388 lines
11 KiB
Plaintext
388 lines
11 KiB
Plaintext
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From slcpi!govt.shearson.com!mjohnsto@uunet.UU.NET Mon Jan 7 17:20:24 1991
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To: wordy@Corp
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Subject: chapter-18
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BE IT EVER SO HUMBOLDT...
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#18 in the second online CAA series
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by
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Steven K. Roberts, HtN (WORDY)
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Eureka, CA; 1,153 miles.
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January 1, 1987
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We would have pedaled down to Ferndale today if it hadn't rained.
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For over a week we've been planning our New Year's Day departure from this
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place that has grown TOO familiar. All through December the sun shone brightly
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-- by Christmas I was so sure that it would rain on January first that I almost
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called the National Weather Service to offer them a hot tip. Hitting the road
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on a bicycle is a more reliable rainmaking technique than washing your car...
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try it sometime.
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Oh, I suppose it's just as well -- we were up until four A.M. celebrating
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the end of 1986 and the resumption of our travels. Imagine the scene:
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Over a thousand rubber bands turned loose in a small house, with seven
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schnapps-soaked loonies firing them at every hint of exposed flesh -- raising
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welts, cries, and crazy guffaws of short-lived victory. Maggie in the new
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mini-dress, her pantyhose-clad cycling legs an achingly inviting target; June
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sniping from behind furniture and giggling at every strike; Micki dashing into
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the open for ammo only to yelp at the unexpected zinging barrage from all
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sides. The Fathers of Trollo waged their own war, thundering at each other
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like F-4 Phantoms as I crept about on missions of private intrigue: gathering
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ammo, ambushing the unwary, and hiding rubber bands in odd places to serve as a
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perpetual reminder of our visit. Yes, it was a gentle night... at the stroke
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of 12 we dashed to the alley and fired salvo after salvo from Ken's homemade
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oxy-acetylene cannon -- potatoes mashed against distant walls, our ears
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ringing, our retinas seared with hot streaks of muzzle flash, the
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scratchin'-lickin'-bitin'- snortin'-stinkin' dog trembling against June in
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mortal terror. More schnapps... more nachos... more rubber bands... and then
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gradual acquiescence after far too many hours of defying gravity, bodies
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sinking to couches and floors, whimpers of pain and exhaustion mingling with
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the surreal sounds of late-night television and the dwindling drunken traffic
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of my third New Year's Eve on the road...
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And there are thirteen years until the 21st century.
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So. It's 1987. It is traditional for columnists to rhapsodize at length
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about the past and future as viewed from the standpoint of that infinitely
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small point moving between them. But the former is colored by the present and
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the latter is pure conjecture, so instead of putting travel predictions in
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print I'll just tell you what I WANT to do.
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If you've been following these writings for a while, you have probably
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noticed a certain variance of purpose. Sometimes FUN is my bottom line;
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sometimes I'm seeking a resolution of the old freedom-vs- security trade-off.
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Sometimes I want to travel forever; sometimes I get all misty-eyed over the
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sense of HOME that appears wherever I take the time to look. I go on great
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technoid binges of logic design and system integration, getting so deeply
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immersed in electronics that streets with NO OUTLET signs seem vaguely
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primitive -- then I turn my back on all this gizmology and refuse to discuss
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it. Peer over my shoulder one day, and you'll find me celebrating my nomadic
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lifestyle for its variety of contacts; do so the next and you'll hear me
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muttering about the exhausting sameness of endless beginnings.
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about it is an ideal lifestyle for a
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confirmed generalist living in fear of commitment. It sounds a lot like
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large-scale Brownian motion, but my life can actually be reduced to a simple
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formula: I open doors with my bizarre key, make observations about what goes
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on behind them, draw inferences from related experiences, and then pass stories
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and commentary along to the rest of the world in exchange for enough of a
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living to keep going. It's just a form of street theatre: The Computing
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Across America Traveling Circuits...
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And, interestingly enough, it more or less works. Publicity happens with
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little or no effort, and even though people generally recognize the Winnebiko
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instead of the guy sitting on top of it, the net effects are the same: brand
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recognition, invitations, publishing opportunities, free hardware or services,
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and even, amazingly enough, that absurd yet flattering "groupie effect."
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Now. Let's turn all it into something that doesn't depend upon momentary
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whims and chance encounters.
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Throughout history, writers, satirists, commentators, cartoonists and
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other interpreters of the culture have been supported by the population --
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whether through salary, spare change tossed into passed hats, or the generosity
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of patrons. We pay these people to expand our vision, to digest reality and
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present it to us as "entertainment." What sounds at first like something
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essentially playful, however, turns out to have critical importance in the
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evolution of our culture: it is the job of these people to raise human
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awareness, sniff out absurdity, spotlight political nastiness, recognize
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trends, and define our collective self-image -- all the while inviting us to
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step outside the routine of daily life and be entertained by what they have to
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say. Every component of popular culture, from the Sunday funnies to 60 Minutes,
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is part of the ongoing education of our complex society. It is the measure of
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Berke Breathed's success, to pick one of many instructive examples, that he can
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convey an elusive and essential message in the middle of thigh-slapping
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laughter.
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Educators, take note.
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So what's all this have to do with me, my compu-bike, and big plans for
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1987? This: I have become a living caricature of information technology, a
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wandering commentator on the zany American scene, a generalist/journalist with
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a 220-pound press pass, and a rolling media event. That's almost enough to
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insure success... but not quite. What's missing is marketing, that mystical
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process that turns ideas into products and products into necessities.
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Publicity alone doesn't pay the bills.
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"Marketing" in the context of what started out as a personal getaway
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adventure sounds like sacrelige. It calls to mind vendor decals and slick
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packaging, product slogans and pithy superficial distillations of my life that
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can fit onto a bulk-rate glossy flyer. But here, dear readers, is the reality:
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Weekly online columns make valuable contacts but earn just enough to buy
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one reasonably fine restaurant meal a month, assuming moderation on the bar
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tab. Occasional freelance pieces sometimes pay the rent back at the Ohio
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office. A book about my travels is due in two months from a publisher that has
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never tried selling anything outside the exciting but small world of library
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and information science. A little bit of random consulting work pays well but
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draws precious energy from the adventure itself. And I depend more than I'd
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like to admit on the generosity of new friends, feeding us after a long day and
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sheltering us from the night.
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This -- a shaky hand-to-mouth existence -- is what supports that exuberant
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grinning figure you've seen on national TV, in Time Magazine, in USA Today, and
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hundreds of other places. I never really understood the difference between
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public relations and marketing until now: CAA is a PR bonanza and a marketing
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fiasco. I have media coverage the average small company would kill for, but no
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standard products other than these weekly columns and a forthcoming book about
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my first 10,000 miles.
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So that's the plan for 1987: adding business survival to my
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long-established objective of FUN. It's not just an adventure, it's a job!
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But there's one subtle problem... my essential message is FREEDOM -- that you
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can accomplish anything if you want it enough, that risk is healthy, that your
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resources of intelligence are probably a lot deeper than you think. We have
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new technological tools to free us, new worlds to explore, and even a new
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population of people who cavort freely in Dataspace unconstrained by location,
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color, appearance, or education. FREEDOM. It's an exciting message, and
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people easily relate to it in these days of urine testing, polygraphs, poorly
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maintined credit databases, economic pressure, horrifying new social diseases,
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and a resurgence of misguided puritanism. A whiff of freedom perks up the
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imprisoned like that first hint of morning coffee.
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But try living as a public paragon of personal freedom within the
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bottom-line-oriented constraints of a marketing plan. There's the challenge:
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treating this as a business without having it look like one.
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* * *
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Let's close this week's installment on a playful note, something that
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every reader can relate to. Something that touches us all deeply, evokes
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intense memories, and rouses strong feelings...
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I floated easily in a nitrous fog, the Walkman pumping Bob James into my
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head, my wool-shrouded toes tapping in their well-worn Birkenstocks. Through
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half-closed lids I saw the needle approach my mouth and prepared to wince,
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flashing painfully on the closing scene of the movie "Brazil." But the nurse
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tapped my arm, some kind of swabbed on local anaesthetic numbed me, and I
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failed to notice the violation of my gums. So far so good.
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Mega-numb -- no way for me to transcend dental medication. I was calmed
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by the delightful gas but intellectually nervous, my normal dentist-chair panic
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elevated to a sort of bemused abstraction but still very much in evidence. I
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had never been to a painless dentist and didn't truly believe them to exist...
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and he was probing a very large hole in a broken wisdom tooth, the subject of
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many a horror story.
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Jazz swirled through my head; I heard the drill scream. It entered,
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rising and falling in pitch as it carved living tooth, raising a cloud of hot
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enamel-dust that shocked my nose as would my own burning flesh. Yet the
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sensation was of someone drilling into a block of wood lodged in my mouth:
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multiple smooth hands, the glint of stainless steel instruments, the suction
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tube, the detail of the overhead light, the smells of rubber gloves and faint
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perfume and powdered tooth... but no pain. Stunned, I waited for it -- 5% of
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my brain quailing at each approach of the drill while the rest soared through
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the pure bliss of the Touchdown album and wanted the experience to never end.
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And then the smells of solvents and sealants; the welcome poking and
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prodding that bespeaks an end to destruction and the beginning of
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reconstruction... and soon the vaguely depressing news that I had already been
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on pure oxygen for five minutes and did I feel normal again? NO PAIN. This
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had to be the most unusual Christmas present I had ever received: a gift
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certificate from Ken (of Trollo and Bionic Taco fame) good for "X-Ray &
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anesthesia with a filling or extraction" at the offices of Michael Holland,
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D.D.S. -- and then to find the experience genuinely pleasant as well!
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Ain't technology wonderful?
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See you next week, from somewhere south of here. This time I really mean
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it.
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-- Steve
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