programs that prevent you from using most of the power of your
|
||
|
computer. They are walled cities. When I am using my CAD package, I am
|
||
|
prevented from using the spelling checker in my word processor. When I
|
||
|
am using my word processor, I am prevented from adjusting the gray
|
||
|
scale of the lettering as I can in my image processor. When I am using
|
||
|
my image processing program, I am prevented from solving equations,
|
||
|
and so on. Make up your own list. Some operating systems build tunnels
|
||
|
between applications that we can crawl through (Microsoft's OLE,
|
||
|
Apple's Publish and Subscribe features, HP's New Wave, for example),
|
||
|
but we want to run aboveground.
|
||
|
|
||
|
There's a fix for this problem. Vendors should supply not applications,
|
||
|
but command sets, interoperable with all other command sets that you
|
||
|
purchase. Mix and match. You like the way MacWrite does spell checking
|
||
|
but the way Word does footnotes? Install the spell checker from one
|
||
|
and the footnote from the other. Is this technologically feasible? Of
|
||
|
course. It's simpler than what we have now and a lot easier to use.
|
||
|
Only decrepit technowonks think this is impossible or problematical.
|
||
|
Entrenched marketers and managers, when they understand the
|
||
|
implications, are discomforted by the idea of a cold restart with a
|
||
|
product that threatens their livelihood. (Excerpted from "Down With
|
||
|
GUIs!" by Jef Raskin, Wired 1.6 (Dec. '93), p. 122)
|
||
|
======================================================================
|
||
|
* * * ADVERTORIALS * * *
|
||
|
|
||
|
Computists' Communique
|
||
|
|
||
|
Ken Laws is the editor of the Computists' Communique, an AI/IS/CS
|
||
|
weekly news service of Computists International. Send him email
|
||
|
saying where you saw this announcement and request a sample issue
|
||
|
and subscription information. CC has job ads, journal calls, NSF
|
||
|
announcements, grant and research news, online resources, career
|
||
|
and business tips, and commentary. The Communique is about 32KB
|
||
|
(8 pages) per week, with a high signal-to-noise ratio -- eclectic,
|
||
|
but with special focus on AI research, information technology,
|
||
|
software applications, and entrepreneurship. "I try to capture 'old
|
||
|
boy' knowledge in a way that's time-saving, timely, and useful."
|
||
|
The CC is a useful addition to the B&B datastream.
|
||
|
|
||
|
Write for a sample issue now, or for membership details and
|
||
|
testimonials. (Full membership is $135/year, but discounts may apply.
|
||
|
Unemployed computer scientists may join free.) Sample issues are
|
||
|
available on request.
|
||
|
|
||
|
Dr. Kenneth I. Laws \ Feel free to forward this message
|
||
|
Computists International \ to other lists, with or without
|
||
|
(415) 493-7390, Palo Alto \ your own comments.
|
||
|
Internet laws@ai.sri.com \ Remember to say where you saw the
|
||
|
\ offer.
|
||
|
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
HOTT -- Hot Off The Tree -- is a free monthly electronic newsletter
|
||
|
featuring the latest advances in computer, communications, and
|
||
|
electronics technologies. Each issue provides article summaries on
|
||
|
new and emerging technologies, including virtual reality, neural
|
||
|
networks, personal digital assistants, graphical user interfaces,
|
||
|
intelligent agents, ubiquitous computing, genetic and evolutionary
|
||
|
programming, wireless networks, smart cards, video phones, set-top
|
||
|
boxes, nanotechnology, and massively parallel processing.
|
||
|
|
||
|
Summaries are provided from general media (eg, Wall Street Journal,
|
||
|
Time, Business Week, Forbes), trade magazines (eg, InfoWorld, Byte,
|
||
|
Datamation), research journals (eg, publications of the IEEE),
|
||
|
technical journals, and over 100 Internet mailing lists and USENET
|
||
|
discussion groups. HOTT also will include listings of forthcoming
|
||
|
and recently published technical books, listings of forthcoming
|
||
|
trade shows and technical conferences, and company advertorials,
|
||
|
including CEO perspectives, tips and techniques, and new product
|
||
|
announcements.
|
||
|
|
||
|
The next issue of the reinvented HOTT e-newsletter is scheduled for
|
||
|
transmission in late January/early February, and will have an
|
||
|
interview with Mark Weiser, head of Xerox PARC's Computer Science Lab.
|
||
|
The editor hopes to cover over 200 trade magazines and sources,
|
||
|
including 30 from Britain, plus syndicated columns, newspaper article
|
||
|
reprints, and transcripts of news broadcasts. Archives will be
|
||
|
described in the first issue. A bit.listserv.hott gateway to Usenet is
|
||
|
planned for Summer, and may be the easiest way to browse the news
|
||
|
stream. A WWW/Postscript version may be available by Fall. Corporate
|
||
|
sponsors are needed, and 100K+ subscriptions would help. This sounds
|
||
|
*very* interesting indeed.
|
||
|
|
||
|
HOW TO SUBSCRIBE: Send an e-mail message to listserv@ucsd.edu.
|
||
|
Leave the "Subject" line blank and include the following one-line
|
||
|
message:
|
||
|
subscribe HOTT-LIST
|
||
|
Note: do *not* include first or last names. If you have problems
|
||
|
or require human intervention contact hott@ucsd.edu.
|
||
|
|
||
|
For more information about HOTT contact:
|
||
|
David Scott Lewis
|
||
|
Editor-in-Chief and Book and Video Review Editor
|
||
|
IEEE Engineering Management Review
|
||
|
PO Box 18438
|
||
|
Irvine CA 92713-8438 USA
|
||
|
Tel: +1 714 662 7037
|
||
|
e-mail: d.s.lewis@ieee.org
|
||
|
(SOURCE: net-happenings and fringeware mailing lists, Computists
|
||
|
Communique)
|
||
|
======================================================================
|
||
|
Work like hell, tell everyone everything you know, close a deal with a
|
||
|
handshake, and have fun.
|
||
|
- Harold E. "Doc" Edgerton, 1990
|
||
|
======================================================================
|
||
|
### ADMINISTRIVIA ###
|
||
|
|
||
|
THIS ISSUE was originally sent out on December 21, 1993. The mailer
|
||
|
software choked on it or something. The conspiracy strikes again. I've
|
||
|
re-written and re-editted it some, and am sending it out in lieu of
|
||
|
new material. Bits and Bytes is s-l-o-w-l-y gearing up for 1994. The
|
||
|
next edition will be out in late January. Really.
|
||
|
|
||
|
THANKS. Thanks to everyone who's written in with material and
|
||
|
suggestions. Thanks to Richard Turnock for pointing out interesting
|
||
|
news articles, and thanks again to Paul Snow for maintaining the list.
|
||
|
Next issue I will include information on access to back issues.
|
||
|
|
||
|
LETTERS. We welcome submissions and commentary. All mail sent to the
|
||
|
editor or to B&B will be treated as a "letter to the editor" and
|
||
|
considered printable, unless noted otherwise.
|
||
|
|
||
|
IN THE FUTURE... That's it for this year folks. Between problems at my
|
||
|
(real) job and the Christmas horrordays there just aren't enough hours
|
||
|
in a day. I'll be back in 1994 with the high-tech lowdown live from
|
||
|
the stone ages of the digital (r)evolution. Join us, won't we?
|
||
|
|
||
|
SUBSCRIBING AND UNSUBSCRIBING: Subscribe to B&B by sending email to
|
||
|
listserv@acad1.dana.edu
|
||
|
text: SUBSCRIBE bits-n-bytes
|
||
|
A confirmation will be mailed to you. To unsubscribe send a message to
|
||
|
listserv@acad1.dana.edu
|
||
|
text: UNSUBSCRIBE bits-n-bytes
|
||
|
|
||
|
ONLINE ACCESS. B&B is available for downloading on America Online in
|
||
|
their telecom files area, and in Compuserve's telecom forum library,
|
||
|
and on various fine BBS systems all across this wunnerful wunnerful
|
||
|
world of ours.
|
||
|
|
||
|
INTERNET ANONYMOUS FTP SITES:
|
||
|
ftp.dana.edu in /periodic directory
|
||
|
INTERNET GOPHER ACCESS.
|
||
|
- gopher.law.cornell.edu in the Discussions and Listserv archives/
|
||
|
Teknoids directory
|
||
|
- gopher.dana.edu in the Electronic Journals directory
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Yes, there is a nirvana;
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it is in leading your sheep to a green pasture,
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and in putting your child to sleep,
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and in writing the last line of your poem.
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- Kahlil Gibran (Sand and Foam)
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Jay Machado = (Copyright 1993, 1994 Jay Machado) =
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1529 Dogwood Drive = *Unaltered* ELECTRONIC distribution of =
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Cherry Hill, NJ 08003 = this file for non-profit purposes is =
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ph (eve) 609/795-0998 = encouraged. If you've read this far you've =
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======================== got a little too much time on your hands. =
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========PIPCO=========== Get a life. I hear they're fun. =
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=============================== End of Bits and Bytes Online V1, #16 =
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