3944 lines
164 KiB
Plaintext
3944 lines
164 KiB
Plaintext
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Through the Looking Glass
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by LEWIS CARROLL
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CHAPTER 1
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Looking-Glass house
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One thing was certain, that the WHITE kitten had had nothing to do
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with it: -- it was the black kitten's fault entirely. For the white
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kitten had been having its face washed by the old cat for the last
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quarter of an hour (and bearing it pretty well, considering); so you
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see that it COULDN'T have had any hand in the mischief.
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The way Dinah washed her children's faces was this: first she held
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the poor thing down by its ear with one paw, and then with the other
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paw she rubbed its face all over, the wrong way, beginning at the
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nose: and just now, as I said, she was hard at work on the white
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kitten, which was lying quite still and trying to purr -- no doubt
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feeling that it was all meant for its good.
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But the black kitten had been finished with earlier in the
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afternoon, and so, while Alice was sitting curled up in a corner of
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the great arm-chair, half talking to herself and half asleep, the
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kitten had been having a grand game of romps with the ball of worsted
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Alice had been trying to wind up, and had been rolling it up and down
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till it had all come undone again; and there it was, spread over the
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hearth-rug, all knots and tangles, with the kitten running after its
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own tail in the middle.
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`Oh, you wicked little thing!' cried Alice, catching up the kitten,
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and giving it a little kiss to make it understand that it was in
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disgrace. `Really, Dinah ought to have taught you better manners!
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You OUGHT, Dinah, you know you ought!' she added, looking
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reproachfully at the old cat, and speaking in as cross a voice as she
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could manage -- and then she scrambled back into the arm-chair,
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taking the kitten and the worsted with her, and began winding up the
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ball again. But she didn't get on very fast, as she was talking all
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the time, sometimes to the kitten, and sometimes to herself. Kitty
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sat very demurely on her knee, pretending to watch the progress of
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the winding, and now and then putting out one paw and gently touching
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the ball, as if it would be glad to help, if it might.
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`Do you know what to-morrow is, Kitty?' Alice began. `You'd have
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guessed if you'd been up in the window with me -- only Dinah was
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making you tidy, so you couldn't. I was watching the boys getting in
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stick for the bonfire -- and it wants plenty of sticks, Kitty! Only
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it got so cold, and it snowed so, they had to leave off. Never mind,
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Kitty, we'll go and see the bonfire to-morrow.' Here Alice wound two
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or three turns of the worsted round the kitten's neck, just to see
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how it would look: this led to a scramble, in which the ball rolled
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down upon the floor, and yards and yards of it got unwound again.
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`Do you know, I was so angry, Kitty,' Alice went on as soon as they
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were comfortably settled again, `when I saw all the mischief you had
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been doing, I was very nearly opening the window, and putting you out
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into the snow! And you'd have deserved it, you little mischievous
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darling! What have you got to say for yourself? Now don't interrupt
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me!' she went on, holding up one finger. `I'm going to tell you all
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your faults. Number one: you squeaked twice while Dinah was washing
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your face this morning. Now you can't deny it, Kitty: I heard you!
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What that you say?' (pretending that the kitten was speaking.) `Her
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paw went into your eye? Well, that's YOUR fault, for keeping your
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eyes open -- if you'd shut them tight up, it wouldn't have happened.
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Now don't make any more excuses, but listen! Number two: you pulled
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Snowdrop away by the tail just as I had put down the saucer of milk
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before her! What, you were thirsty, were you?
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How do you know she wasn't thirsty too? Now for number three: you
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unwound every bit of the worsted while I wasn't looking!
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`That's three faults, Kitty, and you've not been punished for any
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of them yet. You know I'm saving up all your punishments for
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Wednesday week -- Suppose they had saved up all MY punishments!' she
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went on, talking more to herself than the kitten. `What WOULD they
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do at the end of a year? I should be sent to prison, I suppose, when
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the day came. Or -- let me see -- suppose each punishment was to be
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going without a dinner: then, when the miserable day came, I should
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have to go without fifty dinners at once! Well, I shouldn't mind
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THAT much! I'd far rather go without them than eat them!
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`Do you hear the snow against the window-panes, Kitty? How nice
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and soft it sounds! Just as if some one was kissing the window all
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over outside. I wonder if the snow LOVES the trees and fields, that
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it kisses them so gently? And then it covers them up snug, you know,
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with a white quilt; and perhaps it says, "Go to sleep, darlings, till
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the summer comes again." And when they wake up in the summer, Kitty,
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they dress themselves all in green, and dance about -- whenever the
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wind blows -- oh, that's very pretty!' cried Alice, dropping the ball
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of worsted to clap her hands. `And I do so WISH it was true! I'm
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sure the woods look sleepy in the autumn, when the leaves are getting
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brown.
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`Kitty, can you play chess? Now, don't smile, my dear, I'm asking
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it seriously. Because, when we were playing just now, you watched
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just as if you understood it: and when I said "Check!" you purred!
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Well, it WAS a nice check, Kitty, and really I might have won, if it
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hadn't been for that nasty Knight, that came wiggling down among my
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pieces. Kitty, dear, let's pretend -- ' And here I wish I could tell
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you half the things Alice used to say, beginning with her favourite
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phrase `Let's pretend.' She had had quite a long argument with her
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sister only the say before -- all because Alice had begun with `Let's
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pretend we're kings and queens;' and her sister, who liked being very
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exact, had argued that they couldn't, because there were only two of
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them, and Alice had been reduced at last to say, `Well, YOU can be
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one of them then, and I'LL be all the rest." And once she had really
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frightened her old nurse by shouting suddenly in her ear, `nurse!
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Do let's pretend that I'm a hungry hyaena, and you're a bone.'
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But this is taking us away from Alice's speech to the kitten.
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`Let's pretend that you're the Red Queen, Kitty! Do you know, I
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think if you sat up and folded your arms, you'd look exactly like
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her. Now do try, there's a dear!' And Alice got the Red Queen off
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the table, and set it up before the kitten as a model for it to
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imitate: however, the thing didn't succeed, principally, Alice said,
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because the kitten wouldn't fold its arms properly. So, to punish it,
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she held it up to the Looking-glass, that it might see how sulky it
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was -- `and if you're not good directly,' she added, `I'll put you
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through into Looking-glass House. How would you like THAT?'
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`Now, if you'll only attend, Kitty, and not talk so much, I'll tell
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you all my ideas about Looking-glass House. First, there's the room
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you can see through the glass -- that's just the same as our drawing
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room, only the things go the other way. I can see all of it when I
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get upon a chair -- all but the bit behind the fireplace. Oh! I do
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so wish I could see THAT bit! I want so much to know whether they've
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a fire in the winter: you never CAN tell, you know, unless our fire
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smokes, and then smoke comes up in that room too -- but that may be
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only pretence, just to make it look as if they had a fire. Well
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then, the books are something like our books, only the words go the
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wrong way; I know that, because I've held up one of our books to the
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glass, and then they hold up one in the other room.
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`How would you like to live in Looking-glass House, Kitty? I
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wonder if they'd give you milk in there? Perhaps Looking-glass milk
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isn't good to drink -- But oh, Kitty! now we come to the passage.
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You can just see a little PEEP of the passage in Looking-glass House,
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if you leave the door of our drawing-room wide open: and it's very
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like our passage as far as you can see, only you know it may be quite
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different on beyond. Oh, Kitty! how nice it would be if we could
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only get through into Looking- glass House! I'm sure it's got, oh!
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such beautiful things in it!
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Let's pretend there's a way of getting through into it, somehow,
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Kitty. Let's pretend the glass has got all soft like gauze, so that
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we can get through. Why, it's turning into a sort of mist now, I
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declare! It'll be easy enough to get through -- ' She was up on the
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chimney-piece while she said this, though she hardly knew how she had
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got there. And certainly the glass WAS beginning to melt away, just
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like a bright silvery mist.
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In another moment Alice was through the glass, and had jumped
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lightly down into the Looking-glass room. The very first thing she
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did was to look whether there was a fire in the fireplace, and she
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was quite pleased to find that there was a real one, blazing away as
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brightly as the one she had left behind. `So I shall be as warm here
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as I was in the old room,' thought Alice: `warmer, in fact, because
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there'll be no one here to scold me away from the fire. Oh, what fun
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it'll be, when they see me through the glass in here, and can't get
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at me!'
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Then she began looking about, and noticed that what could be seen
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from the old room was quite common and uninteresting, but that all
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the rest was a different as possible. For instance, the pictures on
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the wall next the fire seemed to be all alive, and the very clock on
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the chimney-piece (you know you can only see the back of it in the
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Looking-glass) had got the face of a little old man, and grinned at
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her.
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`They don't keep this room so tidy as the other,' Alice thought to
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herself, as she noticed several of the chessmen down in the hearth
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among the cinders: but in another moment, with a little `Oh!' of
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surprise, she was down on her hands and knees watching them. The
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chessmen were walking about, two and two!
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`Here are the Red King and the Red Queen,' Alice said (in a
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whisper, for fear of frightening them), `and there are the White King
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and the White Queen sitting on the edge of the shovel -- and here are
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two castles walking arm in arm -- I don't think they can hear me,'
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she went on, as she put her head closer down, `and I'm nearly sure
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they can't see me. I feel somehow as if I were invisible -- '
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Here something began squeaking on the table behind Alice, and made
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her turn her head just in time to see one of the White Pawns roll
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over and begin kicking: she watched it with great curiosity to see
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what would happen next.
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`It is the voice of my child!' the White Queen cried out as she
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rushed past the King, so violently that she knocked him over among
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the cinders. `My precious Lily! My imperial kitten!' and she began
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scrambling wildly up the side of the fender.
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`Imperial fiddlestick!' said the King, rubbing his nose, which had
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been hurt by the fall. He had a right to be a LITTLE annoyed with
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the Queen, for he was covered with ashes from head to foot.
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Alice was very anxious to be of use, and, as the poor little Lily
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was nearly screaming herself into a fit, she hastily picked up the
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Queen and set her on the table by the side of her noisy little
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daughter.
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The Queen gasped, and sat down: the rapid journey through the air
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had quite taken away her breath and for a minute or two she could do
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nothing but hug the little Lily in silence. As soon as she had
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recovered her breath a little, she called out to the White King, who
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was sitting sulkily among the ashes, `Mind the volcano!'
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`What volcano?' said the King, looking up anxiously into the fire,
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as if he thought that was the most likely place to find one.
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`Blew -- me -- up,' panted the Queen, who was still a little out of
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breath. `Mind you come up -- the regular way -- don't get blown up!'
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Alice watched the White King as he slowly struggled up from bar to
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bar, till at last she said, `Why, you'll be hours and hours getting
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to the table, at that rate. I'd far better help you, hadn't I?' But
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the King took no notice of the question: it was quite clear that he
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could neither hear her nor see her.
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So Alice picked him up very gently, and lifted him across more
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slowly than she had lifted the Queen, that she mightn't take his
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breath away: but, before she put him on the table, she thought she
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might as well dust him a little, he was so covered with ashes.
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She said afterwards that she had never seen in all her life such a
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face as the King made, when he found himself held in the air by an
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invisible hand, and being dusted: he was far too much astonished to
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cry out, but his eyes and his mouth went on getting larger and
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larger, and rounder and rounder, till her hand shook so with laughing
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that she nearly let him drop upon the floor.
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`Oh! PLEASE don't make such faces, my dear!' she cried out, quite
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forgetting that the King couldn't hear her. `You make me laugh so
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that I can hardly hold you! And don't keep your mouth so wide open!
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All the ashes will get into it -- there, now I think you're tidy
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enough!' she added, as she smoothed his hair, and set him upon the
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table near the Queen.
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The King immediately fell flat on his back, and lay perfectly
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still: and Alice was a little alarmed at what she had done, and went
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round the room to see if she could find any water to throw over him.
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However, she could find nothing but a bottle of ink, and when she got
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back with it she found he had recovered, and he and the Queen were
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talking together in a frightened whisper -- so low, that Alice could
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hardly hear what they said.
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The King was saying, `I assure, you my dear, I turned cold to the
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very ends of my whiskers!'
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To which the Queen replied, `You haven't got any whiskers.'
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`The horror of that moment,' the King went on, `I shall never,
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NEVER forget!'
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`You will, though,' the Queen said, `if you don't make a memorandum
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of it.'
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Alice looked on with great interest as the King took an enormous
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memorandum-book out of his pocket, and began writing. A sudden
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thought struck her, and she took hold of the end of the pencil, which
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came some way over his shoulder, and began writing for him.
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The poor King look puzzled and unhappy, and struggled with the
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pencil for some time without saying anything; but Alice was too
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strong for him, and at last he panted out, `My dear! I really MUST
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get a thinner pencil. I can't manage this one a bit; it writes all
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manner of things that I don't intend -- '
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`What manner of things?' said the Queen, looking over the book (in
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which Alice had put `THE WHITE KNIGHT IS SLIDING DOWN THE POKER. HE
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BALANCES VERY BADLY') `That's not a memorandum of YOUR feelings!'
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There was a book lying near Alice on the table, and while she sat
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watching the White King (for she was still a little anxious about
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him, and had the ink all ready to throw over him, in case he fainted
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again), she turned over the leaves, to find some part that she could
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read, ` -- for it's all in some language I don't know,' she said to
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herself.
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It was like this.
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YKCOWREBBAJ
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sevot yhtils eht dna ,gillirb sawT`
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ebaw eht ni elbmig dna eryg diD
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,sevogorob eht erew ysmim llA
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.ebargtuo shtar emom eht dnA
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She puzzled over this for some time, but at last a bright thought
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struck her. `Why, it's a Looking-glass book, of course! And if I hold
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it up to a glass, the words will all go the right way again."
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This was the poem that Alice read.
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JABBERWOCKY
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`Twas brillig, and the slithy toves
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Did gyre and gimble in the wabe;
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All mimsy were the borogoves,
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And the mome raths outgrabe.
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`Beware the Jabberwock, my son!
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The jaws that bite, the claws that catch!
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Beware the Jujub bird, and shun
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The frumious Bandersnatch!'
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He took his vorpal sword in hand:
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Long time the manxome foe he sought --
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So rested he by the Tumtum gree,
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And stood awhile in thought.
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And as in uffish thought he stood,
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The Jabberwock, with eyes of flame,
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Came whiffling through the tulgey wook,
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And burbled as it came!
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One, two! One, two! And through and through
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The vorpal blade went snicker-snack!
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He left it dead, and with its head
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He went galumphing back.
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`And has thou slain the Jabberwock?
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Come to my arms, my beamish boy!
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O frabjous day! Calloh! Callay!
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He chortled in his joy.
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`Twas brillig, and the slithy toves
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Did gyre and gimble in the wabe;
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All mimsy were the borogoves,
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And the mome raths outgrabe.
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`It seems very pretty,' she said when she had finished it, `but
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it's RATHER hard to understand!' (You see she didn't like to
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confess, ever to herself, that she couldn't make it out at all.)
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`Somehow it seems to fill my head with ideas -- only I don't exactly
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know what they are! However, SOMEBODY killed SOMETHING: that's
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clear, at any rate -- '
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`But oh!' thought Alice, suddenly jumping up, `if I don't make haste
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I shall have to go back through the Looking-glass, before I've seen
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what the rest of the house is like! Let's have a look at the garden
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first!' She was out of the room in a moment, and ran down stairs --
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or, at least, it wasn't exactly running, but a new invention of hers
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for getting down stairs quickly and easily, as Alice said to herself.
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She just kept the tips of her fingers on the hand-rail, and floated
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gently down without even touching the stairs with her feet; then she
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floated on through the hall, and would have gone straight out at the
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door in the same way, if she hadn't caught hold of the door-post.
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She was getting a little giddy with so much floating in the air, and
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was rather glad to find herself walking again in the natural way.
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CHAPTER II
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The Garden of Live Flowers
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`I should see the garden far better,' said Alice to herself, `if I
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||
|
could get to the top of that hill: and here's a path that leads
|
||
|
straight to it -- at least, no, it doesn't do that -- ' (after going
|
||
|
a few yards along the path, and turning several sharp corners), `but
|
||
|
I suppose it will at last. But how curiously it twists! It's more
|
||
|
like a corkscrew than a path! Well, THIS turn goes to the hill, I
|
||
|
suppose -- no, it doesn't! This goes straight back to the house!
|
||
|
Well then, I'll try it the other way.'
|
||
|
|
||
|
And so she did: wandering up and down, and trying turn after turn,
|
||
|
but always coming back to the house, do what she would. Indeed, once,
|
||
|
when she turned a corner rather more quickly than usual, she ran
|
||
|
against it before she could stop herself.
|
||
|
|
||
|
`It's no use talking about it," Alice said, looking up at the house
|
||
|
and pretending it was arguing with her. `I'm NOT going in again yet.
|
||
|
I know I should have to get through the Looking-glass again -- back
|
||
|
into the old room -- and there'd be an end of all my adventures!'
|
||
|
|
||
|
So, resolutely turning back upon the house, she set out once more
|
||
|
down the path, determined to keep straight on till she got to the
|
||
|
hill. For a few minutes all went on well, and she was just saying,
|
||
|
`I really SHALL do it this time -- ' when the path gave a sudden
|
||
|
twist and shook itself (as she described it afterwards), and the next
|
||
|
moment she found herself actually walking in at the door.
|
||
|
|
||
|
'Oh, it's too bad!' she cried. `I never saw such a house for
|
||
|
getting in the way! Never!'
|
||
|
|
||
|
However, there was the hill full in sight, so there was nothing to
|
||
|
be done but start again. This time she came upon a large flower-bed,
|
||
|
with a border of daisies, and a willow-tree growing in the middle.
|
||
|
|
||
|
`O Tiger-lily,' said Alice, addressing herself to one that was
|
||
|
waving gracefully about in the wind, `I WISH you could talk!'
|
||
|
|
||
|
`We CAN talk,' said the Tiger-lily: `when there's anybody worth
|
||
|
talking to."
|
||
|
|
||
|
Alice was so astonished that she could not speak for a minute: it
|
||
|
quite seemed to take her breath away. At length, as the Tiger-lily
|
||
|
only went on waving about, she spoke again, in a timid voice --
|
||
|
almost in a whisper. `And can ALL the flowers talk?'
|
||
|
|
||
|
`As well as YOU can,' said the Tiger-lily. `And a great deal
|
||
|
louder.'
|
||
|
|
||
|
`It isn't manners for us to begin, you know,' said the Rose, `and I
|
||
|
really was wondering when you'd speak! Said I to myself, "Her face
|
||
|
has got SOME sense in it, thought it's not a clever one!" Still,
|
||
|
you're the right colour, and that goes a long way.'
|
||
|
|
||
|
`I don't care about the colour,' the Tiger-lily remarked. `If only
|
||
|
her petals curled up a little more, she'd be all right.'
|
||
|
|
||
|
Alice didn't like being criticised, so she began asking questions.
|
||
|
`Aren't you sometimes frightened at being planted out here, with
|
||
|
nobody to take care of you?'
|
||
|
|
||
|
`There's the tree in the middle,' said the Rose: `what else is it
|
||
|
good for?'
|
||
|
|
||
|
`But what could it do, if any danger came?' Alice asked.
|
||
|
|
||
|
`It says "Bough-wough!" cried a Daisy: `that's why its branches are
|
||
|
called boughs!'
|
||
|
|
||
|
`Didn't you know THAT?' cried another Daisy, and here they all
|
||
|
began shouting together, till the air seemed quite full of little
|
||
|
shrill voices. `Silence, every one of you!' cried the Tiger- lily,
|
||
|
waving itself passionately from side to side, and trembling with
|
||
|
excitement. `They know I can't get at them!' it panted, bending its
|
||
|
quivering head towards Alice, `or they wouldn't dare to do it!'
|
||
|
|
||
|
`Never mind!' Alice said in a soothing tone, and stooping down to
|
||
|
the daisies, who were just beginning again, she whispered, `If you
|
||
|
don't hold your tongues, I'll pick you!'
|
||
|
|
||
|
There was silence in a moment, and several of the pink daisies
|
||
|
turned white.
|
||
|
|
||
|
`That's right!' said the Tiger-lily. `The daisies are worst of
|
||
|
all. When one speaks, they all begin together, and it's enough to
|
||
|
make one wither to hear the way they go on!'
|
||
|
|
||
|
`How is it you can all talk so nicely?' Alice said, hoping to get
|
||
|
it into a better temper by a compliment. `I've been in many gardens
|
||
|
before, but none of the flowers could talk.'
|
||
|
|
||
|
`Put your hand down, and feel the ground,' said the Tiger-lily.
|
||
|
|
||
|
`Then you'll know why.
|
||
|
|
||
|
Alice did so. `It's very hard,' she said, `but I don't see what
|
||
|
that has to do with it.'
|
||
|
|
||
|
`In most gardens,' the Tiger-lily said, `they make the beds too
|
||
|
soft -- so that the flowers are always asleep.'
|
||
|
|
||
|
This sounded a very good reason, and Alice was quite pleased to
|
||
|
know it. `I never thought of that before!' she said.
|
||
|
|
||
|
`It's MY opinion that you never think AT ALL,' the Rose said in a
|
||
|
rather severe tone.
|
||
|
|
||
|
`I never say anybody that looked stupider,' a Violet said, so
|
||
|
suddenly, that Alice quite jumped; for it hadn't spoken before.
|
||
|
|
||
|
`Hold YOUR tongue!' cried the Tiger-lily. `As if YOU ever saw
|
||
|
anybody! You keep your head under the leaves, and snore away there,
|
||
|
till you know no more what's going on in the world, that if you were
|
||
|
a bud!'
|
||
|
|
||
|
`Are there any more people in the garden besides me?' Alice said,
|
||
|
not choosing to notice the Rose's last remark.
|
||
|
|
||
|
`There's one other flower in the garden that can move about like
|
||
|
you,' said the Rose. `I wonder how you do it -- ' (`You're always
|
||
|
wondering,' said the Tiger-lily), `but she's more bushy than you
|
||
|
are.'
|
||
|
|
||
|
`Is she like me?' Alice asked eagerly, for the thought crossed her
|
||
|
mind, `There's another little girl in the garden, somewhere!'
|
||
|
|
||
|
`Well, she has the same awkward shape as you,' the Rose said, `but
|
||
|
she's redder -- and her petals are shorter, I think.'
|
||
|
|
||
|
`Her petals are done up close, almost like a dahlia,' the
|
||
|
Tiger-lily interrupted: `not tumbled about anyhow, like yours.'
|
||
|
|
||
|
`But that's not YOUR fault,' the Rose added kindly: `you're
|
||
|
beginning to fade, you know -- and then one can't help one's petals
|
||
|
getting a little untidy.'
|
||
|
|
||
|
Alice didn't like this idea at all: so, to change the subject, she
|
||
|
asked `Does she ever come out here?'
|
||
|
|
||
|
`I daresay you'll see her soon,' said the Rose. `She's one of the
|
||
|
thorny kind.'
|
||
|
|
||
|
`Where does she wear the thorns?' Alice asked with some curiosity.
|
||
|
|
||
|
`Why all round her head, of course,' the Rose replied. `I was
|
||
|
wondering YOU hadn't got some too. I thought it was the regular
|
||
|
rule.'
|
||
|
|
||
|
`She's coming!' cried the Larkspur. `I hear her footstep, thump,
|
||
|
thump, thump, along the gravel-walk!'
|
||
|
|
||
|
Alice looked round eagerly, and found that it was the Red Queen.
|
||
|
`She's grown a good deal!' was her first remark. She had indeed:
|
||
|
when Alice first found her in the ashes, she had been only three
|
||
|
inches high -- and here she was, half a head taller than Alice
|
||
|
herself!
|
||
|
|
||
|
`It's the fresh air that does it,' said the Rose: `wonderfully fine
|
||
|
air it is, out here.'
|
||
|
|
||
|
"I think I'll go and meet her,' said Alice, for, though the flowers
|
||
|
were interesting enough, she felt that it would be far grander to
|
||
|
have a talk with a real Queen.
|
||
|
|
||
|
`You can't possibly do that,' said the Rose: `_I_ should advise you
|
||
|
to walk the other way.'
|
||
|
|
||
|
This sounded nonsense to Alice, so she said nothing, but set off at
|
||
|
once towards the Red Queen. To her surprise, she lost sight of her
|
||
|
in a moment, and found herself walking in at the front-door again.
|
||
|
|
||
|
A little provoked, she drew back, and after looking everywhere for
|
||
|
the queen (whom she spied out at last, a long way off), she thought
|
||
|
she would try the plan, this time, of walking in the opposite
|
||
|
direction.
|
||
|
|
||
|
It succeeded beautifully. She had not been walking a minute before
|
||
|
she found herself face to face with the Red Queen, and full in sight
|
||
|
of the hill she had been so long aiming at.
|
||
|
|
||
|
`Where do you come from?' said the Red Queen. `And where are you
|
||
|
going? Look up, speak nicely, and don't twiddle your fingers all the
|
||
|
time.'
|
||
|
|
||
|
Alice attended to all these directions, and explained, as well as
|
||
|
she could, that she had lost her way.
|
||
|
|
||
|
`I don't know what you mean by YOUR way,' said the Queen: `all the
|
||
|
ways about here belong to ME -- but why did you come out here at
|
||
|
all?' she added in a kinder tone. `Curtsey while you`re thinking
|
||
|
what to say, it saves time.'
|
||
|
|
||
|
Alice wondered a little at this, but she was too much in awe of the
|
||
|
Queen to disbelieve it. `I'll try it when I go home,' she thought to
|
||
|
herself. `the next time I'm a little late for dinner.'
|
||
|
|
||
|
`It's time for you to answer now,' the Queen said, looking at her
|
||
|
watch: `open your mouth a LITTLE wider when you speak, and always say
|
||
|
"your Majesty."'
|
||
|
|
||
|
`I only wanted to see what the garden was like, your Majesty--'
|
||
|
|
||
|
`That's right,' said the Queen, patting her on the head, which
|
||
|
Alice didn't like at all, `though, when you say "garden," -- I'VE
|
||
|
seen gardens, compare with which this would be a wilderness.'
|
||
|
|
||
|
Alice didn't dare to argue the point, but went on: `-- and I
|
||
|
thought I'd try and find my way to the top of that hill -- '
|
||
|
|
||
|
`When you say "hill,"' the Queen interrupted, `_I_ could show you
|
||
|
hills, in comparison with which you'd call that a valley.'
|
||
|
|
||
|
`No, I shouldn't,' said Alice, surprised into contradicting her at
|
||
|
last: `a hill CAN'T be a valley, you know. That would be nonsense --
|
||
|
'
|
||
|
|
||
|
The Red Queen shook her head, `You may call it "nonsense" if you
|
||
|
like,' she said, ` but I'VE heard nonsense, compared with which that
|
||
|
would be as sensible as a dictionary!'
|
||
|
|
||
|
Alice curtseyed again, as she was afraid from the Queen's tone that
|
||
|
she was a LITTLE offended: and they walked on in silence till they
|
||
|
got to the top of the little hill.
|
||
|
|
||
|
For some minutes Alice stood without speaking, looking out in all
|
||
|
directions over the country -- and a most curious country it was.
|
||
|
There were a number of tiny little brooks running straight across it
|
||
|
from side to side, and the ground between was divided up into squares
|
||
|
by a number of little green hedges, that reached from brook to brook.
|
||
|
|
||
|
`I declare it's marked out just like a large chessboard!' Alice
|
||
|
said at last. `There ought to be some men moving about somewhere --
|
||
|
and so there are!' She added in a tone of delight, and her heart
|
||
|
began to beat quick with excitement as she went on. `It's a great
|
||
|
huge game of chess that's being played -- all over the world -- if
|
||
|
this IS the world at all, you know. Oh, what fun it is! How I WISH
|
||
|
I was one of them! I wouldn't mind being a Pawn, if only I might
|
||
|
join -- though of course I should LIKE to be a Queen, best.'
|
||
|
|
||
|
She glanced rather shyly at the real Queen as she said this, but
|
||
|
her companion only smiled pleasantly, and said, `That's easily
|
||
|
managed. You can be the White Queen's Pawn, if you like, as Lily's
|
||
|
too young to play; and you're in the Second Square to began with:
|
||
|
when you get to the Eighth Square you'll be a Queen -- ' Just at this
|
||
|
moment, somehow or other, they began to run.
|
||
|
|
||
|
Alice never could quite make out, in thinking it over afterwards,
|
||
|
how it was that they began: all she remembers is, that they were
|
||
|
running hand in hand, and the Queen went so fast that it was all she
|
||
|
could do to keep up with her: and still the Queen kept crying
|
||
|
`Faster! Faster!' but Alice felt she COULD NOT go faster, thought she
|
||
|
had not breath left to say so.
|
||
|
|
||
|
The most curious part of the thing was, that the trees and the
|
||
|
other things round them never changed their places at all: however
|
||
|
fast they went, they never seemed to pass anything. `I wonder if all
|
||
|
the things move along with us?' thought poor puzzled Alice. And the
|
||
|
Queen seemed to guess her thoughts, for she cried, `Faster! Don't
|
||
|
try to talk!'
|
||
|
|
||
|
Not that Alice had any idea of doing THAT. She felt as if she
|
||
|
would never be able to talk again, she was getting so much out of
|
||
|
breath: and still the Queen cried `Faster! Faster!' and dragged her
|
||
|
along. `Are we nearly there?' Alice managed to pant out at last.
|
||
|
|
||
|
`Nearly there!' the Queen repeated. `Why, we passed it ten minutes
|
||
|
ago! Faster! And they ran on for a time in silence, with the wind
|
||
|
whistling in Alice's ears, and almost blowing her hair off her head,
|
||
|
she fancied.
|
||
|
|
||
|
`Now! Now!' cried the Queen. `Faster! Faster!' And they went so
|
||
|
fast that at last they seemed to skim through the air, hardly
|
||
|
touching the ground with their feet, till suddenly, just as Alice was
|
||
|
getting quite exhausted, they stopped, and she found herself sitting
|
||
|
on the ground, breathless and giddy.
|
||
|
|
||
|
The Queen propped her up against a tree, and said kindly, `You may
|
||
|
rest a little now.'
|
||
|
|
||
|
Alice looked round her in great surprise. `Why, I do believe we've
|
||
|
been under this tree the whole time! Everything's just as it was!'
|
||
|
|
||
|
`Of course it is,' said the Queen, `what would you have it?'
|
||
|
|
||
|
`Well, in OUR country,' said Alice, still panting a little, `you'd
|
||
|
generally get to somewhere else -- if you ran very fast for a long
|
||
|
time, as we've been doing.'
|
||
|
|
||
|
`A slow sort of country!' said the Queen. `Now, HERE, you see, it
|
||
|
takes all the running YOU can do, to keep in the same place. If you
|
||
|
want to get somewhere else, you must run at least twice as fast as
|
||
|
that!'
|
||
|
|
||
|
`I'd rather not try, please!' said Alice. `I'm quite content to
|
||
|
stay here -- only I AM so hot and thirsty!'
|
||
|
|
||
|
`I know what YOU'D like!' the Queen said good-naturedly, taking a
|
||
|
little box out of her pocket. `Have a biscuit?'
|
||
|
|
||
|
Alice thought it would not be civil to say `No,' though it wasn't
|
||
|
at all what she wanted. So she took it, and ate it as well as she
|
||
|
could: and it was VERY dry; and she thought she had never been so
|
||
|
nearly choked in all her life.
|
||
|
|
||
|
`While you're refreshing yourself,' said the Queen, `I'll just take
|
||
|
the measurements.' And she took a ribbon out of her pocket, marked
|
||
|
in inches, and began measuring the ground, and sticking little pegs
|
||
|
in here and there.
|
||
|
|
||
|
`At the end of two yards,' she said, putting in a peg to mark the
|
||
|
distance, `I shall give you your directions -- have another biscuit?'
|
||
|
|
||
|
`No, thank you,' said Alice,: `one's QUITE enough!'
|
||
|
|
||
|
`Thirst quenched, I hope?' said the Queen.
|
||
|
|
||
|
Alice did not know what to say to this, but luckily the Queen did
|
||
|
not wait for an answer, but went on. `At the end of THREE yards I
|
||
|
shall repeat them -- for fear of your forgetting them. At then end of
|
||
|
FOUR, I shall say good-bye. And at then end of FIVE, I shall go!'
|
||
|
|
||
|
She had got all the pegs put in by this time, and Alice looked on
|
||
|
with great interest as she returned to the tree, and then began
|
||
|
slowly walking down the row.
|
||
|
|
||
|
At the two-yard peg she faced round, and said, `A pawn goes two
|
||
|
squares in its first move, you know. So you'll go VERY quickly
|
||
|
through the Third Square -- by railway, I should think -- and you'll
|
||
|
find yourself in the Fourth Square in no time. Well, THAT square
|
||
|
belongs to Tweedledum and Tweedledee -- the Fifth is mostly water --
|
||
|
the Sixth belongs to Humpty Dumpty -- But you make no remark?'
|
||
|
|
||
|
`I -- I didn't know I had to make one -- just then,' Alice faltered
|
||
|
out.
|
||
|
|
||
|
`You SHOULD have said,' `"It's extremely kind of you to tell me all
|
||
|
this" -- however, we'll suppose it said -- the Seventh Square is all
|
||
|
forest -- however, one of the Knights will show you the way -- and in
|
||
|
the Eighth Square we shall be Queens together, and it's all feasting
|
||
|
and fun!' Alice got up and curtseyed, and sat down again.
|
||
|
|
||
|
At the next peg the Queen turned again, and this time she said,
|
||
|
`Speak in French when you can't think of the English for a thing --
|
||
|
turn out your toes as you walk -- and remember who you are!' She did
|
||
|
not wait for Alice to curtsey this time, but walked on quickly to the
|
||
|
next peg, where she turned for a moment to say `good-bye,' and then
|
||
|
hurried on to the last.
|
||
|
|
||
|
How it happened, Alice never knew, but exactly as she came to the
|
||
|
last peg, she was gone. Whether she vanished into the air, or
|
||
|
whether she ran quickly into the wood (`and she CAN run very fast!'
|
||
|
thought Alice), there was no way of guessing, but she was gone, and
|
||
|
Alice began to remember that she was a Pawn, and that it would soon
|
||
|
be time for her to move.
|
||
|
|
||
|
CHAPTER III
|
||
|
|
||
|
Looking-Glass Insects
|
||
|
|
||
|
Of course the first thing to do was to make a grand survey of the
|
||
|
country she was going to travel through. `It's something very like
|
||
|
learning geography,' thought Alice, as she stood on tiptoe in hopes
|
||
|
of being able to see a little further. `Principal rivers -- there ARE
|
||
|
none. Principal mountains -- I'm on the only one, but I don't think
|
||
|
it's got any name. Principal towns -- why, what ARE those creatures,
|
||
|
making honey down there? They can't be bees -- nobody ever saw bees a
|
||
|
mile off, you know - - ' and for some time she stood silent, watching
|
||
|
one of them that was bustling about among the flowers, poking its
|
||
|
proboscis into them, `just as if it was a regular bee,' thought
|
||
|
Alice.
|
||
|
|
||
|
However, this was anything but a regular bee: in fact it was an
|
||
|
elephant -- as Alice soon found out, though the idea quite took her
|
||
|
breath away at first. `And what enormous flowers they must be!' was
|
||
|
her next idea. `Something like cottages with the roofs taken off,
|
||
|
and stalks put to them -- and what quantities of honey they must
|
||
|
make! I think I'll go down and -- no, I won't JUST yet, ' she went
|
||
|
on, checking herself just as she was beginning to run down the hill,
|
||
|
and trying to find some excuse for turning shy so suddenly. `It'll
|
||
|
never do to go down among them without a good long branch to brush
|
||
|
them away -- and what fun it'll be when they ask me how I like my
|
||
|
walk. I shall say -- "Oh, I like it well enough -- "' (here came the
|
||
|
favourite little toss of the head), `"only it was so dusty and hot,
|
||
|
and the elephants did tease so!"'
|
||
|
|
||
|
`I think I'll go down the other way,' she said after a pause: `and
|
||
|
perhaps I may visit the elephants later on. Besides, I do so want to
|
||
|
get into the Third Square!'
|
||
|
|
||
|
So with this excuse she ran down the hill and jumped over the first
|
||
|
of the six little brooks.
|
||
|
|
||
|
`Tickets, please!' said the Guard, putting his head in at the
|
||
|
window. In a moment everybody was holding out a ticket: they were
|
||
|
about the same size as the people, and quite seemed to fill the
|
||
|
carriage.
|
||
|
|
||
|
`Now then! Show your ticket, child!' the Guard went on, looking
|
||
|
angrily at Alice. And a great many voices all said together (`like
|
||
|
the chorus of a song,' thought Alice), `Don't keep him waiting,
|
||
|
child! Why, his time is worth a thousand pounds a minute!'
|
||
|
|
||
|
`I'm afraid I haven't got one,' Alice said in a frightened tone:
|
||
|
`there wasn't a ticket-office where I came from." And again the
|
||
|
chorus of voices went on. `There wasn't room for one where she came
|
||
|
from. The land there is worth a thousand pounds an inch!'
|
||
|
|
||
|
`Don't make excuses,' said the Guard: `you should have bought one
|
||
|
from the engine-driver.' And once more the chorus of voices went on
|
||
|
with `The man that drives the engine. Why, the smoke alone is worth
|
||
|
a thousand pounds a puff!'
|
||
|
|
||
|
Alice thought to herself, `Then there's no use in speaking." The
|
||
|
voices didn't join in this time, as she hadn't spoken, but to her
|
||
|
great surprise, they all THOUGHT in chorus (I hope you understand
|
||
|
what THINKING IN CHORUS means -- for I must confess that _I_ don't),
|
||
|
`Better say nothing at all. Language is worth a thousand pounds a
|
||
|
word!'
|
||
|
|
||
|
`I shall dream about a thousand pounds tonight, I know I shall!'
|
||
|
thought Alice.
|
||
|
|
||
|
All this time the Guard was looking at her, first through a
|
||
|
telescope, then through a microscope, and then through an opera-
|
||
|
glass. At last he said, `You're travelling the wrong way,' and shut
|
||
|
up the window and went away.
|
||
|
|
||
|
`So young a child,' said the gentleman sitting opposite to her (he
|
||
|
was dressed in white paper), `ought to know which way she's going,
|
||
|
even if she doesn't know her own name!'
|
||
|
|
||
|
A Goat, that was sitting next to the gentleman in white, shut his
|
||
|
eyes and said in a loud voice, `She ought to know her way to the
|
||
|
ticket-office, even if she doesn't know her alphabet!'
|
||
|
|
||
|
There was a Beetle sitting next to the Goat (it was a very queer
|
||
|
carriage-full of passengers altogether), and, as the rule seemed to
|
||
|
be that they should all speak in turn, HE went on with `She'll have
|
||
|
to go back from here as luggage!'
|
||
|
|
||
|
Alice couldn't see who was sitting beyond the Beetle, but a hoarse
|
||
|
voice spoke next. `Change engines -- ' it said, and was obliged to
|
||
|
leave off.
|
||
|
|
||
|
`It sounds like a horse,' Alice thought to herself. And an
|
||
|
extremely small voice, close to her ear, said, `You might make a joke
|
||
|
on that -- something about "horse" and "hoarse," you know.'
|
||
|
|
||
|
Then a very gentle voice in the distance said, `She must be
|
||
|
labelled "Lass, with care," you know -- '
|
||
|
|
||
|
And after that other voices went on (What a number of people there
|
||
|
are in the carriage!' thought Alice), saying, `She must go by post,
|
||
|
as she's got a head on her -- ' `She must be sent as a message by the
|
||
|
telegraph -- ' `She must draw the train herself the rest of the way
|
||
|
-- ' and so on.
|
||
|
|
||
|
But the gentleman dressed in white paper leaned forwards and
|
||
|
whispered in her ear, `Never mind what they all say, my dear, but
|
||
|
take a return-ticket every time the train stops."
|
||
|
|
||
|
`Indeed I shan't!' Alice said rather impatiently. `I don't belong
|
||
|
to this railway journey at all -- I was in a wood just now -- and I
|
||
|
wish I could get back there.'
|
||
|
|
||
|
`You might make a joke on THAT, said the little voice close to her
|
||
|
ear: `something about "you WOULD if you could," you know.'
|
||
|
|
||
|
`Don't tease so,' said Alice, looking about in vain to see where
|
||
|
the voice came from; `if you're so anxious to have a joke made, why
|
||
|
don't you make one yourself?'
|
||
|
|
||
|
The little voice sighed deeply: it was VERY unhappy, evidently, and
|
||
|
Alice would have said something pitying to comfort it, `If it would
|
||
|
only sigh like other people!' she thought. But this was such a
|
||
|
wonderfully small sigh, that she wouldn't have heard it at all, if it
|
||
|
hadn't come QUITE close to her ear. The consequence of this was that
|
||
|
it tickled her ear very much, and quite took off her thoughts from
|
||
|
the unhappiness of the poor little creature.
|
||
|
|
||
|
`I know you are a friend, the little voice went on; `a dear friend,
|
||
|
and an old friend. And you won't hurt me, though I AM an insect.'
|
||
|
|
||
|
`What kind of insect?' Alice inquired a little anxiously. What she
|
||
|
really wanted to know was, whether it could sting or not, but she
|
||
|
thought this wouldn't be quite a civil question to ask.
|
||
|
|
||
|
`What, then you don't -- ' the little voice began, when it was
|
||
|
drowned by a shrill scream from the engine, and everybody jumped up
|
||
|
in alarm, Alice among the rest.
|
||
|
|
||
|
The Horse, who had put his head out of the window, quietly drew it
|
||
|
in and said, `It's only a brook we have to jump over.' Everybody
|
||
|
seemed satisfied with this, though Alice felt a little nervous at the
|
||
|
idea of trains jumped at all. `However, it'll take us into the
|
||
|
Fourth Square, that's some comfort!' she said to herself. In another
|
||
|
moment she felt the carriage rise straight up into the air, and in
|
||
|
her fright she caught at the thing nearest to her hand. which
|
||
|
happened to be the Goat's beard.
|
||
|
|
||
|
But the beard seemed to melt away as she touched it, and she found
|
||
|
herself sitting quietly under a tree -- while the Gnat (for that was
|
||
|
the insect she had been talking to) was balancing itself on a twig
|
||
|
just over her head, and fanning her with its wings.
|
||
|
|
||
|
It certainly was a VERY large Gnat: `about the size of a chicken,'
|
||
|
Alice thought. Still, she couldn't feel nervous with it, after they
|
||
|
had been talking together so long.
|
||
|
|
||
|
` -- then you don't like all insects?' the Gnat went on, as quietly
|
||
|
as if nothing had happened.
|
||
|
|
||
|
`I like them when they can talk,' Alice said. `None of them ever
|
||
|
talk, where _I_ come from.'
|
||
|
|
||
|
`What sort of insects do you rejoice in, where YOU come from?' the
|
||
|
Gnat inquired.
|
||
|
|
||
|
`I don't REJOICE in insects at all,' Alice explained, `because I'm
|
||
|
rather afraid of them -- at least the large kinds. But I can tell
|
||
|
you the names of some of them."
|
||
|
|
||
|
`Of course they answer to their names?' the Gnat remarked
|
||
|
carelessly.
|
||
|
|
||
|
`I never knew them do it.'
|
||
|
|
||
|
`What's the use of their having names the Gnat said, `if they won't
|
||
|
answer to them?'
|
||
|
|
||
|
`No use to THEM,' said Alice; `but it's useful to the people who
|
||
|
name them, I suppose. If not, why do things have names at all?'
|
||
|
|
||
|
`I can't say,' the Gnat replied. `Further on, in the wood down
|
||
|
there, they've got no names -- however, go on with your list of
|
||
|
insects: you're wasting time.'
|
||
|
|
||
|
`Well, there's the Horse-fly,' Alice began, counting off the names
|
||
|
on her fingers.
|
||
|
|
||
|
`All right,' said the Gnat: `half way up that bush, you'll see a
|
||
|
Rocking-horse-fly, if you look. It's made entirely of wood, and gets
|
||
|
about by swinging itself from branch to branch.'
|
||
|
|
||
|
`What does it live on?' Alice asked, with great curiosity.
|
||
|
|
||
|
`Sap and sawdust,' said the Gnat. `Go on with the list.'
|
||
|
|
||
|
Alice looked up at the Rocking-horse-fly with great interest, and
|
||
|
made up her mind that it must have been just repainted, it looked so
|
||
|
bright and sticky; and then she went on.
|
||
|
|
||
|
`And there's the Dragon-fly.'
|
||
|
|
||
|
`Look on the branch above your head,' said the Gnat, `and there
|
||
|
you'll find a snap-dragon-fly. Its body is made of plum-pudding, its
|
||
|
wings of holly-leaves, and its head is a raisin burning in brandy.'
|
||
|
|
||
|
`And what does it live on?'
|
||
|
|
||
|
`Frumenty and mince pie,' the Gnat replied; `and it makes is nest
|
||
|
in a Christmas box.'
|
||
|
|
||
|
`And then there's the Butterfly,' Alice went on, after she had
|
||
|
taken a good look at the insect with its head on fire, and had
|
||
|
thought to herself, `I wonder if that's the reason insects are so
|
||
|
fond of flying into candles -- because they want to turn into
|
||
|
Snap-dragon-flies!'
|
||
|
|
||
|
`Crawling at your feet,' said the Gnat (Alice drew her feet back in
|
||
|
some alarm), `you may observe a Bread-and-Butterfly. Its wings are
|
||
|
thin slices of Bread-and-butter, its body is a crust, and its head is
|
||
|
a lump of sugar.'
|
||
|
|
||
|
`And what does IT live on?'
|
||
|
|
||
|
`Weak tea with cream in it.'
|
||
|
|
||
|
A new difficulty came into Alice's head. `Supposing it couldn't
|
||
|
find any?' she suggested.
|
||
|
|
||
|
`Then it would die, of course.'
|
||
|
|
||
|
`But that must happen very often,' Alice remarked thoughtfully.
|
||
|
|
||
|
`It always happens,' said the Gnat.
|
||
|
|
||
|
After this, Alice was silent for a minute or two, pondering. The
|
||
|
Gnat amused itself meanwhile by humming round and round her head: at
|
||
|
last it settled again and remarked, `I suppose you don't want to lose
|
||
|
your name?'
|
||
|
|
||
|
`No, indeed,' Alice said, a little anxiously.
|
||
|
|
||
|
`And yet I don't know,' the Gnat went on in a careless tone: `only
|
||
|
think how convenient it would be if you could manage to go home
|
||
|
without it! For instance, if the governess wanted to call you to
|
||
|
your lessons, she would call out "come here -- ," and there she would
|
||
|
have to leave off, because there wouldn't be any name for her to all,
|
||
|
and of course you wouldn't have to go, you know.'
|
||
|
|
||
|
`That would never do, I'm sure,' said Alice: `the governess would
|
||
|
never think of excusing me lessons for that. If she couldn't
|
||
|
remember my name, she'd call me "Miss!" as the servants do.'
|
||
|
|
||
|
`Well. if she said "Miss," and didn't say anything more,' the Gnat
|
||
|
remarked, `of course you'd miss your lessons. That's a joke. I wish
|
||
|
YOU had made it.'
|
||
|
|
||
|
`Why do you wish _I_ had made it?' Alice asked. `It's a very bad
|
||
|
one.'
|
||
|
|
||
|
But the Gnat only sighed deeply, while two large tears came rolling
|
||
|
down its cheeks.
|
||
|
|
||
|
`You shouldn't make jokes,' Alice said, `if it makes you so
|
||
|
unhappy.'
|
||
|
|
||
|
Then came another of those melancholy little sighs, and this time
|
||
|
the poor Gnat really seemed to have sighed itself away, for, when
|
||
|
Alice looked up, there was nothing whatever to be seen on the twig,
|
||
|
and, as she was getting quite chilly with sitting still so, long she
|
||
|
got up and walked on.
|
||
|
|
||
|
She very soon came to an open field, with a wood on the other side
|
||
|
of it: it looked much darker than the last wood, and Alice felt a
|
||
|
LITTLE timid about going into it. However, on second thoughts, she
|
||
|
made up her mind to go on: `for I certainly won't go BACK,' she
|
||
|
thought to herself, and this was the only way to the Eighth Square.
|
||
|
|
||
|
`This must be the wood, she said thoughtfully to herself, `where
|
||
|
things have no names. I wonder what'll become of MY name when I go
|
||
|
in? I shouldn't like to lose it at all -- because they'd have to
|
||
|
give me another, and it would be almost certain to be an ugly one.
|
||
|
But then the fun would be, trying to find the creature that had got
|
||
|
my old name! That's just like the advertisements, you know, when
|
||
|
people lose dogs -- "ANSWERS TO THE NAME OF `DASH:' HAD ON A BRASS
|
||
|
COLLAR" -- just fancy calling everything you met "Alice," till one of
|
||
|
them answered! Only they wouldn't answer at all, if they were wise.'
|
||
|
|
||
|
She was rambling on in this way when she reached the wood: it
|
||
|
looked very cool and shady. `Well, at any rate it's a great
|
||
|
comfort,' she said as she stepped under the trees, `after being so
|
||
|
hot, to get into the -- into WHAT?' she went on, rather surprised at
|
||
|
not being able to think of the word. `I mean to get under the --
|
||
|
under the -- under THIS, you know!' putting her hand on the trunk of
|
||
|
the tree. `What DOES it call itself, I wonder? I do believe it's
|
||
|
got no name -- why, to be sure it hasn't!'
|
||
|
|
||
|
She stood silent for a minute, thinking: then she suddenly began
|
||
|
again. `Then it really HAS happened, after all! And how, who am I?
|
||
|
I WILL remember, if I can! I'm determined to do it!' But being
|
||
|
determined didn't help much, and all she could say, after a great
|
||
|
deal of puzzling, was,`L, I KNOW it begins with L!'
|
||
|
|
||
|
Just then a Fawn came wandering by: it looked at Alice with its
|
||
|
large gentle eyes, but didn't seem at all frightened. `Here then!
|
||
|
Here then!' Alice said, as he held out her hand and tried to stroke
|
||
|
it; but it only started back a little, and then stood looking at her
|
||
|
again.
|
||
|
|
||
|
`What do you call yourself?' the Fawn said at last. Such a soft
|
||
|
sweet voice it had!
|
||
|
|
||
|
`I wish I knew!' thought poor Alice. She answered, rather sadly,
|
||
|
`Nothing, just now.'
|
||
|
|
||
|
`Think again,' it said: `that won't do.'
|
||
|
|
||
|
Alice thought, but nothing came of it. `Please, would you tell me
|
||
|
what YOU call yourself?' she said timidly. `I think that might help
|
||
|
a little.'
|
||
|
|
||
|
`I'll tell you, of you'll move a little further on,' the Fawn said.
|
||
|
`I can't remember here.'
|
||
|
|
||
|
So they walked on together though the wood, Alice with her arms
|
||
|
clasped lovingly round the soft neck of the Fawn, till they came out
|
||
|
into another open field, and here the Fawn gave a sudden bound into
|
||
|
the air, and shook itself free from Alice's arms. `I'm a Fawn!' it
|
||
|
cried out in a voice of delight, `and, dear me! you're a human
|
||
|
child!' A sudden look of alarm came into its beautiful brown eyes,
|
||
|
and in another moment it had darted away a full speed.
|
||
|
|
||
|
Alice stood looking after it, almost ready to cry with vexation at
|
||
|
having lost her dear little fellow-traveller so suddenly. `However, I
|
||
|
know my name now.' she said, `that's SOME comfort. Alice -- Alice --
|
||
|
I won't forget it again. And now, which of these finger-posts ought
|
||
|
I to follow, I wonder?'
|
||
|
|
||
|
It was not a very difficult question to answer, as there was only
|
||
|
one road through the wood, and the two finger-posts both pointed
|
||
|
along it. `I'll settle it,' Alice said to herself, `when the road
|
||
|
divides and they point different ways.'
|
||
|
|
||
|
But this did not seem likely to happen. She went on and on, a long
|
||
|
way, but wherever the road divided there were sure to be two
|
||
|
finger-posts pointing the same way, one marked `TO TWEEDLEDUM'S
|
||
|
HOUSE' and the other `TO THE HOUSE OF TWEEDLEDEE.'
|
||
|
|
||
|
`I do believe,' said Alice at last, `that they live in the same
|
||
|
house! I wonder I never thought of that before -- But I can't stay
|
||
|
there long. I'll just call and say "how d'you do?" and ask them the
|
||
|
way out of the wood. If I could only get the Eighth Square before it
|
||
|
gets dark!' So she wandered on, talking to herself as she went,
|
||
|
till, on turning a sharp corner, she came upon two fat little men, so
|
||
|
suddenly that she could not help starting back, but in another moment
|
||
|
she recovered herself, feeling sure that they must be
|
||
|
|
||
|
CHAPTER IV
|
||
|
|
||
|
TWEEDLEDUM AND TWEEDLEDEE
|
||
|
|
||
|
They were standing under a tree, each with an arm round the other's
|
||
|
neck, and Alice knew which was which in a moment, because one of them
|
||
|
had `DUM' embroidered on his collar, and the other `DEE.' `I suppose
|
||
|
they've each got "TWEEDLE" round at the back of the collar,' she said
|
||
|
to herself.
|
||
|
|
||
|
They stood so still that she quite forgot they were alive, and she
|
||
|
was just looking round to see if the word "TWEEDLE" was written at
|
||
|
the back of each collar, when she was startled by a voice coming from
|
||
|
the one marked `DUM.'
|
||
|
|
||
|
`If you think we're wax-works,' he said, `you ought to pay, you
|
||
|
know. Wax-works weren't made to be looked at for nothing, Nohow!'
|
||
|
|
||
|
`Contrariwise,' added the one marked `DEE,' `if you think we're
|
||
|
alive, you ought to speak.'
|
||
|
|
||
|
`I'm sure I'm very sorry,' was all Alice could say; for the words
|
||
|
of the old song kept ringing through her head like the ticking of a
|
||
|
clock, and she could hardly help saying them out loud: --
|
||
|
|
||
|
`Tweedledum and Tweedledee
|
||
|
Agreed to have a battle;
|
||
|
For Tweedledum said Tweedledee
|
||
|
Had spoiled his nice new rattle.
|
||
|
|
||
|
Just then flew down a monstrous crow,
|
||
|
As black as a tar-barrel;
|
||
|
Which frightened both the heroes so,
|
||
|
They quite forgot their quarrel.'
|
||
|
|
||
|
`I know what you're thinking about,' said Tweedledum: `but it isn't
|
||
|
so, nohow.'
|
||
|
|
||
|
`Contrariwise,' continued Tweedledee, `if it was so, it might be;
|
||
|
and if it were so, it would be; but as it isn't, it ain't. That's
|
||
|
logic.'
|
||
|
|
||
|
`I was thinking,' Alice said very politely, `which is the best way
|
||
|
out of this wood: it's getting so dark. Would you tell me, please?'
|
||
|
|
||
|
But the little men only looked at each other and grinned.
|
||
|
|
||
|
They looked so exactly like a couple of great schoolboys, that
|
||
|
Alice couldn't help pointing her finger at Tweedledum, and saying
|
||
|
`First Boy!'
|
||
|
|
||
|
`Nohow!' Tweedledum cried out briskly, and shut his mouth up again
|
||
|
with a snap.
|
||
|
|
||
|
`Next Boy!' said Alice, passing on to Tweedledee, though she felt
|
||
|
quite certain he would only shout out "Contrariwise!' and so he did.
|
||
|
|
||
|
`You've been wrong!' cried Tweedledum. `The first thing in a visit
|
||
|
is to say "How d'ye do?" and shake hands!' And here the two brothers
|
||
|
gave each other a hug, and then they held out the two hands that were
|
||
|
free, to shake hands with her.
|
||
|
|
||
|
Alice did not like shaking hands with either of them first, for
|
||
|
fear of hurting the other one's feelings; so, as the best way out of
|
||
|
the difficulty, she took hold of both hands at once: the next moment
|
||
|
they were dancing found in a ring. This seemed quite natural (she
|
||
|
remembered afterwards), and she was not even surprised to hear music
|
||
|
playing: it seemed to come from the tree under which they were
|
||
|
dancing, and it was done (as well as she could make it out) by the
|
||
|
branches rubbing one across the other, like fiddles and
|
||
|
fiddle-sticks.
|
||
|
|
||
|
`But it certainly WAS funny,' (Alice said afterwards, when she was
|
||
|
telling her sister the history of all this,) `to find myself singing
|
||
|
"HERE WE GO ROUND THE MULBERRY BUSH." I don't know when I began it,
|
||
|
but somehow I felt as if I'd been singing it a long long time!'
|
||
|
|
||
|
The other two dancers were fat, and very soon out of breath. `Four
|
||
|
times round is enough for one dance,' Tweedledum panted out, and they
|
||
|
left off dancing as suddenly as they had begun: the music stopped at
|
||
|
the same moment.
|
||
|
|
||
|
Then they let go of Alice's hands, and stood looking at her for a
|
||
|
minute: there was a rather awkward pause, as Alice didn't know how to
|
||
|
begin a conversation with people she had just been dancing with. `It
|
||
|
would never do to say "How d'ye do?" NOW,' she said to herself: `we
|
||
|
seem to have got beyond that, somehow!'
|
||
|
|
||
|
`I hope you're not much tired?' she said at last.
|
||
|
|
||
|
`Nohow. And thank you VERY much for asking,' said Tweedledum.
|
||
|
|
||
|
`So much obliged!' added Tweedledee. `You like poetry?'
|
||
|
|
||
|
`Ye-es. pretty well -- SOME poetry,' Alice said doubtfully. `Would
|
||
|
you tell me which road leads out of the wood?'
|
||
|
|
||
|
`What shall I repeat to her?' said Tweedledee, looking round at
|
||
|
Tweedledum with great solemn eyes, and not noticing Alice's question.
|
||
|
|
||
|
`"THE WALRUS AND THE CARPENTER" is the longest,' Tweedledum
|
||
|
replied, giving his brother an affectionate hug.
|
||
|
|
||
|
Tweedledee began instantly:
|
||
|
|
||
|
`The sun was shining -- '
|
||
|
|
||
|
Here Alice ventured to interrupt him. `If it's VERY long,' she
|
||
|
said, as politely as she could, `would you please tell me first which
|
||
|
road -- '
|
||
|
|
||
|
Tweedledee smiled gently, and began again:
|
||
|
|
||
|
`The sun was shining on the sea,
|
||
|
Shining with all his might:
|
||
|
He did his very best to make
|
||
|
The billows smooth and bright --
|
||
|
And this was odd, because it was
|
||
|
The middle of the night.
|
||
|
|
||
|
The moon was shining sulkily,
|
||
|
Because she thought the sun
|
||
|
Had got no business to be there
|
||
|
After the day was done --
|
||
|
"It's very rude of him," she said,
|
||
|
"To come and spoil the fun!"
|
||
|
|
||
|
The sea was wet as wet could be,
|
||
|
The sands were dry as dry.
|
||
|
You could not see a cloud, because
|
||
|
No cloud was in the sky:
|
||
|
No birds were flying over head --
|
||
|
There were no birds to fly.
|
||
|
|
||
|
The Walrus and the Carpenter
|
||
|
Were walking close at hand;
|
||
|
They wept like anything to see
|
||
|
Such quantities of sand:
|
||
|
"If this were only cleared away,"
|
||
|
They said, "it WOULD be grand!"
|
||
|
|
||
|
"If seven maids with seven mops
|
||
|
Swept it for half a year,
|
||
|
Do you suppose," the Walrus said,
|
||
|
"That they could get it clear?"
|
||
|
"I doubt it," said the Carpenter,
|
||
|
And shed a bitter tear.
|
||
|
|
||
|
"O Oysters, come and walk with us!"
|
||
|
The Walrus did beseech.
|
||
|
"A pleasant walk, a pleasant talk,
|
||
|
Along the briny beach:
|
||
|
We cannot do with more than four,
|
||
|
To give a hand to each."
|
||
|
|
||
|
The eldest Oyster looked at him.
|
||
|
But never a word he said:
|
||
|
The eldest Oyster winked his eye,
|
||
|
And shook his heavy head --
|
||
|
Meaning to say he did not choose
|
||
|
To leave the oyster-bed.
|
||
|
|
||
|
But four young oysters hurried up,
|
||
|
All eager for the treat:
|
||
|
Their coats were brushed, their faces washed,
|
||
|
Their shoes were clean and neat --
|
||
|
And this was odd, because, you know,
|
||
|
They hadn't any feet.
|
||
|
|
||
|
Four other Oysters followed them,
|
||
|
And yet another four;
|
||
|
And thick and fast they came at last,
|
||
|
And more, and more, and more --
|
||
|
All hopping through the frothy waves,
|
||
|
And scrambling to the shore.
|
||
|
|
||
|
The Walrus and the Carpenter
|
||
|
Walked on a mile or so,
|
||
|
And then they rested on a rock
|
||
|
Conveniently low:
|
||
|
And all the little Oysters stood
|
||
|
And waited in a row.
|
||
|
|
||
|
"The time has come," the Walrus said,
|
||
|
"To talk of many things:
|
||
|
Of shoes -- and ships -- and sealing-wax --
|
||
|
Of cabbages -- and kings --
|
||
|
And why the sea is boiling hot --
|
||
|
And whether pigs have wings."
|
||
|
|
||
|
"But wait a bit," the Oysters cried,
|
||
|
"Before we have our chat;
|
||
|
For some of us are out of breath,
|
||
|
And all of us are fat!"
|
||
|
"No hurry!" said the Carpenter.
|
||
|
They thanked him much for that.
|
||
|
|
||
|
"A loaf of bread," the Walrus said,
|
||
|
"Is what we chiefly need:
|
||
|
Pepper and vinegar besides
|
||
|
Are very good indeed --
|
||
|
Now if you're ready Oysters dear,
|
||
|
We can begin to feed."
|
||
|
|
||
|
"But not on us!" the Oysters cried,
|
||
|
Turning a little blue,
|
||
|
"After such kindness, that would be
|
||
|
A dismal thing to do!"
|
||
|
"The night is fine," the Walrus said
|
||
|
"Do you admire the view?
|
||
|
|
||
|
"It was so kind of you to come!
|
||
|
And you are very nice!"
|
||
|
The Carpenter said nothing but
|
||
|
"Cut us another slice:
|
||
|
I wish you were not quite so deaf --
|
||
|
I've had to ask you twice!"
|
||
|
|
||
|
"It seems a shame," the Walrus said,
|
||
|
"To play them such a trick,
|
||
|
After we've brought them out so far,
|
||
|
And made them trot so quick!"
|
||
|
The Carpenter said nothing but
|
||
|
"The butter's spread too thick!"
|
||
|
|
||
|
"I weep for you," the Walrus said.
|
||
|
"I deeply sympathize."
|
||
|
With sobs and tears he sorted out
|
||
|
Those of the largest size.
|
||
|
Holding his pocket handkerchief
|
||
|
Before his streaming eyes.
|
||
|
|
||
|
"O Oysters," said the Carpenter.
|
||
|
"You've had a pleasant run!
|
||
|
Shall we be trotting home again?"
|
||
|
But answer came there none --
|
||
|
And that was scarcely odd, because
|
||
|
They'd eaten every one.'
|
||
|
|
||
|
`I like the Walrus best,' said Alice: `because you see he was a
|
||
|
LITTLE sorry for the poor oysters.'
|
||
|
|
||
|
`He ate more than the Carpenter, though,' said Tweedledee. `You see
|
||
|
he held his handkerchief in front, so that the Carpenter couldn't
|
||
|
count how many he took: contrariwise.'
|
||
|
|
||
|
`That was mean!' Alice said indignantly. `Then I like the
|
||
|
Carpenter best -- if he didn't eat so many as the Walrus.'
|
||
|
|
||
|
`But he ate as many as he could get,' said Tweedledum.
|
||
|
|
||
|
This was a puzzler. After a pause, Alice began, `Well! They were
|
||
|
BOTH very unpleasant characters -- ' Here she checked herself in some
|
||
|
alarm, at hearing something that sounded to her like the puffing of a
|
||
|
large steam-engine in the wood near them, thought she feared it was
|
||
|
more likely to be a wild beast. `Are there any lions or tigers about
|
||
|
here?' she asked timidly.
|
||
|
|
||
|
`It's only the Red King snoring,' said Tweedledee.
|
||
|
|
||
|
`Come and look at him!' the brothers cried, and they each took one
|
||
|
of Alice's hands, and led her up to where the King was sleeping.
|
||
|
|
||
|
`Isn't he a LOVELY sight?" said Tweedledum.
|
||
|
|
||
|
Alice couldn't say honestly that he was. He had a tall red
|
||
|
night-cap on, with a tassel, and he was lying crumpled up into a sort
|
||
|
of untidy heap, and snoring loud -- `fit to snore his head off!' as
|
||
|
Tweedledum remarked.
|
||
|
|
||
|
`I'm afraid he'll catch cold with lying on the damp grass,' said
|
||
|
Alice, who was a very thoughtful little girl.
|
||
|
|
||
|
`He's dreaming now,' said Tweedledee: `and what do you think he's
|
||
|
dreaming about?'
|
||
|
|
||
|
Alice said `Nobody can guess that.'
|
||
|
|
||
|
`Why, about YOU!' Tweedledee exclaimed, clapping his hands
|
||
|
triumphantly. `And if he left off dreaming about you, where do you
|
||
|
suppose you'd be?'
|
||
|
|
||
|
`Where I am now, of course,' said Alice.
|
||
|
|
||
|
`Not you!' Tweedledee retorted contemptuously. `You'd be nowhere.
|
||
|
Why, you're only a sort of thing in his dream!'
|
||
|
|
||
|
`If that there King was to wake,' added Tweedledum, `you'd go out
|
||
|
-- bang! -- just like a candle!'
|
||
|
|
||
|
`I shouldn't!' Alice exclaimed indignantly. `Besides, if I'M only
|
||
|
a sort of thing in his dream, what are YOU, I should like to know?'
|
||
|
|
||
|
`Ditto' said Tweedledum.
|
||
|
|
||
|
`Ditto, ditto' cried Tweedledee.
|
||
|
|
||
|
He shouted this so loud that Alice couldn't help saying, `Hush!
|
||
|
|
||
|
You'll be waking him, I'm afraid, if you make so much noise.'
|
||
|
|
||
|
`Well, it no use YOUR talking about waking him,' said Tweedledum,
|
||
|
`when you're only one of the things in his dream. You know very well
|
||
|
you're not real.'
|
||
|
|
||
|
`I AM real!' said Alice and began to cry.
|
||
|
|
||
|
`You won't make yourself a bit realler by crying,' Tweedledee
|
||
|
remarked: `there's nothing to cry about.'
|
||
|
|
||
|
`If I wasn't real,' Alice said -- half-laughing though her tears,
|
||
|
it all seemed so ridiculous -- `I shouldn't be able to cry.'
|
||
|
|
||
|
`I hope you don't suppose those are real tears?' Tweedledum
|
||
|
interrupted in a tone of great contempt.
|
||
|
|
||
|
`I know they're talking nonsense,' Alice thought to herself: `and
|
||
|
it's foolish to cry about it.' So she brushed away her tears, and
|
||
|
went on as cheerfully as she could. `At any rate I'd better be
|
||
|
getting out of the wood, for really it's coming on very dark. Do you
|
||
|
think it's going to rain?'
|
||
|
|
||
|
Tweedledum spread a large umbrella over himself and his brother,
|
||
|
and looked up into it. `No, I don't think it is,' he said: `at least
|
||
|
-- not under HERE. Nohow.'
|
||
|
|
||
|
`But it may rain OUTSIDE?'
|
||
|
|
||
|
`It may -- if it chooses,' said Tweedledee: `we've no objection.
|
||
|
Contrariwise.'
|
||
|
|
||
|
`Selfish things!' thought Alice, and she was just going to say
|
||
|
`Good-night' and leave them, when Tweedledum sprang out from under
|
||
|
the umbrella and seized her by the wrist.
|
||
|
|
||
|
`Do you see THAT?' he said, in a voice choking with passion, and
|
||
|
his eyes grew large and yellow all in a moment, as he pointed with a
|
||
|
trembling finger at a small white thing lying under the tree.
|
||
|
|
||
|
`It's only a rattle,' Alice said, after a careful examination of
|
||
|
the little white thing. `Not a rattleSNAKE, you know,' she added
|
||
|
hastily, thinking that he was frightened: only an old rattle -- quite
|
||
|
old and broken.'
|
||
|
|
||
|
`I knew it was!' cried Tweedledum, beginning to stamp about wildly
|
||
|
and tear his hair. `It's spoilt, of course!' Here he looked at
|
||
|
Tweedledee, who immediately sat down on the ground, and tried to hide
|
||
|
himself under the umbrella.
|
||
|
|
||
|
Alice laid her hand upon his arm, and said in a soothing tone, `You
|
||
|
needn't be so angry about an old rattle.'
|
||
|
|
||
|
`But it isn't old!' Tweedledum cried, in a greater fury than ever.
|
||
|
`It's new, I tell you -- I bought it yesterday -- my nice New
|
||
|
RATTLE!' and his voice rose to a perfect scream.
|
||
|
|
||
|
All this time Tweedledee was trying his best to fold up the
|
||
|
umbrella, with himself in it: which was such an extraordinary thing
|
||
|
to do, that it quite took off Alice's attention from the angry
|
||
|
brother. But he couldn't quite succeed, and it ended in his rolling
|
||
|
over, bundled up in the umbrella, with only his head out: and there
|
||
|
he lay, opening and shutting his mouth and his large eyes -- 'looking
|
||
|
more like a fish than anything else,' Alice thought.
|
||
|
|
||
|
`Of course you agree to have a battle?' Tweedledum said in a calmer
|
||
|
tone.
|
||
|
|
||
|
`I suppose so,' the other sulkily replied, as he crawled out of the
|
||
|
umbrella: `only SHE must help us to dress up, you know.'
|
||
|
|
||
|
So the two brothers went off hand-in-hand into the wood, and
|
||
|
returned in a minute with their arms full of things -- such as
|
||
|
bolsters, blankets, hearth-rugs, table-cloths, dish-covers and
|
||
|
coal-scuttles. `I hope you're a good hand a pinning and tying
|
||
|
strings?' Tweedledum remarked. `Every one of these things has got to
|
||
|
go on, somehow or other.'
|
||
|
|
||
|
Alice said afterwards she had never seen such a fuss made about
|
||
|
anything in all her life -- the way those two bustled about -- and
|
||
|
the quantity of things they put on -- and the trouble they gave her
|
||
|
in tying strings and fastening buttons -- `Really they'll be more
|
||
|
like bundles of old clothes that anything else, by the time they're
|
||
|
ready!' she said to herself, as he arranged a bolster round the neck
|
||
|
of Tweedledee, `to keep his head from being cut off,' as he said.
|
||
|
|
||
|
`You know,' he added very gravely, `it's one of the most serious
|
||
|
things that can possibly happen to one in a battle -- to get one's
|
||
|
head cut off.'
|
||
|
|
||
|
Alice laughed loud: but she managed to turn it into a cough, for
|
||
|
fear of hurting his feelings.
|
||
|
|
||
|
`Do I look very pale?' said Tweedledum, coming up to have his
|
||
|
helmet tied on. (He CALLED it a helmet, though it certainly looked
|
||
|
much more like a saucepan.)
|
||
|
|
||
|
`Well -- yes -- a LITTLE,' Alice replied gently.
|
||
|
|
||
|
`I'm very brave generally,' he went on in a low voice: `only to-day
|
||
|
I happen to have a headache.'
|
||
|
|
||
|
`And I'VE got a toothache!' said Tweedledee, who had overheard the
|
||
|
remark. `I'm far worse off than you!'
|
||
|
|
||
|
`Then you'd better not fight to-day,' said Alice, thinking it a
|
||
|
good opportunity to make peace.
|
||
|
|
||
|
`We MUST have a bit of a fight, but I don't care about going on
|
||
|
long,' said Tweedledum. `What's the time now?'
|
||
|
|
||
|
Tweedledee looked at his watch, and said `Half-past four.'
|
||
|
|
||
|
`Let's fight till six, and then have dinner,' said Tweedledum.
|
||
|
|
||
|
`Very well,' the other said, rather sadly: `and SHE can watch us --
|
||
|
only you'd better not come VERY close,' he added: `I generally hit
|
||
|
everything I can see -- when I get really excited.'
|
||
|
|
||
|
`And _I_ hit everything within reach,' cried Tweedledum, `whether I
|
||
|
can see it or not!'
|
||
|
|
||
|
Alice laughed. `You must hit the TREES pretty often, I should
|
||
|
think,' she said.
|
||
|
|
||
|
Tweedledum looked round him with a satisfied smile. I don't
|
||
|
suppose,' he said, `there'll be a tree left standing, for ever so far
|
||
|
round, by the time we've finished!'
|
||
|
|
||
|
`And all about a rattle!' said Alice, still hoping to make them a
|
||
|
LITTLE ashamed of fighting for such a trifle.
|
||
|
|
||
|
`I shouldn't have minded it so much,' said Tweedledum, `if it
|
||
|
hadn't been a new one.'
|
||
|
|
||
|
`I wish the monstrous crow would come!' though Alice.
|
||
|
|
||
|
`There's only one sword, you know,' Tweedledum said to his brother:
|
||
|
`but you can have the umbrella -- it's quite as sharp. Only we must
|
||
|
begin quick. It's getting as dark as it can.'
|
||
|
|
||
|
`And darker.' said Tweedledee.
|
||
|
|
||
|
It was getting dark so suddenly that Alice thought there must be a
|
||
|
thunderstorm coming on. `What a thick black cloud that is!' she
|
||
|
said. `And how fast it comes! Why, I do believe it's got wings!'
|
||
|
|
||
|
`It's the crow!' Tweedledum cried out in a shrill voice of alarm:
|
||
|
and the two brothers took to their heels and were out of sight in a
|
||
|
moment.
|
||
|
|
||
|
Alice ran a little way into the wood, and stopped under a large
|
||
|
tree. `It can never get at me HERE,' she thought: `it's far too
|
||
|
large to squeeze itself in among the trees. But I wish it wouldn't
|
||
|
flap its wings so -- it make quite a hurricane in the wood -- here's
|
||
|
somebody's shawl being blown away!'
|
||
|
|
||
|
CHAPTER V
|
||
|
|
||
|
Wool and Water
|
||
|
|
||
|
She caught the shawl as she spoke, and looked about for the owner:
|
||
|
in another moment the White Queen came running wildly through the
|
||
|
wood, with both arms stretched out wide, as if she were flying, and
|
||
|
Alice very civilly went to meet her with the shawl.
|
||
|
|
||
|
`I'm very glad I happened to be in the way,' Alice said, as she
|
||
|
helped her to put on her shawl again.
|
||
|
|
||
|
The While Queen only looked at her in a helpless frightened sort of
|
||
|
way, and kept repeating something in a whisper to herself that
|
||
|
sounded like `bread-and-butter, bread-and-butter,' and Alice felt
|
||
|
that if there was to be any conversation at all, she must manage it
|
||
|
herself. So she began rather timidly: `Am I addressing the White
|
||
|
Queen?'
|
||
|
|
||
|
`Well, yes, if you call that a-dressing,' The Queen said. `It
|
||
|
isn't MY notion of the thing, at all."
|
||
|
|
||
|
Alice thought it would never do to have an argument at the very
|
||
|
beginning of their conversation, so she smiled and said, `If your
|
||
|
Majesty will only tell me the right way to begin, I'll do it as well
|
||
|
as I can.'
|
||
|
|
||
|
`But I don't want it done at all!' groaned the poor Queen. `I've
|
||
|
been a-dressing myself for the last two hours.'
|
||
|
|
||
|
It would have been all the better, as it seemed to Alice, if she
|
||
|
had got some one else to dress her, she was so dreadfully untidy.
|
||
|
`Every single thing's crooked,' Alice thought to herself, `and she's
|
||
|
all over pins! -- may I put your shawl straight for you?' she added
|
||
|
aloud.
|
||
|
|
||
|
`I don't know what's the matter with it!' the Queen said, in a
|
||
|
melancholy voice. `It's out of temper, I think. I've pinned it
|
||
|
here, and I've pinned it there, but there's no pleasing it!'
|
||
|
|
||
|
`It CAN'T go straight, you know, if you pin it all on one side,'
|
||
|
Alice said, as she gently put it right for her; `and, dear me, what a
|
||
|
state your hair is in!'
|
||
|
|
||
|
`The brush has got entangled in it!' the Queen said with a sigh.
|
||
|
`And I lost the comb yesterday.'
|
||
|
|
||
|
Alice carefully released the brush, and did her best to get the
|
||
|
hair into order. `Come, you look rather better now!' she said, after
|
||
|
altering most of the pins. `But really you should have a lady's
|
||
|
maid!'
|
||
|
|
||
|
`I'm sure I'll take you with pleasure!' the Queen said. `Twopence a
|
||
|
week, and jam every other day.'
|
||
|
|
||
|
Alice couldn't help laughing, as she said, `I don't want you to
|
||
|
hire ME -- and I don't care for jam.'
|
||
|
|
||
|
`It's very good jam,' said the Queen.
|
||
|
|
||
|
`Well, I don't want any TO-DAY, at any rate.'
|
||
|
|
||
|
`You couldn't have it if you DID want it,' the Queen said. `The
|
||
|
rule is, jam to-morrow and jam yesterday -- but never jam to-day.'
|
||
|
|
||
|
`It MUST come sometimes to "jam do-day,"' Alice objected.
|
||
|
|
||
|
`No, it can't,' said the Queen. `It's jam every OTHER day: to-day
|
||
|
isn't any OTHER day, you know.'
|
||
|
|
||
|
`I don't understand you,' said Alice. `It's dreadfully confusing!'
|
||
|
|
||
|
`That's the effect of living backwards,' the Queen said kindly:
|
||
|
|
||
|
`it always makes one a little giddy at first --
|
||
|
|
||
|
`Living backwards!' Alice repeated in great astonishment. `I never
|
||
|
heard of such a thing!'
|
||
|
|
||
|
` -- but there's one great advantage in it, that one's memory works
|
||
|
both ways.'
|
||
|
|
||
|
`I'm sure MINE only works one way.' Alice remarked. `I can't
|
||
|
remember things before they happen.'
|
||
|
|
||
|
`It's a poor sort of memory that only works backwards,' the Queen
|
||
|
remarked.
|
||
|
|
||
|
`What sort of things do YOU remember best?' Alice ventured to ask.
|
||
|
|
||
|
`Oh, things that happened the week after next,' the Queen replied
|
||
|
in a careless tone. `For instance, now,' she went on, sticking a
|
||
|
large piece of plaster [band-aid] on her finger as she spoke,
|
||
|
`there's the King's Messenger. He's in prison now, being punished:
|
||
|
and the trial doesn't even begin till next Wednesday: and of course
|
||
|
the crime comes last of all.'
|
||
|
|
||
|
`Suppose he never commits the crime?' said Alice.
|
||
|
|
||
|
`That would be all the better wouldn't it?' the Queen said, as she
|
||
|
bound the plaster round her finger with a bit of ribbon.
|
||
|
|
||
|
Alice felt there was no denying THAT. `Of course it would be all
|
||
|
the better,' she said: `but it wouldn't be all the better his being
|
||
|
punished.'
|
||
|
|
||
|
`You're wrong THERE, at any rate,' said the Queen: `were YOU ever
|
||
|
punished?'
|
||
|
|
||
|
`Only for faults,' said Alice.
|
||
|
|
||
|
`And you were all the better for it, I know!' the Queen said
|
||
|
triumphantly.
|
||
|
|
||
|
`Yes, but then I HAD done the things I was punished for,' said
|
||
|
Alice: `that makes all the difference.'
|
||
|
|
||
|
`But if you HADN'T done them,' the Queen said, `that would have
|
||
|
been better still; better, and better, and better!' Her voice went
|
||
|
higher with each `better,' till it got quite to a squeak at last.
|
||
|
|
||
|
Alice was just beginning to say `There's a mistake somewhere-,'
|
||
|
when the Queen began screaming so loud that she had to leave the
|
||
|
sentence unfinished. `Oh, oh, oh!' shouted the Queen, shaking her
|
||
|
hand about as if she wanted to shake it off. `My finger's bleeding!
|
||
|
Oh, oh, oh, oh!'
|
||
|
|
||
|
Her screams were so exactly like the whistle of a steam-engine,
|
||
|
that Alice had to hold both her hands over her ears.
|
||
|
|
||
|
`What IS the matter?' she said, as soon as there was a chance of
|
||
|
making herself heard. `Have you pricked your finger?'
|
||
|
|
||
|
`I haven't pricked it YET,' the Queen said, `but I soon shall - -
|
||
|
oh, oh, oh!'
|
||
|
|
||
|
`When do you expect to do it?' Alice asked, feeling very much
|
||
|
inclined to laugh.
|
||
|
|
||
|
`When I fasten my shawl again,' the poor Queen groaned out: `the
|
||
|
brooch will come undone directly. Oh, oh!' As she said the words
|
||
|
the brooch flew open, and the Queen clutched wildly at it, and tried
|
||
|
to clasp it again.
|
||
|
|
||
|
`Take care!' cried Alice. `You're holding it all crooked!' And she
|
||
|
caught at the brooch; but it was too late: the pin had slipped, and
|
||
|
the Queen had pricked her finger.
|
||
|
|
||
|
`That accounts for the bleeding, you see,' she said to Alice with a
|
||
|
smile. `Now you understand the way things happen here.'
|
||
|
|
||
|
`But why don't you scream now?' Alice asked, holding her hands
|
||
|
ready to put over her ears again.
|
||
|
|
||
|
`Why, I've done all the screaming already,' said the Queen. `What
|
||
|
would be the good of having it all over again?'
|
||
|
|
||
|
By this time it was getting light. `The crow must have flown away,
|
||
|
I think,' said Alice: `I'm so glad it's gone. I thought it was the
|
||
|
night coming on.'
|
||
|
|
||
|
`I wish _I_ could manage to be glad!' the Queen said. `Only I
|
||
|
never can remember the rule. You must be very happy, living in this
|
||
|
wood, and being glad whenever you like!'
|
||
|
|
||
|
`Only it is so VERY lonely here!' Alice said in a melancholy voice;
|
||
|
and at the thought of her loneliness two large tears came rolling
|
||
|
down her cheeks.
|
||
|
|
||
|
`Oh, don't go on like that!' cried the poor Queen, wringing her
|
||
|
hands in despair. `Consider what a great girl you are. Consider
|
||
|
what a long way you've come to-day. Consider what o'clock it is.
|
||
|
|
||
|
Consider anything, only don't cry!'
|
||
|
|
||
|
Alice could not help laughing at this, even in the midst of her
|
||
|
tears. `Can YOU keep from crying by considering things?' she asked.
|
||
|
|
||
|
`That's the way it's done,' the Queen said with great decision:
|
||
|
|
||
|
`nobody can do two things at once, you know. Let's consider you age
|
||
|
to begin with -- how old are you?'
|
||
|
|
||
|
`I`m seven and a half exactly.'
|
||
|
|
||
|
`You needn't say "exactually,"' the Queen remarked: `I can believe
|
||
|
it without that. Now I'll give YOU something to believe.
|
||
|
|
||
|
I'm just one hundred and one, five months and a day.'
|
||
|
|
||
|
`I can't believe THAT!' said Alice.
|
||
|
|
||
|
`Can't you?' the Queen said in a pitying tone. `Try again: draw a
|
||
|
long breath, and shut your eyes.'
|
||
|
|
||
|
Alice laughed. `There's not use trying,' she said: `one CAN'T
|
||
|
believe impossible things.'
|
||
|
|
||
|
`I daresay you haven't had much practice,' said the Queen. `When I
|
||
|
was your age, I always did it for half-an-hour a day. Why, sometimes
|
||
|
I've believed as many as six impossible things before breakfast.
|
||
|
There goes the shawl again!'
|
||
|
|
||
|
The brooch had come undone as she spoke, and a sudden gust of wind
|
||
|
blew the Queen's shawl across a little brook. The Queen spread out
|
||
|
her arms again, and went flying after it, and this time she succeeded
|
||
|
in catching it for herself. `I've got!' she cried in a triumphant
|
||
|
tone. `Now you shall see me pin it on again, all by myself!'
|
||
|
|
||
|
`Then I hope your finger is better now?' Alice said very politely,
|
||
|
as she crossed the little brook after the Queen.
|
||
|
|
||
|
`Oh, much better!' cried the Queen, her voice rising to a squeak as
|
||
|
she went on. `Much be-etter! Be-etter! Be-e-e-etter!
|
||
|
|
||
|
Be-e-ehh!' The last word ended in a long bleat, so like a sheep that
|
||
|
Alice quite started.
|
||
|
|
||
|
She looked at the Queen, who seemed to have suddenly wrapped
|
||
|
herself up in wool. Alice rubbed her eyes, and looked again. She
|
||
|
couldn't make out what had happened at all. Was she in a shop? And
|
||
|
was that really - was it really a SHEEP that was sitting on the other
|
||
|
side of the counter? Rub as she could, she could make nothing more
|
||
|
of it: she was in a little dark shop, leaning with her elbows on the
|
||
|
counter, and opposite to her was a old Sheep, sitting in an arm-chair
|
||
|
knitting, and every now and then leaving off to look at her through a
|
||
|
great pair of spectacles.
|
||
|
|
||
|
`What is it you want to buy?' the Sheep said at last, looking up
|
||
|
for a moment from her knitting.
|
||
|
|
||
|
`I don't QUITE know yet,' Alice said, very gently. I should like
|
||
|
to look all round me first, if I might.'
|
||
|
|
||
|
`You may look in front of you, and on both sides, if you like,'
|
||
|
said the Sheep: `but you can't look ALL round you -- unless you've
|
||
|
got eyes at the back of your head.'
|
||
|
|
||
|
But these, as it happened, Alice had NOT got: so she contented
|
||
|
herself with turning round, looking at the shelves as she came to
|
||
|
them.
|
||
|
|
||
|
The shop seemed to be full of all manner of curious things -- but
|
||
|
the oddest part of it all was, that whenever she looked hard at any
|
||
|
shelf, to make out exactly what it had on it, that particular shelf
|
||
|
was always quite empty: though the others round it were crowded as
|
||
|
full as they could hold.
|
||
|
|
||
|
`Things flow about so here!' she said at last in a plaintive tone,
|
||
|
after she had spent a minute or so in vainly pursuing a large bright
|
||
|
thing, that looked sometimes like a doll and sometimes like a
|
||
|
work-box, and was always in the shelf next above the one she was
|
||
|
looking at. `And this one is the most provoking of all -- but I'll
|
||
|
tell you what -- ' she added, as a sudden thought struck her, `I'll
|
||
|
follow it up to the very top shelf of all. It'll puzzle it to go
|
||
|
through the ceiling, I expect!'
|
||
|
|
||
|
But even this plan failed: the `thing' went through the ceiling as
|
||
|
quietly as possible, as if it were quite used to it.
|
||
|
|
||
|
`Are you a child or a teetotum?' the Sheep said, as she took up
|
||
|
another pair of needles. `You'll make me giddy soon, if you go on
|
||
|
turning round like that.' She was now working with fourteen pairs at
|
||
|
once, and Alice couldn't help looking at her in great astonishment.
|
||
|
|
||
|
`How CAN she knit with so many?' the puzzled child thought to
|
||
|
herself. `She gets more and more like a porcupine every minute!'
|
||
|
|
||
|
`Can you row?' the Sheep asked, handing her a pair of knitting-
|
||
|
needles as she spoke.
|
||
|
|
||
|
`Yes, a little -- but not on land -- and not with needles -- '
|
||
|
Alice was beginning to say, when suddenly the needles turned into
|
||
|
oars in her hands, and she found they were in a little boat, gliding
|
||
|
along between banks: so there was nothing for it but to do her best.
|
||
|
|
||
|
`Feather!' cried the Sheep, as she took up another pair of needles.
|
||
|
|
||
|
This didn't sound like a remark that needed any answer, so Alice
|
||
|
said nothing, but pulled away. There was something very queer about
|
||
|
the water, she thought, as every now and then the oars got fast in
|
||
|
it, and would hardly come out again.
|
||
|
|
||
|
`Feather! Feather!' the Sheep cried again, taking more needles.
|
||
|
`You'll be catching a crab directly.'
|
||
|
|
||
|
`A dear little crab!' thought Alice. `I should like that.'
|
||
|
|
||
|
`Didn't you hear me say "Feather"?' the Sheep cried angrily, taking
|
||
|
up quite a bunch of needles.
|
||
|
|
||
|
`Indeed I did,' said Alice: `you've said it very often -- and very
|
||
|
loud. Please, where ARE the crabs?'
|
||
|
|
||
|
`In the water, of course!' said the Sheep, sticking some of the
|
||
|
needles into her hair, as her hands were full. `Feather, I say!'
|
||
|
|
||
|
`WHY do you say "feather" so often?' Alice asked at last, rather
|
||
|
vexed. 'I'm not a bird!'
|
||
|
|
||
|
`You are,` said the Sheet: `you're a little goose.'
|
||
|
|
||
|
This offended Alice a little, so there was no more conversation for
|
||
|
a minute or two, while the boat glided gently on, sometimes among
|
||
|
beds of weeds (which made the oars stick fast in the water, worse
|
||
|
then ever), and sometimes under trees, but always with the same tall
|
||
|
river-banks frowning over their heads.
|
||
|
|
||
|
`Oh, please! There are some scented rushes!' Alice cried in a
|
||
|
sudden transport of delight. `There really are -- and SUCH
|
||
|
beauties!'
|
||
|
|
||
|
`You needn't say "please" to ME about `em' the Sheep said, without
|
||
|
looking up from her knitting: `I didn't put `em there, and I'm not
|
||
|
going to take `em away.'
|
||
|
|
||
|
`No, but I meant -- please, may we wait and pick some?' Alice
|
||
|
pleaded. `If you don't mind stopping the boat for a minute.'
|
||
|
|
||
|
`How am _I_ to stop it?' said the Sheep. `If you leave off rowing,
|
||
|
it'll stop of itself.
|
||
|
|
||
|
So the boat was left to drift down the stream as it would, till it
|
||
|
glided gently in among the waving rushes. And then the little
|
||
|
sleeves were carefully rolled up, and the little arms were plunged in
|
||
|
elbow-deep to get the rushes a good long way down before breaking
|
||
|
them off -- and for a while Alice forgot all about the Sheep and the
|
||
|
knitting, as she bent over the side of the boat, with just the ends
|
||
|
of her tangled hair dipping into the water -- while with bright eager
|
||
|
eyes she caught at one bunch after another of the darling scented
|
||
|
rushes.
|
||
|
|
||
|
`I only hope the boat won't tipple over!' she said to herself. Oh,
|
||
|
WHAT a lovely one! Only I couldn't quite reach it.' `And it
|
||
|
certainly DID seem a little provoking ( `almost as if it happened on
|
||
|
purpose,' she thought) that, though she managed to pick plenty of
|
||
|
beautiful rushes as the boat glided by, there was always a more
|
||
|
lovely one that she couldn't reach.
|
||
|
|
||
|
`The prettiest are always further!' she said at last, with a sigh
|
||
|
at the obstinacy of the rushes in growing so far off, as, with
|
||
|
flushed cheeks and dripping hair and hands, she scrambled back into
|
||
|
her place, and began to arrange her new-found treasures.
|
||
|
|
||
|
What mattered it to her just than that the rushes had begun to
|
||
|
fade, and to lose all their scent and beauty, from the very moment
|
||
|
that she picked them? Even real scented rushes, you know, last only
|
||
|
a very little while -- and these, being dream-rushes, melted away
|
||
|
almost like snow, as they lay in heaps at her feet -- but Alice
|
||
|
hardly noticed this, there were so many other curious things to think
|
||
|
about.
|
||
|
|
||
|
They hadn't gone much farther before the blade of one of the oars
|
||
|
got fast in the water and WOULDN'T come out again (so Alice explained
|
||
|
it afterwards), and the consequence was that the handle of it caught
|
||
|
her under the chin, and, in spite of a series of little shrieks of
|
||
|
`Oh, oh, oh!' from poor Alice, it swept her straight off the seat,
|
||
|
and down among the heap of rushes.
|
||
|
|
||
|
However, she wasn't hurt, and was soon up again: the Sheep went on
|
||
|
with her knitting all the while, just as if nothing had happened.
|
||
|
`That was a nice crab you caught!' she remarked, as Alice got back
|
||
|
into her place, very much relieved to find herself still in the boat.
|
||
|
|
||
|
`Was it? I didn't see it,' Said Alice, peeping cautiously over the
|
||
|
side of the boat into the dark water. `I wish it hadn't let go -- I
|
||
|
should so like to see a little crab to take home with me!' But the
|
||
|
Sheep only laughed scornfully, and went on with her knitting.
|
||
|
|
||
|
`Are there many crabs here?' said Alice.
|
||
|
|
||
|
`Crabs, and all sorts of things,' said the Sheep: `plenty of
|
||
|
choice, only make up your mind. Now, what DO you want to buy?'
|
||
|
|
||
|
`To buy!' Alice echoes in a tone that was half astonished and half
|
||
|
frightened -- for the oars, and the boat, and the river, had vanished
|
||
|
all in a moment, and she was back again in the little dark shop.
|
||
|
|
||
|
`I should like to buy an egg, please,' she said timidly. `How do
|
||
|
you sell them?'
|
||
|
|
||
|
`Fivepence farthing for one -- Twopence for two,' the Sheep
|
||
|
replied.
|
||
|
|
||
|
`Then two are cheaper than one?' Alice said in a surprised tone,
|
||
|
taking out her purse.
|
||
|
|
||
|
`Only you MUST eat them both, if you buy two,' said the Sheep.
|
||
|
|
||
|
`Then I'll have ONE, please,' said Alice, as she put the money down
|
||
|
on the counter. For she thought to herself, `They mightn't be at all
|
||
|
nice, you know.'
|
||
|
|
||
|
The Sheep took the money, and put it away in a box: then she said
|
||
|
`I never put things into people's hands -- that would never do -- you
|
||
|
must get it for yourself.' And so saying, she went off to the other
|
||
|
end of the shop, and set the egg upright on a shelf.
|
||
|
|
||
|
`I wonder WHY it wouldn't do?' thought Alice, as she groped her way
|
||
|
among the tables and chairs, for the shop was very dark towards the
|
||
|
end. `The egg seems to get further away the more I walk towards it.
|
||
|
Let me see, is this a chair? Why, it's got branches, I declare! How
|
||
|
very odd to find trees growing here! And actually here's a little
|
||
|
brook! Well, this is the very queerest shop I ever saw!'
|
||
|
|
||
|
So she went on, wondering more and more at every step, as
|
||
|
everything turned into a tree the moment she came up to it, and she
|
||
|
quite expected the egg to do the same.
|
||
|
|
||
|
CHAPTER VI
|
||
|
|
||
|
Humpty Dumpty
|
||
|
|
||
|
However, the egg only got larger and larger, and more and more
|
||
|
human: when she had come within a few yards of it, she saw that it
|
||
|
had eyes and a nose and mouth; and when she had come close to it, she
|
||
|
saw clearly that it was HUMPTY DUMPTY himself. `It can't be anybody
|
||
|
else!' she said to herself. `I'm as certain of it, as if his name
|
||
|
were written all over his face.'
|
||
|
|
||
|
It might have been written a hundred times, easily, on that
|
||
|
enormous face. Humpty Dumpty was sitting with his legs crossed, like
|
||
|
a Turk, on the top of a high wall -- such a narrow one that Alice
|
||
|
quite wondered how he could keep his balance -- and, as his eyes were
|
||
|
steadily fixed in the opposite direction, and he didn't take the
|
||
|
least notice of her, she thought he must be a stuffed figure after
|
||
|
all.
|
||
|
|
||
|
`And how exactly like an egg he is!' she said aloud, standing with
|
||
|
her hands ready to catch him, for she was every moment expecting him
|
||
|
to fall.
|
||
|
|
||
|
`It's VERY provoking,' Humpty Dumpty said after a long silence,
|
||
|
looking away from Alice as he spoke, `to be called an egg -- VERY!'
|
||
|
|
||
|
`I said you LOOKED like an egg, Sir,' Alice gently explained. `And
|
||
|
some eggs are very pretty, you know, she added, hoping to turn her
|
||
|
remark into a sort of a compliment.
|
||
|
|
||
|
`Some people,' said Humpty Dumpty, looking away from her as usual,
|
||
|
`have no more sense than a baby!'
|
||
|
|
||
|
Alice didn't know what to say to this: it wasn't at all like
|
||
|
conversation, she thought, as he never said anything to HER; in fact,
|
||
|
his last remark was evidently addressed to a tree -- so she stood and
|
||
|
softly repeated to herself: --
|
||
|
|
||
|
`Humpty Dumpty sat on a wall:
|
||
|
Humpty Dumpty had a great fall.
|
||
|
All the King's horses and all the King's men
|
||
|
Couldn't put Humpty Dumpty in his place again.'
|
||
|
|
||
|
`That last line is much too long for the poetry,' she added, almost
|
||
|
out loud, forgetting that Humpty Dumpty would hear her.
|
||
|
|
||
|
`Don't stand there chattering to yourself like that,' Humpty Dumpty
|
||
|
said, looking at her for the first time,' but tell me your name and
|
||
|
your business.'
|
||
|
|
||
|
`My NAME is Alice, but -- '
|
||
|
|
||
|
`It's a stupid name enough!' Humpty Dumpty interrupted impatiently.
|
||
|
`What does it mean?'
|
||
|
|
||
|
`MUST a name mean something?' Alice asked doubtfully.
|
||
|
|
||
|
`Of course it must,' Humpty Dumpty said with a sort laugh: `MY name
|
||
|
means the shape I am -- and a good handsome shape it is, too. With a
|
||
|
name like your, you might be any shape, almost.'
|
||
|
|
||
|
`Why do you sit out here all alone?' said Alice, not wishing to
|
||
|
begin an argument.
|
||
|
|
||
|
`Why, because there's nobody with me!' cried Humpty Dumpty. `Did
|
||
|
you think I didn't know the answer to THAT? Ask another.'
|
||
|
|
||
|
`Don't you think you'd be safer down on the ground?' Alice went on,
|
||
|
not with any idea of making another riddle, but simply in her
|
||
|
good-natured anxiety for the queer creature. `That wall is so VERY
|
||
|
narrow!'
|
||
|
|
||
|
`What tremendously easy riddles you ask!' Humpty Dumpty growled
|
||
|
out. `Of course I don't think so! Why, if ever I DID fall off - -
|
||
|
which there's no chance of -- but IF I did -- ' Here he pursed his
|
||
|
lips and looked so solemn and grand that Alice could hardly help
|
||
|
laughing. `IF I did fall,' he went on, `THE KING HAS PROMISED ME --
|
||
|
WITH HIS VERY OWN MOUTH -- to -- to -- '
|
||
|
|
||
|
`To send all his horses and all his men,' Alice interrupted, rather
|
||
|
unwisely.
|
||
|
|
||
|
`Now I declare that's too bad!' Humpty Dumpty cried, breaking into
|
||
|
a sudden passion. `You've been listening at doors -- and behind
|
||
|
trees -- and sown chimneys -- or you couldn't have known it!'
|
||
|
|
||
|
`I haven't, indeed!' Alice said very gently. `It's in a book.'
|
||
|
|
||
|
`Ah, well! They may write such things in a BOOK,' Humpty Dumpty
|
||
|
said in a calmer tone. `That's what you call a History of England,
|
||
|
that is. Now, take a good look at me! I'm one that has spoken to a
|
||
|
King, _I_ am: mayhap you'll never see such another: and to show you
|
||
|
I'm not proud, you may shake hands with me!' And he grinned almost
|
||
|
from ear to ear, as he leant forwards (and as nearly as possible fell
|
||
|
of the wall in doing so) and offered Alice his hand. She watched him
|
||
|
a little anxiously as she took it. `If he smiled much more, the ends
|
||
|
of his mouth might meet behind,' she thought: `and then I don't know
|
||
|
what would happen to his head! I'm afraid it would come off!'
|
||
|
|
||
|
`Yes, all his horses and all his men,' Humpty Dumpty went on.
|
||
|
`They'd pick me up again in a minute, THEY would! However, this
|
||
|
conversation is going on a little too fast: let's go back to the last
|
||
|
remark but one.'
|
||
|
|
||
|
`I'm afraid I can't quite remember it,' Alice said very politely.
|
||
|
|
||
|
`In that case we start fresh,' said Humpty Dumpty, `and it's my
|
||
|
turn to choose a subject -- ' (`He talks about it just as if it was a
|
||
|
game!' thought Alice.) `So here's a question for you. How old did
|
||
|
you say you were?'
|
||
|
|
||
|
Alice made a short calculation, and said `Seven years and six
|
||
|
months.'
|
||
|
|
||
|
`Wrong!' Humpty Dumpty exclaimed triumphantly. `You never said a
|
||
|
word like it!'
|
||
|
|
||
|
`I though you meant "How old ARE you?"' Alice explained.
|
||
|
|
||
|
`If I'd meant that, I'd have said it,' said Humpty Dumpty.
|
||
|
|
||
|
Alice didn't want to begin another argument, so she said nothing.
|
||
|
|
||
|
`Seven years and six months!' Humpty Dumpty repeated thoughtfully.
|
||
|
`An uncomfortable sort of age. Now if you'd asked MY advice, I'd
|
||
|
have said "Leave off at seven" -- but it's too late now.'
|
||
|
|
||
|
`I never ask advice about growing,' Alice said Indignantly.
|
||
|
|
||
|
`Too proud?' the other inquired.
|
||
|
|
||
|
Alice felt even more indignant at this suggestion. `I mean,' she
|
||
|
said, `that one can't help growing older.'
|
||
|
|
||
|
`ONE can't, perhaps,' said Humpty Dumpty, `but TWO can. With
|
||
|
proper assistance, you might have left off at seven.'
|
||
|
|
||
|
`What a beautiful belt you've got on!' Alice suddenly remarked.
|
||
|
|
||
|
(They had had quite enough of the subject of age, she thought: and if
|
||
|
they really were to take turns in choosing subjects, it was her turn
|
||
|
now.) `At least,' she corrected herself on second thoughts, `a
|
||
|
beautiful cravat, I should have said -- no, a belt, I mean -- I beg
|
||
|
your pardon!' she added in dismay, for Humpty Dumpty looked
|
||
|
thoroughly offended, and she began to wish she hadn't chosen that
|
||
|
subject. `If I only knew,' the thought to herself, 'which was neck
|
||
|
and which was waist!'
|
||
|
|
||
|
Evidently Humpty Dumpty was very angry, though he said nothing for
|
||
|
a minute or two. When he DID speak again, it was in a deep growl.
|
||
|
|
||
|
`It is a -- MOST -- PROVOKING -- thing,' he said at last, `when a
|
||
|
person doesn't know a cravat from a belt!'
|
||
|
|
||
|
`I know it's very ignorant of me,' Alice said, in so humble a tone
|
||
|
that Humpty Dumpty relented.
|
||
|
|
||
|
`It's a cravat, child, and a beautiful one, as you say. It's a
|
||
|
present from the White King and Queen. There now!'
|
||
|
|
||
|
`Is it really?' said Alice, quite pleased to find that she HAD
|
||
|
chosen a good subject, after all.
|
||
|
|
||
|
`They gave it me,' Humpty Dumpty continued thoughtfully, as he
|
||
|
crossed one knee over the other and clasped his hands round it, `they
|
||
|
gave it me -- for an un-birthday present.'
|
||
|
|
||
|
`I beg your pardon?' Alice said with a puzzled air.
|
||
|
|
||
|
`I'm not offended,' said Humpty Dumpty.
|
||
|
|
||
|
`I mean, what IS and un-birthday present?'
|
||
|
|
||
|
`A present given when it isn't your birthday, of course.'
|
||
|
|
||
|
Alice considered a little. `I like birthday presents best,' she
|
||
|
said at last.
|
||
|
|
||
|
`You don't know what you're talking about!' cried Humpty Dumpty.
|
||
|
`How many days are there in a year?'
|
||
|
|
||
|
`Three hundred and sixty-five,' said Alice.
|
||
|
|
||
|
`And how many birthdays have you?'
|
||
|
|
||
|
`One.'
|
||
|
|
||
|
`And if you take one from three hundred and sixty-five, what
|
||
|
remains?'
|
||
|
|
||
|
`Three hundred and sixty-four, of course.'
|
||
|
|
||
|
Humpty Dumpty looked doubtful. `I'd rather see that done on
|
||
|
paper,' he said.
|
||
|
|
||
|
Alice couldn't help smiling as she took out her memorandum- book,
|
||
|
and worked the sum for him:
|
||
|
|
||
|
365
|
||
|
1
|
||
|
___
|
||
|
|
||
|
364
|
||
|
___
|
||
|
|
||
|
Humpty Dumpty took the book, and looked at it carefully. `That
|
||
|
seems to be done right -- ' he began.
|
||
|
|
||
|
`You're holding it upside down!' Alice interrupted.
|
||
|
|
||
|
`To be sure I was!' Humpty Dumpty said gaily, as she turned it
|
||
|
round for him. `I thought it looked a little queer. As I was
|
||
|
saying, that SEEMS to be done right -- though I haven't time to look
|
||
|
it over thoroughly just now -- and that shows that there are three
|
||
|
hundred and sixty-four days when you might get un-birthday presents
|
||
|
-- '
|
||
|
|
||
|
`Certainly,' said Alice.
|
||
|
|
||
|
`And only ONE for birthday presents, you know. There's glory for
|
||
|
you!'
|
||
|
|
||
|
`I don't know what you mean by "glory,"' Alice said.
|
||
|
|
||
|
Humpty Dumpty smiled contemptuously. `Of course you don't -- till
|
||
|
I tell you. I meant "there's a nice knock-down argument for you!"'
|
||
|
|
||
|
`But "glory" doesn't mean "a nice knock-down argument,"' Alice
|
||
|
objected.
|
||
|
|
||
|
`When _I_ use a word,' Humpty Dumpty said in rather a scornful
|
||
|
tone, `it means just what I choose it to mean -- neither more nor
|
||
|
less.'
|
||
|
|
||
|
`The question is,' said Alice, `whether you CAN make words mean so
|
||
|
many different things.'
|
||
|
|
||
|
`The question is,' said Humpty Dumpty, `which is to be master - -
|
||
|
that's all.'
|
||
|
|
||
|
Alice was too much puzzled to say anything, so after a minute
|
||
|
Humpty Dumpty began again. `They've a temper, some of them --
|
||
|
particularly verbs, they're the proudest -- adjectives you can do
|
||
|
anything with, but not verbs -- however, _I_ can manage the whole of
|
||
|
them! Impenetrability! That's what _I_ say!'
|
||
|
|
||
|
`Would you tell me, please,' said Alice `what that means?`
|
||
|
|
||
|
`Now you talk like a reasonable child,' said Humpty Dumpty, looking
|
||
|
very much pleased. `I meant by "impenetrability" that we've had
|
||
|
enough of that subject, and it would be just as well if you'd mention
|
||
|
what you mean to do next, as I suppose you don't mean to stop here
|
||
|
all the rest of your life.'
|
||
|
|
||
|
`That's a great deal to make one word mean,' Alice said in a
|
||
|
thoughtful tone.
|
||
|
|
||
|
`When I make a word do a lot of work like that,' said Humpty
|
||
|
Dumpty, `I always pay it extra.'
|
||
|
|
||
|
`Oh!' said Alice. She was too much puzzled to make any other
|
||
|
remark.
|
||
|
|
||
|
`Ah, you should see `em come round me of a Saturday night,' Humpty
|
||
|
Dumpty went on, wagging his head gravely from side to side: `for to
|
||
|
get their wages, you know.'
|
||
|
|
||
|
(Alice didn't venture to ask what he paid them with; and so you see
|
||
|
I can't tell YOU.)
|
||
|
|
||
|
`You seem very clever at explaining words, Sir,' said Alice. `Would
|
||
|
you kindly tell me the meaning of the poem called "Jabberwocky"?'
|
||
|
|
||
|
`Let's hear it,' said Humpty Dumpty. `I can explain all the poems
|
||
|
that were ever invented -- and a good many that haven't been invented
|
||
|
just yet.'
|
||
|
|
||
|
This sounded very hopeful, so Alice repeated the first verse:
|
||
|
|
||
|
`Twas brillig, and the slithy toves
|
||
|
Did gyre and gimble in the wabe;
|
||
|
All mimsy were the borogoves,
|
||
|
And the mome raths outgrabe.
|
||
|
|
||
|
`That's enough to begin with,' Humpty Dumpty interrupted: `there
|
||
|
are plenty of hard words there. "BRILLIG" means four o'clock in the
|
||
|
afternoon -- the time when you begin BROILING things for dinner.'
|
||
|
|
||
|
`That'll do very well,' said Alice: and "SLITHY"?'
|
||
|
|
||
|
`Well, "SLITHY" means "lithe and slimy." "Lithe" is the same as
|
||
|
"active." You see it's like a portmanteau -- there are two meanings
|
||
|
packed up into one word.'
|
||
|
|
||
|
`I see it now,' Alice remarked thoughtfully: `and what are
|
||
|
"TOVES"?'
|
||
|
|
||
|
`Well, "TOVES' are something like badgers -- they're something like
|
||
|
lizards -- and they're something like corkscrews.'
|
||
|
|
||
|
`They must be very curious looking creatures.'
|
||
|
|
||
|
`They are that,' said Humpty Dumpty: `also they make their nests
|
||
|
under sun-dials -- also they live on cheese.'
|
||
|
|
||
|
`Andy what's the "GYRE" and to "GIMBLE"?'
|
||
|
|
||
|
`To "GYRE" is to go round and round like a gyroscope. To "GIMBLE"
|
||
|
is to make holes like a gimblet.'
|
||
|
|
||
|
`And "THE WABE" is the grass-plot round a sun-dial, I suppose?'
|
||
|
said Alice, surprised at her own ingenuity.
|
||
|
|
||
|
`Of course it is. It's called "WABE," you know, because it goes a
|
||
|
long way before it, and a long way behind it -- '
|
||
|
|
||
|
`And a long way beyond it on each side,' Alice added.
|
||
|
|
||
|
`Exactly so. Well, then, "MIMSY" is "flimsy and miserable"
|
||
|
(there's another portmanteau for you). And a "BOROGOVE" is a thing
|
||
|
shabby-looking bird with its feathers sticking out all round --
|
||
|
something like a live mop.'
|
||
|
|
||
|
`And then "MOME RATHS"?' said Alice. `I'm afraid I'm giving you a
|
||
|
great deal of trouble.'
|
||
|
|
||
|
`Well, a "RATH" is a sort of green pig: but "MOME" I'm not certain
|
||
|
about. I think it's short for "from home" -- meaning that they'd
|
||
|
lost their way, you know.'
|
||
|
|
||
|
`And what does "OUTGRABE" mean?'
|
||
|
|
||
|
`Well, "OUTGRIBING" is something between bellowing and whistling,
|
||
|
with a kind of sneeze in the middle: however, you'll hear it done,
|
||
|
maybe -- down in the wood yonder -- and when you've once heard it
|
||
|
you'll be QUITE content. Who's been repeating all that hard stuff to
|
||
|
you?'
|
||
|
|
||
|
`I read it in a book,' said Alice. `But I had some poetry repeated
|
||
|
to me, much easier than that, by -- Tweedledee, I think it was.'
|
||
|
|
||
|
`As to poetry, you know,' said Humpty Dumpty, stretching out one of
|
||
|
his great hands, `_I_ can repeat poetry as well as other folk, if it
|
||
|
comes to that -- '
|
||
|
|
||
|
`Oh, it needn't come to that!' Alice hastily said, hoping to keep
|
||
|
him from beginning.
|
||
|
|
||
|
`The piece I'm going to repeat,' he went on without noticing her
|
||
|
remark,' was written entirely for your amusement.'
|
||
|
|
||
|
Alice felt that in that case she really OUGHT to listen to it, so
|
||
|
she sat down, and said `Thank you' rather sadly.
|
||
|
|
||
|
`In winter, when the fields are white,
|
||
|
I sing this song for your delight --
|
||
|
|
||
|
only I don't sing it,' he added, as an explanation.
|
||
|
|
||
|
`I see you don't,' said Alice.
|
||
|
|
||
|
`If you can SEE whether I'm singing or not, you're sharper eyes
|
||
|
than most.' Humpty Dumpty remarked severely. Alice was silent.
|
||
|
|
||
|
`In spring, when woods are getting green,
|
||
|
I'll try and tell you what I mean.'
|
||
|
|
||
|
`Thank you very much,' said Alice.
|
||
|
|
||
|
`In summer, when the days are long,
|
||
|
Perhaps you'll understand the song:
|
||
|
In autumn, when the leaves are brown,
|
||
|
Take pen and ink, and write it down.'
|
||
|
|
||
|
`I will, if I can remember it so long,' said Alice.
|
||
|
|
||
|
`You needn't go on making remarks like that,' Humpty Dumpty said:
|
||
|
`they're not sensible, and they put me out.'
|
||
|
|
||
|
`I sent a message to the fish:
|
||
|
I told them "This is what I wish."
|
||
|
|
||
|
The little fishes of the sea,
|
||
|
They sent an answer back to me.
|
||
|
|
||
|
The little fishes' answer was
|
||
|
"We cannot do it, Sir, because -- "'
|
||
|
|
||
|
`I'm afraid I don't quite understand,' said Alice.
|
||
|
|
||
|
`It gets easier further on,' Humpty Dumpty replied.
|
||
|
|
||
|
`I sent to them again to say
|
||
|
"It will be better to obey."
|
||
|
|
||
|
The fishes answered with a grin,
|
||
|
"Why, what a temper you are in!"
|
||
|
|
||
|
I told them once, I told them twice:
|
||
|
They would not listen to advice.
|
||
|
|
||
|
I took a kettle large and new,
|
||
|
Fit for the deed I had to do.
|
||
|
|
||
|
My heart went hop, my heart went thump;
|
||
|
I filled the kettle at the pump.
|
||
|
|
||
|
Then some one came to me and said,
|
||
|
"The little fishes are in bed."
|
||
|
|
||
|
I said to him, I said it plain,
|
||
|
"Then you must wake them up again."
|
||
|
|
||
|
I said it very loud and clear;
|
||
|
I went and shouted in his ear.'
|
||
|
|
||
|
Humpty Dumpty raised his voice almost to a scream as he repeated
|
||
|
this verse, and Alice thought with a shudder, `I wouldn't have been
|
||
|
the messenger for ANYTHING!'
|
||
|
|
||
|
`But he was very stiff and proud;
|
||
|
He said "You needn't shout so loud!"
|
||
|
|
||
|
And he was very proud and stiff;
|
||
|
He said "I'd go and wake them, if -- "
|
||
|
|
||
|
I took a corkscrew from the shelf:
|
||
|
I went to wake them up myself.
|
||
|
|
||
|
And when I found the door was locked,
|
||
|
I pulled and pushed and knocked.
|
||
|
|
||
|
And when I found the door was shut,
|
||
|
I tried to turn the handle, but -- '
|
||
|
|
||
|
There was a long pause.
|
||
|
|
||
|
`Is that all?' Alice timidly asked.
|
||
|
|
||
|
`That's all,' said Humpty Dumpty. Good-bye.'
|
||
|
|
||
|
This was rather sudden, Alice thought: but, after such a VERY
|
||
|
strong hint that she ought to be going, she felt that it would hardly
|
||
|
be civil to stay. So she got up, and held out her hand. `Good-bye,
|
||
|
till we meet again!' she said as cheerfully as she could.
|
||
|
|
||
|
`I shouldn't know you again if we DID meet,' Humpty Dumpty replied
|
||
|
in a discontented tone, giving her one of his fingers to shake;
|
||
|
`you're so exactly like other people.'
|
||
|
|
||
|
`The face is what one goes by, generally,' Alice remarked in a
|
||
|
thoughtful tone.
|
||
|
|
||
|
`That`s just what I complain of,' said Humpty Dumpty. `Your face
|
||
|
is that same as everybody has -- the two eyes, so -- ' (marking their
|
||
|
places in the air with this thumb) `nose in the middle, mouth under.
|
||
|
It's always the same. Now if you had the two eyes on the same side
|
||
|
of the nose, for instance -- or the mouth at the top -- that would be
|
||
|
SOME help.'
|
||
|
|
||
|
`It wouldn't look nice,' Alice objected. But Humpty Dumpty only
|
||
|
shut his eyes and said `Wait till you've tried.'
|
||
|
|
||
|
Alice waited a minute to see if he would speak again, but as he
|
||
|
never opened his eyes or took any further notice of her, she said
|
||
|
`Good-bye!' once more, and, getting no answer to this, she quietly
|
||
|
walked away: but she couldn't help saying to herself as she went, `Of
|
||
|
all the unsatisfactory -- ' (she repeated this aloud, as it was a
|
||
|
great comfort have such a long word to say) `of all the
|
||
|
unsatisfactory people I EVER met -- ' She never finished the
|
||
|
sentence, for at this moment a heavy crash shook the forest from end
|
||
|
to end.
|
||
|
|
||
|
CHAPTER VII
|
||
|
|
||
|
The Lion and the Unicorn
|
||
|
|
||
|
The next moment soldiers cam running through the wood, at first in
|
||
|
twos and threes, then ten or twenty together, and at last in such
|
||
|
crowds that they seemed to fill the whole forest. Alice got behind a
|
||
|
tree, for fear of being run over, and watched them go by.
|
||
|
|
||
|
She thought that in all her life she had never seen soldiers so
|
||
|
uncertain on their feet: they were always tripping over something or
|
||
|
other, and whenever one went down, several more always fell over him,
|
||
|
so that the ground was soon covered with little heaps of men.
|
||
|
|
||
|
Then came the horses. Having four feet, these managed rather
|
||
|
better than the foot-soldiers: but even THEY stumbled now and then;
|
||
|
and it seemed to be a regular rule that, whenever a horse stumbled
|
||
|
the rider fell off instantly. The confusion got worse every moment,
|
||
|
and Alice was very glad to get out of the wood into an open place,
|
||
|
where she found the White King seated on the ground, busily writing
|
||
|
in his memorandum-book.
|
||
|
|
||
|
`I've sent them all!' the King cried in a tone of delight, on
|
||
|
seeing Alice. `Did you happen to meet any soldiers, my dear, as you
|
||
|
came through the wood?'
|
||
|
|
||
|
`Yes, I did,' said Alice: several thousand, I should think.'
|
||
|
|
||
|
`Four thousand two hundred and seven, that's the exact number,' the
|
||
|
King said, referring to his book. `I couldn't send all the horses,
|
||
|
you know, because two of them are wanted in the game. And I haven't
|
||
|
sent the two Messengers, either. They're both gone to the town.
|
||
|
Just look along the road, and tell me if you can see either of them.'
|
||
|
|
||
|
`I see nobody on the road,' said Alice.
|
||
|
|
||
|
`I only wish _I_ had such eyes,' the King remarked in a fretful
|
||
|
tone. `To be able to see Nobody! And at that distance, too! Why,
|
||
|
it's as much as _I_ can do to see real people, by this light!'
|
||
|
|
||
|
All this was lost on Alice, who was still looking intently along
|
||
|
the road, shading her eyes with one hand. `I see somebody now!' she
|
||
|
exclaimed at last. `But he's coming very slowly -- and what curious
|
||
|
attitudes he goes into!' (For the messenger kept skipping up and
|
||
|
down, and wriggling like an eel, as he came along, with his great
|
||
|
hands spread out like fans on each side.)
|
||
|
|
||
|
`Not at all,' said the King. `He's an Anglo-Saxon Messenger -- and
|
||
|
those are Anglo-Saxon attitudes. He only does them when he's happy.
|
||
|
His name ia Haigha.' (He pronounced it so as to rhyme with `mayor.'
|
||
|
|
||
|
`I love my love with an H,' Alice couldn't help beginning,' because
|
||
|
he is Happy. I hate him with an H, because he is Hideous. I fed him
|
||
|
with -- with -- with Ham-sandwiches and Hay. His name is Haigha, and
|
||
|
he lives -- '
|
||
|
|
||
|
`He lives on the Hill,' the King remarked simply, without the least
|
||
|
idea that he was joining in the game, while Alice was still
|
||
|
hesitating for the name of a town beginning with H. `The other
|
||
|
Messenger's called Hatta. I must have TWO, you know -- to come and
|
||
|
go. Once to come, and one to go.'
|
||
|
|
||
|
`I beg your pardon?' said Alice.
|
||
|
|
||
|
`It isn't respectable to beg,' said the King.
|
||
|
|
||
|
`I only meant that I didn't understand,' said Alice. `Why one to
|
||
|
come and one to go?'
|
||
|
|
||
|
`Don't I tell you?' the King repeated impatiently. `I must have
|
||
|
Two -- to fetch and carry. One to fetch, and one to carry.'
|
||
|
|
||
|
At this moment the Messenger arrived: he was far too much out of
|
||
|
breath to say a word, and could only wave his hands about, and make
|
||
|
the most fearful faces at the poor King.
|
||
|
|
||
|
`This young lady loves you with an H,' the King said, introducing
|
||
|
Alice in the hope of turning off the Messenger's attention from
|
||
|
himself -- but it was no use -- the Anglo-Saxon attitudes only got
|
||
|
more extraordinary every moment, while the great eyes rolled wildly
|
||
|
from side to side.
|
||
|
|
||
|
`You alarm me!' said the King. `I feel faint -- Give me a ham
|
||
|
sandwich!'
|
||
|
|
||
|
On which the Messenger, to Alice's great amusement, opened a bag
|
||
|
that hung round his neck, and handed a sandwich to the King, who
|
||
|
devoured it greedily.
|
||
|
|
||
|
`Another sandwich!' said the King.
|
||
|
|
||
|
`There's nothing but hay left now,' the Messenger said, peeping
|
||
|
into the bag.
|
||
|
|
||
|
`Hay, then,' the King murmured in a faint whisper.
|
||
|
|
||
|
Alice was glad to see that it revived him a good deal. `There's
|
||
|
nothing like eating hay when you're faint,' he remarked to her, as he
|
||
|
munched away.
|
||
|
|
||
|
`I should think throwing cold water over you would be better,'
|
||
|
Alice suggested: `or some sal-volatile.'
|
||
|
|
||
|
`I didn't say there was nothing BETTER,' the King replied. `I said
|
||
|
there was nothing LIKE it.' Which Alice did not venture to deny.
|
||
|
|
||
|
`Who did you pass on the road?' the King went on, holding out his
|
||
|
hand to the Messenger for some more hay.
|
||
|
|
||
|
`Nobody,' said the Messenger.
|
||
|
|
||
|
`Quite right,' said the King: `this young lady saw him too. So of
|
||
|
course Nobody walks slower than you.
|
||
|
|
||
|
`I do my best,' the Messenger said in a sulky tone. `I'm sure
|
||
|
nobody walks much faster than I do!'
|
||
|
|
||
|
`He can't do that,' said the King, `or else he'd have been here
|
||
|
first. However, now you've got your breath, you may tell us what's
|
||
|
happened in the town.'
|
||
|
|
||
|
`I'll whisper it,' said the Messenger, putting his hands to his
|
||
|
mouth in the shape of a trumpet, and stooping so as to get close to
|
||
|
the King's ear. Alice was sorry for this, as she wanted to hear the
|
||
|
news too. However, instead of whispering, he simply shouted at the
|
||
|
top of his voice `They're at it again!'
|
||
|
|
||
|
`Do you call THAT a whisper?' cried the poor King, jumping up and
|
||
|
shaking himself. `If you do such a thing again, I'll have you
|
||
|
buttered! It went through and through my head like an earthquake!'
|
||
|
|
||
|
`It would have to be a very tiny earthquake!' thought Alice. `Who
|
||
|
are at it again?' she ventured to ask.
|
||
|
|
||
|
`Why the Lion and the Unicorn, of course,' said the King.
|
||
|
|
||
|
`Fighting for the crown?'
|
||
|
|
||
|
`Yes, to be sure,' said the King: `and the best of the joke is,
|
||
|
that it's MY crown all the while! Let's run and see them.' And they
|
||
|
trotted off, Alice repeating to herself, as she ran, the words of the
|
||
|
old song: --
|
||
|
|
||
|
`The Lion and the Unicorn were fighting for the crown:
|
||
|
The Lion beat the Unicorn all round the town.
|
||
|
Some gave them white bread, some gave them brown;
|
||
|
Some gave them plum-cake and drummed them out of town.'
|
||
|
|
||
|
`Does -- the one -- that wins -- get the crown?' she asked, as well
|
||
|
as she could, for the run was putting her quite out of breath.
|
||
|
|
||
|
`Dear me, no!' said the King. `What an idea!'
|
||
|
|
||
|
`Would you -- be good enough,' Alice panted out, after running a
|
||
|
little further, `to stop a minute -- just to get -- one's breath
|
||
|
again?'
|
||
|
|
||
|
`I'm GOOD enough,' the King said, `only I'm not strong enough. You
|
||
|
see, a minute goes by so fearfully quick. You might as well try to
|
||
|
stop a Bandersnatch!'
|
||
|
|
||
|
Alice had no more breath for talking, so the trotted on in silence,
|
||
|
till they came in sight of a great crowd, in the middle of which the
|
||
|
Lion and Unicorn were fighting. They were in such a cloud of dust,
|
||
|
that at first Alice could not make out which was which: but she soon
|
||
|
managed to distinguish the Unicorn by his horn.
|
||
|
|
||
|
They placed themselves close to where Hatta, the other messenger,
|
||
|
was standing watching the fight, with a cup of tea in one hand and a
|
||
|
piece of bread-and-butter in the other.
|
||
|
|
||
|
`He's only just out of prison, and he hadn't finished his tea when
|
||
|
he was sent in,' Haigha whispered to Alice: `and they only give them
|
||
|
oyster-shells in there -- so you see he's very hungry and thirsty.
|
||
|
How are you, dear child?' he went on, putting his arm affectionately
|
||
|
round Hatta's neck.
|
||
|
|
||
|
Hatta looked round and nodded, and went on with his bread and
|
||
|
butter.
|
||
|
|
||
|
`Were you happy in prison, dear child?' said Haigha.
|
||
|
|
||
|
Hatta looked round once more, and this time a tear or two trickled
|
||
|
down his cheek: but not a word would he say.
|
||
|
|
||
|
`Speak, can't you!' Haigha cried impatiently. But Hatta only
|
||
|
munched away, and drank some more tea.
|
||
|
|
||
|
`Speak, won't you!' cried the King. 'How are they getting on with
|
||
|
the fight?'
|
||
|
|
||
|
Hatta made a desperate effort, and swallowed a large piece of
|
||
|
bread-and-butter. `They're getting on very well,' he said in a
|
||
|
choking voice: `each of them has been down about eighty-seven times.'
|
||
|
|
||
|
`Then I suppose they'll soon bring the white bread and the brown?'
|
||
|
Alice ventured to remark.
|
||
|
|
||
|
`It's waiting for 'em now,' said Hatta: `this is a bit of it as I'm
|
||
|
eating.'
|
||
|
|
||
|
There was a pause in the fight just then, and the Lion and the
|
||
|
Unicorn sat down, panting, while the King called out `Ten minutes
|
||
|
allowed for refreshments!' Haigha and Hatta set to work at once,
|
||
|
carrying rough trays of white and brown bread. Alice took a piece to
|
||
|
taste, but it was VERY dry.
|
||
|
|
||
|
`I don't think they'll fight any more to-day,' the King said to
|
||
|
Hatta: `go and order the drums to begin.' And Hatta went bounding
|
||
|
away like a grasshopper.
|
||
|
|
||
|
For a minute or two Alice stood silent, watching him. Suddenly she
|
||
|
brightened up. `Look, look!' she cried, pointing eagerly. "There's
|
||
|
the White Queen running across the country! She came flying out of
|
||
|
the wood over yonder -- How fast those Queens CAN run!'
|
||
|
|
||
|
`There's some enemy after, her no doubt,' the King said, without
|
||
|
even looking round. `That wood's full of them.'
|
||
|
|
||
|
`But aren't you going to run and help her?' Alice asked, very much
|
||
|
surprised at his taking it so quietly.
|
||
|
|
||
|
`No use, no use!' said the King. `She runs so fearfully quick.
|
||
|
|
||
|
You might as well try to catch a Bandersnatch! But I'll make a
|
||
|
memorandum about her, if you like -- She's a dear good creature,' he
|
||
|
repeated softly to himself, as he opened his memorandum-book. `Do you
|
||
|
spell "creature" with a double "e"?'
|
||
|
|
||
|
At this moment the Unicorn sauntered by them, with his hands in his
|
||
|
pockets. `I had the best of it this time?' he said to the King, just
|
||
|
glancing at him as he passed.
|
||
|
|
||
|
`A little -- a little,' the King replied, rather nervously. `You
|
||
|
shouldn't have run him through with your horn, you know.'
|
||
|
|
||
|
`It didn't hurt him,' the Unicorn said carelessly, and he was going
|
||
|
on, when his eye happened to fall upon Alice: he turned round rather
|
||
|
instantly, and stood for some time looking at her with an air of the
|
||
|
deepest disgust.
|
||
|
|
||
|
`What -- is -- this?' he said at last.
|
||
|
|
||
|
`This is a child!' Haigha replied eagerly, coming in front of Alice
|
||
|
to introduce her, and spreading out both his hands towards her in an
|
||
|
Anglo-Saxon attitude. `We only found it to-day. It's as large as
|
||
|
life, and twice as natural!'
|
||
|
|
||
|
`I always thought they were fabulous monsters!' said the Unicorn.
|
||
|
`Is at alive?'
|
||
|
|
||
|
`It can talk,' said Haigha, solemnly.
|
||
|
|
||
|
The Unicorn looked dreamily at Alice, and said `Talk, child.'
|
||
|
|
||
|
Alice could not help her lips curing up into a smile as she began:
|
||
|
`Do you know, I always thought Unicorns were fabulous monsters, too!
|
||
|
I never saw one alive before!'
|
||
|
|
||
|
`Well, now that we HAVE seen each other,' said the Unicorn, `if
|
||
|
you'll believe in me, I'll believe in you. Is that a bargain?'
|
||
|
|
||
|
`Yes, if you like,' said Alice.
|
||
|
|
||
|
`Come, fetch out the plum-cake, old man!' the Unicorn went on,
|
||
|
turning from her to the King. `None of your brown bread for me!'
|
||
|
|
||
|
`Certainly -- certainly!' the King muttered, and beckoned to
|
||
|
Haigha. `Open the bag!' he whispered. `Quick! Not that one --
|
||
|
that's full of hay!'
|
||
|
|
||
|
Haigha took a large cake out of the bag, and gave it to Alice to
|
||
|
hold, while he got out a dish and carving-knife. How they all came
|
||
|
out of it Alice couldn't guess. It was just like a conjuring-trick,
|
||
|
she thought.
|
||
|
|
||
|
The Lion had joined them while this was going on: he looked very
|
||
|
tired and sleepy, and his eyes were half shut. `What's this!' he
|
||
|
said, blinking lazily at Alice, and speaking in a deep hollow tone
|
||
|
that sounded like the tolling of a great bell.
|
||
|
|
||
|
`Ah, what IS it, now?' the Unicorn cried eagerly. `You'll never
|
||
|
guess! _I_ couldn't.'
|
||
|
|
||
|
The Lion looked at Alice wearily. `Are you animal -- vegetable --
|
||
|
or mineral?' he said, yawning at every other word.
|
||
|
|
||
|
`It's a fabulous monster!' the Unicorn cried out, before Alice
|
||
|
could reply.
|
||
|
|
||
|
`Then hand round the plum-cake, Monster,' the Lion said, lying down
|
||
|
and putting his chin on this paws. `And sit down, both of you,' (to
|
||
|
the King and the Unicorn): `fair play with the cake, you know!'
|
||
|
|
||
|
The King was evidently very uncomfortable at laving to sit down
|
||
|
between the two great creatures; but there was no other place for
|
||
|
him.
|
||
|
|
||
|
`What a fight we might have for the crown, NOW!' the Unicorn said,
|
||
|
looking slyly up at the crown, which the poor King was nearly shaking
|
||
|
off his head, he trembled so much.
|
||
|
|
||
|
`I should win easy,' said the Lion.
|
||
|
|
||
|
`I'm not so sure of that,' said the Unicorn.
|
||
|
|
||
|
`Why, I beat you all round the town, you chicken!' the Lion replied
|
||
|
angrily, half getting up as he spoke.
|
||
|
|
||
|
Here the King interrupted, to prevent the quarrel going on: he was
|
||
|
very nervous, and his voice quite quivered. `All round the town?' he
|
||
|
said. `That's a good long way. Did you go by the old bridge, or the
|
||
|
market-place? You get the best view by the old bridge.'
|
||
|
|
||
|
`I'm sure I don't know,' the Lion growled out as he lay down again.
|
||
|
`There was too much dust to see anything. What a time the Monster
|
||
|
is, cutting up that cake!'
|
||
|
|
||
|
Alice had seated herself on the bank of a little brook, with the
|
||
|
great dish on her knees, and was sawing away diligently with the
|
||
|
knife. `It's very provoking!' she said, in reply to the Lion (she
|
||
|
was getting quite used to being called `the Monster'). `I've cut
|
||
|
several slices already, but they always join on again!'
|
||
|
|
||
|
`You don't know how to manage Looking-glass cakes,' the Unicorn
|
||
|
remarked. `Hand it round first, and cut it afterwards.'
|
||
|
|
||
|
This sounded nonsense, but Alice very obediently got up, and
|
||
|
carried the dish round, and the cake divided itself into three pieces
|
||
|
as she did so. `NOW cut it up,' said the Lion, as she returned to
|
||
|
her place with the empty dish.
|
||
|
|
||
|
`I say, this isn't fair!' cried the Unicorn, as Alice sat with the
|
||
|
knife in her hand, very much puzzled how to begin. `The Monster has
|
||
|
given the Lion twice as much as me!'
|
||
|
|
||
|
`She's kept none for herself, anyhow,' said the Lion. `Do you like
|
||
|
plum-cake, Monster?'
|
||
|
|
||
|
But before Alice could answer him, the drums began.
|
||
|
|
||
|
Where the noise came from, she couldn't make out: the air seemed
|
||
|
full of it, and it rang through and through her head till she felt
|
||
|
quite deafened. She started to her feet and sprang across the little
|
||
|
brook in her terror,
|
||
|
|
||
|
and had just time to see the Lion and the Unicorn rise to their feet,
|
||
|
with angry looks at being interrupted in their feast, before she
|
||
|
dropped to her knees, and put her hands over her hears, vainly trying
|
||
|
to shut out the dreadful uproar.
|
||
|
|
||
|
`If THAT doesn't "drum them out of town,"' she thought to herself,
|
||
|
'nothing ever will!'
|
||
|
|
||
|
CHAPTER VIII
|
||
|
|
||
|
`It's my own Invention'
|
||
|
|
||
|
After a while the noise seemed gradually to die away, till all was
|
||
|
dead silence, and Alice lifted up her head in some alarm. There was
|
||
|
no one to be seen, and her first thought was that she must have been
|
||
|
dreaming about the Lion and the Unicorn and those still lying at her
|
||
|
feet, on which she had tried to cut the plum- cake, `So I wasn't
|
||
|
dreaming, after all,' she said to herself, `unless -- unless we're
|
||
|
all part of the same dream. Only I do hope it's MY dream, and not
|
||
|
the Red King's! I don't like belonging to another person's dream,'
|
||
|
she went on in a rather complaining tone: `I've a great mind to go
|
||
|
and wake him, and see what happens!'
|
||
|
|
||
|
At this moment her thoughts were interrupted by a loud shouting of
|
||
|
`Ahoy! Ahoy! Check! and a Knight dressed in crimson armour, came
|
||
|
galloping down upon her, brandishing a great club. Just as he
|
||
|
reached her, the horse stopped suddenly: `You're my prisoner!' the
|
||
|
Knight cried, as he tumbled off his horse.
|
||
|
|
||
|
Startled as she was, Alice was more frightened for him than for
|
||
|
herself at the moment, and watched him with some anxiety as he
|
||
|
mounted again. As soon as he was comfortably in the saddle, he began
|
||
|
once more `You're my -- ' but here another voice broke in `Ahoy!
|
||
|
Ahoy! Check!' and Alice looked round in some surprise for the new
|
||
|
enemy.
|
||
|
|
||
|
This time it was a White Knight. He drew up at Alice's side, and
|
||
|
tumbled off his horse just as the Red Knight had done: then he got on
|
||
|
again, and the two Knights sat and looked at each other for some time
|
||
|
without speaking. Alice looked from one to the other in some
|
||
|
bewilderment.
|
||
|
|
||
|
`She's MY prisoner, you know!' the Red Knight said at last.
|
||
|
|
||
|
`Yes, but then _I_ came and rescued her!' the White Knight replied.
|
||
|
|
||
|
`Well, we must fight for her, then,' said the Red Knight, as he
|
||
|
took up his helmet (which hung from the saddle, and was something the
|
||
|
shape of a horse's head, and put it on.
|
||
|
|
||
|
`You will observe the Rules of Battle, of course?' the White Knight
|
||
|
remarked, putting on his helmet too.
|
||
|
|
||
|
`I always do,' said the Red Knight, and they began banging away at
|
||
|
each other with such fury that Alice got behind a tree to be out of
|
||
|
the way of the blows.
|
||
|
|
||
|
`I wonder, now, what the Rules of Battle are,' she said to herself,
|
||
|
as she watched the fight, timidly peeping out from her hiding-place:
|
||
|
`one Rule seems to be, that if one Knight hits the other, he knocks
|
||
|
him off his horse, and if he misses, he tumbles off himself -- and
|
||
|
another Rule seems to be that they hold their clubs with their arms,
|
||
|
as if they were Punch and Judy -- What a noise they make when they
|
||
|
tumble! Just like a whole set of fire- irons falling into the
|
||
|
fender! And how quiet the horses are! They let them get on and off
|
||
|
them just as if they were tables!'
|
||
|
|
||
|
Another Rule of Battle, that Alice had not noticed, seemed to be
|
||
|
that they always fell on their heads, and the battle ended with their
|
||
|
both falling off in this way, side by side: when they got up again,
|
||
|
they shook hands, and then the Red Knight mounted and galloped off.
|
||
|
|
||
|
`It was a glorious victory, wasn't it?' said the White Knight, as
|
||
|
he came up panting.
|
||
|
|
||
|
`I don't know,' Alice said doubtfully. `I don't want to be
|
||
|
anybody's prisoner. I want to be a Queen.'
|
||
|
|
||
|
`So you will, when you've crossed the next brook,' said the White
|
||
|
Knight. `I'll see you safe to the end of the wood -- and then I must
|
||
|
go back, you know. That's the end of my move.'
|
||
|
|
||
|
`Thank you very much,' said Alice. `May I help you off with your
|
||
|
helmet?' It was evidently more than he could manage by himself;
|
||
|
however, she managed to shake him out of it at last.
|
||
|
|
||
|
`Now one can breathe more easily,' said the Knight, putting back
|
||
|
his shaggy hair with both hands, and turning his gentle face and
|
||
|
large mild eyes to Alice. She thought she had never seen such a
|
||
|
strange-looking soldier in all her life.
|
||
|
|
||
|
He was dressed in tin armour, which seemed to fit him very badly,
|
||
|
and he had a queer-shaped little deal box fastened across his
|
||
|
shoulder, upside-down, and with the lid hanging open. Alice looked
|
||
|
at it with great curiosity.
|
||
|
|
||
|
`I see you're admiring my little box.' the Knight said in a
|
||
|
friendly tone. `It's my own invention -- to keep clothes and
|
||
|
sandwiches in. You see I carry it upside-down, so that the rain
|
||
|
can't get in.'
|
||
|
|
||
|
`But the things can get OUT,' Alice gently remarked. `Do you know
|
||
|
the lid's open?'
|
||
|
|
||
|
`I didn't know it,' the Knight said, a shade of vexation passing
|
||
|
over his face. `Then all the things much have fallen out! And the
|
||
|
box is no use without them.' He unfastened it as he spoke, and was
|
||
|
just going to throw it into the bushes, when a sudden though seemed
|
||
|
to strike him, and he hung it carefully on a tree. `Can you guess
|
||
|
why I did that?' he said to Alice.
|
||
|
|
||
|
Alice shook her head.
|
||
|
|
||
|
`In hopes some bees my make a nest in it -- then I should get the
|
||
|
honey.'
|
||
|
|
||
|
`But you've got a bee-hive -- or something like one -- fastened to
|
||
|
the saddle,' said Alice.
|
||
|
|
||
|
`Yes, it's a very good bee-hive,' the Knight said in a discontented
|
||
|
tone, `one of the best kind. But not a single bee has come near it
|
||
|
yet. And the other thing is a mouse-trap. I suppose the mice keep
|
||
|
the bees out -- or the bees keep the mice out, I don't know which.'
|
||
|
|
||
|
`I was wondering what the mouse-trap was for,' said Alice. `It
|
||
|
isn't very likely there would be any mice on the horse's back.'
|
||
|
|
||
|
`Not very likely, perhaps,' said the Knight: `but if they DO come,
|
||
|
I don't choose to have them running all about.'
|
||
|
|
||
|
`You see,' he went on after a pause, `it's as well to be provided
|
||
|
for EVERYTHING. That's the reason the horse has all those anklets
|
||
|
round his feet.'
|
||
|
|
||
|
`But what are they for?' Alice asked in a tone of great curiosity.
|
||
|
|
||
|
`To guard against the bites of sharks,' the Knight replied. `It's
|
||
|
an invention of my own. And now help me on. I'll go with you to the
|
||
|
end of the wood -- What's the dish for?'
|
||
|
|
||
|
`It's meant for plum-cake,' said Alice.
|
||
|
|
||
|
`We'd better take it with us, the Knight said. `It'll some in
|
||
|
handy if we find any plum-cake. Help me to get it into this bag.'
|
||
|
|
||
|
This took a very long time to manage, though Alice held the bag
|
||
|
open very carefully, because the Knight was so VERY awkward in
|
||
|
putting in the dish: the first two or three times that he tried he
|
||
|
fell in himself instead. `It's rather a tight fit, you see,' he
|
||
|
said, as they got it in a last; `There are so many candlesticks in
|
||
|
the bag.' And he hung it to the saddle, which was already loaded
|
||
|
with bunches of carrots, and fire-irons, and many other things.
|
||
|
|
||
|
`I hope you've got your hair well fastened on?' he continued, as
|
||
|
they set off.
|
||
|
|
||
|
`Only in the usual way,' Alice said, smiling.
|
||
|
|
||
|
`That's hardly enough,' he said, anxiously. `You see the wind is
|
||
|
so VERY strong here. It's as strong as soup.'
|
||
|
|
||
|
`Have you invented a plan for keeping the hair from being blown
|
||
|
off?' Alice enquired.
|
||
|
|
||
|
`Not yet,' said the Knight. `But I've got a plan for keeping it
|
||
|
from FALLING off.'
|
||
|
|
||
|
`I should like to hear it, very much.'
|
||
|
|
||
|
`First you take an upright stick,' said the Knight. `Then you make
|
||
|
your hair creep up it, like a fruit-tree. Now the reason hair falls
|
||
|
off is because it hangs DOWN -- things never fall UPWARDS, you know.
|
||
|
It's a plan of my own invention. You may try it if you like.
|
||
|
|
||
|
It didn't sound a comfortable plan, Alice thought, and for a few
|
||
|
minutes she walked on in silence, puzzling over the idea, and every
|
||
|
now and then stopping to help the poor Knight, who certainly was NOT
|
||
|
a good rider.
|
||
|
|
||
|
Whenever the horse stopped (which it did very often), he fell off
|
||
|
in front; and whenever it went on again (which it generally did
|
||
|
rather suddenly), he fell off behind. Otherwise he kept on pretty
|
||
|
well, except that he had a habit of now and then falling off
|
||
|
sideways; and as he generally did this on the side on which Alice was
|
||
|
walking, she soon found that it was the best plan not to walk QUITE
|
||
|
close to the horse.
|
||
|
|
||
|
`I'm afraid you've not had much practice in riding,' she ventured
|
||
|
to say, as she was helping him up from his fifth tumble.
|
||
|
|
||
|
The Knight looked very much surprised, and a little offended at the
|
||
|
remark. `What makes you say that?' he asked, as he scrambled back
|
||
|
into the saddle, keeping hold of Alice's hair with one hand, to save
|
||
|
himself from falling over on the other side.
|
||
|
|
||
|
`Because people don't fall off quite so often, when they've had
|
||
|
much practice.'
|
||
|
|
||
|
`I've had plenty of practice,' the Knight said very gravely:
|
||
|
`plenty of practice!'
|
||
|
|
||
|
Alice could think of nothing better to say than `Indeed?' but she
|
||
|
said it as heartily as she could. They went on a little way in
|
||
|
silence after this, the Knight with his eyes shut, muttering to
|
||
|
himself, and Alice watching anxiously for the next tumble.
|
||
|
|
||
|
`The great art of riding,' the Knight suddenly began in a loud
|
||
|
voice, waving his right arm as he spoke, `is to keep -- ' Here the
|
||
|
sentence ended as suddenly as it had begun, as the Knight fell
|
||
|
heavily on the top of his head exactly in the path were Alice was
|
||
|
walking. She was quite frightened this time, and said in an anxious
|
||
|
tone, as she picked him up, `I hope no bones are broken?'
|
||
|
|
||
|
`None to speak of,' the Knight said, as if he didn't mind breaking
|
||
|
two or three of them. `The great art of riding, as I was saying, is
|
||
|
-- to keep your balance properly. Like this, you know -- '
|
||
|
|
||
|
He let go the bridle, and stretched out both his arms to show Alice
|
||
|
what he meant, and this time he fell flat on his back, right under
|
||
|
the horse's feet.
|
||
|
|
||
|
`Plenty of practice?' he went on repeating, all the time that Alice
|
||
|
was getting him on his feet again. `Plenty of practice!'
|
||
|
|
||
|
`It's too ridiculous!' cried Alice, losing all her patience this
|
||
|
time. `You ought to have a wooden horse on wheels, that you ought!'
|
||
|
|
||
|
`Does that kind go smoothly?' the Knight asked in a tone of great
|
||
|
interest, clasping his arms round the horse's neck as he spoke, just
|
||
|
in time to save himself from tumbling off again.
|
||
|
|
||
|
`Much more smoothly than a live horse,' Alice said, with a little
|
||
|
scream of laughter, in spite of all she could do to prevent it.
|
||
|
|
||
|
`I'll get one,' the Knight said thoughtfully to himself. `One or
|
||
|
two -- several.'
|
||
|
|
||
|
There was a short silence after this, and then the Knight went on
|
||
|
again. `I'm a great hand at inventing things. Now, I daresay you
|
||
|
noticed, that last time you picked me up, that I was looking rather
|
||
|
thoughtful?'
|
||
|
|
||
|
`You WERE a little grave,' said Alice.
|
||
|
|
||
|
`Well, just then I was inventing a new way of getting over a gate
|
||
|
-- would you like to hear it?'
|
||
|
|
||
|
`Very much indeed,' Alice said politely.
|
||
|
|
||
|
`I'll tell you how I came to think of it,' said the Knight. `You
|
||
|
see, I said to myself, "The only difficulty is with the feet: the
|
||
|
HEAD is high enough already." Now, first I put my head on the top of
|
||
|
the gate -- then I stand on my head -- then the feet are high enough,
|
||
|
you see -- then I'm over, you see.'
|
||
|
|
||
|
`Yes, I suppose you'd be over when that was done,' Alice said
|
||
|
thoughtfully: `but don't you think it would be rather hard?'
|
||
|
|
||
|
`I haven't tried it yet,' the Knight said, gravely: `so I can't
|
||
|
tell for certain -- but I'm afraid it WOULD be a little hard.'
|
||
|
|
||
|
He looked so vexed at the idea, that Alice changed the subject
|
||
|
hastily. `What a curious helmet you've got!' she said cheerfully.
|
||
|
`Is that your invention too?'
|
||
|
|
||
|
The Knight looked down proudly at his helmet, which hung from the
|
||
|
saddle. `Yes,' he said, `but I've invented a better one than that --
|
||
|
like a sugar loaf. When I used to wear it, if I fell of the horse,
|
||
|
it always touched the ground directly. So I had a VERY little way to
|
||
|
fall, you see -- But there WAS the danger of falling INTO it, to be
|
||
|
sure. THat happened to me once -- and the worst of it was, before I
|
||
|
could get out again, the other White Knight came and put it on. He
|
||
|
thought it was his own helmet.'
|
||
|
|
||
|
The knight looked so solemn about it that Alice did not dare to
|
||
|
laugh. `I'm afraid you must have hurt him,' she said in a trembling
|
||
|
voice, `being on the top of his head.'
|
||
|
|
||
|
`I had to kick him, of course,' the Knight said, very seriously.
|
||
|
`And then he took the helmet off again -- but it took hours and hours
|
||
|
to get me out. I was as fast as -- as lightning, you know.'
|
||
|
|
||
|
`But that's a different kind of fastness,' Alice objected.
|
||
|
|
||
|
The Knight shook his head. `It was all kinds of fastness with me,
|
||
|
I can assure you!' he said. He raised his hands in some excitement
|
||
|
as he said this, and instantly rolled out of the saddle, and fell
|
||
|
headlong into a deep ditch.
|
||
|
|
||
|
Alice ran to the side of the ditch to look for him. She was rather
|
||
|
startled by the fall, as for some time he had kept on very well, and
|
||
|
she was afraid that he really WAS hurt this time. However, though she
|
||
|
could see nothing but the soles of his feet, she was much relieved to
|
||
|
hear that he was talking on in his usual tone. `All kinds of
|
||
|
fastness,' he repeated: `but it was careless of him to put another
|
||
|
man's helmet on -- with the man in it, too.'
|
||
|
|
||
|
`How CAN you go on talking so quietly, head downwards?' Alice
|
||
|
asked, as she dragged him out by the feet, and laid him in a heap on
|
||
|
the bank.
|
||
|
|
||
|
The Knight looked surprised at the question. `What does it matter
|
||
|
where my body happens to be?' he said. `My mind goes on working all
|
||
|
the same. In fact, the more head downwards I am, the more I keep
|
||
|
inventing new things.'
|
||
|
|
||
|
`Now the cleverest thing of the sort that I ever did,' he went on
|
||
|
after a pause, `was inventing a new pudding during the meat- course.'
|
||
|
|
||
|
`In time to have it cooked for the next course?' said Alice. `Well,
|
||
|
not the NEXT course,' the Knight said in a slow thoughtful tone: `no,
|
||
|
certainly not the next COURSE.'
|
||
|
|
||
|
`Then it would have to be the next day. I suppose you wouldn't
|
||
|
have two pudding-courses in one dinner?'
|
||
|
|
||
|
`Well, not the NEXT day,' the Knight repeated as before: `not the
|
||
|
next DAY. In fact,' he went on, holding his head down, and his voice
|
||
|
getting lower and lower, `I don't believe that pudding ever WAS
|
||
|
cooked! In fact, I don't believe that pudding ever WILL be cooked!
|
||
|
And yet it was a very clever pudding to invent.'
|
||
|
|
||
|
`What did you mean it to be made of?' Alice asked, hoping to cheer
|
||
|
him up, for the poor Knight seemed quite low-spirited about it.
|
||
|
|
||
|
It began with blotting paper,' the Knight answered with a groan.
|
||
|
|
||
|
`That wouldn't be very nice, I'm afraid -- '
|
||
|
|
||
|
`Not very nice ALONE,' he interrupted, quite eagerly: `but you've
|
||
|
no idea what a difference it makes mixing it with other things --
|
||
|
such as gunpowder and sealing-wax. And here I must leave you.' They
|
||
|
had just come to the end of the wood.
|
||
|
|
||
|
Alice could only look puzzled: she was thinking of the pudding.
|
||
|
|
||
|
`You are sad,' the Knight said in an anxious tone: `let me sing you
|
||
|
a song to comfort you.'
|
||
|
|
||
|
`Is it very long?' Alice asked, for she had heard a good deal of
|
||
|
poetry that day.
|
||
|
|
||
|
`It's long,' said the Knight, `but very, VERY beautiful. Everybody
|
||
|
that hears me sing it -- either it brings the TEARS into their eyes,
|
||
|
or else -- '
|
||
|
|
||
|
`Or else what?' said Alice, for the Knight had made a sudden pause.
|
||
|
|
||
|
`Or else it doesn't, you know. The name of the song is called
|
||
|
"HADDOCKS' EYES."'
|
||
|
|
||
|
`Oh, that's the name of the song, is it?' Alice said, trying to
|
||
|
feel interested.
|
||
|
|
||
|
`No, you don't understand,' the Knight said, looking a little
|
||
|
vexed. `That's what the name is CALLED. The name really IS "THE
|
||
|
AGED AGED MAN."'
|
||
|
|
||
|
`Then I ought to have said "That's what the SONG is called"?'
|
||
|
Alice corrected herself.
|
||
|
|
||
|
`No, you oughtn't: that's quite another thing! The SONG is called
|
||
|
"WAYS AND MEANS": but that's only what it's CALLED, you know!'
|
||
|
|
||
|
`Well, what IS the song, then?' said Alice, who was by this time
|
||
|
completely bewildered.
|
||
|
|
||
|
`I was coming to that,' the Knight said. `The song really IS
|
||
|
"A-SITTING ON A GATE": and the tune's my own invention.'
|
||
|
|
||
|
So saying, he stopped his horse and let the reins fall on its neck:
|
||
|
then, slowly beating time with one hand, and with a faint smile
|
||
|
lighting up his gentle foolish face, as if he enjoyed the music of
|
||
|
his song, he began.
|
||
|
|
||
|
Of all the strange things that Alice saw in her journey Through The
|
||
|
Looking-Glass, this was the one that she always remembered most
|
||
|
clearly. Years afterwards she could bring the whole scene back
|
||
|
again, as if it had been only yesterday -- the mild blue eyes and
|
||
|
kindly smile of the Knight -- the setting sun gleaming through his
|
||
|
hair, and shining on his armour in a blaze of light that quite
|
||
|
dazzled her -- the horse quietly moving about, with the reins hanging
|
||
|
loose on his neck, cropping the grass at her feet -- and the black
|
||
|
shadows of the forest behind -- all this she took in like a picture,
|
||
|
as, with one hand shading her eyes, she leant against a green,
|
||
|
watching the strange pair, and listening, in a half dream, to the
|
||
|
melancholy music of the song.
|
||
|
|
||
|
`But the tune ISN'T his own invention,' she said to herself: `it's
|
||
|
"I GIVE THEE ALL, I CAN NO MORE."' She stood and listened very
|
||
|
attentively, but no tears came into her eyes.
|
||
|
|
||
|
`I'll tell thee everything I can;
|
||
|
There's little to relate.
|
||
|
I saw an aged aged man,
|
||
|
A-sitting on a gate.
|
||
|
"Who are you, aged man?' I said.
|
||
|
"and how is it you live?"
|
||
|
And his answer trickled through my head
|
||
|
Like water through a sieve.
|
||
|
|
||
|
He said "I look for butterflies
|
||
|
That sleep among the wheat:
|
||
|
I make them into mutton-pies,
|
||
|
And sell them in the street.
|
||
|
I sell them unto men,' he said,
|
||
|
"Who sail on stormy seas;
|
||
|
And that's the way I get my bread --
|
||
|
A trifle, if you please."
|
||
|
|
||
|
But I was thinking of a plan
|
||
|
To dye one's whiskers green,
|
||
|
And always use so large a fan
|
||
|
That they could not be seen.
|
||
|
So, having no reply to give
|
||
|
To what the old man said,
|
||
|
I cried, "Come, tell me how you live!"
|
||
|
And thumped him on the head.
|
||
|
|
||
|
His accents mild took up the tale:
|
||
|
He said "I go my ways,
|
||
|
And when I find a mountain-rill,
|
||
|
I set it in a blaze;
|
||
|
And thence they make a stuff they call
|
||
|
Rolands' Macassar Oil --
|
||
|
Yet twopence-halfpenny is all
|
||
|
They give me for my toil."
|
||
|
|
||
|
But I was thinking of a way
|
||
|
To feed oneself on batter,
|
||
|
And so go on from day to day
|
||
|
Getting a little fatter.
|
||
|
I shook him well from side to side,
|
||
|
Until his face was blue:
|
||
|
"Come, tell me how you live," I cried,
|
||
|
"And what it is you do!"
|
||
|
|
||
|
He said "I hunt for haddocks' eyes
|
||
|
Among the heather bright,
|
||
|
And work them into waistcoat-buttons
|
||
|
In the silent night.
|
||
|
And these I do not sell for gold
|
||
|
Or coin of silvery shine
|
||
|
But for a copper halfpenny,
|
||
|
And that will purchase nine.
|
||
|
|
||
|
"I sometimes dig for buttered rolls,
|
||
|
Or set limed twigs for crabs;
|
||
|
I sometimes search the grassy knolls
|
||
|
For wheels of Hansom-cabs.
|
||
|
And that's the way" (he gave a wink)
|
||
|
"By which I get my wealth --
|
||
|
And very gladly will I drink
|
||
|
Your Honour's noble health."
|
||
|
|
||
|
I heard him then, for I had just
|
||
|
Completed my design
|
||
|
To keep the Menai bridge from rust
|
||
|
By boiling it in wine.
|
||
|
I thanked much for telling me
|
||
|
The way he got his wealth,
|
||
|
But chiefly for his wish that he
|
||
|
Might drink my noble health.
|
||
|
|
||
|
And not, if e'er by chance I put
|
||
|
My fingers into glue
|
||
|
Or madly squeeze a right-hand foot
|
||
|
Into a left-hand shoe,
|
||
|
Or if I drop upon my toe
|
||
|
A very heavy weight,
|
||
|
I weep, for it reminds me so,
|
||
|
Of that old man I used to know --
|
||
|
|
||
|
Whose look was mild, whose speech was slow,
|
||
|
Whose hair was whiter than the snow,
|
||
|
Whose face was very like a crow,
|
||
|
With eyes, like cinders, all aglow,
|
||
|
Who seemed distracted with his woe,
|
||
|
Who rocked his body to and fro,
|
||
|
And muttered mumblingly and low,
|
||
|
As if his mouth were full of dough,
|
||
|
Who snorted like a buffalo --
|
||
|
That summer evening, long ago,
|
||
|
A-sitting on a gate.'
|
||
|
|
||
|
|
||
|
As the Knight sang the last words of the ballad, he gathered up the
|
||
|
reins, and turned his horse's head along the road by which they had
|
||
|
come. `You've only a few yards to go,' he said,' down the hill and
|
||
|
over that little brook, and then you'll be a Queen - -But you'll stay
|
||
|
and see me off first?' he added as Alice turned with an eager look in
|
||
|
the direction to which he pointed. `I shan't be long. You'll wait
|
||
|
and wave your handkerchief when I get to that turn in the road? I
|
||
|
think it'll encourage me, you see.'
|
||
|
|
||
|
`Of course I'll wait,' said Alice: `and thank you very much for
|
||
|
coming so far -- and for the song -- I liked it very much.'
|
||
|
|
||
|
`I hope so,' the Knight said doubtfully: `but you didn't cry so
|
||
|
much as I thought you would.'
|
||
|
|
||
|
So they shook hands, and then the Knight rode slowly away into the
|
||
|
forest. `It won't take long to see him OFF, I expect,' Alice said to
|
||
|
herself, as she stood watching him. `There he goes! Right on his
|
||
|
head as usual! However, he gets on again pretty easily -- that comes
|
||
|
of having so many things hung round the horse -- ' So she went on
|
||
|
talking to herself, as she watched the horse walking leisurely along
|
||
|
the road, and the Knight tumbling off, first on one side and then on
|
||
|
the other. After the fourth or fifth tumble he reached the turn, and
|
||
|
then she waved her handkerchief to him, and waited till he was out of
|
||
|
sight.
|
||
|
|
||
|
`I hope it encouraged him,' she said, as he turned to run down the
|
||
|
hill: `and now for the last brook, and to be a Queen! How grand it
|
||
|
sounds!' A very few steps brought her to the edge of the brook.
|
||
|
`The Eighth Square at last!' she cried as she bounded across, and
|
||
|
threw herself down to rest on a lawn as soft as moss, with little
|
||
|
flower-beds dotted about it here and there. `Oh, how glad I am to
|
||
|
get here! And what IS this on my head?' she exclaimed in a tone of
|
||
|
dismay, as she put her hands up to something very heavy, and fitted
|
||
|
tight all round her head.
|
||
|
|
||
|
`But how CAN it have got there without my knowing it?' she said to
|
||
|
herself, as she lifted it off, and set it on her lap to make out what
|
||
|
it could possibly be.
|
||
|
|
||
|
It was a golden crown.
|
||
|
|
||
|
|
||
|
CHAPTER IX
|
||
|
|
||
|
Queen Alice
|
||
|
|
||
|
`Well, this IS grand!' said Alice. `I never expected I should be a
|
||
|
Queen so soon -- and I'll tell you what it is, your majesty,' she
|
||
|
went on in a severe tone (she was always rather fond of scolding
|
||
|
herself), `it'll never do for you to be lolling about on the grass
|
||
|
like that! Queens have to be dignified, you know!'
|
||
|
|
||
|
So she got up and walked about -- rather stiffly just at first, as
|
||
|
she was afraid that the crown might come off: but she comforted
|
||
|
herself with the thought that there was nobody to see her, `and if I
|
||
|
really am a Queen,' she said as she sat down again, `I shall be able
|
||
|
to manage it quite well in time.'
|
||
|
|
||
|
Everything was happening so oddly that she didn't feel a bit
|
||
|
surprised at finding the Red Queen and the White Queen sitting close
|
||
|
to her, one on each side: she would have like very much to ask them
|
||
|
how they came there, but she feared it would not be quite civil.
|
||
|
However, there would be no harm, she thought, in asking if the game
|
||
|
was over. `Please, would you tell me -- ' she began, looking timidly
|
||
|
at the Red Queen.
|
||
|
|
||
|
`Speak when you're spoken to!' The Queen sharply interrupted her.
|
||
|
|
||
|
`But if everybody obeyed that rule,' said Alice, who was always
|
||
|
ready for a little argument, `and if you only spoke when you were
|
||
|
spoken to, and the other person always waited for YOU to begin, you
|
||
|
see nobody would ever say anything, so that -- '
|
||
|
|
||
|
`Ridiculous!' cried the Queen. `Why, don't you see, child -- '
|
||
|
here she broke off with a frown, and, after thinking for a minute,
|
||
|
suddenly changed the subject of the conversation. `What do you mean
|
||
|
by `If you really are a Queen"? What right have you to all yourself
|
||
|
so? You can't be a Queen, you know, till you've passed the proper
|
||
|
examination. And the sooner we begin it, the better.'
|
||
|
|
||
|
`I only said "if"!' poor Alice pleaded in a piteous tone.
|
||
|
|
||
|
The two Queens looked at each other, and the Red Queen remarked,
|
||
|
with a little shudder, `She SAYS she only said "if" - '
|
||
|
|
||
|
`But she said a great deal more than that!' the White Queen moaned,
|
||
|
wringing her hands. `Oh, ever so much more than that!'
|
||
|
|
||
|
`So you did, you know,' the Red Queen said to Alice. `Always speak
|
||
|
the truth -- think before you speak -- and write it down afterwards.'
|
||
|
|
||
|
`I'm sure I didn't mean -- ' Alice was beginning, but the Red Queen
|
||
|
interrupted her impatiently.
|
||
|
|
||
|
`That's just what I complain of! You SHOULD have meant! What do
|
||
|
you suppose is the use of child without any meaning? Even a joke
|
||
|
should have some meaning -- and a child's more important than a joke,
|
||
|
I hope. You couldn't deny that, even if you tried with both hands.'
|
||
|
|
||
|
`I don't deny things with my HANDS,' Alice objected.
|
||
|
|
||
|
`Nobody said you did,' said the Red Queen. `I said you couldn't if
|
||
|
you tried.'
|
||
|
|
||
|
`She's in that state of mind,' said the White Queen, `that she
|
||
|
wants to deny SOMETHING -- only she doesn't know what to deny!'
|
||
|
|
||
|
`A nasty, vicious temper,' the Red Queen remarked; and then there
|
||
|
was an uncomfortable silence for a minute or two.
|
||
|
|
||
|
The Red Queen broke the silence by saying to the White Queen, `I
|
||
|
invite you to Alice's dinner-party this afternoon.'
|
||
|
|
||
|
The White Queen smiled feebly, and said `And I invite YOU.'
|
||
|
|
||
|
`I didn't know I was to have a party at all,' said Alice; `but if
|
||
|
there is to be one, I think _I_ ought to invite the guests.'
|
||
|
|
||
|
`We gave you the opportunity of doing it,' the Red Queen remarked:
|
||
|
`but I daresay you've not had many lessons in manners yet?'
|
||
|
|
||
|
`Manners are not taught in lessons,' said Alice. `Lessons teach
|
||
|
you to do sums, and things of that sort.'
|
||
|
|
||
|
`And you do Addition?' the White Queen asked. `What's one and one
|
||
|
and one and one and one and one and one and one and one and one?'
|
||
|
|
||
|
`I don't know,' said Alice. `I lost count.'
|
||
|
|
||
|
`She can't do Addition,' the Red Queen interrupted. `Can you do
|
||
|
Subtraction? Take nine from eight.'
|
||
|
|
||
|
`Nine from eight I can't, you know,' Alice replied very readily:
|
||
|
`but -- '
|
||
|
|
||
|
`She can't do Subtraction,' said the White Queen. `Can you do
|
||
|
Division? Divide a loaf by a knife -- what's the answer to that?'
|
||
|
|
||
|
`I suppose -- ' Alice was beginning, but the Red Queen answered for
|
||
|
her. `Bread-and-butter, of course. Try another Subtraction sum.
|
||
|
Take a bone from a dog: what remains?'
|
||
|
|
||
|
Alice considered. `The bone wouldn't remain, of course, if I took
|
||
|
it -- and the dog wouldn't remain; it would come to bite me -- and
|
||
|
I'm sure I shouldn't remain!'
|
||
|
|
||
|
`Then you think nothing would remain?' said the Red Queen.
|
||
|
|
||
|
`I think that's the answer.'
|
||
|
|
||
|
`Wrong, as usual,' said the Red Queen: `the dog's temper would
|
||
|
remain.'
|
||
|
|
||
|
`But I don't see how -- '
|
||
|
|
||
|
`Why, look here!' the Red Queen cried. `The dog would lose its
|
||
|
temper, wouldn't it?'
|
||
|
|
||
|
`Perhaps it would,' Alice replied cautiously.
|
||
|
|
||
|
`Then if the dog went away, its temper would remain!' the Queen
|
||
|
exclaimed triumphantly.
|
||
|
|
||
|
Alice said, as gravely as she could, `They might go different
|
||
|
ways.' But she couldn't help thinking to herself, `What dreadful
|
||
|
nonsense we ARE talking!'
|
||
|
|
||
|
`She can't do sums a BIT!' the Queens said together, with great
|
||
|
emphasis.
|
||
|
|
||
|
`Can YOU do sums?' Alice said, turning suddenly on the White Queen,
|
||
|
for she didn't like being found fault with so much.
|
||
|
|
||
|
The Queen gasped and shut her eyes. `I can do Addition,' `if you
|
||
|
give me time -- but I can do Subtraction, under ANY circumstances!'
|
||
|
|
||
|
`Of course you know your A B C?' said the Red Queen.
|
||
|
|
||
|
`To be sure I do.' said Alice.
|
||
|
|
||
|
`So do I,' the White Queen whispered: `we'll often say it over
|
||
|
together, dear. And I'll tell you a secret -- I can read words of
|
||
|
one letter! Isn't THAT grand! However, don't be discouraged. You'll
|
||
|
come to it in time.'
|
||
|
|
||
|
Here the Red Queen began again. `Can you answer useful questions?'
|
||
|
she said. `How is bread made?'
|
||
|
|
||
|
`I know THAT!' Alice cried eagerly. `You take some flour -- '
|
||
|
|
||
|
`Where do you pick the flower?' the White Queen asked. `In a
|
||
|
garden, or in the hedges?'
|
||
|
|
||
|
`Well, it isn't PICKED at all,' Alice explained: `it's GROUND -- '
|
||
|
|
||
|
`How many acres of ground?' said the White Queen. `You mustn't
|
||
|
leave out so many things.'
|
||
|
|
||
|
`Fan her head!' the Red Queen anxiously interrupted. `She'll be
|
||
|
feverish after so much thinking.' So they set to work and fanned her
|
||
|
with bunches of leaves, till she had to beg them to leave off, it
|
||
|
blew her hair about so.
|
||
|
|
||
|
`She's all right again now,' said the Red Queen. `Do you know
|
||
|
Languages? What's the French for fiddle-de-dee?'
|
||
|
|
||
|
`Fiddle-de-dee's not English,' Alice replied gravely.
|
||
|
|
||
|
`Who ever said it was?' said the Red Queen.
|
||
|
|
||
|
Alice thought she saw a way out of the difficulty this time. `If
|
||
|
you'll tell me what language "fiddle-de-dee" is, I'll tell you the
|
||
|
French for it!' she exclaimed triumphantly.
|
||
|
|
||
|
But the Red Queen drew herself up rather stiffly, and said `Queens
|
||
|
never make bargains.'
|
||
|
|
||
|
`I wish Queens never asked questions,' Alice thought to herself.
|
||
|
|
||
|
`Don't let us quarrel,' the White Queen said in an anxious tone.
|
||
|
`What is the cause of lightning?'
|
||
|
|
||
|
`The cause of lightning,' Alice said very decidedly, for she felt
|
||
|
quite certain about this, `is the thunder -- no, no!' she hastily
|
||
|
corrected herself. `I meant the other way.'
|
||
|
|
||
|
`It's too late to correct it,' said the Red Queen: `when you've
|
||
|
once said a thing, that fixes it, and you must take the
|
||
|
consequences.'
|
||
|
|
||
|
`Which reminds me -- ' the White Queen said, looking down and
|
||
|
nervously clasping and unclasping her hands, `we had SUCH a
|
||
|
thunderstorm last Tuesday -- I mean one of the last set of Tuesdays,
|
||
|
you know.'
|
||
|
|
||
|
Alice was puzzled. `In OUR country,' she remarked, `there's only
|
||
|
one day at a time.'
|
||
|
|
||
|
The Red Queen said, `That's a poor thin way of doing things. Now
|
||
|
HERE, we mostly have days and nights two or three at a time, and
|
||
|
sometimes in the winter we take as many as five nights together --
|
||
|
for warmth, you know.'
|
||
|
|
||
|
`Are five nights warmer than one night, then?' Alice ventured to
|
||
|
ask.
|
||
|
|
||
|
`Five times as warm, of course.'
|
||
|
|
||
|
`But they should be five times as COLD, by the same rule -- '
|
||
|
|
||
|
`Just so!' cried the Red Queen. `Five times as warm, AND five
|
||
|
times as cold -- just as I'm five times as rich as you are, AND five
|
||
|
times as clever!'
|
||
|
|
||
|
Alice sighted and gave it up. `It's exactly like a riddle with no
|
||
|
answer!' she thought.
|
||
|
|
||
|
`Humpty Dumpty saw it too,' the White Queen went on in a low voice,
|
||
|
more as if she were talking to herself. `He came to the door with a
|
||
|
corkscrew in his hand -- '
|
||
|
|
||
|
`What did he want?' said the Red Queen.
|
||
|
|
||
|
`He said he WOULD come in,' the White Queen went on, `because he
|
||
|
was looking for a hippopotamus. Now, as it happened, there wasn't
|
||
|
such a thing in the house, that morning.'
|
||
|
|
||
|
`Is there generally?' Alice asked in an astonished tone.
|
||
|
|
||
|
`Well, only on Thursdays,' said the Queen.
|
||
|
|
||
|
`I know what he came for,' said Alice: `he wanted to punish the
|
||
|
fish, because -- '
|
||
|
|
||
|
Here the White Queen began again. `It was SUCH a thunderstorm, you
|
||
|
can't think!' (She NEVER could you know,' said the Red Queen.) `And
|
||
|
part of the roof came off, and ever so much thunder got in -- and it
|
||
|
went rolling round the room in great lumps -- and knocking over the
|
||
|
tables and things -- till I was so frightened, I couldn't remember my
|
||
|
own name!'
|
||
|
|
||
|
Alice thought to herself, `I never should TRY to remember my name
|
||
|
in the middle of an accident! Where would be the use of it?' but she
|
||
|
did not say this aloud, for fear of hurting the poor Queen's feeling.
|
||
|
|
||
|
`Your Majesty must excuse her,' the Red Queen said to Alice, taking
|
||
|
one of the White Queen's hands in her own, and gently stroking it:
|
||
|
`she means well, but she can't help saying foolish things, as a
|
||
|
general rule.'
|
||
|
|
||
|
The White Queen looked timidly at Alice, who felt she OUGHT to say
|
||
|
something kind, but really couldn't think of anything at the moment.
|
||
|
|
||
|
`She never was really well brought up,' the Red Queen went on: `but
|
||
|
it's amazing how good-tempered she is! Pat her on the head, and see
|
||
|
how pleased she'll be!' But this was more than Alice had courage to
|
||
|
do.
|
||
|
|
||
|
`A little kindness -- and putting her hair in papers -- would do
|
||
|
wonders with her -- '
|
||
|
|
||
|
The White Queen gave a deep sigh, and laid her head on Alice's
|
||
|
shoulder. `I AM so sleepy?' she moaned.
|
||
|
|
||
|
`She's tired, poor thing!' said the Red Queen. `Smooth her hair --
|
||
|
lend her your nightcap -- and sing her a soothing lullaby.'
|
||
|
|
||
|
`I haven't got a nightcap with me,' said Alice, as she tried to
|
||
|
obey the first direction: `and I don't know any soothing lullabies."
|
||
|
|
||
|
`I must do it myself, then,' said the Red Queen, and she began:
|
||
|
|
||
|
`Hush-a-by lady, in Alice's lap!
|
||
|
Till the feast's ready, we've time for a nap:
|
||
|
When the feast's over, we'll go to the ball --
|
||
|
Red Queen, and White Queen, and Alice, and all!
|
||
|
|
||
|
`And now you know the words,' she added, as she put her head down
|
||
|
on Alice's other shoulder, `just sing it through to ME. I'm getting
|
||
|
sleepy, too.' In another moment both Queens were fast asleep, and
|
||
|
snoring loud.
|
||
|
|
||
|
`What AM I to do? exclaimed Alice, looking about in great
|
||
|
perplexity, as first one round head, and then the other, rolled down
|
||
|
from her shoulder, and lay like a heavy lump in her lap. `I don't
|
||
|
thing it EVER happened before, that any one had to take care of two
|
||
|
Queens asleep at once! No, not in all the History of England -- it
|
||
|
couldn't, you know, because there never was more than one Queen at a
|
||
|
time. Do wake up, you heavy things!' she went on in an impatient
|
||
|
tone; but there was no answer but a gentle snoring.
|
||
|
|
||
|
The snoring got more distinct every minute, and sounded more like a
|
||
|
tune: at last she could even make out the words, and she listened so
|
||
|
eagerly that, when the two great heads vanished from her lap, she
|
||
|
hardly missed them.
|
||
|
|
||
|
She was standing before an arched doorway over which were the words
|
||
|
QUEEN ALICE in large letters, and on each side of the arch there was
|
||
|
a bell-handle; one was marked `Visitors' Bell,' and the other
|
||
|
`Servants' Bell.'
|
||
|
|
||
|
`I'll wait till the song's over,' thought Alice, `and then I'll
|
||
|
ring -- the -- WHICH bell must I ring?' she went on, very much
|
||
|
puzzled by the names. `I'm not a visitor, and I'm not a servant.
|
||
|
There OUGHT to be one marked "Queen," you know -- '
|
||
|
|
||
|
Just then the door opened a little way, and a creature with a long
|
||
|
beak put its head out for a moment and said `No admittance till the
|
||
|
week after next!' and shut the door again with a bang.
|
||
|
|
||
|
Alice knocked and rang in vain for a long time, but at last, a very
|
||
|
old Frog, who was sitting under a tree, got up and hobbled slowly
|
||
|
towards her: he was dressed in bright yellow, and had enormous boots
|
||
|
on.
|
||
|
|
||
|
`What is it, now?' the Frog said in a deep hoarse whisper.
|
||
|
|
||
|
Alice turned round, ready to find fault with anybody. `Where's the
|
||
|
servant whose business it is to answer the door?' she began angrily.
|
||
|
|
||
|
`Which door?' said the Frog.
|
||
|
|
||
|
Alice almost stamped with irritation at the slow drawl in which he
|
||
|
spoke. `THIS door, of course!'
|
||
|
|
||
|
The Frog looked at the door with his large dull eyes for a minute:
|
||
|
then he went nearer and rubbed it with his thumb, as if he were
|
||
|
trying whether the paint would come off; then he looked at Alice.
|
||
|
|
||
|
`To answer the door?' he said. `What's it been asking of?' He was
|
||
|
so hoarse that Alice could scarcely hear him.
|
||
|
|
||
|
`I don't know what you mean,' she said.
|
||
|
|
||
|
`I talks English, doesn't I?' the Frog went on. `Or are you deaf?
|
||
|
What did it ask you?'
|
||
|
|
||
|
`Nothing!' Alice said impatiently. `I've been knocking at it!'
|
||
|
|
||
|
`Shouldn't do that -- shouldn't do that -- ' the Frog muttered.
|
||
|
`Wexes it, you know.' Then he went up and gave the door a kick with
|
||
|
one of his great feet. `You let IT alone,' he panted out, as he
|
||
|
hobbled back to his tree, `and it'll let YOU alone, you know.'
|
||
|
|
||
|
At this moment the door was flung open, and a shrill voice was
|
||
|
heard singing:
|
||
|
|
||
|
`To the Looking-Glass world it was Alice that said,
|
||
|
"I've a sceptre in hand, I've a crown on my head;
|
||
|
Let the Looking-Glass creatures, whatever they be,
|
||
|
Come and dine with the Red Queen, the White Queen, and me."'
|
||
|
|
||
|
And hundreds of voices joined in the chorus:
|
||
|
|
||
|
`Then fill up the glasses as quick as you can,
|
||
|
And sprinkle the table with buttons and bran:
|
||
|
Put cats in the coffee, and mice in the tea --
|
||
|
And welcome Queen Alice with thirty-times-three!'
|
||
|
|
||
|
Then followed a confused noise of cheering, and Alice thought to
|
||
|
herself, `Thirty times three makes ninety. I wonder if any one's
|
||
|
counting?' In a minute there was silence again, and the same shrill
|
||
|
voice sang another verse;
|
||
|
|
||
|
`"O Looking-Glass creatures," quothe Alice, "draw near!
|
||
|
'Tis and honour to see me, a favour to hear:
|
||
|
'Tis a privilege high to have dinner and tea
|
||
|
Along with the Red Queen, the White Queen, and me!"'
|
||
|
|
||
|
Then came the chorus again: --
|
||
|
|
||
|
`Then fill up the glasses with treacle and ink,
|
||
|
Or anything else that is pleasant to drink:
|
||
|
Mix sand with the cider, and wool with the wine --
|
||
|
And welcome Queen Alice with ninety-times-nine!'
|
||
|
|
||
|
`Ninety times nine!' Alice repeated in despair, `Oh, that'll never
|
||
|
be done! I'd better go in at once -- ' and there was a dead silence
|
||
|
the moment she appeared.
|
||
|
|
||
|
Alice glanced nervously along the table, as she walked up the large
|
||
|
hall, and noticed that there were about fifty quests, of all kinds:
|
||
|
some were animals, some birds, and there were even a few flowers
|
||
|
among them. `I'm glad they've come without waiting to be asked,' she
|
||
|
thought: `I should never have known who were the right people to
|
||
|
invite!'
|
||
|
|
||
|
There were three chairs at the head of the table; the Red and White
|
||
|
Queens had already taken two of them, but the middle one was empty.
|
||
|
Alice sat down in it, rather uncomfortable in the silence, and
|
||
|
longing for some one to speak.
|
||
|
|
||
|
At last the Red Queen began. `You've missed the soup and fish,'
|
||
|
she said. `Put on the joint!' And the waiters set a leg of mutton
|
||
|
before Alice, who looked at it rather anxiously, as she had never had
|
||
|
to carve a joint before.
|
||
|
|
||
|
`You look a little shy; let me introduce you to that leg of
|
||
|
mutton,' said the Red Queen. `Alice -- Mutton; Mutton -- Alice.' The
|
||
|
leg of mutton got up in the dish and made a little bow to Alice; and
|
||
|
Alice returned the bow, not knowing whether to be frightened or
|
||
|
amused.
|
||
|
|
||
|
`May I give you a slice?' she said, taking up the knife and fork,
|
||
|
and looking from one Queen to the other.
|
||
|
|
||
|
`Certainly not,' the Red Queen, very decidedly: `it isn't etiquette
|
||
|
to cut any one you've been introduced to. Remove the joint!' And
|
||
|
the waiters carried it off, and brought a large plum-pudding in its
|
||
|
place.
|
||
|
|
||
|
`I won't be introduced to the pudding, please,' Alice said rather
|
||
|
hastily, `or shall we get no dinner at all. May I give you some?'
|
||
|
|
||
|
But the Red Queen looked sulky, and growled `Pudding -- Alice;
|
||
|
Alice -- Pudding. Remove the pudding!' and the waiters took it
|
||
|
always so quickly that Alice couldn't return its bow.
|
||
|
|
||
|
However, she didn't see why the Red Queen should be the only one to
|
||
|
give orders, so, as an experiment, she called out `Waiter! Bring back
|
||
|
the pudding!' and there it was again in a moment like a
|
||
|
conjuring-trick. It was so large that she couldn't help feeling a
|
||
|
LITTLE shy with it, as she had been with the mutton; however, she
|
||
|
conquered her shyness by a great effort and cut a slice and handed it
|
||
|
to the Red Queen.
|
||
|
|
||
|
`What impertinence!' said the Pudding. `I wonder how you'd like
|
||
|
it, if I were to cut a slice out of YOU, you creature!'
|
||
|
|
||
|
`It spoke in a thick, suety sort of voice, and Alice hadn't a word
|
||
|
to say in reply: she could only sit and look at it and gasp.
|
||
|
|
||
|
`Make a remark,' said the Red Queen: `it's ridiculous to leave all
|
||
|
the conversation to the pudding!'
|
||
|
|
||
|
`Do you know, I've had such a quantity of poetry repeated to me
|
||
|
to-day,' Alice began, a little frightened at finding that, the moment
|
||
|
she opened her lips, there was dead silence, and all eyes were fixed
|
||
|
upon her; `and it's a very curious thing, I think -- every poem was
|
||
|
about fishes in some way. Do you know why they're so fond of fishes,
|
||
|
all about here?'
|
||
|
|
||
|
She spoke to the Red Queen, whose answer was a little wide of the
|
||
|
mark. `As to fishes,' she said, very slowly and solemnly, putting
|
||
|
her mouth close to Alice's ear, `her White Majesty knows a lovely
|
||
|
riddle -- all in poetry -- all about fishes. Shall she repeat it?'
|
||
|
|
||
|
`Her Red Majesty's very kind to mention it,' the White Queen
|
||
|
murmured into Alice's other ear, in a voice like the cooing of a
|
||
|
pigeon. `It would be SUCH a treat! May I?'
|
||
|
|
||
|
`Please do,' Alice said very politely.
|
||
|
|
||
|
The White Queen laughed with delight, and stroked Alice's cheek.
|
||
|
Then she began:
|
||
|
|
||
|
`"First, the fish must be caught.'
|
||
|
That is easy: a baby, I think, could have caught it.
|
||
|
"Next, the fish must be bought.'
|
||
|
That is easy: a penny, I think, would have bought it.
|
||
|
|
||
|
"Now cook me the fish!'
|
||
|
That is easy, and will not take more than a minute.
|
||
|
Let it lie in a dish!"
|
||
|
That is easy, because it already is in it.
|
||
|
|
||
|
"Bring it here! Let me sup!"
|
||
|
It is easy to set such a dish on the table.
|
||
|
"Take the dish-cover up!'
|
||
|
Ah, THAT is so hard that I fear I'm unable!
|
||
|
|
||
|
For it holds it like glue --
|
||
|
Holds the lid to the dish, while it lies in the middle:
|
||
|
Which is easiest to do,
|
||
|
Un-dish-cover the fish, or dishcover the riddle?'
|
||
|
|
||
|
`Take a minute to think about it, and then guess,' said the Red
|
||
|
Queen. `Meanwhile, we'll drink your health -- Queen Alice's health!'
|
||
|
she screamed at the top of her voice, and all the guests began
|
||
|
drinking it directly, and very queerly they managed it: some of them
|
||
|
put their glasses upon their heads like extinguishers, and drank all
|
||
|
that trickled down their faces -- others upset the decanters, and
|
||
|
drank the wine as it ran off the edges of the table -- and three of
|
||
|
them (who looked like kangaroos) scrambled into the dish of roast
|
||
|
mutton, and began eagerly lapping up the gravy, `just like pigs in a
|
||
|
trough!' thought Alice.
|
||
|
|
||
|
`You ought to return thanks in a neat speech,' the Red Queen said,
|
||
|
frowning at Alice as she spoke.
|
||
|
|
||
|
`We must support you, you know,' the White Queen whispered, as
|
||
|
Alice got up to do it, very obediently, but a little frightened.
|
||
|
|
||
|
`Thank you very much,' she whispered in reply, `but I can do quite
|
||
|
well without.'
|
||
|
|
||
|
`That wouldn't be at all the thing,' the Red Queen said very
|
||
|
decidedly: so Alice tried to submit to it with a good grace.
|
||
|
|
||
|
(And they DID push so!' she said afterwards, when she was telling
|
||
|
her sister the history of the feast. `You would have thought they
|
||
|
wanted to squeeze me flat!')
|
||
|
|
||
|
In fact it was rather difficult for her to keep in her place while
|
||
|
she made her speech: the two Queens pushed her so, one on each side,
|
||
|
that they nearly lifted her up into the air: `I rise to return thanks
|
||
|
-- ' Alice began: and she really DID rise as she spoke, several
|
||
|
inches; but she got hold of the edge of the table, and managed to
|
||
|
pull herself down again.
|
||
|
|
||
|
`Take care of yourself!' screamed the White Queen, seizing Alice's
|
||
|
hair with both her hands. `Something's going to happen!'
|
||
|
|
||
|
And then (as Alice afterwards described it) all sorts of thing
|
||
|
happened in a moment. The candles all grew up to the ceiling,
|
||
|
looking something like a bed of rushes with fireworks at the top. As
|
||
|
to the bottles, they each took a pair of plates, which they hastily
|
||
|
fitted on as wings, and so, with forks for legs, went fluttering
|
||
|
about in all directions: `and very like birds they look,' Alice
|
||
|
thought to herself, as well as she could in the dreadful confusion
|
||
|
that was beginning.
|
||
|
|
||
|
At this moment she heard a hoarse laugh at her side, and turn to
|
||
|
see what was the matter with the White Queen; but, instead of the
|
||
|
Queen, there was the leg of mutton sitting in the chair. `Here I am!'
|
||
|
cried a voice from the soup tureen, and Alice turned again, just in
|
||
|
time to see the Queen's broad good-natured face grinning at the for a
|
||
|
moment over the edge of the tureen, before she disappeared into the
|
||
|
soup.
|
||
|
|
||
|
There was not a moment to be lost. Already several of the guests
|
||
|
were lying down in the dishes, and the soup ladle was walking up the
|
||
|
table towards Alice's chair, and beckoning to her impatiently to get
|
||
|
out of its way.
|
||
|
|
||
|
`I can't stand this any longer!' she cried as she jumped up and
|
||
|
seized the table-cloth with both hands: one good pull, and plates,
|
||
|
dishes, guests, and candles came crashing down together in a heap on
|
||
|
the floor.
|
||
|
|
||
|
`And as for YOU,' she went on, turning fiercly upon the Red Queen,
|
||
|
who she considered as the cause of all the mischief -- but the Queen
|
||
|
was no longer at her side -- she had suddenly dwindled down to the
|
||
|
size of a little doll, and was now on the table, merrily running
|
||
|
round and round after her own shawl, which was trailing behind her.
|
||
|
|
||
|
At any other time, Alice would have felt surprised at this, but she
|
||
|
was far too much excited to be surprised at anything NOW. `As for
|
||
|
YOU,' she repeated, catching hold of the little creature in the very
|
||
|
act of jumping over a bottle which had just lighted upon the table,
|
||
|
`I'll shake you into a kitten, that I will!'
|
||
|
|
||
|
CHAPTER X
|
||
|
|
||
|
Shaking
|
||
|
|
||
|
She took her off the table as she spoke, and shook her backwards
|
||
|
and forwards with all her might.
|
||
|
|
||
|
The Red Queen made no resistance whatever; only her face grew very
|
||
|
small, and her eyes got large and green: and still, as Alice went on
|
||
|
shaking her, she kept on growing shorter -- and fatter -- and softer
|
||
|
-- and rounder -- and --
|
||
|
|
||
|
CHAPTER XI
|
||
|
|
||
|
Waking
|
||
|
|
||
|
-- and it really WAS a kitten, after all.
|
||
|
|
||
|
CHAPTER XII
|
||
|
|
||
|
Which Dreamed it?
|
||
|
|
||
|
`Your majesty shouldn't purr so loud,' Alice said, rubbing her
|
||
|
eyes, and addressing the kitten, respectfully, yet with some
|
||
|
severity. `You woke me out of oh! such a nice dream! And you've
|
||
|
been along with me, Kitty -- all through the Looking-Glass world. Did
|
||
|
you know it, dear?'
|
||
|
|
||
|
It is a very inconvenient habit of kittens (Alice had once made the
|
||
|
remark) that, whatever you say to them, they Always purr. `If them
|
||
|
would only purr for "yes" and mew for "no," or any rule of that
|
||
|
sort,' she had said, `so that one could keep up a conversation! But
|
||
|
how CAN you talk with a person if they always say the same thing?'
|
||
|
|
||
|
On this occasion the kitten only purred: and it was impossible to
|
||
|
guess whether it meant `yes' or `no.'
|
||
|
|
||
|
So Alice hunted among the chessmen on the table till she had found
|
||
|
the Red Queen: then she went down on her knees on the hearth-rug, and
|
||
|
put the kitten and the Queen to look at each other. "Now, Kitty!'
|
||
|
she cried, clapping her hands triumphantly. `Confess that was what
|
||
|
you turned into!'
|
||
|
|
||
|
(`But it wouldn't look at it,' she said, when she was explaining
|
||
|
the thing afterwards to her sister: `it turned away its head, and
|
||
|
pretended not to see it: but it looked a LITTLE ashamed of itself, so
|
||
|
I think it MUST have been the Red Queen.')
|
||
|
|
||
|
`Sit up a little more stiffly, dear!' Alice cried with a merry
|
||
|
laugh. `And curtsey while you're thinking what to -- what to purr.
|
||
|
It saves time, remember!' And she caught it up and gave it one
|
||
|
little kiss, `just in honour of having been a Red Queen.'
|
||
|
|
||
|
`Snowdrop, my pet!' she went on, looking over her shoulder at the
|
||
|
White Kitten, which was still patiently undergoing its toilet, `when
|
||
|
WILL Dinah have finished with your White Majesty, I wonder? That
|
||
|
must be the reason you were so untidy in my dream - - Dinah! do you
|
||
|
know that you're scrubbing a White Queen? Really, it's most
|
||
|
disrespectful of you!
|
||
|
|
||
|
`And what did DINAH turn to, I wonder?' she prattled on, as she
|
||
|
settled comfortably down, with one elbow in the rug, and her chin in
|
||
|
her hand, to watch the kittens. `Tell me, Dinah, did you turn to
|
||
|
Humpty Dumpty? I THINK you did -- however, you'd better not mention
|
||
|
it to your friends just yet, for I'm not sure.
|
||
|
|
||
|
`By the way, Kitty, of only you'd been really with me in my dream,
|
||
|
there was one thing you WOULD have enjoyed -- I had such a quantity
|
||
|
of poetry said to me, all about fishes! To-morrow morning you shall
|
||
|
have a real treat. All the time you're eating your breakfast, I'll
|
||
|
repeat "The Walrus and the Carpenter" to you; and then you can make
|
||
|
believe it's oysters, dear!
|
||
|
|
||
|
`Now, Kitty, let's consider who it was that dreamed it all. This is
|
||
|
a serious question, my dear, and you should NOT go on licking your
|
||
|
paw like that -- as if Dinah hadn't washed you this morning! You
|
||
|
see, Kitty, it MUST have been either me or the Red King. He was part
|
||
|
of my dream, of course -- but then I was part of his dream, too! WAS
|
||
|
it the Red King, Kitty. You were his wife, my dear, so you ought to
|
||
|
know -- Oh, Kitty, DO help to settle it! I'm sure your paw can
|
||
|
wait!' But the provoking kitten only began on the other paw, and
|
||
|
pretended it hadn't heard the question.
|
||
|
|
||
|
Which do YOU think it was?
|
||
|
|
||
|
---
|
||
|
|
||
|
A boat beneath a sunny sky,
|
||
|
Lingering onward dreamily
|
||
|
In an evening of July --
|
||
|
|
||
|
Children three that nestle near,
|
||
|
Eager eye and willing ear,
|
||
|
Pleased a simple tale to hear --
|
||
|
|
||
|
Long had paled that sunny sky:
|
||
|
Echoes fade and memories die.
|
||
|
Autumn frosts have slain July.
|
||
|
|
||
|
Still she haunts me, phantomwise,
|
||
|
Alice moving under skies
|
||
|
Never seen by waking eyes.
|
||
|
|
||
|
Children yet, the tale to hear,
|
||
|
Eager eye and willing ear,
|
||
|
Lovingly shall nestle near.
|
||
|
|
||
|
In a Wonderland they lie,
|
||
|
Dreaming as the days go by,
|
||
|
Dreaming as the summers die:
|
||
|
|
||
|
Ever drifting down the stream --
|
||
|
Lingering in the golden gleam --
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Life, what is it but a dream?
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THE END
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.
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