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**The Project Gutenberg Etext of H. G. Wells' The Time Machine**
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The Time Machine, by H(erbert) G(eorge) Wells [1898]
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I
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The Time Traveller (for so it will be convenient to speak of
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him) was expounding a recondite matter to us. His grey eyes
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shone and twinkled, and his usually pale face was flushed and
|
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animated. The fire burned brightly, and the soft radiance of the
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|
incandescent lights in the lilies of silver caught the bubbles
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that flashed and passed in our glasses. Our chairs, being his
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|
patents, embraced and caressed us rather than submitted to be sat
|
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|
upon, and there was that luxurious after-dinner atmosphere when
|
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|
thought roams gracefully free of the trammels of precision. And
|
|||
|
he put it to us in this way--marking the points with a lean
|
|||
|
forefinger--as we sat and lazily admired his earnestness over
|
|||
|
this new paradox (as we thought it:) and his fecundity.
|
|||
|
|
|||
|
`You must follow me carefully. I shall have to controvert one
|
|||
|
or two ideas that are almost universally accepted. The geometry,
|
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|
for instance, they taught you at school is founded on a
|
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|
misconception.'
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|
|
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|
`Is not that rather a large thing to expect us to begin upon?'
|
|||
|
said Filby, an argumentative person with red hair.
|
|||
|
|
|||
|
`I do not mean to ask you to accept anything without reasonable
|
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|
ground for it. You will soon admit as much as I need from you.
|
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|
You know of course that a mathematical line, a line of thickness
|
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NIL, has no real existence. They taught you that? Neither has
|
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|
a mathematical plane. These things are mere abstractions.'
|
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|
|
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|
`That is all right,' said the Psychologist.
|
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|
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|
`Nor, having only length, breadth, and thickness, can a cube
|
|||
|
have a real existence.'
|
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|
|
|||
|
`There I object,' said Filby. `Of course a solid body may
|
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|
exist. All real things--'
|
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|
|
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|
`So most people think. But wait a moment. Can an
|
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INSTANTANEOUS cube exist?'
|
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|
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|
`Don't follow you,' said Filby.
|
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|
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|
`Can a cube that does not last for any time at all, have a real
|
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existence?'
|
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Filby became pensive. `Clearly,' the Time Traveller proceeded,
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|
`any real body must have extension in FOUR directions: it must
|
|||
|
have Length, Breadth, Thickness, and--Duration. But through a
|
|||
|
natural infirmity of the flesh, which I will explain to you in a
|
|||
|
moment, we incline to overlook this fact. There are really four
|
|||
|
dimensions, three which we call the three planes of Space, and a
|
|||
|
fourth, Time. There is, however, a tendency to draw an unreal
|
|||
|
distinction between the former three dimensions and the latter,
|
|||
|
because it happens that our consciousness moves intermittently in
|
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|
one direction along the latter from the beginning to the end of
|
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our lives.'
|
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|
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|
`That,' said a very young man, making spasmodic efforts to
|
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|
relight his cigar over the lamp; `that . . . very clear indeed.'
|
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|
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`Now, it is very remarkable that this is so extensively
|
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|
overlooked,' continued the Time Traveller, with a slight
|
|||
|
accession of cheerfulness. `Really this is what is meant by the
|
|||
|
Fourth Dimension, though some people who talk about the Fourth
|
|||
|
Dimension do not know they mean it. It is only another way of
|
|||
|
looking at Time. THERE IS NO DIFFERENCE BETWEEN TIME AND ANY OF
|
|||
|
THE THREE DIMENSIONS OF SPACE EXCEPT THAT OUR CONSCIOUSNESS MOVES
|
|||
|
ALONG IT. But some foolish people have got hold of the wrong
|
|||
|
side of that idea. You have all heard what they have to say
|
|||
|
about this Fourth Dimension?'
|
|||
|
|
|||
|
`_I_ have not,' said the Provincial Mayor.
|
|||
|
|
|||
|
`It is simply this. That Space, as our mathematicians have it,
|
|||
|
is spoken of as having three dimensions, which one may call
|
|||
|
Length, Breadth, and Thickness, and is always definable by
|
|||
|
reference to three planes, each at right angles to the others.
|
|||
|
But some philosophical people have been asking why THREE
|
|||
|
dimensions particularly--why not another direction at right
|
|||
|
angles to the other three?--and have even tried to construct a
|
|||
|
Four-Dimension geometry. Professor Simon Newcomb was expounding
|
|||
|
this to the New York Mathematical Society only a month or so ago.
|
|||
|
You know how on a flat surface, which has only two dimensions,
|
|||
|
we can represent a figure of a three-dimensional solid, and
|
|||
|
similarly they think that by models of thee dimensions they could
|
|||
|
represent one of four--if they could master the perspective of
|
|||
|
the thing. See?'
|
|||
|
|
|||
|
`I think so,' murmured the Provincial Mayor; and, knitting his
|
|||
|
brows, he lapsed into an introspective state, his lips moving as
|
|||
|
one who repeats mystic words. `Yes, I think I see it now,' he
|
|||
|
said after some time, brightening in a quite transitory manner.
|
|||
|
|
|||
|
`Well, I do not mind telling you I have been at work upon this
|
|||
|
geometry of Four Dimensions for some time. Some of my results
|
|||
|
are curious. For instance, here is a portrait of a man at eight
|
|||
|
years old, another at fifteen, another at seventeen, another at
|
|||
|
twenty-three, and so on. All these are evidently sections, as it
|
|||
|
were, Three-Dimensional representations of his Four-Dimensioned
|
|||
|
being, which is a fixed and unalterable thing.
|
|||
|
|
|||
|
`Scientific people,' proceeded the Time Traveller, after the
|
|||
|
pause required for the proper assimilation of this, `know very
|
|||
|
well that Time is only a kind of Space. Here is a popular
|
|||
|
scientific diagram, a weather record. This line I trace with my
|
|||
|
finger shows the movement of the barometer. Yesterday it was so
|
|||
|
high, yesterday night it fell, then this morning it rose again,
|
|||
|
and so gently upward to here. Surely the mercury did not trace
|
|||
|
this line in any of the dimensions of Space generally recognized?
|
|||
|
But certainly it traced such a line, and that line, therefore,
|
|||
|
we must conclude was along the Time-Dimension.'
|
|||
|
|
|||
|
`But,' said the Medical Man, staring hard at a coal in the
|
|||
|
fire, `if Time is really only a fourth dimension of Space, why is
|
|||
|
it, and why has it always been, regarded as something different?
|
|||
|
And why cannot we move in Time as we move about in the other
|
|||
|
dimensions of Space?'
|
|||
|
|
|||
|
The Time Traveller smiled. `Are you sure we can move freely in
|
|||
|
Space? Right and left we can go, backward and forward freely
|
|||
|
enough, and men always have done so. I admit we move freely in
|
|||
|
two dimensions. But how about up and down? Gravitation limits
|
|||
|
us there.'
|
|||
|
|
|||
|
`Not exactly,' said the Medical Man. `There are balloons.'
|
|||
|
|
|||
|
`But before the balloons, save for spasmodic jumping and the
|
|||
|
inequalities of the surface, man had no freedom of vertical
|
|||
|
movement.' `Still they could move a little up and down,' said
|
|||
|
the Medical Man.
|
|||
|
|
|||
|
`Easier, far easier down than up.'
|
|||
|
|
|||
|
`And you cannot move at all in Time, you cannot get away from
|
|||
|
the present moment.'
|
|||
|
|
|||
|
`My dear sir, that is just where you are wrong. That is just
|
|||
|
where the whole world has gone wrong. We are always getting away
|
|||
|
from the present movement. Our mental existences, which are
|
|||
|
immaterial and have no dimensions, are passing along the
|
|||
|
Time-Dimension with a uniform velocity from the cradle to the
|
|||
|
grave. Just as we should travel DOWN if we began our existence
|
|||
|
fifty miles above the earth's surface.'
|
|||
|
|
|||
|
`But the great difficulty is this,' interrupted the
|
|||
|
Psychologist. `You CAN move about in all directions of Space,
|
|||
|
but you cannot move about in Time.'
|
|||
|
|
|||
|
`That is the germ of my great discovery. But you are wrong to
|
|||
|
say that we cannot move about in Time. For instance, if I am
|
|||
|
recalling an incident very vividly I go back to the instant of
|
|||
|
its occurrence: I become absent-minded, as you say. I jump back
|
|||
|
for a moment. Of course we have no means of staying back for any
|
|||
|
length of Time, any more than a savage or an animal has of
|
|||
|
staying six feet above the ground. But a civilized man is better
|
|||
|
off than the savage in this respect. He can go up against
|
|||
|
gravitation in a balloon, and why should he not hope that
|
|||
|
ultimately he may be able to stop or accelerate his drift along
|
|||
|
the Time-Dimension, or even turn about and travel the other way?'
|
|||
|
|
|||
|
`Oh, THIS,' began Filby, `is all--'
|
|||
|
|
|||
|
`Why not?' said the Time Traveller.
|
|||
|
|
|||
|
`It's against reason,' said Filby.
|
|||
|
|
|||
|
`What reason?' said the Time Traveller.
|
|||
|
|
|||
|
`You can show black is white by argument,' said Filby, `but you
|
|||
|
will never convince me.'
|
|||
|
|
|||
|
`Possibly not,' said the Time Traveller. `But now you begin to
|
|||
|
see the object of my investigations into the geometry of Four
|
|||
|
Dimensions. Long ago I had a vague inkling of a machine--'
|
|||
|
|
|||
|
`To travel through Time!' exclaimed the Very Young Man.
|
|||
|
|
|||
|
`That shall travel indifferently in any direction of Space and
|
|||
|
Time, as the driver determines.'
|
|||
|
|
|||
|
Filby contented himself with laughter.
|
|||
|
|
|||
|
`But I have experimental verification,' said the Time
|
|||
|
Traveller.
|
|||
|
|
|||
|
`It would be remarkably convenient for the historian,' the
|
|||
|
Psychologist suggested. `One might travel back and verify the
|
|||
|
accepted account of the Battle of Hastings, for instance!'
|
|||
|
|
|||
|
`Don't you think you would attract attention?' said the Medical
|
|||
|
Man. `Our ancestors had no great tolerance for anachronisms.'
|
|||
|
|
|||
|
`One might get one's Greek from the very lips of Homer and
|
|||
|
Plato,' the Very Young Man thought.
|
|||
|
|
|||
|
`In which case they would certainly plough you for the
|
|||
|
Little-go. The German scholars have improved Greek so much.'
|
|||
|
|
|||
|
`Then there is the future,' said the Very Young Man. `Just
|
|||
|
think! One might invest all one's money, leave it to accumulate
|
|||
|
at interest, and hurry on ahead!'
|
|||
|
|
|||
|
`To discover a society,' said I, `erected on a strictly
|
|||
|
communistic basis.'
|
|||
|
|
|||
|
`Of all the wild extravagant theories!' began the Psychologist.
|
|||
|
|
|||
|
`Yes, so it seemed to me, and so I never talked of it until--'
|
|||
|
|
|||
|
`Experimental verification!' cried I. `You are going to verify
|
|||
|
THAT?'
|
|||
|
|
|||
|
`The experiment!' cried Filby, who was getting brain-weary.
|
|||
|
|
|||
|
`Let's see your experiment anyhow,' said the Psychologist,
|
|||
|
`though it's all humbug, you know.'
|
|||
|
|
|||
|
The Time Traveller smiled round at us. Then, still smiling
|
|||
|
faintly, and with his hands deep in his trousers pockets, he
|
|||
|
walked slowly out of the room, and we heard his slippers
|
|||
|
shuffling down the long passage to his laboratory.
|
|||
|
|
|||
|
The Psychologist looked at us. `I wonder what he's got?'
|
|||
|
|
|||
|
`Some sleight-of-hand trick or other,' said the Medical Man,
|
|||
|
and Filby tried to tell us about a conjurer he had seen at
|
|||
|
Burslem; but before he had finished his preface the Time
|
|||
|
Traveller came back, and Filby's anecdote collapsed.
|
|||
|
|
|||
|
The thing the Time Traveller held in his hand was a glittering
|
|||
|
metallic framework, scarcely larger than a small clock, and very
|
|||
|
delicately made. There was ivory in it, and some transparent
|
|||
|
crystalline substance. And now I must be explicit, for this that
|
|||
|
follows--unless his explanation is to be accepted--is an
|
|||
|
absolutely unaccountable thing. He took one of the small
|
|||
|
octagonal tables that were scattered about the room, and set it
|
|||
|
in front of the fire, with two legs on the hearthrug. On this
|
|||
|
table he placed the mechanism. Then he drew up a chair, and sat
|
|||
|
down. The only other object on the table was a small shaded
|
|||
|
lamp, the bright light of which fell upon the model. There were
|
|||
|
also perhaps a dozen candles about, two in brass candlesticks
|
|||
|
upon the mantel and several in sconces, so that the room was
|
|||
|
brilliantly illuminated. I sat in a low arm-chair nearest the
|
|||
|
fire, and I drew this forward so as to be almost between the Time
|
|||
|
Traveller and the fireplace. Filby sat behind him, looking over
|
|||
|
his shoulder. The Medical Man and the Provincial Mayor watched
|
|||
|
him in profile from the right, the Psychologist from the left.
|
|||
|
The Very Young Man stood behind the Psychologist. We were all on
|
|||
|
the alert. It appears incredible to me that any kind of trick,
|
|||
|
however subtly conceived and however adroitly done, could have
|
|||
|
been played upon us under these conditions.
|
|||
|
|
|||
|
The Time Traveller looked at us, and then at the mechanism.
|
|||
|
`Well?' said the Psychologist.
|
|||
|
|
|||
|
`This little affair,' said the Time Traveller, resting his
|
|||
|
elbows upon the table and pressing his hands together above the
|
|||
|
apparatus, `is only a model. It is my plan for a machine to
|
|||
|
travel through time. You will notice that it looks singularly
|
|||
|
askew, and that there is an odd twinkling appearance about this
|
|||
|
bar, as though it was in some way unreal.' He pointed to the
|
|||
|
part with his finger. `Also, here is one little white lever, and
|
|||
|
here is another.'
|
|||
|
|
|||
|
The Medical Man got up out of his chair and peered into the
|
|||
|
thing. `It's beautifully made,' he said.
|
|||
|
|
|||
|
`It took two years to make,' retorted the Time Traveller.
|
|||
|
Then, when we had all imitated the action of the Medical Man, he
|
|||
|
said: `Now I want you clearly to understand that this lever,
|
|||
|
being pressed over, sends the machine gliding into the future,
|
|||
|
and this other reverses the motion. This saddle represents the
|
|||
|
seat of a time traveller. Presently I am going to press the
|
|||
|
lever, and off the machine will go. It will vanish, pass into
|
|||
|
future Time, and disappear. Have a good look at the thing. Look
|
|||
|
at the table too, and satisfy yourselves there is no trickery. I
|
|||
|
don't want to waste this model, and then be told I'm a quack.'
|
|||
|
|
|||
|
There was a minute's pause perhaps. The Psychologist seemed
|
|||
|
about to speak to me, but changed his mind. Then the Time
|
|||
|
Traveller put forth his finger towards the lever. `No,' he said
|
|||
|
suddenly. `Lend me your hand.' And turning to the Psychologist,
|
|||
|
he took that individual's hand in his own and told him to put out
|
|||
|
his forefinger. So that it was the Psychologist himself who sent
|
|||
|
forth the model Time Machine on its interminable voyage. We all
|
|||
|
saw the lever turn. I am absolutely certain there was no
|
|||
|
trickery. There was a breath of wind, and the lamp flame jumped.
|
|||
|
One of the candles on the mantel was blown out, and the little
|
|||
|
machine suddenly swung round, became indistinct, was seen as a
|
|||
|
ghost for a second perhaps, as an eddy of faintly glittering
|
|||
|
brass and ivory; and it was gone--vanished! Save for the lamp
|
|||
|
the table was bare.
|
|||
|
|
|||
|
Everyone was silent for a minute. Then Filby said he was
|
|||
|
damned.
|
|||
|
|
|||
|
The Psychologist recovered from his stupor, and suddenly looked
|
|||
|
under the table. At that the Time Traveller laughed cheerfully.
|
|||
|
`Well?' he said, with a reminiscence of the Psychologist. Then,
|
|||
|
getting up, he went to the tobacco jar on the mantel, and with
|
|||
|
his back to us began to fill his pipe.
|
|||
|
|
|||
|
We stared at each other. `Look here,' said the Medical Man,
|
|||
|
`are you in earnest about this? Do you seriously believe that
|
|||
|
that machine has travelled into time?'
|
|||
|
|
|||
|
`Certainly,' said the Time Traveller, stooping to light a spill
|
|||
|
at the fire. Then he turned, lighting his pipe, to look at the
|
|||
|
Psychologist's face. (The Psychologist, to show that he was not
|
|||
|
unhinged, helped himself to a cigar and tried to light it uncut.)
|
|||
|
`What is more, I have a big machine nearly finished in there'--he
|
|||
|
indicated the laboratory--`and when that is put together I mean
|
|||
|
to have a journey on my own account.'
|
|||
|
|
|||
|
`You mean to say that that machine has travelled into the
|
|||
|
future?' said Filby.
|
|||
|
|
|||
|
`Into the future or the past--I don't, for certain, know
|
|||
|
which.'
|
|||
|
|
|||
|
After an interval the Psychologist had an inspiration. `It
|
|||
|
must have gone into the past if it has gone anywhere,' he said.
|
|||
|
|
|||
|
`Why?' said the Time Traveller.
|
|||
|
|
|||
|
`Because I presume that it has not moved in space, and if it
|
|||
|
travelled into the future it would still be here all this time,
|
|||
|
since it must have travelled through this time.'
|
|||
|
|
|||
|
`But,' I said, `If it travelled into the past it would have
|
|||
|
been visible when we came first into this room; and last Thursday
|
|||
|
when we were here; and the Thursday before that; and so forth!'
|
|||
|
|
|||
|
`Serious objections,' remarked the Provincial Mayor, with an
|
|||
|
air of impartiality, turning towards the Time Traveller.
|
|||
|
|
|||
|
`Not a bit,' said the Time Traveller, and, to the Psychologist:
|
|||
|
`You think. You can explain that. It's presentation below the
|
|||
|
threshold, you know, diluted presentation.'
|
|||
|
|
|||
|
`Of course,' said the Psychologist, and reassured us. `That's
|
|||
|
a simple point of psychology. I should have thought of it. It's
|
|||
|
plain enough, and helps the paradox delightfully. We cannot see
|
|||
|
it, nor can we appreciate this machine, any more than we can the
|
|||
|
spoke of a wheel spinning, or a bullet flying through the air.
|
|||
|
If it is travelling through time fifty times or a hundred times
|
|||
|
faster than we are, if it gets through a minute while we get
|
|||
|
through a second, the impression it creates will of course be
|
|||
|
only one-fiftieth or one-hundredth of what it would make if it
|
|||
|
were not travelling in time. That's plain enough.' He passed
|
|||
|
his hand through the space in which the machine had been. `You
|
|||
|
see?' he said, laughing.
|
|||
|
|
|||
|
We sat and stared at the vacant table for a minute or so. Then
|
|||
|
the Time Traveller asked us what we thought of it all.
|
|||
|
|
|||
|
`It sounds plausible enough to-night,' said the Medical Man;
|
|||
|
'but wait until to-morrow. Wait for the common sense of the
|
|||
|
morning.'
|
|||
|
|
|||
|
`Would you like to see the Time Machine itself?' asked the Time
|
|||
|
Traveller. And therewith, taking the lamp in his hand, he led
|
|||
|
the way down the long, draughty corridor to his laboratory. I
|
|||
|
remember vividly the flickering light, his queer, broad head in
|
|||
|
silhouette, the dance of the shadows, how we all followed him,
|
|||
|
puzzled but incredulous, and how there in the laboratory we
|
|||
|
beheld a larger edition of the little mechanism which we had seen
|
|||
|
vanish from before our eyes. Parts were of nickel, parts of
|
|||
|
ivory, parts had certainly been filed or sawn out of rock
|
|||
|
crystal. The thing was generally complete, but the twisted
|
|||
|
crystalline bars lay unfinished upon the bench beside some sheets
|
|||
|
of drawings, and I took one up for a better look at it. Quartz
|
|||
|
it seemed to be.
|
|||
|
|
|||
|
`Look here,' said the Medical Man, `are you perfectly serious?
|
|||
|
Or is this a trick--like that ghost you showed us last
|
|||
|
Christmas?'
|
|||
|
|
|||
|
`Upon that machine,' said the Time Traveller, holding the lamp
|
|||
|
aloft, `I intend to explore time. Is that plain? I was never
|
|||
|
more serious in my life.'
|
|||
|
|
|||
|
None of us quite knew how to take it.
|
|||
|
|
|||
|
I caught Filby's eye over the shoulder of the Medical Man, and
|
|||
|
he winked at me solemnly.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
II
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I think that at that time none of us quite believed in the
|
|||
|
Time Machine. The fact is, the Time Traveller was one of those
|
|||
|
men who are too clever to be believed: you never felt that you
|
|||
|
saw all round him; you always suspected some subtle reserve, some
|
|||
|
ingenuity in ambush, behind his lucid frankness. Had Filby shown
|
|||
|
the model and explained the matter in the Time Traveller's words,
|
|||
|
we should have shown HIM far less scepticism. For we should
|
|||
|
have perceived his motives; a pork butcher could understand
|
|||
|
Filby. But the Time Traveller had more than a touch of whim
|
|||
|
among his elements, and we distrusted him. Things that would
|
|||
|
have made the frame of a less clever man seemed tricks in his
|
|||
|
hands. It is a mistake to do things too easily. The serious
|
|||
|
people who took him seriously never felt quite sure of his
|
|||
|
deportment; they were somehow aware that trusting their
|
|||
|
reputations for judgment with him was like furnishing a nursery
|
|||
|
with egg-shell china. So I don't think any of us said very much
|
|||
|
about time travelling in the interval between that Thursday and
|
|||
|
the next, though its odd potentialities ran, no doubt, in most of
|
|||
|
our minds: its plausibility, that is, its practical
|
|||
|
incredibleness, the curious possibilities of anachronism and of
|
|||
|
utter confusion it suggested. For my own part, I was
|
|||
|
particularly preoccupied with the trick of the model. That I
|
|||
|
remember discussing with the Medical Man, whom I met on Friday at
|
|||
|
the Linnaean. He said he had seen a similar thing at
|
|||
|
Tubingen, and laid considerable stress on the blowing out
|
|||
|
of the candle. But how the trick was done he could not explain.
|
|||
|
|
|||
|
The next Thursday I went again to Richmond--I suppose I was
|
|||
|
one of the Time Traveller's most constant guests--and, arriving
|
|||
|
late, found four or five men already assembled in his
|
|||
|
drawing-room. The Medical Man was standing before the fire with
|
|||
|
a sheet of paper in one hand and his watch in the other. I
|
|||
|
looked round for the Time Traveller, and--`It's half-past seven
|
|||
|
now,' said the Medical Man. `I suppose we'd better have dinner?'
|
|||
|
|
|||
|
`Where's----?' said I, naming our host.
|
|||
|
|
|||
|
`You've just come? It's rather odd. He's unavoidably
|
|||
|
detained. He asks me in this note to lead off with dinner at
|
|||
|
seven if he's not back. Says he'll explain when he comes.'
|
|||
|
|
|||
|
`It seems a pity to let the dinner spoil,' said the Editor of
|
|||
|
a well-known daily paper; and thereupon the Doctor rang the bell.
|
|||
|
|
|||
|
The Psychologist was the only person besides the Doctor and
|
|||
|
myself who had attended the previous dinner. The other men were
|
|||
|
Blank, the Editor aforementioned, a certain journalist, and
|
|||
|
another--a quiet, shy man with a beard--whom I didn't know,
|
|||
|
and who, as far as my observation went, never opened his mouth
|
|||
|
all the evening. There was some speculation at the dinner-table
|
|||
|
about the Time Traveller's absence, and I suggested time
|
|||
|
travelling, in a half-jocular spirit. The Editor wanted that
|
|||
|
explained to him, and the Psychologist volunteered a wooden
|
|||
|
account of the `ingenious paradox and trick' we had witnessed
|
|||
|
that day week. He was in the midst of his exposition when the
|
|||
|
door from the corridor opened slowly and without noise. I was
|
|||
|
facing the door, and saw it first. `Hallo!' I said. `At last!'
|
|||
|
And the door opened wider, and the Time Traveller stood before
|
|||
|
us. I gave a cry of surprise. `Good heavens! man, what's the
|
|||
|
matter?' cried the Medical Man, who saw him next. And the whole
|
|||
|
tableful turned towards the door.
|
|||
|
|
|||
|
He was in an amazing plight. His coat was dusty and dirty,
|
|||
|
and smeared with green down the sleeves; his hair disordered, and
|
|||
|
as it seemed to me greyer--either with dust and dirt or because
|
|||
|
its colour had actually faded. His face was ghastly pale; his
|
|||
|
chin had a brown cut on it--a cut half healed; his expression
|
|||
|
was haggard and drawn, as by intense suffering. For a moment he
|
|||
|
hesitated in the doorway, as if he had been dazzled by the light.
|
|||
|
Then he came into the room. He walked with just such a limp as
|
|||
|
I have seen in footsore tramps. We stared at him in silence,
|
|||
|
expecting him to speak.
|
|||
|
|
|||
|
He said not a word, but came painfully to the table, and made
|
|||
|
a motion towards the wine. The Editor filled a glass of
|
|||
|
champagne, and pushed it towards him. He drained it, and it
|
|||
|
seemed to do him good: for he looked round the table, and the
|
|||
|
ghost of his old smile flickered across his face. `What on earth
|
|||
|
have you been up to, man?' said the Doctor. The Time Traveller
|
|||
|
did not seem to hear. `Don't let me disturb you,' he said, with
|
|||
|
a certain faltering articulation. `I'm all right.' He stopped,
|
|||
|
held out his glass for more, and took it off at a draught.
|
|||
|
`That's good,' he said. His eyes grew brighter, and a faint
|
|||
|
colour came into his cheeks. His glance flickered over our faces
|
|||
|
with a certain dull approval, and then went round the warm and
|
|||
|
comfortable room. Then he spoke again, still as it were feeling
|
|||
|
his way among his words. `I'm going to wash and dress, and then
|
|||
|
I'll come down and explain things. . . Save me some of that
|
|||
|
mutton. I'm starving for a bit of meat.'
|
|||
|
|
|||
|
He looked across at the Editor, who was a rare visitor, and
|
|||
|
hoped he was all right. The Editor began a question. `Tell you
|
|||
|
presently,' said the Time Traveller. `I'm--funny! Be all
|
|||
|
right in a minute.'
|
|||
|
|
|||
|
He put down his glass, and walked towards the staircase door.
|
|||
|
Again I remarked his lameness and the soft padding sound of his
|
|||
|
footfall, and standing up in my place, I saw his feet as he went
|
|||
|
out. He had nothing on them but a pair of tattered blood-stained
|
|||
|
socks. Then the door closed upon him. I had half a mind to
|
|||
|
follow, till I remembered how he detested any fuss about himself.
|
|||
|
For a minute, perhaps, my mind was wool-gathering. Then,
|
|||
|
'Remarkable Behaviour of an Eminent Scientist,' I heard the
|
|||
|
Editor say, thinking (after his wont) in headlines. And this
|
|||
|
brought my attention back to the bright dinner-table.
|
|||
|
|
|||
|
`What's the game?' said the Journalist. `Has he been doing
|
|||
|
the Amateur Cadger? I don't follow.' I met the eye of the
|
|||
|
Psychologist, and read my own interpretation in his face. I
|
|||
|
thought of the Time Traveller limping painfully upstairs. I
|
|||
|
don't think any one else had noticed his lameness.
|
|||
|
|
|||
|
The first to recover completely from this surprise was the
|
|||
|
Medical Man, who rang the bell--the Time Traveller hated to
|
|||
|
have servants waiting at dinner--for a hot plate. At that the
|
|||
|
Editor turned to his knife and fork with a grunt, and the Silent
|
|||
|
Man followed suit. The dinner was resumed. Conversation was
|
|||
|
exclamatory for a little while, with gaps of wonderment; and then
|
|||
|
the Editor got fervent in his curiosity. `Does our friend eke
|
|||
|
out his modest income with a crossing? or has he his
|
|||
|
Nebuchadnezzar phases?' he inquired. `I feel assured it's this
|
|||
|
business of the Time Machine,' I said, and took up the
|
|||
|
Psychologist's account of our previous meeting. The new guests
|
|||
|
were frankly incredulous. The Editor raised objections. `What
|
|||
|
WAS this time travelling? A man couldn't cover himself with
|
|||
|
dust by rolling in a paradox, could he?' And then, as the idea
|
|||
|
came home to him, he resorted to caricature. Hadn't they any
|
|||
|
clothes-brushes in the Future? The Journalist too, would not
|
|||
|
believe at any price, and joined the Editor in the easy work of
|
|||
|
heaping ridicule on the whole thing. They were both the new kind
|
|||
|
of journalist--very joyous, irreverent young men. `Our Special
|
|||
|
Correspondent in the Day after To-morrow reports,' the Journalist
|
|||
|
was saying--or rather shouting--when the Time Traveller came
|
|||
|
back. He was dressed in ordinary evening clothes, and nothing
|
|||
|
save his haggard look remained of the change that had startled
|
|||
|
me.
|
|||
|
|
|||
|
`I say,' said the Editor hilariously, `these chaps here say
|
|||
|
you have been travelling into the middle of next week! Tell us
|
|||
|
all about little Rosebery, will you? What will you take for the
|
|||
|
lot?'
|
|||
|
|
|||
|
The Time Traveller came to the place reserved for him without
|
|||
|
a word. He smiled quietly, in his old way. `Where's my mutton?'
|
|||
|
he said. `What a treat it is to stick a fork into meat again!'
|
|||
|
|
|||
|
`Story!' cried the Editor.
|
|||
|
|
|||
|
`Story be damned!' said the Time Traveller. `I want something
|
|||
|
to eat. I won't say a word until I get some peptone into my
|
|||
|
arteries. Thanks. And the salt.'
|
|||
|
|
|||
|
`One word,' said I. `Have you been time travelling?'
|
|||
|
|
|||
|
`Yes,' said the Time Traveller, with his mouth full, nodding
|
|||
|
his head.
|
|||
|
|
|||
|
`I'd give a shilling a line for a verbatim note,' said the
|
|||
|
Editor. The Time Traveller pushed his glass towards the Silent
|
|||
|
Man and rang it with his fingernail; at which the Silent Man, who
|
|||
|
had been staring at his face, started convulsively, and poured
|
|||
|
him wine. The rest of the dinner was uncomfortable. For my own
|
|||
|
part, sudden questions kept on rising to my lips, and I dare say
|
|||
|
it was the same with the others. The Journalist tried to relieve
|
|||
|
the tension by telling anecdotes of Hettie Potter. The Time
|
|||
|
Traveller devoted his attention to his dinner, and displayed the
|
|||
|
appetite of a tramp. The Medical Man smoked a cigarette, and
|
|||
|
watched the Time Traveller through his eyelashes. The Silent Man
|
|||
|
seemed even more clumsy than usual, and drank champagne with
|
|||
|
regularity and determination out of sheer nervousness. At last
|
|||
|
the Time Traveller pushed his plate away, and looked round us.
|
|||
|
`I suppose I must apologize,' he said. `I was simply starving.
|
|||
|
I've had a most amazing time.' He reached out his hand for a
|
|||
|
cigar, and cut the end. `But come into the smoking-room. It's
|
|||
|
too long a story to tell over greasy plates.' And ringing the
|
|||
|
bell in passing, he led the way into the adjoining room.
|
|||
|
|
|||
|
`You have told Blank, and Dash, and Chose about the machine?'
|
|||
|
he said to me, leaning back in his easy-chair and naming the
|
|||
|
three new guests.
|
|||
|
|
|||
|
`But the thing's a mere paradox,' said the Editor.
|
|||
|
|
|||
|
`I can't argue to-night. I don't mind telling you the story,
|
|||
|
but I can't argue. I will,' he went on, `tell you the story of
|
|||
|
what has happened to me, if you like, but you must refrain from
|
|||
|
interruptions. I want to tell it. Badly. Most of it will sound
|
|||
|
like lying. So be it! It's true--every word of it, all the
|
|||
|
same. I was in my laboratory at four o'clock, and since then . .
|
|||
|
. I've lived eight days . . . such days as no human being ever
|
|||
|
lived before! I'm nearly worn out, but I shan't sleep till I've
|
|||
|
told this thing over to you. Then I shall go to bed. But no
|
|||
|
interruptions! Is it agreed?'
|
|||
|
|
|||
|
`Agreed,' said the Editor, and the rest of us echoed `Agreed.'
|
|||
|
And with that the Time Traveller began his story as I have set
|
|||
|
it forth. He sat back in his chair at first, and spoke like a
|
|||
|
weary man. Afterwards he got more animated. In writing it down
|
|||
|
I feel with only too much keenness the inadequacy of pen and ink
|
|||
|
--and, above all, my own inadequacy--to express its quality.
|
|||
|
You read, I will suppose, attentively enough; but you cannot see
|
|||
|
the speaker's white, sincere face in the bright circle of the
|
|||
|
little lamp, nor hear the intonation of his voice. You cannot
|
|||
|
know how his expression followed the turns of his story! Most of
|
|||
|
us hearers were in shadow, for the candles in the smoking-room
|
|||
|
had not been lighted, and only the face of the Journalist and the
|
|||
|
legs of the Silent Man from the knees downward were illuminated.
|
|||
|
At first we glanced now and again at each other. After a time we
|
|||
|
ceased to do that, and looked only at the Time Traveller's face.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
III
|
|||
|
|
|||
|
|
|||
|
|
|||
|
`I told some of you last Thursday of the principles of the
|
|||
|
Time Machine, and showed you the actual thing itself, incomplete
|
|||
|
in the workshop. There it is now, a little travel-worn, truly;
|
|||
|
and one of the ivory bars is cracked, and a brass rail bent; but
|
|||
|
the rest of it's sound enough. I expected to finish it on
|
|||
|
Friday, but on Friday, when the putting together was nearly done,
|
|||
|
I found that one of the nickel bars was exactly one inch too
|
|||
|
short, and this I had to get remade; so that the thing was not
|
|||
|
complete until this morning. It was at ten o'clock to-day that
|
|||
|
the first of all Time Machines began its career. I gave it a
|
|||
|
last tap, tried all the screws again, put one more drop of oil on
|
|||
|
the quartz rod, and sat myself in the saddle. I suppose a
|
|||
|
suicide who holds a pistol to his skull feels much the same
|
|||
|
wonder at what will come next as I felt then. I took the
|
|||
|
starting lever in one hand and the stopping one in the other,
|
|||
|
pressed the first, and almost immediately the second. I seemed
|
|||
|
to reel; I felt a nightmare sensation of falling; and, looking
|
|||
|
round, I saw the laboratory exactly as before. Had anything
|
|||
|
happened? For a moment I suspected that my intellect had tricked
|
|||
|
me. Then I noted the clock. A moment before, as it seemed, it
|
|||
|
had stood at a minute or so past ten; now it was nearly half-past
|
|||
|
three!
|
|||
|
|
|||
|
`I drew a breath, set my teeth, gripped the starting lever
|
|||
|
with both hands, and went off with a thud. The laboratory got
|
|||
|
hazy and went dark. Mrs. Watchett came in and walked, apparently
|
|||
|
without seeing me, towards the garden door. I suppose it took
|
|||
|
her a minute or so to traverse the place, but to me she seemed to
|
|||
|
shoot across the room like a rocket. I pressed the lever over to
|
|||
|
its extreme position. The night came like the turning out of a
|
|||
|
lamp, and in another moment came to-morrow. The laboratory grew
|
|||
|
faint and hazy, then fainter and ever fainter. To-morrow night
|
|||
|
came black, then day again, night again, day again, faster and
|
|||
|
faster still. An eddying murmur filled my ears, and a strange,
|
|||
|
dumb confusedness descended on my mind.
|
|||
|
|
|||
|
`I am afraid I cannot convey the peculiar sensations of time
|
|||
|
travelling. They are excessively unpleasant. There is a feeling
|
|||
|
exactly like that one has upon a switchback--of a helpless
|
|||
|
headlong motion! I felt the same horrible anticipation, too, of
|
|||
|
an imminent smash. As I put on pace, night followed day like the
|
|||
|
flapping of a black wing. The dim suggestion of the laboratory
|
|||
|
seemed presently to fall away from me, and I saw the sun hopping
|
|||
|
swiftly across the sky, leaping it every minute, and every minute
|
|||
|
marking a day. I supposed the laboratory had been destroyed and
|
|||
|
I had come into the open air. I had a dim impression of
|
|||
|
scaffolding, but I was already going too fast to be conscious of
|
|||
|
any moving things. The slowest snail that ever crawled dashed by
|
|||
|
too fast for me. The twinkling succession of darkness and light
|
|||
|
was excessively painful to the eye. Then, in the intermittent
|
|||
|
darknesses, I saw the moon spinning swiftly through her quarters
|
|||
|
from new to full, and had a faint glimpse of the circling stars.
|
|||
|
Presently, as I went on, still gaining velocity, the palpitation
|
|||
|
of night and day merged into one continuous greyness; the sky
|
|||
|
took on a wonderful deepness of blue, a splendid luminous color
|
|||
|
like that of early twilight; the jerking sun became a streak of
|
|||
|
fire, a brilliant arch, in space; the moon a fainter fluctuating
|
|||
|
band; and I could see nothing of the stars, save now and then a
|
|||
|
brighter circle flickering in the blue.
|
|||
|
|
|||
|
`The landscape was misty and vague. I was still on the
|
|||
|
hill-side upon which this house now stands, and the shoulder rose
|
|||
|
above me grey and dim. I saw trees growing and changing like
|
|||
|
puffs of vapour, now brown, now green; they grew, spread,
|
|||
|
shivered, and passed away. I saw huge buildings rise up faint
|
|||
|
and fair, and pass like dreams. The whole surface of the earth
|
|||
|
seemed changed--melting and flowing under my eyes. The little
|
|||
|
hands upon the dials that registered my speed raced round faster
|
|||
|
and faster. Presently I noted that the sun belt swayed up and
|
|||
|
down, from solstice to solstice, in a minute or less, and that
|
|||
|
consequently my pace was over a year a minute; and minute by
|
|||
|
minute the white snow flashed across the world, and vanished, and
|
|||
|
was followed by the bright, brief green of spring.
|
|||
|
|
|||
|
`The unpleasant sensations of the start were less poignant
|
|||
|
now. They merged at last into a kind of hysterical exhilaration.
|
|||
|
I remarked indeed a clumsy swaying of the machine, for which I
|
|||
|
was unable to account. But my mind was too confused to attend to
|
|||
|
it, so with a kind of madness growing upon me, I flung myself
|
|||
|
into futurity. At first I scarce thought of stopping, scarce
|
|||
|
thought of anything but these new sensations. But presently a
|
|||
|
fresh series of impressions grew up in my mind--a certain
|
|||
|
curiosity and therewith a certain dread--until at last they
|
|||
|
took complete possession of me. What strange developments of
|
|||
|
humanity, what wonderful advances upon our rudimentary
|
|||
|
civilization, I thought, might not appear when I came to look
|
|||
|
nearly into the dim elusive world that raced and fluctuated
|
|||
|
before my eyes! I saw great and splendid architecture rising
|
|||
|
about me, more massive than any buildings of our own time, and
|
|||
|
yet, as it seemed, built of glimmer and mist. I saw a richer
|
|||
|
green flow up the hill-side, and remain there, without any wintry
|
|||
|
intermission. Even through the veil of my confusion the earth
|
|||
|
seemed very fair. And so my mind came round to the business of
|
|||
|
stopping,
|
|||
|
|
|||
|
`The peculiar risk lay in the possibility of my finding some
|
|||
|
substance in the space which I, or the machine, occupied. So
|
|||
|
long as I travelled at a high velocity through time, this
|
|||
|
scarcely mattered; I was, so to speak, attenuated--was slipping
|
|||
|
like a vapour through the interstices of intervening substances!
|
|||
|
But to come to a stop involved the jamming of myself, molecule by
|
|||
|
molecule, into whatever lay in my way; meant bringing my atoms
|
|||
|
into such intimate contact with those of the obstacle that a
|
|||
|
profound chemical reaction--possibly a far-reaching explosion
|
|||
|
--would result, and blow myself and my apparatus out of all
|
|||
|
possible dimensions--into the Unknown. This possibility had
|
|||
|
occurred to me again and again while I was making the machine;
|
|||
|
but then I had cheerfully accepted it as an unavoidable risk--
|
|||
|
one of the risks a man has got to take! Now the risk was
|
|||
|
inevitable, I no longer saw it in the same cheerful light. The
|
|||
|
fact is that insensibly, the absolute strangeness of everything,
|
|||
|
the sickly jarring and swaying of the machine, above all, the
|
|||
|
feeling of prolonged falling, had absolutely upset my nerve. I
|
|||
|
told myself that I could never stop, and with a gust of petulance
|
|||
|
I resolved to stop forthwith. Like an impatient fool, I lugged
|
|||
|
over the lever, and incontinently the thing went reeling over,
|
|||
|
and I was flung headlong through the air.
|
|||
|
|
|||
|
`There was the sound of a clap of thunder in my ears. I may
|
|||
|
have been stunned for a moment. A pitiless hail was hissing
|
|||
|
round me, and I was sitting on soft turf in front of the overset
|
|||
|
machine. Everything still seemed grey, but presently I remarked
|
|||
|
that the confusion in my ears was gone. I looked round me. I was
|
|||
|
on what seemed to be a little lawn in a garden, surrounded by
|
|||
|
rhododendron bushes, and I noticed that their mauve and purple
|
|||
|
blossoms were dropping in a shower under the beating of the
|
|||
|
hail-stones. The rebounding, dancing hail hung in a cloud over
|
|||
|
the machine, and drove along the ground like smoke. In a moment
|
|||
|
I was wet to the skin. "Fine hospitality," said I, "to a man who
|
|||
|
has travelled innumerable years to see you."
|
|||
|
|
|||
|
`Presently I thought what a fool I was to get wet. I stood up
|
|||
|
and looked round me. A colossal figure, carved apparently in
|
|||
|
some white stone, loomed indistinctly beyond the rhododendrons
|
|||
|
through the hazy downpour. But all else of the world was
|
|||
|
invisible.
|
|||
|
|
|||
|
`My sensations would be hard to describe. As the columns of
|
|||
|
hail grew thinner, I saw the white figure more distinctly. It
|
|||
|
was very large, for a silver birch-tree touched its shoulder. It
|
|||
|
was of white marble, in shape something like a winged sphinx, but
|
|||
|
the wings, instead of being carried vertically at the sides, were
|
|||
|
spread so that it seemed to hover. The pedestal, it appeared to
|
|||
|
me, was of bronze, and was thick with verdigris. It chanced that
|
|||
|
the face was towards me; the sightless eyes seemed to watch me;
|
|||
|
there was the faint shadow of a smile on the lips. It was
|
|||
|
greatly weather-worn, and that imparted an unpleasant suggestion
|
|||
|
of disease. I stood looking at it for a little space--half a
|
|||
|
minute, perhaps, or half an hour. It seemed to advance and to
|
|||
|
recede as the hail drove before it denser or thinner. At last I
|
|||
|
tore my eyes from it for a moment and saw that the hail curtain
|
|||
|
had worn threadbare, and that the sky was lightening with the
|
|||
|
promise of the Sun.
|
|||
|
|
|||
|
`I looked up again at the crouching white shape, and the full
|
|||
|
temerity of my voyage came suddenly upon me. What might appear
|
|||
|
when that hazy curtain was altogether withdrawn? What might not
|
|||
|
have happened to men? What if cruelty had grown into a common
|
|||
|
passion? What if in this interval the race had lost its
|
|||
|
manliness and had developed into something inhuman,
|
|||
|
unsympathetic, and overwhelmingly powerful? I might seem some
|
|||
|
old-world savage animal, only the more dreadful and disgusting
|
|||
|
for our common likeness--a foul creature to be incontinently
|
|||
|
slain.
|
|||
|
|
|||
|
`Already I saw other vast shapes--huge buildings with
|
|||
|
intricate parapets and tall columns, with a wooded hill-side
|
|||
|
dimly creeping in upon me through the lessening storm. I was
|
|||
|
seized with a panic fear. I turned frantically to the Time
|
|||
|
Machine, and strove hard to readjust it. As I did so the shafts
|
|||
|
of the sun smote through the thunderstorm. The grey downpour was
|
|||
|
swept aside and vanished like the trailing garments of a ghost.
|
|||
|
Above me, in the intense blue of the summer sky, some faint brown
|
|||
|
shreds of cloud whirled into nothingness. The great buildings
|
|||
|
about me stood out clear and distinct, shining with the wet of
|
|||
|
the thunderstorm, and picked out in white by the unmelted
|
|||
|
hailstones piled along their courses. I felt naked in a strange
|
|||
|
world. I felt as perhaps a bird may feel in the clear air,
|
|||
|
knowing the hawk wings above and will swoop. My fear grew to
|
|||
|
frenzy. I took a breathing space, set my teeth, and again
|
|||
|
grappled fiercely, wrist and knee, with the machine. It gave
|
|||
|
under my desperate onset and turned over. It struck my chin
|
|||
|
violently. One hand on the saddle, the other on the lever, I
|
|||
|
stood panting heavily in attitude to mount again.
|
|||
|
|
|||
|
`But with this recovery of a prompt retreat my courage
|
|||
|
recovered. I looked more curiously and less fearfully at this
|
|||
|
world of the remote future. In a circular opening, high up in
|
|||
|
the wall of the nearer house, I saw a group of figures clad in
|
|||
|
rich soft robes. They had seen me, and their faces were directed
|
|||
|
towards me.
|
|||
|
|
|||
|
`Then I heard voices approaching me. Coming through the
|
|||
|
bushes by the White Sphinx were the heads and shoulders of men
|
|||
|
running. One of these emerged in a pathway leading straight to
|
|||
|
the little lawn upon which I stood with my machine. He was a
|
|||
|
slight creature--perhaps four feet high--clad in a purple
|
|||
|
tunic, girdled at the waist with a leather belt. Sandals or
|
|||
|
buskins--I could not clearly distinguish which--were on his
|
|||
|
feet; his legs were bare to the knees, and his head was bare.
|
|||
|
Noticing that, I noticed for the first time how warm the air was.
|
|||
|
|
|||
|
`He struck me as being a very beautiful and graceful creature,
|
|||
|
but indescribably frail. His flushed face reminded me of the
|
|||
|
more beautiful kind of consumptive--that hectic beauty of which
|
|||
|
we used to hear so much. At the sight of him I suddenly regained
|
|||
|
confidence. I took my hands from the machine.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
IV
|
|||
|
|
|||
|
|
|||
|
|
|||
|
`In another moment we were standing face to face, I and this
|
|||
|
fragile thing out of futurity. He came straight up to me and
|
|||
|
laughed into my eyes. The absence from his bearing of any sign
|
|||
|
of fear struck me at once. Then he turned to the two others who
|
|||
|
were following him and spoke to them in a strange and very sweet
|
|||
|
and liquid tongue.
|
|||
|
|
|||
|
`There were others coming, and presently a little group of
|
|||
|
perhaps eight or ten of these exquisite creatures were about me.
|
|||
|
One of them addressed me. It came into my head, oddly enough,
|
|||
|
that my voice was too harsh and deep for them. So I shook my
|
|||
|
head, and, pointing to my ears, shook it again. He came a step
|
|||
|
forward, hesitated, and then touched my hand. Then I felt other
|
|||
|
soft little tentacles upon my back and shoulders. They wanted to
|
|||
|
make sure I was real. There was nothing in this at all alarming.
|
|||
|
Indeed, there was something in these pretty little people that
|
|||
|
inspired confidence--a graceful gentleness, a certain childlike
|
|||
|
ease. And besides, they looked so frail that I could fancy
|
|||
|
myself flinging the whole dozen of them about like nine-pins.
|
|||
|
But I made a sudden motion to warn them when I saw their little
|
|||
|
pink hands feeling at the Time Machine. Happily then, when it
|
|||
|
was not too late, I thought of a danger I had hitherto forgotten,
|
|||
|
and reaching over the bars of the machine I unscrewed the little
|
|||
|
levers that would set it in motion, and put these in my pocket.
|
|||
|
Then I turned again to see what I could do in the way of
|
|||
|
communication.
|
|||
|
|
|||
|
`And then, looking more nearly into their features, I saw some
|
|||
|
further peculiarities in their Dresden-china type of prettiness.
|
|||
|
Their hair, which was uniformly curly, came to a sharp end at the
|
|||
|
neck and cheek; there was not the faintest suggestion of it on
|
|||
|
the face, and their ears were singularly minute. The mouths were
|
|||
|
small, with bright red, rather thin lips, and the little chins
|
|||
|
ran to a point. The eyes were large and mild; and--this may
|
|||
|
seem egotism on my part--I fancied even that there was a
|
|||
|
certain lack of the interest I might have expected in them.
|
|||
|
|
|||
|
`As they made no effort to communicate with me, but simply
|
|||
|
stood round me smiling and speaking in soft cooing notes to each
|
|||
|
other, I began the conversation. I pointed to the Time Machine
|
|||
|
and to myself. Then hesitating for a moment how to express time,
|
|||
|
I pointed to the sun. At once a quaintly pretty little figure in
|
|||
|
chequered purple and white followed my gesture, and then
|
|||
|
astonished me by imitating the sound of thunder.
|
|||
|
|
|||
|
`For a moment I was staggered, though the import of his
|
|||
|
gesture was plain enough. The question had come into my mind
|
|||
|
abruptly: were these creatures fools? You may hardly understand
|
|||
|
how it took me. You see I had always anticipated that the people
|
|||
|
of the year Eight Hundred and Two Thousand odd would be
|
|||
|
incredibly in front of us in knowledge, art, everything. Then
|
|||
|
one of them suddenly asked me a question that showed him to be on
|
|||
|
the intellectual level of one of our five-year-old children--
|
|||
|
asked me, in fact, if I had come from the sun in a thunderstorm!
|
|||
|
It let loose the judgment I had suspended upon their clothes,
|
|||
|
their frail light limbs, and fragile features. A flow of
|
|||
|
disappointment rushed across my mind. For a moment I felt that I
|
|||
|
had built the Time Machine in vain.
|
|||
|
|
|||
|
`I nodded, pointed to the sun, and gave them such a vivid
|
|||
|
rendering of a thunderclap as startled them. They all withdrew a
|
|||
|
pace or so and bowed. Then came one laughing towards me,
|
|||
|
carrying a chain of beautiful flowers altogether new to me, and
|
|||
|
put it about my neck. The idea was received with melodious
|
|||
|
applause; and presently they were all running to and fro for
|
|||
|
flowers, and laughingly flinging them upon me until I was almost
|
|||
|
smothered with blossom. You who have never seen the like can
|
|||
|
scarcely imagine what delicate and wonderful flowers countless
|
|||
|
years of culture had created. Then someone suggested that their
|
|||
|
plaything should be exhibited in the nearest building, and so I
|
|||
|
was led past the sphinx of white marble, which had seemed to
|
|||
|
watch me all the while with a smile at my astonishment, towards a
|
|||
|
vast grey edifice of fretted stone. As I went with them the
|
|||
|
memory of my confident anticipations of a profoundly grave and
|
|||
|
intellectual posterity came, with irresistible merriment, to my
|
|||
|
mind.
|
|||
|
|
|||
|
`The building had a huge entry, and was altogether of colossal
|
|||
|
dimensions. I was naturally most occupied with the growing crowd
|
|||
|
of little people, and with the big open portals that yawned
|
|||
|
before me shadowy and mysterious. My general impression of the
|
|||
|
world I saw over their heads was a tangled waste of beautiful
|
|||
|
bushes and flowers, a long neglected and yet weedless garden. I
|
|||
|
saw a number of tall spikes of strange white flowers, measuring a
|
|||
|
foot perhaps across the spread of the waxen petals. They grew
|
|||
|
scattered, as if wild, among the variegated shrubs, but, as I
|
|||
|
say, I did not examine them closely at this time. The Time
|
|||
|
Machine was left deserted on the turf among the rhododendrons.
|
|||
|
|
|||
|
`The arch of the doorway was richly carved, but naturally I
|
|||
|
did not observe the carving very narrowly, though I fancied I saw
|
|||
|
suggestions of old Phoenician decorations as I passed through,
|
|||
|
and it struck me that they were very badly broken and weather-
|
|||
|
worn. Several more brightly clad people met me in the doorway,
|
|||
|
and so we entered, I, dressed in dingy nineteenth-century
|
|||
|
garments, looking grotesque enough, garlanded with flowers, and
|
|||
|
surrounded by an eddying mass of bright, soft-colored robes and
|
|||
|
shining white limbs, in a melodious whirl of laughter and
|
|||
|
laughing speech.
|
|||
|
|
|||
|
`The big doorway opened into a proportionately great hall hung
|
|||
|
with brown. The roof was in shadow, and the windows, partially
|
|||
|
glazed with coloured glass and partially unglazed, admitted a
|
|||
|
tempered light. The floor was made up of huge blocks of some
|
|||
|
very hard white metal, not plates nor slabs--blocks, and it was
|
|||
|
so much worn, as I judged by the going to and fro of past
|
|||
|
generations, as to be deeply channelled along the more frequented
|
|||
|
ways. Transverse to the length were innumerable tables made of
|
|||
|
slabs of polished stone, raised perhaps a foot from the floor,
|
|||
|
and upon these were heaps of fruits. Some I recognized as a kind
|
|||
|
of hypertrophied raspberry and orange, but for the most part they
|
|||
|
were strange.
|
|||
|
|
|||
|
`Between the tables was scattered a great number of cushions.
|
|||
|
Upon these my conductors seated themselves, signing for me to do
|
|||
|
likewise. With a pretty absence of ceremony they began to eat
|
|||
|
the fruit with their hands, flinging peel and stalks, and so
|
|||
|
forth, into the round openings in the sides of the tables. I was
|
|||
|
not loath to follow their example, for I felt thirsty and hungry.
|
|||
|
As I did so I surveyed the hall at my leisure.
|
|||
|
|
|||
|
`And perhaps the thing that struck me most was its dilapidated
|
|||
|
look. The stained-glass windows, which displayed only a
|
|||
|
geometrical pattern, were broken in many places, and the curtains
|
|||
|
that hung across the lower end were thick with dust. And it
|
|||
|
caught my eye that the corner of the marble table near me was
|
|||
|
fractured. Nevertheless, the general effect was extremely rich
|
|||
|
and picturesque. There were, perhaps, a couple of hundred people
|
|||
|
dining in the hall, and most of them, seated as near to me as
|
|||
|
they could come, were watching me with interest, their little
|
|||
|
eyes shining over the fruit they were eating. All were clad in
|
|||
|
the same soft and yet strong, silky material.
|
|||
|
|
|||
|
`Fruit, by the by, was all their diet. These people of the
|
|||
|
remote future were strict vegetarians, and while I was with them,
|
|||
|
in spite of some carnal cravings, I had to be frugivorous also.
|
|||
|
Indeed, I found afterwards that horses, cattle, sheep, dogs, had
|
|||
|
followed the Ichthyosaurus into extinction. But the fruits were
|
|||
|
very delightful; one, in particular, that seemed to be in season
|
|||
|
all the time I was there--a floury thing in a three-sided husk
|
|||
|
--was especially good, and I made it my staple. At first I was
|
|||
|
puzzled by all these strange fruits, and by the strange flowers I
|
|||
|
saw, but later I began to perceive their import.
|
|||
|
|
|||
|
`However, I am telling you of my fruit dinner in the distant
|
|||
|
future now. So soon as my appetite was a little checked, I
|
|||
|
determined to make a resolute attempt to learn the speech of
|
|||
|
these new men of mine. Clearly that was the next thing to do.
|
|||
|
The fruits seemed a convenient thing to begin upon, and holding
|
|||
|
one of these up I began a series of interrogative sounds and
|
|||
|
gestures. I had some considerable difficulty in conveying my
|
|||
|
meaning. At first my efforts met with a stare of surprise or
|
|||
|
inextinguishable laughter, but presently a fair-haired little
|
|||
|
creature seemed to grasp my intention and repeated a name. They
|
|||
|
had to chatter and explain the business at great length to each
|
|||
|
other, and my first attempts to make the exquisite little sounds
|
|||
|
of their language caused an immense amount of amusement.
|
|||
|
However, I felt like a schoolmaster amidst children, and
|
|||
|
persisted, and presently I had a score of noun substantives at
|
|||
|
least at my command; and then I got to demonstrative pronouns,
|
|||
|
and even the verb "to eat." But it was slow work, and the little
|
|||
|
people soon tired and wanted to get away from my interrogations,
|
|||
|
so I determined, rather of necessity, to let them give their
|
|||
|
lessons in little doses when they felt inclined. And very little
|
|||
|
doses I found they were before long, for I never met people more
|
|||
|
indolent or more easily fatigued.
|
|||
|
|
|||
|
`A queer thing I soon discovered about my little hosts, and
|
|||
|
that was their lack of interest. They would come to me with
|
|||
|
eager cries of astonishment, like children, but like children
|
|||
|
they would soon stop examining me and wander away after some
|
|||
|
other toy. The dinner and my conversational beginnings ended, I
|
|||
|
noted for the first time that almost all those who had surrounded
|
|||
|
me at first were gone. It is odd, too, how speedily I came to
|
|||
|
disregard these little people. I went out through the portal
|
|||
|
into the sunlit world again as soon as my hunger was satisfied.
|
|||
|
I was continually meeting more of these men of the future, who
|
|||
|
would follow me a little distance, chatter and laugh about me,
|
|||
|
and, having smiled and gesticulated in a friendly way, leave me
|
|||
|
again to my own devices.
|
|||
|
|
|||
|
`The calm of evening was upon the world as I emerged from the
|
|||
|
great hall, and the scene was lit by the warm glow of the setting
|
|||
|
sun. At first things were very confusing. Everything was so
|
|||
|
entirely different from the world I had known--even the
|
|||
|
flowers. The big building I had left was situated on the slope
|
|||
|
of a broad river valley, but the Thames had shifted perhaps a
|
|||
|
mile from its present position. I resolved to mount to the
|
|||
|
summit of a crest perhaps a mile and a half away, from which I
|
|||
|
could get a wider view of this our planet in the year Eight
|
|||
|
Hundred and Two Thousand Seven Hundred and One A.D. For that, I
|
|||
|
should explain, was the date the little dials of my machine
|
|||
|
recorded.
|
|||
|
|
|||
|
`As I walked I was watching for every impression that could
|
|||
|
possibly help to explain the condition of ruinous splendour in
|
|||
|
which I found the world--for ruinous it was. A little way up
|
|||
|
the hill, for instance, was a great heap of granite, bound
|
|||
|
together by masses of aluminium, a vast labyrinth of precipitous
|
|||
|
walls and crumpled heaps, amidst which were thick heaps of very
|
|||
|
beautiful pagoda-like plants--nettles possibly--but wonderfully
|
|||
|
tinted with brown about the leaves, and incapable of stinging.
|
|||
|
It was evidently the derelict remains of some vast structure, to
|
|||
|
what end built I could not determine. It was here that I was
|
|||
|
destined, at a later date, to have a very strange experience--the
|
|||
|
first intimation of a still stranger discovery--but of that I
|
|||
|
will speak in its proper place.
|
|||
|
|
|||
|
`Looking round with a sudden thought, from a terrace on which
|
|||
|
I rested for a while, I realized that there were no small houses
|
|||
|
to be seen. Apparently the single house, and possibly even the
|
|||
|
household, had vanished. Here and there among the greenery were
|
|||
|
palace-like buildings, but the house and the cottage, which form
|
|||
|
such characteristic features of our own English landscape, had
|
|||
|
disappeared.
|
|||
|
|
|||
|
`"Communism," said I to myself.
|
|||
|
|
|||
|
`And on the heels of that came another thought. I looked at
|
|||
|
the half-dozen little figures that were following me. Then, in a
|
|||
|
flash, I perceived that all had the same form of costume, the
|
|||
|
same soft hairless visage, and the same girlish rotundity of
|
|||
|
limb. It may seem strange, perhaps, that I had not noticed this
|
|||
|
before. But everything was so strange. Now, I saw the fact
|
|||
|
plainly enough. In costume, and in all the differences of
|
|||
|
texture and bearing that now mark off the sexes from each other,
|
|||
|
these people of the future were alike. And the children seemed
|
|||
|
to my eyes to be but the miniatures of their parents. I judged,
|
|||
|
then, that the children of that time were extremely precocious,
|
|||
|
physically at least, and I found afterwards abundant verification
|
|||
|
of my opinion.
|
|||
|
|
|||
|
`Seeing the ease and security in which these people were
|
|||
|
living, I felt that this close resemblance of the sexes was after
|
|||
|
all what one would expect; for the strength of a man and the
|
|||
|
softness of a woman, the institution of the family, and the
|
|||
|
differentiation of occupations are mere militant necessities of
|
|||
|
an age of physical force; where population is balanced and
|
|||
|
abundant, much childbearing becomes an evil rather than a
|
|||
|
blessing to the State; where violence comes but rarely and
|
|||
|
off-spring are secure, there is less necessity--indeed there is
|
|||
|
no necessity--for an efficient family, and the specialization
|
|||
|
of the sexes with reference to their children's needs disappears.
|
|||
|
We see some beginnings of this even in our own time, and in this
|
|||
|
future age it was complete. This, I must remind you, was my
|
|||
|
speculation at the time. Later, I was to appreciate how far it
|
|||
|
fell short of the reality.
|
|||
|
|
|||
|
`While I was musing upon these things, my attention was
|
|||
|
attracted by a pretty little structure, like a well under a
|
|||
|
cupola. I thought in a transitory way of the oddness of wells
|
|||
|
still existing, and then resumed the thread of my speculations.
|
|||
|
There were no large buildings towards the top of the hill, and as
|
|||
|
my walking powers were evidently miraculous, I was presently left
|
|||
|
alone for the first time. With a strange sense of freedom and
|
|||
|
adventure I pushed on up to the crest.
|
|||
|
|
|||
|
`There I found a seat of some yellow metal that I did not
|
|||
|
recognize, corroded in places with a kind of pinkish rust and
|
|||
|
half smothered in soft moss, the arm-rests cast and filed into
|
|||
|
the resemblance of griffins' heads. I sat down on it, and I
|
|||
|
surveyed the broad view of our old world under the sunset of that
|
|||
|
long day. It was as sweet and fair a view as I have ever seen.
|
|||
|
The sun had already gone below the horizon and the west was
|
|||
|
flaming gold, touched with some horizontal bars of purple and
|
|||
|
crimson. Below was the valley of the Thames, in which the river
|
|||
|
lay like a band of burnished steel. I have already spoken of the
|
|||
|
great palaces dotted about among the variegated greenery, some in
|
|||
|
ruins and some still occupied. Here and there rose a white or
|
|||
|
silvery figure in the waste garden of the earth, here and there
|
|||
|
came the sharp vertical line of some cupola or obelisk. There
|
|||
|
were no hedges, no signs of proprietary rights, no evidences of
|
|||
|
agriculture; the whole earth had become a garden.
|
|||
|
|
|||
|
`So watching, I began to put my interpretation upon the things
|
|||
|
I had seen, and as it shaped itself to me that evening, my
|
|||
|
interpretation was something in this way. (Afterwards I found I
|
|||
|
had got only a half-truth--or only a glimpse of one facet of
|
|||
|
the truth.)
|
|||
|
|
|||
|
`It seemed to me that I had happened upon humanity upon the
|
|||
|
wane. The ruddy sunset set me thinking of the sunset of mankind.
|
|||
|
For the first time I began to realize an odd consequence of the
|
|||
|
social effort in which we are at present engaged. And yet, come
|
|||
|
to think, it is a logical consequence enough. Strength is the
|
|||
|
outcome of need; security sets a premium on feebleness. The work
|
|||
|
of ameliorating the conditions of life--the true civilizing
|
|||
|
process that makes life more and more secure--had gone steadily
|
|||
|
on to a climax. One triumph of a united humanity over Nature had
|
|||
|
followed another. Things that are now mere dreams had become
|
|||
|
projects deliberately put in hand and carried forward. And the
|
|||
|
harvest was what I saw!
|
|||
|
|
|||
|
`After all, the sanitation and the agriculture of to-day are
|
|||
|
still in the rudimentary stage. The science of our time has
|
|||
|
attacked but a little department of the field of human disease,
|
|||
|
but even so, it spreads its operations very steadily and
|
|||
|
persistently. Our agriculture and horticulture destroy a weed
|
|||
|
just here and there and cultivate perhaps a score or so of
|
|||
|
wholesome plants, leaving the greater number to fight out a
|
|||
|
balance as they can. We improve our favourite plants and animals
|
|||
|
--and how few they are--gradually by selective breeding; now a
|
|||
|
new and better peach, now a seedless grape, now a sweeter and
|
|||
|
larger flower, now a more convenient breed of cattle. We improve
|
|||
|
them gradually, because our ideals are vague and tentative, and
|
|||
|
our knowledge is very limited; because Nature, too, is shy and
|
|||
|
slow in our clumsy hands. Some day all this will be better
|
|||
|
organized, and still better. That is the drift of the current in
|
|||
|
spite of the eddies. The whole world will be intelligent,
|
|||
|
educated, and co-operating; things will move faster and faster
|
|||
|
towards the subjugation of Nature. In the end, wisely and
|
|||
|
carefully we shall readjust the balance of animal and vegetable
|
|||
|
me to suit our human needs.
|
|||
|
|
|||
|
`This adjustment, I say, must have been done, and done well;
|
|||
|
done indeed for all Time, in the space of Time across which my
|
|||
|
machine had leaped. The air was free from gnats, the earth from
|
|||
|
weeds or fungi; everywhere were fruits and sweet and delightful
|
|||
|
flowers; brilliant butterflies flew hither and thither. The
|
|||
|
ideal of preventive medicine was attained. Diseases had been
|
|||
|
stamped out. I saw no evidence of any contagious diseases during
|
|||
|
all my stay. And I shall have to tell you later that even the
|
|||
|
processes of putrefaction and decay had been profoundly affected
|
|||
|
by these changes.
|
|||
|
|
|||
|
`Social triumphs, too, had been effected. I saw mankind
|
|||
|
housed in splendid shelters, gloriously clothed, and as yet I had
|
|||
|
found them engaged in no toil. There were no signs of struggle,
|
|||
|
neither social nor economical struggle. The shop, the
|
|||
|
advertisement, traffic, all that commerce which constitutes the
|
|||
|
body of our world, was gone. It was natural on that golden
|
|||
|
evening that I should jump at the idea of a social paradise. The
|
|||
|
difficulty of increasing population had been met, I guessed, and
|
|||
|
population had ceased to increase.
|
|||
|
|
|||
|
`But with this change in condition comes inevitably
|
|||
|
adaptations to the change. What, unless biological science is a
|
|||
|
mass of errors, is the cause of human intelligence and vigour?
|
|||
|
Hardship and freedom: conditions under which the active, strong,
|
|||
|
and subtle survive and the weaker go to the wall; conditions that
|
|||
|
put a premium upon the loyal alliance of capable men, upon
|
|||
|
self-restraint, patience, and decision. And the institution of
|
|||
|
the family, and the emotions that arise therein, the fierce
|
|||
|
jealousy, the tenderness for offspring, parental self-devotion,
|
|||
|
all found their justification and support in the imminent dangers
|
|||
|
of the young. NOW, where are these imminent dangers? There is
|
|||
|
a sentiment arising, and it will grow, against connubial
|
|||
|
jealousy, against fierce maternity, against passion of all sorts;
|
|||
|
unnecessary things now, and things that make us uncomfortable,
|
|||
|
savage survivals, discords in a refined and pleasant life.
|
|||
|
|
|||
|
`I thought of the physical slightness of the people, their
|
|||
|
lack of intelligence, and those big abundant ruins, and it
|
|||
|
strengthened my belief in a perfect conquest of Nature. For
|
|||
|
after the battle comes Quiet. Humanity had been strong,
|
|||
|
energetic, and intelligent, and had used all its abundant
|
|||
|
vitality to alter the conditions under which it lived. And now
|
|||
|
came the reaction of the altered conditions.
|
|||
|
|
|||
|
`Under the new conditions of perfect comfort and security,
|
|||
|
that restless energy, that with us is strength, would become
|
|||
|
weakness. Even in our own time certain tendencies and desires,
|
|||
|
once necessary to survival, are a constant source of failure.
|
|||
|
Physical courage and the love of battle, for instance, are no
|
|||
|
great help--may even be hindrances--to a civilized man. And
|
|||
|
in a state of physical balance and security, power, intellectual
|
|||
|
as well as physical, would be out of place. For countless years
|
|||
|
I judged there had been no danger of war or solitary violence, no
|
|||
|
danger from wild beasts, no wasting disease to require strength
|
|||
|
of constitution, no need of toil. For such a life, what we
|
|||
|
should call the weak are as well equipped as the strong, are
|
|||
|
indeed no longer weak. Better equipped indeed they are, for the
|
|||
|
strong would be fretted by an energy for which there was no
|
|||
|
outlet. No doubt the exquisite beauty of the buildings I saw was
|
|||
|
the outcome of the last surgings of the now purposeless energy of
|
|||
|
mankind before it settled down into perfect harmony with the
|
|||
|
conditions under which it lived--the flourish of that triumph
|
|||
|
which began the last great peace. This has ever been the fate of
|
|||
|
energy in security; it takes to art and to eroticism, and then
|
|||
|
come languor and decay.
|
|||
|
|
|||
|
`Even this artistic impetus would at last die away--had
|
|||
|
almost died in the Time I saw. To adorn themselves with flowers,
|
|||
|
to dance, to sing in the sunlight: so much was left of the
|
|||
|
artistic spirit, and no more. Even that would fade in the end
|
|||
|
into a contented inactivity. We are kept keen on the grindstone
|
|||
|
of pain and necessity, and, it seemed to me, that here was that
|
|||
|
hateful grindstone broken at last!
|
|||
|
|
|||
|
`As I stood there in the gathering dark I thought that in this
|
|||
|
simple explanation I had mastered the problem of the world--
|
|||
|
mastered the whole secret of these delicious people. Possibly
|
|||
|
the checks they had devised for the increase of population had
|
|||
|
succeeded too well, and their numbers had rather diminished than
|
|||
|
kept stationary. That would account for the abandoned ruins.
|
|||
|
Very simple was my explanation, and plausible enough--as most
|
|||
|
wrong theories are!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
V
|
|||
|
|
|||
|
|
|||
|
`As I stood there musing over this too perfect triumph of man,
|
|||
|
the full moon, yellow and gibbous, came up out of an overflow of
|
|||
|
silver light in the north-east. The bright little figures ceased
|
|||
|
to move about below, a noiseless owl flitted by, and I shivered
|
|||
|
with the chill of the night. I determined to descend and find
|
|||
|
where I could sleep.
|
|||
|
|
|||
|
`I looked for the building I knew. Then my eye travelled
|
|||
|
along to the figure of the White Sphinx upon the pedestal of
|
|||
|
bronze, growing distinct as the light of the rising moon grew
|
|||
|
brighter. I could see the silver birch against it. There was
|
|||
|
the tangle of rhododendron bushes, black in the pale light, and
|
|||
|
there was the little lawn. I looked at the lawn again. A queer
|
|||
|
doubt chilled my complacency. "No," said I stoutly to myself,
|
|||
|
"that was not the lawn."
|
|||
|
|
|||
|
`But it WAS the lawn. For the white leprous face of the
|
|||
|
sphinx was towards it. Can you imagine what I felt as this
|
|||
|
conviction came home to me? But you cannot. The Time Machine
|
|||
|
was gone!
|
|||
|
|
|||
|
`At once, like a lash across the face, came the possibility of
|
|||
|
losing my own age, of being left helpless in this strange new
|
|||
|
world. The bare thought of it was an actual physical sensation.
|
|||
|
I could feel it grip me at the throat and stop my breathing. In
|
|||
|
another moment I was in a passion of fear and running with great
|
|||
|
leaping strides down the slope. Once I fell headlong and cut my
|
|||
|
face; I lost no time in stanching the blood, but jumped up and
|
|||
|
ran on, with a warm trickle down my cheek and chin. All the time
|
|||
|
I ran I was saying to myself: "They have moved it a little,
|
|||
|
pushed it under the bushes out of the way." Nevertheless, I ran
|
|||
|
with all my might. All the time, with the certainty that
|
|||
|
sometimes comes with excessive dread, I knew that such assurance
|
|||
|
was folly, knew instinctively that the machine was removed out of
|
|||
|
my reach. My breath came with pain. I suppose I covered the
|
|||
|
whole distance from the hill crest to the little lawn, two miles
|
|||
|
perhaps, in ten minutes. And I am not a young man. I cursed
|
|||
|
aloud, as I ran, at my confident folly in leaving the machine,
|
|||
|
wasting good breath thereby. I cried aloud, and none answered.
|
|||
|
Not a creature seemed to be stirring in that moonlit world.
|
|||
|
|
|||
|
`When I reached the lawn my worst fears were realized. Not a
|
|||
|
trace of the thing was to be seen. I felt faint and cold when I
|
|||
|
faced the empty space among the black tangle of bushes. I ran
|
|||
|
round it furiously, as if the thing might be hidden in a corner,
|
|||
|
and then stopped abruptly, with my hands clutching my hair.
|
|||
|
Above me towered the sphinx, upon the bronze pedestal, white,
|
|||
|
shining, leprous, in the light of the rising moon. It seemed to
|
|||
|
smile in mockery of my dismay.
|
|||
|
|
|||
|
`I might have consoled myself by imagining the little people
|
|||
|
had put the mechanism in some shelter for me, had I not felt
|
|||
|
assured of their physical and intellectual inadequacy. That is
|
|||
|
what dismayed me: the sense of some hitherto unsuspected power,
|
|||
|
through whose intervention my invention had vanished. Yet, for
|
|||
|
one thing I felt assured: unless some other age had produced its
|
|||
|
exact duplicate, the machine could not have moved in time. The
|
|||
|
attachment of the levers--I will show you the method later--
|
|||
|
prevented any one from tampering with it in that way when they
|
|||
|
were removed. It had moved, and was hid, only in space. But
|
|||
|
then, where could it be?
|
|||
|
|
|||
|
`I think I must have had a kind of frenzy. I remember running
|
|||
|
violently in and out among the moonlit bushes all round the
|
|||
|
sphinx, and startling some white animal that, in the dim light, I
|
|||
|
took for a small deer. I remember, too, late that night, beating
|
|||
|
the bushes with my clenched fist until my knuckles were gashed
|
|||
|
and bleeding from the broken twigs. Then, sobbing and raving in
|
|||
|
my anguish of mind, I went down to the great building of stone.
|
|||
|
The big hall was dark, silent, and deserted. I slipped on the
|
|||
|
uneven floor, and fell over one of the malachite tables, almost
|
|||
|
breaking my shin. I lit a match and went on past the dusty
|
|||
|
curtains, of which I have told you.
|
|||
|
|
|||
|
`There I found a second great hall covered with cushions, upon
|
|||
|
which, perhaps, a score or so of the little people were sleeping.
|
|||
|
I have no doubt they found my second appearance strange enough,
|
|||
|
coming suddenly out of the quiet darkness with inarticulate
|
|||
|
noises and the splutter and flare of a match. For they had
|
|||
|
forgotten about matches. "Where is my Time Machine?" I began,
|
|||
|
bawling like an angry child, laying hands upon them and shaking
|
|||
|
them up together. It must have been very queer to them. Some
|
|||
|
laughed, most of them looked sorely frightened. When I saw them
|
|||
|
standing round me, it came into my head that I was doing as
|
|||
|
foolish a thing as it was possible for me to do under the
|
|||
|
circumstances, in trying to revive the sensation of fear. For,
|
|||
|
reasoning from their daylight behaviour, I thought that fear must
|
|||
|
be forgotten.
|
|||
|
|
|||
|
`Abruptly, I dashed down the match, and, knocking one of the
|
|||
|
people over in my course, went blundering across the big
|
|||
|
dining-hall again, out under the moonlight. I heard cries of
|
|||
|
terror and their little feet running and stumbling this way and
|
|||
|
that. I do not remember all I did as the moon crept up the sky.
|
|||
|
I suppose it was the unexpected nature of my loss that maddened
|
|||
|
me. I felt hopelessly cut off from my own kind--a strange
|
|||
|
animal in an unknown world. I must have raved to and fro,
|
|||
|
screaming and crying upon God and Fate. I have a memory of
|
|||
|
horrible fatigue, as the long night of despair wore away; of
|
|||
|
looking in this impossible place and that; of groping among
|
|||
|
moon-lit ruins and touching strange creatures in the black
|
|||
|
shadows; at last, of lying on the ground near the sphinx and
|
|||
|
weeping with absolute wretchedness. I had nothing left but
|
|||
|
misery. Then I slept, and when I woke again it was full day, and
|
|||
|
a couple of sparrows were hopping round me on the turf within
|
|||
|
reach of my arm.
|
|||
|
|
|||
|
`I sat up in the freshness of the morning, trying to remember
|
|||
|
how I had got there, and why I had such a profound sense of
|
|||
|
desertion and despair. Then things came clear in my mind. With
|
|||
|
the plain, reasonable daylight, I could look my circumstances
|
|||
|
fairly in the face. I saw the wild folly of my frenzy overnight,
|
|||
|
and I could reason with myself. "Suppose the worst?" I said.
|
|||
|
"Suppose the machine altogether lost--perhaps destroyed? It
|
|||
|
behooves me to be calm and patient, to learn the way of the
|
|||
|
people, to get a clear idea of the method of my loss, and the
|
|||
|
means of getting materials and tools; so that in the end,
|
|||
|
perhaps, I may make another." That would be my only hope,
|
|||
|
perhaps, but better than despair. And, after all, it was a
|
|||
|
beautiful and curious world.
|
|||
|
|
|||
|
`But probably, the machine had only been taken away. Still, I
|
|||
|
must be calm and patient, find its hiding-place, and recover it
|
|||
|
by force or cunning. And with that I scrambled to my feet and
|
|||
|
looked about me, wondering where I could bathe. I felt weary,
|
|||
|
stiff, and travel-soiled. The freshness of the morning made me
|
|||
|
desire an equal freshness. I had exhausted my emotion. Indeed,
|
|||
|
as I went about my business, I found myself wondering at my
|
|||
|
intense excitement overnight. I made a careful examination of
|
|||
|
the ground about the little lawn. I wasted some time in futile
|
|||
|
questionings, conveyed, as well as I was able, to such of the
|
|||
|
little people as came by. They all failed to understand my
|
|||
|
gestures; some were simply stolid, some thought it was a jest and
|
|||
|
laughed at me. I had the hardest task in the world to keep my
|
|||
|
hands off their pretty laughing faces. It was a foolish impulse,
|
|||
|
but the devil begotten of fear and blind anger was ill curbed and
|
|||
|
still eager to take advantage of my perplexity. The turf gave
|
|||
|
better counsel. I found a groove ripped in it, about midway
|
|||
|
between the pedestal of the sphinx and the marks of my feet
|
|||
|
where, on arrival, I had struggled with the overturned machine.
|
|||
|
There were other signs of removal about, with queer narrow
|
|||
|
footprints like those I could imagine made by a sloth. This
|
|||
|
directed my closer attention to the pedestal. It was, as I think
|
|||
|
I have said, of bronze. It was not a mere block, but highly
|
|||
|
decorated with deep framed panels on either side. I went and
|
|||
|
rapped at these. The pedestal was hollow. Examining the panels
|
|||
|
with care I found them discontinuous with the frames. There were
|
|||
|
no handles or keyholes, but possibly the panels, if they were
|
|||
|
doors, as I supposed, opened from within. One thing was clear
|
|||
|
enough to my mind. It took no very great mental effort to infer
|
|||
|
that my Time Machine was inside that pedestal. But how it got
|
|||
|
there was a different problem.
|
|||
|
|
|||
|
`I saw the heads of two orange-clad people coming through the
|
|||
|
bushes and under some blossom-covered apple-trees towards me. I
|
|||
|
turned smiling to them and beckoned them to me. They came, and
|
|||
|
then, pointing to the bronze pedestal, I tried to intimate my
|
|||
|
wish to open it. But at my first gesture towards this they
|
|||
|
behaved very oddly. I don't know how to convey their expression
|
|||
|
to you. Suppose you were to use a grossly improper gesture to a
|
|||
|
delicate-minded woman--it is how she would look. They went off
|
|||
|
as if they had received the last possible insult. I tried a
|
|||
|
sweet-looking little chap in white next, with exactly the same
|
|||
|
result. Somehow, his manner made me feel ashamed of myself.
|
|||
|
But, as you know, I wanted the Time Machine, and I tried him once
|
|||
|
more. As he turned off, like the others, my temper got the
|
|||
|
better of me. In three strides I was after him, had him by the
|
|||
|
loose part of his robe round the neck, and began dragging him
|
|||
|
towards the sphinx. Then I saw the horror and repugnance of his
|
|||
|
face, and all of a sudden I let him go.
|
|||
|
|
|||
|
`But I was not beaten yet. I banged with my fist at the
|
|||
|
bronze panels. I thought I heard something stir inside--to be
|
|||
|
explicit, I thought I heard a sound like a chuckle--but I must
|
|||
|
have been mistaken. Then I got a big pebble from the river, and
|
|||
|
came and hammered till I had flattened a coil in the decorations,
|
|||
|
and the verdigris came off in powdery flakes. The delicate
|
|||
|
little people must have heard me hammering in gusty outbreaks a
|
|||
|
mile away on either hand, but nothing came of it. I saw a crowd
|
|||
|
of them upon the slopes, looking furtively at me. At last, hot
|
|||
|
and tired, I sat down to watch the place. But I was too restless
|
|||
|
to watch long; I am too Occidental for a long vigil. I could
|
|||
|
work at a problem for years, but to wait inactive for twenty-four
|
|||
|
hours--that is another matter.
|
|||
|
|
|||
|
`I got up after a time, and began walking aimlessly through
|
|||
|
the bushes towards the hill again. "Patience," said I to myself.
|
|||
|
"If you want your machine again you must leave that sphinx
|
|||
|
alone. If they mean to take your machine away, it's little good
|
|||
|
your wrecking their bronze panels, and if they don't, you will
|
|||
|
get it back as soon as you can ask for it. To sit among all
|
|||
|
those unknown things before a puzzle like that is hopeless. That
|
|||
|
way lies monomania. Face this world. Learn its ways, watch it,
|
|||
|
be careful of too hasty guesses at its meaning. In the end you
|
|||
|
will find clues to it all." Then suddenly the humour of the
|
|||
|
situation came into my mind: the thought of the years I had spent
|
|||
|
in study and toil to get into the future age, and now my passion
|
|||
|
of anxiety to get out of it. I had made myself the most
|
|||
|
complicated and the most hopeless trap that ever a man devised.
|
|||
|
Although it was at my own expense, I could not help myself. I
|
|||
|
laughed aloud.
|
|||
|
|
|||
|
`Going through the big palace, it seemed to me that the little
|
|||
|
people avoided me. It may have been my fancy, or it may have had
|
|||
|
something to do with my hammering at the gates of bronze. Yet I
|
|||
|
felt tolerably sure of the avoidance. I was careful, however, to
|
|||
|
show no concern and to abstain from any pursuit of them, and in
|
|||
|
the course of a day or two things got back to the old footing. I
|
|||
|
made what progress I could in the language, and in addition I
|
|||
|
pushed my explorations here and there. Either I missed some
|
|||
|
subtle point or their language was excessively simple--almost
|
|||
|
exclusively composed of concrete substantives and verbs. There
|
|||
|
seemed to be few, if any, abstract terms, or little use of
|
|||
|
figurative language. Their sentences were usually simple and of
|
|||
|
two words, and I failed to convey or understand any but the
|
|||
|
simplest propositions. I determined to put the thought of my
|
|||
|
Time Machine and the mystery of the bronze doors under the sphinx
|
|||
|
as much as possible in a corner of memory, until my growing
|
|||
|
knowledge would lead me back to them in a natural way. Yet a
|
|||
|
certain feeling, you may understand, tethered me in a circle of a
|
|||
|
few miles round the point of my arrival.
|
|||
|
|
|||
|
`So far as I could see, all the world displayed the same
|
|||
|
exuberant richness as the Thames valley. From every hill I
|
|||
|
climbed I saw the same abundance of splendid buildings, endlessly
|
|||
|
varied in material and style, the same clustering thickets of
|
|||
|
evergreens, the same blossom-laden trees and tree-ferns. Here
|
|||
|
and there water shone like silver, and beyond, the land rose into
|
|||
|
blue undulating hills, and so faded into the serenity of the sky.
|
|||
|
A peculiar feature, which presently attracted my attention, was
|
|||
|
the presence of certain circular wells, several, as it seemed to
|
|||
|
me, of a very great depth. One lay by the path up the hill,
|
|||
|
which I had followed during my first walk. Like the others, it
|
|||
|
was rimmed with bronze, curiously wrought, and protected by a
|
|||
|
little cupola from the rain. Sitting by the side of these wells,
|
|||
|
and peering down into the shafted darkness, I could see no gleam
|
|||
|
of water, nor could I start any reflection with a lighted match.
|
|||
|
But in all of them I heard a certain sound: a thud-thud-thud,
|
|||
|
like the beating of some big engine; and I discovered, from the
|
|||
|
flaring of my matches, that a steady current of air set down the
|
|||
|
shafts. Further, I threw a scrap of paper into the throat of
|
|||
|
one, and, instead of fluttering slowly down, it was at once
|
|||
|
sucked swiftly out of sight.
|
|||
|
|
|||
|
`After a time, too, I came to connect these wells with tall
|
|||
|
towers standing here and there upon the slopes; for above them
|
|||
|
there was often just such a flicker in the air as one sees on a
|
|||
|
hot day above a sun-scorched beach. Putting things together, I
|
|||
|
reached a strong suggestion of an extensive system of
|
|||
|
subterranean ventilation, whose true import it was difficult to
|
|||
|
imagine. I was at first inclined to associate it with the
|
|||
|
sanitary apparatus of these people. It was an obvious
|
|||
|
conclusion, but it was absolutely wrong.
|
|||
|
|
|||
|
`And here I must admit that I learned very little of drains
|
|||
|
and bells and modes of conveyance, and the like conveniences,
|
|||
|
during my time in this real future. In some of these visions of
|
|||
|
Utopias and coming times which I have read, there is a vast
|
|||
|
amount of detail about building, and social arrangements, and so
|
|||
|
forth. But while such details are easy enough to obtain when the
|
|||
|
whole world is contained in one's imagination, they are
|
|||
|
altogether inaccessible to a real traveller amid such realities
|
|||
|
as I found here. Conceive the tale of London which a negro,
|
|||
|
fresh from Central Africa, would take back to his tribe! What
|
|||
|
would he know of railway companies, of social movements, of
|
|||
|
telephone and telegraph wires, of the Parcels Delivery Company,
|
|||
|
and postal orders and the like? Yet we, at least, should be
|
|||
|
willing enough to explain these things to him! And even of what
|
|||
|
he knew, how much could he make his untravelled friend either
|
|||
|
apprehend or believe? Then, think how narrow the gap between a
|
|||
|
negro and a white man of our own times, and how wide the interval
|
|||
|
between myself and these of the Golden Age! I was sensible of
|
|||
|
much which was unseen, and which contributed to my comfort; but
|
|||
|
save for a general impression of automatic organization, I fear I
|
|||
|
can convey very little of the difference to your mind.
|
|||
|
|
|||
|
`In the matter of sepulchre, for instance, I could see no
|
|||
|
signs of crematoria nor anything suggestive of tombs. But it
|
|||
|
occurred to me that, possibly, there might be cemeteries (or
|
|||
|
crematoria) somewhere beyond the range of my explorings. This,
|
|||
|
again, was a question I deliberately put to myself, and my
|
|||
|
curiosity was at first entirely defeated upon the point. The
|
|||
|
thing puzzled me, and I was led to make a further remark, which
|
|||
|
puzzled me still more: that aged and infirm among this people
|
|||
|
there were none.
|
|||
|
|
|||
|
`I must confess that my satisfaction with my first theories of
|
|||
|
an automatic civilization and a decadent humanity did not long
|
|||
|
endure. Yet I could think of no other. Let me put my
|
|||
|
difficulties. The several big palaces I had explored were mere
|
|||
|
living places, great dining-halls and sleeping apartments. I
|
|||
|
could find no machinery, no appliances of any kind. Yet these
|
|||
|
people were clothed in pleasant fabrics that must at times need
|
|||
|
renewal, and their sandals, though undecorated, were fairly
|
|||
|
complex specimens of metalwork. Somehow such things must be
|
|||
|
made. And the little people displayed no vestige of a creative
|
|||
|
tendency. There were no shops, no workshops, no sign of
|
|||
|
importations among them. They spent all their time in playing
|
|||
|
gently, in bathing in the river, in making love in a half-playful
|
|||
|
fashion, in eating fruit and sleeping. I could not see how
|
|||
|
things were kept going.
|
|||
|
|
|||
|
`Then, again, about the Time Machine: something, I knew not
|
|||
|
what, had taken it into the hollow pedestal of the White Sphinx.
|
|||
|
Why? For the life of me I could not imagine. Those waterless
|
|||
|
wells, too, those flickering pillars. I felt I lacked a clue. I
|
|||
|
felt--how shall I put it? Suppose you found an inscription,
|
|||
|
with sentences here and there in excellent plain English, and
|
|||
|
interpolated therewith, others made up of words, of letters even,
|
|||
|
absolutely unknown to you? Well, on the third day of my visit,
|
|||
|
that was how the world of Eight Hundred and Two Thousand Seven
|
|||
|
Hundred and One presented itself to me!
|
|||
|
|
|||
|
`That day, too, I made a friend--of a sort. It happened
|
|||
|
that, as I was watching some of the little people bathing in a
|
|||
|
shallow, one of them was seized with cramp and began drifting
|
|||
|
downstream. The main current ran rather swiftly, but not too
|
|||
|
strongly for even a moderate swimmer. It will give you an idea,
|
|||
|
therefore, of the strange deficiency in these creatures, when I
|
|||
|
tell you that none made the slightest attempt to rescue the
|
|||
|
weakly crying little thing which was drowning before their eyes.
|
|||
|
When I realized this, I hurriedly slipped off my clothes, and,
|
|||
|
wading in at a point lower down, I caught the poor mite and drew
|
|||
|
her safe to land. A little rubbing of the limbs soon brought her
|
|||
|
round, and I had the satisfaction of seeing she was all right
|
|||
|
before I left her. I had got to such a low estimate of her kind
|
|||
|
that I did not expect any gratitude from her. In that, however,
|
|||
|
I was wrong.
|
|||
|
|
|||
|
`This happened in the morning. In the afternoon I met my
|
|||
|
little woman, as I believe it was, as I was returning towards my
|
|||
|
centre from an exploration, and she received me with cries of
|
|||
|
delight and presented me with a big garland of flowers--
|
|||
|
evidently made for me and me alone. The thing took my
|
|||
|
imagination. Very possibly I had been feeling desolate. At any
|
|||
|
rate I did my best to display my appreciation of the gift. We
|
|||
|
were soon seated together in a little stone arbour, engaged in
|
|||
|
conversation, chiefly of smiles. The creature's friendliness
|
|||
|
affected me exactly as a child's might have done. We passed each
|
|||
|
other flowers, and she kissed my hands. I did the same to hers.
|
|||
|
Then I tried talk, and found that her name was Weena, which,
|
|||
|
though I don't know what it meant, somehow seemed appropriate
|
|||
|
enough. That was the beginning of a queer friendship which
|
|||
|
lasted a week, and ended--as I will tell you!
|
|||
|
|
|||
|
`She was exactly like a child. She wanted to be with me
|
|||
|
always. She tried to follow me everywhere, and on my next
|
|||
|
journey out and about it went to my heart to tire her down, and
|
|||
|
leave her at last, exhausted and calling after me rather
|
|||
|
plaintively. But the problems of the world had to be mastered.
|
|||
|
I had not, I said to myself, come into the future to carry on a
|
|||
|
miniature flirtation. Yet her distress when I left her was very
|
|||
|
great, her expostulations at the parting were sometimes frantic,
|
|||
|
and I think, altogether, I had as much trouble as comfort from
|
|||
|
her devotion. Nevertheless she was, somehow, a very great
|
|||
|
comfort. I thought it was mere childish affection that made her
|
|||
|
cling to me. Until it was too late, I did not clearly know what
|
|||
|
I had inflicted upon her when I left her. Nor until it was too
|
|||
|
late did I clearly understand what she was to me. For, by merely
|
|||
|
seeming fond of me, and showing in her weak, futile way that she
|
|||
|
cared for me, the little doll of a creature presently gave my
|
|||
|
return to the neighbourhood of the White Sphinx almost the
|
|||
|
feeling of coming home; and I would watch for her tiny figure of
|
|||
|
white and gold so soon as I came over the hill.
|
|||
|
|
|||
|
`It was from her, too, that I learned that fear had not yet
|
|||
|
left the world. She was fearless enough in the daylight, and she
|
|||
|
had the oddest confidence in me; for once, in a foolish moment, I
|
|||
|
made threatening grimaces at her, and she simply laughed at them.
|
|||
|
But she dreaded the dark, dreaded shadows, dreaded black things.
|
|||
|
Darkness to her was the one thing dreadful. It was a singularly
|
|||
|
passionate emotion, and it set me thinking and observing. I
|
|||
|
discovered then, among other things, that these little people
|
|||
|
gathered into the great houses after dark, and slept in droves.
|
|||
|
To enter upon them without a light was to put them into a tumult
|
|||
|
of apprehension. I never found one out of doors, or one sleeping
|
|||
|
alone within doors, after dark. Yet I was still such a blockhead
|
|||
|
that I missed the lesson of that fear, and in spite of Weena's
|
|||
|
distress I insisted upon sleeping away from these slumbering
|
|||
|
multitudes.
|
|||
|
|
|||
|
`It troubled her greatly, but in the end her odd affection for
|
|||
|
me triumphed, and for five of the nights of our acquaintance,
|
|||
|
including the last night of all, she slept with her head pillowed
|
|||
|
on my arm. But my story slips away from me as I speak of her.
|
|||
|
It must have been the night before her rescue that I was awakened
|
|||
|
about dawn. I had been restless, dreaming most disagreeably that
|
|||
|
I was drowned, and that sea anemones were feeling over my face
|
|||
|
with their soft palps. I woke with a start, and with an odd
|
|||
|
fancy that some greyish animal had just rushed out of the
|
|||
|
chamber. I tried to get to sleep again, but I felt restless and
|
|||
|
uncomfortable. It was that dim grey hour when things are just
|
|||
|
creeping out of darkness, when everything is colourless and clear
|
|||
|
cut, and yet unreal. I got up, and went down into the great
|
|||
|
hall, and so out upon the flagstones in front of the palace. I
|
|||
|
thought I would make a virtue of necessity, and see the sunrise.
|
|||
|
|
|||
|
`The moon was setting, and the dying moonlight and the first
|
|||
|
pallor of dawn were mingled in a ghastly half-light. The bushes
|
|||
|
were inky black, the ground a sombre grey, the sky colourless and
|
|||
|
cheerless. And up the hill I thought I could see ghosts. There
|
|||
|
several times, as I scanned the slope, I saw white figures.
|
|||
|
Twice I fancied I saw a solitary white, ape-like creature running
|
|||
|
rather quickly up the hill, and once near the ruins I saw a leash
|
|||
|
of them carrying some dark body. They moved hastily. I did not
|
|||
|
see what became of them. It seemed that they vanished among the
|
|||
|
bushes. The dawn was still indistinct, you must understand. I
|
|||
|
was feeling that chill, uncertain, early-morning feeling you may
|
|||
|
have known. I doubted my eyes.
|
|||
|
|
|||
|
`As the eastern sky grew brighter, and the light of the day
|
|||
|
came on and its vivid colouring returned upon the world once
|
|||
|
more, I scanned the view keenly. But I saw no vestige of my
|
|||
|
white figures. They were mere creatures of the half light.
|
|||
|
"They must have been ghosts," I said; "I wonder whence they
|
|||
|
dated." For a queer notion of Grant Allen's came into my head,
|
|||
|
and amused me. If each generation die and leave ghosts, he
|
|||
|
argued, the world at last will get overcrowded with them. On
|
|||
|
that theory they would have grown innumerable some Eight Hundred
|
|||
|
Thousand Years hence, and it was no great wonder to see four at
|
|||
|
once. But the jest was unsatisfying, and I was thinking of these
|
|||
|
figures all the morning, until Weena's rescue drove them out of
|
|||
|
my head. I associated them in some indefinite way with the white
|
|||
|
animal I had startled in my first passionate search for the Time
|
|||
|
Machine. But Weena was a pleasant substitute. Yet all the same,
|
|||
|
they were soon destined to take far deadlier possession of my
|
|||
|
mind.
|
|||
|
|
|||
|
`I think I have said how much hotter than our own was the
|
|||
|
weather of this Golden Age. I cannot account for it. It may be
|
|||
|
that the sun was hotter, or the earth nearer the sun. It is
|
|||
|
usual to assume that the sun will go on cooling steadily in the
|
|||
|
future. But people, unfamiliar with such speculations as those
|
|||
|
of the younger Darwin, forget that the planets must ultimately
|
|||
|
fall back one by one into the parent body. As these catastrophes
|
|||
|
occur, the sun will blaze with renewed energy; and it may be that
|
|||
|
some inner planet had suffered this fate. Whatever the reason,
|
|||
|
the fact remains that the sun was very much hotter than we know
|
|||
|
it.
|
|||
|
|
|||
|
`Well, one very hot morning--my fourth, I think--as I was
|
|||
|
seeking shelter from the heat and glare in a colossal ruin near
|
|||
|
the great house where I slept and fed, there happened this
|
|||
|
strange thing: Clambering among these heaps of masonry, I found a
|
|||
|
narrow gallery, whose end and side windows were blocked by fallen
|
|||
|
masses of stone. By contrast with the brilliancy outside, it
|
|||
|
seemed at first impenetrably dark to me. I entered it groping,
|
|||
|
for the change from light to blackness made spots of colour swim
|
|||
|
before me. Suddenly I halted spellbound. A pair of eyes,
|
|||
|
luminous by reflection against the daylight without, was watching
|
|||
|
me out of the darkness.
|
|||
|
|
|||
|
`The old instinctive dread of wild beasts came upon me. I
|
|||
|
clenched my hands and steadfastly looked into the glaring
|
|||
|
eyeballs. I was afraid to turn. Then the thought of the
|
|||
|
absolute security in which humanity appeared to be living came to
|
|||
|
my mind. And then I remembered that strange terror of the dark.
|
|||
|
Overcoming my fear to some extent, I advanced a step and spoke.
|
|||
|
I will admit that my voice was harsh and ill-controlled. I put
|
|||
|
out my hand and touched something soft. At once the eyes darted
|
|||
|
sideways, and something white ran past me. I turned with my
|
|||
|
heart in my mouth, and saw a queer little ape-like figure, its
|
|||
|
head held down in a peculiar manner, running across the sunlit
|
|||
|
space behind me. It blundered against a block of granite,
|
|||
|
staggered aside, and in a moment was hidden in a black shadow
|
|||
|
beneath another pile of ruined masonry.
|
|||
|
|
|||
|
`My impression of it is, of course, imperfect; but I know it
|
|||
|
was a dull white, and had strange large greyish-red eyes; also
|
|||
|
that there was flaxen hair on its head and down its back. But,
|
|||
|
as I say, it went too fast for me to see distinctly. I cannot
|
|||
|
even say whether it ran on all-fours, or only with its forearms
|
|||
|
held very low. After an instant's pause I followed it into the
|
|||
|
second heap of ruins. I could not find it at first; but, after a
|
|||
|
time in the profound obscurity, I came upon one of those round
|
|||
|
well-like openings of which I have told you, half closed by a
|
|||
|
fallen pillar. A sudden thought came to me. Could this Thing
|
|||
|
have vanished down the shaft? I lit a match, and, looking down,
|
|||
|
I saw a small, white, moving creature, with large bright eyes
|
|||
|
which regarded me steadfastly as it retreated. It made me
|
|||
|
shudder. It was so like a human spider! It was clambering down
|
|||
|
the wall, and now I saw for the first time a number of metal foot
|
|||
|
and hand rests forming a kind of ladder down the shaft. Then the
|
|||
|
light burned my fingers and fell out of my hand, going out as it
|
|||
|
dropped, and when I had lit another the little monster had
|
|||
|
disappeared.
|
|||
|
|
|||
|
`I do not know how long I sat peering down that well. It was
|
|||
|
not for some time that I could succeed in persuading myself that
|
|||
|
the thing I had seen was human. But, gradually, the truth dawned
|
|||
|
on me: that Man had not remained one species, but had
|
|||
|
differentiated into two distinct animals: that my graceful
|
|||
|
children of the Upper-world were not the sole descendants of our
|
|||
|
generation, but that this bleached, obscene, nocturnal Thing,
|
|||
|
which had flashed before me, was also heir to all the ages.
|
|||
|
|
|||
|
`I thought of the flickering pillars and of my theory of an
|
|||
|
underground ventilation. I began to suspect their true import.
|
|||
|
And what, I wondered, was this Lemur doing in my scheme of a
|
|||
|
perfectly balanced organization? How was it related to the
|
|||
|
indolent serenity of the beautiful Upper-worlders? And what was
|
|||
|
hidden down there, at the foot of that shaft? I sat upon the
|
|||
|
edge of the well telling myself that, at any rate, there was
|
|||
|
nothing to fear, and that there I must descend for the solution
|
|||
|
of my difficulties. And withal I was absolutely afraid to go!
|
|||
|
As I hesitated, two of the beautiful Upper-world people came
|
|||
|
running in their amorous sport across the daylight in the shadow.
|
|||
|
The male pursued the female, flinging flowers at her as he ran.
|
|||
|
|
|||
|
`They seemed distressed to find me, my arm against the
|
|||
|
overturned pillar, peering down the well. Apparently it was
|
|||
|
considered bad form to remark these apertures; for when I pointed
|
|||
|
to this one, and tried to frame a question about it in their
|
|||
|
tongue, they were still more visibly distressed and turned away.
|
|||
|
But they were interested by my matches, and I struck some to
|
|||
|
amuse them. I tried them again about the well, and again I
|
|||
|
failed. So presently I left them, meaning to go back to Weena,
|
|||
|
and see what I could get from her. But my mind was already in
|
|||
|
revolution; my guesses and impressions were slipping and sliding
|
|||
|
to a new adjustment. I had now a clue to the import of these
|
|||
|
wells, to the ventilating towers, to the mystery of the ghosts;
|
|||
|
to say nothing of a hint at the meaning of the bronze gates and
|
|||
|
the fate of the Time Machine! And very vaguely there came a
|
|||
|
suggestion towards the solution of the economic problem that had
|
|||
|
puzzled me.
|
|||
|
|
|||
|
`Here was the new view. Plainly, this second species of Man
|
|||
|
was subterranean. There were three circumstances in particular
|
|||
|
which made me think that its rare emergence above ground was the
|
|||
|
outcome of a long-continued underground habit. In the first
|
|||
|
place, there was the bleached look common in most animals that
|
|||
|
live largely in the dark--the white fish of the Kentucky caves,
|
|||
|
for instance. Then, those large eyes, with that capacity for
|
|||
|
reflecting light, are common features of nocturnal things--
|
|||
|
witness the owl and the cat. And last of all, that evident
|
|||
|
confusion in the sunshine, that hasty yet fumbling awkward flight
|
|||
|
towards dark shadow, and that peculiar carriage of the head while
|
|||
|
in the light--all reinforced the theory of an extreme
|
|||
|
sensitiveness of the retina.
|
|||
|
|
|||
|
`Beneath my feet, then, the earth must be tunnelled
|
|||
|
enormously, and these tunnellings were the habitat of the new
|
|||
|
race. The presence of ventilating shafts and wells along the
|
|||
|
hill slopes--everywhere, in fact except along the river valley
|
|||
|
--showed how universal were its ramifications. What so natural,
|
|||
|
then, as to assume that it was in this artificial Underworld that
|
|||
|
such work as was necessary to the comfort of the daylight race
|
|||
|
was done? The notion was so plausible that I at once accepted
|
|||
|
it, and went on to assume the how of this splitting of the human
|
|||
|
species. I dare say you will anticipate the shape of my theory;
|
|||
|
though, for myself, I very soon felt that it fell far short of
|
|||
|
the truth.
|
|||
|
|
|||
|
`At first, proceeding from the problems of our own age, it
|
|||
|
seemed clear as daylight to me that the gradual widening of the
|
|||
|
present merely temporary and social difference between the
|
|||
|
Capitalist and the Labourer, was the key to the whole position.
|
|||
|
No doubt it will seem grotesque enough to you--and wildly
|
|||
|
incredible!--and yet even now there are existing circumstances
|
|||
|
to point that way. There is a tendency to utilize underground
|
|||
|
space for the less ornamental purposes of civilization; there is
|
|||
|
the Metropolitan Railway in London, for instance, there are new
|
|||
|
electric railways, there are subways, there are underground
|
|||
|
workrooms and restaurants, and they increase and multiply.
|
|||
|
Evidently, I thought, this tendency had increased till Industry
|
|||
|
had gradually lost its birthright in the sky. I mean that it had
|
|||
|
gone deeper and deeper into larger and ever larger underground
|
|||
|
factories, spending a still-increasing amount of its time
|
|||
|
therein, till, in the end--! Even now, does not an East-end
|
|||
|
worker live in such artificial conditions as practically to be
|
|||
|
cut off from the natural surface of the earth?
|
|||
|
|
|||
|
`Again, the exclusive tendency of richer people--due, no
|
|||
|
doubt, to the increasing refinement of their education, and the
|
|||
|
widening gulf between them and the rude violence of the poor--
|
|||
|
is already leading to the closing, in their interest, of
|
|||
|
considerable portions of the surface of the land. About London,
|
|||
|
for instance, perhaps half the prettier country is shut in
|
|||
|
against intrusion. And this same widening gulf--which is due
|
|||
|
to the length and expense of the higher educational process and
|
|||
|
the increased facilities for and temptations towards refined
|
|||
|
habits on the part of the rich--will make that exchange between
|
|||
|
class and class, that promotion by intermarriage which at present
|
|||
|
retards the splitting of our species along lines of social
|
|||
|
stratification, less and less frequent. So, in the end, above
|
|||
|
ground you must have the Haves, pursuing pleasure and comfort and
|
|||
|
beauty, and below ground the Have-nots, the Workers getting
|
|||
|
continually adapted to the conditions of their labour. Once they
|
|||
|
were there, they would no doubt have to pay rent, and not a
|
|||
|
little of it, for the ventilation of their caverns; and if they
|
|||
|
refused, they would starve or be suffocated for arrears. Such of
|
|||
|
them as were so constituted as to be miserable and rebellious
|
|||
|
would die; and, in the end, the balance being permanent, the
|
|||
|
survivors would become as well adapted to the conditions of
|
|||
|
underground life, and as happy in their way, as the Upper-world
|
|||
|
people were to theirs. As it seemed to me, the refined beauty
|
|||
|
and the etiolated pallor followed naturally enough.
|
|||
|
|
|||
|
`The great triumph of Humanity I had dreamed of took a
|
|||
|
different shape in my mind. It had been no such triumph of moral
|
|||
|
education and general co-operation as I had imagined. Instead, I
|
|||
|
saw a real aristocracy, armed with a perfected science and
|
|||
|
working to a logical conclusion the industrial system of to-day.
|
|||
|
Its triumph had not been simply a triumph over Nature, but a
|
|||
|
triumph over Nature and the fellow-man. This, I must warn you,
|
|||
|
was my theory at the time. I had no convenient cicerone in the
|
|||
|
pattern of the Utopian books. My explanation may be absolutely
|
|||
|
wrong. I still think it is the most plausible one. But even on
|
|||
|
this supposition the balanced civilization that was at last
|
|||
|
attained must have long since passed its zenith, and was now far
|
|||
|
fallen into decay. The too-perfect security of the
|
|||
|
Upper-worlders had led them to a slow movement of degeneration,
|
|||
|
to a general dwindling in size, strength, and intelligence. That
|
|||
|
I could see clearly enough already. What had happened to the
|
|||
|
Under-grounders I did not yet suspect; but from what I had seen
|
|||
|
of the Morlocks--that, by the by, was the name by which these
|
|||
|
creatures were called--I could imagine that the modification of
|
|||
|
the human type was even far more profound than among the "Eloi,"
|
|||
|
the beautiful race that I already knew.
|
|||
|
|
|||
|
`Then came troublesome doubts. Why had the Morlocks taken my
|
|||
|
Time Machine? For I felt sure it was they who had taken it.
|
|||
|
Why, too, if the Eloi were masters, could they not restore the
|
|||
|
machine to me? And why were they so terribly afraid of the dark?
|
|||
|
I proceeded, as I have said, to question Weena about this
|
|||
|
Under-world, but here again I was disappointed. At first she
|
|||
|
would not understand my questions, and presently she refused to
|
|||
|
answer them. She shivered as though the topic was unendurable.
|
|||
|
And when I pressed her, perhaps a little harshly, she burst into
|
|||
|
tears. They were the only tears, except my own, I ever saw in
|
|||
|
that Golden Age. When I saw them I ceased abruptly to trouble
|
|||
|
about the Morlocks, and was only concerned in banishing these
|
|||
|
signs of the human inheritance from Weena's eyes. And very soon
|
|||
|
she was smiling and clapping her hands, while I solemnly burned a
|
|||
|
match.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
VI
|
|||
|
|
|||
|
|
|||
|
`It may seem odd to you, but it was two days before I could
|
|||
|
follow up the new-found clue in what was manifestly the proper
|
|||
|
way. I felt a peculiar shrinking from those pallid bodies. They
|
|||
|
were just the half-bleached colour of the worms and things one
|
|||
|
sees preserved in spirit in a zoological museum. And they were
|
|||
|
filthily cold to the touch. Probably my shrinking was largely
|
|||
|
due to the sympathetic influence of the Eloi, whose disgust of
|
|||
|
the Morlocks I now began to appreciate.
|
|||
|
|
|||
|
`The next night I did not sleep well. Probably my health was
|
|||
|
a little disordered. I was oppressed with perplexity and doubt.
|
|||
|
Once or twice I had a feeling of intense fear for which I could
|
|||
|
perceive no definite reason. I remember creeping noiselessly
|
|||
|
into the great hall where the little people were sleeping in the
|
|||
|
moonlight--that night Weena was among them--and feeling
|
|||
|
reassured by their presence. It occurred to me even then, that
|
|||
|
in the course of a few days the moon must pass through its last
|
|||
|
quarter, and the nights grow dark, when the appearances of these
|
|||
|
unpleasant creatures from below, these whitened Lemurs, this new
|
|||
|
vermin that had replaced the old, might be more abundant. And on
|
|||
|
both these days I had the restless feeling of one who shirks an
|
|||
|
inevitable duty. I felt assured that the Time Machine was only
|
|||
|
to be recovered by boldly penetrating these underground
|
|||
|
mysteries. Yet I could not face the mystery. If only I had had
|
|||
|
a companion it would have been different. But I was so horribly
|
|||
|
alone, and even to clamber down into the darkness of the well
|
|||
|
appalled me. I don't know if you will understand my feeling, but
|
|||
|
I never felt quite safe at my back.
|
|||
|
|
|||
|
`It was this restlessness, this insecurity, perhaps, that
|
|||
|
drove me further and further afield in my exploring expeditions.
|
|||
|
Going to the south-westward towards the rising country that is
|
|||
|
now called Combe Wood, I observed far off, in the direction of
|
|||
|
nineteenth-century Banstead, a vast green structure, different in
|
|||
|
character from any I had hitherto seen. It was larger than the
|
|||
|
largest of the palaces or ruins I knew, and the facade had an
|
|||
|
Oriental look: the face of it having the lustre, as well as the
|
|||
|
pale-green tint, a kind of bluish-green, of a certain type of
|
|||
|
Chinese porcelain. This difference in aspect suggested a
|
|||
|
difference in use, and I was minded to push on and explore. But
|
|||
|
the day was growing late, and I had come upon the sight of the
|
|||
|
place after a long and tiring circuit; so I resolved to hold over
|
|||
|
the adventure for the following day, and I returned to the
|
|||
|
welcome and the caresses of little Weena. But next morning I
|
|||
|
perceived clearly enough that my curiosity regarding the Palace
|
|||
|
of Green Porcelain was a piece of self-deception, to enable me to
|
|||
|
shirk, by another day, an experience I dreaded. I resolved I
|
|||
|
would make the descent without further waste of time, and started
|
|||
|
out in the early morning towards a well near the ruins of granite
|
|||
|
and aluminium.
|
|||
|
|
|||
|
`Little Weena ran with me. She danced beside me to the well,
|
|||
|
but when she saw me lean over the mouth and look downward, she
|
|||
|
seemed strangely disconcerted. "Good-bye, Little Weena," I said,
|
|||
|
kissing her; and then putting her down, I began to feel over the
|
|||
|
parapet for the climbing hooks. Rather hastily, I may as well
|
|||
|
confess, for I feared my courage might leak away! At first she
|
|||
|
watched me in amazement. Then she gave a most piteous cry, and
|
|||
|
running to me, she began to pull at me with her little hands. I
|
|||
|
think her opposition nerved me rather to proceed. I shook her
|
|||
|
off, perhaps a little roughly, and in another moment I was in the
|
|||
|
throat of the well. I saw her agonized face over the parapet,
|
|||
|
and smiled to reassure her. Then I had to look down at the
|
|||
|
unstable hooks to which I clung.
|
|||
|
|
|||
|
`I had to clamber down a shaft of perhaps two hundred yards.
|
|||
|
The descent was effected by means of metallic bars projecting
|
|||
|
from the sides of the well, and these being adapted to the needs
|
|||
|
of a creature much smaller and lighter than myself, I was
|
|||
|
speedily cramped and fatigued by the descent. And not simply
|
|||
|
fatigued! One of the bars bent suddenly under my weight, and
|
|||
|
almost swung me off into the blackness beneath. For a moment I
|
|||
|
hung by one hand, and after that experience I did not dare to
|
|||
|
rest again. Though my arms and back were presently acutely
|
|||
|
painful, I went on clambering down the sheer descent with as
|
|||
|
quick a motion as possible. Glancing upward, I saw the aperture,
|
|||
|
a small blue disk, in which a star was visible, while little
|
|||
|
Weena's head showed as a round black projection. The thudding
|
|||
|
sound of a machine below grew louder and more oppressive.
|
|||
|
Everything save that little disk above was profoundly dark, and
|
|||
|
when I looked up again Weena had disappeared.
|
|||
|
|
|||
|
`I was in an agony of discomfort. I had some thought of
|
|||
|
trying to go up the shaft again, and leave the Under-world alone.
|
|||
|
But even while I turned this over in my mind I continued to
|
|||
|
descend. At last, with intense relief, I saw dimly coming up, a
|
|||
|
foot to the right of me, a slender loophole in the wall.
|
|||
|
Swinging myself in, I found it was the aperture of a narrow
|
|||
|
horizontal tunnel in which I could lie down and rest. It was not
|
|||
|
too soon. My arms ached, my back was cramped, and I was
|
|||
|
trembling with the prolonged terror of a fall. Besides this, the
|
|||
|
unbroken darkness had had a distressing effect upon my eyes. The
|
|||
|
air was full of the throb and hum of machinery pumping air down
|
|||
|
the shaft.
|
|||
|
|
|||
|
`I do not know how long I lay. I was roused by a soft hand
|
|||
|
touching my face. Starting up in the darkness I snatched at my
|
|||
|
matches and, hastily striking one, I saw three stooping white
|
|||
|
creatures similar to the one I had seen above ground in the ruin,
|
|||
|
hastily retreating before the light. Living, as they did, in
|
|||
|
what appeared to me impenetrable darkness, their eyes were
|
|||
|
abnormally large and sensitive, just as are the pupils of the
|
|||
|
abysmal fishes, and they reflected the light in the same way. I
|
|||
|
have no doubt they could see me in that rayless obscurity, and
|
|||
|
they did not seem to have any fear of me apart from the light.
|
|||
|
But, so soon as I struck a match in order to see them, they fled
|
|||
|
incontinently, vanishing into dark gutters and tunnels, from
|
|||
|
which their eyes glared at me in the strangest fashion.
|
|||
|
|
|||
|
`I tried to call to them, but the language they had was
|
|||
|
apparently different from that of the Over-world people; so that
|
|||
|
I was needs left to my own unaided efforts, and the thought of
|
|||
|
flight before exploration was even then in my mind. But I said
|
|||
|
to myself, "You are in for it now," and, feeling my way along the
|
|||
|
tunnel, I found the noise of machinery grow louder. Presently
|
|||
|
the walls fell away from me, and I came to a large open space,
|
|||
|
and striking another match, saw that I had entered a vast arched
|
|||
|
cavern, which stretched into utter darkness beyond the range of
|
|||
|
my light. The view I had of it was as much as one could see in
|
|||
|
the burning of a match.
|
|||
|
|
|||
|
`Necessarily my memory is vague. Great shapes like big
|
|||
|
machines rose out of the dimness, and cast grotesque black
|
|||
|
shadows, in which dim spectral Morlocks sheltered from the glare.
|
|||
|
The place, by the by, was very stuffy and oppressive, and the
|
|||
|
faint halitus of freshly shed blood was in the air. Some way
|
|||
|
down the central vista was a little table of white metal, laid
|
|||
|
with what seemed a meal. The Morlocks at any rate were
|
|||
|
carnivorous! Even at the time, I remember wondering what large
|
|||
|
animal could have survived to furnish the red joint I saw. It
|
|||
|
was all very indistinct: the heavy smell, the big unmeaning
|
|||
|
shapes, the obscene figures lurking in the shadows, and only
|
|||
|
waiting for the darkness to come at me again! Then the match
|
|||
|
burned down, and stung my fingers, and fell, a wriggling red spot
|
|||
|
in the blackness.
|
|||
|
|
|||
|
`I have thought since how particularly ill-equipped I was for
|
|||
|
such an experience. When I had started with the Time Machine, I
|
|||
|
had started with the absurd assumption that the men of the Future
|
|||
|
would certainly be infinitely ahead of ourselves in all their
|
|||
|
appliances. I had come without arms, without medicine, without
|
|||
|
anything to smoke--at times I missed tobacco frightfully--even
|
|||
|
without enough matches. If only I had thought of a Kodak! I
|
|||
|
could have flashed that glimpse of the Underworld in a second,
|
|||
|
and examined it at leisure. But, as it was, I stood there with
|
|||
|
only the weapons and the powers that Nature had endowed me
|
|||
|
with--hands, feet, and teeth; these, and four safety-matches that
|
|||
|
still remained to me.
|
|||
|
|
|||
|
`I was afraid to push my way in among all this machinery in
|
|||
|
the dark, and it was only with my last glimpse of light I
|
|||
|
discovered that my store of matches had run low. It had never
|
|||
|
occurred to me until that moment that there was any need to
|
|||
|
economize them, and I had wasted almost half the box in
|
|||
|
astonishing the Upper-worlders, to whom fire was a novelty. Now,
|
|||
|
as I say, I had four left, and while I stood in the dark, a hand
|
|||
|
touched mine, lank fingers came feeling over my face, and I was
|
|||
|
sensible of a peculiar unpleasant odour. I fancied I heard the
|
|||
|
breathing of a crowd of those dreadful little beings about me. I
|
|||
|
felt the box of matches in my hand being gently disengaged, and
|
|||
|
other hands behind me plucking at my clothing. The sense of
|
|||
|
these unseen creatures examining me was indescribably unpleasant.
|
|||
|
The sudden realization of my ignorance of their ways of thinking
|
|||
|
and doing came home to me very vividly in the darkness. I shouted
|
|||
|
at them as loudly as I could. They started away, and then I
|
|||
|
could feel them approaching me again. They clutched at me more
|
|||
|
boldly, whispering odd sounds to each other. I shivered
|
|||
|
violently, and shouted again rather discordantly. This time they
|
|||
|
were not so seriously alarmed, and they made a queer laughing
|
|||
|
noise as they came back at me. I will confess I was horribly
|
|||
|
frightened. I determined to strike another match and escape
|
|||
|
under the protection of its glare. I did so, and eking out the
|
|||
|
flicker with a scrap of paper from my pocket, I made good my
|
|||
|
retreat to the narrow tunnel. But I had scarce entered this when
|
|||
|
my light was blown out and in the blackness I could hear the
|
|||
|
Morlocks rustling like wind among leaves, and pattering like the
|
|||
|
rain, as they hurried after me.
|
|||
|
|
|||
|
`In a moment I was clutched by several hands, and there was no
|
|||
|
mistaking that they were trying to haul me back. I struck
|
|||
|
another light, and waved it in their dazzled faces. You can
|
|||
|
scarce imagine how nauseatingly inhuman they looked--those pale,
|
|||
|
chinless faces and great, lidless, pinkish-grey eyes!--as they
|
|||
|
stared in their blindness and bewilderment. But I did not stay to
|
|||
|
look, I promise you: I retreated again, and when my second match
|
|||
|
had ended, I struck my third. It had almost burned through when
|
|||
|
I reached the opening into the shaft. I lay down on the edge,
|
|||
|
for the throb of the great pump below made me giddy. Then I felt
|
|||
|
sideways for the projecting hooks, and, as I did so, my feet were
|
|||
|
grasped from behind, and I was violently tugged backward. I lit
|
|||
|
my last match . . . and it incontinently went out. But I had my
|
|||
|
hand on the climbing bars now, and, kicking violently, I
|
|||
|
disengaged myself from the clutches of the Morlocks and was
|
|||
|
speedily clambering up the shaft, while they stayed peering and
|
|||
|
blinking up at me: all but one little wretch who followed me for
|
|||
|
some way, and wellnigh secured my boot as a trophy.
|
|||
|
|
|||
|
`That climb seemed interminable to me. With the last twenty
|
|||
|
or thirty feet of it a deadly nausea came upon me. I had the
|
|||
|
greatest difficulty in keeping my hold. The last few yards was a
|
|||
|
frightful struggle against this faintness. Several times my head
|
|||
|
swam, and I felt all the sensations of falling. At last,
|
|||
|
however, I got over the well-mouth somehow, and staggered out of
|
|||
|
the ruin into the blinding sunlight. I fell upon my face. Even
|
|||
|
the soil smelt sweet and clean. Then I remember Weena kissing my
|
|||
|
hands and ears, and the voices of others among the Eloi. Then,
|
|||
|
for a time, I was insensible.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
VII
|
|||
|
|
|||
|
|
|||
|
`Now, indeed, I seemed in a worse case than before. Hitherto,
|
|||
|
except during my night's anguish at the loss of the Time Machine,
|
|||
|
I had felt a sustaining hope of ultimate escape, but that hope
|
|||
|
was staggered by these new discoveries. Hitherto I had merely
|
|||
|
thought myself impeded by the childish simplicity of the little
|
|||
|
people, and by some unknown forces which I had only to understand
|
|||
|
to overcome; but there was an altogether new element in the
|
|||
|
sickening quality of the Morlocks--a something inhuman and
|
|||
|
malign. Instinctively I loathed them. Before, I had felt as a
|
|||
|
man might feel who had fallen into a pit: my concern was with
|
|||
|
the pit and how to get out of it. Now I felt like a beast in a
|
|||
|
trap, whose enemy would come upon him soon.
|
|||
|
|
|||
|
`The enemy I dreaded may surprise you. It was the darkness of
|
|||
|
the new moon. Weena had put this into my head by some at first
|
|||
|
incomprehensible remarks about the Dark Nights. It was not now
|
|||
|
such a very difficult problem to guess what the coming Dark
|
|||
|
Nights might mean. The moon was on the wane: each night there
|
|||
|
was a longer interval of darkness. And I now understood to some
|
|||
|
slight degree at least the reason of the fear of the little
|
|||
|
Upper-world people for the dark. I wondered vaguely what foul
|
|||
|
villainy it might be that the Morlocks did under the new moon. I
|
|||
|
felt pretty sure now that my second hypothesis was all wrong.
|
|||
|
The Upper-world people might once have been the favoured
|
|||
|
aristocracy, and the Morlocks their mechanical servants: but
|
|||
|
that had long since passed away. The two species that had
|
|||
|
resulted from the evolution of man were sliding down towards, or
|
|||
|
had already arrived at, an altogether new relationship. The Eloi,
|
|||
|
like the Carolingian kings, had decayed to a mere beautiful
|
|||
|
futility. They still possessed the earth on sufferance: since
|
|||
|
the Morlocks, subterranean for innumerable generations, had come
|
|||
|
at last to find the daylit surface intolerable. And the Morlocks
|
|||
|
made their garments, I inferred, and maintained them in their
|
|||
|
habitual needs, perhaps through the survival of an old habit of
|
|||
|
service. They did it as a standing horse paws with his foot, or
|
|||
|
as a man enjoys killing animals in sport: because ancient and
|
|||
|
departed necessities had impressed it on the organism. But,
|
|||
|
clearly, the old order was already in part reversed. The Nemesis
|
|||
|
of the delicate ones was creeping on apace. Ages ago, thousands
|
|||
|
of generations ago, man had thrust his brother man out of the
|
|||
|
ease and the sunshine. And now that brother was coming back
|
|||
|
changed! Already the Eloi had begun to learn one old lesson
|
|||
|
anew. They were becoming reacquainted with Fear. And suddenly
|
|||
|
there came into my head the memory of the meat I had seen in the
|
|||
|
Under-world. It seemed odd how it floated into my mind: not
|
|||
|
stirred up as it were by the current of my meditations, but
|
|||
|
coming in almost like a question from outside. I tried to recall
|
|||
|
the form of it. I had a vague sense of something familiar, but I
|
|||
|
could not tell what it was at the time.
|
|||
|
|
|||
|
`Still, however helpless the little people in the presence of
|
|||
|
their mysterious Fear, I was differently constituted. I came out
|
|||
|
of this age of ours, this ripe prime of the human race, when Fear
|
|||
|
does not paralyse and mystery has lost its terrors. I at least
|
|||
|
would defend myself. Without further delay I determined to make
|
|||
|
myself arms and a fastness where I might sleep. With that refuge
|
|||
|
as a base, I could face this strange world with some of that
|
|||
|
confidence I had lost in realizing to what creatures night by
|
|||
|
night I lay exposed. I felt I could never sleep again until my
|
|||
|
bed was secure from them. I shuddered with horror to think how
|
|||
|
they must already have examined me.
|
|||
|
|
|||
|
`I wandered during the afternoon along the valley of the
|
|||
|
Thames, but found nothing that commended itself to my mind as
|
|||
|
inaccessible. All the buildings and trees seemed easily
|
|||
|
practicable to such dexterous climbers as the Morlocks, to judge
|
|||
|
by their wells, must be. Then the tall pinnacles of the Palace
|
|||
|
of Green Porcelain and the polished gleam of its walls came back
|
|||
|
to my memory; and in the evening, taking Weena like a child upon
|
|||
|
my shoulder, I went up the hills towards the south-west. The
|
|||
|
distance, I had reckoned, was seven or eight miles, but it must
|
|||
|
have been nearer eighteen. I had first seen the place on a moist
|
|||
|
afternoon when distances are deceptively diminished. In
|
|||
|
addition, the heel of one of my shoes was loose, and a nail was
|
|||
|
working through the sole--they were comfortable old shoes I wore
|
|||
|
about indoors--so that I was lame. And it was already long past
|
|||
|
sunset when I came in sight of the palace, silhouetted black
|
|||
|
against the pale yellow of the sky.
|
|||
|
|
|||
|
`Weena had been hugely delighted when I began to carry her,
|
|||
|
but after a while she desired me to let her down, and ran along
|
|||
|
by the side of me, occasionally darting off on either hand to
|
|||
|
pick flowers to stick in my pockets. My pockets had always
|
|||
|
puzzled Weena, but at the last she had concluded that they were
|
|||
|
an eccentric kind of vase for floral decoration. At least she
|
|||
|
utilized them for that purpose. And that reminds me! In
|
|||
|
changing my jacket I found . . .'
|
|||
|
|
|||
|
The Time Traveller paused, put his hand into his pocket, and
|
|||
|
silently placed two withered flowers, not unlike very large white
|
|||
|
mallows, upon the little table. Then he resumed his narrative.
|
|||
|
|
|||
|
`As the hush of evening crept over the world and we proceeded
|
|||
|
over the hill crest towards Wimbledon, Weena grew tired and
|
|||
|
wanted to return to the house of grey stone. But I pointed out
|
|||
|
the distant pinnacles of the Palace of Green Porcelain to her,
|
|||
|
and contrived to make her understand that we were seeking a
|
|||
|
refuge there from her Fear. You know that great pause that comes
|
|||
|
upon things before the dusk? Even the breeze stops in the trees.
|
|||
|
To me there is always an air of expectation about that evening
|
|||
|
stillness. The sky was clear, remote, and empty save for a few
|
|||
|
horizontal bars far down in the sunset. Well, that night the
|
|||
|
expectation took the colour of my fears. In that darkling calm
|
|||
|
my senses seemed preternaturally sharpened. I fancied I could
|
|||
|
even feel the hollowness of the ground beneath my feet: could,
|
|||
|
indeed, almost see through it the Morlocks on their ant-hill
|
|||
|
going hither and thither and waiting for the dark. In my
|
|||
|
excitement I fancied that they would receive my invasion of their
|
|||
|
burrows as a declaration of war. And why had they taken my Time
|
|||
|
Machine?
|
|||
|
|
|||
|
`So we went on in the quiet, and the twilight deepened into
|
|||
|
night. The clear blue of the distance faded, and one star after
|
|||
|
another came out. The ground grew dim and the trees black.
|
|||
|
Weena's fears and her fatigue grew upon her. I took her in my
|
|||
|
arms and talked to her and caressed her. Then, as the darkness
|
|||
|
grew deeper, she put her arms round my neck, and, closing her
|
|||
|
eyes, tightly pressed her face against my shoulder. So we went
|
|||
|
down a long slope into a valley, and there in the dimness I
|
|||
|
almost walked into a little river. This I waded, and went up the
|
|||
|
opposite side of the valley, past a number of sleeping houses,
|
|||
|
and by a statue--a Faun, or some such figure, MINUS the head.
|
|||
|
Here too were acacias. So far I had seen nothing of the
|
|||
|
Morlocks, but it was yet early in the night, and the darker hours
|
|||
|
before the old moon rose were still to come.
|
|||
|
|
|||
|
`From the brow of the next hill I saw a thick wood spreading
|
|||
|
wide and black before me. I hesitated at this. I could see no
|
|||
|
end to it, either to the right or the left. Feeling tired--my
|
|||
|
feet, in particular, were very sore--I carefully lowered Weena
|
|||
|
from my shoulder as I halted, and sat down upon the turf. I
|
|||
|
could no longer see the Palace of Green Porcelain, and I was in
|
|||
|
doubt of my direction. I looked into the thickness of the wood
|
|||
|
and thought of what it might hide. Under that dense tangle of
|
|||
|
branches one would be out of sight of the stars. Even were there
|
|||
|
no other lurking danger--a danger I did not care to let my
|
|||
|
imagination loose upon--there would still be all the roots to
|
|||
|
stumble over and the tree-boles to strike against.
|
|||
|
|
|||
|
`I was very tired, too, after the excitements of the day; so I
|
|||
|
decided that I would not face it, but would pass the night upon
|
|||
|
the open hill.
|
|||
|
|
|||
|
`Weena, I was glad to find, was fast asleep. I carefully
|
|||
|
wrapped her in my jacket, and sat down beside her to wait for the
|
|||
|
moonrise. The hill-side was quiet and deserted, but from the
|
|||
|
black of the wood there came now and then a stir of living
|
|||
|
things. Above me shone the stars, for the night was very clear.
|
|||
|
I felt a certain sense of friendly comfort in their twinkling.
|
|||
|
All the old constellations had gone from the sky, however: that
|
|||
|
slow movement which is imperceptible in a hundred human
|
|||
|
lifetimes, had long since rearranged them in unfamiliar
|
|||
|
groupings. But the Milky Way, it seemed to me, was still the
|
|||
|
same tattered streamer of star-dust as of yore. Southward (as I
|
|||
|
judged it) was a very bright red star that was new to me; it was
|
|||
|
even more splendid than our own green Sirius. And amid all these
|
|||
|
scintillating points of light one bright planet shone kindly and
|
|||
|
steadily like the face of an old friend.
|
|||
|
|
|||
|
`Looking at these stars suddenly dwarfed my own troubles and
|
|||
|
all the gravities of terrestrial life. I thought of their
|
|||
|
unfathomable distance, and the slow inevitable drift of their
|
|||
|
movements out of the unknown past into the unknown future. I
|
|||
|
thought of the great precessional cycle that the pole of the
|
|||
|
earth describes. Only forty times had that silent revolution
|
|||
|
occurred during all the years that I had traversed. And during
|
|||
|
these few revolutions all the activity, all the traditions, the
|
|||
|
complex organizations, the nations, languages, literatures,
|
|||
|
aspirations, even the mere memory of Man as I knew him, had been
|
|||
|
swept out of existence. Instead were these frail creatures who
|
|||
|
had forgotten their high ancestry, and the white Things of which
|
|||
|
I went in terror. Then I thought of the Great Fear that was
|
|||
|
between the two species, and for the first time, with a sudden
|
|||
|
shiver, came the clear knowledge of what the meat I had seen
|
|||
|
might be. Yet it was too horrible! I looked at little Weena
|
|||
|
sleeping beside me, her face white and starlike under the stars,
|
|||
|
and forthwith dismissed the thought.
|
|||
|
|
|||
|
`Through that long night I held my mind off the Morlocks as
|
|||
|
well as I could, and whiled away the time by trying to fancy I
|
|||
|
could find signs of the old constellations in the new confusion.
|
|||
|
The sky kept very clear, except for a hazy cloud or so. No doubt
|
|||
|
I dozed at times. Then, as my vigil wore on, came a faintness in
|
|||
|
the eastward sky, like the reflection of some colourless fire,
|
|||
|
and the old moon rose, thin and peaked and white. And close
|
|||
|
behind, and overtaking it, and overflowing it, the dawn came,
|
|||
|
pale at first, and then growing pink and warm. No Morlocks had
|
|||
|
approached us. Indeed, I had seen none upon the hill that night.
|
|||
|
And in the confidence of renewed day it almost seemed to me that
|
|||
|
my fear had been unreasonable. I stood up and found my foot with
|
|||
|
the loose heel swollen at the ankle and painful under the heel;
|
|||
|
so I sat down again, took off my shoes, and flung them away.
|
|||
|
|
|||
|
`I awakened Weena, and we went down into the wood, now green
|
|||
|
and pleasant instead of black and forbidding. We found some
|
|||
|
fruit wherewith to break our fast. We soon met others of the
|
|||
|
dainty ones, laughing and dancing in the sunlight as though there
|
|||
|
was no such thing in nature as the night. And then I thought
|
|||
|
once more of the meat that I had seen. I felt assured now of
|
|||
|
what it was, and from the bottom of my heart I pitied this last
|
|||
|
feeble rill from the great flood of humanity. Clearly, at some
|
|||
|
time in the Long-Ago of human decay the Morlocks' food had run
|
|||
|
short. Possibly they had lived on rats and such-like vermin.
|
|||
|
Even now man is far less discriminating and exclusive in his food
|
|||
|
than he was--far less than any monkey. His prejudice against
|
|||
|
human flesh is no deep-seated instinct. And so these inhuman
|
|||
|
sons of men----! I tried to look at the thing in a scientific
|
|||
|
spirit. After all, they were less human and more remote than our
|
|||
|
cannibal ancestors of three or four thousand years ago. And the
|
|||
|
intelligence that would have made this state of things a torment
|
|||
|
had gone. Why should I trouble myself? These Eloi were mere
|
|||
|
fatted cattle, which the ant-like Morlocks preserved and preyed
|
|||
|
upon--probably saw to the breeding of. And there was Weena
|
|||
|
dancing at my side!
|
|||
|
|
|||
|
`Then I tried to preserve myself from the horror that was
|
|||
|
coming upon me, by regarding it as a rigorous punishment of human
|
|||
|
selfishness. Man had been content to live in ease and delight
|
|||
|
upon the labours of his fellow-man, had taken Necessity as his
|
|||
|
watchword and excuse, and in the fullness of time Necessity had
|
|||
|
come home to him. I even tried a Carlyle-like scorn of this
|
|||
|
wretched aristocracy in decay. But this attitude of mind was
|
|||
|
impossible. However great their intellectual degradation, the
|
|||
|
Eloi had kept too much of the human form not to claim my
|
|||
|
sympathy, and to make me perforce a sharer in their degradation
|
|||
|
and their Fear.
|
|||
|
|
|||
|
`I had at that time very vague ideas as to the course I should
|
|||
|
pursue. My first was to secure some safe place of refuge, and to
|
|||
|
make myself such arms of metal or stone as I could contrive.
|
|||
|
That necessity was immediate. In the next place, I hoped to
|
|||
|
procure some means of fire, so that I should have the weapon of a
|
|||
|
torch at hand, for nothing, I knew, would be more efficient
|
|||
|
against these Morlocks. Then I wanted to arrange some
|
|||
|
contrivance to break open the doors of bronze under the White
|
|||
|
Sphinx. I had in mind a battering ram. I had a persuasion that
|
|||
|
if I could enter those doors and carry a blaze of light before me
|
|||
|
I should discover the Time Machine and escape. I could not
|
|||
|
imagine the Morlocks were strong enough to move it far away.
|
|||
|
Weena I had resolved to bring with me to our own time. And
|
|||
|
turning such schemes over in my mind I pursued our way towards
|
|||
|
the building which my fancy had chosen as our dwelling.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
VIII
|
|||
|
|
|||
|
|
|||
|
`I found the Palace of Green Porcelain, when we approached it
|
|||
|
about noon, deserted and falling into ruin. Only ragged vestiges
|
|||
|
of glass remained in its windows, and great sheets of the green
|
|||
|
facing had fallen away from the corroded metallic framework. It
|
|||
|
lay very high upon a turfy down, and looking north-eastward
|
|||
|
before I entered it, I was surprised to see a large estuary, or
|
|||
|
even creek, where I judged Wandsworth and Battersea must once
|
|||
|
have been. I thought then--though I never followed up the
|
|||
|
thought--of what might have happened, or might be happening, to
|
|||
|
the living things in the sea.
|
|||
|
|
|||
|
`The material of the Palace proved on examination to be indeed
|
|||
|
porcelain, and along the face of it I saw an inscription in some
|
|||
|
unknown character. I thought, rather foolishly, that Weena might
|
|||
|
help me to interpret this, but I only learned that the bare idea
|
|||
|
of writing had never entered her head. She always seemed to me,
|
|||
|
I fancy, more human than she was, perhaps because her affection
|
|||
|
was so human.
|
|||
|
|
|||
|
`Within the big valves of the door--which were open and
|
|||
|
broken--we found, instead of the customary hall, a long gallery
|
|||
|
lit by many side windows. At the first glance I was reminded of
|
|||
|
a museum. The tiled floor was thick with dust, and a remarkable
|
|||
|
array of miscellaneous objects was shrouded in the same grey
|
|||
|
covering. Then I perceived, standing strange and gaunt in the
|
|||
|
centre of the hall, what was clearly the lower part of a huge
|
|||
|
skeleton. I recognized by the oblique feet that it was some
|
|||
|
extinct creature after the fashion of the Megatherium. The skull
|
|||
|
and the upper bones lay beside it in the thick dust, and in one
|
|||
|
place, where rain-water had dropped through a leak in the roof,
|
|||
|
the thing itself had been worn away. Further in the gallery was
|
|||
|
the huge skeleton barrel of a Brontosaurus. My museum hypothesis
|
|||
|
was confirmed. Going towards the side I found what appeared to be
|
|||
|
sloping shelves, and clearing away the thick dust, I found the
|
|||
|
old familiar glass cases of our own time. But they must have
|
|||
|
been air-tight to judge from the fair preservation of some of
|
|||
|
their contents.
|
|||
|
|
|||
|
`Clearly we stood among the ruins of some latter-day South
|
|||
|
Kensington! Here, apparently, was the Palaeontological Section,
|
|||
|
and a very splendid array of fossils it must have been, though
|
|||
|
the inevitable process of decay that had been staved off for a
|
|||
|
time, and had, through the extinction of bacteria and fungi, lost
|
|||
|
ninety-nine hundredths of its force, was nevertheless, with
|
|||
|
extreme sureness if with extreme slowness at work again upon all
|
|||
|
its treasures. Here and there I found traces of the little
|
|||
|
people in the shape of rare fossils broken to pieces or threaded
|
|||
|
in strings upon reeds. And the cases had in some instances been
|
|||
|
bodily removed--by the Morlocks as I judged. The place was very
|
|||
|
silent. The thick dust deadened our footsteps. Weena, who had
|
|||
|
been rolling a sea urchin down the sloping glass of a case,
|
|||
|
presently came, as I stared about me, and very quietly took my
|
|||
|
hand and stood beside me.
|
|||
|
|
|||
|
`And at first I was so much surprised by this ancient monument
|
|||
|
of an intellectual age, that I gave no thought to the
|
|||
|
possibilities it presented. Even my preoccupation about the Time
|
|||
|
Machine receded a little from my mind.
|
|||
|
|
|||
|
`To judge from the size of the place, this Palace of Green
|
|||
|
Porcelain had a great deal more in it than a Gallery of
|
|||
|
Palaeontology; possibly historical galleries; it might be, even a
|
|||
|
library! To me, at least in my present circumstances, these
|
|||
|
would be vastly more interesting than this spectacle of oldtime
|
|||
|
geology in decay. Exploring, I found another short gallery
|
|||
|
running transversely to the first. This appeared to be devoted
|
|||
|
to minerals, and the sight of a block of sulphur set my mind
|
|||
|
running on gunpowder. But I could find no saltpeter; indeed, no
|
|||
|
nitrates of any kind. Doubtless they had deliquesced ages ago.
|
|||
|
Yet the sulphur hung in my mind, and set up a train of thinking.
|
|||
|
As for the rest of the contents of that gallery, though on the
|
|||
|
whole they were the best preserved of all I saw, I had little
|
|||
|
interest. I am no specialist in mineralogy, and I went on down a
|
|||
|
very ruinous aisle running parallel to the first hall I had
|
|||
|
entered. Apparently this section had been devoted to natural
|
|||
|
history, but everything had long since passed out of recognition.
|
|||
|
A few shrivelled and blackened vestiges of what had once been
|
|||
|
stuffed animals, desiccated mummies in jars that had once held
|
|||
|
spirit, a brown dust of departed plants: that was all! I was
|
|||
|
sorry for that, because I should have been glad to trace the
|
|||
|
patent readjustments by which the conquest of animated nature had
|
|||
|
been attained. Then we came to a gallery of simply colossal
|
|||
|
proportions, but singularly ill-lit, the floor of it running
|
|||
|
downward at a slight angle from the end at which I entered. At
|
|||
|
intervals white globes hung from the ceiling--many of them
|
|||
|
cracked and smashed--which suggested that originally the place
|
|||
|
had been artificially lit. Here I was more in my element, for
|
|||
|
rising on either side of me were the huge bulks of big machines,
|
|||
|
all greatly corroded and many broken down, but some still fairly
|
|||
|
complete. You know I have a certain weakness for mechanism, and I
|
|||
|
was inclined to linger among these; the more so as for the most
|
|||
|
part they had the interest of puzzles, and I could make only the
|
|||
|
vaguest guesses at what they were for. I fancied that if I could
|
|||
|
solve their puzzles I should find myself in possession of powers
|
|||
|
that might be of use against the Morlocks.
|
|||
|
|
|||
|
`Suddenly Weena came very close to my side. So suddenly that
|
|||
|
she startled me. Had it not been for her I do not think I should
|
|||
|
have noticed that the floor of the gallery sloped at all.
|
|||
|
[Footnote: It may be, of course, that the floor did not slope,
|
|||
|
but that the museum was built into the side of a hill.-ED.] The
|
|||
|
end I had come in at was quite above ground, and was lit by rare
|
|||
|
slit-like windows. As you went down the length, the ground came
|
|||
|
up against these windows, until at last there was a pit like the
|
|||
|
"area" of a London house before each, and only a narrow line of
|
|||
|
daylight at the top. I went slowly along, puzzling about the
|
|||
|
machines, and had been too intent upon them to notice the gradual
|
|||
|
diminution of the light, until Weena's increasing apprehensions
|
|||
|
drew my attention. Then I saw that the gallery ran down at last
|
|||
|
into a thick darkness. I hesitated, and then, as I looked round
|
|||
|
me, I saw that the dust was less abundant and its surface less
|
|||
|
even. Further away towards the dimness, it appeared to be broken
|
|||
|
by a number of small narrow footprints. My sense of the
|
|||
|
immediate presence of the Morlocks revived at that. I felt that
|
|||
|
I was wasting my time in the academic examination of machinery.
|
|||
|
I called to mind that it was already far advanced in the
|
|||
|
afternoon, and that I had still no weapon, no refuge, and no
|
|||
|
means of making a fire. And then down in the remote blackness of
|
|||
|
the gallery I heard a peculiar pattering, and the same odd noises
|
|||
|
I had heard down the well.
|
|||
|
|
|||
|
`I took Weena's hand. Then, struck with a sudden idea, I left
|
|||
|
her and turned to a machine from which projected a lever not
|
|||
|
unlike those in a signal-box. Clambering upon the stand, and
|
|||
|
grasping this lever in my hands, I put all my weight upon it
|
|||
|
sideways. Suddenly Weena, deserted in the central aisle, began
|
|||
|
to whimper. I had judged the strength of the lever pretty
|
|||
|
correctly, for it snapped after a minute's strain, and I rejoined
|
|||
|
her with a mace in my hand more than sufficient, I judged, for
|
|||
|
any Morlock skull I might encounter. And I longed very much to
|
|||
|
kill a Morlock or so. Very inhuman, you may think, to want to go
|
|||
|
killing one's own descendants! But it was impossible, somehow,
|
|||
|
to feel any humanity in the things. Only my disinclination to
|
|||
|
leave Weena, and a persuasion that if I began to slake my thirst
|
|||
|
for murder my Time Machine might suffer, restrained me from going
|
|||
|
straight down the gallery and killing the brutes I heard.
|
|||
|
|
|||
|
`Well, mace in one hand and Weena in the other, I went out of
|
|||
|
that gallery and into another and still larger one, which at the
|
|||
|
first glance reminded me of a military chapel hung with tattered
|
|||
|
flags. The brown and charred rags that hung from the sides of
|
|||
|
it, I presently recognized as the decaying vestiges of books.
|
|||
|
They had long since dropped to pieces, and every semblance of
|
|||
|
print had left them. But here and there were warped boards and
|
|||
|
cracked metallic clasps that told the tale well enough. Had I
|
|||
|
been a literary man I might, perhaps, have moralized upon the
|
|||
|
futility of all ambition. But as it was, the thing that struck
|
|||
|
me with keenest force was the enormous waste of labour to which
|
|||
|
this sombre wilderness of rotting paper testified. At the time I
|
|||
|
will confess that I thought chiefly of the PHILOSOPHICAL
|
|||
|
TRANSACTIONS and my own seventeen papers upon physical optics.
|
|||
|
|
|||
|
`Then, going up a broad staircase, we came to what may once
|
|||
|
have been a gallery of technical chemistry. And here I had not a
|
|||
|
little hope of useful discoveries. Except at one end where the
|
|||
|
roof had collapsed, this gallery was well preserved. I went
|
|||
|
eagerly to every unbroken case. And at last, in one of the
|
|||
|
really air-tight cases, I found a box of matches. Very eagerly I
|
|||
|
tried them. They were perfectly good. They were not even damp.
|
|||
|
I turned to Weena. "Dance," I cried to her in her own tongue.
|
|||
|
For now I had a weapon indeed against the horrible creatures we
|
|||
|
feared. And so, in that derelict museum, upon the thick soft
|
|||
|
carpeting of dust, to Weena's huge delight, I solemnly performed
|
|||
|
a kind of composite dance, whistling THE LAND OF THE LEAL as
|
|||
|
cheerfully as I could. In part it was a modest CANCAN, in part
|
|||
|
a step dance, in part a skirt-dance (so far as my tail-coat
|
|||
|
permitted), and in part original. For I am naturally inventive,
|
|||
|
as you know.
|
|||
|
|
|||
|
`Now, I still think that for this box of matches to have
|
|||
|
escaped the wear of time for immemorial years was a most strange,
|
|||
|
as for me it was a most fortunate thing. Yet, oddly enough, I
|
|||
|
found a far unlikelier substance, and that was camphor. I found
|
|||
|
it in a sealed jar, that by chance, I suppose, had been really
|
|||
|
hermetically sealed. I fancied at first that it was paraffin
|
|||
|
wax, and smashed the glass accordingly. But the odour of camphor
|
|||
|
was unmistakable. In the universal decay this volatile substance
|
|||
|
had chanced to survive, perhaps through many thousands of
|
|||
|
centuries. It reminded me of a sepia painting I had once seen
|
|||
|
done from the ink of a fossil Belemnite that must have perished
|
|||
|
and become fossilized millions of years ago. I was about to
|
|||
|
throw it away, but I remembered that it was inflammable and
|
|||
|
burned with a good bright flame--was, in fact, an excellent
|
|||
|
candle--and I put it in my pocket. I found no explosives,
|
|||
|
however, nor any means of breaking down the bronze doors. As yet
|
|||
|
my iron crowbar was the most helpful thing I had chanced upon.
|
|||
|
Nevertheless I left that gallery greatly elated.
|
|||
|
|
|||
|
`I cannot tell you all the story of that long afternoon. It
|
|||
|
would require a great effort of memory to recall my explorations
|
|||
|
in at all the proper order. I remember a long gallery of rusting
|
|||
|
stands of arms, and how I hesitated between my crowbar and a
|
|||
|
hatchet or a sword. I could not carry both, however, and my bar
|
|||
|
of iron promised best against the bronze gates. There were
|
|||
|
numbers of guns, pistols, and rifles. The most were masses of
|
|||
|
rust, but many were of some new metal, and still fairly sound.
|
|||
|
But any cartridges or powder there may once have been had rotted
|
|||
|
into dust. One corner I saw was charred and shattered; perhaps,
|
|||
|
I thought, by an explosion among the specimens. In another place
|
|||
|
was a vast array of idols--Polynesian, Mexican, Grecian,
|
|||
|
Phoenician, every country on earth I should think. And here,
|
|||
|
yielding to an irresistible impulse, I wrote my name upon the
|
|||
|
nose of a steatite monster from South America that particularly
|
|||
|
took my fancy.
|
|||
|
|
|||
|
`As the evening drew on, my interest waned. I went through
|
|||
|
gallery after gallery, dusty, silent, often ruinous, the exhibits
|
|||
|
sometimes mere heaps of rust and lignite, sometimes fresher. In
|
|||
|
one place I suddenly found myself near the model of a tin-mine,
|
|||
|
and then by the merest accident I discovered, in an air-tight
|
|||
|
case, two dynamite cartridges! I shouted "Eureka!" and smashed
|
|||
|
the case with joy. Then came a doubt. I hesitated. Then,
|
|||
|
selecting a little side gallery, I made my essay. I never felt
|
|||
|
such a disappointment as I did in waiting five, ten, fifteen
|
|||
|
minutes for an explosion that never came. Of course the things
|
|||
|
were dummies, as I might have guessed from their presence. I
|
|||
|
really believe that had they not been so, I should have rushed
|
|||
|
off incontinently and blown Sphinx, bronze doors, and (as it
|
|||
|
proved) my chances of finding the Time Machine, all together into
|
|||
|
nonexistence.
|
|||
|
|
|||
|
`It was after that, I think, that we came to a little open
|
|||
|
court within the palace. It was turfed, and had three fruit-
|
|||
|
trees. So we rested and refreshed ourselves. Towards sunset I
|
|||
|
began to consider our position. Night was creeping upon us, and
|
|||
|
my inaccessible hiding-place had still to be found. But that
|
|||
|
troubled me very little now. I had in my possession a thing that
|
|||
|
was, perhaps, the best of all defences against the Morlocks--I
|
|||
|
had matches! I had the camphor in my pocket, too, if a blaze
|
|||
|
were needed. It seemed to me that the best thing we could do
|
|||
|
would be to pass the night in the open, protected by a fire. In
|
|||
|
the morning there was the getting of the Time Machine. Towards
|
|||
|
that, as yet, I had only my iron mace. But now, with my growing
|
|||
|
knowledge, I felt very differently towards those bronze doors.
|
|||
|
Up to this, I had refrained from forcing them, largely because of
|
|||
|
the mystery on the other side. They had never impressed me as
|
|||
|
being very strong, and I hoped to find my bar of iron not
|
|||
|
altogether inadequate for the work.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
IX
|
|||
|
|
|||
|
|
|||
|
`We emerged from the palace while the sun was still in part
|
|||
|
above the horizon. I was determined to reach the White Sphinx
|
|||
|
early the next morning, and ere the dusk I purposed pushing
|
|||
|
through the woods that had stopped me on the previous journey.
|
|||
|
My plan was to go as far as possible that night, and then,
|
|||
|
building a fire, to sleep in the protection of its glare.
|
|||
|
Accordingly, as we went along I gathered any sticks or dried
|
|||
|
grass I saw, and presently had my arms full of such litter. Thus
|
|||
|
loaded, our progress was slower than I had anticipated, and
|
|||
|
besides Weena was tired. And I began to suffer from sleepiness
|
|||
|
too; so that it was full night before we reached the wood. Upon
|
|||
|
the shrubby hill of its edge Weena would have stopped, fearing
|
|||
|
the darkness before us; but a singular sense of impending
|
|||
|
calamity, that should indeed have served me as a warning, drove
|
|||
|
me onward. I had been without sleep for a night and two days,
|
|||
|
and I was feverish and irritable. I felt sleep coming upon me,
|
|||
|
and the Morlocks with it.
|
|||
|
|
|||
|
`While we hesitated, among the black bushes behind us, and dim
|
|||
|
against their blackness, I saw three crouching figures. There
|
|||
|
was scrub and long grass all about us, and I did not feel safe
|
|||
|
from their insidious approach. The forest, I calculated, was
|
|||
|
rather less than a mile across. If we could get through it to
|
|||
|
the bare hill-side, there, as it seemed to me, was an altogether
|
|||
|
safer resting-place; I thought that with my matches and my
|
|||
|
camphor I could contrive to keep my path illuminated through the
|
|||
|
woods. Yet it was evident that if I was to flourish matches with
|
|||
|
my hands I should have to abandon my firewood; so, rather
|
|||
|
reluctantly, I put it down. And then it came into my head that I
|
|||
|
would amaze our friends behind by lighting it. I was to discover
|
|||
|
the atrocious folly of this proceeding, but it came to my mind as
|
|||
|
an ingenious move for covering our retreat.
|
|||
|
|
|||
|
`I don't know if you have ever thought what a rare thing flame
|
|||
|
must be in the absence of man and in a temperate climate. The
|
|||
|
sun's heat is rarely strong enough to burn, even when it is
|
|||
|
focused by dewdrops, as is sometimes the case in more tropical
|
|||
|
districts. Lightning may blast and blacken, but it rarely gives
|
|||
|
rise to widespread fire. Decaying vegetation may occasionally
|
|||
|
smoulder with the heat of its fermentation, but this rarely
|
|||
|
results in flame. In this decadence, too, the art of fire-making
|
|||
|
had been forgotten on the earth. The red tongues that went
|
|||
|
licking up my heap of wood were an altogether new and strange
|
|||
|
thing to Weena.
|
|||
|
|
|||
|
`She wanted to run to it and play with it. I believe she
|
|||
|
would have cast herself into it had I not restrained her. But I
|
|||
|
caught her up, and in spite of her struggles, plunged boldly
|
|||
|
before me into the wood. For a little way the glare of my fire
|
|||
|
lit the path. Looking back presently, I could see, through the
|
|||
|
crowded stems, that from my heap of sticks the blaze had spread
|
|||
|
to some bushes adjacent, and a curved line of fire was creeping
|
|||
|
up the grass of the hill. I laughed at that, and turned again to
|
|||
|
the dark trees before me. It was very black, and Weena clung to
|
|||
|
me convulsively, but there was still, as my eyes grew accustomed
|
|||
|
to the darkness, sufficient light for me to avoid the stems.
|
|||
|
Overhead it was simply black, except where a gap of remote blue
|
|||
|
sky shone down upon us here and there. I struck none of my
|
|||
|
matches because I had no hand free. Upon my left arm I carried
|
|||
|
my little one, in my right hand I had my iron bar.
|
|||
|
|
|||
|
`For some way I heard nothing but the crackling twigs under my
|
|||
|
feet, the faint rustle of the breeze above, and my own breathing
|
|||
|
and the throb of the blood-vessels in my ears. Then I seemed to
|
|||
|
know of a pattering about me. I pushed on grimly. The pattering
|
|||
|
grew more distinct, and then I caught the same queer sound and
|
|||
|
voices I had heard in the Under-world. There were evidently
|
|||
|
several of the Morlocks, and they were closing in upon me.
|
|||
|
Indeed, in another minute I felt a tug at my coat, then something
|
|||
|
at my arm. And Weena shivered violently, and became quite still.
|
|||
|
|
|||
|
`It was time for a match. But to get one I must put her down.
|
|||
|
I did so, and, as I fumbled with my pocket, a struggle began in
|
|||
|
the darkness about my knees, perfectly silent on her part and
|
|||
|
with the same peculiar cooing sounds from the Morlocks. Soft
|
|||
|
little hands, too, were creeping over my coat and back, touching
|
|||
|
even my neck. Then the match scratched and fizzed. I held it
|
|||
|
flaring, and saw the white backs of the Morlocks in flight amid
|
|||
|
the trees. I hastily took a lump of camphor from my pocket, and
|
|||
|
prepared to light is as soon as the match should wane. Then I
|
|||
|
looked at Weena. She was lying clutching my feet and quite
|
|||
|
motionless, with her face to the ground. With a sudden fright I
|
|||
|
stooped to her. She seemed scarcely to breathe. I lit the block
|
|||
|
of camphor and flung it to the ground, and as it split and flared
|
|||
|
up and drove back the Morlocks and the shadows, I knelt down and
|
|||
|
lifted her. The wood behind seemed full of the stir and murmur
|
|||
|
of a great company!
|
|||
|
|
|||
|
`She seemed to have fainted. I put her carefully upon my
|
|||
|
shoulder and rose to push on, and then there came a horrible
|
|||
|
realization. In manoeuvring with my matches and Weena, I had
|
|||
|
turned myself about several times, and now I had not the faintest
|
|||
|
idea in what direction lay my path. For all I knew, I might be
|
|||
|
facing back towards the Palace of Green Porcelain. I found
|
|||
|
myself in a cold sweat. I had to think rapidly what to do. I
|
|||
|
determined to build a fire and encamp where we were. I put
|
|||
|
Weena, still motionless, down upon a turfy bole, and very
|
|||
|
hastily, as my first lump of camphor waned, I began collecting
|
|||
|
sticks and leaves. Here and there out of the darkness round me
|
|||
|
the Morlocks' eyes shone like carbuncles.
|
|||
|
|
|||
|
`The camphor flickered and went out. I lit a match, and as I
|
|||
|
did so, two white forms that had been approaching Weena dashed
|
|||
|
hastily away. One was so blinded by the light that he came
|
|||
|
straight for me, and I felt his bones grind under the blow of my
|
|||
|
fist. He gave a whoop of dismay, staggered a little way, and
|
|||
|
fell down. I lit another piece of camphor, and went on gathering
|
|||
|
my bonfire. Presently I noticed how dry was some of the foliage
|
|||
|
above me, for since my arrival on the Time Machine, a matter of a
|
|||
|
week, no rain had fallen. So, instead of casting about among the
|
|||
|
trees for fallen twigs, I began leaping up and dragging down
|
|||
|
branches. Very soon I had a choking smoky fire of green wood and
|
|||
|
dry sticks, and could economize my camphor. Then I turned to
|
|||
|
where Weena lay beside my iron mace. I tried what I could to
|
|||
|
revive her, but she lay like one dead. I could not even satisfy
|
|||
|
myself whether or not she breathed.
|
|||
|
|
|||
|
`Now, the smoke of the fire beat over towards me, and it must
|
|||
|
have made me heavy of a sudden. Moreover, the vapour of camphor
|
|||
|
was in the air. My fire would not need replenishing for an hour
|
|||
|
or so. I felt very weary after my exertion, and sat down. The
|
|||
|
wood, too, was full of a slumbrous murmur that I did not
|
|||
|
understand. I seemed just to nod and open my eyes. But all was
|
|||
|
dark, and the Morlocks had their hands upon me. Flinging off
|
|||
|
their clinging fingers I hastily felt in my pocket for the
|
|||
|
match-box, and--it had gone! Then they gripped and closed with
|
|||
|
me again. In a moment I knew what had happened. I had slept,
|
|||
|
and my fire had gone out, and the bitterness of death came over
|
|||
|
my soul. The forest seemed full of the smell of burning wood. I
|
|||
|
was caught by the neck, by the hair, by the arms, and pulled
|
|||
|
down. It was indescribably horrible in the darkness to feel all
|
|||
|
these soft creatures heaped upon me. I felt as if I was in a
|
|||
|
monstrous spider's web. I was overpowered, and went down. I
|
|||
|
felt little teeth nipping at my neck. I rolled over, and as I
|
|||
|
did so my hand came against my iron lever. It gave me strength.
|
|||
|
I struggled up, shaking the human rats from me, and, holding the
|
|||
|
bar short, I thrust where I judged their faces might be. I could
|
|||
|
feel the succulent giving of flesh and bone under my blows, and
|
|||
|
for a moment I was free.
|
|||
|
|
|||
|
`The strange exultation that so often seems to accompany hard
|
|||
|
fighting came upon me. I knew that both I and Weena were lost,
|
|||
|
but I determined to make the Morlocks pay for their meat. I
|
|||
|
stood with my back to a tree, swinging the iron bar before me.
|
|||
|
The whole wood was full of the stir and cries of them. A minute
|
|||
|
passed. Their voices seemed to rise to a higher pitch of
|
|||
|
excitement, and their movements grew faster. Yet none came
|
|||
|
within reach. I stood glaring at the blackness. Then suddenly
|
|||
|
came hope. What if the Morlocks were afraid? And close on the
|
|||
|
heels of that came a strange thing. The darkness seemed to grow
|
|||
|
luminous. Very dimly I began to see the Morlocks about me--three
|
|||
|
battered at my feet--and then I recognized, with incredulous
|
|||
|
surprise, that the others were running, in an incessant stream,
|
|||
|
as it seemed, from behind me, and away through the wood in front.
|
|||
|
And their backs seemed no longer white, but reddish. As I stood
|
|||
|
agape, I saw a little red spark go drifting across a gap of
|
|||
|
starlight between the branches, and vanish. And at that I
|
|||
|
understood the smell of burning wood, the slumbrous murmur that
|
|||
|
was growing now into a gusty roar, the red glow, and the
|
|||
|
Morlocks' flight.
|
|||
|
|
|||
|
`Stepping out from behind my tree and looking back, I saw,
|
|||
|
through the black pillars of the nearer trees, the flames of the
|
|||
|
burning forest. It was my first fire coming after me. With that
|
|||
|
I looked for Weena, but she was gone. The hissing and crackling
|
|||
|
behind me, the explosive thud as each fresh tree burst into
|
|||
|
flame, left little time for reflection. My iron bar still
|
|||
|
gripped, I followed in the Morlocks' path. It was a close race.
|
|||
|
Once the flames crept forward so swiftly on my right as I ran
|
|||
|
that I was outflanked and had to strike off to the left. But at
|
|||
|
last I emerged upon a small open space, and as I did so, a
|
|||
|
Morlock came blundering towards me, and past me, and went on
|
|||
|
straight into the fire!
|
|||
|
|
|||
|
`And now I was to see the most weird and horrible thing, I
|
|||
|
think, of all that I beheld in that future age. This whole space
|
|||
|
was as bright as day with the reflection of the fire. In the
|
|||
|
centre was a hillock or tumulus, surmounted by a scorched
|
|||
|
hawthorn. Beyond this was another arm of the burning forest,
|
|||
|
with yellow tongues already writhing from it, completely
|
|||
|
encircling the space with a fence of fire. Upon the hill-side
|
|||
|
were some thirty or forty Morlocks, dazzled by the light and
|
|||
|
heat, and blundering hither and thither against each other in
|
|||
|
their bewilderment. At first I did not realize their blindness,
|
|||
|
and struck furiously at them with my bar, in a frenzy of fear, as
|
|||
|
they approached me, killing one and crippling several more. But
|
|||
|
when I had watched the gestures of one of them groping under the
|
|||
|
hawthorn against the red sky, and heard their moans, I was
|
|||
|
assured of their absolute helplessness and misery in the glare,
|
|||
|
and I struck no more of them.
|
|||
|
|
|||
|
`Yet every now and then one would come straight towards me,
|
|||
|
setting loose a quivering horror that made me quick to elude him.
|
|||
|
At one time the flames died down somewhat, and I feared the foul
|
|||
|
creatures would presently be able to see me. I was thinking of
|
|||
|
beginning the fight by killing some of them before this should
|
|||
|
happen; but the fire burst out again brightly, and I stayed my
|
|||
|
hand. I walked about the hill among them and avoided them,
|
|||
|
looking for some trace of Weena. But Weena was gone.
|
|||
|
|
|||
|
`At last I sat down on the summit of the hillock, and watched
|
|||
|
this strange incredible company of blind things groping to and
|
|||
|
fro, and making uncanny noises to each other, as the glare of the
|
|||
|
fire beat on them. The coiling uprush of smoke streamed across
|
|||
|
the sky, and through the rare tatters of that red canopy, remote
|
|||
|
as though they belonged to another universe, shone the little
|
|||
|
stars. Two or three Morlocks came blundering into me, and I
|
|||
|
drove them off with blows of my fists, trembling as I did so.
|
|||
|
|
|||
|
`For the most part of that night I was persuaded it was a
|
|||
|
nightmare. I bit myself and screamed in a passionate desire to
|
|||
|
awake. I beat the ground with my hands, and got up and sat down
|
|||
|
again, and wandered here and there, and again sat down. Then I
|
|||
|
would fall to rubbing my eyes and calling upon God to let me
|
|||
|
awake. Thrice I saw Morlocks put their heads down in a kind of
|
|||
|
agony and rush into the flames. But, at last, above the
|
|||
|
subsiding red of the fire, above the streaming masses of black
|
|||
|
smoke and the whitening and blackening tree stumps, and the
|
|||
|
diminishing numbers of these dim creatures, came the white light
|
|||
|
of the day.
|
|||
|
|
|||
|
`I searched again for traces of Weena, but there were none.
|
|||
|
It was plain that they had left her poor little body in the
|
|||
|
forest. I cannot describe how it relieved me to think that it
|
|||
|
had escaped the awful fate to which it seemed destined. As I
|
|||
|
thought of that, I was almost moved to begin a massacre of the
|
|||
|
helpless abominations about me, but I contained myself. The
|
|||
|
hillock, as I have said, was a kind of island in the forest.
|
|||
|
From its summit I could now make out through a haze of smoke the
|
|||
|
Palace of Green Porcelain, and from that I could get my bearings
|
|||
|
for the White Sphinx. And so, leaving the remnant of these
|
|||
|
damned souls still going hither and thither and moaning, as the
|
|||
|
day grew clearer, I tied some grass about my feet and limped on
|
|||
|
across smoking ashes and among black stems, that still pulsated
|
|||
|
internally with fire, towards the hiding-place of the Time
|
|||
|
Machine. I walked slowly, for I was almost exhausted, as well as
|
|||
|
lame, and I felt the intensest wretchedness for the horrible
|
|||
|
death of little Weena. It seemed an overwhelming calamity. Now,
|
|||
|
in this old familiar room, it is more like the sorrow of a dream
|
|||
|
than an actual loss. But that morning it left me absolutely
|
|||
|
lonely again--terribly alone. I began to think of this house of
|
|||
|
mine, of this fireside, of some of you, and with such thoughts
|
|||
|
came a longing that was pain.
|
|||
|
|
|||
|
`But as I walked over the smoking ashes under the bright
|
|||
|
morning sky, I made a discovery. In my trouser pocket were still
|
|||
|
some loose matches. The box must have leaked before it was lost.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
X
|
|||
|
|
|||
|
|
|||
|
`About eight or nine in the morning I came to the same seat of
|
|||
|
yellow metal from which I had viewed the world upon the evening
|
|||
|
of my arrival. I thought of my hasty conclusions upon that
|
|||
|
evening and could not refrain from laughing bitterly at my
|
|||
|
confidence. Here was the same beautiful scene, the same abundant
|
|||
|
foliage, the same splendid palaces and magnificent ruins, the
|
|||
|
same silver river running between its fertile banks. The gay
|
|||
|
robes of the beautiful people moved hither and thither among the
|
|||
|
trees. Some were bathing in exactly the place where I had saved
|
|||
|
Weena, and that suddenly gave me a keen stab of pain. And like
|
|||
|
blots upon the landscape rose the cupolas above the ways to the
|
|||
|
Under-world. I understood now what all the beauty of the Over-
|
|||
|
world people covered. Very pleasant was their day, as pleasant
|
|||
|
as the day of the cattle in the field. Like the cattle, they
|
|||
|
knew of no enemies and provided against no needs. And their end
|
|||
|
was the same.
|
|||
|
|
|||
|
`I grieved to think how brief the dream of the human intellect
|
|||
|
had been. It had committed suicide. It had set itself
|
|||
|
steadfastly towards comfort and ease, a balanced society with
|
|||
|
security and permanency as its watchword, it had attained its
|
|||
|
hopes--to come to this at last. Once, life and property must
|
|||
|
have reached almost absolute safety. The rich had been assured
|
|||
|
of his wealth and comfort, the toiler assured of his life and
|
|||
|
work. No doubt in that perfect world there had been no
|
|||
|
unemployed problem, no social question left unsolved. And a
|
|||
|
great quiet had followed.
|
|||
|
|
|||
|
`It is a law of nature we overlook, that intellectual
|
|||
|
versatility is the compensation for change, danger, and trouble.
|
|||
|
An animal perfectly in harmony with its environment is a perfect
|
|||
|
mechanism. Nature never appeals to intelligence until habit and
|
|||
|
instinct are useless. There is no intelligence where there is no
|
|||
|
change and no need of change. Only those animals partake of
|
|||
|
intelligence that have to meet a huge variety of needs and
|
|||
|
dangers.
|
|||
|
|
|||
|
`So, as I see it, the Upper-world man had drifted towards his
|
|||
|
feeble prettiness, and the Under-world to mere mechanical
|
|||
|
industry. But that perfect state had lacked one thing even for
|
|||
|
mechanical perfection--absolute permanency. Apparently as time
|
|||
|
went on, the feeding of the Under-world, however it was effected,
|
|||
|
had become disjointed. Mother Necessity, who had been staved off
|
|||
|
for a few thousand years, came back again, and she began below.
|
|||
|
The Under-world being in contact with machinery, which, however
|
|||
|
perfect, still needs some little thought outside habit, had
|
|||
|
probably retained perforce rather more initiative, if less of
|
|||
|
every other human character, than the Upper. And when other meat
|
|||
|
failed them, they turned to what old habit had hitherto
|
|||
|
forbidden. So I say I saw it in my last view of the world of
|
|||
|
Eight Hundred and Two Thousand Seven Hundred and One. It may be
|
|||
|
as wrong an explanation as mortal wit could invent. It is how
|
|||
|
the thing shaped itself to me, and as that I give it to you.
|
|||
|
|
|||
|
`After the fatigues, excitements, and terrors of the past
|
|||
|
days, and in spite of my grief, this seat and the tranquil view
|
|||
|
and the warm sunlight were very pleasant. I was very tired and
|
|||
|
sleepy, and soon my theorizing passed into dozing. Catching
|
|||
|
myself at that, I took my own hint, and spreading myself out upon
|
|||
|
the turf I had a long and refreshing sleep.
|
|||
|
|
|||
|
`I awoke a little before sunsetting. I now felt safe against
|
|||
|
being caught napping by the Morlocks, and, stretching myself, I
|
|||
|
came on down the hill towards the White Sphinx. I had my crowbar
|
|||
|
in one hand, and the other hand played with the matches in my
|
|||
|
pocket.
|
|||
|
|
|||
|
`And now came a most unexpected thing. As I approached the
|
|||
|
pedestal of the sphinx I found the bronze valves were open. They
|
|||
|
had slid down into grooves.
|
|||
|
|
|||
|
`At that I stopped short before them, hesitating to enter.
|
|||
|
|
|||
|
`Within was a small apartment, and on a raised place in the
|
|||
|
corner of this was the Time Machine. I had the small levers in
|
|||
|
my pocket. So here, after all my elaborate preparations for the
|
|||
|
siege of the White Sphinx, was a meek surrender. I threw my iron
|
|||
|
bar away, almost sorry not to use it.
|
|||
|
|
|||
|
`A sudden thought came into my head as I stooped towards the
|
|||
|
portal. For once, at least, I grasped the mental operations of
|
|||
|
the Morlocks. Suppressing a strong inclination to laugh, I
|
|||
|
stepped through the bronze frame and up to the Time Machine. I
|
|||
|
was surprised to find it had been carefully oiled and cleaned. I
|
|||
|
have suspected since that the Morlocks had even partially taken
|
|||
|
it to pieces while trying in their dim way to grasp its purpose.
|
|||
|
|
|||
|
`Now as I stood and examined it, finding a pleasure in the
|
|||
|
mere touch of the contrivance, the thing I had expected happened.
|
|||
|
The bronze panels suddenly slid up and struck the frame with a
|
|||
|
clang. I was in the dark--trapped. So the Morlocks thought. At
|
|||
|
that I chuckled gleefully.
|
|||
|
|
|||
|
`I could already hear their murmuring laughter as they came
|
|||
|
towards me. Very calmly I tried to strike the match. I had only
|
|||
|
to fix on the levers and depart then like a ghost. But I had
|
|||
|
overlooked one little thing. The matches were of that abominable
|
|||
|
kind that light only on the box.
|
|||
|
|
|||
|
`You may imagine how all my calm vanished. The little brutes
|
|||
|
were close upon me. One touched me. I made a sweeping blow in
|
|||
|
the dark at them with the levers, and began to scramble into the
|
|||
|
saddle of the machine. Then came one hand upon me and then
|
|||
|
another. Then I had simply to fight against their persistent
|
|||
|
fingers for my levers, and at the same time feel for the studs
|
|||
|
over which these fitted. One, indeed, they almost got away from
|
|||
|
me. As it slipped from my hand, I had to butt in the dark with
|
|||
|
my head--I could hear the Morlock's skull ring--to recover it.
|
|||
|
It was a nearer thing than the fight in the forest, I think, this
|
|||
|
last scramble.
|
|||
|
|
|||
|
`But at last the lever was fitted and pulled over. The
|
|||
|
clinging hands slipped from me. The darkness presently fell from
|
|||
|
my eyes. I found myself in the same grey light and tumult I have
|
|||
|
already described.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
XI
|
|||
|
|
|||
|
|
|||
|
`I have already told you of the sickness and confusion that
|
|||
|
comes with time travelling. And this time I was not seated
|
|||
|
properly in the saddle, but sideways and in an unstable fashion.
|
|||
|
For an indefinite time I clung to the machine as it swayed and
|
|||
|
vibrated, quite unheeding how I went, and when I brought myself
|
|||
|
to look at the dials again I was amazed to find where I had
|
|||
|
arrived. One dial records days, and another thousands of days,
|
|||
|
another millions of days, and another thousands of millions.
|
|||
|
Now, instead of reversing the levers, I had pulled them over so
|
|||
|
as to go forward with them, and when I came to look at these
|
|||
|
indicators I found that the thousands hand was sweeping round as
|
|||
|
fast as the seconds hand of a watch--into futurity.
|
|||
|
|
|||
|
`As I drove on, a peculiar change crept over the appearance of
|
|||
|
things. The palpitating greyness grew darker; then--though I was
|
|||
|
still travelling with prodigious velocity--the blinking
|
|||
|
succession of day and night, which was usually indicative of a
|
|||
|
slower pace, returned, and grew more and more marked. This
|
|||
|
puzzled me very much at first. The alternations of night and day
|
|||
|
grew slower and slower, and so did the passage of the sun across
|
|||
|
the sky, until they seemed to stretch through centuries. At last
|
|||
|
a steady twilight brooded over the earth, a twilight only broken
|
|||
|
now and then when a comet glared across the darkling sky. The
|
|||
|
band of light that had indicated the sun had long since
|
|||
|
disappeared; for the sun had ceased to set--it simply rose and
|
|||
|
fell in the west, and grew ever broader and more red. All trace
|
|||
|
of the moon had vanished. The circling of the stars, growing
|
|||
|
slower and slower, had given place to creeping points of light.
|
|||
|
At last, some time before I stopped, the sun, red and very large,
|
|||
|
halted motionless upon the horizon, a vast dome glowing with a
|
|||
|
dull heat, and now and then suffering a momentary extinction. At
|
|||
|
one time it had for a little while glowed more brilliantly again,
|
|||
|
but it speedily reverted to its sullen red heat. I perceived by
|
|||
|
this slowing down of its rising and setting that the work of the
|
|||
|
tidal drag was done. The earth had come to rest with one face to
|
|||
|
the sun, even as in our own time the moon faces the earth. Very
|
|||
|
cautiously, for I remembered my former headlong fall, I began to
|
|||
|
reverse my motion. Slower and slower went the circling hands
|
|||
|
until the thousands one seemed motionless and the daily one was
|
|||
|
no longer a mere mist upon its scale. Still slower, until the
|
|||
|
dim outlines of a desolate beach grew visible.
|
|||
|
|
|||
|
`I stopped very gently and sat upon the Time Machine, looking
|
|||
|
round. The sky was no longer blue. North-eastward it was inky
|
|||
|
black, and out of the blackness shone brightly and steadily the
|
|||
|
pale white stars. Overhead it was a deep Indian red and
|
|||
|
starless, and south-eastward it grew brighter to a glowing
|
|||
|
scarlet where, cut by the horizon, lay the huge hull of the sun,
|
|||
|
red and motionless. The rocks about me were of a harsh reddish
|
|||
|
colour, and all the trace of life that I could see at first was
|
|||
|
the intensely green vegetation that covered every projecting
|
|||
|
point on their south-eastern face. It was the same rich green
|
|||
|
that one sees on forest moss or on the lichen in caves: plants
|
|||
|
which like these grow in a perpetual twilight.
|
|||
|
|
|||
|
`The machine was standing on a sloping beach. The sea
|
|||
|
stretched away to the south-west, to rise into a sharp bright
|
|||
|
horizon against the wan sky. There were no breakers and no
|
|||
|
waves, for not a breath of wind was stirring. Only a slight oily
|
|||
|
swell rose and fell like a gentle breathing, and showed that the
|
|||
|
eternal sea was still moving and living. And along the margin
|
|||
|
where the water sometimes broke was a thick incrustation of
|
|||
|
salt--pink under the lurid sky. There was a sense of oppression
|
|||
|
in my head, and I noticed that I was breathing very fast. The
|
|||
|
sensation reminded me of my only experience of mountaineering,
|
|||
|
and from that I judged the air to be more rarefied than it is
|
|||
|
now.
|
|||
|
|
|||
|
`Far away up the desolate slope I heard a harsh scream, and
|
|||
|
saw a thing like a huge white butterfly go slanting and
|
|||
|
flittering up into the sky and, circling, disappear over some low
|
|||
|
hillocks beyond. The sound of its voice was so dismal that I
|
|||
|
shivered and seated myself more firmly upon the machine. Looking
|
|||
|
round me again, I saw that, quite near, what I had taken to be a
|
|||
|
reddish mass of rock was moving slowly towards me. Then I saw
|
|||
|
the thing was really a monstrous crab-like creature. Can you
|
|||
|
imagine a crab as large as yonder table, with its many legs
|
|||
|
moving slowly and uncertainly, its big claws swaying, its long
|
|||
|
antennae, like carters' whips, waving and feeling, and its
|
|||
|
stalked eyes gleaming at you on either side of its metallic
|
|||
|
front? Its back was corrugated and ornamented with ungainly
|
|||
|
bosses, and a greenish incrustation blotched it here and there.
|
|||
|
I could see the many palps of its complicated mouth flickering
|
|||
|
and feeling as it moved.
|
|||
|
|
|||
|
`As I stared at this sinister apparition crawling towards me,
|
|||
|
I felt a tickling on my cheek as though a fly had lighted there.
|
|||
|
I tried to brush it away with my hand, but in a moment it
|
|||
|
returned, and almost immediately came another by my ear. I
|
|||
|
struck at this, and caught something threadlike. It was drawn
|
|||
|
swiftly out of my hand. With a frightful qualm, I turned, and I
|
|||
|
saw that I had grasped the antenna of another monster crab that
|
|||
|
stood just behind me. Its evil eyes were wriggling on their
|
|||
|
stalks, its mouth was all alive with appetite, and its vast
|
|||
|
ungainly claws, smeared with an algal slime, were descending upon
|
|||
|
me. In a moment my hand was on the lever, and I had placed a
|
|||
|
month between myself and these monsters. But I was still on the
|
|||
|
same beach, and I saw them distinctly now as soon as I stopped.
|
|||
|
Dozens of them seemed to be crawling here and there, in the
|
|||
|
sombre light, among the foliated sheets of intense green.
|
|||
|
|
|||
|
`I cannot convey the sense of abominable desolation that hung
|
|||
|
over the world. The red eastern sky, the northward blackness,
|
|||
|
the salt Dead Sea, the stony beach crawling with these foul,
|
|||
|
slow-stirring monsters, the uniform poisonous-looking green of
|
|||
|
the lichenous plants, the thin air that hurts one's lungs: all
|
|||
|
contributed to an appalling effect. I moved on a hundred years,
|
|||
|
and there was the same red sun--a little larger, a little
|
|||
|
duller--the same dying sea, the same chill air, and the same
|
|||
|
crowd of earthy crustacea creeping in and out among the green
|
|||
|
weed and the red rocks. And in the westward sky, I saw a curved
|
|||
|
pale line like a vast new moon.
|
|||
|
|
|||
|
`So I travelled, stopping ever and again, in great strides of
|
|||
|
a thousand years or more, drawn on by the mystery of the earth's
|
|||
|
fate, watching with a strange fascination the sun grow larger and
|
|||
|
duller in the westward sky, and the life of the old earth ebb
|
|||
|
away. At last, more than thirty million years hence, the huge
|
|||
|
red-hot dome of the sun had come to obscure nearly a tenth part
|
|||
|
of the darkling heavens. Then I stopped once more, for the
|
|||
|
crawling multitude of crabs had disappeared, and the red beach,
|
|||
|
save for its livid green liverworts and lichens, seemed lifeless.
|
|||
|
And now it was flecked with white. A bitter cold assailed me.
|
|||
|
Rare white flakes ever and again came eddying down. To the
|
|||
|
north-eastward, the glare of snow lay under the starlight of the
|
|||
|
sable sky and I could see an undulating crest of hillocks pinkish
|
|||
|
white. There were fringes of ice along the sea margin, with
|
|||
|
drifting masses further out; but the main expanse of that salt
|
|||
|
ocean, all bloody under the eternal sunset, was still unfrozen.
|
|||
|
|
|||
|
`I looked about me to see if any traces of animal life
|
|||
|
remained. A certain indefinable apprehension still kept me in
|
|||
|
the saddle of the machine. But I saw nothing moving, in earth or
|
|||
|
sky or sea. The green slime on the rocks alone testified that
|
|||
|
life was not extinct. A shallow sandbank had appeared in the sea
|
|||
|
and the water had receded from the beach. I fancied I saw some
|
|||
|
black object flopping about upon this bank, but it became
|
|||
|
motionless as I looked at it, and I judged that my eye had been
|
|||
|
deceived, and that the black object was merely a rock. The stars
|
|||
|
in the sky were intensely bright and seemed to me to twinkle very
|
|||
|
little.
|
|||
|
|
|||
|
`Suddenly I noticed that the circular westward outline of the
|
|||
|
sun had changed; that a concavity, a bay, had appeared in the
|
|||
|
curve. I saw this grow larger. For a minute perhaps I stared
|
|||
|
aghast at this blackness that was creeping over the day, and then
|
|||
|
I realized that an eclipse was beginning. Either the moon or the
|
|||
|
planet Mercury was passing across the sun's disk. Naturally, at
|
|||
|
first I took it to be the moon, but there is much to incline me
|
|||
|
to believe that what I really saw was the transit of an inner
|
|||
|
planet passing very near to the earth.
|
|||
|
|
|||
|
`The darkness grew apace; a cold wind began to blow in
|
|||
|
freshening gusts from the east, and the showering white flakes in
|
|||
|
the air increased in number. From the edge of the sea came a
|
|||
|
ripple and whisper. Beyond these lifeless sounds the world was
|
|||
|
silent. Silent? It would be hard to convey the stillness of it.
|
|||
|
All the sounds of man, the bleating of sheep, the cries of
|
|||
|
birds, the hum of insects, the stir that makes the background of
|
|||
|
our lives--all that was over. As the darkness thickened, the
|
|||
|
eddying flakes grew more abundant, dancing before my eyes; and
|
|||
|
the cold of the air more intense. At last, one by one, swiftly,
|
|||
|
one after the other, the white peaks of the distant hills
|
|||
|
vanished into blackness. The breeze rose to a moaning wind. I
|
|||
|
saw the black central shadow of the eclipse sweeping towards me.
|
|||
|
In another moment the pale stars alone were visible. All else
|
|||
|
was rayless obscurity. The sky was absolutely black.
|
|||
|
|
|||
|
`A horror of this great darkness came on me. The cold, that
|
|||
|
smote to my marrow, and the pain I felt in breathing, overcame
|
|||
|
me. I shivered, and a deadly nausea seized me. Then like a
|
|||
|
red-hot bow in the sky appeared the edge of the sun. I got off
|
|||
|
the machine to recover myself. I felt giddy and incapable of
|
|||
|
facing the return journey. As I stood sick and confused I saw
|
|||
|
again the moving thing upon the shoal--there was no mistake now
|
|||
|
that it was a moving thing--against the red water of the sea. It
|
|||
|
was a round thing, the size of a football perhaps, or, it may be,
|
|||
|
bigger, and tentacles trailed down from it; it seemed black
|
|||
|
against the weltering blood-red water, and it was hopping
|
|||
|
fitfully about. Then I felt I was fainting. But a terrible
|
|||
|
dread of lying helpless in that remote and awful twilight
|
|||
|
sustained me while I clambered upon the saddle.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
XII
|
|||
|
|
|||
|
|
|||
|
`So I came back. For a long time I must have been insensible
|
|||
|
upon the machine. The blinking succession of the days and nights
|
|||
|
was resumed, the sun got golden again, the sky blue. I breathed
|
|||
|
with greater freedom. The fluctuating contours of the land ebbed
|
|||
|
and flowed. The hands spun backward upon the dials. At last I
|
|||
|
saw again the dim shadows of houses, the evidences of decadent
|
|||
|
humanity. These, too, changed and passed, and others came.
|
|||
|
Presently, when the million dial was at zero, I slackened speed.
|
|||
|
I began to recognize our own petty and familiar architecture, the
|
|||
|
thousands hand ran back to the starting-point, the night and day
|
|||
|
flapped slower and slower. Then the old walls of the laboratory
|
|||
|
came round me. Very gently, now, I slowed the mechanism down.
|
|||
|
|
|||
|
`I saw one little thing that seemed odd to me. I think I have
|
|||
|
told you that when I set out, before my velocity became very
|
|||
|
high, Mrs. Watchett had walked across the room, travelling, as
|
|||
|
it seemed to me, like a rocket. As I returned, I passed again
|
|||
|
across that minute when she traversed the laboratory. But now
|
|||
|
her every motion appeared to be the exact inversion of her
|
|||
|
previous ones. The door at the lower end opened, and she glided
|
|||
|
quietly up the laboratory, back foremost, and disappeared behind
|
|||
|
the door by which she had previously entered. Just before that I
|
|||
|
seemed to see Hillyer for a moment; but he passed like a flash.
|
|||
|
|
|||
|
`Then I stopped the machine, and saw about me again the old
|
|||
|
familiar laboratory, my tools, my appliances just as I had left
|
|||
|
them. I got off the thing very shaky, and sat down upon my
|
|||
|
bench. For several minutes I trembled violently. Then I became
|
|||
|
calmer. Around me was my old workshop again, exactly as it had
|
|||
|
been. I might have slept there, and the whole thing have been a
|
|||
|
dream.
|
|||
|
|
|||
|
`And yet, not exactly! The thing had started from the
|
|||
|
south-east corner of the laboratory. It had come to rest again
|
|||
|
in the north-west, against the wall where you saw it. That gives
|
|||
|
you the exact distance from my little lawn to the pedestal of the
|
|||
|
White Sphinx, into which the Morlocks had carried my machine.
|
|||
|
|
|||
|
`For a time my brain went stagnant. Presently I got up and
|
|||
|
came through the passage here, limping, because my heel was still
|
|||
|
painful, and feeling sorely begrimed. I saw the PALL MALL
|
|||
|
GAZETTE on the table by the door. I found the date was indeed
|
|||
|
to-day, and looking at the timepiece, saw the hour was almost
|
|||
|
eight o'clock. I heard your voices and the clatter of plates. I
|
|||
|
hesitated--I felt so sick and weak. Then I sniffed good
|
|||
|
wholesome meat, and opened the door on you. You know the rest.
|
|||
|
I washed, and dined, and now I am telling you the story.
|
|||
|
|
|||
|
`I know,' he said, after a pause, `that all this will be
|
|||
|
absolutely incredible to you. To me the one incredible thing is
|
|||
|
that I am here to-night in this old familiar room looking into
|
|||
|
your friendly faces and telling you these strange adventures.'
|
|||
|
|
|||
|
He looked at the Medical Man. `No. I cannot expect you to
|
|||
|
believe it. Take it as a lie--or a prophecy. Say I dreamed it
|
|||
|
in the workshop. Consider I have been speculating upon the
|
|||
|
destinies of our race until I have hatched this fiction. Treat
|
|||
|
my assertion of its truth as a mere stroke of art to enhance its
|
|||
|
interest. And taking it as a story, what do you think of it?'
|
|||
|
|
|||
|
He took up his pipe, and began, in his old accustomed manner,
|
|||
|
to tap with it nervously upon the bars of the grate. There was a
|
|||
|
momentary stillness. Then chairs began to creak and shoes to
|
|||
|
scrape upon the carpet. I took my eyes off the Time Traveller's
|
|||
|
face, and looked round at his audience. They were in the dark,
|
|||
|
and little spots of colour swam before them. The Medical Man
|
|||
|
seemed absorbed in the contemplation of our host. The Editor was
|
|||
|
looking hard at the end of his cigar--the sixth. The Journalist
|
|||
|
fumbled for his watch. The others, as far as I remember, were
|
|||
|
motionless.
|
|||
|
|
|||
|
The Editor stood up with a sigh. `What a pity it is you're
|
|||
|
not a writer of stories!' he said, putting his hand on the Time
|
|||
|
Traveller's shoulder.
|
|||
|
|
|||
|
`You don't believe it?'
|
|||
|
|
|||
|
`Well----'
|
|||
|
|
|||
|
`I thought not.'
|
|||
|
|
|||
|
The Time Traveller turned to us. `Where are the matches?' he
|
|||
|
said. He lit one and spoke over his pipe, puffing. `To tell you
|
|||
|
the truth . . . I hardly believe it myself. . . . And yet . . .'
|
|||
|
|
|||
|
His eye fell with a mute inquiry upon the withered white
|
|||
|
flowers upon the little table. Then he turned over the hand
|
|||
|
holding his pipe, and I saw he was looking at some half-healed
|
|||
|
scars on his knuckles.
|
|||
|
|
|||
|
The Medical Man rose, came to the lamp, and examined the
|
|||
|
flowers. `The gynaeceum's odd,' he said. The Psychologist leant
|
|||
|
forward to see, holding out his hand for a specimen.
|
|||
|
|
|||
|
`I'm hanged if it isn't a quarter to one,' said the
|
|||
|
Journalist. `How shall we get home?'
|
|||
|
|
|||
|
`Plenty of cabs at the station,' said the Psychologist.
|
|||
|
|
|||
|
`It's a curious thing,' said the Medical Man; `but I certainly
|
|||
|
don't know the natural order of these flowers. May I have them?'
|
|||
|
|
|||
|
The Time Traveller hesitated. Then suddenly: `Certainly not.'
|
|||
|
|
|||
|
`Where did you really get them?' said the Medical Man.
|
|||
|
|
|||
|
The Time Traveller put his hand to his head. He spoke like
|
|||
|
one who was trying to keep hold of an idea that eluded him.
|
|||
|
'They were put into my pocket by Weena, when I travelled into
|
|||
|
Time.' He stared round the room. `I'm damned if it isn't all
|
|||
|
going. This room and you and the atmosphere of every day is too
|
|||
|
much for my memory. Did I ever make a Time Machine, or a model
|
|||
|
of a Time Machine? Or is it all only a dream? They say life is
|
|||
|
a dream, a precious poor dream at times--but I can't stand
|
|||
|
another that won't fit. It's madness. And where did the dream
|
|||
|
come from? . . . I must look at that machine. If there is one!'
|
|||
|
|
|||
|
He caught up the lamp swiftly, and carried it, flaring red,
|
|||
|
through the door into the corridor. We followed him. There in
|
|||
|
the flickering light of the lamp was the machine sure enough,
|
|||
|
squat, ugly, and askew; a thing of brass, ebony, ivory, and
|
|||
|
translucent glimmering quartz. Solid to the touch--for I put
|
|||
|
out my hand and felt the rail of it--and with brown spots and
|
|||
|
smears upon the ivory, and bits of grass and moss upon the lower
|
|||
|
parts, and one rail bent awry.
|
|||
|
|
|||
|
The Time Traveller put the lamp down on the bench, and ran his
|
|||
|
hand along the damaged rail. `It's all right now,' he said.
|
|||
|
'The story I told you was true. I'm sorry to have brought you
|
|||
|
out here in the cold.' He took up the lamp, and, in an absolute
|
|||
|
silence, we returned to the smoking-room.
|
|||
|
|
|||
|
He came into the hall with us and helped the Editor on with
|
|||
|
his coat. The Medical Man looked into his face and, with a
|
|||
|
certain hesitation, told him he was suffering from overwork, at
|
|||
|
which he laughed hugely. I remember him standing in the open
|
|||
|
doorway, bawling good night.
|
|||
|
|
|||
|
I shared a cab with the Editor. He thought the tale a `gaudy
|
|||
|
lie.' For my own part I was unable to come to a conclusion. The
|
|||
|
story was so fantastic and incredible, the telling so credible
|
|||
|
and sober. I lay awake most of the night thinking about it. I
|
|||
|
determined to go next day and see the Time Traveller again. I
|
|||
|
was told he was in the laboratory, and being on easy terms in the
|
|||
|
house, I went up to him. The laboratory, however, was empty. I
|
|||
|
stared for a minute at the Time Machine and put out my hand and
|
|||
|
touched the lever. At that the squat substantial-looking mass
|
|||
|
swayed like a bough shaken by the wind. Its instability startled
|
|||
|
me extremely, and I had a queer reminiscence of the childish days
|
|||
|
when I used to be forbidden to meddle. I came back through the
|
|||
|
corridor. The Time Traveller met me in the smoking-room. He was
|
|||
|
coming from the house. He had a small camera under one arm and a
|
|||
|
knapsack under the other. He laughed when he saw me, and gave me
|
|||
|
an elbow to shake. `I'm frightfully busy,' said he, `with that
|
|||
|
thing in there.'
|
|||
|
|
|||
|
`But is it not some hoax?' I said. `Do you really travel
|
|||
|
through time?'
|
|||
|
|
|||
|
`Really and truly I do.' And he looked frankly into my eyes.
|
|||
|
He hesitated. His eye wandered about the room. `I only want
|
|||
|
half an hour,' he said. `I know why you came, and it's awfully
|
|||
|
good of you. There's some magazines here. If you'll stop to
|
|||
|
lunch I'll prove you this time travelling up to the hilt,
|
|||
|
specimen and all. If you'll forgive my leaving you now?'
|
|||
|
|
|||
|
I consented, hardly comprehending then the full import of his
|
|||
|
words, and he nodded and went on down the corridor. I heard the
|
|||
|
door of the laboratory slam, seated myself in a chair, and took
|
|||
|
up a daily paper. What was he going to do before lunch-time?
|
|||
|
Then suddenly I was reminded by an advertisement that I had
|
|||
|
promised to meet Richardson, the publisher, at two. I looked at
|
|||
|
my watch, and saw that I could barely save that engagement. I
|
|||
|
got up and went down the passage to tell the Time Traveller.
|
|||
|
|
|||
|
As I took hold of the handle of the door I heard an
|
|||
|
exclamation, oddly truncated at the end, and a click and a thud.
|
|||
|
A gust of air whirled round me as I opened the door, and from
|
|||
|
within came the sound of broken glass falling on the floor. The
|
|||
|
Time Traveller was not there. I seemed to see a ghostly,
|
|||
|
indistinct figure sitting in a whirling mass of black and brass
|
|||
|
for a moment--a figure so transparent that the bench behind with
|
|||
|
its sheets of drawings was absolutely distinct; but this phantasm
|
|||
|
vanished as I rubbed my eyes. The Time Machine had gone. Save
|
|||
|
for a subsiding stir of dust, the further end of the laboratory
|
|||
|
was empty. A pane of the skylight had, apparently, just been
|
|||
|
blown in.
|
|||
|
|
|||
|
I felt an unreasonable amazement. I knew that something
|
|||
|
strange had happened, and for the moment could not distinguish
|
|||
|
what the strange thing might be. As I stood staring, the door
|
|||
|
into the garden opened, and the man-servant appeared.
|
|||
|
|
|||
|
We looked at each other. Then ideas began to come. `Has Mr.
|
|||
|
---- gone out that way?' said I.
|
|||
|
|
|||
|
`No, sir. No one has come out this way. I was expecting to
|
|||
|
find him here.'
|
|||
|
|
|||
|
At that I understood. At the risk of disappointing Richardson
|
|||
|
I stayed on, waiting for the Time Traveller; waiting for the
|
|||
|
second, perhaps still stranger story, and the specimens and
|
|||
|
photographs he would bring with him. But I am beginning now to
|
|||
|
fear that I must wait a lifetime. The Time Traveller vanished
|
|||
|
three years ago. And, as everybody knows now, he has never
|
|||
|
returned.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
EPILOGUE
|
|||
|
|
|||
|
|
|||
|
One cannot choose but wonder. Will he ever return?
|
|||
|
It may be that he swept back into the past, and fell among
|
|||
|
the blood-drinking, hairy savages of the Age of Unpolished
|
|||
|
Stone; into the abysses of the Cretaceous Sea; or among the
|
|||
|
grotesque saurians, the huge reptilian brutes of the Jurassic
|
|||
|
times. He may even now--if I may use the phrase--be
|
|||
|
wandering on some plesiosaurus-haunted Oolitic coral reef,
|
|||
|
or beside the lonely saline lakes of the Triassic Age. Or did
|
|||
|
he go forward, into one of the nearer ages, in which men are
|
|||
|
still men, but with the riddles of our own time answered
|
|||
|
and its wearisome problems solved? Into the manhood of the
|
|||
|
race: for I, for my own part cannot think that these latter
|
|||
|
days of weak experiment, fragmentary theory, and mutual
|
|||
|
discord are indeed man's culminating time! I say, for my own
|
|||
|
part. He, I know--for the question had been discussed among
|
|||
|
us long before the Time Machine was made--thought but
|
|||
|
cheerlessly of the Advancement of Mankind, and saw in the
|
|||
|
growing pile of civilization only a foolish heaping that must
|
|||
|
inevitably fall back upon and destroy its makers in the end.
|
|||
|
If that is so, it remains for us to live as though it were not
|
|||
|
so. But to me the future is still black and blank--is a vast
|
|||
|
ignorance, lit at a few casual places by the memory of his story.
|
|||
|
And I have by me, for my comfort, two strange white flowers
|
|||
|
--shrivelled now, and brown and flat and brittle--to witness
|
|||
|
that even when mind and strength had gone, gratitude and
|
|||
|
a mutual tenderness still lived on in the heart of man.
|
|||
|
|
|||
|
|