5944 lines
274 KiB
Plaintext
5944 lines
274 KiB
Plaintext
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THE INVISIBLE MAN
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by H.G. Wells
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**********
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Chapter 1
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The Strange Man's Arrival
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The stranger came early in February one wintry day, through a biting
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wind and a driving snow, the last snowfall of the year, over the
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down, walking as it seemed from Bramblehurst railway station and
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carrying a little black portmanteau in his thickly gloved hand. He
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was wrapped up from head to foot, and the brim of his soft felt hat
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hid every inch of his face but the shiny tip of his nose; the snow
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had piled itself against his shoulders and chest, and added a white
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crest to the burden he carried. He staggered into the Coach and
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Horses, more dead than alive as it seemed, and flung his portmanteau
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down. "A fire," he cried, "in the name of human charity! A room and
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a fire!" He stamped and shook the snow from off himself in the bar,
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and followed Mrs. Hall into her guest parlour to strike his bargain.
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And with that much introduction, that and a ready acquiescence to
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terms and a couple of sovereigns flung upon the table, he took up his
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quarters in the inn.
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Mrs. Hall lit the fire and left him there while she went to prepare
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him a meal with her own hands. A guest to stop at Iping in the
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winter-time was an unheard-of piece of luck, let alone a guest who
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was no "haggler," and she was resolved to show herself worthy of her
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good fortune. As soon as the bacon was well under way, and Millie,
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her lymphatic aid, had been brisked up a bit by a few deftly chosen
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expressions of contempt, she carried the cloth, plates, and glasses
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into the parlour and began to lay them with the utmost clat.
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Although the fire was burning up briskly, she was surprised to see
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that her visitor still wore his hat and coat, standing with his back
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to her and staring out of the window at the falling snow in the yard.
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His gloved hands were clasped behind him, and he seemed to be lost in
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thought. She noticed that the melted snow that still sprinkled his
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shoulders dripped upon her carpet. "Can I take your hat and coat,
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sir," she said, "and give them a good dry in the kitchen?"
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"No," he said without turning.
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She was not sure she had heard him, and was about to repeat her
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question.
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He turned his head and looked at her over his shoulder. "I prefer to
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keep them on," he said with emphasis, and she noticed that he wore
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big blue spectacles with side-lights and had a bushy side-whisker
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over his coat-collar that completely hid his face.
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"Very well, sir," she said. "As you like. In a bit the room will be
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warmer."
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He made no answer and had turned his face away from her again; and
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Mrs. Hall, feeling that her conversational advances were ill- timed,
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laid the rest of the table things in a quick staccato and whisked out
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of the room. When she returned he was still standing there like a
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man of stone, his back hunched, his collar turned up, his dripping
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hat-brim turned down, hiding his face and ears completely. She put
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down the eggs and bacon with considerable emphasis, and called rather
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than said to him, "Your lunch is served, sir."
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"Thank you," he said at the same time, and did not stir until she was
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closing the door. Then he swung round and approached the table.
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As she went behind the bar to the kitchen she heard a sound repeated
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at regular intervals. Chirk, chirk, chirk, it went, the sound of a
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spoon being rapidly whisked round a basin. "That girl!" she said.
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"There! I clean forgot it. It's her being so long!" And while she
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herself finished mixing the mustard, she gave Millie a few verbal
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stabs for her excessive slowness. She had cooked the ham and eggs,
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laid the table, and done everything, while Millie (help indeed!) had
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only succeeded in delaying the mustard. And him a new guest and
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wanting to stay! Then she filled the mustard pot, and, putting it
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with a certain stateliness upon a gold and black tea-tray, carried it
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into the parlour.
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She rapped and entered promptly. As she did so her visitor moved
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quickly, so that she got but a glimpse of a white object disappearing
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behind the table. It would seem he was picking something from the
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floor. She rapped down the mustard pot on the table, and then she
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noticed the overcoat and hat had been taken off and put over a chair
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in front of the fire. A pair of wet boots threatened rust to her
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steel fender. She went to these things resolutely. "I suppose I may
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have them to dry now," she said in a voice that brooked no denial.
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"Leave the hat," said her visitor in a muffled voice, and turning she
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saw he had raised his head and was sitting looking at her.
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For a moment she stood gaping at him, too surprised to speak.
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He held a white cloth--it was a serviette he had brought with
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him--over the lower part of his face, so that his mouth and jaws were
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completely hidden, and that was the reason of his muffled voice. But
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it was not that which startled Mrs. Hall. It was the fact that all
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his forehead above his blue glasses was covered by a white bandage,
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and that another covered his ears, leaving not a scrap of his face
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exposed excepting only his pink, peaked nose. It was bright pink,
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and shiny just as it had been at first. He wore a dark-brown velvet
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jacket with a high black linen lined collar turned up about his neck.
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The thick black hair, escaping as it could below and between the
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cross bandages, projected in curious tails and horns, giving him the
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strangest appearance conceivable. This muffled and bandaged head was
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so unlike what she had anticipated, that for a moment she was rigid.
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He did not remove the serviette, but remained holding it, as she saw
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now, with a brown gloved hand, and regarding her with his inscrutable
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blue glasses. "Leave the hat," he said, speaking very distinctly
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through the white cloth.
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Her nerves began to recover from the shock they had received. She
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placed the hat on the chair again by the fire. "I didn't know, sir,"
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she began, "that--" and she stopped embarrassed.
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"Thank you," he said drily, glancing from her to the door and then at
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her again.
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"I'll have them nicely dried, sir, at once," she said, and carried
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his clothes out of the room. She glanced at his white-swathed head
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and blue goggles again as she was going out of the door; but his
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napkin was still in front of his face. She shivered a little as she
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closed the door behind her, and her face was eloquent of her surprise
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and perplexity. "I never," she whispered. "There!" She went quite
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softly to the kitchen, and was too preoccupied to ask Millie what she
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was messing about with now, when she got there.
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The visitor sat and listened to her retreating feet. He glanced
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inquiringly at the window before he removed his serviette and resumed
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his meal. He took a mouthful, glanced suspiciously at the window,
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took another mouthful, then rose and, taking the serviette in his
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hand, walked across the room and pulled the blind down to the top of
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the white muslin that obscured the lower panes. This left the room
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in twilight. This done, he returned with an easier air to the table
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and his meal.
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"The poor soul's had an accident or an op'ration or something," said
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Mrs. Hall. "What a turn them bandages did give me, to be sure!"
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She put on some more coal, unfolded the clothes-horse, and extended
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the traveller's coat upon this. "And they goggles! Why, he looked
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more like a divin' helmet than a human man!" She hung his muffler on
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a corner of the horse. "And holding that handkerchief over his mouth
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all the time. Talkin' through it!...Perhaps his mouth was hurt
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too--maybe."
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She turned round, as one who suddenly remembers. "Bless my soul
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alive!" she said, going off at a tangent; "ain't you done them taters
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yet, Millie?"
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When Mrs. Hall went to clear away the stranger's lunch, her idea that
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his mouth must also have been cut or disfigured in the accident she
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supposed him to have suffered, was confirmed, for he was smoking a
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pipe, and all the time that she was in the room he never loosened the
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silk muffler he had wrapped round the lower part of his face to put
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the mouthpiece to his lips. Yet it was not forgetfulness, for she
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saw he glanced at it as it smouldered out. He sat in the corner with
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his back to the window-blind and spoke now, having eaten and drunk
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and being comfortably warmed through, with less aggressive brevity
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than before. The reflection of the fire lent a kind of red animation
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to his big spectacles they had lacked hitherto.
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"I have some luggage," he said, "at Bramblehurst station," and he
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asked her how he could have it sent. He bowed his bandaged head
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quite politely in acknowledgment of her explanation. "To-morrow!" he
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said. "There is no speedier delivery?" and seemed quite disappointed
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when she answered "No." Was she quite sure? No man with a trap who
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would go over?
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Mrs. Hall, nothing loath, answered his questions and developed a
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conversation. "It's a steep road by the down, sir," she said in
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answer to the question about a trap; and then, snatching at an
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opening said, "It was there a carriage was upsettled, a year ago and
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more. A gentleman killed, besides his coachman. Accidents, sir,
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happen in a moment, don't they?"
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But the visitor was not to be drawn so easily. "They do," he said
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through his muffler, eyeing her quietly through his impenetrable
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glasses.
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"But they take long enough to get well, sir, don't they? ... There
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was my sister's son, Tom, jest cut his arm with a scythe, tumbled on
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it in the 'ayfield, and, bless me! he was three months tied up, sir.
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You'd hardly believe it. It's regular given me a dread of a scythe,
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sir."
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"I can quite understand that," said the visitor.
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"He was afraid, one time, that he'd have to have an op'ration --he
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was that bad, sir."
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The visitor laughed abruptly, a bark of a laugh that he seemed to
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bite and kill in his mouth. "Was he?" he said.
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"He was, sir. And no laughing matter to them as had the doing for
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him, as I had--my sister being took up with her little ones so much.
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There was bandages to do, sir, and bandages to undo. So that if I
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may make so bold as to say it, sir--"
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"Will you get me some matches?" said the visitor, quite abruptly.
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"My pipe is out."
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Mrs. Hall was pulled up suddenly. It was certainly rude of him,
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after telling him all she had done. She gasped at him for a moment,
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and remembered the two sovereigns. She went for the matches.
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"Thanks," he said concisely, as she put them down, and turned his
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shoulder upon her and stared out of the window again. It was
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altogether too discouraging. Evidently he was sensitive on the topic
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of operations and bandages. She did not "make so bold as to say,"
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however, after all. But his snubbing way had irritated her, and
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Millie had a hot time of it that afternoon.
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The visitor remained in the parlour until four o'clock, without
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giving the ghost of an excuse for an intrusion. For the most part he
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was quite still during that time; it would seem he sat in the growing
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darkness smoking in the firelight, perhaps dozing.
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Once or twice a curious listener might have heard him at the coals,
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and for the space of five minutes he was audible pacing the room. He
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seemed to be talking to himself. Then the armchair creaked as he sat
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down again.
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**********
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Chapter 2
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Mr. Teddy Henfrey's First Impressions
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At four o'clock, when it was fairly dark and Mrs. Hall was screwing
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up her courage to go in and ask her visitor if he would take some
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tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes!
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Mrs. Hall," said he, "but this is terrible weather for thin boots!"
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The snow outside was falling faster.
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Mrs. Hall agreed with him, and then noticed he had his bag and hit
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upon a brilliant idea. "Now you're here, Mr. Teddy," said she, "I'd
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be glad if you'd give th' old clock in the parlour a bit of a look.
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'Tis going, and it strikes well and hearty; but the hour-hand won't
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do nuthin' but point at six."
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And leading the way, she went across to the parlour door and rapped
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and entered.
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Her visitor, she saw as she opened the door, was seated in the
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armchair before the fire, dozing it would seem, with his bandaged
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head drooping on one side. The only light in the room was the red
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glow from the fire--which lit his eyes like adverse railway signals,
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but left his downcast face in darkness--and the scanty vestiges of
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the day that came in through the open door. Everything was ruddy,
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shadowy, and indistinct to her, the more so since she had just been
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lighting the bar lamp, and her eyes were dazzled. But for a second
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it seemed to her that the man she looked at had an enormous mouth
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wide open,--a vast and incredible mouth that swallowed the whole of
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the lower portion of his face. It was the sensation of a moment: the
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white- bound head, the monstrous goggle eyes, and this huge yawn
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below it. Then he stirred, started up in his chair, put up his hand.
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She opened the door wide, so that the room was lighter, and she saw
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him more clearly, with the muffler held to his face just as she had
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seen him hold the serviette before. The shadows, she fancied, had
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tricked her.
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"Would you mind, sir, this man a-coming to look at the clock, sir?"
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she said, recovering from her momentary shock.
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"Look at the clock?" he said, staring round in a drowsy manner and
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speaking over his hand, and then getting more fully awake,
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"certainly."
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Mrs. Hall went away to get a lamp, and he rose and stretched himself.
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Then came the light, and Mr. Teddy Henfrey, entering, was confronted
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by this bandaged person. He was, he says, "taken aback."
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"Good-afternoon," said the stranger, regarding him, as Mr. Henfrey
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says with a vivid sense of the dark spectacles, "like a lobster."
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"I hope," said Mr. Henfrey, "that it's no intrusion."
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"None whatever," said the stranger. "Though I understand," he said,
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turning to Mrs. Hall, "that this room is really to be mine for my own
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private use."
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"I thought, sir," said Mrs. Hall, "you'd prefer the clock--" She was
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going to say "mended."
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"Certainly," said the stranger, "certainly--but, as a rule, I like to
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be alone and undisturbed.
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"But I'm really glad to have the clock seen to," he said, seeing a
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certain hesitation in Mr. Henfrey's manner. "Very glad." Mr.
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Henfrey had intended to apologise and withdraw, but this anticipation
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reassured him. The stranger stood round with his back to the
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fireplace and put his hands behind his back. "And presently," he
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said, "when the clock-mending is over, I think I should like to have
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some tea. But not until the clock-mending is over."
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Mrs. Hall was about to leave the room,--she made no conversational
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advances this time, because she did not want to be snubbed in front
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of Mr. Henfrey,--when her visitor asked her if she had made any
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arrangements about his boxes at Bramblehurst. She told him she had
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mentioned the matter to the postman, and that the carrier could bring
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them over on the morrow. "You are certain that is the earliest?" he
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said.
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She was certain, with a marked coldness.
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"I should explain," he added, "what I was really too cold and
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fatigued to do before, that I am an experimental investigator."
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"Indeed, sir," said Mrs. Hall, much impressed.
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"And my baggage contains apparatus and appliances."
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"Very useful things indeed they are, sir," said Mrs. Hall.
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"And I'm naturally anxious to get on with my inquiries."
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"Of course, sir."
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"My reason for coming to Iping," he proceeded, with a certain
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deliberation of manner, "was--a desire for solitude. I do not wish
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to be disturbed in my work. In addition to my work, an accident--"
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"I thought as much," said Mrs. Hall to herself.
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"--necessitates a certain retirement. My eyes--are sometimes so weak
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and painful that I have to shut myself up in the dark for hours
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together. Lock myself up. Sometimes--now and then. Not at present,
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certainly. At such times the slightest disturbance, the entry of a
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stranger into the room, is a source of excruciating annoyance to
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me--it is well these things should be understood."
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"Certainly, sir," said Mrs. Hall. "And if I might make so bold as to
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ask--"
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"That, I think, is all," said the stranger, with that quietly
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irresistible air of finality he could assume at will. Mrs. Hall
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reserved her question and sympathy for a better occasion.
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After Mrs. Hall had left the room, he remained standing in front of
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the fire, glaring, so Mr. Henfrey puts it, at the clock- mending.
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Mr. Henfrey not only took off the hands of the clock, and the face,
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but extracted the works; and he tried to work in as slow and quiet
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and unassuming a manner as possible. He worked with the lamp close
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to him, and the green shade threw a brilliant light upon his hands,
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and upon the frame and wheels, and left the rest of the room shadowy.
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When he looked up, coloured patches swam in his eyes. Being
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constitutionally of a curious nature, he had removed the works--a
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quite unnecessary proceeding--with the idea of delaying his departure
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and perhaps falling into conversation with the stranger. But the
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stranger stood there, perfectly silent and still. So still, it got
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on Henfrey's nerves. He felt alone in the room and looked up, and
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there, grey and dim, was the bandaged head and huge blue lenses
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staring fixedly, with a mist of green spots drifting in front of
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them. It was so uncanny-looking to Henfrey that for a minute they
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remained staring blankly at one another. Then Henfrey looked down
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again. Very uncomfortable position! One would like to say
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something. Should he remark that the weather was very cold for the
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time of year?
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He looked up as if to take aim with that introductory shot. "The
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weather--" he began.
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"Why don't you finish and go?" said the rigid figure, evidently in a
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state of painfully suppressed rage. "All you've got to do is to fix
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|
the hour-hand on its axle. You're simply humbugging--"
|
||
|
|
||
|
"Certainly, sir--one minute more, sir. I overlooked--" And Mr.
|
||
|
Henfrey finished and went.
|
||
|
|
||
|
But he went off feeling excessively annoyed. "Damn it!" said Mr.
|
||
|
Henfrey to himself, trudging down the village through the thawing
|
||
|
snow; "a man must do a clock at times, sure-lie."
|
||
|
|
||
|
And again: "Can't a man look at you?--Ugly!"
|
||
|
|
||
|
And yet again: "Seemingly not. If the police was wanting you you
|
||
|
couldn't be more wropped and bandaged."
|
||
|
|
||
|
At Gleeson's corner he saw Hall, who had recently married the
|
||
|
stranger's hostess at the Coach and Horses, and who now drove the
|
||
|
Iping conveyance, when occasional people required it, to Sidderbridge
|
||
|
Junction, coming towards him on his return from that place. Hall had
|
||
|
evidently been "stopping a bit" at Sidderbridge, to judge by his
|
||
|
driving. "'Ow do, Teddy?" he said, passing.
|
||
|
|
||
|
"You got a rum un up home!" said Teddy.
|
||
|
|
||
|
Hall very sociably pulled up. "What's that?" he asked.
|
||
|
|
||
|
"Rum-looking customer stopping at the Coach and Horses," said Teddy.
|
||
|
"My sakes!"
|
||
|
|
||
|
And he proceeded to give Hall a vivid description of his grotesque
|
||
|
guest. "Looks a bit like a disguise, don't it? I'd like to see a
|
||
|
man's face if I had him stopping in my place," said Henfrey. "But
|
||
|
women are that trustful,--where strangers are concerned. He's took
|
||
|
your rooms and he ain't even given a name, Hall."
|
||
|
|
||
|
"You don't say so!" said Hall, who was a man of sluggish
|
||
|
apprehension.
|
||
|
|
||
|
"Yes," said Teddy. "By the week. Whatever he is, you can't get rid
|
||
|
of him under the week. And he's got a lot of luggage coming
|
||
|
to-morrow, so he says. Let's hope it won't be stones in boxes,
|
||
|
Hall."
|
||
|
|
||
|
He told Hall how his aunt at Hastings had been swindled by a stranger
|
||
|
with empty portmanteaux. Altogether he left Hall vaguely suspicious.
|
||
|
"Get up, old girl," said Hall. "I s'pose I must see 'bout this."
|
||
|
|
||
|
Teddy trudged on his way with his mind considerably relieved.
|
||
|
|
||
|
Instead of "seeing 'bout it," however, Hall on his return was
|
||
|
severely rated by his wife on the length of time he had spent in
|
||
|
Sidderbridge, and his mild inquiries were answered snappishly and in
|
||
|
a manner not to the point. But the seed of suspicion Teddy had sown
|
||
|
germinated in the mind of Mr. Hall in spite of these discouragements.
|
||
|
"You wim' don't know everything," said Mr. Hall, resolved to
|
||
|
ascertain more about the personality of his guest at the earliest
|
||
|
possible opportunity. And after the stranger had gone to bed, which
|
||
|
he did about half-past nine, Mr. Hall went aggressively into the
|
||
|
parlour and looked very hard at his wife's furniture, just to show
|
||
|
that the stranger wasn't master there, and scrutinised closely and a
|
||
|
little contemptuously a sheet of mathematical computation the
|
||
|
stranger had left. When retiring for the night he instructed Mrs.
|
||
|
Hall to look very closely at the stranger's luggage when it came next
|
||
|
day.
|
||
|
|
||
|
"You mind your own business, Hall," said Mrs. Hall, "and I'll mind
|
||
|
mine."
|
||
|
|
||
|
She was all the more inclined to snap at Hall because the stranger
|
||
|
was undoubtedly an unusually strange sort of stranger, and she was by
|
||
|
no means assured about him in her own mind. In the middle of the
|
||
|
night she woke up dreaming of huge white heads like turnips, that
|
||
|
came trailing after her at the end of interminable necks, and with
|
||
|
vast black eyes. But being a sensible woman, she subdued her terrors
|
||
|
and turned over and went to sleep again.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 3
|
||
|
|
||
|
The Thousand and One Bottles
|
||
|
|
||
|
|
||
|
Thus it was that on the ninth day of February, at the beginning of
|
||
|
the thaw, this singular person fell out of infinity into Iping
|
||
|
Village. Next day his luggage arrived through the slush. And very
|
||
|
remarkable luggage it was. There was a couple of trunks indeed, such
|
||
|
as a rational man might need, but in addition there were a box of
|
||
|
books,--big, fat books, of which some were just in an
|
||
|
incomprehensible handwriting,--and a dozen or more crates, boxes, and
|
||
|
cases, containing objects packed in straw, as it seemed to Hall,
|
||
|
tugging with a casual curiosity at the straw--glass bottles. The
|
||
|
stranger, muffled in hat, coat, gloves, and wrapper, came out
|
||
|
impatiently to meet Fearenside's cart, while Hall was having a word
|
||
|
or so of gossip preparatory to helping bring them in. Out he came,
|
||
|
not noticing Fearenside's dog, who was sniffing in a dilettante
|
||
|
spirit at Hall's legs. "Come along with those boxes," he said.
|
||
|
"I've been waiting long enough."
|
||
|
|
||
|
And he came down the steps towards the tail of the cart as if to lay
|
||
|
hands on the smaller crate.
|
||
|
|
||
|
No sooner had Fearenside's dog caught sight of him, however, than it
|
||
|
began to bristle and growl savagely, and when he rushed down the
|
||
|
steps it gave an undecided hop, and then sprang straight at his hand.
|
||
|
"Whup!" cried Hall, jumping back, for he was no hero with dogs, and
|
||
|
Fearenside howled, "Lie down!" and snatched his whip.
|
||
|
|
||
|
They saw the dog's teeth had slipped the hand, heard a kick, saw the
|
||
|
dog execute a flanking jump and get home on the stranger's leg, and
|
||
|
heard the rip of his trousering. Then the finer end of Fearenside's
|
||
|
whip reached his property, and the dog, yelping with dismay,
|
||
|
retreated under the wheels of the waggon. It was all the business of
|
||
|
a half-minute. No one spoke, every one shouted. The stranger
|
||
|
glanced swiftly at his torn glove and at his leg, made as if he would
|
||
|
stoop to the latter, then turned and rushed up the steps into the
|
||
|
inn. They heard him go headlong across the passage and up the
|
||
|
uncarpeted stairs to his bedroom.
|
||
|
|
||
|
"You brute, you!" said Fearenside, climbing off the waggon with his
|
||
|
whip in his hand, while the dog watched him through the wheel. "Come
|
||
|
here!" said Fearenside--"You'd better."
|
||
|
|
||
|
Hall had stood gaping. "He wuz bit," said Hall. "I'd better go and
|
||
|
see to en," and he trotted after the stranger. He met Mrs. Hall in
|
||
|
the passage. "Carrier's darg," he said, "bit en."
|
||
|
|
||
|
He went straight upstairs, and the stranger's door being ajar, he
|
||
|
pushed it open and was entering without any ceremony, being of a
|
||
|
naturally sympathetic turn of mind.
|
||
|
|
||
|
The blind was down and the room dim. He caught a glimpse of a most
|
||
|
singular thing, what seemed a handless arm waving towards him, and a
|
||
|
face of three huge indeterminate spots on white, very like the face
|
||
|
of a pale pansy. Then he was struck violently in the chest, hurled
|
||
|
back, and the door slammed in his face and locked, all so rapidly
|
||
|
that he had no time to observe. A waving of indecipherable shapes, a
|
||
|
blow, and a concussion. There he stood on the dark little landing,
|
||
|
wondering what it might be that he had seen.
|
||
|
|
||
|
After a couple of minutes he rejoined the little group that had
|
||
|
formed outside the Coach and Horses. There was Fearenside telling
|
||
|
about it all over again for the second time; there was Mrs. Hall
|
||
|
saying his dog didn't have no business to bite her guests; there was
|
||
|
Huxter, the general dealer from over the road, interrogative; and
|
||
|
Sandy Wadgers from the forge, judicial; besides women and children,--
|
||
|
all of them saying fatuities: "Wouldn't let en bite me, I knows";
|
||
|
"'Tasn't right have such dargs"; "Whad 'e bite'n for then?" and so
|
||
|
forth.
|
||
|
|
||
|
Mr. Hall, staring at them from the steps and listening, found it
|
||
|
incredible that he had seen anything very remarkable happen upstairs.
|
||
|
Besides, his vocabulary was altogether too limited to express his
|
||
|
impressions.
|
||
|
|
||
|
"He don't want no help, he says," he said in answer to his wife's
|
||
|
enquiry. "We'd better be a-takin' of his luggage in."
|
||
|
|
||
|
"He ought to have it cauterised at once," said Mr. Huxter;
|
||
|
"especially if it's at all inflamed."
|
||
|
|
||
|
"I'd shoot en, that's what I'd do," said a lady in the group.
|
||
|
|
||
|
Suddenly the dog began growling again.
|
||
|
|
||
|
"Come along," cried an angry voice in the doorway, and there stood
|
||
|
the muffled stranger with his collar turned up, and his hat-brim bent
|
||
|
down. "The sooner you get those things in the better I'll be
|
||
|
pleased." It is stated by an anonymous bystander that his trousers
|
||
|
and gloves had been changed.
|
||
|
|
||
|
"Was you hurt, sir?" said Fearenside. "I'm rare sorry the darg--"
|
||
|
|
||
|
"Not a bit," said the stranger. "Never broke the skin. Hurry up
|
||
|
with those things."
|
||
|
|
||
|
He then swore to himself, so Mr. Hall asserts.
|
||
|
|
||
|
Directly the first crate was carried into the parlour, in accordance
|
||
|
with his directions, the stranger flung himself upon it with
|
||
|
extraordinary eagerness, and began to unpack it, scattering the straw
|
||
|
with an utter disregard of Mrs. Hall's carpet. And from it he began
|
||
|
to produce bottles--little fat bottles containing powders, small and
|
||
|
slender bottles containing coloured and white fluids, fluted blue
|
||
|
bottles labelled Poison, bottles with round bodies and slender necks,
|
||
|
large green-glass bottles, large white-glass bottles, bottles with
|
||
|
glass stoppers and frosted labels, bottles with fine corks, bottles
|
||
|
with bungs, bottles with wooden caps, wine bottles, salad-oil
|
||
|
bottles--putting them in rows on the chiffonier, on the mantel, on
|
||
|
the table under the window, round the floor, on the book-shelf--
|
||
|
everywhere. The chemist's shop in Bramblehurst could not boast half
|
||
|
so many. Quite a sight it was. Crate after crate yielded bottles,
|
||
|
until all six were empty and the table high with straw; the only
|
||
|
things that came out of these crates besides the bottles were a
|
||
|
number of test-tubes and a carefully packed balance.
|
||
|
|
||
|
And directly the crates were unpacked, the stranger went to the
|
||
|
window and set to work, not troubling in the least about the litter
|
||
|
of straw, the fire which had gone out, the box of books outside, nor
|
||
|
for the trunks and other luggage that had gone upstairs.
|
||
|
|
||
|
When Mrs. Hall took his dinner in to him, he was already so absorbed
|
||
|
in his work, pouring little drops out of the bottles into test-tubes,
|
||
|
that he did not hear her until she had swept away the bulk of the
|
||
|
straw and put the tray on the table, with some little emphasis
|
||
|
perhaps, seeing the state that the floor was in. Then he half turned
|
||
|
his head and immediately turned it away again. But she saw he had
|
||
|
removed his glasses; they were beside him on the table, and it seemed
|
||
|
to her that his eye sockets were extraordinarily hollow. He put on
|
||
|
his spectacles again, and then turned and faced her. She was about
|
||
|
to complain of the straw on the floor when he anticipated her.
|
||
|
|
||
|
"I wish you wouldn't come in without knocking," he said in the tone
|
||
|
of abnormal exasperation that seemed so characteristic of him.
|
||
|
|
||
|
"I knocked, but seemingly--"
|
||
|
|
||
|
"Perhaps you did. But in my investigations--my really very urgent
|
||
|
and necessary investigations--the slightest disturbance, the jar of a
|
||
|
door--I must ask you--"
|
||
|
|
||
|
"Certainly, sir. You can turn the lock if you're like that, you
|
||
|
know--any time."
|
||
|
|
||
|
"A very good idea," said the stranger.
|
||
|
|
||
|
"This stror, sir, if I might make so bold as to remark--"
|
||
|
|
||
|
"Don't. If the straw makes trouble put it down in the bill." And he
|
||
|
mumbled at her--words suspiciously like curses.
|
||
|
|
||
|
He was so odd, standing there, so aggressive and explosive, bottle in
|
||
|
one hand and test-tube in the other, that Mrs. Hall was quite
|
||
|
alarmed. But she was a resolute woman. "In which case, I should
|
||
|
like to know, sir, what you consider--"
|
||
|
|
||
|
"A shilling. Put down a shilling. Surely a shilling's enough?"
|
||
|
|
||
|
"So be it," said Mrs. Hall, taking up the tablecloth and beginning to
|
||
|
spread it over the table. "If you're satisfied, of course--"
|
||
|
|
||
|
He turned and sat down, with his coat-collar towards her.
|
||
|
|
||
|
All the afternoon he worked with the door locked and, as Mrs. Hall
|
||
|
testifies, for the most part in silence. But once there was a
|
||
|
concussion and a sound of bottles ringing together as though the
|
||
|
table had been hit, and the smash of a bottle flung violently down,
|
||
|
and then a rapid pacing athwart the room. Fearing "something was the
|
||
|
matter," she went to the door and listened, not caring to knock.
|
||
|
|
||
|
"I can't go on," he was raving. "I can't go on. Three hundred
|
||
|
thousand, four hundred thousand! The huge multitude! Cheated! All
|
||
|
my life it may take me! Patience! Patience indeed! Fool and liar!"
|
||
|
|
||
|
There was a noise of hobnails on the bricks in the bar, and Mrs. Hall
|
||
|
very reluctantly had to leave the rest of his soliloquy. When she
|
||
|
returned the room was silent again, save for the faint crepitation of
|
||
|
his chair and the occasional clink of a bottle. It was all over.
|
||
|
The stranger had resumed work.
|
||
|
|
||
|
When she took in his tea she saw broken glass in the corner of the
|
||
|
room under the concave mirror, and a golden stain that had been
|
||
|
carelessly wiped. She called attention to it.
|
||
|
|
||
|
"Put it down in the bill," snapped her visitor. "For God's sake
|
||
|
don't worry me. If there's damage done, put it down in the bill";
|
||
|
and he went on ticking a list in the exercise book before him.
|
||
|
|
||
|
"I'll tell you something," said Fearenside mysteriously. It was late
|
||
|
in the afternoon, and they were in the little beer-shop of Iping
|
||
|
Hanger.
|
||
|
|
||
|
"Well?" said Teddy Henfrey.
|
||
|
|
||
|
"This chap you're speaking of, what my dog bit. Well--he's black.
|
||
|
Leastways, his legs are. I seed through the tear of his glove.
|
||
|
You'd have expected a sort of pinky to show, wouldn't you?
|
||
|
Well--there wasn't none. Just blackness. I tell you, he's as black
|
||
|
as my hat."
|
||
|
|
||
|
"My sakes!" said Henfrey. "It's a rummy case altogether. Why, his
|
||
|
nose is as pink as paint!"
|
||
|
|
||
|
"That's true," said Fearenside. "I knows that. And I tell 'ee what
|
||
|
I'm thinking. That marn's a piebald, Teddy. Black here and white
|
||
|
there--in patches. And he's ashamed of it. He's a kind of
|
||
|
half-breed, and the colour's come off patchy instead of mixing. I've
|
||
|
heard of such things before. And it's the common way with horses, as
|
||
|
anyone can see."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 4
|
||
|
|
||
|
Mr. Cuss Interviews the Stranger
|
||
|
|
||
|
|
||
|
I have told the circumstances of the stranger's arrival in Iping with
|
||
|
a certain fulness of detail, in order that the curious impression he
|
||
|
created may be understood by the reader. But excepting two odd
|
||
|
incidents, the circumstances of his stay until the extraordinary day
|
||
|
of the Club Festival may be passed over very cursorily. There were a
|
||
|
number of skirmishes with Mrs. Hall on matters of domestic
|
||
|
discipline, but in every case until late in April, when the first
|
||
|
signs of penury began, he over-rode her by the easy expedient of an
|
||
|
extra payment. Hall did not like him, and whenever he dared he
|
||
|
talked of the advisability of getting rid of him; but he showed his
|
||
|
dislike chiefly by concealing it ostentatiously, and avoiding his
|
||
|
visitor as much as possible. "Wait till the summer," said Mrs. Hall,
|
||
|
sagely, "when the artisks are beginning to come. Then we'll see. He
|
||
|
may be a bit overbearing, but bills settled punctual is bills settled
|
||
|
punctual, whatever you like to say."
|
||
|
|
||
|
The stranger did not go to church, and indeed made no difference
|
||
|
between Sunday and the irreligious days, even in costume. He worked,
|
||
|
as Mrs. Hall thought, very fitfully. Some days he would come down
|
||
|
early and be continuously busy. On others he would rise late, pace
|
||
|
his room, fretting audibly for hours together, smoke, sleep in the
|
||
|
armchair by the fire. Communication with the world beyond the
|
||
|
village he had none. His temper continued very uncertain; for the
|
||
|
most part his manner was that of a man suffering under almost
|
||
|
unendurable provocation, and once or twice things were snapped, torn,
|
||
|
crushed, or broken in spasmodic gusts of violence. He seemed under a
|
||
|
chronic irritation of the greatest intensity. His habit of talking
|
||
|
to himself in a low voice grew steadily upon him, but though Mrs.
|
||
|
Hall listened conscientiously she could make neither head nor tail of
|
||
|
what she heard.
|
||
|
|
||
|
He rarely went abroad by daylight, but at twilight he would go out
|
||
|
muffled up enormously, whether the weather were cold or not, and he
|
||
|
chose the loneliest paths and those most overshadowed by trees and
|
||
|
banks. His goggling spectacles and ghastly bandaged face under the
|
||
|
penthouse of his hat, came with a disagreeable suddenness out of the
|
||
|
darkness upon one or two home-going labourers; and Teddy Henfrey,
|
||
|
tumbling out of the Scarlet Coat one night at half-past nine, was
|
||
|
scared shamefully by the stranger's skull-like head (he was walking
|
||
|
hat in hand) lit by the sudden light of the opened door. Such
|
||
|
children as saw him at nightfall dreamt of bogies, and it seemed
|
||
|
doubtful whether he disliked boys more than they disliked him, or the
|
||
|
reverse--but there was certainly a vivid enough dislike on either
|
||
|
side.
|
||
|
|
||
|
It was inevitable that a person of so remarkable an appearance and
|
||
|
bearing should form a frequent topic in such a village as Iping.
|
||
|
Opinion was greatly divided about his occupation. Mrs. Hall was
|
||
|
sensitive on the point. When questioned, she explained very
|
||
|
carefully that he was an "experimental investigator," going gingerly
|
||
|
over the syllables as one who dreads pitfalls. When asked what an
|
||
|
experimental investigator was, she would say with a touch of
|
||
|
superiority that most educated people knew that, and would then
|
||
|
explain that he "discovered things." Her visitor had had an
|
||
|
accident, she said, which temporarily discoloured his face and hands;
|
||
|
and being of a sensitive disposition, he was averse to any public
|
||
|
notice of the fact.
|
||
|
|
||
|
Out of her hearing there was a view largely entertained that he was a
|
||
|
criminal trying to escape from justice by wrapping himself up so as
|
||
|
to conceal himself altogether from the eye of the police. This idea
|
||
|
sprang from the brain of Mr. Teddy Henfrey. No crime of any
|
||
|
magnitude dating from the middle or end of February was known to have
|
||
|
occurred. Elaborated in the imagination of Mr. Gould, the
|
||
|
probationary assistant in the National School, this theory took the
|
||
|
form that the stranger was an Anarchist in disguise, preparing
|
||
|
explosives, and he resolved to undertake such detective operations as
|
||
|
his time permitted. These consisted for the most part in looking
|
||
|
very hard at the stranger whenever they met, or in asking people who
|
||
|
had never seen the stranger leading questions about him. But he
|
||
|
detected nothing.
|
||
|
|
||
|
Another school of opinion followed Mr. Fearenside, and either
|
||
|
accepted the piebald view or some modification of it; as, for
|
||
|
instance, Silas Durgan, who was heard to assert that "if he choses to
|
||
|
show enself at fairs he'd make his fortune in no time," and being a
|
||
|
bit of a theologian, compared the stranger to the man with the one
|
||
|
talent. Yet another view explained the entire matter by regarding
|
||
|
the stranger as a harmless lunatic. That had the advantage of
|
||
|
accounting for everything straight away.
|
||
|
|
||
|
Between these main groups there were waverers and compromisers.
|
||
|
Sussex folk have few superstitions, and it was only after the events
|
||
|
of early April that the thought of the supernatural was first
|
||
|
whispered in the village. Even then it was only credited among the
|
||
|
women folks.
|
||
|
|
||
|
But whatever they thought of him, people in Iping on the whole agreed
|
||
|
in disliking him. His irritability, though it might have been
|
||
|
comprehensible to an urban brain-worker, was an amazing thing to
|
||
|
these quiet Sussex villagers. The frantic gesticulations they
|
||
|
surprised now and then, the headlong pace after nightfall that swept
|
||
|
him upon them round quiet corners, the inhuman bludgeoning of all the
|
||
|
tentative advances of curiosity, the taste for twilight that led to
|
||
|
the closing of doors, the pulling down of blinds, the extinction of
|
||
|
candles and lamps--who could agree with such goings on? They drew
|
||
|
aside as he passed down the village, and when he had gone by, young
|
||
|
humorists would up with coat-collars and down with hat-brims, and go
|
||
|
pacing nervously after him in imitation of his occult bearing. There
|
||
|
was a song popular at that time called the "Bogey Man"; Miss
|
||
|
Statchell sang it at the schoolroom concert (in aid of the church
|
||
|
lamps), and thereafter whenever one or two of the villagers were
|
||
|
gathered together and the stranger appeared, a bar or so of this
|
||
|
tune, more or less sharp or flat, was whistled in the midst of them.
|
||
|
Also belated little children would call "Bogey Man!" after him, and
|
||
|
make off tremulously elated.
|
||
|
|
||
|
Cuss, the general practitioner, was devoured by curiosity. The
|
||
|
bandages excited his professional interest, the report of the
|
||
|
thousand and one bottles aroused his jealous regard. All through
|
||
|
April and May he coveted an opportunity of talking to the stranger;
|
||
|
and at last, towards Whitsuntide, he could stand it no longer, and
|
||
|
hit upon the subscription-list for a village nurse as an excuse. He
|
||
|
was surprised to find that Mr. Hall did not know his guest's name.
|
||
|
"He give a name," said Mrs. Hall--an assertion which was quite
|
||
|
unfounded-- "but I didn't rightly hear it." She thought it seemed so
|
||
|
silly not to know the man's name.
|
||
|
|
||
|
Cuss rapped at the parlour door and entered. There was a fairly
|
||
|
audible imprecation from within. "Pardon my intrusion," said Cuss,
|
||
|
and then the door closed and cut Mrs. Hall off from the rest of the
|
||
|
conversation.
|
||
|
|
||
|
She could hear the murmur of voices for the next ten minutes, then a
|
||
|
cry of surprise, a stirring of feet, a chair flung aside, a bark of
|
||
|
laughter, quick steps to the door, and Cuss appeared, his face white,
|
||
|
his eyes staring over his shoulder. He left the door open behind
|
||
|
him, and without looking at her strode across the hall and went down
|
||
|
the steps, and she heard his feet hurrying along the road. He
|
||
|
carried his hat in his hand. She stood behind the door, looking at
|
||
|
the open door of the parlour. Then she heard the stranger laughing
|
||
|
quietly, and then his footsteps came across the room. She could not
|
||
|
see his face where she stood. The parlour door slammed, and the
|
||
|
place was silent again.
|
||
|
|
||
|
Cuss went straight up the village to Bunting the vicar. "Am I mad?"
|
||
|
Cuss began abruptly, as he entered the shabby little study. "Do I
|
||
|
look like an insane person?"
|
||
|
|
||
|
"What's happened?" said the vicar, putting the ammonite on the loose
|
||
|
sheets of his forthcoming sermon.
|
||
|
|
||
|
"That chap at the inn--"
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"Give me something to drink," said Cuss, and he sat down.
|
||
|
|
||
|
When his nerves had been steadied by a glass of cheap sherry-- the
|
||
|
only drink the good vicar had available--he told him of the interview
|
||
|
he had just had. "Went in," he gasped, "and began to demand a
|
||
|
subscription for that Nurse Fund. He'd stuck his hands in his
|
||
|
pockets as I came in, and he sat down lumpily in his chair. Sniffed.
|
||
|
I told him I'd heard he took an interest in scientific things. He
|
||
|
said yes. Sniffed again. Kept on sniffing all the time; evidently
|
||
|
recently caught an infernal cold. No wonder, wrapped up like that!
|
||
|
I developed the nurse idea, and all the while kept my eyes open.
|
||
|
Bottles--chemicals--everywhere. Balance, test-tubes in stands, and a
|
||
|
smell of--evening primrose. Would he subscribe? Said he'd consider
|
||
|
it. Asked him, point-blank, was he researching. Said he was. A
|
||
|
long research? Got quite cross. 'A damnable long research,' said
|
||
|
he, blowing the cork out, so to speak. 'Oh,' said I. And out came
|
||
|
the grievance. The man was just on the boil, and my question boiled
|
||
|
him over. He had been given a prescription, most valuable
|
||
|
prescription-- what for he wouldn't say. Was it medical? 'Damn you!
|
||
|
What are you fishing after?' I apologised. Dignified sniff and
|
||
|
cough. He resumed. He'd read it. Five ingredients. Put it down;
|
||
|
turned his head. Draught of air from window lifted the paper.
|
||
|
Swish, rustle. He was working in a room with an open fireplace, he
|
||
|
said. Saw a flicker, and there was the prescription burning and
|
||
|
lifting chimneyward. Rushed towards it just as it whisked up
|
||
|
chimney. So! Just at that point, to illustrate his story, out came
|
||
|
his arm."
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"No hand--just an empty sleeve. Lord! I thought, that's a
|
||
|
deformity! Got a cork arm, I suppose, and has taken it off. Then, I
|
||
|
thought, there's something odd in that. What the devil keeps that
|
||
|
sleeve up and open, if there's nothing in it? There was nothing in
|
||
|
it, I tell you. Nothing down it, right down to the joint. I could
|
||
|
see right down it to the elbow, and there was a glimmer of light
|
||
|
shining through a tear of the cloth. 'Good God!' I said. Then he
|
||
|
stopped. Stared at me with those black goggles of his, and then at
|
||
|
his sleeve."
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"That's all. He never said a word; just glared, and put his sleeve
|
||
|
back in his pocket quickly. 'I was saying,' said he, 'that there was
|
||
|
the prescription burning, wasn't I?' Interrogative cough. 'How the
|
||
|
devil,' said I, 'can you move an empty sleeve like that?' 'Empty
|
||
|
sleeve?' 'Yes,' said I, 'an empty sleeve.'
|
||
|
|
||
|
"'It's an empty sleeve, is it? You saw it was an empty sleeve?' He
|
||
|
stood up right away. I stood up too. He came towards me in three
|
||
|
very slow steps, and stood quite close. Sniffed venomously. I
|
||
|
didn't flinch, though I'm hanged if that bandaged knob of his, and
|
||
|
those blinkers, aren't enough to unnerve any one, coming quietly up
|
||
|
to you.
|
||
|
|
||
|
"'You said it was an empty sleeve?' he said. 'Certainly,' I said.
|
||
|
At staring and saying nothing a barefaced man, unspectacled, starts
|
||
|
scratch. Then very quietly he pulled his sleeve out of his pocket
|
||
|
again, and raised his arm towards me as though he would show it to me
|
||
|
again. He did it very, very slowly. I looked at it. Seemed an age.
|
||
|
'Well?' said I, clearing my throat, 'there's nothing in it.' Had to
|
||
|
say something. I was beginning to feel frightened. I could see
|
||
|
right down it. He extended it straight towards me, slowly, slowly
|
||
|
--just like that--until the cuff was six inches from my face. Queer
|
||
|
thing to see an empty sleeve come at you like that! And then--"
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"Something--exactly like a finger and thumb it felt--nipped my nose."
|
||
|
|
||
|
Bunting began to laugh.
|
||
|
|
||
|
"There wasn't anything there!" said Cuss, his voice running up into a
|
||
|
shriek at the "there." "It's all very well for you to laugh, but I
|
||
|
tell you I was so startled, I hit his cuff hard, and turned round,
|
||
|
and cut out of the room--I left him--"
|
||
|
|
||
|
Cuss stopped. There was no mistaking the sincerity of his panic. He
|
||
|
turned round in a helpless way and took a second glass of the
|
||
|
excellent vicar's very inferior sherry. "When I hit his cuff," said
|
||
|
Cuss, "I tell you, it felt exactly like hitting an arm. And there
|
||
|
wasn't an arm! There wasn't the ghost of an arm!"
|
||
|
|
||
|
Mr. Bunting thought it over. He looked suspiciously at Cuss. "It's
|
||
|
a most remarkable story," he said. He looked very wise and grave
|
||
|
indeed. "It's really," said Mr. Bunting with judicial emphasis, "a
|
||
|
most remarkable story."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 5
|
||
|
|
||
|
The Burglary at the Vicarage
|
||
|
|
||
|
|
||
|
The facts of the burlgary at the vicarage came to us chiefly through
|
||
|
the medium of the vicar and his wife. It occurred in the small hours
|
||
|
of Whit-Monday--the day devoted in Iping to the Club festivities.
|
||
|
Mrs. Bunting, it seems, woke up suddenly in the stillness that comes
|
||
|
before the dawn, with the strong impression that the door of their
|
||
|
bedroom had opened and closed. She did not arouse her husband at
|
||
|
first, but sat up in bed listening. She then distinctly heard the
|
||
|
pad, pad, pad of bare feet coming out of the adjoining dressing-room
|
||
|
and walking along the passage towards the staircase. As soon as she
|
||
|
felt assured of this, she aroused the Rev. Mr. Bunting as quietly as
|
||
|
possible. He did not strike a light, but putting on his spectacles,
|
||
|
her dressing-gown, and his bath slippers, he went out on the landing
|
||
|
to listen. He heard quite distinctly a fumbling going on at his
|
||
|
study desk downstairs, and then a violent sneeze.
|
||
|
|
||
|
At that he returned to his bedroom, armed himself with the most
|
||
|
obvious weapon, the poker, and descended the staircase as noiselessly
|
||
|
as possible. Mrs. Bunting came out on the landing.
|
||
|
|
||
|
The hour was about four, and the ultimate darkness of the night was
|
||
|
past. There was a faint shimmer of light in the hall, but the study
|
||
|
doorway yawned impenetrably black. Everything was still except the
|
||
|
faint creaking of the stairs under Mr. Bunting's tread, and the
|
||
|
slight movements in the study. Then something snapped, the drawer
|
||
|
was opened, and there was a rustle of papers. Then came an
|
||
|
imprecation, and a match was struck and the study was flooded with
|
||
|
yellow light. Mr. Bunting was now in the hall, and through the crack
|
||
|
of the door he could see the desk and the open drawer and a candle
|
||
|
burning on the desk. But the robber he could not see. He stood
|
||
|
there in the hall undecided what to do, and Mrs. Bunting, her face
|
||
|
white and intent, crept slowly downstairs after him. One thing kept
|
||
|
up Mr. Bunting's courage: the persuasion that this burglar was a
|
||
|
resident in the village.
|
||
|
|
||
|
They heard the chink of money, and realised that the robber had found
|
||
|
the housekeeping reserve of gold--two pounds ten in half- sovereigns
|
||
|
altogether. At that sound Mr. Bunting was nerved to abrupt action.
|
||
|
Gripping the poker firmly, he rushed into the room, closely followed
|
||
|
by Mrs. Bunting. "Surrender!" cried Mr. Bunting, fiercely, and then
|
||
|
stopped amazed. Apparently the room was perfectly empty.
|
||
|
|
||
|
Yet their conviction that they had, that very moment, heard somebody
|
||
|
moving in the room had amounted to a certainty. For half a minute,
|
||
|
perhaps, they stood gaping, then Mrs. Bunting went across the room
|
||
|
and looked behind the screen, while Mr. Bunting, by a kindred
|
||
|
impulse, peered under the desk. Then Mrs. Bunting turned back the
|
||
|
window-curtains, and Mr. Bunting looked up the chimney and probed it
|
||
|
with the poker. Then Mrs. Bunting scrutinised the waste-paper basket
|
||
|
and Mr. Bunting opened the lid of the coal-scuttle. Then they came
|
||
|
to a stop and stood with eyes interrogating each other.
|
||
|
|
||
|
"I could have sworn--" said Mr. Bunting.
|
||
|
|
||
|
"The candle!" said Mr. Bunting. "Who lit the candle?"
|
||
|
|
||
|
"The drawer!" said Mrs. Bunting. "And the money's gone!"
|
||
|
|
||
|
She went hastily to the doorway.
|
||
|
|
||
|
"Of all the extraordinary occurrences--"
|
||
|
|
||
|
There was a violent sneeze in the passage. They rushed out, and as
|
||
|
they did so the kitchen door slammed. "Bring the candle," said Mr.
|
||
|
Bunting, and led the way. They both heard a sound of bolts being
|
||
|
hastily shot back.
|
||
|
|
||
|
As he opened the kitchen door he saw through the scullery that the
|
||
|
back door was just opening, and the faint light of early dawn
|
||
|
displayed the dark masses of the garden beyond. He is certain that
|
||
|
nothing went out of the door. It opened, stood open for a moment,
|
||
|
and then closed with a slam. As it did so, the candle Mrs. Bunting
|
||
|
was carrying from the study flickered and flared. It was a minute or
|
||
|
more before they entered the kitchen.
|
||
|
|
||
|
The place was empty. They refastened the back door, examined the
|
||
|
kitchen, pantry, and scullery thoroughly, and at last went down into
|
||
|
the cellar. There was not a soul to be found in the house, search as
|
||
|
they would.
|
||
|
|
||
|
Daylight found the vicar and his wife, a quaintly-costumed little
|
||
|
couple, still marvelling about on their own ground floor by the
|
||
|
unnecessary light of a guttering candle.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 6
|
||
|
|
||
|
The Furniture That Went Mad
|
||
|
|
||
|
|
||
|
Now it happened that in the early hours of Whit-Monday, before Millie
|
||
|
was hunted out for the day, Mr. Hall and Mrs. Hall both rose and went
|
||
|
noiselessly down into the cellar. Their business there was of a
|
||
|
private nature, and had something to do with the specific gravity of
|
||
|
their beer. They had hardly entered the cellar when Mrs. Hall found
|
||
|
she had forgotten to bring down a bottle of sarsaparilla from their
|
||
|
joint-room. As she was the expert and principal operator in this
|
||
|
affair, Hall very properly went upstairs for it.
|
||
|
|
||
|
On the landing he was surprised to see that the stranger's door was
|
||
|
ajar. He went on into his own room and found the bottle as he had
|
||
|
been directed.
|
||
|
|
||
|
But returning with the bottle, he noticed that the bolts of the front
|
||
|
door had been shot back, that the door was in fact simply on the
|
||
|
latch. And with a flash of inspiration he connected this with the
|
||
|
stranger's room upstairs and the suggestions of Mr. Teddy Henfrey.
|
||
|
He distinctly remembered holding the candle while Mrs. Hall shot
|
||
|
those bolts overnight. At the sight he stopped, gaping, then with
|
||
|
the bottle still in his hand went upstairs again. He rapped at the
|
||
|
stranger's door. There was no answer. He rapped again; then pushed
|
||
|
the door wide open and entered.
|
||
|
|
||
|
It was as he expected. The bed, the room also, was empty. And what
|
||
|
was stranger, even to his heavy intelligence, on the bedroom chair
|
||
|
and along the rail of the bed were scattered the garments, the only
|
||
|
garments so far as he knew, and the bandages of their guest. His big
|
||
|
slouch hat even was cocked jauntily over the bed-post.
|
||
|
|
||
|
As Hall stood there he heard his wife's voice coming out of the depth
|
||
|
of the cellar, with that rapid telescoping of the syllables and
|
||
|
interrogative cocking up of the final words to a high note, by which
|
||
|
the West Sussex villager is wont to indicate a brisk impatience.
|
||
|
"Gearge! You gart what a wand?"
|
||
|
|
||
|
At that he turned and hurried down to her. "Janny," he said, over
|
||
|
the rail of the cellar steps, "'tas the truth what Henfrey sez. 'E's
|
||
|
not in uz room, 'e ent. And the front door's unbolted."
|
||
|
|
||
|
At first Mrs. Hall did not understand, and as soon as she did she
|
||
|
resolved to see the empty room for herself. Hall, still holding the
|
||
|
bottle, went first. "If 'e ent there," he said, "his close are. And
|
||
|
what's 'e doin' without his close, then? 'Tas a most curious
|
||
|
basness."
|
||
|
|
||
|
As they came up the cellar steps, they both, it was afterwards
|
||
|
ascertained, fancied they heard the front door open and shut, but
|
||
|
seeing it closed and nothing there, neither said a word to the other
|
||
|
about it at the time. Mrs. Hall passed her husband in the passage
|
||
|
and ran on first upstairs. Some one sneezed on the staircase. Hall,
|
||
|
following six steps behind, thought that he heard her sneeze. She,
|
||
|
going on first, was under the impression that Hall was sneezing. She
|
||
|
flung open the door and stood regarding the room. "Of all the
|
||
|
curious!" she said.
|
||
|
|
||
|
She heard a sniff close behind her head as it seemed, and, turning,
|
||
|
was surprised to see Hall a dozen feet off on the top-most stair.
|
||
|
But in another moment he was beside her. She bent forward and put
|
||
|
her hand on the pillow and then under the clothes.
|
||
|
|
||
|
"Cold," she said. "He's been up this hour or more."
|
||
|
|
||
|
As she did so, a most extraordinary thing happened--the bed- clothes
|
||
|
gathered themselves together, leapt up suddenly into a sort of peak,
|
||
|
and then jumped headlong over the bottom rail. It was exactly as if
|
||
|
a hand had clutched them in the centre and flung them aside.
|
||
|
Immediately after, the stranger's hat hopped off the bed-post,
|
||
|
describing a whirling flight in the air through the better part of a
|
||
|
circle, and then dashed straight at Mrs. Hall's face. Then as
|
||
|
swiftly came the sponge from the washstand; and then the chair,
|
||
|
flinging the stranger's coat and trousers carelessly aside, and
|
||
|
laughing dryly in a voice singularly like the stranger's, turned
|
||
|
itself up with its four legs at Mrs. Hall, seemed to take aim at her
|
||
|
for a moment, and charged at her. She screamed and turned, and then
|
||
|
the chair legs came gently but firmly against her back and impelled
|
||
|
her and Hall out of the room. The door slammed violently and was
|
||
|
locked. The chair and bed seemed to be executing a dance of triumph
|
||
|
for a moment, and then abruptly everything was still.
|
||
|
|
||
|
Mrs. Hall was left almost in a fainting condition in Mr. Hall's arms
|
||
|
on the landing. It was with the greatest difficulty that Mr. Hall
|
||
|
and Millie, who had been roused by her scream of alarm, succeeded in
|
||
|
getting her downstairs, and applying the restoratives customary in
|
||
|
these cases.
|
||
|
|
||
|
"'Tas sperrits," said Mrs. Hall. "I know 'tas sperrits. I've read
|
||
|
in papers of en. Tables and chairs leaping and dancing--!"
|
||
|
|
||
|
"Take a drop more, Janny," said Hall. "'Twill steady ye."
|
||
|
|
||
|
"Lock him out," said Mrs. Hall. "Don't let him come in again. I
|
||
|
half guessed--I might ha' known. With them goggling eyes and
|
||
|
bandaged head, and never going to church of a Sunday. And all they
|
||
|
bottles--more'n it's right for any one to have. He's put the
|
||
|
sperrits into the furniture. My good old furniture! 'Twas in that
|
||
|
very chair my poor dear mother used to sit when I was a little girl.
|
||
|
To think it should rise up against me now!"
|
||
|
|
||
|
"Just a drop more, Janny," said Hall. "Your nerves is all upset."
|
||
|
|
||
|
They sent Millie across the street through the golden five o'clock
|
||
|
sunshine to rouse up Mr. Sandy Wadgers, the blacksmith. Mr. Hall's
|
||
|
compliments and the furniture upstairs was behaving most
|
||
|
extraordinary. Would Mr. Wadgers come round? He was a knowing man,
|
||
|
was Mr. Wadgers, and very resourceful. He took quite a grave view of
|
||
|
the case. "Arm darmed ef thet ent witchcraft," was the view of Mr.
|
||
|
Sandy Wadgers. "You warnt horseshoes for such gentry as he."
|
||
|
|
||
|
He came round greatly concerned. They wanted him to lead the way
|
||
|
upstairs to the room, but he didn't seem to be in any hurry. He
|
||
|
preferred to talk in the passage. Over the way Huxter's apprentice
|
||
|
came out and began taking down the shutters of the tobacco window.
|
||
|
He was called over to join the discussion. Mr. Huxter naturally
|
||
|
followed in the course of a few minutes. The Anglo-Saxon genius for
|
||
|
parliamentary government asserted itself; there was a great deal of
|
||
|
talk and no decisive action. "Let's have the facts first," insisted
|
||
|
Mr. Sandy Wadgers. "Let's be sure we'd be acting perfectly right in
|
||
|
bustin' that there door open. A door onbust is always open to
|
||
|
bustin', but ye can't onbust a door once you've busted en."
|
||
|
|
||
|
And suddenly and most wonderfully the door of the room upstairs
|
||
|
opened of its own accord, and as they looked up in amazement, they
|
||
|
saw descending the stairs the muffled figure of the stranger staring
|
||
|
more blackly and blankly than ever with those unreasonably large blue
|
||
|
glass eyes of his. He came down stiffly and slowly, staring all the
|
||
|
time; he walked across the passage staring, then stopped.
|
||
|
|
||
|
"Look there!" he said, and their eyes followed the direction of his
|
||
|
gloved finger and saw a bottle of sarsaparilla hard by the cellar
|
||
|
door. Then he entered the parlour, and suddenly, swiftly, viciously
|
||
|
slammed the door in their faces.
|
||
|
|
||
|
Not a word was spoken until the last echoes of the slam had died
|
||
|
away. They stared at one another. "Well, if that don't lick
|
||
|
everything!" said Mr. Wadgers, and left the alternative unsaid.
|
||
|
|
||
|
"I'd go in and ask'n 'bout it," said Wadgers, to Mr. Hall. "I'd
|
||
|
d'mand an explanation."
|
||
|
|
||
|
It took some time to bring the landlady's husband up to that pitch.
|
||
|
At last he rapped, opened the door, and got as far as, "Excuse me--"
|
||
|
|
||
|
"Go to the devil!" said the stranger in a tremendous voice, and "Shut
|
||
|
that door after you." So that brief interview terminated.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 7
|
||
|
|
||
|
The Unveiling of the Stranger
|
||
|
|
||
|
|
||
|
The stranger went into the little parlour of the Coach and Horses
|
||
|
about half-past five in the morning, and there he remained until near
|
||
|
midday, the blinds down, the door shut, and none, after Hall's
|
||
|
repulse, venturing near him.
|
||
|
|
||
|
All that time he must have fasted. Thrice he rang his bell, the
|
||
|
third time furiously and continuously, but no one answered him. "Him
|
||
|
and his 'go to the devil' indeed!" said Mrs. Hall. Presently came an
|
||
|
imperfect rumour of the burglary at the vicarage, and two and two
|
||
|
were put together. Hall, assisted by Wadgers, went off to find Mr.
|
||
|
Shuckleforth, the magistrate, and take his advice. No one ventured
|
||
|
upstairs. How the stranger occupied himself is unknown. Now and
|
||
|
then he would stride violently up and down, and twice came an
|
||
|
outburst of curses, a tearing of paper, and a violent smashing of
|
||
|
bottles.
|
||
|
|
||
|
The little group of scared but curious people increased. Mrs.
|
||
|
Huxter came over; some gay young fellows resplendent in black ready-
|
||
|
made jackets and piqu paper ties, for it was Whit-Monday, joined the
|
||
|
group with confused interrogations. Young Archie Harker
|
||
|
distinguished himself by going up the yard and trying to peep under
|
||
|
the window-blinds. He could see nothing, but gave reason for
|
||
|
supposing that he did, and others of the Iping youth presently joined
|
||
|
him.
|
||
|
|
||
|
It was the finest of all possible Whit-Mondays, and down the village
|
||
|
street stood a row of nearly a dozen booths and a shooting gallery,
|
||
|
and on the grass by the forge were three yellow and chocolate waggons
|
||
|
and some picturesque strangers of both sexes putting up a cocoanut
|
||
|
shy. The gentlemen wore blue jerseys, the ladies white aprons and
|
||
|
quite fashionable hats with heavy plumes. Wodger of the Purple Fawn
|
||
|
and Mr. Jaggers the cobbler, who also sold second-hand ordinary
|
||
|
bicycles, were stretching a string of union-jacks and royal ensigns
|
||
|
(which had originally celebrated the Jubilee) across the road...
|
||
|
|
||
|
And inside, in the artificial darkness of the parlour, into which
|
||
|
only one thin jet of sunlight penetrated, the stranger, hungry we
|
||
|
must suppose, and fearful, hidden in his uncomfortable hot wrappings,
|
||
|
pored through his dark glasses upon his paper or chinked his dirty
|
||
|
little bottles, and occasionally swore savagely at the boys, audible
|
||
|
if invisible, outside the windows. In the corner by the fireplace
|
||
|
lay the fragments of half a dozen smashed bottles, and a pungent tang
|
||
|
of chlorine tainted the air. So much we know from what was heard at
|
||
|
the time and from what was subsequently seen in the room.
|
||
|
|
||
|
About noon he suddenly opened his parlour door and stood glaring
|
||
|
fixedly at the three or four people in the bar. "Mrs. Hall," he
|
||
|
said. Somebody went sheepishly and called for Mrs. Hall.
|
||
|
|
||
|
Mrs. Hall appeared after an interval, a little short of breath, but
|
||
|
all the fiercer for that. Hall was still out. She had deliberated
|
||
|
over the scene, and she came holding a little tray with an unsettled
|
||
|
bill upon it. "Is it your bill you're wanting, sir?" she said.
|
||
|
|
||
|
"Why wasn't my breakfast laid? Why haven't you prepared my meals and
|
||
|
answered my bell? Do you think I live without eating?"
|
||
|
|
||
|
"Why isn't my bill paid?" said Mrs. Hall. "That's what I want to
|
||
|
know."
|
||
|
|
||
|
"I told you three days ago I was awaiting a remittance--"
|
||
|
|
||
|
"I told you two days ago I wasn't going to await no remittances. You
|
||
|
can't grumble if your breakfast waits a bit, if my bill's been
|
||
|
waiting these five days, can you?"
|
||
|
|
||
|
The stranger swore briefly but vividly.
|
||
|
|
||
|
"Nar, nar!" from the bar.
|
||
|
|
||
|
"And I'd thank you kindly, sir, if you'd keep your swearing to
|
||
|
yourself, sir," said Mrs. Hall.
|
||
|
|
||
|
The stranger stood looking more like an angry diving-helmet than
|
||
|
ever. It was universally felt in the bar that Mrs. Hall had the
|
||
|
better of him. His next words showed as much.
|
||
|
|
||
|
"Look here, my good woman--" he began.
|
||
|
|
||
|
"Don't good woman me," said Mrs. Hall.
|
||
|
|
||
|
"I've told you my remittance hasn't come--"
|
||
|
|
||
|
"Remittance indeed!" said Mrs. Hall.
|
||
|
|
||
|
"Still, I daresay in my pocket--"
|
||
|
|
||
|
"You told me two days ago that you hadn't anything but a sovereign's
|
||
|
worth of silver upon you--"
|
||
|
|
||
|
"Well, I've found some more--"
|
||
|
|
||
|
"'Ul-lo!" from the bar.
|
||
|
|
||
|
"I wonder where you found it!" said Mrs. Hall.
|
||
|
|
||
|
That seemed to annoy the stranger very much. He stamped his foot.
|
||
|
"What do you mean?" he said.
|
||
|
|
||
|
"That I wonder where you found it," said Mrs. Hall. "And before I
|
||
|
take any bills or get any breakfasts, or do any such things
|
||
|
whatsoever, you got to tell me one or two things I don't understand,
|
||
|
and what nobody don't understand, and what everybody is very anxious
|
||
|
to understand. I want know what you been doing t' my chair upstairs,
|
||
|
and I want know how 'tis your room was empty, and how you got in
|
||
|
again. Them as stops in this house comes in by the doors--that's the
|
||
|
rule of the house, and that you didn't do, and what I want know is
|
||
|
how you did come in. And I want know--"
|
||
|
|
||
|
Suddenly the stranger raised his gloved hands clenched, stamped his
|
||
|
foot, and said, "Stop!" with such extraordinary violence that he
|
||
|
silenced her instantly.
|
||
|
|
||
|
"You don't understand," he said, "who I am or what I am. I'll show
|
||
|
you. By Heaven! I'll show you." Then he put his open palm over his
|
||
|
face and withdrew it. The centre of his face became a black cavity.
|
||
|
"Here," he said. He stepped forward and handed Mrs. Hall something
|
||
|
which she, staring at his metamorphosed face, accepted automatically.
|
||
|
Then, when she saw what it was, she screamed loudly, dropped it, and
|
||
|
staggered back. The nose--it was the stranger's nose! pink and
|
||
|
shining--rolled on the floor.
|
||
|
|
||
|
Then he removed his spectacles, and every one in the bar gasped. He
|
||
|
took off his hat, and with a violent gesture tore at his whiskers and
|
||
|
bandages. For a moment they resisted him. A flash of horrible
|
||
|
anticipation passed through the bar. "Oh, my Gard!" said some one.
|
||
|
Then off they came.
|
||
|
|
||
|
It was worse than anything. Mrs. Hall, standing open-mouthed and
|
||
|
horror-struck, shrieked at what she saw, and made for the door of the
|
||
|
house. Every one began to move. They were prepared for scars,
|
||
|
disfigurements, tangible horrors, but nothing! The bandages and
|
||
|
false hair flew across the passage into the bar, making a hobbledehoy
|
||
|
jump to avoid them. Every one tumbled on every one else down the
|
||
|
steps. For the man who stood there shouting some incoherent
|
||
|
explanation, was a solid gesticulating figure up to the coat-collar
|
||
|
of him, and then--nothingness, no visible thing at all!
|
||
|
|
||
|
People down the village heard shouts and shrieks, and looking up the
|
||
|
street saw the Coach and Horses violently firing out its humanity.
|
||
|
They saw Mrs. Hall fall down and Mr. Teddy Henfrey jump to avoid
|
||
|
tumbling over her, and then they heard the frightful screams of
|
||
|
Millie, who, emerging suddenly from the kitchen at the noise of the
|
||
|
tumult, had come upon the headless stranger from behind.
|
||
|
|
||
|
Forthwith every one all down the street, the sweet-stuff seller,
|
||
|
cocoanut shy proprietor and his assistant, the swing man, little boys
|
||
|
and girls, rustic dandies, smart wenches, smocked elders and aproned
|
||
|
gipsies, began running towards the inn; and in a miraculously short
|
||
|
space of time a crowd of perhaps forty people, and rapidly
|
||
|
increasing, swayed and hooted and inquired and exclaimed and
|
||
|
suggested, in front of Mrs. Hall's establishment. Every one seemed
|
||
|
eager to talk at once, and the result was babel. A small group
|
||
|
supported Mrs. Hall, who was picked up in a state of collapse. There
|
||
|
was a conference, and the incredible evidence of a vociferous
|
||
|
eyewitness. "O'Bogey!" "What's he been doin', then?" "Ain't hurt
|
||
|
the girl, 'as 'e?" "Run at en with a knife, I believe." "No 'ed, I
|
||
|
tell ye. I don't mean no manner of speaking, I mean marn 'without a'
|
||
|
ed!" "Narnsense! 'tas some conjuring trick." "Fetched off 'is
|
||
|
wrappin's, 'e did--"
|
||
|
|
||
|
In its struggles to see in through the open door, the crowd formed
|
||
|
itself into a straggling wedge, with the more adventurous apex
|
||
|
nearest the inn. "He stood for a moment, I heerd the gal scream, and
|
||
|
he turned. I saw her skirts whisk, and he went after her. Didn't
|
||
|
take ten seconds. Back he comes with a knife in uz hand and a loaf;
|
||
|
stood just as if he was staring. Not a moment ago. Went in that
|
||
|
there door. I tell 'e, 'e ain't gart no 'ed 't all. You just missed
|
||
|
en--"
|
||
|
|
||
|
There was a disturbance behind, and the speaker stopped to step aside
|
||
|
for a little procession that was marching very resolutely towards the
|
||
|
house--first Mr. Hall, very red and determined, then Mr. Bobby
|
||
|
Jaffers, the village constable, and then the wary Mr. Wadgers. They
|
||
|
had come now armed with a warrant.
|
||
|
|
||
|
People shouted conflicting information of the recent circumstances.
|
||
|
"'Ed or no 'ed," said Jaffers, "I got to 'rest en, and 'rest en I
|
||
|
will."
|
||
|
|
||
|
Mr. Hall marched up the steps, marched straight to the door of the
|
||
|
parlour and flung it open. "Constable," he said, "do your duty."
|
||
|
|
||
|
Jaffers marched in, Hall next, Wadgers last. They saw in the dim
|
||
|
light the headless figure facing them, with a gnawed crust of bread
|
||
|
in one gloved hand and a chunk of cheese in the other.
|
||
|
|
||
|
"That's him!" said Hall.
|
||
|
|
||
|
"What the devil's this?" came in a tone of angry expostulation from
|
||
|
above the collar of the figure.
|
||
|
|
||
|
"You're a damned rum customer, mister," said Mr. Jaffers. "But 'ed
|
||
|
or no 'ed, the warrant says 'body,' and duty's duty--"
|
||
|
|
||
|
"Keep off!" said the figure, starting back.
|
||
|
|
||
|
Abruptly he whipped down the bread and cheese, and Mr. Hall just
|
||
|
grasped the knife on the table in time to save it. Off came the
|
||
|
stranger's left glove and was slapped in Jaffers' face. In another
|
||
|
moment Jaffers, cutting short some statement concerning a warrant,
|
||
|
had gripped him by the handless wrist and caught his invisible
|
||
|
throat. He got a sounding kick on the shin that made him shout, but
|
||
|
he kept his grip. Hall sent the knife sliding along the table to
|
||
|
Wadgers, who acted as goal-keeper for the offensive, so to speak, and
|
||
|
then stepped forward as Jaffers and the stranger swayed and staggered
|
||
|
towards him, clutching and hitting in. A chair stood in the way, and
|
||
|
went aside with a crash as they came down together.
|
||
|
|
||
|
"Get the feet," said Jaffers between his teeth.
|
||
|
|
||
|
Mr. Hall, endeavoring to act on instructions, receiving a sounding
|
||
|
kick in the ribs that disposed of him for a moment, and Mr. Wadgers,
|
||
|
seeing the decapitated stranger had rolled over and got the upper
|
||
|
side of Jaffers, retreated towards the door, knife in hand, and so
|
||
|
collided with Mr. Huxter and the Siddermorton carter coming to the
|
||
|
rescue of law and order. At the same moment down came three or four
|
||
|
bottles from the chiffonier and shot a web of pungency into the air
|
||
|
of the room.
|
||
|
|
||
|
"I'll surrender," cried the stranger, though he had Jaffers down, and
|
||
|
in another moment he stood up panting, a strange figure, headless and
|
||
|
handless--for he had pulled off his right glove now as well as his
|
||
|
left. "It's no good," he said, as if sobbing for breath.
|
||
|
|
||
|
It was the strangest thing in the world to hear that voice coming as
|
||
|
if out of empty space, but the Sussex peasants are perhaps the most
|
||
|
matter-of-fact people under the sun. Jaffers got up also and
|
||
|
produced a pair of handcuffs. Then he started.
|
||
|
|
||
|
"I say!" said Jaffers, brought up short by a dim realisation of the
|
||
|
incongruity of the whole business. "Darm it! Can't use 'em as I can
|
||
|
see."
|
||
|
|
||
|
The stranger ran his arm down his waistcoat, and as if by a miracle
|
||
|
the buttons to which his empty sleeve pointed became undone. Then he
|
||
|
said something about his shin, and stooped down. He seemed to be
|
||
|
fumbling with his shoes and socks.
|
||
|
|
||
|
"Why!" said Huxter, suddenly, "that's not a man at all. It's just
|
||
|
empty clothes. Look! You can see down his collar and the linings of
|
||
|
his clothes. I could put my arm--"
|
||
|
|
||
|
He extended his hand; it seemed to meet something in mid-air, and he
|
||
|
drew it back with a sharp exclamation. "I wish you'd keep your
|
||
|
fingers out of my eye," said the aerial voice, in a tone of savage
|
||
|
expostulation. "The fact is, I'm all here: head, hands, legs, and
|
||
|
all the rest of it, but it happens I'm invisible. It's a confounded
|
||
|
nuisance, but I am. That's no reason why I should be poked to pieces
|
||
|
by every stupid bumpkin in Iping, is it?"
|
||
|
|
||
|
The suit of clothes, now all unbuttoned and hanging loosely upon its
|
||
|
unseen supports, stood up, arms akimbo.
|
||
|
|
||
|
Several other of the men folks had now entered the room, so that it
|
||
|
was closely crowded. "Invisible, eigh?" said Huxter, ignoring the
|
||
|
stranger's abuse. "Who ever heard the likes of that?"
|
||
|
|
||
|
"It's strange, perhaps, but it's not a crime. Why am I assaulted by
|
||
|
a policeman in this fashion?"
|
||
|
|
||
|
"Ah! that's a different matter," said Jaffers. "No doubt you are a
|
||
|
bit difficult to see in this light, but I got a warrant, and it's all
|
||
|
correct. What I'm after ain't no invisibility--it's burglary.
|
||
|
There's a house been broken into and money took."
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"And circumstances certainly point--"
|
||
|
|
||
|
"Stuff and nonsense!" said the Invisible Man.
|
||
|
|
||
|
"I hope so, sir; but I've got my instructions."
|
||
|
|
||
|
"Well," said the stranger, "I'll come. I'll come. But no
|
||
|
handcuffs."
|
||
|
|
||
|
"It's the regular thing," said Jaffers.
|
||
|
|
||
|
"No handcuffs," stipulated the stranger.
|
||
|
|
||
|
"Pardon me," said Jaffers.
|
||
|
|
||
|
Abruptly the figure sat down, and before any one could realise what
|
||
|
was being done, the slippers, socks, and trousers had been kicked off
|
||
|
under the table. Then he sprang up again and flung off his coat.
|
||
|
|
||
|
"Here, stop that," said Jaffers, suddenly realising what was
|
||
|
happening. He gripped the waist-coat; it struggled, and the shirt
|
||
|
slipped out of it and left it limp and empty in his hand. "Hold
|
||
|
him!" said Jaffers loudly. "Once he gets they things off--!"
|
||
|
|
||
|
"Hold him!" cried every one, and there was a rush at the fluttering
|
||
|
white shirt which was now all that was visible of the stranger.
|
||
|
|
||
|
The shirt-sleeve planted a shrewd blow in Hall's face that stopped
|
||
|
his open-armed advance, and sent him backward into old Toothsome the
|
||
|
sexton, and in another moment the garment was lifted up and became
|
||
|
convulsed and vacantly flapping about the arms, even as a shirt that
|
||
|
is being thrust over a man's head. Jaffers clutched at it, and only
|
||
|
helped to pull it off; he was struck in the mouth out of the air, and
|
||
|
incontinently drew his truncheon and smote Teddy Henfrey savagely
|
||
|
upon the crown of his head.
|
||
|
|
||
|
"Look out!" said everybody, fencing at random and hitting at nothing.
|
||
|
"Hold him! Shut the door! Don't let him loose! I got something!
|
||
|
Here he is!" A perfect babel of noises they made. Everybody, it
|
||
|
seemed, was being hit all at once, and Sandy Wadgers, knowing as ever
|
||
|
and his wits sharpened by a frightful blow in the nose, reopened the
|
||
|
door and led the rout. The others, following incontinently, were
|
||
|
jammed for a moment in the corner by the doorway. The hitting
|
||
|
continued. Phipps, the Unitarian, had a front tooth broken, and
|
||
|
Henfrey was injured in the cartilage of his ear. Jaffers was struck
|
||
|
under the jaw, and, turning, caught at something that intervened
|
||
|
between him and Huxter in the mle, and prevented their coming
|
||
|
together. He felt a muscular chest, and in another moment the whole
|
||
|
mass of struggling, excited men shot out into the crowded hall.
|
||
|
|
||
|
"I got him!" shouted Jaffers, choking and reeling through them all,
|
||
|
and wrestling with purple face and swelling veins against his unseen
|
||
|
enemy.
|
||
|
|
||
|
Men staggered right and left as the extraordinary conflict swayed
|
||
|
swiftly towards the house door, and went spinning down the half-dozen
|
||
|
steps of the inn. Jaffers cried in a strangled voice-- holding
|
||
|
tight, nevertheless, and making play with his knee--spun round, and
|
||
|
fell heavily undermost with his head on the gravel. Only then did
|
||
|
his fingers relax.
|
||
|
|
||
|
There were excited cries of "Hold him!" "Invisible!" and so forth,
|
||
|
and a young fellow, a stranger in the place whose name did not come
|
||
|
to light, rushed in at once, caught something, missed his hold, and
|
||
|
fell over the constable's prostrate body. Halfway across the road, a
|
||
|
woman screamed as something pushed by her; a dog, kicked apparently,
|
||
|
yelped and ran howling into Huxter's yard, and with that the transit
|
||
|
of the Invisible Man was accomplished. For a space people stood
|
||
|
amazed and gesticulating, and then came Panic, and scattered them
|
||
|
abroad through the village as a gust scatters dead leaves.
|
||
|
|
||
|
But Jaffers lay quite still, face upward and knees bent.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 8
|
||
|
|
||
|
In Transit
|
||
|
|
||
|
|
||
|
The eighth chapter is exceedingly brief, and relates that Gibbins,
|
||
|
the amateur naturalist of the district, while lying out on the
|
||
|
spacious open downs without a soul within a couple of miles of him,
|
||
|
as he thought, and almost dozing, heard close to him the sound as of
|
||
|
a man coughing, sneezing, and then swearing savagely to himself; and
|
||
|
looking, beheld nothing. Yet the voice was indisputable. It
|
||
|
continued to swear with that breadth and variety that distinguishes
|
||
|
the swearing of a cultivated man. It grew to a climax, diminished
|
||
|
again, and died away in the distance, going as it seemed to him in
|
||
|
the direction of Adderdean. It lifted to a spasmodic sneeze and
|
||
|
ended. Gibbins had heard nothing of the morning's occurrences, but
|
||
|
the phenomenon was so striking and disturbing that his philosophical
|
||
|
tranquillity vanished; he got up hastily, and hurried down the
|
||
|
steepness of the hill towards the village, as fast as he could go.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 9
|
||
|
|
||
|
Mr. Thomas Marvel
|
||
|
|
||
|
|
||
|
You must picture Mr. Thomas Marvel as a person of copious, flexible
|
||
|
visage, a nose of cylindrical protrusion, a liquorish, ample,
|
||
|
fluctuating mouth, and a beard of bristling eccentricity. His figure
|
||
|
inclined to embonpoint; his short limbs accentuated this inclination.
|
||
|
He wore a furry silk hat, and the frequent substitution of twine and
|
||
|
shoe-laces for buttons, apparent at critical points of his costume,
|
||
|
marked a man essentially bachelor.
|
||
|
|
||
|
Mr. Thomas Marvel was sitting with his feet in a ditch by the
|
||
|
roadside over the down toward Adderdean, about a mile and a half out
|
||
|
of Iping. His feet, save for socks of irregular openwork, were bare,
|
||
|
his big toes were broad, and pricked like the ears of a watchful dog.
|
||
|
In a leisurely manner--he did everything in a leisurely manner--he
|
||
|
was contemplating trying on a pair of boots. They were the soundest
|
||
|
boots he had come across for a long time, but too large for him;
|
||
|
whereas the ones he had were, in dry weather, a very comfortable fit,
|
||
|
but too thin-soled for damp. Mr. Thomas Marvel hated roomy boots,
|
||
|
but then he hated damp. He had never properly thought out which he
|
||
|
hated most, and it was a pleasant day, and there was nothing better
|
||
|
to do. So he put the four boots in a graceful group on the turf and
|
||
|
looked at them. And seeing them there among the grass and springing
|
||
|
agrimony, it suddenly occurred to him that both pairs were
|
||
|
exceedingly ugly to see. He was not at all startled by a voice
|
||
|
behind him.
|
||
|
|
||
|
"They're boots, anyhow," said the voice.
|
||
|
|
||
|
"They are--charity boots," said Mr. Thomas Marvel, with his head on
|
||
|
one side regarding them distastefully; "and which is the ugliest pair
|
||
|
in the whole blessed universe, I'm darned if I know!"
|
||
|
|
||
|
"H'm," said the voice.
|
||
|
|
||
|
"I've worn worse--in fact, I've worn none. But none so owdacious
|
||
|
ugly--if you'll allow the expression. I've been cadging boots--in
|
||
|
particular--for days. Because I was sick of them. They're sound
|
||
|
enough, of course. But a gentleman on tramp sees such a thundering
|
||
|
lot of his boots. And if you'll believe me, I've raised nothing in
|
||
|
the whole blessed county, try as I would, but THEM. Look at 'em!
|
||
|
And a good county for boots, too, in a general way. But it's just my
|
||
|
promiscuous luck. I've got my boots in this county ten years or
|
||
|
more. And then they treat you like this."
|
||
|
|
||
|
"It's a beast of a county," said the voice. "And pigs for people."
|
||
|
|
||
|
"Ain't it?" said Mr. Thomas Marvel. "Lord! But them boots! It
|
||
|
beats it."
|
||
|
|
||
|
He turned his head over his shoulder to the right, to look at the
|
||
|
boots of his interlocutor with a view to comparisons, and lo! where
|
||
|
the boots of his interlocutor should have been were neither legs nor
|
||
|
boots. He turned his head over his shoulder to the left, and there
|
||
|
also were neither legs nor boots. He was irradiated by the dawn of a
|
||
|
great amazement. "Where are yar?" said Mr. Thomas Marvel over his
|
||
|
shoulder and coming round on all fours. He saw a stretch of empty
|
||
|
downs with the wind swaying and remote green-pointed furze bushes.
|
||
|
|
||
|
"Am I drunk?" said Mr. Marvel. "Have I had visions? Was I talking
|
||
|
to myself? What the--"
|
||
|
|
||
|
"Don't be alarmed," said a voice.
|
||
|
|
||
|
"None of your ventriloquising me," said Mr. Thomas Marvel, rising
|
||
|
sharply to his feet. "Where are yer? Alarmed, indeed!"
|
||
|
|
||
|
"Don't be alarmed," repeated the voice.
|
||
|
|
||
|
"You'll be alarmed in a minute, you silly fool," said Mr. Thomas
|
||
|
Marvel. "Where are yer? Lemme get my mark on yer--
|
||
|
|
||
|
"Are you buried?" said Mr. Thomas Marvel, after an interval.
|
||
|
|
||
|
There was no answer. Mr. Thomas Marvel stood bootless and amazed,
|
||
|
his jacket nearly thrown off.
|
||
|
|
||
|
"Peewit," said a peewit, very remote.
|
||
|
|
||
|
"Peewit, indeed!" said Mr. Thomas Marvel. "This ain't no time for
|
||
|
foolery." The down was desolate, east and west, north and south; the
|
||
|
road with its shallow ditches and white bordering stakes, ran smooth
|
||
|
and empty north and south, and, save for that peewit, the blue sky
|
||
|
was empty too. "So help me," said Mr. Thomas Marvel, shuffling his
|
||
|
coat on to his shoulders again. "It's the drink! I might ha'
|
||
|
known."
|
||
|
|
||
|
"It's not the drink," said the voice. "You keep your nerves steady."
|
||
|
|
||
|
"Ow!" said Mr. Marvel, and his face grew white amidst its patches.
|
||
|
"It's the drink," his lips repeated noiselessly. He remained staring
|
||
|
about him, rotating slowly backwards. "I could have swore I heard a
|
||
|
voice," he whispered.
|
||
|
|
||
|
"Of course you did."
|
||
|
|
||
|
"It's there again," said Mr. Marvel, closing his eyes and clasping
|
||
|
his hand on his brow with a tragic gesture. He was suddenly taken by
|
||
|
the collar and shaken violently and left more dazed than ever.
|
||
|
"Don't be a fool," said the voice.
|
||
|
|
||
|
"I'm--off--my--blooming--chump," said Mr. Marvel. "It's no good.
|
||
|
It's fretting about them blarsted boots. I'm off my blessed blooming
|
||
|
chump. Or it's spirits."
|
||
|
|
||
|
"Neither one thing nor the other," said the voice. "Listen!"
|
||
|
|
||
|
"Chump," said Mr. Marvel.
|
||
|
|
||
|
"One minute," said the voice penetratingly,--tremulous with
|
||
|
self-control.
|
||
|
|
||
|
"Well?" said Mr. Thomas Marvel, with a strange feeling of having been
|
||
|
dug in the chest by a finger.
|
||
|
|
||
|
"You think I'm just imagination? Just imagination?"
|
||
|
|
||
|
"What else can you be?" said Mr. Thomas Marvel, rubbing the back of
|
||
|
his neck.
|
||
|
|
||
|
"Very well," said the voice, in a tone of relief. "Then I'm going to
|
||
|
throw flints at you till you think differently."
|
||
|
|
||
|
"But where are yer?"
|
||
|
|
||
|
The voice made no answer. Whiz came a flint, apparently out of the
|
||
|
air, and missed Mr. Marvel's shoulder by a hair's breadth. Mr.
|
||
|
Marvel, turning, saw a flint jerk up into the air, trace a
|
||
|
complicated path, hang for a moment, and then fling at his feet with
|
||
|
almost invisible rapidity. He was too amazed to dodge. Whiz it
|
||
|
came, and ricocheted from a bare toe into the ditch. Mr. Thomas
|
||
|
Marvel jumped a foot and howled aloud. Then he started to run,
|
||
|
tripped over an unseen obstacle, and came head over heels into a
|
||
|
sitting position.
|
||
|
|
||
|
"Now," said the voice, as a third stone curved upward and hung in the
|
||
|
air above the tramp. "Am I imagination?"
|
||
|
|
||
|
Mr. Marvel by way of reply struggled to his feet, and was immediately
|
||
|
rolled over again. He lay quiet for a moment. "If you struggle any
|
||
|
more," said the voice, "I shall throw the flint at your head."
|
||
|
|
||
|
"It's a fair do," said Mr. Thomas Marvel, sitting up, taking his
|
||
|
wounded toe in hand and fixing his eye on the third missle. "I don't
|
||
|
understand it. Stones flinging themselves. Stones talking. Put
|
||
|
yourself down. Rot away. I'm done."
|
||
|
|
||
|
The third flint fell.
|
||
|
|
||
|
"It's very simple," said the voice. "I'm an invisible man."
|
||
|
|
||
|
"Tell us something I don't know," said Mr. Marvel, gasping with pain.
|
||
|
"Where you've hid--how you do it--I don't know, I'm beat."
|
||
|
|
||
|
"That's all," said the voice. "I'm invisible. That's what I want
|
||
|
you to understand."
|
||
|
|
||
|
"Any one could see that. There is no need for you to be so
|
||
|
confounded impatient, mister. Now then. Give us a notion. How are
|
||
|
you hid?"
|
||
|
|
||
|
"I'm invisible. That's the great point. And what I want you to
|
||
|
understand is this--"
|
||
|
|
||
|
"But whereabouts?" interrupted Mr. Marvel.
|
||
|
|
||
|
"Here! Six yards in front of you."
|
||
|
|
||
|
"Oh, come! I ain't blind. You'll be telling me next you're just
|
||
|
thin air. I'm not one of your ignorant tramps--"
|
||
|
|
||
|
"Yes, I am--thin air. You're looking through me."
|
||
|
|
||
|
"What! Ain't there any stuff to you? Vox et--what is it?-- jabber.
|
||
|
Is it that?
|
||
|
|
||
|
"I am just a human being--solid, needing food and drink, needing
|
||
|
covering too--But I'm invisible. You see? Invisible. Simple idea.
|
||
|
Invisible."
|
||
|
|
||
|
"What, real like?"
|
||
|
|
||
|
"Yes, real."
|
||
|
|
||
|
"Let's have a hand of you," said Marvel, "if you are real. It won't
|
||
|
be so darn out-of-the-way like, then--Lord!" he said, "how you made
|
||
|
me jump!--gripping me like that!"
|
||
|
|
||
|
He felt the hand that had closed round his wrist with his disengaged
|
||
|
fingers, and his touch went timorously up the arm, patted a muscular
|
||
|
chest, and explored a bearded face. Marvel's face was astonishment.
|
||
|
|
||
|
"I'm dashed!" he said. "If this don't beat cock-fighting! Most
|
||
|
remarkable!--And there I can see a rabbit clean through you, 'arf a
|
||
|
mile away! Not a bit of you visible--except--"
|
||
|
|
||
|
He scrutinised the apparently empty space keenly. "You 'aven't been
|
||
|
eatin' bread and cheese?" he asked, holding the invisible arm.
|
||
|
|
||
|
"You're quite right, and it's not quite assimilated into the system."
|
||
|
|
||
|
"Ah!" said Mr. Marvel. "Sort of ghostly, though."
|
||
|
|
||
|
"Of course, all this isn't so wonderful as you think."
|
||
|
|
||
|
"It's quite wonderful enough for my modest wants," said Mr. Thomas
|
||
|
Marvel. "Howjer manage it? How the dooce is it done?"
|
||
|
|
||
|
"It's too long a story. And besides--"
|
||
|
|
||
|
"I tell you, the whole business fair beats me," said Mr. Marvel.
|
||
|
|
||
|
"What I want to say at present is this: I need help. I have come to
|
||
|
that--I came upon you suddenly. I was wandering, mad with rage,
|
||
|
naked, impotent. I could have murdered. And I saw you--"
|
||
|
|
||
|
"Lord!" said Mr. Marvel.
|
||
|
|
||
|
"I came up behind you--hesitated--went on--"
|
||
|
|
||
|
Mr. Marvel's expression was eloquent.
|
||
|
|
||
|
"--then stopped. 'Here,' I said, 'is an outcast like myself. This
|
||
|
is the man for me.' So I turned back and came to you--you. And--"
|
||
|
|
||
|
"Lord!" said Mr. Marvel. "But I'm all in a dizzy. May I ask--How is
|
||
|
it? And what you may be requiring in the way of help?-- Invisible!"
|
||
|
|
||
|
"I want you to help me get clothes--and shelter--and then, with other
|
||
|
things. I've left them long enough. If you won't--well! But you
|
||
|
will--must."
|
||
|
|
||
|
"Look here," said Mr. Marvel. "I'm too flabbergasted. Don't knock
|
||
|
me about any more. And leave me go. I must get steady a bit. And
|
||
|
you've pretty near broken my toe. It's all so unreasonable. Empty
|
||
|
downs, empty sky. Nothing visible for miles except the bosom of
|
||
|
Nature. And then comes a voice. A voice out of heaven! And stones!
|
||
|
And a fist--Lord!"
|
||
|
|
||
|
"Pull yourself together," said the voice, "for you have to do the job
|
||
|
I've chosen for you."
|
||
|
|
||
|
Mr. Marvel blew out his cheeks, and his eyes were round.
|
||
|
|
||
|
"I've chosen you," said the voice. "You are the only man, except
|
||
|
some of those fools down there, who knows there is such a thing as an
|
||
|
invisible man. You have to be my helper. Help me--and I will do
|
||
|
great things for you. An invisible man is a man of power." He
|
||
|
stopped for a moment to sneeze violently.
|
||
|
|
||
|
"But if you betray me," he said, "if you fail to do as I direct
|
||
|
you--"
|
||
|
|
||
|
He paused and tapped Mr. Marvel's shoulder smartly. Mr. Marvel gave
|
||
|
a yelp of terror at the touch. "I don't want to betray you," said
|
||
|
Mr. Marvel, edging away from the direction of the fingers. "Don't
|
||
|
you go a-thinking that, whatever you do. All I want to do is to help
|
||
|
you--just tell me what I got to do. (Lord!) Whatever you want done,
|
||
|
that I'm most willing to do."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 10
|
||
|
|
||
|
Mr. Marvel's Visit to Iping
|
||
|
|
||
|
|
||
|
After the first gusty panic had spent itself Iping became
|
||
|
argumentative. Scepticism suddenly reared its head--rather nervous
|
||
|
scepticism, not at all assured of its back, but scepticism neverthe-
|
||
|
less. It is so much easier not to believe in an invisible man; and
|
||
|
those who had actually seen him dissolve into air, or felt the
|
||
|
strength of his arm, could be counted on the fingers of two hands.
|
||
|
And of these witnesses Mr. Wadgers was presently missing, having
|
||
|
retired impregnably behind the bolts and bars of his own house, and
|
||
|
Jaffers was lying stunned in the parlour of the Coach and Horses.
|
||
|
Great and strange ideas transcending experience often have less
|
||
|
effect upon men and women than smaller, more tangible considerations.
|
||
|
Iping was gay with bunting, and everybody was in gala dress.
|
||
|
Whit-Monday had been looked forward to for a month or more. By the
|
||
|
afternoon even those who believed in the Unseen were beginning to
|
||
|
resume their little amusements in a tentative fashion, on the
|
||
|
supposition that he had quite gone away, and with the sceptics he was
|
||
|
already a jest. But people, sceptics and believers alike, were
|
||
|
remarkably sociable all that day.
|
||
|
|
||
|
Haysman's meadow was gay with a tent, in which Mrs. Bunting and other
|
||
|
ladies were preparing tea, while, without, the Sunday-school children
|
||
|
ran races and played games under the noisy guidance of the curate and
|
||
|
the Misses Cuss and Sackbut. No doubt there was a slight uneasiness
|
||
|
in the air, but people for the most part had the sense to conceal
|
||
|
whatever imaginative qualms they experienced. On the village green
|
||
|
an inclined string, down which, clinging the while to a pulley- swung
|
||
|
handle, one could be hurled violently against a sack at the other
|
||
|
end, came in for considerable favour among the adolescent. There
|
||
|
were swings and cocoanut shies and promenading, and the steam organ
|
||
|
attached to the swings filled the air with a pungent flavour of oil
|
||
|
and with equally pungent music. Members of the Club, who had
|
||
|
attended church in the morning, were splendid in badges of pink and
|
||
|
green, and some of the gayer-minded had also adorned their bowler
|
||
|
hats with brilliant-coloured favours of ribbon. Old Fletcher, whose
|
||
|
conceptions of holiday-making were severe, was visible through the
|
||
|
jasmine about his window or through the open door (whichever way you
|
||
|
chose to look), poised delicately on a plank supported on two chairs,
|
||
|
and whitewashing the ceiling of his front room.
|
||
|
|
||
|
About four o'clock a stranger entered the village from the direction
|
||
|
of the downs. He was a short, stout person in an extraorindarily
|
||
|
shabby top hat, and he appeared to be very much out of breath. His
|
||
|
cheeks were alternately limp and tightly puffed. His mottled face
|
||
|
was apprenhensive, and he moved with a sort of reluctant alacrity.
|
||
|
He turned the corner by the church, and directed his way to the Coach
|
||
|
and Horses. Among others old Fletcher remembers seeing him, and
|
||
|
indeed the old gentleman was so struck by his peculiar agitation that
|
||
|
he inadvertently allowed a quantity of whitewash to run down the
|
||
|
brush into the sleeve of his coat while regarding him.
|
||
|
|
||
|
This stranger, to the perceptions of the proprietor of the cocoanut
|
||
|
shy, appeared to be talking to himself, and Mr. Huxter remarked the
|
||
|
same thing. He stopped at the foot of the Coach and Horses steps,
|
||
|
and, according to Mr. Huxter, appeared to undergo a severe internal
|
||
|
struggle before he could induce himself to enter the house. Finally
|
||
|
he marched up the steps, and was seen by Mr. Huxter to turn to the
|
||
|
left and open the door of the parlour. Mr. Huxter heard voices from
|
||
|
within the room and from the bar apprising the man of his error.
|
||
|
"That room's private!" said Hall, and the stranger shut the door
|
||
|
clumsily and went into the bar.
|
||
|
|
||
|
In the course of a few minutes he reappeared, wiping his lips with
|
||
|
the back of his hand with an air of quiet satisfaction that somehow
|
||
|
impressed Mr. Huxter as assumed. He stood looking about him for some
|
||
|
moments, and then Mr. Huxter saw him walk in an oddly furtive manner
|
||
|
towards the gates of the yard, upon which the parlour window opened.
|
||
|
The stranger, after some hesitation, leant against one of the
|
||
|
gate-posts, produced a short clay pipe, and prepared to fill it. His
|
||
|
fingers trembled while doing so. He lit it clumsily, and folding his
|
||
|
arms began to smoke in a languid attitude, an attitude which his
|
||
|
occasional quick glances up the yard altogether belied.
|
||
|
|
||
|
All this Mr. Huxter saw over the canisters of the tobacco window, and
|
||
|
the singularity of the man's behaviour prompted him to maintain his
|
||
|
observation.
|
||
|
|
||
|
Presently the stranger stood up abruptly and put his pipe in his
|
||
|
pocket. Then he vanished into the yard. Forthwith Mr. Huxter,
|
||
|
conceiving he was witness of some petty larceny, leapt round his
|
||
|
counter and ran out into the road to intercept the thief. As he did
|
||
|
so, Mr. Marvel reappeared, his hat askew, a big bundle in a blue
|
||
|
table-cloth in one hand, and three books tied together--as it proved
|
||
|
afterwards with the Vicar's braces--in the other. Directly he saw
|
||
|
Huxter he gave a sort of gasp, and turning sharply to the left, began
|
||
|
to run. "Stop thief!" cried Huxter, and set off after him. Mr.
|
||
|
Huxter's sensations were vivid but brief. He saw the man just before
|
||
|
him and spurting briskly for the church corner and the hill road. He
|
||
|
saw the village flags and festivities beyond, and a face or so turned
|
||
|
towards him. He bawled, "Stop!" again. He had hardly gone ten
|
||
|
strides before his shin was caught in some mysterious fashion, and he
|
||
|
was no longer running, but flying with inconceivable rapidity through
|
||
|
the air. He saw the ground suddenly close to his face. The world
|
||
|
seemed to splash into a million whirling specks of light, and
|
||
|
subsequent proceedings interested him no more.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 11
|
||
|
|
||
|
In the Coach and Horses
|
||
|
|
||
|
|
||
|
Now in order clearly to understand what had happened in the inn, it
|
||
|
is necessary to go back to the moment when Mr. Marvel first came into
|
||
|
view of Mr. Huxter's window. At that precise moment Mr. Cuss and
|
||
|
Mr. Bunting were in the parlour. They were seriously investigating
|
||
|
the strange occurrences of the morning, and were, with Mr. Hall's
|
||
|
permission, making a thorough examination of the Invisible Man's
|
||
|
belongings. Jaffers had partially recovered from his fall and had
|
||
|
gone home in the charge of his sympathetic friends. The stranger's
|
||
|
scattered garments had been removed by Mrs. Hall and the room tidied
|
||
|
up. And on the table under the window where the stranger had been
|
||
|
wont to work, Cuss had hit almost at once on three big books in
|
||
|
manuscript labelled "Diary."
|
||
|
|
||
|
"Diary!" said Cuss, putting the three books on the table. "Now, at
|
||
|
any rate, we shall learn something." The Vicar stood with his hands
|
||
|
on the table.
|
||
|
|
||
|
"Diary," repeated Cuss, sitting down, putting two volumes to support
|
||
|
the third, and opening it. "H'm--no name on the fly-leaf.
|
||
|
Bother!--cypher. And figures."
|
||
|
|
||
|
The Vicar came round to look over his shoulder.
|
||
|
|
||
|
Cuss turned the pages over with a face suddenly disappointed.
|
||
|
"I'm--dear me! It's all cypher, Bunting."
|
||
|
|
||
|
"There are no diagrams?" asked Mr. Bunting. "No illustrations
|
||
|
throwing light--"
|
||
|
|
||
|
"See for yourself," said Mr. Cuss. "Some of it's mathematical and
|
||
|
some of it's Russian or some such language (to judge by the letters),
|
||
|
and some of it's Greek. Now the Greek I thought you--"
|
||
|
|
||
|
"Of course," said Mr. Bunting, taking out and wiping his spectacles
|
||
|
and feeling suddenly very uncomfortable,--for he had no Greek left in
|
||
|
his mind worth talking about; "yes--the Greek, of course, may furnish
|
||
|
a clue."
|
||
|
|
||
|
"I'll find you a place."
|
||
|
|
||
|
"I'd rather glance through the volumes first," said Mr. Bunting,
|
||
|
still wiping. "A general impression first, Cuss, and then, you know,
|
||
|
we can go looking for clues."
|
||
|
|
||
|
He coughed, put on his glasses, arranged them fastidiously, coughed
|
||
|
again, and wished something would happen to avert the seemingly
|
||
|
inevitable exposure. Then he took the volume Cuss handed him in a
|
||
|
leisurely manner. And then something did happen.
|
||
|
|
||
|
The door opened suddenly.
|
||
|
|
||
|
Both gentlemen started violently, looked around, and were relieved to
|
||
|
see a sporadically rosy face beneath a furry silk hat. "Tap?" asked
|
||
|
the face, and stood staring.
|
||
|
|
||
|
"No," said both gentlemen at once.
|
||
|
|
||
|
"Over the other side, my man," said Mr. Bunting. And "Please shut
|
||
|
that door," said Mr. Cuss irritably.
|
||
|
|
||
|
"All right," said the intruder, as it seemed, in a low voice
|
||
|
curiously different from the huskiness of its first enquiry. "Right
|
||
|
you are," said the intruder in the former voice. "Stand clear!" and
|
||
|
he vanished and closed the door.
|
||
|
|
||
|
"A sailor, I should judge," said Mr. Bunting. "Amusing fellows they
|
||
|
are. Stand clear! indeed. A nautical term referring to his getting
|
||
|
back out of the room, I suppose."
|
||
|
|
||
|
"I daresay so," said Cuss. "My nerves are all loose to-day. It
|
||
|
quite made me jump--the door opening like that."
|
||
|
|
||
|
Mr. Bunting smiled as if he had not jumped. "And now," he said with
|
||
|
a sigh, "these books."
|
||
|
|
||
|
"One minute," said Cuss, and went and locked the door. "Now I think
|
||
|
we are safe from interruption."
|
||
|
|
||
|
Some one sniffed as he did so.
|
||
|
|
||
|
"One thing is indisputable," said Bunting, drawing up a chair next to
|
||
|
that of Cuss. "There certainly have been very strange things happen
|
||
|
in Iping during the last few days--very strange. I cannot of course
|
||
|
believe in this absurd invisibility story--"
|
||
|
|
||
|
"It's incredible," said Cuss, "--incredible. But the fact remains
|
||
|
that I saw--I certainly saw right down his sleeve--"
|
||
|
|
||
|
"But did you--are you sure? Suppose a mirror, for instance,--
|
||
|
hallucinations are so easily produced. I don't know if you have ever
|
||
|
seen a really good conjuror--"
|
||
|
|
||
|
"I won't argue again," said Cuss. "We've thrashed that out, Bunting.
|
||
|
And just now there's these books--Ah! here's some of what I take to
|
||
|
be Greek! Greek letters certainly."
|
||
|
|
||
|
He pointed to the middle of the page. Mr. Bunting flushed slightly
|
||
|
and brought his face nearer, apparently finding some difficulty with
|
||
|
his glasses. Suddenly he became aware of a strange feeling at the
|
||
|
nape of his neck. He tried to raise his head, and encountered an
|
||
|
immovable resistance. The feeling was a curious pressure, the grip
|
||
|
of a heavy, firm hand, and it bore his chin irresistibly to the
|
||
|
table. "Don't move, little men," whispered a voice, "or I'll brain
|
||
|
you both!" He looked into the face of Cuss, close to his own, and
|
||
|
each saw a horrified reflection of his own sickly astonishment.
|
||
|
|
||
|
"I'm sorry to handle you roughly," said the Voice, "but it's
|
||
|
unavoidable.
|
||
|
|
||
|
"Since when did you learn to pry into an investigator's private
|
||
|
memoranda?" said the Voice; and two chins struck the table
|
||
|
simultaneously and two sets of teeth rattled.
|
||
|
|
||
|
"Since when did you learn to invade the private rooms of a man in
|
||
|
misfortune?" and the concussion was repeated.
|
||
|
|
||
|
"Where have they put my clothes?
|
||
|
|
||
|
"Listen," said the Voice. "The windows are fastened and I've taken
|
||
|
the key out of the door. I am a fairly strong man, and I have the
|
||
|
poker handy--besides being invisible. There's not the slightest
|
||
|
doubt that I could kill you both and get away quite easily if I
|
||
|
wanted to--do you understand? Very well. If I let you go will you
|
||
|
promise not to try any nonsense and do what I tell you?"
|
||
|
|
||
|
The Vicar and the Doctor looked at one another, and the Doctor pulled
|
||
|
a face. "Yes," said Mr. Bunting, and the Doctor repeated it. Then
|
||
|
the pressure on the necks relaxed, and the Doctor and the Vicar sat
|
||
|
up, both very red in the face and wriggling their heads.
|
||
|
|
||
|
"Please keep sitting where you are," said the Invisible Man. "Here's
|
||
|
the poker, you see.
|
||
|
|
||
|
"When I came into this room," continued the Invisible Man, after
|
||
|
presenting the poker to the tip of the nose of each of his visitors,
|
||
|
"I did not expect to find it occupied, and I expected to find, in
|
||
|
addition to my books of memoranda, an outfit of clothing. Where is
|
||
|
it? No,--don't rise. I can see it's gone. Now, just at present,
|
||
|
though the days are quite warm enough for an invisible man to run
|
||
|
about stark, the evenings are chilly. I want clothing--and other
|
||
|
accommodation; and I must also have those three books."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 12
|
||
|
|
||
|
The Invisible Man Loses His Temper
|
||
|
|
||
|
|
||
|
It is unavoidable that at this point the narrative should break off
|
||
|
again, for a certain very painful reason that will presently be
|
||
|
apparent. While these things were going on in the parlour, and while
|
||
|
Mr. Huxter was watching Mr. Marvel smoking his pipe against the gate,
|
||
|
not a dozen yards away were Mr. Hall and Teddy Henfrey discussing in
|
||
|
a state of cloudy puzzlement the one Iping topic.
|
||
|
|
||
|
Suddenly there came a violent thud against the door of the parlour, a
|
||
|
sharp cry, and then--silence.
|
||
|
|
||
|
"Hul--lo!" said Teddy Henfrey.
|
||
|
|
||
|
"Hul--lo!" from the Tap.
|
||
|
|
||
|
Mr. Hall took things in slowly but surely. "That ain't right," he
|
||
|
said, and came round from behind the bar towards the parlour door.
|
||
|
|
||
|
He and Teddy approached the door together, with intent faces. Their
|
||
|
eyes considered. "Summat wrong," said Hall, and Henfrey nodded
|
||
|
agreement. Whiffs of an unpleasant chemical odour met them, and
|
||
|
there was a muffled sound of conversation, very rapid and subdued.
|
||
|
|
||
|
"You all raight thur?" asked Hall, rapping.
|
||
|
|
||
|
The muttered conversation ceased abruptly, for a moment silence, then
|
||
|
the conversation was resumed in hissing whispers, then a sharp cry of
|
||
|
"No! no, you don't!" There came a sudden motion and the oversetting
|
||
|
of a chair, a brief struggle. Silence again.
|
||
|
|
||
|
"What the dooce?" exclaimed Henfrey, sotto voce.
|
||
|
|
||
|
"You--all--raight--thur?" asked Mr. Hall sharply, again.
|
||
|
|
||
|
The Vicar's voice answered with a curious jerking intonation: "Quite
|
||
|
ri--ight. Please don't--interrupt."
|
||
|
|
||
|
"Odd!" said Mr. Henfrey.
|
||
|
|
||
|
"Odd!" said Mr. Hall.
|
||
|
|
||
|
"Says, 'Don't interrupt,'" said Henfrey.
|
||
|
|
||
|
"I heerd'n," said Hall.
|
||
|
|
||
|
"And a sniff," said Henfrey.
|
||
|
|
||
|
They remained listening. The conversation was rapid and subdued. "I
|
||
|
can't," said Mr. Bunting, his voice rising; "I tell you, sir, I will
|
||
|
not."
|
||
|
|
||
|
"What was that?" asked Henfrey.
|
||
|
|
||
|
"Says he wi' nart," said Hall. "Warn't speakin' to us, wuz he?"
|
||
|
|
||
|
"Disgraceful!" said Mr. Bunting, within.
|
||
|
|
||
|
"'Disgraceful,'" said Mr. Henfrey. "I heard it--distinct.
|
||
|
|
||
|
"Who's that speaking now?" asked Henfrey.
|
||
|
|
||
|
"Mr. Cuss, I s'pose," said Hall. "Can you hear--anything?"
|
||
|
|
||
|
Silence. The sounds within indistinct and perplexing.
|
||
|
|
||
|
"Sounds like throwing the table-cloth about," said Hall.
|
||
|
|
||
|
Mrs. Hall appeared behind the bar. Hall made gestures of silence and
|
||
|
invitation. This roused Mrs. Hall's wifely opposition. "What yer
|
||
|
listenin' there for, Hall?" she asked. "Ain't you nothin' better to
|
||
|
do--busy day like this?"
|
||
|
|
||
|
Hall tried to convey everything by grimaces and dumb show, but Mrs.
|
||
|
Hall was obdurate. She raised her voice. So Hall and Henfrey,
|
||
|
rather crestfallen, tip-toed back to the bar, gesticulating to
|
||
|
explain to her.
|
||
|
|
||
|
At first she refused to see anything in what they had heard at all.
|
||
|
Then she insisted on Hall keeping silence, while Henfrey told her his
|
||
|
story. She was inclined to think the whole business nonsense
|
||
|
--perhaps they were just moving the furniture about. "I heerd'n say
|
||
|
'disgraceful'; that I did," said Hall.
|
||
|
|
||
|
"I heerd that, Mis' Hall," said Henfrey.
|
||
|
|
||
|
"Like as not--" began Mrs. Hall.
|
||
|
|
||
|
"Hsh!" said Mr. Teddy Henfrey. "Didn't I hear the window?"
|
||
|
|
||
|
"What window?" asked Mrs. Hall.
|
||
|
|
||
|
"Parlour window," said Henfrey.
|
||
|
|
||
|
Every one stood listening intently. Mrs. Hall's eyes, directed
|
||
|
straight before her, saw without seeing the brilliant oblong of the
|
||
|
inn door, the road white and vivid, and Huxter's shop-front
|
||
|
blistering in the June sun. Abruptly Huxter's door opened and Huxter
|
||
|
appeared, eyes staring with excitement, arms gesticulating. "Yap!"
|
||
|
cried Huxter. "Stop thief!" and he ran obliquely across the oblong
|
||
|
towards the yard gates, and vanished.
|
||
|
|
||
|
Simultaneously came a tumult from the parlour, and a sound of windows
|
||
|
being closed.
|
||
|
|
||
|
Hall, Henfrey, and the human contents of the Tap rushed out at once
|
||
|
pell-mell into the street. They saw some one whisk round the corner
|
||
|
towards the down road, and Mr. Huxter executing a complicated leap in
|
||
|
the air that ended on his face and shoulder. Down the street people
|
||
|
were standing astonished or running towards them.
|
||
|
|
||
|
Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall
|
||
|
and the two labourers from the Tap rushed at once to the corner,
|
||
|
shouting incoherent things, and saw Mr. Marvel vanishing by the
|
||
|
corner of the church wall. They appear to have jumped to the
|
||
|
impossible conclusion that this was the Invisible Man suddenly become
|
||
|
visible, and set off at once along the lane in pursuit. But Hall had
|
||
|
hardly run a dozen yards before he gave a loud shout of astonishment
|
||
|
and went flying headlong sideways, clutching one of the labourers and
|
||
|
bringing him to the ground. He had been charged just as one charges
|
||
|
a man at football. The second labourer came round in a circle,
|
||
|
stared, and conceiving that Hall had tumbled over of his own accord,
|
||
|
turned to resume the pursuit, only to be tripped by the ankle just as
|
||
|
Huxter had been. Then, as the first labourer struggled to his feet,
|
||
|
he was kicked sideways by a blow that might have felled an ox.
|
||
|
|
||
|
As he went down, the rush from the direction of the village green
|
||
|
came round the corner. The first to appear was the proprietor of the
|
||
|
cocoanut shy, a burly man in a blue jersey. He was astonished to see
|
||
|
the lane empty save for three men sprawling absurdly on the ground.
|
||
|
And then something happened to his rear-most foot, and he went
|
||
|
headlong and rolled sideways just in time to graze the feet of his
|
||
|
brother and partner, following headlong. The two were then kicked,
|
||
|
knelt on, fallen over, and cursed by quite a number of over- hasty
|
||
|
people.
|
||
|
|
||
|
Now when Hall and Henfrey and the labourers ran out of the house,
|
||
|
Mrs. Hall, who had been disciplined by years of experience, remained
|
||
|
in the bar next the till. And suddenly the parlour door was opened,
|
||
|
and Mr. Cuss appeared, and without glancing at her rushed at once
|
||
|
down the steps towards the corner. "Hold him!" he cried. "Don't let
|
||
|
him drop that parcel! You can see him so long as he holds the
|
||
|
parcel." He knew nothing of the existence of Marvel. For the
|
||
|
Invisible Man had handed over the books and bundle in the yard. The
|
||
|
face of Mr. Cuss was angry and resolute, but his costume was
|
||
|
defective, a sort of limp white kilt that could only have passed
|
||
|
muster in Greece. "Hold him!" he bawled. "He's got my trousers!
|
||
|
And every stitch of the Vicar's clothes!
|
||
|
|
||
|
"'Tend to him in a minute!" he cried to Henfrey as he passed the
|
||
|
prostrate Huxter, and coming round the corner to join the tumult, was
|
||
|
promptly knocked off his feet into an indecorous sprawl. Somebody in
|
||
|
full flight trod heavily on his finger. He yelled, struggled to
|
||
|
regain his feet, was knocked against and thrown on all fours again,
|
||
|
and became aware that he was involved not in a capture, but a rout.
|
||
|
Every one was running back to the village. He rose again and was hit
|
||
|
severely behind the ear. He staggered and set off back to the Coach
|
||
|
and Horses forthwith, leaping over the deserted Huxter, who was now
|
||
|
sitting up, on his way.
|
||
|
|
||
|
Behind him as he was halfway up the inn steps he heard a sudden yell
|
||
|
of rage, rising sharply out of the confusion of cries, and a sounding
|
||
|
smack in some one's face. He recognised the voice as that of the
|
||
|
Invisible Man, and the note was that of a man suddenly infuriated by
|
||
|
a painful blow.
|
||
|
|
||
|
In another moment Mr. Cuss was back in the parlour. "He's coming
|
||
|
back, Bunting!" he said, rushing in. "Save yourself! He's gone
|
||
|
mad!"
|
||
|
|
||
|
Mr. Bunting was standing in the window engaged in an attempt to
|
||
|
clothe himself in the hearth-rug and a West Surrey Gazette. "Who's
|
||
|
coming?" he said, so startled that his costume narrowly escaped
|
||
|
disintegration.
|
||
|
|
||
|
"Invisible Man," said Cuss, and rushed to the window. "We'd better
|
||
|
clear out from here! He's fighting mad! Mad!"
|
||
|
|
||
|
In another moment he was out in the yard.
|
||
|
|
||
|
"Good heavens!" said Mr. Bunting, hesitating between two horrible
|
||
|
alternatives. He heard a frightful struggle in the passage of the
|
||
|
inn, and his decision was made. He clambered out of the window,
|
||
|
adjusted his costume hastily, and fled up the village as fast as his
|
||
|
fat little legs would carry him.
|
||
|
|
||
|
From the moment when the Invisible Man screamed with rage and Mr.
|
||
|
Bunting made his memorable flight up the village, it became
|
||
|
impossible to give a consecutive account of affairs in Iping.
|
||
|
Possibly the Invisible Man's original intention was simply to cover
|
||
|
Marvel's retreat with the clothes and books. But his temper, at no
|
||
|
time very good, seems to have gone completely at some chance blow,
|
||
|
and forthwith he set to smiting and overthrowing, for the mere
|
||
|
satisfaction of hurting.
|
||
|
|
||
|
You must figure the street full of running figures, of doors slamming
|
||
|
and fights for hiding-places. You must figure the tumult suddenly
|
||
|
striking on the unstable equilibrium of old Fletcher's planks and two
|
||
|
chairs,--with cataclysmal results. You must figure an appalled
|
||
|
couple caught dismally in a swing. And then the whole tumultuous
|
||
|
rush has passed and the Iping streets with its gauds and flags is
|
||
|
deserted save for the still raging Unseen, and littered with
|
||
|
cocoanuts, overthrown canvas screens, and the scattered stock in
|
||
|
trade of a sweetstuff stall. Everywhere there is a sound of closing
|
||
|
shutters and shoving bolts, and the only visible humanity is an
|
||
|
occasional flitting eye under a raised eyebrow in the corner of a
|
||
|
window pane.
|
||
|
|
||
|
The Invisible Man amused himself for a little while by breaking all
|
||
|
the windows in the Coach and Horses, and then he thrust a street lamp
|
||
|
through the parlour window of Mrs. Gribble. He it must have been who
|
||
|
cut the telegraph wire to Adderdean just beyond Higgins' cottage on
|
||
|
the Adderdean road. And after that, as his peculiar qualities
|
||
|
allowed, he passed out of human perceptions altogether, and he was
|
||
|
neither heard, seen, nor felt in Iping any more. He vanished
|
||
|
absolutely.
|
||
|
|
||
|
But it was the best part of two hours before any human being ventured
|
||
|
out again into the desolation of Iping Street.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 13
|
||
|
|
||
|
Mr. Marvel Discusses His Resignation
|
||
|
|
||
|
|
||
|
When the dusk was gathering and Iping was just beginning to peep
|
||
|
timorously forth again upon the shattered wreckage of its Bank
|
||
|
Holiday, a short, thick-set man in a shabby silk hat was marching
|
||
|
painfully through the twilight behind the beechwoods on the road to
|
||
|
Bramblehurst. He carried three books bound together by some sort of
|
||
|
ornamental elastic ligature, and a bundle wrapped in a blue
|
||
|
tablecloth. His rubicund face expressed consternation and fatigue;
|
||
|
he appeared to be in a spasmodic sort of hurry. He was accompanied
|
||
|
by a Voice other than his own, and ever and again he winced under the
|
||
|
touch of unseen hands.
|
||
|
|
||
|
"If you give me the slip again," said the Voice; "if you attempt to
|
||
|
give me the slip again--"
|
||
|
|
||
|
"Lord!" said Mr. Marvel. "That shoulder's a mass of bruises as it
|
||
|
is."
|
||
|
|
||
|
"--on my honour," said the Voice, "I will kill you."
|
||
|
|
||
|
"I didn't try to give you the slip," said Marvel, in a voice that was
|
||
|
not far remote from tears. "I swear I didn't. I didn't know the
|
||
|
blessed turning, that was all! How the devil was I to know the
|
||
|
blessed turning? As it is, I've been knocked about--"
|
||
|
|
||
|
"You'll get knocked about a great deal more if you don't mind," said
|
||
|
the Voice, and Mr. Marvel abruptly became silent. He blew out his
|
||
|
cheeks, and his eyes were eloquent of despair.
|
||
|
|
||
|
"It's bad enough to let these floundering yokels explode my little
|
||
|
secret, without your cutting off with my books. It's lucky for some
|
||
|
of them they cut and ran when they did! Here am I--No one knew I was
|
||
|
invisible! And now what am I to do?"
|
||
|
|
||
|
"What am I to do?" asked Marvel, sotto voce.
|
||
|
|
||
|
"It's all about. It will be in the papers! Everybody will be
|
||
|
looking for me; everyone on their guard--" The Voice broke off into
|
||
|
vivid curses and ceased.
|
||
|
|
||
|
The despair of Mr. Marvel's face deepened, and his pace slacked.
|
||
|
|
||
|
"Go on!" said the Voice.
|
||
|
|
||
|
Mr. Marvel's face assumed a greyish tint between the ruddier patches.
|
||
|
|
||
|
"Don't drop those books, stupid," said the Voice, sharply--
|
||
|
overtaking him.
|
||
|
|
||
|
"The fact is," said the Voice, "I shall have to make use of you.
|
||
|
You're a poor tool, but I must."
|
||
|
|
||
|
"I'm a miserable tool," said Marvel.
|
||
|
|
||
|
"You are," said the Voice.
|
||
|
|
||
|
"I'm the worst possible tool you could have," said Marvel.
|
||
|
|
||
|
"I'm not strong," he said after a discouraging silence.
|
||
|
|
||
|
"I'm not over strong," he repeated.
|
||
|
|
||
|
"No?"
|
||
|
|
||
|
"And my heart's weak. That little business--I pulled it through, of
|
||
|
course--but bless you! I could have dropped."
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"I haven't the nerve and strength for the sort of thing you want."
|
||
|
|
||
|
"I'll stimulate you."
|
||
|
|
||
|
"I wish you wouldn't. I wouldn't like to mess up your plans, you
|
||
|
know. But I might,--out of sheer funk and misery."
|
||
|
|
||
|
"You'd better not," said the Voice, with quiet emphasis.
|
||
|
|
||
|
"I wish I was dead," said Marvel.
|
||
|
|
||
|
"It ain't justice," he said; "you must admit--It seems to me I've a
|
||
|
perfect right--"
|
||
|
|
||
|
"Get on!" said the Voice.
|
||
|
|
||
|
Mr. Marvel mended his pace, and for a time they went in silence
|
||
|
again.
|
||
|
|
||
|
"It's devilish hard," said Mr. Marvel.
|
||
|
|
||
|
This was quite ineffectual. He tried another tack.
|
||
|
|
||
|
"What do I make by it?" he began again in a tone of unendurable
|
||
|
wrong.
|
||
|
|
||
|
"Oh! shut up!" said the Voice, with sudden amazing vigour. "I'll see
|
||
|
to you all right. You do what you're told. You'll do it all right.
|
||
|
You're a fool and all that, but you'll do--"
|
||
|
|
||
|
"I tell you, sir, I'm not the man for it. Respectfully--but it is
|
||
|
so--"
|
||
|
|
||
|
"If you don't shut up I shall twist your wrist again," said the
|
||
|
Invisible Man. "I want to think."
|
||
|
|
||
|
Presently two oblongs of yellow light appeared through the trees, and
|
||
|
the square tower of a church loomed through the gloaming. "I shall
|
||
|
keep my hand on your shoulder," said the Voice, "all through the
|
||
|
village. Go straight through and try no foolery. It will be the
|
||
|
worse for you if you do."
|
||
|
|
||
|
"I know that," sighed Mr. Marvel, "I know all that."
|
||
|
|
||
|
The unhappy-looking figure in the obsolete silk hat passed up the
|
||
|
street of the little village with his burdens, and vanished into the
|
||
|
gathering darkness beyond the lights of the windows.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 14
|
||
|
|
||
|
At Port Stowe
|
||
|
|
||
|
|
||
|
Ten o'clock the next morning found Mr. Marvel, unshaven, dirty, and
|
||
|
travel-stained, sitting with the books beside him and his hands deep
|
||
|
in his pockets, looking very weary, nervous, and uncomfortable, and
|
||
|
inflating his cheeks at frequent intervals, on the bench outside a
|
||
|
little inn on the outskirts of Port Stowe. Beside him were the
|
||
|
books, but now they were tied with string. The bundle had been
|
||
|
abandoned in the pinewoods beyond Bramblehurst, in accordance with a
|
||
|
change in the plans of the Invisible Man. Mr. Marvel sat on the
|
||
|
bench, and although no one took the slightest notice of him, his
|
||
|
agitation remained at fever heat. His hands would go ever and again
|
||
|
to his various pockets with a curious nervous fumbling.
|
||
|
|
||
|
When he had been sitting for the best part of an hour, however, an
|
||
|
elderly mariner, carrying a newspaper, came out of the inn and sat
|
||
|
down beside him. "Pleasant day," said the mariner.
|
||
|
|
||
|
Mr. Marvel glanced about him with something very like terror.
|
||
|
"Very," he said.
|
||
|
|
||
|
"Just seasonable weather for the time of year," said the mariner,
|
||
|
taking no denial.
|
||
|
|
||
|
"Quite," said Mr. Marvel.
|
||
|
|
||
|
The mariner produced a toothpick, and (saving his regard) was
|
||
|
engrossed thereby for some minutes. His eyes meanwhile were at
|
||
|
liberty to examine Mr. Marvel's dusty figure and the books beside
|
||
|
him. As he had approached Mr. Marvel he had heard a sound like the
|
||
|
dropping of coins into a pocket. He was struck by the contrast of
|
||
|
Mr. Marvel's appearance with this suggestion of opulence. Thence his
|
||
|
mind wandered back again to a topic that had taken a curiously firm
|
||
|
hold of his imagination.
|
||
|
|
||
|
"Books?" he said suddenly, noisily finishing with the toothpick.
|
||
|
|
||
|
Mr. Marvel started and looked at them. "Oh, yes," he said. "Yes,
|
||
|
they're books."
|
||
|
|
||
|
"There's some extra-ordinary things in books," said the mariner.
|
||
|
|
||
|
"I believe you," said Mr. Marvel.
|
||
|
|
||
|
"And some extra-ordinary things out of 'em," said the mariner.
|
||
|
|
||
|
"True likewise," said Mr. Marvel. He eyed his interlocutor, and then
|
||
|
glanced about him.
|
||
|
|
||
|
"There's some extra-ordinary things in newspapers, for example," said
|
||
|
the mariner.
|
||
|
|
||
|
"There are."
|
||
|
|
||
|
"In this newspaper," said the mariner.
|
||
|
|
||
|
"Ah!" said Mr. Marvel.
|
||
|
|
||
|
"There's a story," said the mariner, fixing Mr. Marvel with an eye
|
||
|
that was firm and deliberate; "there's a story about an Invisible
|
||
|
Man, for instance."
|
||
|
|
||
|
Mr. Marvel pulled his mouth askew and scratched his cheek and felt
|
||
|
his ears glowing. "What will they be writing next?" he asked
|
||
|
faintly. "Ostria, or America?"
|
||
|
|
||
|
"Neither," said the mariner. "Here!"
|
||
|
|
||
|
"Lord!" said Mr. Marvel, starting.
|
||
|
|
||
|
"When I say here," said the mariner, to Mr. Marvel's intense relief,
|
||
|
"I don't of course mean here in this place, I mean hereabouts."
|
||
|
|
||
|
"An Invisible Man!" said Mr. Marvel. "And what's he been up to?"
|
||
|
|
||
|
"Everything," said the mariner, controlling Marvel with his eye, and
|
||
|
then amplifying: "Every Blessed Thing."
|
||
|
|
||
|
"I ain't seen a paper these four days," said Marvel.
|
||
|
|
||
|
"Iping's the place he started at," said the mariner.
|
||
|
|
||
|
"In-deed!" said Mr. Marvel.
|
||
|
|
||
|
"He started there. And where he came from, nobody don't seem to
|
||
|
know. Here it is: Pe Culiar Story from Iping. And it says in this
|
||
|
paper that the evidence is extra-ordinary strong--extra-ordinary."
|
||
|
|
||
|
"Lord!" said Mr. Marvel.
|
||
|
|
||
|
"But then, it's a extra-ordinary story. There is a clergyman and a
|
||
|
medical gent witnesses,--saw 'im all right and proper--or leastways,
|
||
|
didn't see 'im. He was staying, it says, at the Coach an' Horses,
|
||
|
and no one don't seem to have been aware of his misfortune, it says,
|
||
|
aware of his misfortune, until in an Alteration in the inn, it says,
|
||
|
his bandages on his head was torn off. It was then ob-served that
|
||
|
his head was invisible. Attempts were At Once made to secure him,
|
||
|
but casting off his garments, it says, he succeeded in escaping, but
|
||
|
not until after a desperate struggle, In Which he had inflicted
|
||
|
serious injuries, it says, on our worthy and able constable, Mr. J.A.
|
||
|
Jaffers. Pretty straight story, eigh? Names and everything."
|
||
|
|
||
|
"Lord!" said Mr. Marvel, looking nervously about him, trying to count
|
||
|
the money in his pockets by his unaided sense of touch, and full of a
|
||
|
strange and novel idea. "It sounds most astonishing."
|
||
|
|
||
|
"Don't it? Extra-ordinary, I call it. Never heard tell of Invisible
|
||
|
Men before, I haven't, but nowadays one hears such a lot of
|
||
|
extra-ordinary things--that--"
|
||
|
|
||
|
"That all he did?" asked Marvel, trying to seem at his ease.
|
||
|
|
||
|
"It's enough, ain't it?" said the mariner.
|
||
|
|
||
|
"Didn't go Back by any chance?" asked Marvel. "Just escaped and
|
||
|
that's all, eh?"
|
||
|
|
||
|
"All!" said the mariner. "Why!--ain't it enough?"
|
||
|
|
||
|
"Quite enough," said Marvel.
|
||
|
|
||
|
"I should think it was enough," said the mariner. "I should think it
|
||
|
was enough."
|
||
|
|
||
|
"He didn't have any pals--it don't say he had any pals, does it?"
|
||
|
asked Mr. Marvel, anxious.
|
||
|
|
||
|
"Ain't one of a sort enough for you?" asked the mariner. "No, thank
|
||
|
Heaven, as one might say, he didn't."
|
||
|
|
||
|
He nodded his head slowly. "It makes me regular uncomfortable, the
|
||
|
bare thought of that chap running about the country! He is at
|
||
|
present At Large, and from certain evidence it is supposed that he
|
||
|
has--taken--took, I suppose they mean--the road to Port Stowe. You
|
||
|
see we're right in it! None of your American wonders, this time.
|
||
|
And just think of the things he might do! Where'd you be, if he took
|
||
|
a drop over and above, and had a fancy to go for you? Suppose he
|
||
|
wants to rob--who can prevent him? He can trespass, he can burgle,
|
||
|
he could walk through a cordon of policemen as easy as me or you
|
||
|
could give the slip to a blind man! Easier! For these here blind
|
||
|
chaps hear uncommon sharp, I'm told. And wherever there was liquor
|
||
|
he fancied--"
|
||
|
|
||
|
"He's got a tremenjous advantage, certainly," said Marvel.
|
||
|
"And--well."
|
||
|
|
||
|
"You're right," said the mariner. "He has."
|
||
|
|
||
|
All this time Mr. Marvel had been glancing about him intently,
|
||
|
listening for faint footfalls, trying to detect imperceptible
|
||
|
movements. He seemed on the point of some great resolution. He
|
||
|
coughed behind his hand.
|
||
|
|
||
|
He looked about him again, listened, bent towards to the mariner, and
|
||
|
lowered his voice: "The fact of it is--I happen--to know just a thing
|
||
|
or two about this Invisible Man. From private sources."
|
||
|
|
||
|
"Oh!" said the mariner, interested. "You?"
|
||
|
|
||
|
"Yes," said Mr. Marvel. "Me."
|
||
|
|
||
|
"Indeed!" said the mariner. "And may I ask--"
|
||
|
|
||
|
"You'll be astonished," said Mr. Marvel behind his hand. "It's
|
||
|
tremenjous."
|
||
|
|
||
|
"Indeed!" said the mariner.
|
||
|
|
||
|
"The fact is," began Mr. Marvel eagerly in a confidential undertone.
|
||
|
Suddenly his expression changed marvellously. "Ow!" he said. He
|
||
|
rose stiffly in his seat. His face was eloquent of physical
|
||
|
suffering. "Wow!" he said.
|
||
|
|
||
|
"What's up?" said the mariner, concerned.
|
||
|
|
||
|
"Toothache," said Mr. Marvel, and put his hand to his ear. He caught
|
||
|
hold of his books. "I must be getting on, I think," he said. He
|
||
|
edged in a curious way along the seat away from his interlocutor.
|
||
|
"But you was just agoing to tell me about this here Invisible Man!"
|
||
|
protested the mariner. Mr. Marvel seemed to consult with himself.
|
||
|
"Hoax," said a voice. "It's a hoax," said Mr. Marvel.
|
||
|
|
||
|
"But it's in the paper," said the mariner.
|
||
|
|
||
|
"Hoax all the same," said Marvel. "I know the chap that started the
|
||
|
lie. There ain't no Invisible Man whatsoever--Blimey."
|
||
|
|
||
|
"But how 'bout this paper? D'you mean to say--?"
|
||
|
|
||
|
"Not a word of it," said Marvel, stoutly.
|
||
|
|
||
|
The mariner stared, paper in hand. Mr. Marvel jerkily faced about.
|
||
|
"Wait a bit," said the mariner, rising and speaking slowly. "D'you
|
||
|
mean to say--?"
|
||
|
|
||
|
"I do," said Mr. Marvel.
|
||
|
|
||
|
"Then why did you let me go on and tell you all this blarsted stuff,
|
||
|
then? What d'yer mean by letting a man make a fool of himself like
|
||
|
that for? Eigh?"
|
||
|
|
||
|
Mr. Marvel blew out his cheeks. The mariner was suddenly very red
|
||
|
indeed; he clenched his hands. "I been talking here this ten
|
||
|
minutes," he said; "and you, you little pot-bellied, leathery-faced
|
||
|
son of an old boot, couldn't have the elementary manners--"
|
||
|
|
||
|
"Don't you come bandying words with me," said Mr. Marvel.
|
||
|
|
||
|
"Bandying words! I'm a jolly good mind--"
|
||
|
|
||
|
"Come up," said a voice, and Mr. Marvel was suddenly whirled about
|
||
|
and started marching off in a curious spasmodic manner. "You'd
|
||
|
better move on," said the mariner. "Who's moving on?" said Mr.
|
||
|
Marvel. He was receding obliquely with a curious hurrying gait, with
|
||
|
occasional violent jerks forward. Some way along the road he began a
|
||
|
muttered monologue, protests and recriminations.
|
||
|
|
||
|
"Silly devil!" said the mariner, legs wide apart, elbows akimbo,
|
||
|
watching the receding figure. "I'll show you, you silly
|
||
|
ass,--hoaxing me! It's here--on the paper!"
|
||
|
|
||
|
Mr. Marvel retorted incoherently and, receding, was hidden by a bend
|
||
|
in the road, but the mariner still stood magnificent in the midst of
|
||
|
the way, until the approach of a butcher's cart dislodged him. Then
|
||
|
he turned himself towards Port Stowe. "Full of extra- ordinary
|
||
|
asses," he said softly to himself. "Just to take me down a bit--that
|
||
|
was his silly game--It's on the paper!"
|
||
|
|
||
|
And there was another extraordinary thing he was presently to hear,
|
||
|
that had happened quite close to him. And that was a vision of a
|
||
|
"fist full of money" (no less) travelling without visible agency,
|
||
|
along by the wall at the corner of St. Michael's Lane. A brother
|
||
|
mariner had seen this wonderful sight that very morning. He had
|
||
|
snatched at the money forthwith and had been knocked headlong, and
|
||
|
when he had got to his feet the butterfly money had vanished. Our
|
||
|
mariner was in the mood to believe anything, he declared, but that
|
||
|
was a bit too stiff. Afterwards, however, he began to think things
|
||
|
over.
|
||
|
|
||
|
The story of the flying money was true. And all about that
|
||
|
neighbourhood, even from the august London and Country Banking
|
||
|
Company, from the tills of shops and inns--doors standing that sunny
|
||
|
weather entirely open--money had been quietly and dexterously making
|
||
|
off that day in handfuls and rouleaux, floating quietly along by
|
||
|
walls and shady places, dodging quickly from the approaching eyes of
|
||
|
men. And it had, though no man had traced it, invariably ended its
|
||
|
mysterious flight in the pocket of that agitated gentleman in the
|
||
|
obsolete silk hat, sitting outside the little inn on the outskirts of
|
||
|
Port Stowe.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 15
|
||
|
|
||
|
The Man Who Was Running
|
||
|
|
||
|
|
||
|
In the early evening time Doctor Kemp was sitting in his study in the
|
||
|
belvedere on the hill overlooking Burdock. It was a pleasant little
|
||
|
room, with three windows, north, west, and south, and bookshelves
|
||
|
crowded with books and scientific publications, and a broad
|
||
|
writing-table, and, under the north window, a microscope, glass
|
||
|
slips, minute instruments, some cultures, and scattered bottles of
|
||
|
reagents. Doctor Kemp's solar lamp was lit, albeit the sky was still
|
||
|
bright with the sunset light, and his blinds were up because there
|
||
|
was no offence of peering outsiders to require them pulled down.
|
||
|
Doctor Kemp was a tall and slender young man, with flaxen hair and a
|
||
|
moustache almost white, and the work he was upon would earn him, he
|
||
|
hoped, the fellowship of the Royal Society, so highly did he think of
|
||
|
it.
|
||
|
|
||
|
And his eye presently wandering from his work caught the sunset
|
||
|
blazing at the back of the hill that is over against his own. For a
|
||
|
minute perhaps he sat, pen in mouth, admiring the rich golden colour
|
||
|
above the crest, and then his attention was attracted by the little
|
||
|
figure of a man, inky black, running over the hill-brow towards him.
|
||
|
He was a shortish little man, and he wore a high hat, and he was
|
||
|
running so fast that his legs verily twinkled.
|
||
|
|
||
|
"Another of those fools," said Doctor Kemp. "Like that ass who ran
|
||
|
into me this morning round a corner, with his ''Visible Man a-coming,
|
||
|
sir!' I can't imagine what possesses people. One might think we
|
||
|
were in the thirteenth century."
|
||
|
|
||
|
He got up, went to the window, and stared at the dusky hillside and
|
||
|
the dark little figure tearing down it. "He seems in a confounded
|
||
|
hurry," said Doctor Kemp, "but he doesn't seem to be getting on. If
|
||
|
his pockets were full of lead, he couldn't run heavier.
|
||
|
|
||
|
"Spurted, sir," said Doctor Kemp.
|
||
|
|
||
|
In another moment the higher of the villas that had clambered up the
|
||
|
hill from Burdock had occulted the running figure. He was visible
|
||
|
again for a moment, and again, and then again, three times between
|
||
|
the three detached houses that came next, and then the terrace hid
|
||
|
him.
|
||
|
|
||
|
"Asses!" said Doctor Kemp, swinging round on his heel and walking
|
||
|
back to his writing-table.
|
||
|
|
||
|
But those who saw the fugitive nearer, and perceived the abject
|
||
|
terror on his perspiring face, being themselves in the open roadway,
|
||
|
did not share in the doctor's contempt. By the man pounded, and as
|
||
|
he ran he chinked like a well-filled purse that is tossed to and fro.
|
||
|
He looked neither to the right nor the left, but his dilated eyes
|
||
|
stared straight downhill to where the lamps were being lit, and the
|
||
|
people were crowded in the street. And his ill-shaped mouth fell
|
||
|
apart, and a glairy foam lay on his lips, and his breath came hoarse
|
||
|
and noisy. All he passed stopped and began staring up the road and
|
||
|
down, and interrogating one another with an inkling of discomfort for
|
||
|
the reason of his haste.
|
||
|
|
||
|
And then presently, far up the hill, a dog playing in the road yelped
|
||
|
and ran under a gate, and as they still wondered something--a wind--a
|
||
|
pad, pad, pad,--a sound like a panting breathing,--rushed by.
|
||
|
|
||
|
People screamed. People sprang off the pavement. It passed in
|
||
|
shouts, it passed by instinct down the hill. They were shouting in
|
||
|
the street before Marvel was halfway there. They were bolting into
|
||
|
houses and slamming the doors behind them, with the news. He heard
|
||
|
it and made one last desperate spurt. Fear came striding by, rushed
|
||
|
ahead of him, and in a moment had seized the town.
|
||
|
|
||
|
"The Invisible Man is coming! The Invisible Man."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 16
|
||
|
|
||
|
In the Jolly Cricketers
|
||
|
|
||
|
|
||
|
The Jolly Cricketers is just at the bottom of the hill, where the
|
||
|
tram-lines begin. The barman leant his fat red arms on the counter
|
||
|
and talked of horses with an anaemic cabman, while a black- bearded
|
||
|
man in grey snapped up biscuit and cheese, drank Burton, and
|
||
|
conversed in American with a policeman off duty.
|
||
|
|
||
|
"What's the shouting about?" said the anaemic cabman going off at a
|
||
|
tangent, trying to see up the hill over the dirty yellow blind in the
|
||
|
low window of the inn. Somebody ran by outside. "Fire, perhaps,"
|
||
|
said the barman.
|
||
|
|
||
|
Footsteps approached, running heavily, the door was pushed open
|
||
|
violently, and Marvel, weeping and dishevelled, his hat gone, the
|
||
|
neck of his coat torn open, rushed in, made a convulsive turn, and
|
||
|
attempted to shut the door. It was held half open by a strap.
|
||
|
|
||
|
"Coming!" he bawled, his voice shrieking with terror. "He's coming.
|
||
|
The 'Visible Man! After me! For Gawd's sake! Elp! Elp! Elp!"
|
||
|
|
||
|
"Shut the doors," said the policeman. "Who's coming? What's the
|
||
|
row?" He went to the door, released the strap, and it slammed. The
|
||
|
American closed the other door.
|
||
|
|
||
|
"Lemme go inside," said Marvel, staggering and weeping, but still
|
||
|
clutching the books. "Lemme go inside. Lock me in--somewhere. I
|
||
|
tell you he's after me. I give him the slip. He said he'd kill me
|
||
|
and he will."
|
||
|
|
||
|
"You're safe," said the man with the black beard. "The door's shut.
|
||
|
What's it all about?"
|
||
|
|
||
|
"Lemme go inside," said Marvel, and shrieked aloud as a blow suddenly
|
||
|
made the fastened door shiver and was followed by a hurried rapping
|
||
|
and a shouting outside. "Hullo," cried the policeman, "who's there?"
|
||
|
Mr. Marvel began to make frantic dives at panels that looked like
|
||
|
doors. "He'll kill me--he's got a knife or something. For Gawd's
|
||
|
sake!"
|
||
|
|
||
|
"Here you are," said the barman. "Come in here." And he held up the
|
||
|
flap of the bar.
|
||
|
|
||
|
Mr. Marvel rushed behind the bar as the summons outside was repeated.
|
||
|
"Don't open the door," he screamed. "Please don't open the door.
|
||
|
Where shall I hide?"
|
||
|
|
||
|
"This, this Invisible Man, then?" asked the man with the black beard,
|
||
|
with one hand behind him. "I guess it's about time we saw him."
|
||
|
|
||
|
The window of the inn was suddenly smashed in, and there was a
|
||
|
screaming and running to and fro in the street. The policeman had
|
||
|
been standing on the settee staring out, craning to see who was at
|
||
|
the door. He got down with raised eyebrows. "It's that," he said.
|
||
|
The barman stood in front of the bar-parlour door which was now
|
||
|
locked on Mr. Marvel, stared at the smashed window and came round to
|
||
|
the two other men.
|
||
|
|
||
|
Everything was suddenly quiet. "I wish I had my truncheon," said the
|
||
|
policeman, going irresolutely to the door. "Once we open, in he
|
||
|
comes. There's no stopping him."
|
||
|
|
||
|
"Don't you be in too much hurry about that door," said the anaemic
|
||
|
cabman, anxiously.
|
||
|
|
||
|
"Draw the bolts," said the man with the black beard, "and if he
|
||
|
comes--" He showed a revolver in his hand.
|
||
|
|
||
|
"That won't do," said the policeman; "that's murder."
|
||
|
|
||
|
"I know what country I'm in," said the man with the beard. "I'm
|
||
|
going to let off at his legs. Draw the bolts."
|
||
|
|
||
|
"Not with that thing going off behind me," said the barman, craning
|
||
|
over the blind.
|
||
|
|
||
|
"Very well," said the man with the black beard, and stooping down,
|
||
|
revolver ready, drew them himself. Barman, cabman, and police- man
|
||
|
faced about.
|
||
|
|
||
|
"Come in," said the bearded man in an undertone, standing back and
|
||
|
facing the unbolted doors with his pistol behind him. No one came
|
||
|
in, the door remained closed. Five minutes afterwards when a second
|
||
|
cabman pushed his head in cautiously, they were still waiting, and an
|
||
|
anxious face peered out of the bar-parlour and supplied information.
|
||
|
"Are all the doors of the house shut?" asked Marvel. "He's going
|
||
|
round--prowling round. He's as artful as the devil."
|
||
|
|
||
|
"Good Lord!" said the burly barman. "There's the back! Just watch
|
||
|
them doors! I say!--" He looked about him helplessly. The
|
||
|
bar-parlour door slammed and they heard the key turn. "There's the
|
||
|
yard door and the private door. The yard door--"
|
||
|
|
||
|
He rushed out of the bar.
|
||
|
|
||
|
In a minute he reappeared with a carving-knife in his hand. "The
|
||
|
yard door was open!" he said, and his fat underlip dropped.
|
||
|
|
||
|
"He may be in the house now!" said the first cabman.
|
||
|
|
||
|
"He's not in the kitchen," said the barman. "There's two women
|
||
|
there, and I've stabbed every inch of it with this little beef
|
||
|
slicer. And they don't think he's come in. They haven't noticed--"
|
||
|
|
||
|
"Have you fastened it?" asked the first cabman.
|
||
|
|
||
|
"I'm out of frocks," said the barman.
|
||
|
|
||
|
The man with the beard replaced his revolver. And even as he did so
|
||
|
the flap of the bar was shut down and the bolt clicked, and then with
|
||
|
a tremendous thud the catch of the door snapped and the bar- parlour
|
||
|
door burst open. They heard Marvel squeal like a caught leveret, and
|
||
|
forthwith they were clambering over the bar to his rescue. The
|
||
|
bearded man's revolver cracked and the looking-glass at the back of
|
||
|
the parlour was starred brightly and came smashing and tinkling down.
|
||
|
|
||
|
As the barman entered the room he saw Marvel, curiously crumpled up
|
||
|
and struggling against the door that led to the yard and kitchen.
|
||
|
The door flew open while the barman hesitated, and Marvel was dragged
|
||
|
into the kitchen. There was a scream and a clatter of pans. Marvel,
|
||
|
head down, and lugging back obstinately, was forced to the kitchen
|
||
|
door, and the bolts were drawn.
|
||
|
|
||
|
Then the policeman, who had been trying to pass the barman, rushed
|
||
|
in, followed by one of the cabmen, gripped the wrist of the invisible
|
||
|
hand that collared Marvel, was hit in the face and went reeling back.
|
||
|
The door opened, and Marvel made a frantic effort to obtain a
|
||
|
lodgment behind it. Then the cabman clutched something. "I got
|
||
|
him," said the cabman. The barman's red hands came clawing at the
|
||
|
unseen. "Here he is!" said the barman.
|
||
|
|
||
|
Mr. Marvel, released, suddenly dropped to the ground and made an
|
||
|
attempt to crawl behind the legs of the fighting men. The struggle
|
||
|
blundered round the edge of the door. The voice of the Invisible Man
|
||
|
was heard for the first time, yelling out sharply, as the policeman
|
||
|
trod on his foot. Then he cried out passionately and his fists flew
|
||
|
round like flails. The cabman suddenly whooped and doubled up,
|
||
|
kicked under the diaphragm. The door into the bar-parlour from the
|
||
|
kitchen slammed and covered Mr. Marvel's retreat. The men in the
|
||
|
kitchen found themselves clutching at and struggling with empty air.
|
||
|
|
||
|
"Where's he gone?" cried the man with the beard. "Out?"
|
||
|
|
||
|
"This way," said the policeman, stepping into the yard and stopping.
|
||
|
|
||
|
A piece of tile whizzed by his head and smashed among the crockery on
|
||
|
the kitchen table.
|
||
|
|
||
|
"I'll show him," shouted the man with the black beard, and suddenly a
|
||
|
steel barrel shone over the policeman's shoulder, and five bullets
|
||
|
had followed one another into the twilight whence the missle had
|
||
|
come. As he fired, the man with the beard moved his hand in a
|
||
|
horizontal curve, so that his shots radiated out into the narrow yard
|
||
|
like spokes from a wheel.
|
||
|
|
||
|
A silence followed. "Five cartridges," said the man with the black
|
||
|
beard. "That's the best of all. Four aces and the joker. Get a
|
||
|
lantern, some one, and come and feel about for his body."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 17
|
||
|
|
||
|
Doctor Kemp's Visitor
|
||
|
|
||
|
|
||
|
Doctor Kemp had continued writing in his study until the shots
|
||
|
aroused him. Crack, crack, crack, they came one after the other.
|
||
|
|
||
|
"Hello!" said Doctor Kemp, putting his pen into his mouth again and
|
||
|
listening. "Who's letting off revolvers in Burdock? What are the
|
||
|
asses at now?"
|
||
|
|
||
|
He went to the south window, threw it up, and leaning out stared down
|
||
|
on the network of windows, beaded gas-lamps and shops with black
|
||
|
interstices of roof and yard that made up the town at night. "Looks
|
||
|
like a crowd down the hill," he said, "by the Cricketers," and
|
||
|
remained watching. Thence his eyes wandered over the town to far
|
||
|
away where the ships' lights shone, and the pier glowed, a little
|
||
|
illuminated pavilion like a gem of yellow light. The moon in its
|
||
|
first quarter hung over the western hill, and the stars were clear
|
||
|
and almost tropically bright.
|
||
|
|
||
|
After five minutes, during which his mind had travelled into a remote
|
||
|
speculation of social conditions of the future, and lost itself at
|
||
|
last over the time dimension, Doctor Kemp roused himself with a sigh,
|
||
|
pulled down the window again, and returned to his writing-desk.
|
||
|
|
||
|
It must have been about an hour after this that the front-door bell
|
||
|
rang. He had been writing slackly and with intervals of abstraction,
|
||
|
since the shots. He sat listening. He heard the servant answer the
|
||
|
door, and waited for her feet on the staircase, but she did not come.
|
||
|
"Wonder what that was," said Doctor Kemp.
|
||
|
|
||
|
He tried to resume his work, failed, got up, went downstairs from his
|
||
|
study to the landing, rang, and called over the balustrade to the
|
||
|
housemaid as she appeared in the hall below. "Was that a letter?"
|
||
|
he asked.
|
||
|
|
||
|
"Only a runaway ring, sir," she answered.
|
||
|
|
||
|
"I'm restless to-night," he said to himself. He went back to his
|
||
|
study, and this time attacked his work resolutely. In a little while
|
||
|
he was hard at work again, and the only sounds in the room were the
|
||
|
ticking of the clock and the subdued shrillness of his quill,
|
||
|
hurrying in the very centre of the circle of light his lamp-shade
|
||
|
threw on his table.
|
||
|
|
||
|
It was two o'clock before Doctor Kemp had finished his work for the
|
||
|
night. He rose, yawned, and went downstairs to bed. He had already
|
||
|
removed his coat and vest, when he noticed that he was thirsty. He
|
||
|
took a candle and went down to the dining-room in search of a siphon
|
||
|
and whisky.
|
||
|
|
||
|
Doctor Kemp's scientific pursuits had made him a very observant man,
|
||
|
and as he recrossed the hall, he noticed a dark spot on the linoleum
|
||
|
near the mat at the foot of the stairs. He went on upstairs, and
|
||
|
then it suddenly occurred to him to ask himself what the spot on the
|
||
|
linoleum might be. Apparently some subconscious element was at work.
|
||
|
At any rate, he turned with his burden, went back to the hall, put
|
||
|
down the siphon and whisky, and bending down, touched the spot.
|
||
|
Without any great surprise he found it had the stickiness and colour
|
||
|
of drying blood.
|
||
|
|
||
|
He took up his burden again, and returned upstairs, looking about him
|
||
|
and trying to account for the blood-spot. On the landing he saw
|
||
|
something and stopped astonished. The door-handle of his own room
|
||
|
was blood-stained.
|
||
|
|
||
|
He looked at his own hand. It was quite clean, and then he
|
||
|
remembered that the door of his room had been open when he came down
|
||
|
from his study, and that consequently he had not touched the handle
|
||
|
at all. He went straight into his room, his face quite calm--perhaps
|
||
|
a trifle more resolute that usual. His glance, wandering
|
||
|
inquisitively, fell on the bed. On the counterpane was a mess of
|
||
|
blood, and the sheet had been torn. He had not noticed this before
|
||
|
because he had walked straight to the dressing-table. On the further
|
||
|
side the bed- clothes were depressed as if some one had been recently
|
||
|
sitting there.
|
||
|
|
||
|
Then he had an odd impression that he had heard a loud voice say,
|
||
|
"Good Heavens!--Kemp!" But Doctor Kemp was no believer in Voices.
|
||
|
|
||
|
He stood staring at the tumbled sheets. Was that really a voice? He
|
||
|
looked about again, but noticed nothing further than the disordered
|
||
|
and blood-stained bed. Then he distinctly heard a movement across
|
||
|
the room, near the wash-hand stand. All men, however highly
|
||
|
educated, retain some superstitious inklings. The feeling that is
|
||
|
called "eerie" came upon him. He closed the door of the room, came
|
||
|
forward to the dressing-table, and put down his burdens. Suddenly,
|
||
|
with a start, he perceived a coiled and blood-stained bandage of
|
||
|
linen rag hanging in mid-air, between him and the wash-hand stand.
|
||
|
|
||
|
He stared at this in amazement. It was an empty bandage, a bandage
|
||
|
properly tied but quite empty. He would have advanced to grasp it,
|
||
|
but a touch arrested him, and a voice speaking quite close to him.
|
||
|
|
||
|
"Kemp!" said the Voice.
|
||
|
|
||
|
"Eigh?" said Kemp, with his mouth open.
|
||
|
|
||
|
"Keep your nerve," said the Voice. "I'm an Invisible Man."
|
||
|
|
||
|
Kemp made no answer for a space, simply stared at the bandage.
|
||
|
"Invisible Man," he said.
|
||
|
|
||
|
"I'm an Invisible Man," repeated the Voice.
|
||
|
|
||
|
The story he had been active to ridicule only that morning rushed
|
||
|
through Kemp's brain. He does not appear to have been either very
|
||
|
much frightened or very greatly surprised at the moment. Realisation
|
||
|
came later.
|
||
|
|
||
|
"I thought it was all a lie," he said. The thought uppermost in his
|
||
|
mind was the reiterated arguments of the morning. "Have you a
|
||
|
bandage on?" he asked.
|
||
|
|
||
|
"Yes," said the Invisible Man.
|
||
|
|
||
|
"Oh!" said Kemp, and then roused himself. "I say!" he said. "But
|
||
|
this is nonsense. It's some trick." He stepped forward suddenly,
|
||
|
and his hand, extended towards the bandage, met invisible fingers.
|
||
|
|
||
|
He recoiled at the touch and his colour changed.
|
||
|
|
||
|
"Keep steady, Kemp, for God's sake! I want help badly. Stop!"
|
||
|
|
||
|
The hand gripped his arm. He struck at it.
|
||
|
|
||
|
"Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip
|
||
|
tightened.
|
||
|
|
||
|
A frantic desire to free himself took possession of Kemp. The hand
|
||
|
of the bandaged arm gripped his shoulder, and he was suddenly tripped
|
||
|
and flung backwards upon the bed. He opened his mouth to shout, and
|
||
|
the corner of the sheet was thrust between his teeth. The Invisible
|
||
|
Man had him down grimly, but his arms were free and he struck and
|
||
|
tried to kick savagely.
|
||
|
|
||
|
"Listen to reason, will you?" said the Invisible Man, sticking to him
|
||
|
in spite of a pounding in the ribs. "By Heaven! you'll madden me in
|
||
|
a minute!
|
||
|
|
||
|
"Lie still, you fool!" bawled the Invisible Man in Kemp's ear.
|
||
|
|
||
|
Kemp struggled for another moment and then lay still.
|
||
|
|
||
|
"If you shout I'll smash your face," said the Invisible Man,
|
||
|
relieving his mouth.
|
||
|
|
||
|
"I'm an Invisible Man. It's no foolishness, and no magic. I really
|
||
|
am an Invisible Man. And I want your help. I don't want to hurt
|
||
|
you, but if you behave like a frantic rustic, I must. Don't you
|
||
|
remember me, Kemp?--Griffin, of University College?"
|
||
|
|
||
|
"Let me get up," said Kemp. "I'll stop where I am. And let me sit
|
||
|
quiet for a minute."
|
||
|
|
||
|
He sat up and felt his neck.
|
||
|
|
||
|
"I am Griffin, of University College, and I have made myself
|
||
|
invisible. I am just an ordinary man--a man you have known--made
|
||
|
invisible."
|
||
|
|
||
|
"Griffin?" said Kemp.
|
||
|
|
||
|
"Griffin," answered the Voice--"a younger student, almost an albino,
|
||
|
six feet high, and broad, with a pink and white face and red
|
||
|
eyes--who won the medal for chemistry."
|
||
|
|
||
|
"I am confused," said Kemp. "My brain is rioting. What has this to
|
||
|
do with Griffin?"
|
||
|
|
||
|
"I am Griffin."
|
||
|
|
||
|
Kempt thought. "It's horrible," he said. "But what devilry must
|
||
|
happen to make a man invisible?"
|
||
|
|
||
|
"It's no devilry. It's a process, sane and intelligible enough--"
|
||
|
|
||
|
"It's horrible!" said Kemp. "How on earth--?"
|
||
|
|
||
|
"It's horrible enough. But I'm wounded an in pain, and tired --Great
|
||
|
God! Kemp, you are a man. Take it steady. Give me some food and
|
||
|
drink, and let me sit down here."
|
||
|
|
||
|
Kemp stared at the bandage as it moved across the room, then saw a
|
||
|
basket chair dragged across the floor and come to rest near the bed.
|
||
|
It creaked, and the seat was depressed the quarter of an inch or so.
|
||
|
He rubbed his eyes and felt his neck again. "This beats ghosts," he
|
||
|
said, and laughed stupidly.
|
||
|
|
||
|
"That's better. Thank Heaven, you're getting sensible!"
|
||
|
|
||
|
"Or silly," said Kemp, and knuckled his eyes.
|
||
|
|
||
|
"Give me some whisky. I'm near dead."
|
||
|
|
||
|
"It didn't feel so. Where are you? If I get up shall I run into
|
||
|
you? There! all right. Whisky? Here. Where shall I give it you?"
|
||
|
|
||
|
The chair creaked and Kemp felt the glass drawn away from him. He
|
||
|
let go by an effort; his instinct was all against it. It came to
|
||
|
rest poised twenty inches above the front edge of the seat of the
|
||
|
chair. He stared at it in infinite perplexity. "This is--this must
|
||
|
be--hypnotism. You must have suggested you are invisible."
|
||
|
|
||
|
"Nonsense," said the Voice.
|
||
|
|
||
|
"It's frantic."
|
||
|
|
||
|
"Listen to me."
|
||
|
|
||
|
"I demonstrated conclusively this morning," began Kemp, "that
|
||
|
invisibility--"
|
||
|
|
||
|
"Never mind what you've demonstrated!--I'm starving," said the Voice,
|
||
|
"and the night is--chilly to a man without clothes."
|
||
|
|
||
|
"Food!" said Kemp.
|
||
|
|
||
|
The tumbler of whisky tilted itself. "Yes," said the Invisible Man,
|
||
|
rapping it down. "Have you got a dressing gown?"
|
||
|
|
||
|
Kemp made some exclamation in an undertone. He walked to a wardrobe
|
||
|
and produced a robe of dingy scarlet. "This do?" he asked. It was
|
||
|
taken from him. It hung limp for a moment in mid-air, fluttered
|
||
|
weirdly, stood full and decorous buttoning itself, and sat down in
|
||
|
his chair. "Drawers, socks, slippers would be a comfort," said the
|
||
|
Unseen, curtly. "And food."
|
||
|
|
||
|
"Anything. But this is the insanest thing I ever was in, in my
|
||
|
life!"
|
||
|
|
||
|
He turned out his drawers for the articles, and then went downstairs
|
||
|
to ransack his larder. He came back with some cold cutlets and
|
||
|
bread, pulled up a light table, and placed them before his guest.
|
||
|
"Never mind knives," said his visitor, and a cutlet hung in mid-air,
|
||
|
with a sound of gnawing.
|
||
|
|
||
|
"Invisible!" said Kemp, and sat down on a bedroom chair.
|
||
|
|
||
|
"I always like to get something about me before I eat," said the
|
||
|
Invisible Man, with a full mouth, eating greedily. "Queer fancy!"
|
||
|
|
||
|
"I suppose that wrist is all right," said Kemp.
|
||
|
|
||
|
"Trust me," said the Invisible Man.
|
||
|
|
||
|
"Of all the strange and wonderful--"
|
||
|
|
||
|
"Exactly. But it's odd I should blunder into your house to get my
|
||
|
bandaging. My first stroke of luck. Anyhow I meant to sleep in this
|
||
|
house to-night. You must stand that! It's a filthy nuisance, my
|
||
|
blood showing, isn't it? Quite a clot over there. Gets visible as
|
||
|
it coagulates, I see. I've been in the house three hours."
|
||
|
|
||
|
"But how's it done?" began Kemp, in a tone of exasperation.
|
||
|
"Confound it! The whole business--it's unreasonable from beginning
|
||
|
to end."
|
||
|
|
||
|
"Quite reasonable," said the Invisible Man. "Perfectly reasonable."
|
||
|
|
||
|
He reached over and secured the whisky bottle. Kemp stared at the
|
||
|
devouring dressing-gown. A ray of candle-light penetrating a torn
|
||
|
patch in the right shoulder, made a triangle of light under the left
|
||
|
ribs. "What were the shots?" he asked. "How did the shooting
|
||
|
begin?"
|
||
|
|
||
|
"There was a fool of a man--a sort of confederate of mine-- curse
|
||
|
him!--who tried to steal my money. Has done so."
|
||
|
|
||
|
"Is he invisible too?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"Can't I have some more to eat before I tell you all that? I'm
|
||
|
hungry--in pain. And you want me to tell stories!"
|
||
|
|
||
|
Kemp got up. "You didn't do any shooting?" he asked.
|
||
|
|
||
|
"Not me," said his visitor. "Some fool I'd never seen fired at
|
||
|
random. A lot of them got scared. They all got scared at me. Curse
|
||
|
them!--I say--I want more to eat than this, Kemp."
|
||
|
|
||
|
"I'll see what there is more to eat downstairs," said Kemp. "Not
|
||
|
much, I'm afraid."
|
||
|
|
||
|
After he had done eating, and he made a heavy meal, the Invisible Man
|
||
|
demanded a cigar. He bit the end savagely before Kemp could find a
|
||
|
knife, and cursed when the outer leaf loosened. It was strange to
|
||
|
see him smoking; his mouth and throat, pharynx and nares, became
|
||
|
visible as a sort of whirling smoke cast.
|
||
|
|
||
|
"This blessed gift of smoking!" he said, and puffed vigorously. "I'm
|
||
|
lucky to have fallen upon you, Kemp. You must help me. Fancy
|
||
|
tumbling on you just now! I'm in a devilish scrape. I've been mad,
|
||
|
I think. The things I have been through! But we will do things yet.
|
||
|
Let me tell you--"
|
||
|
|
||
|
He helped himself to more whisky and soda. Kemp got up, looked about
|
||
|
him, and fetched himself a glass from his spare room. "It's
|
||
|
wild--but I suppose I may drink."
|
||
|
|
||
|
"You haven't changed much, Kemp, these dozen years. You fair men
|
||
|
don't. Cool and methodical--after the first collapse. I must tell
|
||
|
you. We will work together!"
|
||
|
|
||
|
"But how was it all done?" said Kemp, "and how did you get like
|
||
|
this?"
|
||
|
|
||
|
"For God's sake, let me smoke in peace for a little while! And then
|
||
|
I will begin to tell you."
|
||
|
|
||
|
But the story was not told that night. The Invisible Man's wrist was
|
||
|
growing painful, he was feverish, exhausted, and his mind came round
|
||
|
to brood upon his chase down the hill and the struggle about the inn.
|
||
|
He spoke in fragments of Marvel, he smoked faster, his voice grew
|
||
|
angry. Kemp tried to gather what he could.
|
||
|
|
||
|
"He was afraid of me, I could see he was afraid of me," said the
|
||
|
Invisible Man many times over. "He meant to give me the slip--he was
|
||
|
always casting about! What a fool I was!
|
||
|
|
||
|
"The cur!
|
||
|
|
||
|
"I should have killed him--"
|
||
|
|
||
|
"Where did you get the money?" asked Kemp, abruptly.
|
||
|
|
||
|
The Invisible Man was silent for a space. "I can't tell you
|
||
|
to-night," he said.
|
||
|
|
||
|
He groaned suddenly and leant forward, supporting his invisible head
|
||
|
on invisible hands. "Kemp," he said, "I've had no sleep for near
|
||
|
three days--except a couple of dozes of an hour or so. I must sleep
|
||
|
soon."
|
||
|
|
||
|
"Well, have my room--have this room."
|
||
|
|
||
|
"But how can I sleep? If I sleep--he will get away. Ugh! What does
|
||
|
it matter?"
|
||
|
|
||
|
"What's the shot-wound?" asked Kemp, abruptly.
|
||
|
|
||
|
"Nothing--scratch and blood. Oh, God! How I want sleep!"
|
||
|
|
||
|
"Why not?"
|
||
|
|
||
|
The Invisible Man appeared to be regarding Kemp. "Because I've a
|
||
|
particular objection to being caught by my fellow-men," he said
|
||
|
slowly.
|
||
|
|
||
|
Kemp started.
|
||
|
|
||
|
"Fool that I am!" said the Invisible Man, striking the table smartly.
|
||
|
"I've put the idea into your head."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 18
|
||
|
|
||
|
The Invisible Man Sleeps
|
||
|
|
||
|
|
||
|
Exhausted and wounded as the Invisible Man was, he refused to accept
|
||
|
Kemp's word that his freedom should be respected. He examined the
|
||
|
two windows of the bedroom, drew up the blinds, and opened the sashes
|
||
|
to confirm Kemp's statement that a retreat by them would be possible.
|
||
|
Outside the night was very quiet and still, and the new moon was
|
||
|
setting over the down. Then he examined the keys of the bedroom and
|
||
|
the two dressing-room doors, to satisfy himself that these also could
|
||
|
be made an assurance of freedom. Finally he expressed himself
|
||
|
satisfied. He stood on the hearth-rug and Kemp heard the sound of a
|
||
|
yawn.
|
||
|
|
||
|
"I'm sorry," said the Invisible Man, "if I cannot tell you all that I
|
||
|
have done to-night. But I am worn out. It's grotesque, no doubt.
|
||
|
It's horrible! But believe me, Kemp, it is quite a possible thing.
|
||
|
I have made a discovery. I meant to keep it to myself. I can't. I
|
||
|
must have a partner. And you--We can do such things--But to-morrow.
|
||
|
Now, Kemp, I feel as though I must sleep or perish."
|
||
|
|
||
|
Kemp stood in the middle of the room staring at the headless garment.
|
||
|
"I suppose I must leave you," he said. "It's--incredible. Three
|
||
|
things happening like this, overturning all my preconceptions, would
|
||
|
make me insane. But it's real! Is there anything more that I can
|
||
|
get you?"
|
||
|
|
||
|
"Only bid me good-night," said Griffin.
|
||
|
|
||
|
"Good-night," said Kemp, and shook an invisible hand. He walked
|
||
|
sideways to the door. Suddenly the dressing-gown walked quickly
|
||
|
towards him. "Understand me!" said the dressing-gown. "No attempts
|
||
|
to hamper me, or capture me! Or--"
|
||
|
|
||
|
Kemp's face changed a little. "I thought I gave you my word," he
|
||
|
said.
|
||
|
|
||
|
Kemp closed the door softly behind him, and the key was turned upon
|
||
|
him forthwith. Then, as he stood with an expression of passive
|
||
|
amazement on his face, the rapid feet came to the door of the
|
||
|
dressing-room and that too was locked. Kemp slapped his brow with
|
||
|
his hand. "Am I dreaming? Has the world gone mad--or have I?"
|
||
|
|
||
|
He laughed, and put his hand to the locked door. "Barred out of my
|
||
|
own bedroom, by a flagrant absurdity!" he said.
|
||
|
|
||
|
He walked to the head of the staircase, turned, and stared at the
|
||
|
locked doors. "It's fact," he said. He put his fingers to his
|
||
|
slightly bruised neck. "Undeniable fact!
|
||
|
|
||
|
"But--"
|
||
|
|
||
|
He shook his head hopelessly, turned, and went downstairs.
|
||
|
|
||
|
He lit the dining-room lamp, got out a cigar, and began pacing the
|
||
|
room, ejaculating. Now and then he would argue with himself.
|
||
|
|
||
|
"Invisible!" he said.
|
||
|
|
||
|
"Is there such a thing as an invisible animal? In the sea, yes.
|
||
|
Thousands! millions! All the larvae, all the little nauplii and
|
||
|
tornarias, all the microscopic things, the jelly-fish. In the sea
|
||
|
there are more things invisible than visible! I never thought of
|
||
|
that before. And in the ponds too! All those little pond-life
|
||
|
things-- specks of colourless translucent jelly! But in air? No!
|
||
|
|
||
|
"It can't be.
|
||
|
|
||
|
"But after all--why not?
|
||
|
|
||
|
"If a man was made of glass he would still be visible."
|
||
|
|
||
|
His meditation became profound. The bulk of three cigars had passed
|
||
|
into the invisible or diffused as a white ash over the carpet before
|
||
|
he spoke again. Then it was merely an exclamation. He turned aside,
|
||
|
walked out of the room, and went into his little consulting- room and
|
||
|
lit the gas there. It was a little room, because Dr. Kemp did not
|
||
|
live by practice, and in it were the day's newspapers. The morning's
|
||
|
paper lay carelessly opened and thrown aside. He caught it up,
|
||
|
turned it over, and read the account of a "Strange Story from Iping"
|
||
|
that the Mariner at Port Stowe had spelt over so painfully to Mr.
|
||
|
Marvel. Kemp read it swiftly.
|
||
|
|
||
|
"Wrapped up!" said Kemp. "Disguised! Hiding it! 'No one seems to
|
||
|
have been aware of his misfortune.' What the devil is his game?"
|
||
|
|
||
|
He dropped the paper, and his eye went seeking. "Ah!" he said, and
|
||
|
caught up the St. James' Gazette, lying folded up as it arrived.
|
||
|
"Now we shall get at the truth," said Dr. Kemp. He rent the paper
|
||
|
open; a couple of columns confronted him. "An Entire Village in
|
||
|
Sussex goes Mad" was the heading.
|
||
|
|
||
|
"Good Heavens!" said Kemp, reading eagerly an incredulous account of
|
||
|
the events in Iping the previous afternoon, that have already been
|
||
|
described. Over the leaf the report in the morning paper had been
|
||
|
reprinted.
|
||
|
|
||
|
He re-read it. "Ran through the streets striking right and left.
|
||
|
Jaffers insensible. Mr. Huxter in great pain--still unable to
|
||
|
describe what he saw. Painful humiliation--vicar. Women ill with
|
||
|
terror! Windows smashed. This extraordinary story probably a
|
||
|
fabrication. Too good not to print--cum grano!"
|
||
|
|
||
|
He dropped the paper and stared blankly in front of him. "Probably a
|
||
|
fabrication!"
|
||
|
|
||
|
He caught up the paper again, and re-read the whole business. "But
|
||
|
where does the Tramp come in? Why the deuce was he chasing a Tramp?"
|
||
|
|
||
|
He sat down abruptly on the surgical couch. "He's not only
|
||
|
invisible," he said, "but he's mad! Homicidal!"
|
||
|
|
||
|
When dawn came to mingle its pallor with the lamp-light and cigar
|
||
|
smoke of the dining-room, Kemp was still pacing up and down, trying
|
||
|
to grasp the incredible.
|
||
|
|
||
|
He was altogether too excited to sleep. His servants, descending
|
||
|
sleepily, discovered him, and were inclined to think that overstudy
|
||
|
had worked this ill on him. He gave them extraordinary but quite
|
||
|
explicit instructions to lay breakfast for two in the belvedere
|
||
|
study--and then to confine themselves to the basement and ground-
|
||
|
floor. Then he continued to pace the dining-room until the morning's
|
||
|
paper came. That had much to say and little to tell, beyond the
|
||
|
confirmation of the evening before and a very baldly written account
|
||
|
of another remarkable tale from Port Burdock. This gave Kemp the
|
||
|
essence of the happenings at the Jolly Cricketers, and the name of
|
||
|
Marvel. "He has made me keep with him twenty-four hours," Marvel
|
||
|
testified. Certain minor facts were added to the Iping story,
|
||
|
notably the cutting of the village telegraph-wire. But there was
|
||
|
nothing to throw light on the connection between the Invisible Man
|
||
|
and the Tramp; for Mr. Marvel had supplied no information about the
|
||
|
three books, or the money with which he was lined. The incredulous
|
||
|
tone had vanished and a shoal of reporters and inquirers were already
|
||
|
at work elaborating the matter.
|
||
|
|
||
|
Kemp read every scrap of the report and sent his housemaid out to get
|
||
|
every one of the morning papers she could. These also he devoured.
|
||
|
|
||
|
"He is invisible!" he said. "And it reads like rage growing to
|
||
|
mania! The things he may do! The things he may do! And he's
|
||
|
upstairs free as the air. What on earth ought I to do?
|
||
|
|
||
|
"For instance, would it be a breach of faith if--? No."
|
||
|
|
||
|
He went to a little untidy desk in the corner, and began a note. He
|
||
|
tore this up half written, and wrote another. He read it over and
|
||
|
considered it. Then he took an envelope and addressed it to "Colonel
|
||
|
Adye, Port Burdock."
|
||
|
|
||
|
The Invisible Man awoke even as Kemp was doing this. He awoke in an
|
||
|
evil temper, and Kemp, alert for every sound, heard his pattering
|
||
|
feet rush suddenly across the bedroom overhead. Then a chair was
|
||
|
flung over and the wash-hand stand tumbler smashed. Kemp hurried
|
||
|
upstairs and rapped eagerly.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 19
|
||
|
|
||
|
Certain First Principles
|
||
|
|
||
|
|
||
|
"What's the matter?" asked Kemp, when the Invisible Man admitted him.
|
||
|
|
||
|
"Nothing," was the answer.
|
||
|
|
||
|
"But, confound it! The smash?"
|
||
|
|
||
|
"Fit of temper," said the Invisible Man. "Forgot this arm; and it's
|
||
|
sore."
|
||
|
|
||
|
"You're rather liable to that sort of thing."
|
||
|
|
||
|
"I am."
|
||
|
|
||
|
Kemp walked across the room and picked up the fragments of broken
|
||
|
glass. "All the facts are out about you," said Kemp, standing up
|
||
|
with the glass in his hand; "all that happened in Iping, and down the
|
||
|
hill. The world has become aware of its invisible citizen. But no
|
||
|
one knows you are here."
|
||
|
|
||
|
The Invisible Man swore.
|
||
|
|
||
|
"The secret's out. I gather it was a secret. I don't know what your
|
||
|
plans are, but of course I'm anxious to help you."
|
||
|
|
||
|
The Invisible Man sat down on the bed.
|
||
|
|
||
|
"There's breakfast upstairs," said Kemp, speaking as easily as
|
||
|
possible, and he was delighted to find his strange guest rose
|
||
|
willingly. Kemp led the way up the narrow staircase to the
|
||
|
belvedere.
|
||
|
|
||
|
"Before we can do anything else," said Kemp, "I must understand a
|
||
|
little more about this invisibility of yours." He had sat down,
|
||
|
after one nervous glance out of the window, with the air of a man who
|
||
|
has talking to do. His doubts of the sanity of the entire business
|
||
|
flashed and vanished again as he looked across to where Griffin sat
|
||
|
at the breakfast-table,--a headless, handless dressing- gown, wiping
|
||
|
unseen lips on a miraculously held serviette.
|
||
|
|
||
|
"It's simple enough--and credible enough," said Griffin, putting the
|
||
|
serviette aside and leaning the invisible head on an invisible hand.
|
||
|
|
||
|
"No doubt, to you, but--" Kemp laughed.
|
||
|
|
||
|
"Well, yes; to me it seemed wonderful at first, no doubt. But now,
|
||
|
great God!--But we will do great things yet! I came on the stuff
|
||
|
first at Chesilstowe."
|
||
|
|
||
|
"Chesilstowe?"
|
||
|
|
||
|
"I went there after I left London. You know I dropped medicine and
|
||
|
took up physics? No?--well, I did. Light--fascinated me."
|
||
|
|
||
|
"Ah!"
|
||
|
|
||
|
"Optical density! The whole subject is a network of riddles --a
|
||
|
network with solutions glimmering elusively through. And being but
|
||
|
two-and-twenty and full of enthusiasm, I said, 'I will devote my life
|
||
|
to this. This is worth while.' You know what fools we are at
|
||
|
two-and-twenty?"
|
||
|
|
||
|
"Fools then or fools now," said Kemp.
|
||
|
|
||
|
"As though Knowing could be any satisfaction to a man!
|
||
|
|
||
|
"But I went to work--like a nigger. And I had hardly worked and
|
||
|
thought about the matter six months before light came through one of
|
||
|
the meshes suddenly--blindingly! I found a general principle of
|
||
|
pigments and refraction,--a formula, a geometrical expression
|
||
|
involving four dimensions. Fools, common men, even common
|
||
|
mathematicians, do not know anything of what some general expression
|
||
|
may mean to the student of molecular physics. In the books--the
|
||
|
books that Tramp has hidden--there are marvels, miracles! But this
|
||
|
was not a method, it was an idea that might lead to a method by which
|
||
|
it would be possible, without changing any other property of
|
||
|
matter,--except, in some instances, colours,--to lower the refractive
|
||
|
index of a substance, solid or liquid, to that of air--so far as all
|
||
|
practical purposes are concerned."
|
||
|
|
||
|
"Phew!" said Kemp. "That's odd! But still I don't see quite --I can
|
||
|
understand that thereby you could spoil a valuable stone, but
|
||
|
personal invisibility is a far cry."
|
||
|
|
||
|
"Precisely," said Griffin. "But consider: Visibility depends on the
|
||
|
action of the visible bodies on light. Either a body absorbs light,
|
||
|
or it reflects or refracts it, or does all these things. If it
|
||
|
neither reflects nor refracts nor absorbs light, it cannot of itself
|
||
|
be visible. You see an opaque red box, for instance, because the
|
||
|
colour absorbs some of the light and reflects the rest, all the red
|
||
|
part of the light, to you. If it did not absorb any particular part
|
||
|
of the light, but reflected it all, then it would be a shining white
|
||
|
box. Silver! A diamond box would neither absorb much of the light
|
||
|
nor reflect much from the general surface, but just here and there
|
||
|
where the surfaces were favourable the light would be reflected and
|
||
|
refracted, so that you would get a brilliant appearance of flashing
|
||
|
reflections and translucencies,--a sort of skeleton of light. A
|
||
|
glass box would not be so brilliant, not so clearly visible, as a
|
||
|
diamond box, because there would be less refraction and reflection.
|
||
|
See that? From certain points of view you would see quite clearly
|
||
|
through it. Some kinds of glass would be more visible than others, a
|
||
|
box of flint glass would be brighter than a box of ordinary window
|
||
|
glass. A box of very thin common glass would be hard to see in a bad
|
||
|
light, because it would absorb hardly any light and refract and
|
||
|
reflect very little. And if you put a sheet of common white glass in
|
||
|
water, still more if you put it in some denser liquid than water, it
|
||
|
would vanish almost altogether, because light passing from water to
|
||
|
glass is only slightly refracted or reflected or indeed affected in
|
||
|
any way. It is almost as invisible as a jet of coal gas or hydrogen
|
||
|
is in air. And for precisely the same reason!"
|
||
|
|
||
|
"Yes," said Kemp, "that is pretty plain sailing."
|
||
|
|
||
|
"And here is another fact you will know to be true. If a sheet of
|
||
|
glass is smashed, Kemp, and beaten into a powder, it becomes much
|
||
|
more visible while it is in the air; it becomes at last an opaque
|
||
|
white powder. This is because the powdering multiplies the surfaces
|
||
|
of the glass at which refraction and reflection occur. In the sheet
|
||
|
of glass there are only two surfaces; in the powder the light is
|
||
|
reflected or refracted by each grain it passes through, and very
|
||
|
little gets right through the powder. But if the white powdered
|
||
|
glass is put into water, it forthwith vanishes. The powdered glass
|
||
|
and water have much the same refractive index; that is, the light
|
||
|
undergoes very little refraction or reflection in passing from one to
|
||
|
the other.
|
||
|
|
||
|
"You make the glass invisible by putting it into a liquid of nearly
|
||
|
the same refractive index; a transparent thing becomes invisible if
|
||
|
it is put in any medium of almost the same refractive index. And if
|
||
|
you will consider only a second, you will see also that the powder of
|
||
|
glass might be made to vanish in air, if its refractive index could
|
||
|
be made the same as that of air; for then there would be no
|
||
|
refraction or reflection as the light passed from glass to air."
|
||
|
|
||
|
"Yes, yes," said Kemp. "But a man's not powdered glass!"
|
||
|
|
||
|
"No," said Griffin. "He's more transparent!"
|
||
|
|
||
|
"Nonsense!"
|
||
|
|
||
|
"That from a doctor! How one forgets! Have you already forgotten
|
||
|
your physics, in ten years? Just think of all the things that are
|
||
|
transparent and seem not to be so. Paper, for instance, is made up
|
||
|
of transparent fibres, and it is white and opaque only for the same
|
||
|
reason that a powder of glass is white and opaque. Oil white paper,
|
||
|
fill up the interstices between the particles with oil so that there
|
||
|
is no longer refraction or reflection except at the surfaces, and it
|
||
|
becomes as transparent as glass. And not only paper, but cotton
|
||
|
fibre, linen fibre, wool fibre, woody fibre, and bone, Kemp, flesh,
|
||
|
hair, nails and nerves, Kemp, in fact the whole fabric of a man
|
||
|
except the red of his blood and the black pigment of hair, are all
|
||
|
made up of transparent, colourless tissue. So little suffices to
|
||
|
make us visible one to the other. For the most part the fibres of a
|
||
|
living creature are no more opaque than water."
|
||
|
|
||
|
"Great Heavens!" cried Kemp. "Of course, of course! I was thinking
|
||
|
only last night of the sea larvae and all jelly-fish!"
|
||
|
|
||
|
"Now you have me! And all that I knew and had in mind a year after I
|
||
|
left London--six years ago. But I kept it to myself. I had to do my
|
||
|
work under frightful disadvantages. Oliver, my professor, was a
|
||
|
scientific bounder, a journalist by instinct, a thief of ideas,--he
|
||
|
was always prying! And you know the knavish system of the scientific
|
||
|
world. I simply would not publish, and let him share my credit. I
|
||
|
went on working. I got nearer and nearer making my formula into an
|
||
|
experiment, a reality. I told no living soul, because I meant to
|
||
|
flash my work upon the world with crushing effect,--to become famous
|
||
|
at a blow. I took up the question of pigments to fill up certain
|
||
|
gaps. And suddenly, not by design but by accident, I made a
|
||
|
discovery in physiology."
|
||
|
|
||
|
"Yes?"
|
||
|
|
||
|
"You know the red colouring matter of blood; it can be made
|
||
|
white--colourless--and remain with all the functions it has now!"
|
||
|
|
||
|
Kemp gave a cry of incredulous amazement.
|
||
|
|
||
|
The Invisible Man rose and began pacing the little study. "You may
|
||
|
well exclaim. I remember that night. It was late at night, --in the
|
||
|
daytime one was bothered with the gaping, silly students,-- and I
|
||
|
worked then sometimes till dawn. It came suddenly, splendid and
|
||
|
complete into my mind. I was alone; the laboratory was still, with
|
||
|
the tall lights burning brightly and silently. In all my great
|
||
|
moments I have been alone. 'One could make an animal--a tissue--
|
||
|
transparent! One could make it invisible! All except the pigments.
|
||
|
I could be invisible!' I said, suddenly realising what it meant to
|
||
|
be an albino with such knowledge. It was overwhelming. I left the
|
||
|
filtering I was doing, and went and stared out of the great window at
|
||
|
the stars. 'I could be invisible!' I repeated.
|
||
|
|
||
|
"To do such a thing would be to transcend magic. And I beheld,
|
||
|
unclouded by doubt, a magnificent vision of all that invisibility
|
||
|
might mean to a man,--the mystery, the power, the freedom. Drawbacks
|
||
|
I saw none. You have only to think! And I, a shabby,
|
||
|
poverty-struck, hemmed-in demonstrator, teaching fools in a
|
||
|
provincial college, might suddenly become--this. I ask you, Kemp, if
|
||
|
you--Any one, I tell you, would have flung himself upon that
|
||
|
research. And I worked three years, and every mountain of difficulty
|
||
|
I toiled over showed another from its summit. The infinite details!
|
||
|
And the exasperation,--a professor, a provincial professor, always
|
||
|
prying. 'When are you going to publish this work of yours?' was his
|
||
|
everlasting question. And the students, the cramped means! Three
|
||
|
years I had of it--
|
||
|
|
||
|
"And after three years of secrecy and exasperation, I found that to
|
||
|
complete it was impossible,--impossible."
|
||
|
|
||
|
"How?" asked Kemp.
|
||
|
|
||
|
"Money," said the Invisible Man, and went again to stare out of the
|
||
|
window.
|
||
|
|
||
|
He turned round abruptly. "I robbed the old man--robbed my father.
|
||
|
|
||
|
"The money was not his, and he shot himself."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 20
|
||
|
|
||
|
At the House in Great Portland Street
|
||
|
|
||
|
|
||
|
For a moment Kemp sat in silence, staring at the back of the headless
|
||
|
figure at the window. Then he started, struck by a thought, rose,
|
||
|
took the Invisible Man's arm, and turned him away from the outlook.
|
||
|
|
||
|
"You are tired," he said, "and while I sit, you walk about. Have my
|
||
|
chair."
|
||
|
|
||
|
He placed himself between Griffin and the nearest window.
|
||
|
|
||
|
For a space Griffin sat silent, and then he resumed abruptly:
|
||
|
|
||
|
"I had left the Chesilstowe cottage already," he said, "when that
|
||
|
happened. It was last December. I had taken a room in London, a
|
||
|
large unfurnished room in a big ill-managed lodging-house in a slum
|
||
|
near Great Portland Street. The room was soon full of the appliances
|
||
|
I had bought with his money; the work was going on steadily,
|
||
|
successfully, drawing near an end. I was like a man emerging from a
|
||
|
thicket, and suddenly coming on some unmeaning tragedy. I went to
|
||
|
bury him. My mind was still on this research, and I did not lift a
|
||
|
finger to save his character. I remember the funeral, the cheap
|
||
|
hearse, the scant ceremony, the windy frost-bitten hillside, and the
|
||
|
old college friend of his who read the service over him,--a shabby,
|
||
|
black, bent old man with a snivelling cold.
|
||
|
|
||
|
"I remember walking back to the empty home, through the place that
|
||
|
had once been a village and was now patched and tinkered by the jerry
|
||
|
builders into the ugly likeness of a town. Every way the roads ran
|
||
|
out at last into the desecrated fields and ended in rubble heaps and
|
||
|
rank wet weeds. I remember myself as a gaunt black figure, going
|
||
|
along the slippery, shiny pavement, and the strange sense of
|
||
|
detachment I felt from the squalid respectability, the sordid
|
||
|
commercialism of the place.
|
||
|
|
||
|
"I did not feel a bit sorry for my father. He seemed to me to be the
|
||
|
victim of his own foolish sentimentality. The current cant required
|
||
|
my attendance at his funeral, but it was really not my affair.
|
||
|
|
||
|
"But going along the High Street, my old life came back to me for a
|
||
|
space, for I met the girl I had known ten years since. Our eyes met.
|
||
|
|
||
|
"Something moved me to turn back and talk to her. She was a very
|
||
|
ordinary person.
|
||
|
|
||
|
"It was all like a dream, that visit to the old places. I did not
|
||
|
feel then that I was lonely, that I had come out from the world into
|
||
|
a desolate place. I appreciated my loss of sympathy, but I put it
|
||
|
down to the general inanity of things. Re-entering my room seemed
|
||
|
like the recovery of reality. There were the things I knew and
|
||
|
loved. There stood the apparatus, the experiments arranged and
|
||
|
waiting. And now there was scarcely a difficulty left, beyond the
|
||
|
planning of details.
|
||
|
|
||
|
"I will tell you, Kemp, sooner or later, all the complicated
|
||
|
processes. We need not go into that now. For the most part, saving
|
||
|
certain gaps I chose to remember, they are written in cypher in those
|
||
|
books that tramp has hidden. We must hunt him down. We must get
|
||
|
those books again. But the essential phase was to place the
|
||
|
transparent object whose refractive index was to be lowered between
|
||
|
two radiating centres of a sort of ethereal vibration, of which I
|
||
|
will tell you more fully later. No, not these Rntgen vibrations--I
|
||
|
don't know that these others of mine have been described. Yet they
|
||
|
are obvious enough. I needed two little dynamos, and these I worked
|
||
|
with a cheap gas engine. My first experiment was with a bit of white
|
||
|
wool fabric. I was the strangest thing in the world to see it in the
|
||
|
flicker of the flashes soft and white, and then to watch it fade like
|
||
|
a wreath of smoke and vanish.
|
||
|
|
||
|
"I could scarcely believe I had done it. I put my hand into the
|
||
|
emptiness, and there was the thing as solid as ever. I felt it
|
||
|
awkwardly, and threw it on the floor. I had a little trouble finding
|
||
|
it again.
|
||
|
|
||
|
"And then came a curious experience. I heard a miaow behind me, and
|
||
|
turning, saw a lean white cat, very dirty, on the cistern cover
|
||
|
outside the window. A thought came into my head. 'Everything ready
|
||
|
for you,' I said, and went to the window, opened it, and called
|
||
|
softly. She came in, purring,--the poor beast was starving,--and I
|
||
|
gave her some milk. All my food was in a cupboard in the corner of
|
||
|
the room. After that she went smelling round the room,--evidently
|
||
|
with the idea of making herself at home. The invisible rag upset her
|
||
|
a bit; you should have seen her spit at it! But I made her
|
||
|
comfortable on the pillow of my truckle-bed. And I gave her butter
|
||
|
to get her to wash."
|
||
|
|
||
|
"And you processed her?"
|
||
|
|
||
|
"I processed her. But giving drugs to a cat is no joke, Kemp! And
|
||
|
the process failed."
|
||
|
|
||
|
"Failed!"
|
||
|
|
||
|
"In two particulars. These were the claws and the pigment
|
||
|
stuff--what is it?--at the back of the eye in a cat. You know?"
|
||
|
|
||
|
"Tapetum."
|
||
|
|
||
|
"Yes, the tapetum. It didn't go. After I'd given the stuff to
|
||
|
bleach the blood and done certain other things to her, I gave the
|
||
|
beast opium, and put her and the pillow she was sleeping on, on the
|
||
|
apparatus. And after all the rest had faded and vanished, there
|
||
|
remained two little ghosts of her eyes."
|
||
|
|
||
|
"Odd!"
|
||
|
|
||
|
"I can't explain it. She was bandaged and clamped, of course, --so I
|
||
|
had her safe; but she woke while she was still misty, and miaowed
|
||
|
dismally, and some one came knocking. It was an old woman from
|
||
|
downstairs, who suspected me of vivisecting,--a drink-sodden old
|
||
|
creature, with only a white cat to care for in all the world. I
|
||
|
whipped out some chloroform, and applied it, and answered the door.
|
||
|
'Did I hear a cat?' she asked. 'My cat?' 'Not here,' said I, very
|
||
|
politely. She was a little doubtful and tried to peer past me into
|
||
|
the room; strange enough to her no doubt,--bare walls, uncurtained
|
||
|
windows, truckle-bed, with the gas engine vibrating, and the seethe
|
||
|
of the radiant points, and that faint ghastly stinging of chloroform
|
||
|
in the air. She had to be satisfied at last and went away again."
|
||
|
|
||
|
"How long did it take?" asked Kemp.
|
||
|
|
||
|
"Three or four hours--the cat. The bones and sinews and the fat were
|
||
|
the last to go, and the tips of the coloured hairs. And, as I say,
|
||
|
the back part of the eye, tough iridescent stuff it is, wouldn't go
|
||
|
at all.
|
||
|
|
||
|
"It was night outside long before the business was over, and nothing
|
||
|
was to be seen but the dim eyes and the claws. I stopped the gas
|
||
|
engine, felt for and stroked the beast, which was still insensible,
|
||
|
and then, being tired, left it sleeping on the invisible pillow and
|
||
|
went to bed. I found it hard to sleep. I lay awake thinking weak
|
||
|
aimless stuff, going over the experiment over and over again, or
|
||
|
dreaming feverishly of things growing misty and vanishing about me,
|
||
|
until everything, the ground I stood on, vanished, and so I came to
|
||
|
that sickly falling nightmare one gets. About two, the cat began
|
||
|
miaowing about the room. I tried to hush it by talking to it, and
|
||
|
then I decided to turn it out. I remember the shock I had when
|
||
|
striking a light--there were just the round eyes shining green--and
|
||
|
nothing round them. I would have given it milk, but I hadn't any.
|
||
|
It wouldn't be quiet, it just sat down and miaowed at the door. I
|
||
|
tried to catch it, with an idea of putting it out of the window, but
|
||
|
it wouldn't be caught, it vanished. Then it began miaowing in
|
||
|
different parts of the room. At last I opened the window and made a
|
||
|
bustle. I suppose it went out at last. I never saw any more of it.
|
||
|
|
||
|
"Then--Heaven knows why--I fell thinking of my father's funeral
|
||
|
again, and the dismal windy hillside, until the day had come. I
|
||
|
found sleeping was hopeless, and, locking my door after me, wandered
|
||
|
out into the morning streets."
|
||
|
|
||
|
"You don't mean to say there's an invisible cat at large!" said
|
||
|
Kemp.
|
||
|
|
||
|
"If it hasn't been killed," said the Invisible Man. "Why not?"
|
||
|
|
||
|
"Why not?" said Kemp. "I didn't mean to interrupt."
|
||
|
|
||
|
"It's very probably been killed," said the Invisible Man. "It was
|
||
|
alive four days after, I know, and down a grating in Great Titchfield
|
||
|
Street; because I saw a crowd round the place, trying to see whence
|
||
|
the miaowing came."
|
||
|
|
||
|
He was silent for the best part of a minute. Then he resumed
|
||
|
abruptly:
|
||
|
|
||
|
"I remember that morning before the change very vividly. I must have
|
||
|
gone up Great Portland Street. I remember the barracks in Albany
|
||
|
Street, and the horse soldiers coming out, and at last I found myself
|
||
|
sitting in the sunshine and feeling very ill and strange, on the
|
||
|
summit of Primrose Hill. It was a sunny day in January,--one of
|
||
|
those sunny, frosty days that came before the snow this year. My
|
||
|
weary brain tried to formulate the position, to plot out a plan of
|
||
|
action.
|
||
|
|
||
|
"I was surprised to find, now that my prize was within my grasp, how
|
||
|
inconclusive its attainment seemed. As a matter of fact I was worked
|
||
|
out; the intense stress of nearly four years' continuous work left me
|
||
|
incapable of any strength of feeling. I was apathetic, and I tried
|
||
|
in vain to recover the enthusiasm of my first inquiries, the passion
|
||
|
of discovery that had enabled me to compass even the downfall of my
|
||
|
father's grey hairs. Nothing seemd to matter. I saw pretty clearly
|
||
|
this was a transient mood, due to overwork and want of sleep, and
|
||
|
that either by drugs or rest it would be possible to recover my
|
||
|
energies.
|
||
|
|
||
|
"All I could think clearly was that the thing had to be carried
|
||
|
through; the fixed idea still ruled me. And soon, for the money I
|
||
|
had was almost exhausted. I looked about me at the hillside, with
|
||
|
children playing and girls watching them, and tried to think of all
|
||
|
the fantastic advantages an invisible man would have in the world.
|
||
|
After a time I crawled home, took some food and a strong dose of
|
||
|
strychnine, and went to sleep in my clothes on my unmade bed.
|
||
|
Strychnine is a grand tonic, Kemp, to take the flabbiness out of a
|
||
|
man."
|
||
|
|
||
|
"It's the devil," said Kemp. "It's the palaeolithic in a bottle."
|
||
|
|
||
|
"I awoke vastly invigorated and rather irritable. You know?"
|
||
|
|
||
|
"I know the stuff."
|
||
|
|
||
|
"And there was some one rapping at the door. It was my landlord with
|
||
|
threats and inquiries, an old Polish Jew in a long grey coat and
|
||
|
greasy slippers. I had been tormenting a cat in the night he was
|
||
|
sure,--the old woman's tongue had been busy. He insisted on knowing
|
||
|
all about it. The laws of this country against vivisection were very
|
||
|
severe,--he might be liable. I denied the cat. Then the vibration
|
||
|
of the little gas engine could be felt all over the house, he said.
|
||
|
That was true, certainly. He edged round me into the room, peering
|
||
|
about over his German-silver spectacles, and a sudden dread came into
|
||
|
my mind that he might carry away something of my secret. I tried to
|
||
|
keep between him and the concentrating apparatus I had arranged, and
|
||
|
that only made him more curious. What was I doing? Why was I always
|
||
|
alone and secretive? Was it legal? Was it dangerous? I paid
|
||
|
nothing but the usual rent. His had always been a most respectable
|
||
|
house--in a disreputable neighbourhood. Suddenly my temper gave way.
|
||
|
I told him to get out. He began to protest, to jabber of his right
|
||
|
of entry. In a moment I had him by the collar; something ripped, and
|
||
|
he went spinning out into his own passage. I slammed and locked the
|
||
|
door and sat down quivering.
|
||
|
|
||
|
"He made a fuss outside, which I disregarded, and after a time he
|
||
|
went away.
|
||
|
|
||
|
"But this brought matters to a crisis. I did not know what he would
|
||
|
do, nor even what he had power to do. To move to fresh apartments
|
||
|
would have meant delay; altogether I had barely twenty pounds left in
|
||
|
the world,--for the most part in the bank,--and I could not afford
|
||
|
that. Vanish! It was irresistible. Then there would be an inquiry,
|
||
|
the sacking of my room--
|
||
|
|
||
|
"At the thought of the possibility of my work being exposed or
|
||
|
interrupted at its very climax, I became angry and active. I hurried
|
||
|
out with my three books of notes, my cheque-book,--the tramp has them
|
||
|
now,--and directed them from the nearest Post Office to a house of
|
||
|
call for letters and parcels in Great Portland Street. I tried to go
|
||
|
out noiselessly. Coming in, I found my landlord going quietly
|
||
|
upstairs; he had heard the door close, I suppose. You would have
|
||
|
laughed to see him jump aside on the landing as I came tearing after
|
||
|
him. He glared at me as I went by him, and I made the house quiver
|
||
|
with the slamming of my door. I heard him come shuffling up to my
|
||
|
floor, hesitate, and go down. I set to work upon my preparations
|
||
|
forthwith.
|
||
|
|
||
|
"It was all done that evening and night. While I was still sitting
|
||
|
under the sickly, drowsy influence of the drugs that decolourise
|
||
|
blood, there came a repeated knocking at the door. It ceased,
|
||
|
footsteps went away and returned, and the knocking was resumed.
|
||
|
There was an attempt to push something under the door--a blue paper.
|
||
|
Then in a fit of irritation I rose and went and flung the door wide
|
||
|
open. 'Now then?' said I.
|
||
|
|
||
|
"It was my landlord, with a notice of ejectment or something. He
|
||
|
held it out to me, saw something odd about my hands, I expect, and
|
||
|
lifted his eyes to my face.
|
||
|
|
||
|
"For a moment he gaped. Then he gave a sort of inarticulate cry,
|
||
|
dropped candle and writ together, and went blundering down the dark
|
||
|
passage to the stairs. I shut the door, locked it, and went to the
|
||
|
looking-glass. Then I understood his terror. My face was white
|
||
|
--like white stone.
|
||
|
|
||
|
"But it was all horrible. I had not expected the suffering. A night
|
||
|
of racking anguish, sickness and fainting. I set my teeth, though my
|
||
|
skin was presently afire; all my body afire; but I lay there like
|
||
|
grim death. I understood now how it was the cat had howled until I
|
||
|
chloroformed it. Lucky it was I lived alone and untended in my room.
|
||
|
There were times when I sobbed and groaned and talked. But I stuck
|
||
|
to it. I became insensible and woke languid in the darkness.
|
||
|
|
||
|
"The pain had passed. I thought I was killing myself and I did not
|
||
|
care. I shall never forget that dawn, and the strange horror of
|
||
|
seeing that my hands had become as clouded glass, and watching them
|
||
|
grow clearer and thinner as the day went by, until at last I could
|
||
|
see the sickly disorder of my room through them, though I closed my
|
||
|
transparent eyelids. My limbs became glassy, the bones and arteries
|
||
|
faded, vanished, and the little white nerves went last. I ground my
|
||
|
teeth and stayed there to the end. At last only the dead tips of the
|
||
|
finger-nails remained, pallid and white, and the brown stain of some
|
||
|
acid upon my fingers.
|
||
|
|
||
|
"I struggled up. At first I was as incapable as a swathed
|
||
|
infant,--stepping with limbs I could not see. I was weak and very
|
||
|
hungry. I went and stared at nothing in my shaving-glass, at nothing
|
||
|
save where an attenuated pigment still remained behind the retina of
|
||
|
my eyes, fainter than mist. I had to hang on to the table and press
|
||
|
my forehead to the glass.
|
||
|
|
||
|
"It was only by a frantic effort of will that I dragged myself back
|
||
|
to the apparatus and completed the process.
|
||
|
|
||
|
"I slept during the forenoon, pulling the sheet over my eyes to shut
|
||
|
out the light, and about midday I was awakened again by a knocking.
|
||
|
My strength had returned. I sat up and listened and heard a
|
||
|
whispering. I sprang to my feet and as noiselessly as possible began
|
||
|
to detach the connections of my apparatus, and to distribute it about
|
||
|
the room, so as to destroy the suggestions of its arrangement.
|
||
|
Presently the knocking was renewed and voices called, first my
|
||
|
landlord's, and then two others. To gain time I answered them. The
|
||
|
invisible rag and pillow came to hand and I opened the window and
|
||
|
pitched them out on to the cistern cover. As the window opened, a
|
||
|
heavy crash came at the door. Some one had charged it with the idea
|
||
|
of smashing the lock. But the stout bolts I had screwed up some days
|
||
|
before stopped him. That startled me, made me angry. I began to
|
||
|
tremble and do things hurriedly.
|
||
|
|
||
|
"I tossed together some loose paper, straw, packing paper and so
|
||
|
forth, in the middle of the room, and turned on the gas. Heavy blows
|
||
|
began to rain upon the door. I could not find the matches. I beat
|
||
|
my hands on the wall with rage. I turned down the gas again, stepped
|
||
|
out of the window on the cistern cover, very softly lowered the sash,
|
||
|
and sat down, secure and invisible, but quivering with anger, to
|
||
|
watch events. They split a panel, I saw, and in another moment they
|
||
|
had broken away the staples of the bolts and stood in the open
|
||
|
doorway. It was the landlord and his two step-sons, sturdy young men
|
||
|
of three or four and twenty. Behind them fluttered the old hag of a
|
||
|
woman from downstairs.
|
||
|
|
||
|
"You may imagine their astonishment on finding the room empty. One
|
||
|
of the younger men rushed to the window at once, flung it up and
|
||
|
stared out. His staring eyes and thick-lipped bearded face came a
|
||
|
foot from my face. I was half minded to hit his silly countenance,
|
||
|
but I arrested my doubled fist. He stared right through me. So did
|
||
|
the others as they joined him. The old man went and peered under the
|
||
|
bed, and then they all made a rush for the cupboard. They had to
|
||
|
argue about it at length in Yiddish and Cockney English. They
|
||
|
concluded I had not answered them, that their imagination had
|
||
|
deceived them. A feeling of extraordinary elation took the place of
|
||
|
my anger as I sat outside the window and watched these four
|
||
|
people--for the old lady came in, glancing suspiciously about her
|
||
|
like a cat, trying to understand the riddle of my behaviour.
|
||
|
|
||
|
"The old man, so far as I could understand his patois, agreed with
|
||
|
the old lady that I was a vivisectionist. The sons protested in
|
||
|
garbled English that I was an electrician, and appealed to the
|
||
|
dynamos and radiators. They were all nervous against my arrival,
|
||
|
although I found subsequently that they had bolted the front door.
|
||
|
The old lady peered into the cupboard and under the bed, and one of
|
||
|
the young men pushed up the register and stared up the chimney. One
|
||
|
of my fellow lodgers, a costermonger who shared the opposite room
|
||
|
with a butcher, appeared on the landing, and he was called in and
|
||
|
told incoherent things.
|
||
|
|
||
|
"It occurred to me that the radiators, if they fell into the hands of
|
||
|
some acute well-educated person, would give me away too much, and
|
||
|
watching my opportunity, I came into the room and tilted one of the
|
||
|
little dynamos off its fellow on which it was standing, and smashed
|
||
|
both apparatus. Then, while they were trying to explain the smash, I
|
||
|
dodged out of the room and went softly downstairs.
|
||
|
|
||
|
"I went into one of the sitting-rooms and waited until they came
|
||
|
down, still speculating and argumentative, all a little disappointed
|
||
|
at finding no 'horrors,' and all a little puzzled how they stood with
|
||
|
regard to me. Then I slipped up again with a box of matches, fired
|
||
|
my heap of paper and rubbish, put the chairs and bedding thereby, led
|
||
|
the gas to the affair, by means of an india- rubber tube, and waving
|
||
|
a farewell to the room left it for the last time."
|
||
|
|
||
|
"You fired the house!" exclaimed Kemp.
|
||
|
|
||
|
"Fired the house. It was the only way to cover my trail--and no
|
||
|
doubt it was insured. I slipped the bolts of the front door quietly
|
||
|
and went out into the street. I was invisible, and I was only just
|
||
|
beginning to realise the extraordinary advantage my invisibility gave
|
||
|
me. My head was already teeming with plans of all the wild and
|
||
|
wonderful things I had now impunity to do."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 21
|
||
|
|
||
|
In Oxford Street
|
||
|
|
||
|
|
||
|
"In going downstairs the first time I found an unexpected difficulty
|
||
|
because I could not see my feet; indeed I stumbled twice, and there
|
||
|
was an unaccustomed clumsiness in gripping the bolt. By not looking
|
||
|
down, however, I managed to walk on the level passably well.
|
||
|
|
||
|
"My mood, I say, was one of exaltation. I felt as a seeing man might
|
||
|
do, with padded feet and noiseless clothes, in a city of the blind.
|
||
|
I experienced a wild impulse to jest, to startle people, to clap men
|
||
|
on the back, fling people's hats astray, and generally revel in my
|
||
|
extraordinary advantage.
|
||
|
|
||
|
"But hardly had I emerged upon Great Portland Street, however (my
|
||
|
lodgings was close to the big draper's shop there), when I heard a
|
||
|
clashing concussion and was hit violently behind, and turning saw a
|
||
|
man carrying a basket of soda-water siphons, and looking in amazement
|
||
|
at his burden. Although the blow had really hurt me, I found
|
||
|
something so irresistible in his astonishment that I laughed aloud.
|
||
|
'The devil's in the basket,' I said, and suddenly twisted it out of
|
||
|
his hand. He let go incontinently, and I swung the whole weight into
|
||
|
the air.
|
||
|
|
||
|
"But a fool of a cabman, standing outside a public house, made a
|
||
|
sudden rush for this, and his extending fingers took me with
|
||
|
excruciating violence under the ear. I let the whole down with a
|
||
|
smash on the cabman, and then, with shouts and the clatter of feet
|
||
|
about me, people coming out of shops, vehicles pulling up, I realised
|
||
|
what I had done for myself, and cursing my folly, backed against a
|
||
|
shop window and prepared to dodge out of the confusion. In a moment
|
||
|
I should be wedged into a crowd and inevitably discovered. I pushed
|
||
|
by the butcher boy, who luckily did not turn to see the nothingness
|
||
|
that shoved him aside, and dodged behind the cabman's four-wheeler.
|
||
|
I do not know how they settled the business. I hurried straight
|
||
|
across the road, which was happily clear, and hardly heeding which
|
||
|
way I went, in the fright of detection the incident had given,
|
||
|
plunged into the afternoon throng of Oxford Street.
|
||
|
|
||
|
"I tried to get into the stream of people, but they were too thick
|
||
|
for me, and in a moment my heels were being trodden upon. I took to
|
||
|
the gutter, the roughness of which I found painful to my feet, and
|
||
|
forthwith the shaft of a crawling hansom dug me forcibly under the
|
||
|
shoulder blade, reminding me that I was already bruised severely. I
|
||
|
staggered out of the way of the cab, avoided a perambulator by a
|
||
|
convulsive movement, and found myself behind the hansom. A happy
|
||
|
thought saved me, and as this drove slowly along I followed in its
|
||
|
immediate wake, trembling and astonished at the turn of my adventure.
|
||
|
And not only trembling, but shivering. It was a bright day in
|
||
|
January and I was stark naked and the thin slime of mud that covered
|
||
|
the road was freezing. Foolish as it seems to me now, I had not
|
||
|
reckoned that, transparent or not, I was still amenable to the
|
||
|
weather and all its consequences.
|
||
|
|
||
|
"Then suddenly a bright idea came into my head. I ran round and got
|
||
|
into the cab. And so, shivering, scared, and sniffing with the first
|
||
|
intimations of a cold, and with the bruises in the small of my back
|
||
|
growing upon my attention. I drove slowly along Oxford Street and
|
||
|
past Tottenham Court Road. My mood was as different from that in
|
||
|
which I had sallied forth ten minutes ago as it is possible to
|
||
|
imagine. This invisibility indeed! The one thought that possessed
|
||
|
me was--how was I to get out of the scrape I was in.
|
||
|
|
||
|
"We crawled past Mudie's, and there a tall woman with five or six
|
||
|
yellow-labelled books hailed my cab, and I sprang out just in time to
|
||
|
escape her, shaving a railway van narrowly in my flight. I made off
|
||
|
up the roadway to Bloomsbury Square, intending to strike north past
|
||
|
the Museum and so get into the quiet district. I was not cruelly
|
||
|
chilled, and the strangeness of my situation so unnerved me that I
|
||
|
whimpered as I ran. At the northward corner of the Square a little
|
||
|
white dog ran out of the Pharmaceutical Society's offices, and
|
||
|
incontinently made for me, nose down.
|
||
|
|
||
|
"I had never realised it before, but the nose is to the mind of a dog
|
||
|
what the eye is to the mind of a seeing man. Dogs perceive the scent
|
||
|
of a man moving as men perceive his vision. This brute began barking
|
||
|
and leaping, showing, as it seemed to me, only too plainly that he
|
||
|
was aware of me. I crossed Great Russell Street, glancing over my
|
||
|
shoulder as I did so, and went some way along Montague Street before
|
||
|
I realised what I was running towards.
|
||
|
|
||
|
"Then I became aware of a blare of music, and looking along the
|
||
|
street saw a number of people advancing out of Russell Square, red
|
||
|
shirts, and the banner of the Salvation Army to the fore. Such a
|
||
|
crowd, chanting in the roadway and scoffing on the pavement, I could
|
||
|
not hope to penetrate, and dreading to go back and farther from home
|
||
|
again, and deciding on the spur of the moment, I ran up the white
|
||
|
steps of a house facing the Museum railings, and stood there until
|
||
|
the crowd should have passed. Happily the dog stopped at the noise
|
||
|
of the band too, hesitated, and turned tail, running back to
|
||
|
Bloomsbury Square again.
|
||
|
|
||
|
"On came the band, bawling with unconscious irony some hymn about
|
||
|
'When shall we see his Face?' and it seemed an interminable time to
|
||
|
me before the tide of the crowd washed along the pavement by me.
|
||
|
Thud, thud, thud, came the drum with a vibrating resonance, and for
|
||
|
the moment I did not notice two urchins stopping at the railings by
|
||
|
me. 'See 'em,' said one. 'See what?' said the other. 'Why--them
|
||
|
footmarks--bare. Like what you makes in mud.'
|
||
|
|
||
|
"I looked down and saw the youngsters had stopped and were gaping at
|
||
|
the muddy footmarks I had left behind me up the newly whitened steps.
|
||
|
The passing people elbowed and jostled them, but their confounded
|
||
|
intelligence was arrested. 'Thud, thud, thud, When, thud, shall we
|
||
|
see, thud, his face, thud, thud.' 'There's a barefoot man gone up
|
||
|
them steps, or I don't know nothing,' said one. 'And he ain't never
|
||
|
come down again. And his foot was a-bleeding.'
|
||
|
|
||
|
"The thick of the crowd had already passed. 'Looky there, Ted,'
|
||
|
quoth the younger of the detectives, with the sharpness of surprise
|
||
|
in his voice, and pointed straight to my feet. I looked down and saw
|
||
|
at once the dim suggestion of their outline sketched in splashes of
|
||
|
mud. For a moment I was paralysed.
|
||
|
|
||
|
"'Why, that's rum,' said the elder. 'Dashed rum! It's just like the
|
||
|
ghost of a foot, ain't it?' He hesitated and advanced with
|
||
|
outstretched hand. A man pulled up short to see what he was
|
||
|
catching, and then a girl. In another moment he would have touched
|
||
|
me. Then I saw what to do. I made a step, the boy started back with
|
||
|
an exclamation, and with a rapid movement I swung myself over into
|
||
|
the portico of the next house. But the smaller boy was sharp-eyed
|
||
|
enough to follow the movement and before I was well down the steps
|
||
|
and upon the pavement, he had recovered from his momentary
|
||
|
astonishment and was shouting out that the feet had gone over the
|
||
|
wall.
|
||
|
|
||
|
"They rushed round and saw my new footmarks flash into being on the
|
||
|
lower step and upon the pavement. 'What's up?' asked some one.
|
||
|
'Feet! Look! Feet running!' Everybody in the road, except my three
|
||
|
pursuers, was pouring along after the Salvation Army, and this not
|
||
|
only impeded me but them. There was an eddy of surprise and
|
||
|
interrogation. At the cost of bowling over one young fellow I got
|
||
|
through, and in another moment I was rushing headlong round the
|
||
|
circuit of Russell Square, with six or seven astonished people
|
||
|
following my footmarks. There was no time for explanation, or else
|
||
|
the whole host would have been after me.
|
||
|
|
||
|
"Twice I doubled round corners, thrice I crossed the road and came
|
||
|
back on my tracks, and then, as my feet grew hot and dry, the damp
|
||
|
impressions began to fade. At last I had a breathing space and
|
||
|
rubbed my feet clean with my hands, and so got away altogether. The
|
||
|
last I saw of the chase was a little group of a dozen people perhaps,
|
||
|
studying with infinite perplexity a slowly drying footprint that had
|
||
|
resulted from a puddle in Travistock Square--a footprint as isolated
|
||
|
and incomprehensible to them as Crusoe's solitary discovery.
|
||
|
|
||
|
"This running warmed me to a certain extent, and I went on with a
|
||
|
better courage through the maze of less frequented roads that runs
|
||
|
hereabouts. My back had now become very stiff and sore, my tonsils
|
||
|
were painful from the cabman's fingers, and the skin of my neck had
|
||
|
been scratched by his nails; my feet hurt exceedingly and I was lame
|
||
|
from a little cut on one foot. I saw in time a blind man approaching
|
||
|
me, and fled limping, for I feared his subtle intuitions. Once or
|
||
|
twice accidental collisions occurred and I left people amazed, with
|
||
|
unaccountable curses ringing in their ears. Then came something
|
||
|
silent and quiet against my face, and across the Square fell a thin
|
||
|
veil of slowly falling flakes of snow. I had caught a cold, and do
|
||
|
as I would I could not avoid an occasional sneeze. And every dog
|
||
|
that came in sight, with its pointing nose and curious sniffing, was
|
||
|
a terror to me.
|
||
|
|
||
|
"Then came men and boys running, first one and then others, and
|
||
|
shouting as they ran. It was a fire. They ran in the direction of
|
||
|
my lodging, and looking back down a street I saw a mass of black
|
||
|
smoke streaming up above the roofs and telephone wires. It was my
|
||
|
lodging burning; my clothes, my apparatus, all my resources indeed,
|
||
|
except my cheque-book and the three volumes of memoranda that awaited
|
||
|
me in Great Portland Street, were there. Burning! I had burnt my
|
||
|
boats--if ever a man did! The place was blazing."
|
||
|
|
||
|
The Invisible Man paused and thought. Kemp glanced nervously out of
|
||
|
the window. "Yes?" he said. "Go on."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 22
|
||
|
|
||
|
In the Emporium
|
||
|
|
||
|
|
||
|
"So last January, with the beginning of a snowstorm in the air about
|
||
|
me--and if it settled on me it would betray me!--weary, cold,
|
||
|
painful, inexpressibly wretched, and still but half convinced of my
|
||
|
invisible quality, I began this new life to which I am committed. I
|
||
|
had no refuge, no appliances, no human being in the world in whom I
|
||
|
could confide. To have told my secret would have given me away--made
|
||
|
a mere show and rarity of me. Nevertheless, I was half minded to
|
||
|
accost some passer-by and throw myself upon his mercy. But I knew
|
||
|
too clearly the terror and brutal cruelty my advances would evoke. I
|
||
|
made no plans in the street. My sole object was to get shelter from
|
||
|
the snow, to get myself covered and warm; then I might hope to plan.
|
||
|
But even to me, an Invisible Man, the rows of London houses stood
|
||
|
latched, barred, and bolted impregnably.
|
||
|
|
||
|
"Only one thing could I see clearly before me, the cold exposure and
|
||
|
misery of the snowstorm and the night.
|
||
|
|
||
|
"And then I had a brilliant idea. I turned down one of the roads
|
||
|
leading from Gower Street to Tottenham Court Road, and found myself
|
||
|
outside Omniums, the big establishment where everything is to be
|
||
|
bought--you know the place--meat, grocery, linen, furniture,
|
||
|
clothing, oil paintings even--a huge meandering collection of shops
|
||
|
rather than a shop. I had thought I should find the doors open, but
|
||
|
they were closed, and as I stood in the wide entrance a carriage
|
||
|
stopped outside, and a man in uniform--you know the kind of personage
|
||
|
with 'Omnium' on his cap--flung open the door. I contrived to enter,
|
||
|
and walking down the shop--it was a department where they were
|
||
|
selling ribbons and gloves and stockings and that kind of thing--came
|
||
|
to a more spacious region devoted to picnic baskets and wicker
|
||
|
furniture.
|
||
|
|
||
|
"I did not feel safe there, however; people were going to and fro,
|
||
|
and I prowled restlessly about until I came upon a huge section in an
|
||
|
upper floor containing scores and hundreds of bedsteads, and beyond
|
||
|
these I found a resting-place at last among a huge pile of folded
|
||
|
flock mattresses. The place was already lit up and aggreeably warm,
|
||
|
and I decided to remain where I was, keeping a cautious eye on the
|
||
|
two or three sets of shopmen and customers who were meandering
|
||
|
through the place until closing time came. Then I should be able, I
|
||
|
thought, to rob the place for food and clothing, and disguised, prowl
|
||
|
through it and examine its resources, perhaps sleep on some of the
|
||
|
bedding. That seemed an acceptable plan. My idea was to procure
|
||
|
clothing to make myself a muffled but acceptable figure, to get
|
||
|
money, and then to recover my books and parcels where they awaited
|
||
|
me, take a lodging somewhere and elaborate plans for the complete
|
||
|
realisation of the advantages my invisibility gave me (as I still
|
||
|
imagined) over my fellow-men.
|
||
|
|
||
|
"Closing time arrived quickly enough; it could not have been more
|
||
|
than an hour after I took up my position on the mattresses before I
|
||
|
noticed the blinds of the windows being drawn, and customers being
|
||
|
marched doorward. And then a number of brisk young men began with
|
||
|
remarkable alacrity to tidy up the goods that remained disturbed. I
|
||
|
left my lair as the crowds diminished, and prowled cautiously out
|
||
|
into the less desolate parts of the shop. I was really surprised to
|
||
|
observe how rapidly the young men and women whipped away the goods
|
||
|
displayed for sale during the day. All the boxes of goods, the
|
||
|
hanging fabrics, the festoons of lace, the boxes of sweets in the
|
||
|
grocery section, the displays of this and that, were being whipped
|
||
|
down, folded up, slapped into tidy receptacles, and everything that
|
||
|
could not be taken down and put away had sheets of some coarse stuff
|
||
|
like sacking flung over it. Finally all the chairs were turned up on
|
||
|
to the counters, leaving the floor clear. Directly each of these
|
||
|
young people had done, he or she made promptly for the door with such
|
||
|
an expression of animation as I have rarely observed in a shop
|
||
|
assistant before. Then came a lot of youngsters scattering sawdust
|
||
|
and carrying pails and brooms. I had to dodge to get out of the way,
|
||
|
and as it was, my ankle got stung with the sawdust. For some time,
|
||
|
wandering through the swathed and darkened departments, I could hear
|
||
|
the brooms at work. And at last a good hour or more after the shop
|
||
|
had been closed, came a noise of locking doors. Silence came upon
|
||
|
the place, and I found myself wandering through the vast and
|
||
|
intricate shops, galleries and showrooms of the place, alone. It was
|
||
|
very still; in one place I remember passing near one of the Tottenham
|
||
|
Court Road entrances and listening to the tapping of bootheels of the
|
||
|
passers-by.
|
||
|
|
||
|
"My first visit was to the place where I had seen stockings and
|
||
|
gloves for sale. It was dark, and I had the devil of a hunt after
|
||
|
matches, which I found at last in the drawer of the little cash desk.
|
||
|
Then I had to get a candle. I had to tear down wrappings and ransack
|
||
|
a number of boxes and drawers, but at last I managed to turn out what
|
||
|
I sought; the box label called them lambswool pants, and lambswool
|
||
|
vests. Then socks, a thick comforter, and then I went to the
|
||
|
clothing place and got trousers, a lounge jacket, an overcoat and a
|
||
|
slouch hat --a clerical sort of hat with the brim turned down. I
|
||
|
began to feel a human being again, and my next thought was food.
|
||
|
|
||
|
"Upstairs was a refreshment department, and there I got cold meat.
|
||
|
There was coffee still in the urn, and I lit the gas and warmed it up
|
||
|
again, and altogether I did not do badly. Afterwards, prowling
|
||
|
through the place in search of blankets--I had to put up at last with
|
||
|
a heap of down quilts--I came upon a grocery section with a lot of
|
||
|
chocolate and candied fruits, more than was good for me indeed--and
|
||
|
some white burgundy. And near that was a toy department, and I had a
|
||
|
brilliant idea. I found some artificial noses--dummy noses, you
|
||
|
know, and I thought of dark spectacles. But Omniums had no optical
|
||
|
department. My nose had been a difficulty indeed--I had thought of
|
||
|
paint. But the discovery set my mind running on wigs and masks and
|
||
|
the like. Finally I went to sleep on a heap of down quilts, very
|
||
|
warm and comfortable.
|
||
|
|
||
|
"My last thoughts before sleeping were the most agreeable I had had
|
||
|
since the change. I was in a state of physical serenity, and that
|
||
|
was reflected in my mind. I thought that I should be able to slip
|
||
|
out unobserved in the morning with my clothes upon me, muffling my
|
||
|
face with a white wrapper I had taken, purchase, with the money I had
|
||
|
taken, spectacles and so forth, and so complete my disguise. I
|
||
|
lapsed into disorderly dreams of all the fantastic things that had
|
||
|
happened during the last few days. I saw the ugly little Jew of a
|
||
|
landlord vociferating in his rooms; I saw his two sons marvelling,
|
||
|
and the wrinkled old woman's gnarled face as she asked for her cat.
|
||
|
I experienced again the strange sensation of seeing the cloth
|
||
|
disappear, and so I came round to the windy hillside and the sniffing
|
||
|
old clergyman mumbling 'Dust to dust, earth to earth,' and my
|
||
|
father's open grave.
|
||
|
|
||
|
"'You also,' said a voice, and suddenly I was being forced towards
|
||
|
the grave. I struggled, shouted, appealed to the mourners, but they
|
||
|
continued stonily following the service; the old clergyman, too,
|
||
|
never faltered droning and sniffing through the ritual. I realised I
|
||
|
was invisible and inaudible, that overwhelming forces had their grip
|
||
|
on me. I struggled in vain, I was forced over the brink, the coffin
|
||
|
rang hollow as I fell upon it, and the gravel came flying after me in
|
||
|
spadefuls. Nobody heeded me, nobody was aware of me. I made
|
||
|
convulsive struggles and awoke.
|
||
|
|
||
|
"The pale London dawn had come, the place was full of a chilly grey
|
||
|
light that filtered round the edges of the window blinds. I sat up,
|
||
|
and for a time I could not think where this ample apartment, with its
|
||
|
counters, its piles of rolled stuff, its heaps of quilts and
|
||
|
cushions, its iron pillars, might be. Then, as recollection came
|
||
|
back to me, I heard voices in conversation.
|
||
|
|
||
|
"Then far down the place, in the brighter light of some department
|
||
|
which had already raised its blinds, I saw two men approaching. I
|
||
|
scrambled to my feet, looking about me for some way of escape, and
|
||
|
even as I did so the sound of my movement made them aware of me. I
|
||
|
suppose they saw merely a figure moving quietly and quickly away.
|
||
|
'Who's that?' cried one, and 'Stop there,' shouted the other. I
|
||
|
dashed round a corner and came full tilt--a faceless figure, mind
|
||
|
you!--on a lanky lad of fifteen. He yelled and I bowled him over,
|
||
|
rushed past him, turned another corner, and by a happy inspiration
|
||
|
threw myself flat behind a counter. In another moment feet went
|
||
|
running past and I heard voices shouting, 'All hands to the doors!'
|
||
|
asking what was 'up,' and giving one another advice how to catch me.
|
||
|
|
||
|
"Lying on the ground, I felt scared out of my wits. But--odd as it
|
||
|
may seem--it did not occur to me at the moment to take off my clothes
|
||
|
as I should have done. I had made up my mind, I suppose, to get away
|
||
|
in them, and that ruled me. And then down the vista of the counters
|
||
|
came a bawling of 'Here he is!'
|
||
|
|
||
|
"I sprang to my feet, whipped a chair off the counter, and sent it
|
||
|
whirling at the fool who had shouted, turned, came into another round
|
||
|
a corner, sent him spinning, and rushed up the stairs. He kept his
|
||
|
footing, gave a view hallo! and came up the staircase hot after me.
|
||
|
Up the staircase were piled a multitude of those bright- coloured pot
|
||
|
things--what are they?"
|
||
|
|
||
|
"Art pots," suggested Kemp.
|
||
|
|
||
|
"That's it! Art pots. Well, I turned at the top step and swung
|
||
|
round, plucked one out of a pile and smashed it on his silly head as
|
||
|
he came at me. The whole pile of pots went headlong, and I heard
|
||
|
shouting and footsteps running from all parts. I made a mad rush for
|
||
|
the refreshment place, and there was a man in white like a man cook,
|
||
|
who took up the chase. I made one last desperate turn and found
|
||
|
myself among lamps and ironmongery. I went behind the counter of
|
||
|
this, and waited for my cook, and as he bolted in at the head of the
|
||
|
chase, I doubled him up with a lamp. Down he went, and I crouched
|
||
|
behind the counter and began whipping off my clothes as fast as I
|
||
|
could. Coat, jacket, trousers, shoes were all right, but a lambswool
|
||
|
vest fits a man like a skin. I heard more men coming, my cook was
|
||
|
lying quiet on the other side of the counter, stunned or scared
|
||
|
speechless, and I had to make another dash for it, like a rabbit
|
||
|
hunted out of a wood-pile.
|
||
|
|
||
|
"'This way, policeman!' I heard some one shouting. I found myself in
|
||
|
my bedstead store-room again, and at the end a wilderness of
|
||
|
wardrobes. I rushed among them, went flat, got rid of my vest after
|
||
|
infinite wriggling, and stood a free man again, panting and scared,
|
||
|
as the policeman and three of the shopmen came round the corner.
|
||
|
They made a rush for the vest and pants, and collared the trousers.
|
||
|
'He's dropping his plunder,' said one of the young men. 'He must be
|
||
|
somewhere here.'
|
||
|
|
||
|
"But they did not find me all the same.
|
||
|
|
||
|
"I stood watching them hunt for me for a time, and cursing my
|
||
|
ill-luck in losing the clothes. Then I went into the refreshment-
|
||
|
room, drank a little milk I found there, and sat down by the fire to
|
||
|
consider my position.
|
||
|
|
||
|
"In a little while two assistants came and began to talk over the
|
||
|
business very excitedly and like the fools they were. I heard a
|
||
|
magnified account of my depredations, and other speculations as to my
|
||
|
whereabouts. Then I fell to scheming again. The insurmountable
|
||
|
difficulty of the place, especially now it was alarmed, was to get
|
||
|
any plunder out of it. I went down into the warehouse to see if
|
||
|
there was any chance of packing and addressing a parcel, but I could
|
||
|
not understand the system of checking. About eleven o'clock, the
|
||
|
snow having thawed as it fell, and the day being finer and a little
|
||
|
warmer than the previous one, I decided that the Emporium was
|
||
|
hopeless, and went out again, exasperated at my want of success, with
|
||
|
only the vaguest plans of action in my mind."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 23
|
||
|
|
||
|
In Drury Lane
|
||
|
|
||
|
|
||
|
"But you begin to realise now," said the Invisible Man, "the full
|
||
|
disadvantage of my condition. I had no shelter, no covering. To get
|
||
|
clothing was to forego all my advantage, to make of myself a strange
|
||
|
and terrible thing. I was fasting; for to eat, to fill myself with
|
||
|
unassimilated matter, would be to become grotesquely visible again."
|
||
|
|
||
|
"I never thought of that," said Kemp.
|
||
|
|
||
|
"Nor had I. And the snow had warned me of other dangers. I could
|
||
|
not go abroad in snow--it would settle on me and expose me. Rain,
|
||
|
too, would make me a watery outline, a glistening surface of a man--a
|
||
|
bubble. And fog--I should be like a fainter bubble in a fog, a
|
||
|
surface, a greasy glimmer of humanity. Moreover, as I went
|
||
|
abroad--in the London air--I gathered dirt about my ankles, floating
|
||
|
smuts and dust upon my skin. I did not know how long it would be
|
||
|
before I should become visible from that cause also. But I saw
|
||
|
clearly it could not be for long.
|
||
|
|
||
|
"Not in London at any rate.
|
||
|
|
||
|
"I went into the slums towards Great Portland Street, and found
|
||
|
myself at the end of the street in which I had lodged. I did not go
|
||
|
that way, because of the crowd halfway down it opposite to the still
|
||
|
smoking ruins of the house I had fired. My most immediate problem
|
||
|
was to get clothing. What to do with my face puzzled me. Then I saw
|
||
|
in one of those little miscellaneous shops--news, sweets, toys,
|
||
|
stationery, belated Christmas tomfoolery, and so forth--an array of
|
||
|
masks and noses. I realised that problem was solved. In a flash I
|
||
|
saw my course. I turned about, no longer aimless, and went--
|
||
|
circuitously in order to avoid the busy ways, towards the back
|
||
|
streets north of the Strand; for I remembered, though not very
|
||
|
distinctly where, that some theatrical costumiers had shops in that
|
||
|
district.
|
||
|
|
||
|
"The day was cold, with a nipping wind down the northward running
|
||
|
streets. I walked fast to avoid being overtaken. Every crossing was
|
||
|
a danger, every passenger a thing to watch alertly. One man as I was
|
||
|
about to pass him at the top of Bedford Street, turned upon me
|
||
|
abruptly and came into me, sending me into the road and almost under
|
||
|
the wheel of a passing hansom. The verdict of the cab-rank was that
|
||
|
he had had some sort of stroke. I was so unnerved by this encounter
|
||
|
that I went into Covent Garden Market and sat down for some time in a
|
||
|
quiet corner by a stall of violets, panting and trembling. I found I
|
||
|
had caught a fresh cold, and had to turn out after a time lest my
|
||
|
sneezes should attract attention.
|
||
|
|
||
|
"At last I reached the object of my quest, a dirty fly-blown little
|
||
|
shop in a byway near Drury Lane, with a window full of tinsel robes,
|
||
|
sham jewels, wigs, slippers, dominoes and theatrical photographs.
|
||
|
The shop was old-fashioned and low and dark, and the house rose above
|
||
|
it for four storeys, dark and dismal. I peered through the window
|
||
|
and, seeing no one within, entered. The opening of the door set a
|
||
|
clanking bell ringing. I left it open, and walked round a bare
|
||
|
costume stand, into a corner behind a cheval glass. For a minute or
|
||
|
so no one came. Then I heard heavy feet striding across a room, and
|
||
|
a man appeared down the shop.
|
||
|
|
||
|
"My plans were now perfectly definite. I proposed to make my way
|
||
|
into the house, secrete myself upstairs, watch my opportunity, and
|
||
|
when everything was quiet, rummage out a wig, mask, spectacles, and
|
||
|
costume, and go into the world, perhaps a grotesque but still a
|
||
|
credible figure. And incidentally of course I could rob the house of
|
||
|
any available money.
|
||
|
|
||
|
"The man who had entered the shop was a short, slight, hunched,
|
||
|
beetle-browed man, with long arms and very short bandy legs.
|
||
|
Apparently I had interrupted a meal. He stared about the shop with
|
||
|
an expression of expectation. This gave way to surprise, and then
|
||
|
anger, as he saw the shop empty. 'Damn the boys!' he said. He went
|
||
|
to stare up and down the street. He came in again in a minute,
|
||
|
kicked the door to with his foot spitefully, and went muttering back
|
||
|
to the house door.
|
||
|
|
||
|
"I came forward to follow him, and at the noise of my movement he
|
||
|
stopped dead. I did so too, startled by his quickness of ear. He
|
||
|
slammed the house door in my face.
|
||
|
|
||
|
"I stood hesitating. Suddenly I heard his quick footsteps returning,
|
||
|
and the door reopened. He stood looking about the shop like one who
|
||
|
was still not satisfied. Then, murmuring to himself, he examined the
|
||
|
back of the counter and peered behind some fixtures. Then he stood
|
||
|
doubtful. He had left the house door open and I slipped into the
|
||
|
inner room.
|
||
|
|
||
|
"It was a queer little room, poorly furnished and with a number of
|
||
|
big masks in the corner. On the table was his belated breakfast, and
|
||
|
it was a confoundedly exasperating thing for me, Kemp, to have to
|
||
|
sniff his coffee and stand watching while he came in and resumed his
|
||
|
meal. And his table manners were irritating. Three doors opened
|
||
|
into the little room, one going upstairs and one down, but they were
|
||
|
all shut. I could not get out of the room while he was there, I
|
||
|
could scarcely move because of his alertness, and there was draught
|
||
|
down my back. Twice I strangled a sneeze just in time.
|
||
|
|
||
|
"The spectacular quality of my sensations was curious and novel, but
|
||
|
for all that I was heartily tired and angry long before he had done
|
||
|
his eating. But at last he made an end and putting his beggarly
|
||
|
crockery on the black tin tray upon which he had had his teapot, and
|
||
|
gathering all the crumbs up on the mustard-stained cloth, he took the
|
||
|
whole lot of things after him. His burden prevented his shutting the
|
||
|
door behind him--as he would have done; I never saw such a man for
|
||
|
shutting doors--and I followed him into a very dirty underground
|
||
|
kitchen and scullery. I had the pleasure of seeing him begin to wash
|
||
|
up, and then, finding no good in keeping down there, and the brick
|
||
|
floor being cold to my feet, I returned upstairs and sat in his chair
|
||
|
by the fire. It was burning low, and scarcely thinking, I put on a
|
||
|
little coal. The noise of this brought him up at once, and he stood
|
||
|
aglare. He peered about the room and was within an ace of touching
|
||
|
me. Even after that examination, he scarcely seemed satisfied. He
|
||
|
stopped in the doorway and took a final inspection before he went
|
||
|
down.
|
||
|
|
||
|
"I waited in the little parlour for an age, and at last he came up
|
||
|
and opened the upstairs door. I just managed to get by him.
|
||
|
|
||
|
"On the staircase he stopped suddenly, so that I very nearly
|
||
|
blundered into him. He stood looking back right into my face and
|
||
|
listening. 'I could have sworn,' he said. His long hairy hand
|
||
|
pulled at his lower lip. His eye went up and down the staircase.
|
||
|
Then he grunted and went on up again.
|
||
|
|
||
|
"His hand was on the handle of a door, and then he stopped again with
|
||
|
the same puzzled anger on his face. He was becoming aware of the
|
||
|
faint sounds of my movements about him. The man must have had
|
||
|
diabolically acute hearing. He suddenly flashed into rage. 'If
|
||
|
there's any one in this house,' he cried with an oath, and left the
|
||
|
threat unfinished. He put his hand in his pocket, failed to find
|
||
|
what he wanted, and rushing past me went blundering noisily and
|
||
|
pugnaciously downstairs. But I did not follow him. I sat on the
|
||
|
head of the staircase until his return.
|
||
|
|
||
|
"Presently he came up again, still muttering. He opened the door of
|
||
|
the room, and before I could enter, slammed it in my face.
|
||
|
|
||
|
"I resolved to explore the house, and spent some time in doing so as
|
||
|
noiselessly as possible. The house was very old and tumbledown, damp
|
||
|
so that the paper in the attics was peeling from the walls, and
|
||
|
rat-infested. Some of the door handles were stiff and I was afraid
|
||
|
to turn them. Several rooms I did inspect were unfurnished, and
|
||
|
others were littered with theatrical lumber, bought second-hand, I
|
||
|
judged, from its appearance. In one room next to his I found a lot
|
||
|
of old clothes. I began routing among these, and in my eagerness
|
||
|
forgot again the evident sharpness of his ears. I heard a stealthy
|
||
|
footstep and, looking up just in time, saw him peering in at the
|
||
|
tumbled heap and holding an old-fashioned revolver in his hand. I
|
||
|
stood perfectly still while he stared about open-mouthed and
|
||
|
suspicious. 'It must have been her,' he said slowly. 'Damn her!'
|
||
|
|
||
|
"He shut the door quietly, and immediately I heard the key turn in
|
||
|
the lock. Then his footsteps retreated. I realised abruptly that I
|
||
|
was locked in. For a minute a did not know what to do. I walked
|
||
|
from door to window and back, and stood perplexed. A gust of anger
|
||
|
came upon me. But I decided to inspect the clothes before I did
|
||
|
anything further, and my first attempt brought down a pile from an
|
||
|
upper shelf. This brought him back, more sinister than ever. That
|
||
|
time he actually touched me, jumped back with amazement and stood
|
||
|
astonished in the middle of the room.
|
||
|
|
||
|
"Presently he calmed a little. 'Rats,' he said in an undertone,
|
||
|
fingers on lip. He was evidently a little scared. I edged quietly
|
||
|
out of the room, but a plank creaked. Then the infernal little brute
|
||
|
started going all over the house, revolver in hand and locking door
|
||
|
after door and pocketing the keys. When I realised what he was up to
|
||
|
I had a fit of rage--I could hardly control myself sufficiently to
|
||
|
watch my opportunity. By this time I knew he was alone in the house,
|
||
|
and so I made no more ado, but knocked him on the head."
|
||
|
|
||
|
"Knocked him on the head!" exclaimed Kemp.
|
||
|
|
||
|
"Yes--stunned him--as he was going downstairs. Hit him from behind
|
||
|
with a stool that stood on the landing. He went downstairs like a
|
||
|
bag of old boots."
|
||
|
|
||
|
"But--! I say! The common conventions of humanity--"
|
||
|
|
||
|
"Are all very well for common people. But the point was, Kemp, that
|
||
|
I had to get out of that house in a disguise without his seeing me.
|
||
|
I couldn't think of any other way of doing it. And then I gagged him
|
||
|
with a Louis Quatorze vest and tied him up in a sheet."
|
||
|
|
||
|
"Tied him up in a sheet!"
|
||
|
|
||
|
"Made a sort of bag of it. It was rather a good idea to keep the
|
||
|
idiot scared and quiet, and a devilish hard thing to get out of--
|
||
|
head away from the string. My dear Kemp, it's no good your sitting
|
||
|
and glaring as though I was a murderer. It had to be done. He had
|
||
|
his revolver. If once he saw me he would be able to describe me--"
|
||
|
|
||
|
"But still," said Kemp, "in England--to-day. And the man was in his
|
||
|
own house, and you were--well, robbing."
|
||
|
|
||
|
"Robbing! Confound it! You'll call me a thief next! Surely, Kemp,
|
||
|
you're not fool enough to dance on the old strings. Can't you see my
|
||
|
position?"
|
||
|
|
||
|
"And his too," said Kemp.
|
||
|
|
||
|
The Invisible Man stood up sharply. "What do you mean to say?"
|
||
|
|
||
|
Kemp's face grew a trifle hard. He was about to speak and checked
|
||
|
himself. "I suppose, after all," he said with a sudden change of
|
||
|
manner, "the thing had to be done. You were in a fix. But still--"
|
||
|
|
||
|
"Of course I was in a fix--an infernal fix. And he made me wild
|
||
|
too--hunting me about the house, fooling about with his revolver,
|
||
|
locking and unlocking doors. He was simply exasperating. You don't
|
||
|
blame me, do you? You don't blame me?"
|
||
|
|
||
|
"I never blame any one," said Kemp. "It's quite out of fashion.
|
||
|
What did you do next?"
|
||
|
|
||
|
"I was hungry. Downstairs I found a loaf and some rank cheese --more
|
||
|
than sufficient to satisfy my hunger. I took some brandy and water,
|
||
|
and then went up past my impromptu bag--he was lying quite still--to
|
||
|
the room containing the old clothes. This looked out upon the
|
||
|
street, two lace curtains brown with dirt guarding the window. I
|
||
|
went and peered out through their interstices. Outside the day was
|
||
|
bright--by contrast with the brown shadows of the dismal house in
|
||
|
which I found myself, dazzlingly bright. A brisk traffic was going
|
||
|
by, fruit carts, a hansom, a four-wheeler with a pile of boxes, a
|
||
|
fishmonger's cart. I turned with spots of colour swimming before my
|
||
|
eyes to the shadowy fixtures behind me. My excitement was giving
|
||
|
place to a clear apprehension of my position again. The room was
|
||
|
full of a faint scent of benzoline, used, I suppose, in cleaning the
|
||
|
garments.
|
||
|
|
||
|
"I began a systematic search of the place. I should judge the
|
||
|
hunchback had been alone in the house for some time. He was a
|
||
|
curious person. Everything that could possibly be of service to me I
|
||
|
collected in the clothes storeroom, and then I made a deliberate
|
||
|
selection. I found a handbag I thought a suitable possession, and
|
||
|
some powder, rouge, and sticking-plaster.
|
||
|
|
||
|
"I had thought of painting and powdering my face and all that there
|
||
|
was to show of me, in order to render myself visible, but the
|
||
|
disadvantage of this lay in the fact that I should require turpentine
|
||
|
and other appliances and a considerable amount of time before I could
|
||
|
vanish again. Finally I chose a mask of the better type, slightly
|
||
|
grotesque but not more so than many human beings, dark glasses,
|
||
|
greyish whiskers, and a wig. I could find no underclothing, but that
|
||
|
I could buy subsequently, and for the time I swathed myself in calico
|
||
|
dominoes and some white cashmere scarfs. I could find no socks, but
|
||
|
the hunchback's boots were rather a loose fit and sufficed. In a
|
||
|
desk in the shop were three sovereigns and about thirty shillings'
|
||
|
worth of silver, and in a locked cupboard I burst in the inner room
|
||
|
were eight pounds in gold. I could go forth into the world again,
|
||
|
equipped.
|
||
|
|
||
|
"Then came a curious hesitation. Was my appearance really--
|
||
|
credible? I tried myself with a little bedroom looking-glass,
|
||
|
inspecting myself from every point of view to discover any forgotten
|
||
|
chink, but it all seemed sound. I was grotesque to the theatrical
|
||
|
pitch, a stage miser, but I was certainly not a physical
|
||
|
impossibility. Gathering confidence, I took my looking-glass down
|
||
|
into the shop, pulled down the shop blinds, and surveyed myself from
|
||
|
every point of view with the help of the cheval glass in the corner.
|
||
|
|
||
|
"I spent some minutes screwing up my courage and then unlocked the
|
||
|
shop door and marched out into the street, leaving the little man to
|
||
|
get out of his sheet again when he liked. In five minutes a dozen
|
||
|
turnings intervened between me and the costumier's shop. No one
|
||
|
appeared to notice me very pointedly. My last difficulty seemed
|
||
|
overcome."
|
||
|
|
||
|
He stopped again.
|
||
|
|
||
|
"And you troubled no more about the hunchback?" said Kemp.
|
||
|
|
||
|
"No," said the Invisible Man. "Nor have I heard what became of him.
|
||
|
I suppose he untied himself or kicked himself out. The knots were
|
||
|
pretty tight."
|
||
|
|
||
|
He became silent, and went to the window and stared out.
|
||
|
|
||
|
"What happened when you went out into the Strand?"
|
||
|
|
||
|
"Oh!--disillusionment again. I thought my troubles were over.
|
||
|
Practically I thought I had impunity to do whatever I chose,
|
||
|
everything--save to give away my secret. So I thought. Whatever I
|
||
|
did, whatever the consequences might be, was nothing to me. I had
|
||
|
merely to fling aside my garments and vanish. No person could hold
|
||
|
me. I could take my money where I found it. I decided to treat
|
||
|
myself to a sumptuous feast, and then put up at a good hotel, and
|
||
|
accumulate a new outfit of property. I felt amazingly
|
||
|
confident--it's not particularly pleasant recalling that I was an
|
||
|
ass. I went into a place and was already ordering a lunch, when it
|
||
|
occurred to me that I could not eat unless I exposed my invisible
|
||
|
face. I finished ordering the lunch, told the man I should be back
|
||
|
in ten minutes, and went out exasperated. I don't know if you have
|
||
|
ever been disappointed in your appetite."
|
||
|
|
||
|
"Not quite so badly," said Kemp, "but I can imagine it."
|
||
|
|
||
|
"I could have smashed the silly devils. At last, faint with the
|
||
|
desire for tasteful food, I went into another place and demanded a
|
||
|
private room. 'I am disfigured,' I said. 'Badly.' They looked at
|
||
|
me curiously, but of course it was not their affair--and so at last I
|
||
|
got my lunch. It was not particularly well served, but it sufficed;
|
||
|
and when I had had it, I sat over a cigar, trying to plan my line of
|
||
|
action. And outside a snowstorm was beginning.
|
||
|
|
||
|
"The more I thought it over, Kemp, the more I realised what a
|
||
|
helpless absurdity an Invisible Man was--in a cold and dirty climate
|
||
|
and a crowded civilised city. Before I made this mad experiment I
|
||
|
had dreamt of a thousand advantages. That afternoon it seemed all
|
||
|
disappointment. I went over the heads of the things a man reckons
|
||
|
desirable. No doubt invisibility made it possible to get them, but
|
||
|
it made it impossible to enjoy them when they are got.
|
||
|
Ambition--what is the good of pride of place when you cannot appear
|
||
|
there? What is the good of the love of woman when her name must
|
||
|
needs be Delilah? I have no taste for politics, for the
|
||
|
blackguardisms of fame, for philanthropy, for sport. What was I to
|
||
|
do? And for this I had become a wrapped-up mystery, a swathed and
|
||
|
bandaged caricature of a man!"
|
||
|
|
||
|
He paused, and his attitude suggested a roving glance at the window.
|
||
|
|
||
|
"But how did you get to Iping?" said Kemp, anxious to keep his guest
|
||
|
busy talking.
|
||
|
|
||
|
"I went there to work. I had one hope. It was a half idea! I have
|
||
|
it still. It is a full blown idea now. A way of getting back! Of
|
||
|
restoring what I have done. When I choose. When I have done all I
|
||
|
mean to do invisibly. And that is what I chiefly want to talk to you
|
||
|
about now."
|
||
|
|
||
|
"You went straight to Iping?"
|
||
|
|
||
|
"Yes. I had simply to get my three volumes of memoranda and my
|
||
|
cheque-book, my luggage and underclothing, order a quantity of
|
||
|
chemicals to work out this idea of mine--I will show you the
|
||
|
calculations as soon as I get my books--and then I started. Jove! I
|
||
|
remember the snowstorm now, and the accursed bother it was to keep
|
||
|
the snow from damping my pasteboard nose."
|
||
|
|
||
|
"At the end," said Kemp, "the day before yesterday, when they found
|
||
|
you out, you rather--to judge by the papers--"
|
||
|
|
||
|
"I did. Rather. Did I kill that fool of a constable?"
|
||
|
|
||
|
"No," said Kemp. "He's expected to recover."
|
||
|
|
||
|
"That's his luck, then. I clean lost my temper, the fools! Why
|
||
|
couldn't they leave me alone? And that grocer lout?"
|
||
|
|
||
|
"There are no deaths expected," said Kemp.
|
||
|
|
||
|
"I don't know about that tramp of mine," said the Invisible Man, with
|
||
|
an unpleasant laugh.
|
||
|
|
||
|
"By Heaven, Kemp, you don't know what rage is! To have worked for
|
||
|
years, to have planned and plotted, and then to get some fumbling
|
||
|
purblind idiot messing across your course! Every conceivable sort of
|
||
|
silly creature that has ever been created has been sent to cross me.
|
||
|
|
||
|
"If I have much more of it, I shall go wild--I shall start mowing
|
||
|
'em.
|
||
|
|
||
|
"As it is, they've made things a thousand times more difficult."
|
||
|
|
||
|
"No doubt it's exasperating," said Kemp, dryly.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 24
|
||
|
|
||
|
The Plan That Failed
|
||
|
|
||
|
|
||
|
"But now," said Kemp, with a side glance out of the window, "what are
|
||
|
we to do?"
|
||
|
|
||
|
He moved nearer his guest as he spoke in such a manner as to prevent
|
||
|
the possibility of a glimpse of the three men who were advancing up
|
||
|
the hill road--with an intolerable slowness, as it seemed to Kemp.
|
||
|
|
||
|
"What were you planning to do when you were heading for Port Burdock?
|
||
|
Had you any plan?"
|
||
|
|
||
|
"I was going to clear out of the country. But I have altered that
|
||
|
plan rather since seeing you. I thought it would be wise, now the
|
||
|
weather is hot and invisibility possible, to make for the South.
|
||
|
Especially as my secret was known, and every one would be on the
|
||
|
lookout for a masked and muffled man. You have a line of steamers
|
||
|
from here to France. My idea was to get aboard one and run the risks
|
||
|
of the passage. Thence I could go by train into Spain, or else get
|
||
|
to Algiers. It would not be difficult. There a man might always be
|
||
|
invisible--and yet live. And do things. I was using that tramp as a
|
||
|
money box and luggage carrier, until I decided how to get my books
|
||
|
and things sent over to meet me."
|
||
|
|
||
|
"That's clear."
|
||
|
|
||
|
"And then the filthy brute must needs try and rob me! He has hidden
|
||
|
my books, Kemp. Hidden my books! If I can lay my hands on him!"
|
||
|
|
||
|
"Best plan to get the books out of him first."
|
||
|
|
||
|
"But where is he? Do you know?"
|
||
|
|
||
|
"He's in the town police station, locked up, by his own request, in
|
||
|
the strongest cell in the place."
|
||
|
|
||
|
"Cur!" said the Invisible Man.
|
||
|
|
||
|
"But that hangs up your plans a little."
|
||
|
|
||
|
"We must get those books; those books are vital."
|
||
|
|
||
|
"Certainly," said Kemp, a little nervously, wondering if he heard
|
||
|
footsteps outside. "Certainly we must get those books. But that
|
||
|
won't be difficult, if he doesn't know they're for you."
|
||
|
|
||
|
"No," said the Invisible Man, and thought.
|
||
|
|
||
|
Kemp tried to think of something to keep the talk going, but the
|
||
|
Invisible Man resumed of his own accord.
|
||
|
|
||
|
"Blundering into your house, Kemp," he said, "changes all my plans.
|
||
|
For you are a man that can understand. In spite of all that has
|
||
|
happened, in spite of this publicity, of the loss of my books, of
|
||
|
what I have suffered, there still remain great possibilities, huge
|
||
|
possibilities--
|
||
|
|
||
|
"You have told no one I am here?" he asked abruptly.
|
||
|
|
||
|
Kemp hesitated. "That was implied," he said.
|
||
|
|
||
|
"No one?" insisted Griffin.
|
||
|
|
||
|
"Not a soul."
|
||
|
|
||
|
"Ah! Now--" The Invisible Man stood up, and sticking his arms akimbo
|
||
|
began to pace the study.
|
||
|
|
||
|
"I made a mistake, Kemp, a huge mistake, in carrying this thing
|
||
|
through alone. I have wasted strength, time, opportunities.
|
||
|
Alone--it is wonderful how little a man can do alone! To rob a
|
||
|
little, to hurt a little, and there is the end.
|
||
|
|
||
|
"What I want, Kemp, is a goal-keeper, a helper, and a hiding- place,
|
||
|
an arrangement whereby I can sleep and eat and rest in peace, and
|
||
|
unsuspected. I must have a confederate. With a confederate, with
|
||
|
food and rest--a thousand things are possible.
|
||
|
|
||
|
"Hitherto I have gone on vague lines. We have to consider all that
|
||
|
invisibility means, all that it does not mean. It means little
|
||
|
advantage for eavesdropping and so forth--one makes sounds. It's of
|
||
|
little help, a little help perhaps--in housebreaking and so forth.
|
||
|
Once you've caught me you could easily imprison me. But on the other
|
||
|
hand I am hard to catch. This invisibility, in fact, is only good in
|
||
|
two cases: It's useful in getting away, it's useful in approaching.
|
||
|
It's particularly useful, therefore, in killing. I can walk round a
|
||
|
man, whatever weapon he has, choose my point, strike as I like.
|
||
|
Dodge as I like. Escape as I like."
|
||
|
|
||
|
Kemp's hand went to his moustache. Was that a movement downstairs?
|
||
|
|
||
|
"And it is killing we must do, Kemp."
|
||
|
|
||
|
"It is killing we must do," repeated Kemp. "I'm listening to your
|
||
|
plan, Griffin, but I'm not agreeing, mind. Why killing?"
|
||
|
|
||
|
"Not wanton killing but a judicious slaying. The point is they know
|
||
|
there is an Invisible Man--as well as we know there is an Invisible
|
||
|
Man. And that Invisible Man, Kemp, must now establish a Reign of
|
||
|
Terror. Yes--no doubt it's startling. But I mean it. A Reign of
|
||
|
Terror. He must take some town like your Burdock and terrify and
|
||
|
dominate it. He must issue his orders. He can do that in a thousand
|
||
|
ways--scraps of paper thrust under doors would suffice. And all who
|
||
|
disobey his orders he must kill, and kill all who would defend the
|
||
|
disobedient."
|
||
|
|
||
|
"Humph!" said Kemp, no longer listening to Griffin but to the sound
|
||
|
of his front door opening and closing.
|
||
|
|
||
|
"It seems to me, Griffin," he said, to cover his wandering attention,
|
||
|
"that your confederate would be in a difficult position."
|
||
|
|
||
|
"No one would know he was a confederate," said the Invisible Man,
|
||
|
eagerly. And then suddenly, "Hush! What's that downstairs?"
|
||
|
|
||
|
"Nothing," said Kemp, and suddenly began to speak loud and fast. "I
|
||
|
don't agree to this, Griffin," he said. "Understand me, I don't
|
||
|
agree to this. Why dream of playing a game against the race? How
|
||
|
can you hope to gain happiness? Don't be a lone wolf. Publish your
|
||
|
results; take the world--take the nation at least--into your
|
||
|
confidence. Think what you might do with a million helpers--"
|
||
|
|
||
|
The Invisible Man interrupted Kemp. "There are footsteps coming
|
||
|
upstairs," he said in a low voice.
|
||
|
|
||
|
"Nonsense," said Kemp.
|
||
|
|
||
|
"Let me see," said the Invisible Man, and advanced, arm extended, to
|
||
|
the door.
|
||
|
|
||
|
Kemp hesitated for a second and then moved to intercept him. The
|
||
|
Invisible Man started and stood still. "Traitor!" cried the Voice,
|
||
|
and suddenly the dressing-gown opened, and sitting down the Unseen
|
||
|
began to disrobe. Kemp made three swift steps to the door, and
|
||
|
forthwith the Invisible Man--his legs had vanished--sprang to his
|
||
|
feet with a shout. Kemp flung the door open.
|
||
|
|
||
|
As it opened, there came a sound of hurrying feet downstairs and
|
||
|
voices.
|
||
|
|
||
|
With a quick movement Kemp thrust the Invisible Man back, sprang
|
||
|
aside, and slammed the door. The key was outside and ready. In
|
||
|
another moment Griffin would have been alone in the belvedere study,
|
||
|
a prisoner. Save for one little thing. The key had been slipped in
|
||
|
hastily that morning. As Kemp slammed the door it fell noisily upon
|
||
|
the carpet.
|
||
|
|
||
|
Kemp's face became white. He tried to grip the door handle with both
|
||
|
hands. For a moment he stood lugging. Then the door gave six
|
||
|
inches. But he got it closed again. The second time it was jerked a
|
||
|
foot wide, and the dressing-gown came wedging itself into the
|
||
|
opening. His throat was gripped by invisible fingers, and he left
|
||
|
his hold on the handle to defend himself. He was forced back,
|
||
|
tripped and pitched heavily into the corner of the landing. The
|
||
|
empty dressing- gown was flung on the top of him.
|
||
|
|
||
|
Halfway up the staircase was Colonel Adye, the recipient of Kemp's
|
||
|
letter, the chief of the Burdock police. He was staring aghast at
|
||
|
the sudden appearance of Kemp, followed by the extraordinary sight of
|
||
|
clothing tossing empty in the air. He saw Kemp felled, and
|
||
|
struggling to his feet. He saw him rush forward, and go down again,
|
||
|
felled like an ox.
|
||
|
|
||
|
Then suddenly he was struck violently. By nothing! A vast weight,
|
||
|
it seemed, leapt upon him, and he was hurled headlong down the
|
||
|
staircase, with a grip at his throat and a knee in his groin. An
|
||
|
invisible foot trod on his back, a ghostly patter passed downstairs,
|
||
|
he heard the two police officers in the hall shout and run, and the
|
||
|
front door of the house slammed violently.
|
||
|
|
||
|
He rolled over and sat up staring. He saw, staggering down the
|
||
|
staircase, Kemp, dusty and dishevelled, one side of his face white
|
||
|
from a blow, his lip bleeding, holding a pink dressing-gown and some
|
||
|
underclothing in his arms.
|
||
|
|
||
|
"My God!" cried Kemp, "the game's up! He's gone!"
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 25
|
||
|
|
||
|
The Hunting of the Invisible Man
|
||
|
|
||
|
|
||
|
For a space Kemp was too inarticulate to make Adye understand the
|
||
|
swift things that had just happened. The two men stood on the
|
||
|
landing, Kemp speaking swiftly, the grotesque swathings of Griffin
|
||
|
still on his arm. But presently Adye began to grasp something of the
|
||
|
situation.
|
||
|
|
||
|
"He's mad," said Kemp; "inhuman. He is pure selfishness. He thinks
|
||
|
of nothing but his own advantage, his own safety. I have listened to
|
||
|
such a story this morning of brutal self-seeking! He has wounded
|
||
|
men. He will kill them unless we can prevent him. He will create a
|
||
|
panic. Nothing can stop him. He is going out now--furious!"
|
||
|
|
||
|
"He must be caught," said Adye. "That is certain."
|
||
|
|
||
|
"But how?" cried Kemp, and suddenly became full of ideas. "You must
|
||
|
begin at once. You must set every available man to work. You must
|
||
|
prevent his leaving this district. Once he gets away he may go
|
||
|
through the countryside as he wills, killing and maiming. He dreams
|
||
|
of a reign of terror! A reign of terror, I tell you. You must set a
|
||
|
watch on trains and roads and shipping. The garrison must help. You
|
||
|
must wire for help. The only thing that may keep him here is the
|
||
|
thought of recovering some books of notes he counts of value. I will
|
||
|
tell you of that! There is a man in your police station--Marvel."
|
||
|
|
||
|
"I know," said Adye, "I know. Those books--yes."
|
||
|
|
||
|
"And you must prevent him from eating or sleeping; day and night the
|
||
|
country must be astir for him. Food must be locked up and secured,
|
||
|
all food, so that he will have to break his way to it. The houses
|
||
|
everywhere must be barred against him. Heaven send us cold nights
|
||
|
and rain! The whole countryside must begin hunting and keep hunting.
|
||
|
I tell you, Adye, he is a danger, a disaster; unless he is pinned and
|
||
|
secured, it is frightful to think of the things that may happen."
|
||
|
|
||
|
"What else can we do?" said Adye. "I must go down at once and begin
|
||
|
organising. But why not come? Yes--you come too! Come, and we must
|
||
|
hold a sort of council of war,--get Hopps to help--and the railway
|
||
|
managers. By jove! it's urgent. Come along--tell me as we go. What
|
||
|
else is there we can do? Put that stuff down."
|
||
|
|
||
|
In another moment Adye was leading the way downstairs. They found
|
||
|
the front door open and the policemen standing outside staring at
|
||
|
empty air. "He's got away, sir," said one.
|
||
|
|
||
|
"We must go to the central station at once," said Adye. "One of you
|
||
|
go on down and get a cab to come up and meet us--quickly. And now,
|
||
|
Kemp, what else?"
|
||
|
|
||
|
"Dogs," said Kemp. "Get dogs. They don't see him, but they wind
|
||
|
him. Get dogs."
|
||
|
|
||
|
"Good," said Adye. "It's not generally known, but the prison
|
||
|
officials over at Halstead know a man with bloodhounds. Dogs. What
|
||
|
else?"
|
||
|
|
||
|
"Bear in mind," said Kemp, "his food shows. After eating, his food
|
||
|
shows until it is assimilated. So that he has to hide after eating.
|
||
|
You must keep on beating--every thicket, every quiet corner. And put
|
||
|
all weapons, all implements that might be weapons, away. He can't
|
||
|
carry such things for long. And what he can snatch up and strike men
|
||
|
with must be hidden away."
|
||
|
|
||
|
"Good again," said Adye. "We shall have him yet!"
|
||
|
|
||
|
"And on the roads," said Kemp, and hesitated.
|
||
|
|
||
|
"Yes?" said Adye.
|
||
|
|
||
|
"Powdered glass," said Kemp. "It's cruel, I know. But think of what
|
||
|
he may do!"
|
||
|
|
||
|
Adye drew the air in between his teeth sharply. "It's
|
||
|
unsportsmanlike. I don't know. But I'll have powdered glass got
|
||
|
ready. If he goes too far--"
|
||
|
|
||
|
"The man's become inhuman, I tell you," said Kemp. "I am as sure he
|
||
|
will establish a reign of terror--so soon as he has got over the
|
||
|
emotions of this escape--as I am sure I am talking to you. Our only
|
||
|
chance is to be ahead. He has cut himself off from his kind. His
|
||
|
blood be upon his own head."
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 26
|
||
|
|
||
|
The Wicksteed Murder
|
||
|
|
||
|
|
||
|
The Invisible Man seems to have rushed out of Kemp's house in a state
|
||
|
of blind fury. A little child playing near Kemp's gateway was
|
||
|
violently caught up and thrown aside, so that its ankle was broken,
|
||
|
and thereafter for some hours the Invisible Man passed out of human
|
||
|
perceptions. No one knows where he went nor what he did. But one
|
||
|
can imagine him hurrying through the hot June forenoon, up the hill
|
||
|
and on to the open downland behind Port Burdock, raging and
|
||
|
despairing at his intolerable fate, and sheltering at last, heated
|
||
|
and weary, amid the thickets of Hintondean, to piece together again
|
||
|
his shattered schemes against his species. That seems the most
|
||
|
probable refuge for him, for there it was he re-asserted himself in a
|
||
|
grimly tragical manner about two in the afternoon.
|
||
|
|
||
|
One wonders what his state of mind may have been during that time,
|
||
|
and what plans he devised. No doubt he was almost ecstatically
|
||
|
exasperated by Kemp's treachery, and though we may be able to
|
||
|
understand the motives that led to that deceit, we may still imagine
|
||
|
and even sympathise a little with the fury the attempted surprise
|
||
|
must have occasioned. Perhaps something of the stunned astonishment
|
||
|
of his Oxford Street experiences may have returned to him, for
|
||
|
evidently he had counted on Kemp's co-operation in his brutal dream
|
||
|
of a terrorised world. At any rate he vanished from human ken about
|
||
|
midday, and no living witness can tell what he did until about
|
||
|
half-past two. It was a fortunate thing, perhaps, for humanity, but
|
||
|
for him it was a fatal inaction.
|
||
|
|
||
|
During that time a growing multitude of men scattered over the
|
||
|
countryside were busy. In the morning he had still been simply a
|
||
|
legend, a terror; in the afternoon, by virtue chiefly of Kemp's drily
|
||
|
worded proclamation, he was presented as a tangible antagonist, to be
|
||
|
wounded, captured, or overcome, and the countryside began organising
|
||
|
itself with inconceivable rapidity. By two o'clock even he might
|
||
|
still have removed himself out of the district by getting aboard a
|
||
|
train, but after two that became impossible. Every passenger train
|
||
|
along the lines on a great parallelogram between Southampton,
|
||
|
Manchester, Brighton, and Horsham, travelled with locked doors, and
|
||
|
the goods traffic was almost entirely suspended. And in a great
|
||
|
circle of twenty miles round Port Burdock, men armed with guns and
|
||
|
bludgeons were presently setting out in groups of three and four,
|
||
|
with dogs, to beat the roads and fields.
|
||
|
|
||
|
Mounted policemen rode along the country lanes, stopping at every
|
||
|
cottage and warning the people to lock up their houses, and keep
|
||
|
indoors unless they were armed, and all the elementary schools had
|
||
|
broken up by three o'clock, and the children, scared and keeping
|
||
|
together in groups, were hurrying home. Kemp's proclamation--signed
|
||
|
indeed by Adye--was posted over almost the whole district by four or
|
||
|
five o'clock in the afternoon. It gave briefly but clearly all the
|
||
|
conditions of the struggle, the necessity of keeping the Invisible
|
||
|
Man from food and sleep, the necessity for incessant watchfulness and
|
||
|
for a prompt attention to any evidence of his movements. And so
|
||
|
swift and decided was the action of the authorities, so prompt and
|
||
|
universal was the belief in this strange being, that before nightfall
|
||
|
an area of several hundred square miles was in a stringent state of
|
||
|
siege. And before nightfall, too, a thrill of horror went through
|
||
|
the whole watching nervous countryside. Going from whispering mouth
|
||
|
to mouth, swift and certain over the length and breadth of the
|
||
|
county, passed the story of the murder of Mr. Wicksteed.
|
||
|
|
||
|
If our supposition that the Invisible Man's refuge was the Hintondean
|
||
|
thickets, then we must suppose that in the early afternoon he sallied
|
||
|
out again bent upon some project that involved the use of a weapon.
|
||
|
We cannot know what the project was, but the evidence that he had the
|
||
|
iron rod in hand before he met Wicksteed is to me at least
|
||
|
overwhelming.
|
||
|
|
||
|
We can know nothing of the details of the encounter. It occurred on
|
||
|
the edge of a gravel pit, not two hundred yards from Lord Burdock's
|
||
|
Lodge gate. Everything points to a desperate struggle,--the trampled
|
||
|
ground, the numerous wounds Mr. Wicksteed received, his splintered
|
||
|
walking-stick; but why the attack was made--save in a murderous
|
||
|
frenzy--it is impossible to imagine. Indeed the theory of madness is
|
||
|
almost unavoidable. Mr. Wicksteed was a man of forty-five or
|
||
|
forty-six, steward to Lord Burdock, of inoffensive habits and
|
||
|
appearance, the very last person in the world to provoke such a
|
||
|
terrible antagonist. Against him it would seem the Invisible Man
|
||
|
used an iron rod dragged from a broken piece of fence. He stopped
|
||
|
this quiet man, going quietly home to his midday meal, attacked him,
|
||
|
beat down his feeble defences, broke his arm, felled him, and smashed
|
||
|
his head to a jelly.
|
||
|
|
||
|
He must have dragged this rod out of the fencing before he met his
|
||
|
victim; he must have been carrying it ready in his hand. Only two
|
||
|
details beyond what has already been stated seem to bear on the
|
||
|
matter. One is the circumstance that the gravel pit was not in Mr.
|
||
|
Wicksteed's direct path home, but nearly a couple of hundred yards
|
||
|
out of his way. The other is the assertion of a little girl to the
|
||
|
effect that, going to her afternoon school, she saw the murdered man
|
||
|
"trotting" in a peculiar manner across a field towards the gravel
|
||
|
pit. Her pantomime of his action suggests a man pursuing something
|
||
|
on the ground before him and striking at it ever and again with his
|
||
|
walking-stick. She was the last person to see him alive. He passed
|
||
|
out of her sight to his death, the struggle being hidden from her
|
||
|
only by a clump of beech trees and a slight depression in the ground.
|
||
|
|
||
|
Now this, to the present writer's mind at least, lifts the murder out
|
||
|
of the realm of the absolutely wanton. We may imagine that Griffin
|
||
|
had taken the rod as a weapon indeed, but without any deliberate
|
||
|
intention of using it in murder. Wicksteed may then have come by and
|
||
|
noticed this rod inexplicably moving through the air. Without any
|
||
|
thought of the Invisible Man--for Port Burdock is ten miles away--he
|
||
|
may have pursued it. It is quite conceivable that he may not even
|
||
|
have heard of the Invisible Man. One can then imagine the Invisible
|
||
|
Man making off--quietly in order to avoid discovering his presence in
|
||
|
the neighbourhood, and Wicksteed, excited and curious, pursuing this
|
||
|
unaccountably locomotive object--finally striking at it.
|
||
|
|
||
|
No doubt the Invisible Man could easily have distanced his
|
||
|
middle-aged pursuer under ordinary circumstances, but the position in
|
||
|
which Wicksteed's body was found suggests that he had the ill luck to
|
||
|
drive his quarry into a corner between a drift of stinging nettles
|
||
|
and the gravel pit. To those who appreciate the extraordinary
|
||
|
irascibility of the Invisible Man, the rest of the encounter will be
|
||
|
easy to imagine.
|
||
|
|
||
|
But this is pure hypothesis. The only undeniable facts--for stories
|
||
|
of children are often unreliable--are the discovery of Wicksteed's
|
||
|
body, done to death, and of the blood-stained iron rod flung among
|
||
|
the nettles. The abandonment of the rod by Griffin, suggests that in
|
||
|
the emotional excitement of the affair, the purpose for which he took
|
||
|
it--if he had a purpose--was abandoned. He was certainly an
|
||
|
intensely egotistical and unfeeling man, but the sight of his victim,
|
||
|
his first victim, bloody and pitiful at his feet, may have released
|
||
|
some long pent fountain of remorse to flood for a time whatever
|
||
|
scheme of action he had contrived.
|
||
|
|
||
|
After the murder of Mr. Wicksteed, he would seem to have struck
|
||
|
across the country towards the downland. There is a story of a voice
|
||
|
heard about sunset by a couple of men in a field near Fern Bottom.
|
||
|
It was wailing and laughing, sobbing and groaning, and ever and again
|
||
|
it shouted. It must have been queer hearing. It drove up across the
|
||
|
middle of a clover field and died away towards the hills.
|
||
|
|
||
|
That afternoon the Invisible Man must have learnt something of the
|
||
|
rapid use Kemp had made of his confidences. He must have found
|
||
|
houses locked and secured; he may have loitered about railway
|
||
|
stations and prowled about inns, and no doubt he read the
|
||
|
proclamations and realised something of the nature of the campaign
|
||
|
against him. And as the evening advanced, the fields became dotted
|
||
|
here and there with groups of three or four men, and noisy with the
|
||
|
yelping of dogs. These men-hunters had particular instructions as to
|
||
|
the way they should support one another in the case of an encounter.
|
||
|
He avoided them all. We may understand something of his
|
||
|
exasperation, and it could have been none the less because he himself
|
||
|
had supplied the information that was being used so remorselessly
|
||
|
against him. For that day at least he lost heart; for nearly
|
||
|
twenty-four hours, save when he turned on Wicksteed, he was a hunted
|
||
|
man. In the night, he must have eaten and slept; for in the morning
|
||
|
he was himself again, active, powerful, angry, and malignant,
|
||
|
prepared for his last great struggle against the world.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 27
|
||
|
|
||
|
The Siege of Kemp's House
|
||
|
|
||
|
|
||
|
Kemp read a strange missive, written in pencil on a greasy sheet of
|
||
|
paper.
|
||
|
|
||
|
"You have been amazingly energetic and clever," this letter ran,
|
||
|
"though what you stand to gain by it I cannot imagine. You are
|
||
|
against me. For a whole day you have chased me; you have tried to
|
||
|
rob me of a night's rest. But I have had food in spite of you, I
|
||
|
have slept in spite of you, and the game is only beginning. The game
|
||
|
is only beginning. There is nothing for it, but to start the Terror.
|
||
|
This announces the first day of the Terror. Port Burdock is no
|
||
|
longer under the Queen tell your Colonel of Police, and the rest of
|
||
|
them; it is under me--the Terror! This is day one of year one of the
|
||
|
new epoch --the Epoch of the Invisible Man. I am Invisible Man the
|
||
|
First. To begin with the rule will be easy. The first day there
|
||
|
will be one execution for the sake of example--a man named Kemp.
|
||
|
Death starts for him to-day. He may lock himself away, hide himself
|
||
|
away, get guards about him, put on armour if he likes; Death, the
|
||
|
unseen Death, is coming. Let him take precautions; it will impress
|
||
|
my people. Death starts from the pillar-box by midday. The letter
|
||
|
will fall in as the postman comes along, then off! The game begins.
|
||
|
Death starts. Help him not, my people, lest Death fall upon you
|
||
|
also. To-day Kemp is to die."
|
||
|
|
||
|
Kemp read this letter twice. "It's no hoax," he said. "That's his
|
||
|
voice! And he means it."
|
||
|
|
||
|
He turned the folded sheet over and saw on the addressed side of it
|
||
|
the postmark Hintondean, and the prosaic detail, "2d. to pay."
|
||
|
|
||
|
He got up, leaving his lunch unfinished--the letter had come by the
|
||
|
one o'clock post--and went into his study. He rang for his
|
||
|
housekeeper, and told her to go round the house at once, examine all
|
||
|
the fastenings of the windows, and close all the shutters. He closed
|
||
|
the shutters of his study himself. From a locked drawer in his
|
||
|
bedroom he took a little revolver, examined it carefully, and put it
|
||
|
into the pocket of his lounge jacket. He wrote a number of brief
|
||
|
notes, one to Colonel Adye, gave them to his servant to take, with
|
||
|
explicit instructions as to her way of leaving the house. "There is
|
||
|
no danger," he said, and added a mental reservation, "to you." He
|
||
|
remained meditative for a space after doing this, and then returned
|
||
|
to his cooling lunch.
|
||
|
|
||
|
He ate with gaps of thought. Finally he struck the table sharply.
|
||
|
"We will have him!" he said; "and I am the bait. He will come too
|
||
|
far."
|
||
|
|
||
|
He went up to the belvedere, carefully shutting every door after him.
|
||
|
"It's a game," he said, "an odd game--but the chances are all for me,
|
||
|
Mr. Griffin, in spite of your invisibility. Griffin contra
|
||
|
mundum--with a vengeance!"
|
||
|
|
||
|
He stood at the window staring at the hot hillside. "He must get
|
||
|
food every day--and I don't envy him. Did he really sleep last
|
||
|
night? Out in the open somewhere--secure from collisions. I wish we
|
||
|
could get some good cold wet weather instead of the heat.
|
||
|
|
||
|
"He may be watching me now."
|
||
|
|
||
|
He went close to the window. Something rapped smartly against the
|
||
|
brickwork over the frame, and made him start violently.
|
||
|
|
||
|
"I'm getting nervous," said Kemp. But it was five minutes before he
|
||
|
went to the window again. "It must have been a sparrow," he said.
|
||
|
|
||
|
Presently he heard the front-door bell ringing, and hurried
|
||
|
downstairs. He unbolted and unlocked the door, examined the chain,
|
||
|
put it up, and opened cautiously without showing himself. A familiar
|
||
|
voice hailed him. It was Adye.
|
||
|
|
||
|
"Your servant's been assaulted, Kemp," he said round the door.
|
||
|
|
||
|
"What!" exclaimed Kemp.
|
||
|
|
||
|
"Had that note of yours taken away from her. He's close about here.
|
||
|
Let me in."
|
||
|
|
||
|
Kemp released the chain, and Adye entered through as narrow an
|
||
|
opening as possible. He stood in the hall, looking with infinite
|
||
|
relief at Kemp refastening the door. "Note was snatched out of her
|
||
|
hand. Scared her horribly. She's down at the station. Hysterics.
|
||
|
He's close here. What was it about?"
|
||
|
|
||
|
Kemp swore.
|
||
|
|
||
|
"What a fool I was," said Kemp. "I might have known. It's not an
|
||
|
hour's walk from Hintondean. Already!"
|
||
|
|
||
|
"What's up?" said Adye.
|
||
|
|
||
|
"Look here!" said Kemp, and led the way into his study. He handed
|
||
|
Adye the Invisible Man's letter. Adye read it and whistled softly.
|
||
|
"And you--?" said Adye.
|
||
|
|
||
|
"Proposed a trap--like a fool," said Kemp, "and sent my proposal out
|
||
|
by a maid servant. To him."
|
||
|
|
||
|
Adye followed Kemp's profanity.
|
||
|
|
||
|
"He'll clear out," said Adye.
|
||
|
|
||
|
"Not he," said Kemp.
|
||
|
|
||
|
A resounding smash of glass came from upstairs. Adye had a silvery
|
||
|
glimpse of a little revolver half out of Kemp's pocket. "It's a
|
||
|
window, upstairs!" said Kemp, and led the way up. There came a
|
||
|
second smash while they were still on the staircase. When they
|
||
|
reached the study they found two of the three windows smashed, half
|
||
|
the room littered with splintered glass, and one big flint lying on
|
||
|
the writing table. The two men stopped in the doorway, contemplating
|
||
|
the wreckage. Kemp swore again, and as he did so the third window
|
||
|
went with a snap like a pistol, hung starred for a moment, and
|
||
|
collapsed in jagged, shivering triangles into the room.
|
||
|
|
||
|
"What's this for?" said Adye.
|
||
|
|
||
|
"It's a beginning," said Kemp.
|
||
|
|
||
|
"There's no way of climbing up here?"
|
||
|
|
||
|
"Not for a cat," said Kemp.
|
||
|
|
||
|
"No shutters?"
|
||
|
|
||
|
"Not here. All the downstairs rooms--Hullo!"
|
||
|
|
||
|
Smash, and then whack of boards hit hard came from downstairs.
|
||
|
"Confound him! said Kemp. "That must be--yes--it's one of the
|
||
|
bedrooms. He's going to do all the house. But he's a fool. The
|
||
|
shutters are up, and the glass will fall outside. He'll cut his
|
||
|
feet."
|
||
|
|
||
|
Another window proclaimed its destruction. The two men stood on the
|
||
|
landing perplexed. "I have it! said Adye. "Let me have a stick or
|
||
|
something, and I'll go down to the station and get the bloodhounds
|
||
|
put on. That ought to settle him! They're hard by--not ten
|
||
|
minutes--"
|
||
|
|
||
|
Another window went the way of its fellows.
|
||
|
|
||
|
"You haven't a revolver?" asked Adye.
|
||
|
|
||
|
Kemp's hand went to his pocket. Then he hesitated. "I haven't
|
||
|
one--at least to spare."
|
||
|
|
||
|
"I'll bring it back," said Adye, "you'll be safe here."
|
||
|
|
||
|
Kemp handed him the weapon.
|
||
|
|
||
|
"Now for the door," said Adye.
|
||
|
|
||
|
As they stood hesitating in the hall, they heard one of the
|
||
|
first-floor bedroom windows crack and clash. Kemp went to the door
|
||
|
and began to slip the bolts as silently as possible. His face was a
|
||
|
little paler than usual. "You must step straight out," said Kemp.
|
||
|
In another moment Adye was on the doorstep and the bolts were
|
||
|
dropping back into the staples. He hesitated for a moment, feeling
|
||
|
more comfortable with his back against the door. Then he marched,
|
||
|
upright and square, down the steps. He crossed the lawn and
|
||
|
approached the gate. A little breeze seemed to ripple over the
|
||
|
grass. Something moved near him. "Stop a bit," said a Voice, and
|
||
|
Adye stopped dead and his hand tightened on the revolver.
|
||
|
|
||
|
"Well?" said Adye, white and grim, and every nerve tense.
|
||
|
|
||
|
"Oblige me by going back to the house," said the Voice, as tense and
|
||
|
grim as Adye's.
|
||
|
|
||
|
"Sorry," said Adye a little hoarsely, and moistened his lips with his
|
||
|
tongue. The Voice was on his left front, he thought. Suppose he
|
||
|
were to take his luck with a shot?
|
||
|
|
||
|
"What are you going for?" said the Voice, and there was a quick
|
||
|
movement of the two, and a flash of sunlight from the open lip of
|
||
|
Adye's pocket.
|
||
|
|
||
|
Adye desisted and thought. "Where I go," he said slowly, "is my own
|
||
|
business." The words were still on his lips, when an arm came round
|
||
|
his neck, his back felt a knee, and he was sprawling backward. He
|
||
|
drew clumsily and fired absurdly, and in another moment he was struck
|
||
|
in the mouth and the revolver wrested from his grip. He made a vain
|
||
|
clutch at a slippery limb, tried to struggle up and fell back.
|
||
|
"Damn!" said Adye. The Voice laughed. "I'd kill you now if it
|
||
|
wasn't the waste of a bullet," it said. He saw the revolver in
|
||
|
mid-air, six feet off, covering him.
|
||
|
|
||
|
"Well?" said Adye, sitting up.
|
||
|
|
||
|
"Get up," said the Voice.
|
||
|
|
||
|
Adye stood up.
|
||
|
|
||
|
"Attention" said the Voice, and then fiercely, "Don't try any games.
|
||
|
Remember I can see your face if you can't see mine. You've got to go
|
||
|
back to the house."
|
||
|
|
||
|
"He won't let me in," said Adye.
|
||
|
|
||
|
"That's a pity," said the Invisible Man. "I've got no quarrel with
|
||
|
you."
|
||
|
|
||
|
Adye moistened his lips again. He glanced away from the barrel of
|
||
|
the revolver and saw the sea far off very blue and dark under the
|
||
|
midday sun, the smooth green down, the white cliff of the Head, and
|
||
|
the multitudinous town, and suddenly he knew that life was very
|
||
|
sweet. His eyes came back to this little metal thing hanging between
|
||
|
heaven and earth, six yards away. "What am I to do?" he said
|
||
|
sullenly.
|
||
|
|
||
|
"What am I to do?" asked the Invisible Man. "You will get help. The
|
||
|
only thing is for you to go back."
|
||
|
|
||
|
"I will try. If he lets me in will you promise not to rush the
|
||
|
door?"
|
||
|
|
||
|
"I've got no quarrel with you," said the Voice.
|
||
|
|
||
|
Kemp had hurried upstairs after letting Adye out, and now crouching
|
||
|
among the broken glass and peering cautiously over the edge of the
|
||
|
study window-sill, he saw Adye stand parleying with the Unseen. "Why
|
||
|
doesn't he fire?" whispered Kemp to himself. Then the revolver moved
|
||
|
a little and the glint of the sunlight flashed in Kemp's eyes. He
|
||
|
shaded his eyes and tried to see the source of the blinding beam.
|
||
|
|
||
|
"Surely!" he said. "Adye has given up the revolver."
|
||
|
|
||
|
"Promise not to rush the door," Adye was saying. "Don't push a
|
||
|
winning game too far. Give a man a chance."
|
||
|
|
||
|
"You go back to the house. I tell you flatly I will not promise
|
||
|
anything."
|
||
|
|
||
|
Adye's decision seemed suddenly made. He turned towards the house,
|
||
|
walking slowly with his hands behind him. Kemp watched him--
|
||
|
puzzled. The revolver vanished, flashed again into sight, vanished
|
||
|
again, and became evident on a closer scrutiny as a little dark
|
||
|
object following Adye. Then things happened very quickly. Adye
|
||
|
leapt backwards, swung round, clutched at this little object, missed
|
||
|
it, threw up his hands and fell forward on his face, leaving a little
|
||
|
puff of blue in the air. Kemp did not hear the sound of the shot.
|
||
|
Adye writhed, raised himself on one arm, fell forward, and lay still.
|
||
|
|
||
|
For a space Kemp remained staring at the quiet carelessness of Adye's
|
||
|
attitude. The afternoon was very hot and still, nothing seemed
|
||
|
stirring in all the world save a couple of yellow butterflies chasing
|
||
|
each other through the shrubbery between the house and the road gate.
|
||
|
Adye lay on the lawn near the gate. The blinds of all the villas
|
||
|
down the hill-road were drawn, but in one little green summer-house
|
||
|
was a white figure, apparently an old man asleep. Kemp scrutinised
|
||
|
the surroundings of the house for a glimpse of the revolver, but it
|
||
|
had vanished. His eyes came back to Adye. The game was opening
|
||
|
well.
|
||
|
|
||
|
Then came a ringing and knocking at the front door, that grew at last
|
||
|
tumultuous, but pursuant to Kemp's instructions the servants had
|
||
|
locked themselves into their rooms. This was followed by a silence.
|
||
|
Kemp sat listening and then began peering cautiously out of the three
|
||
|
windows, one after another. He went to the staircase head and stood
|
||
|
listening uneasily. He armed himself with his bedroom poker, and
|
||
|
went to examine the interior fastenings of the ground-floor windows
|
||
|
again. Everything was safe and quiet. He returned to the belvedere.
|
||
|
Adye lay motionless over the edge of the gravel just as he had
|
||
|
fallen. Coming along the road by the villas were the housemaid and
|
||
|
two policemen.
|
||
|
|
||
|
Everything was deadly still. The three people seemed very slow in
|
||
|
approaching. He wondered what his antagonist was doing.
|
||
|
|
||
|
He started. There was a smash from below. He hesitated and went
|
||
|
downstairs again. Suddenly the house resounded with heavy blows and
|
||
|
the splintering of wood. He heard a smash and the destructive clang
|
||
|
of the iron fastenings of the shutters. He turned the key and opened
|
||
|
the kitchen door. As he did so, the shutters, split and splintering,
|
||
|
came flying inward. He stood aghast. The window frame, save for one
|
||
|
cross bar, was still intact, but only little teeth of glass remained
|
||
|
in the frame. The shutters had been driven in with an axe, and now
|
||
|
the axe was descending in sweeping blows upon the window frame and
|
||
|
the iron bars defending it. Then suddenly it leapt aside and
|
||
|
vanished. He saw the revolver lying on the path outside, and then
|
||
|
the little weapon sprang into the air. He dodged back. The revolver
|
||
|
cracked just too late, and a splinter from the edge of the closing
|
||
|
door flashed over his head. He slammed and locked the door, and as
|
||
|
he stood outside he heard Griffin shouting and laughing. Then the
|
||
|
blows of the axe, with their splitting and smashing accompaniments,
|
||
|
were resumed.
|
||
|
|
||
|
Kemp stood in the passage trying to think. In a moment the Invisible
|
||
|
Man would be in the kitchen. This door would not keep him a moment,
|
||
|
and then--
|
||
|
|
||
|
A ringing came at the front door again. It would be the policemen.
|
||
|
He ran into the hall, put up the chain, and drew the bolts. He made
|
||
|
the girl speak before he dropped the chain, and the three people
|
||
|
blundered into the house in a heap, and Kemp slammed the door again.
|
||
|
|
||
|
"The Invisible Man!" said Kemp. "He has a revolver, with two
|
||
|
shots--left. He's killed Adye. Shot him anyhow. Didn't you see him
|
||
|
on the lawn? He's lying there."
|
||
|
|
||
|
"Who?" said one of the policemen.
|
||
|
|
||
|
"Adye," said Kemp.
|
||
|
|
||
|
"We came round the back way," said the girl.
|
||
|
|
||
|
"What's that smashing?" asked one of the policemen.
|
||
|
|
||
|
"He's in the kitchen--or will be. He has found an axe--"
|
||
|
|
||
|
Suddenly the house was full of the Invisible Man's resounding blows
|
||
|
on the kitchen door. The girl stared towards the kitchen, shuddered,
|
||
|
and retreated into the dining-room. Kemp tried to explain in broken
|
||
|
sentences. They heard the kitchen door give.
|
||
|
|
||
|
"This way," cried Kemp, starting into activity, and bundled the
|
||
|
policemen into the dining-room doorway.
|
||
|
|
||
|
"Poker," said Kemp, and rushed to the fender. He handed a poker to
|
||
|
each policeman. He suddenly flung himself backward.
|
||
|
|
||
|
"Whup!" said one policeman, ducked, and caught the axe on his poker.
|
||
|
The pistol snapped its penultimate shot and ripped a valuable Sidney
|
||
|
Cooper. The second policeman brought his poker down on the little
|
||
|
weapon, as one might knock down a wasp, and sent it rattling to the
|
||
|
floor.
|
||
|
|
||
|
At the first clash the girl screamed, stood screaming for a moment by
|
||
|
the fireplace, and then ran to open the shutters--possibly with an
|
||
|
idea of escaping by the shattered window.
|
||
|
|
||
|
The axe receded into the passage, and fell to a position about two
|
||
|
feet from the ground. They could hear the Invisible Man breathing.
|
||
|
"Stand away, you two," he said. "I want that man Kemp."
|
||
|
|
||
|
"We want you," said the first policeman, making a quick step forward
|
||
|
and wiping with his poker at the Voice. The Invisible Man must have
|
||
|
started back. He blundered into the umbrella stand. Then, as the
|
||
|
policeman staggered with the swing of the blow he had aimed, the
|
||
|
Invisible Man countered with the axe, the helmet crumpled like paper,
|
||
|
and the blow sent the man spinning to the floor at the head of the
|
||
|
kitchen stairs. But the second policeman, aiming behind the axe with
|
||
|
his poker, hit something soft that snapped. There was a sharp
|
||
|
exclamation of pain and the axe fell to the ground. The policeman
|
||
|
wiped again at vacancy and hit nothing; he put his foot on the axe,
|
||
|
and struck again. Then he stood, poker clubbed, listening intent for
|
||
|
the slightest movement.
|
||
|
|
||
|
He heard the dining-room window open, and a quick rush of feet
|
||
|
within. His companion rolled over and sat up with the blood running
|
||
|
down between his eye and ear. "Where is he?" asked the man on the
|
||
|
floor.
|
||
|
|
||
|
"Don't know. I've hit him. He's standing somewhere in the hall.
|
||
|
Unless he's slipped past you. Doctor Kemp--sir."
|
||
|
|
||
|
Pause.
|
||
|
|
||
|
"Doctor Kemp," cried the policeman again.
|
||
|
|
||
|
The second policeman struggled to his feet. He stood up. Suddenly
|
||
|
the faint pad of bare feet on the kitchen stairs could be heard.
|
||
|
"Yap!" cried the first policeman and incontinently flung his poker.
|
||
|
It smashed a little gas bracket.
|
||
|
|
||
|
He made as if he would pursue the Invisible Man downstairs. Then he
|
||
|
thought better of it and stepped into the dining-room.
|
||
|
|
||
|
"Doctor Kemp," he began, and stopped short--
|
||
|
|
||
|
"Doctor Kemp's in here," he said, as his companion looked over his
|
||
|
shoulder.
|
||
|
|
||
|
The dining-room window was wide open, and neither housemaid nor Kemp
|
||
|
was to be seen.
|
||
|
|
||
|
The second policeman's opinion of Kemp was terse and vivid.
|
||
|
|
||
|
|
||
|
|
||
|
**********
|
||
|
|
||
|
|
||
|
Chapter 28
|
||
|
|
||
|
The Hunter Hunted
|
||
|
|
||
|
|
||
|
Mr. Heelas, Mr. Kemp's nearest neighbour among the villa holders, was
|
||
|
asleep in his summer house when the siege of Kemp's house began. Mr.
|
||
|
Heelas was one of the sturdy minority who refused to believe "in all
|
||
|
this nonsense" about an Invisible Man. His wife, however, as he was
|
||
|
to be reminded subsequently, did. He insisted upon walking about his
|
||
|
garden just as if nothing was the matter, and he went to sleep in the
|
||
|
afternoon in accordance with the custom of years. He slept through
|
||
|
the smashing of the windows, and then woke up suddenly with a curious
|
||
|
persuasion of something wrong. He looked across at Kemp's house,
|
||
|
rubbed his eyes and looked again. Then he put his feet to the
|
||
|
ground, and sat listening. He said he was damned, and still the
|
||
|
strange thing was visible. The house looked as though it had been
|
||
|
deserted for weeks--after a violent riot. Every window was broken,
|
||
|
and every window, save those of the belvedere study, was blinded by
|
||
|
the internal shutters.
|
||
|
|
||
|
"I could have sworn it was all right"--he looked at his watch
|
||
|
--"twenty minutes ago."
|
||
|
|
||
|
He became aware of a measured concussion and the clash of glass, far
|
||
|
away in the distance. And then, as he sat open-mouthed, came a still
|
||
|
more wonderful thing. The shutters of the drawing-room window were
|
||
|
flung open violently, and the housemaid in her outdoor hat and
|
||
|
garments, appeared struggling in a frantic manner to throw up the
|
||
|
sash. Suddenly a man appeared beside her, helping her--Dr. Kemp! In
|
||
|
another moment the window was open, and the housemaid was struggling
|
||
|
out; she pitched forward and vanished among the shrubs. Mr. Heelas
|
||
|
stood up, exclaiming vaguely and vehemently at all these wonderful
|
||
|
things. He saw Kemp stand on the sill, spring from the window, and
|
||
|
reappear almost instantaneously running along a path in the shrubbery
|
||
|
and stooping as he ran, like a man who evades observation. He
|
||
|
vanished behind a laburnum, and appeared again clambering a fence
|
||
|
that abutted on the open down. In a second he had tumbled over and
|
||
|
was running at a tremendous pace down the slope towards Mr. Heelas.
|
||
|
|
||
|
"Lord!" cried Mr. Heelas, struck with an idea; "it's that Invisible
|
||
|
Man brute! It's right, after all!"
|
||
|
|
||
|
With Mr. Heelas to think things like that was to act, and his cook
|
||
|
watching him from the top window was amazed to see him come pelting
|
||
|
towards the house at a good nine miles an hour. "Thought he wasn't
|
||
|
afraid," said the cook. "Mary, just come here!" There was a
|
||
|
slamming of doors, a ringing of bells, and the voice of Mr. Heelas
|
||
|
bellowing like a bull. "Shut the doors, shut the windows, shut
|
||
|
everything! the Invisible Man is coming!" Instantly the house was
|
||
|
full of screams and directions, and scurrying feet. He ran to shut
|
||
|
the French windows himself that opened on the veranda; as he did so
|
||
|
Kemp's head and shoulders and knee appeared over the edge of the
|
||
|
garden fence. In another moment Kemp had ploughed through the
|
||
|
asparagus, and was running across the tennis lawn to the house.
|
||
|
|
||
|
"You can't come in," said Mr. Heelas, shutting the bolts. "I'm very
|
||
|
sorry if he's after you, but you can't come in!"
|
||
|
|
||
|
Kemp appeared with a face of terror close to the glass, rapping and
|
||
|
then shaking frantically at the French window. Then, seeing his
|
||
|
efforts were useless, he ran along the veranda, vaulted the end, and
|
||
|
went to hammer at the side door. Then he ran round by the side gate
|
||
|
to the front of the house, and so into the hill-road. And Mr. Heelas
|
||
|
staring from his window--a face of horror--had scarcely witnessed
|
||
|
Kemp vanish, ere the asparagus was being trampled this way and that
|
||
|
by feet unseen. At that Mr. Heelas fled precipitately upstairs, and
|
||
|
the rest of the chase is beyond his purview. But as he passed the
|
||
|
staircase window, he heard the side gate slam.
|
||
|
|
||
|
Emerging into the hill-road, Kemp naturally took the downward
|
||
|
direction, and so it was he came to run in his own person the very
|
||
|
race he had watched with such a critical eye from the belvedere study
|
||
|
only four days ago. He ran it well for a man out of training; and
|
||
|
though his face was white and wet, his wits were cool to the last.
|
||
|
He ran with wide strides, and wherever a patch of rough ground
|
||
|
intervened, wherever there came a patch of raw flints, or a bit of
|
||
|
broken glass shone dazzling, he crossed it and left the bare
|
||
|
invisible feet that followed to take what line they would.
|
||
|
|
||
|
For the first time in his life Kemp discovered that the hill- road
|
||
|
was indescribably vast and desolate, and that the beginnings of the
|
||
|
town far below at the hill foot were strangely remote. Never had
|
||
|
there been a slower or more painful method of progression than
|
||
|
running. All the gaunt villas, sleeping in the afternoon sun, looked
|
||
|
locked and barred; no doubt they were locked and barred--by his own
|
||
|
orders. But at any rate they might have kept a lookout for an
|
||
|
eventuality like this! The town was rising up now, the sea had
|
||
|
dropped out of sight behind it, and people down below were stirring.
|
||
|
A tram was just arriving at the hill foot. Beyond that was the
|
||
|
police station. Was that footsteps he heard behind him? Spurt.
|
||
|
|
||
|
The people below were staring at him, one or two were running, and
|
||
|
his breath was beginning to saw in his throat. The tram was quite
|
||
|
near now, and the Jolly Cricketers was noisily barring its doors.
|
||
|
Beyond the tram were posts and heaps of gravel--the drainage works.
|
||
|
He had a transitory idea of jumping into the tram and slamming the
|
||
|
doors, and then he resolved to go to the police station. In another
|
||
|
moment he had passed the door of the Jolly Cricketers, and was in the
|
||
|
blistering fag end of the street, with human beings about him. The
|
||
|
tram driver and his helper--arrested by the sight of his furious
|
||
|
haste --stood staring with the tram horses unhitched. Further on the
|
||
|
astonished features of navvies appeared above the mounds of gravel.
|
||
|
|
||
|
His pace broke a little, and then he heard the swift pad of his
|
||
|
pursuer, and leapt forward again. "The Invisible Man!" he cried to
|
||
|
the navvies, with a vague indicative gesture, and by an inspiration
|
||
|
leapt the excavation and placed a burly group between him and the
|
||
|
chase. Then abandoning the idea of the police station he turned into
|
||
|
a little side street, rushed by a greengrocer's cart, hesitated for
|
||
|
the tenth of a second at the door of a sweetstuff shop, and then made
|
||
|
for the mouth of an alley that ran back into the main Hill Street
|
||
|
again. Two or three little children were playing here, and shrieked
|
||
|
and scattered running at his apparition, and forthwith doors and
|
||
|
windows opened and excited mothers revealed their hearts. Out he
|
||
|
shot into Hill Street again, three hundred yards from the tramline
|
||
|
end, and immediately he became aware of a tumultuous vociferation and
|
||
|
running people.
|
||
|
|
||
|
He glanced up the street towards the hill. Hardly a dozen yards off
|
||
|
ran a huge navvy, cursing in fragments and slashing viciously with a
|
||
|
spade, and hard behind him came the tram conductor with his fists
|
||
|
clenched. Up the street others followed these two, striking and
|
||
|
shouting. Down towards the town, men and women were running, and he
|
||
|
noticed clearly one man coming out of a shop-door with a stick in his
|
||
|
hand. "Spread out! Spread out!" cried some one. Kemp suddenly
|
||
|
grasped the altered condition of the chase. He stopped and looked
|
||
|
round, panting. "He's close here!" he cried. "Form a line across--"
|
||
|
|
||
|
"Aha!" shouted a voice.
|
||
|
|
||
|
He was hit hard under the ear, and went reeling, trying to face round
|
||
|
towards his unseen antagonist. He just managed to keep his feet, and
|
||
|
he struck a vain counter in the air. Then he was hit again under the
|
||
|
jaw, and sprawled headlong on the ground. In another moment a knee
|
||
|
compressed his diaphragm, and a couple of eager hands gripped his
|
||
|
throat, but the grip of one was weaker than the other; he grasped the
|
||
|
wrists, heard a cry of pain from his assailant, and then the spade of
|
||
|
the navvy came whirling through the air above him, and struck
|
||
|
something with a dull thud. He felt a drop of moisture on his face.
|
||
|
The grip at his throat suddenly relaxed, and with a convulsive effort
|
||
|
Kemp loosed himself, grasped a limp shoulder, and rolled uppermost.
|
||
|
He gripped the unseen elbows near the ground. "I've got him!"
|
||
|
screamed Kemp. "Help! Help! hold! He's down! Hold his feet!"
|
||
|
|
||
|
In another second there was a simultaneous rush upon the struggle,
|
||
|
and a stranger coming into the road suddenly might have thought an
|
||
|
exceptionally savage game of Rugby football was in progress. And
|
||
|
there was no shouting after Kemp's cry--only a sound of blows and
|
||
|
feet and a heavy breathing.
|
||
|
|
||
|
Then came a mighty effort, and the Invisible Man threw off a couple
|
||
|
of his antagonists and rose to his knees. Kemp clung to him in front
|
||
|
like a hound to a stag, and a dozen hands gripped, clutched, and tore
|
||
|
at the Unseen. The tram conductor suddenly got the neck and
|
||
|
shoulders and lugged him back.
|
||
|
|
||
|
Down went the heap of struggling men again and rolled over. There
|
||
|
was, I am afraid, some savage kicking. Then suddenly a wild scream
|
||
|
of "Mercy! Mercy!" that died down swiftly to a sound like choking.
|
||
|
|
||
|
"Get back, you fools!" cried the muffled voice of Kemp, and there was
|
||
|
a vigorous shoving back of stalwart forms. "He's hurt, I tell you.
|
||
|
Stand back!"
|
||
|
|
||
|
There was a brief struggle to clear a space, and then the circle of
|
||
|
eager eyes saw the doctor kneeling, as it seemed, fifteen inches in
|
||
|
the air, and holding invisible arms to the ground. Behind him a
|
||
|
constable gripped invisible ankles.
|
||
|
|
||
|
"Don't you leave go of en," cried the big navvy, holding a
|
||
|
bloodstained spade; "he's shamming."
|
||
|
|
||
|
"He's not shamming," said the doctor, cautiously raising his knee;
|
||
|
"and I'll hold him." His face was bruised and already going red; he
|
||
|
spoke thickly because of a bleeding lip. He released one hand and
|
||
|
seemed to be feeling at the face. "The mouth's all wet," he said.
|
||
|
And then, "Good God!"
|
||
|
|
||
|
He stood up abruptly and then knelt down on the ground by the side of
|
||
|
the thing unseen. There was a pushing and shuffling, a sound of
|
||
|
heavy feet as fresh people turned up to increase the pressure of the
|
||
|
crowd. People now were coming out of the houses. The doors of the
|
||
|
Jolly Cricketers were suddenly wide open. Very little was said.
|
||
|
|
||
|
Kempt felt about, his hand seeming to pass through empty air. "He's
|
||
|
not breathing," he said, and then, "I can't feel his heart. His
|
||
|
side--ugh!"
|
||
|
|
||
|
Suddenly an old woman, peering under the arm of the big navvy,
|
||
|
screamed sharply. "Looky there!" she said, and thrust out a wrinkled
|
||
|
finger.
|
||
|
|
||
|
And looking where she pointed, every one saw, faint and transparent
|
||
|
as though it was made of glass, so that veins and arteries and bones
|
||
|
and nerves could be distinguished, the outline of a hand, a hand limp
|
||
|
and prone. It grew clouded and opaque even as they stared.
|
||
|
|
||
|
"Hullo!" cried the constable. "Here's his feet a-showing!"
|
||
|
|
||
|
And so, slowly, beginning at his hands and feet and creeping along
|
||
|
his limbs to the vital centres of his body, that strange change
|
||
|
continued. It was like the slow spreading of a poison. First came
|
||
|
the little white nerves, a hazy grey sketch of a limb, then the
|
||
|
glassy bones and intricate arteries, then the flesh and skin, first a
|
||
|
faint fogginess and then growing rapidly dense and opaque. Presently
|
||
|
they could see his crushed chest and his shoulders, and the dim
|
||
|
outline of his drawn and battered features.
|
||
|
|
||
|
When at last the crowd made way for Kemp to stand erect, there lay,
|
||
|
naked and pitiful on the ground, the bruised and broken body of a
|
||
|
young man about thirty. His hair and beard were white--not grey with
|
||
|
age but white with the whiteness of albinism, and his eyes were like
|
||
|
garnets. His hands were clenched, his eyes wide open, and his
|
||
|
expression was one of anger and dismay.
|
||
|
|
||
|
"Cover his face!" said a man. "For Gawd's sake, cover that face!"
|
||
|
and three little children, pushing forward through the crowd, were
|
||
|
suddenly twisted round and sent packing off again.
|
||
|
|
||
|
Some one brought a sheet from the Jolly Cricketers; and having
|
||
|
covered him, they carried him into that house.
|
||
|
|
||
|
|
||
|
|
||
|
************
|
||
|
|
||
|
|
||
|
The Epilogue
|
||
|
|
||
|
|
||
|
So ends the story of the strange and evil experiment of the Invisible
|
||
|
Man. And if you would learn more of him you must go to a little inn
|
||
|
near Port Stowe and talk to the landlord. The sign of the inn is an
|
||
|
empty board save for a hat and boots, and the name is the title of
|
||
|
this story. The landlord is a short and corpulent little man with a
|
||
|
nose of cylindrical protrusion, wiry hair, and a sporadic rosiness of
|
||
|
visage. Drink generously, and he will tell you generously of all the
|
||
|
things that happened to him after that time, and of how the lawyers
|
||
|
tried to do him out of the treasure found upon him.
|
||
|
|
||
|
"When they found they couldn't prove who's money was which, I'm
|
||
|
blessed," he says, "if they didn't try to make me out a blooming
|
||
|
treasure trove! Do I look like a Treasure Trove? And then a
|
||
|
gentleman gave me a guinea a night to tell the story at the Empire
|
||
|
Music 'all--just tell 'em in my own words--barring one."
|
||
|
|
||
|
And if you want to cut off the flow of his reminiscences abruptly,
|
||
|
you can always do so by asking if there weren't three manuscript
|
||
|
books in the story. He admits there were and proceeds to explain,
|
||
|
with asseverations that everybody thinks he has 'em! But bless you!
|
||
|
he hasn't. "The Invisible Man it was took 'em off to hide 'em when I
|
||
|
cut and ran for Port Stowe. It's that Mr. Kemp put people on with
|
||
|
the idea of my having 'em."
|
||
|
|
||
|
And then he subsides into a pensive state, watches you furtively,
|
||
|
bustles nervously with glasses, and presently leaves the bar.
|
||
|
|
||
|
He is a bachelor man--his tastes were ever bachelor, and there are no
|
||
|
women folk in the house. Outwardly he buttons--it is expected of
|
||
|
him--but in his more vital privacies, in the matter of braces for
|
||
|
example, he still turns to string. He conducts his house without
|
||
|
enterprise, but with eminent decorum. His movements are slow, and he
|
||
|
is a great thinker. But he has a reputation for wisdom and for a
|
||
|
respectable parsimony in the village, and his knowledge of the roads
|
||
|
of the South of England would beat Cobbett.
|
||
|
|
||
|
And on Sunday mornings, every Sunday morning all the year round,
|
||
|
while he is closed to the outer world, and every night after ten, he
|
||
|
goes into his bar parlour bearing a glass of gin faintly tinged with
|
||
|
water; and having placed this down, he locks the door and examines
|
||
|
the blinds, and even looks under the table. And then, being
|
||
|
satisfied of his solitude, he unlocks the cupboard and a box in the
|
||
|
cupboard and a drawer in that box, and produces three volumes bound
|
||
|
in brown leather, and places them solemnly in the middle of the
|
||
|
table. The covers are weather-worn and tinged with an algal
|
||
|
green--for once they sojourned in a ditch and some of the pages have
|
||
|
been washed blank by dirty water. The landlord sits down in an
|
||
|
armchair, fills a long clay pipe slowly, gloating over the books the
|
||
|
while. Then he pulls one towards him and opens it, and begins to
|
||
|
study it--turning over the leaves backwards and forwards.
|
||
|
|
||
|
His brows are knit and his lips move painfully. "Hex, little two up
|
||
|
in the air, cross and a fiddle-de-dee. Lord! what a one he was for
|
||
|
intellect!"
|
||
|
|
||
|
Presently he relaxes and leans back, and blinks through his smoke
|
||
|
across the room at things invisible to other eyes. "Full of
|
||
|
secrets," he says. "Wonderful secrets!"
|
||
|
|
||
|
"Once I get the haul of them--Lord!
|
||
|
|
||
|
"I wouldn't do what he did; I'd just--well!" He pulls at his pipe.
|
||
|
|
||
|
So he lapses into a dream, the undying wonderful dream of his life.
|
||
|
And though Kemp has fished unceasingly, and Adye has questioned
|
||
|
closely, no human being save the landlord knows those books are
|
||
|
there, with the subtle secret of invisibility and a dozen other
|
||
|
strange secrets written therein. And none other will know of them
|
||
|
until he dies.
|
||
|
|
||
|
|
||
|
|
||
|
**THE END**
|