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10150 lines
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*********The Project Gutenberg Etext of Anne of Avonlea********
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ANNE OF AVONLEA
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by
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Lucy Maud Montgomery
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to
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my former teacher
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HATTIE GORDON SMITH
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in grateful remembrance of her
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sympathy and encouragement
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Flowers spring to blossom where she walks
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The careful ways of duty,
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Our hard, stiff lines of life with her
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Are flowing curves of beauty.
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-WHITTIER
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I An Irate Neighbor
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II Selling in Haste and Repenting at Leisure
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III Mr. Harrison at Home
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IV Different Opinions47
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V A Full-fledged Schoolma'am
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VI All Sorts and Conditions of Men. . .and women
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VII The Pointing of Duty
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VIII Marilla Adopts Twins
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IX A Question of Color
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X Davy in Search of a Sensation
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XI Facts and Fancies
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XII A Jonah Day
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XIII A Golden Picnic
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XIV A Danger Averted
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XV The Beginning of Vacation
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XVI The Substance of Things Hoped For
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XVII A Chapter of Accidents
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XVIII An Adventure on the Tory Road
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XIX Just a Happy Day
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XX The Way It Often Happens
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XXI Sweet Miss Lavendar
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XXII Odds and Ends
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XXIII Miss Lavendar's Romance
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XXIV A Prophet in His Own Country
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XXV An Avonlea Scandal
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XXVI Around the Bend
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XXVII An Afternoon at the Stone House
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XXVIII The Prince Comes Back to the Enchanted Palace
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XXIX Poetry and Prose
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XXX A Wedding at the Stone House
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I
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An Irate Neighbor
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A tall, slim girl, "half-past sixteen," with serious gray eyes and hair
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which her friends called auburn, had sat down on the broad red sandstone
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doorstep of a Prince Edward Island farmhouse one ripe afternoon in August,
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firmly resolved to construe so many lines of Virgil.
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But an August afternoon, with blue hazes scarfing the harvest slopes,
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little winds whispering elfishly in the poplars, and a dancing slendor
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of red poppies outflaming against the dark coppice of young firs in a
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corner of the cherry orchard, was fitter for dreams than dead languages.
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The Virgil soon slipped unheeded to the ground, and Anne, her chin propped
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on her clasped hands, and her eyes on the splendid mass of fluffy clouds
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that were heaping up just over Mr. J. A. Harrison's house like a great
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white mountain, was far away in a delicious world where a certain
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schoolteacher was doing a wonderful work, shaping the destinies of
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future statesmen, and inspiring youthful minds and hearts with high
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and lofty ambitions.
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To be sure, if you came down to harsh facts. . .which, it must be confessed,
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Anne seldom did until she had to. . .it did not seem likely that there was
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much promising material for celebrities in Avonlea school; but you could
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never tell what might happen if a teacher used her influence for good.
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Anne had certain rose-tinted ideals of what a teacher might accomplish
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if she only went the right way about it; and she was in the midst of a
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delightful scene, forty years hence, with a famous personage. . .just
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exactly what he was to be famous for was left in convenient haziness,
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but Anne thought it would be rather nice to have him a college president
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or a Canadian premier. . .bowing low over her wrinkled hand and assuring
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her that it was she who had first kindled his ambition, and that all his
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success in life was due to the lessons she had instilled so long ago in
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Avonlea school. This pleasant vision was shattered by a most unpleasant
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interruption.
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A demure little Jersey cow came scuttling down the lane and five seconds
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later Mr. Harrison arrived. . .if "arrived" be not too mild a term to
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describe the manner of his irruption into the yard.
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He bounced over the fence without waiting to open the gate, and angrily
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confronted astonished Anne, who had risen to her feet and stood looking
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at him in some bewilderment. Mr. Harrison was their new righthand
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neighbor and she had never met him before, although she had seen him
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once or twice.
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In early April, before Anne had come home from Queen's, Mr. Robert Bell,
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whose farm adjoined the Cuthbert place on the west, had sold out and
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moved to Charlottetown. His farm had been bought by a certain Mr. J. A.
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Harrison, whose name, and the fact that he was a New Brunswick man,
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were all that was known about him. But before he had been a month in
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Avonlea he had won the reputation of being an odd person. . ."a crank,"
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Mrs. Rachel Lynde said. Mrs. Rachel was an outspoken lady, as those
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of you who may have already made her acquaintance will remember.
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Mr. Harrison was certainly different from other people. . .and that
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is the essential characteristic of a crank, as everybody knows.
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In the first place he kept house for himself and had publicly
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stated that he wanted no fools of women around his diggings.
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Feminine Avonlea took its revenge by the gruesome tales it related
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about his house-keeping and cooking. He had hired little John
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Henry Carter of White Sands and John Henry started the stories.
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For one thing, there was never any stated time for meals in the
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Harrison establishment. Mr. Harrison "got a bite" when he felt
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hungry, and if John Henry were around at the time, he came in for a
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share, but if he were not, he had to wait until Mr. Harrison's
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next hungry spell. John Henry mournfully averred that he would
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have starved to death if it wasn't that he got home on Sundays and
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got a good filling up, and that his mother always gave him a basket
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of "grub" to take back with him on Monday mornings.
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As for washing dishes, Mr. Harrison never made any pretence of doing
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it unless a rainy Sunday came. Then he went to work and washed them
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all at once in the rainwater hogshead, and left them to drain dry.
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Again, Mr. Harrison was "close." When he was asked to subscribe to
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the Rev. Mr. Allan's salary he said he'd wait and see how many
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dollars' worth of good he got out of his preaching first. . .he
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didn't believe in buying a pig in a poke. And when Mrs. Lynde
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went to ask for a contribution to missions. . .and incidentally to
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see the inside of the house. . .he told her there were more
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heathens among the old woman gossips in Avonlea than anywhere else
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he knew of, and he'd cheerfully contribute to a mission for
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Christianizing them if she'd undertake it. Mrs. Rachel got
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herself away and said it was a mercy poor Mrs. Robert Bell was
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safe in her grave, for it would have broken her heart to see the
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state of her house in which she used to take so much pride.
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"Why, she scrubbed the kitchen floor every second day," Mrs. Lynde
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told Marilla Cuthbert indignantly, "and if you could see it now!
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I had to hold up my skirts as I walked across it."
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Finally, Mr. Harrison kept a parrot called Ginger. Nobody in
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Avonlea had ever kept a parrot before; consequently that
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proceeding was considered barely respectable. And such a parrot!
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If you took John Henry Carter's word for it, never was such an
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unholy bird. It swore terribly. Mrs. Carter would have taken
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John Henry away at once if she had been sure she could get another
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place for him. Besides, Ginger had bitten a piece right out of the
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back of John Henry's neck one day when he had stooped down too near
|
||
|
the cage. Mrs. Carter showed everybody the mark when the luckless
|
||
|
John Henry went home on Sundays.
|
||
|
|
||
|
All these things flashed through Anne's mind as Mr. Harrison stood,
|
||
|
quite speechless with wrath apparently, before her. In his
|
||
|
most amiable mood Mr. Harrison could not have been considered a
|
||
|
handsome man; he was short and fat and bald; and now, with his
|
||
|
round face purple with rage and his prominent blue eyes almost
|
||
|
sticking out of his head, Anne thought he was really the ugliest
|
||
|
person she had ever seen.
|
||
|
|
||
|
All at once Mr. Harrison found his voice.
|
||
|
|
||
|
"I'm not going to put up with this," he spluttered, "not a day longer,
|
||
|
do you hear, miss. Bless my soul, this is the third time, miss. . .
|
||
|
the third time! Patience has ceased to be a virtue, miss.
|
||
|
I warned your aunt the last time not to let it occur again. . .
|
||
|
and she's let it. . .she's done it. . .what does she mean by it,
|
||
|
that is what I want to know. That is what I'm here about, miss."
|
||
|
|
||
|
"Will you explain what the trouble is?" asked Anne, in her most
|
||
|
dignified manner. She had been practicing it considerably of late
|
||
|
to have it in good working order when school began; but it had no
|
||
|
apparent effect on the irate J. A. Harrison.
|
||
|
|
||
|
"Trouble, is it? Bless my soul, trouble enough, I should think.
|
||
|
The trouble is, miss, that I found that Jersey cow of your aunt's
|
||
|
in my oats again, not half an hour ago. The third time, mark you.
|
||
|
I found her in last Tuesday and I found her in yesterday. I came
|
||
|
here and told your aunt not to let it occur again. She has let it
|
||
|
occur again. Where's your aunt, miss? I just want to see her for
|
||
|
a minute and give her a piece of my mind. . .a piece of J. A.
|
||
|
Harrison's mind, miss."
|
||
|
|
||
|
"If you mean Miss Marilla Cuthbert, she is not my aunt, and she has
|
||
|
gone down to East Grafton to see a distant relative of hers who is
|
||
|
very ill," said Anne, with due increase of dignity at every word.
|
||
|
"I am very sorry that my cow should have broken into your oats. . .
|
||
|
she is my cow and not Miss Cuthbert's. . .Matthew gave her to me three
|
||
|
years ago when she was a little calf and he bought her from Mr. Bell."
|
||
|
|
||
|
"Sorry, miss! Sorry isn't going to help matters any. You'd better
|
||
|
go and look at the havoc that animal has made in my oats. . .trampled
|
||
|
them from center to circumference, miss."
|
||
|
|
||
|
"I am very sorry," repeated Anne firmly, "but perhaps if you kept your
|
||
|
fences in better repair Dolly might not have broken in. It is your
|
||
|
part of the line fence that separates your oatfield from our pasture and
|
||
|
I noticed the other day that it was not in very good condition."
|
||
|
|
||
|
"My fence is all right," snapped Mr. Harrison, angrier than ever
|
||
|
at this carrying of the war into the enemy's country. "The jail
|
||
|
fence couldn't keep a demon of a cow like that out. And I can tell
|
||
|
you, you redheaded snippet, that if the cow is yours, as you say,
|
||
|
you'd be better employed in watching her out of other people's
|
||
|
grain than in sitting round reading yellowcovered novels,". . .with
|
||
|
a scathing glance at the innocent tan-colored Virgil by Anne's feet.
|
||
|
|
||
|
Something at that moment was red besides Anne's hair. . .which had
|
||
|
always been a tender point with her.
|
||
|
|
||
|
"I'd rather have red hair than none at all, except a little fringe
|
||
|
round my ears," she flashed.
|
||
|
|
||
|
The shot told, for Mr. Harrison was really very sensitive about
|
||
|
his bald head. His anger choked him up again and he could only
|
||
|
glare speechlessly at Anne, who recovered her temper and followed
|
||
|
up her advantage.
|
||
|
|
||
|
"I can make allowance for you, Mr. Harrison, because I have an
|
||
|
imagination. I can easily imagine how very trying it must be to
|
||
|
find a cow in your oats and I shall not cherish any hard feelings
|
||
|
against you for the things you've said. I promise you that Dolly
|
||
|
shall never break into your oats again. I give you my word of
|
||
|
honor on THAT point."
|
||
|
|
||
|
"Well, mind you she doesn't," muttered Mr. Harrison in a somewhat
|
||
|
subdued tone; but he stamped off angrily enough and Anne heard him
|
||
|
growling to himself until he was out of earshot.
|
||
|
|
||
|
Grievously disturbed in mind, Anne marched across the yard and
|
||
|
shut the naughty Jersey up in the milking pen.
|
||
|
|
||
|
"She can't possibly get out of that unless she tears the fence down,"
|
||
|
she reflected. "She looks pretty quiet now. I daresay she
|
||
|
has sickened herself on those oats. I wish I'd sold her to Mr.
|
||
|
Shearer when he wanted her last week, but I thought it was just as
|
||
|
well to wait until we had the auction of the stock and let them all
|
||
|
go together. I believe it is true about Mr. Harrison being a crank.
|
||
|
Certainly there's nothing of the kindred spirit about HIM."
|
||
|
|
||
|
Anne had always a weather eye open for kindred spirits.
|
||
|
|
||
|
Marilla Cuthbert was driving into the yard as Anne returned from
|
||
|
the house, and the latter flew to get tea ready. They discussed
|
||
|
the matter at the tea table.
|
||
|
|
||
|
"I'll be glad when the auction is over," said Marilla. "It is too
|
||
|
much responsibility having so much stock about the place and
|
||
|
nobody but that unreliable Martin to look after them. He has never
|
||
|
come back yet and he promised that he would certainly be back last
|
||
|
night if I'd give him the day off to go to his aunt's funeral. I
|
||
|
don't know how many aunts he has got, I am sure. That's the fourth
|
||
|
that's died since he hired here a year ago. I'll be more than
|
||
|
thankful when the crop is in and Mr. Barry takes over the farm.
|
||
|
We'll have to keep Dolly shut up in the pen till Martin comes,
|
||
|
for she must be put in the back pasture and the fences there have
|
||
|
to be fixed. I declare, it is a world of trouble, as Rachel says.
|
||
|
Here's poor Mary Keith dying and what is to become of those two
|
||
|
children of hers is more than I know. She has a brother in British
|
||
|
Columbia and she has written to him about them, but she hasn't
|
||
|
heard from him yet."
|
||
|
|
||
|
"What are the children like? How old are they?"
|
||
|
|
||
|
"Six past. . .they're twins."
|
||
|
|
||
|
"Oh, I've always been especially interested in twins ever since
|
||
|
Mrs. Hammond had so many," said Anne eagerly. "Are they pretty?"
|
||
|
|
||
|
"Goodness, you couldn't tell. . .they were too dirty. Davy had
|
||
|
been out making mud pies and Dora went out to call him in. Davy
|
||
|
pushed her headfirst into the biggest pie and then, because she
|
||
|
cried, he got into it himself and wallowed in it to show her it was
|
||
|
nothing to cry about. Mary said Dora was really a very good child
|
||
|
but that Davy was full of mischief. He has never had any bringing
|
||
|
up you might say. His father died when he was a baby and Mary has
|
||
|
been sick almost ever since."
|
||
|
|
||
|
"I'm always sorry for children that have no bringing up," said
|
||
|
Anne soberly. "You know _I_ hadn't any till you took me in hand.
|
||
|
I hope their uncle will look after them. Just what relation is
|
||
|
Mrs. Keith to you?"
|
||
|
|
||
|
"Mary? None in the world. It was her husband. . .he was
|
||
|
our third cousin. There's Mrs. Lynde coming through the yard.
|
||
|
I thought she'd be up to hear about Mary"
|
||
|
|
||
|
"Don't tell her about Mr. Harrison and the cow," implored Anne.
|
||
|
|
||
|
Marilla promised; but the promise was quite unnecessary,
|
||
|
for Mrs. Lynde was no sooner fairly seated than she said,
|
||
|
|
||
|
"I saw Mr. Harrison chasing your Jersey out of his oats today when
|
||
|
I was coming home from Carmody. I thought he looked pretty mad.
|
||
|
Did he make much of a rumpus?"
|
||
|
|
||
|
Anne and Marilla furtively exchanged amused smiles. Few things in
|
||
|
Avonlea ever escaped Mrs. Lynde. It was only that morning Anne had said,
|
||
|
|
||
|
"If you went to your own room at midnight, locked the door, pulled
|
||
|
down the blind, and SNEEZED, Mrs. Lynde would ask you the next day
|
||
|
how your cold was!"
|
||
|
|
||
|
"I believe he did," admitted Marilla. "I was away. He gave Anne a
|
||
|
piece of his mind."
|
||
|
|
||
|
"I think he is a very disagreeable man," said Anne, with a
|
||
|
resentful toss of her ruddy head.
|
||
|
|
||
|
"You never said a truer word," said Mrs. Rachel solemnly. "I knew
|
||
|
there'd be trouble when Robert Bell sold his place to a New Brunswick
|
||
|
man, that's what. I don't know what Avonlea is coming to, with so
|
||
|
many strange people rushing into it. It'll soon not be safe to go
|
||
|
to sleep in our beds."
|
||
|
|
||
|
"Why, what other strangers are coming in?" asked Marilla.
|
||
|
|
||
|
"Haven't you heard? Well, there's a family of Donnells, for one
|
||
|
thing. They've rented Peter Sloane's old house. Peter has hired
|
||
|
the man to run his mill. They belong down east and nobody knows
|
||
|
anything about them. Then that shiftless Timothy Cotton family are
|
||
|
going to move up from White Sands and they'll simply be a burden on
|
||
|
the public. He is in consumption. . .when he isn't stealing. . .
|
||
|
and his wife is a slack-twisted creature that can't turn her hand
|
||
|
to a thing. She washes her dishes SITTING DOWN. Mrs. George Pye
|
||
|
has taken her husband's orphan nephew, Anthony Pye. He'll be going
|
||
|
to school to you, Anne, so you many expect trouble, that's what.
|
||
|
And you'll have another strange pupil, too. Paul Irving is coming
|
||
|
from the States to live with his grandmother. You remember his
|
||
|
father, Marilla. . .Stephen Irving, him that jilted Lavendar Lewis
|
||
|
over at Grafton?"
|
||
|
|
||
|
"I don't think he jilted her. There was a quarrel. . .I suppose
|
||
|
there was blame on both sides."
|
||
|
|
||
|
"Well, anyway, he didn't marry her, and she's been as queer as
|
||
|
possible ever since, they say. . .living all by herself in that
|
||
|
little stone house she calls Echo Lodge. Stephen went off to the
|
||
|
States and went into business with his uncle and married a Yankee.
|
||
|
He's never been home since, though his mother has been up to see
|
||
|
him once or twice. His wife died two years ago and he's sending
|
||
|
the boy home to his mother for a spell. He's ten years old and I
|
||
|
don't know if he'll be a very desirable pupil. You can never tell
|
||
|
about those Yankees."
|
||
|
|
||
|
Mrs Lynde looked upon all people who had the misfortune to be born
|
||
|
or brought up elsewhere than in Prince Edward Island with a decided
|
||
|
can-any-good-thing-come-out-of-Nazareth air. They MIGHT be good
|
||
|
people, of course; but you were on the safe side in doubting it.
|
||
|
She had a special prejudice against "Yankees." Her husband had been
|
||
|
cheated out of ten dollars by an employer for whom he had once
|
||
|
worked in Boston and neither angels nor principalities nor powers
|
||
|
could have convinced Mrs. Rachel that the whole United States was
|
||
|
not responsible for it.
|
||
|
|
||
|
"Avonlea school won't be the worse for a little new blood," said
|
||
|
Marilla drily, "and if this boy is anything like his father he'll
|
||
|
be all right. Steve Irving was the nicest boy that was ever raised
|
||
|
in these parts, though some people did call him proud. I should
|
||
|
think Mrs. Irving would be very glad to have the child. She has
|
||
|
been very lonesome since her husband died."
|
||
|
|
||
|
"Oh, the boy may be well enough, but he'll be different from
|
||
|
Avonlea children," said Mrs. Rachel, as if that clinched the matter.
|
||
|
Mrs. Rachel's opinions concerning any person, place, or thing,
|
||
|
were always warranted to wear. "What's this I hear about
|
||
|
your going to start up a Village Improvement Society, Anne?"
|
||
|
|
||
|
"I was just talking it over with some of the girls and boys at the
|
||
|
last Debating Club," said Anne, flushing. "They thought it would
|
||
|
be rather nice. . .and so do Mr. and Mrs. Allan. Lots of villages
|
||
|
have them now."
|
||
|
|
||
|
"Well, you'll get into no end of hot water if you do. Better leave
|
||
|
it alone, Anne, that's what. People don't like being improved."
|
||
|
|
||
|
"Oh, we are not going to try to improve the PEOPLE. It is Avonlea
|
||
|
itself. There are lots of things which might be done to make it
|
||
|
prettier. For instance, if we could coax Mr. Levi Boulter to pull
|
||
|
down that dreadful old house on his upper farm wouldn't that be an
|
||
|
improvement?"
|
||
|
|
||
|
"It certainly would," admitted Mrs. Rachel. "That old ruin has
|
||
|
been an eyesore to the settlement for years. But if you Improvers
|
||
|
can coax Levi Boulter to do anything for the public that he isn't
|
||
|
to be paid for doing, may I be there to see and hear the process,
|
||
|
that's what. I don't want to discourage you, Anne, for there may
|
||
|
be something in your idea, though I suppose you did get it out of
|
||
|
some rubbishy Yankee magazine; but you'll have your hands full with
|
||
|
your school and I advise you as a friend not to bother with your
|
||
|
improvements, that's what. But there, I know you'll go ahead with
|
||
|
it if you've set your mind on it. You were always one to carry a
|
||
|
thing through somehow."
|
||
|
|
||
|
Something about the firm outlines of Anne's lips told that Mrs.
|
||
|
Rachel was not far astray in this estimate. Anne's heart was
|
||
|
bent on forming the Improvement Society. Gilbert Blythe, who
|
||
|
was to teach in White Sands but would always be home from
|
||
|
Friday night to Monday morning, was enthusiastic about it;
|
||
|
and most of the other folks were willing to go in for anything
|
||
|
that meant occasional meetings and consequently some "fun."
|
||
|
As for what the "improvements" were to be, nobody had any very
|
||
|
clear idea except Anne and Gilbert. They had talked them over
|
||
|
and planned them out until an ideal Avonlea existed in their minds,
|
||
|
if nowhere else.
|
||
|
|
||
|
Mrs. Rachel had still another item of news.
|
||
|
|
||
|
"They've given the Carmody school to a Priscilla Grant. Didn't you
|
||
|
go to Queen's with a girl of that name, Anne?"
|
||
|
|
||
|
"Yes, indeed. Priscilla to teach at Carmody! How perfectly
|
||
|
lovely!" exclaimed Anne, her gray eyes lighting up until they
|
||
|
looked like evening stars, causing Mrs. Lynde to wonder anew if
|
||
|
she would ever get it settled to her satisfaction whether Anne
|
||
|
Shirley were really a pretty girl or not.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
II
|
||
|
|
||
|
Selling in Haste and
|
||
|
Repenting at Leisure
|
||
|
|
||
|
|
||
|
Anne drove over to Carmody on a shopping expedition the next
|
||
|
afternoon and took Diana Barry with her. Diana was, of course,
|
||
|
a pledged member of the Improvement Society, and the two girls
|
||
|
talked about little else all the way to Carmody and back.
|
||
|
|
||
|
"The very first thing we ought to do when we get started is to have
|
||
|
that hall painted," said Diana, as they drove past the Avonlea hall,
|
||
|
a rather shabby building set down in a wooded hollow, with spruce trees
|
||
|
hooding it about on all sides. "It's a disgraceful looking place and
|
||
|
we must attend to it even before we try to get Mr. Levi Boulder to pull
|
||
|
his house down. Father says we'll never succeed in DOING that. Levi
|
||
|
Boulter is too mean to spend the time it would take."
|
||
|
|
||
|
"Perhaps he'll let the boys take it down if they promise to haul the
|
||
|
boards and split them up for him for kindling wood," said Anne hopefully.
|
||
|
"We must do our best and be content to go slowly at first. We can't
|
||
|
expect to improve everything all at once. We'll have to educate
|
||
|
public sentiment first, of course."
|
||
|
|
||
|
Diana wasn't exactly sure what educating public sentiment meant;
|
||
|
but it sounded fine and she felt rather proud that she was going to
|
||
|
belong to a society with such an aim in view.
|
||
|
|
||
|
"I thought of something last night that we could do, Anne.
|
||
|
You know that three-cornered piece of ground where the roads from
|
||
|
Carmody and Newbridge and White Sands meet? It's all grown over
|
||
|
with young spruce; but wouldn't it be nice to have them all cleared
|
||
|
out, and just leave the two or three birch trees that are on it?"
|
||
|
|
||
|
"Splendid," agreed Anne gaily. "And have a rustic seat put under
|
||
|
the birches. And when spring comes we'll have a flower-bed made
|
||
|
in the middle of it and plant geraniums."
|
||
|
|
||
|
"Yes; only we'll have to devise some way of getting old Mrs. Hiram
|
||
|
Sloane to keep her cow off the road, or she'll eat our geraniums
|
||
|
up," laughed Diana. "I begin to see what you mean by educating
|
||
|
public sentiment, Anne. There's the old Boulter house now. Did
|
||
|
you ever see such a rookery? And perched right close to the road
|
||
|
too. An old house with its windows gone always makes me think of
|
||
|
something dead with its eyes picked out."
|
||
|
|
||
|
"I think an old, deserted house is such a sad sight," said Anne
|
||
|
dreamily. "It always seems to me to be thinking about its past
|
||
|
and mourning for its old-time joys. Marilla says that a large
|
||
|
family was raised in that old house long ago, and that it was a real
|
||
|
pretty place, with a lovely garden and roses climbing all over it.
|
||
|
It was full of little children and laughter and songs; and now it
|
||
|
is empty, and nothing ever wanders through it but the wind. How
|
||
|
lonely and sorrowful it must feel! Perhaps they all come back on
|
||
|
moonlit nights. . .the ghosts of the little children of long ago
|
||
|
and the roses and the songs. . .and for a little while the old
|
||
|
house can dream it is young and joyous again."
|
||
|
|
||
|
Diana shook her head.
|
||
|
|
||
|
"I never imagine things like that about places now, Anne. Don't
|
||
|
you remember how cross mother and Marilla were when we imagined
|
||
|
ghosts into the Haunted Wood? To this day I can't go through that
|
||
|
bush comfortably after dark; and if I began imagining such things
|
||
|
about the old Boulter house I'd be frightened to pass it too.
|
||
|
Besides, those children aren't dead. They're all grown up and
|
||
|
doing well. . .and one of them is a butcher. And flowers and
|
||
|
songs couldn't have ghosts anyhow."
|
||
|
|
||
|
Anne smothered a little sigh. She loved Diana dearly and they had
|
||
|
always been good comrades. But she had long ago learned that when she
|
||
|
wandered into the realm of fancy she must go alone. The way to it was
|
||
|
by an enchanted path where not even her dearest might follow her.
|
||
|
|
||
|
A thunder-shower came up while the girls were at Carmody; it did
|
||
|
not last long, however, and the drive home, through lanes where the
|
||
|
raindrops sparkled on the boughs and little leafy valleys where the
|
||
|
drenched ferns gave out spicy odors, was delightful. But just as
|
||
|
they turned into the Cuthbert lane Anne saw something that spoiled
|
||
|
the beauty of the landscape for her.
|
||
|
|
||
|
Before them on the right extended Mr. Harrison's broad, gray-green
|
||
|
field of late oats, wet and luxuriant; and there, standing squarely
|
||
|
in the middle of it, up to her sleek sides in the lush growth, and
|
||
|
blinking at them calmly over the intervening tassels, was a Jersey cow!
|
||
|
|
||
|
Anne dropped the reins and stood up with a tightening of the lips
|
||
|
that boded no good to the predatory quadruped. Not a word said she,
|
||
|
but she climbed nimbly down over the wheels, and whisked across the
|
||
|
fence before Diana understood what had happened.
|
||
|
|
||
|
"Anne, come back," shrieked the latter, as soon as she found
|
||
|
her voice. "You'll ruin your dress in that wet grain. . .ruin it.
|
||
|
She doesn't hear me! Well, she'll never get that cow out by herself.
|
||
|
I must go and help her, of course."
|
||
|
|
||
|
Anne was charging through the grain like a mad thing. Diana hopped
|
||
|
briskly down, tied the horse securely to a post, turned the skirt
|
||
|
of her pretty gingham dress over her shoulders, mounted the fence,
|
||
|
and started in pursuit of her frantic friend. She could run faster
|
||
|
than Anne, who was hampered by her clinging and drenched skirt, and
|
||
|
soon overtook her. Behind them they left a trail that would break
|
||
|
Mr. Harrison's heart when he should see it.
|
||
|
|
||
|
"Anne, for mercy's sake, stop," panted poor Diana. "I'm right out
|
||
|
of breath and you are wet to the skin."
|
||
|
|
||
|
"I must. . .get. . .that cow. . .out. . .before. . .Mr. Harrison.
|
||
|
. .sees her," gasped Anne. "I don't. . .care. . .if I'm. . .drowned
|
||
|
. . .if we. . .can. . .only. . .do that."
|
||
|
|
||
|
But the Jersey cow appeared to see no good reason for being hustled
|
||
|
out of her luscious browsing ground. No sooner had the two breathless
|
||
|
girls got near her than she turned and bolted squarely for the opposite
|
||
|
corner of the field.
|
||
|
|
||
|
"Head her off," screamed Anne. "Run, Diana, run."
|
||
|
|
||
|
Diana did run. Anne tried to, and the wicked Jersey went around
|
||
|
the field as if she were possessed. Privately, Diana thought she was.
|
||
|
It was fully ten minutes before they headed her off and drove her
|
||
|
through the corner gap into the Cuthbert lane.
|
||
|
|
||
|
There is no denying that Anne was in anything but an angelic temper
|
||
|
at that precise moment. Nor did it soothe her in the least to
|
||
|
behold a buggy halted just outside the lane, wherein sat Mr.
|
||
|
Shearer of Carmody and his son, both of whom wore a broad smile.
|
||
|
|
||
|
"I guess you'd better have sold me that cow when I wanted to buy
|
||
|
her last week, Anne," chuckled Mr. Shearer.
|
||
|
|
||
|
"I'll sell her to you now, if you want her," said her flushed and
|
||
|
disheveled owner. "You may have her this very minute."
|
||
|
|
||
|
"Done. I'll give you twenty for her as I offered before, and Jim
|
||
|
here can drive her right over to Carmody. She'll go to town with
|
||
|
the rest of the shipment this evening. Mr. Reed of Brighton wants
|
||
|
a Jersey cow."
|
||
|
|
||
|
Five minutes later Jim Shearer and the Jersey cow were marching up
|
||
|
the road, and impulsive Anne was driving along the Green Gables
|
||
|
lane with her twenty dollars.
|
||
|
|
||
|
"What will Marilla say?" asked Diana.
|
||
|
|
||
|
"Oh, she won't care. Dolly was my own cow and it isn't likely
|
||
|
she'd bring more than twenty dollars at the auction. But oh dear,
|
||
|
if Mr. Harrison sees that grain he will know she has been in
|
||
|
again, and after my giving him my word of honor that I'd never let
|
||
|
it happen! Well, it has taught me a lesson not to give my word of
|
||
|
honor about cows. A cow that could jump over or break through our
|
||
|
milk-pen fence couldn't be trusted anywhere."
|
||
|
|
||
|
Marilla had gone down to Mrs. Lynde's, and when she returned knew
|
||
|
all about Dolly's sale and transfer, for Mrs. Lynde had seen most
|
||
|
of the transaction from her window and guessed the rest.
|
||
|
|
||
|
"I suppose it's just as well she's gone, though you DO do things in
|
||
|
a dreadful headlong fashion, Anne. I don't see how she got out of
|
||
|
the pen, though. She must have broken some of the boards off."
|
||
|
|
||
|
"I didn't think of looking," said Anne, "but I'll go and see now.
|
||
|
Martin has never come back yet. Perhaps some more of his aunts
|
||
|
have died. I think it's something like Mr. Peter Sloane and the
|
||
|
octogenarians. The other evening Mrs. Sloane was reading a
|
||
|
newspaper and she said to Mr. Sloane, `I see here that another
|
||
|
octogenarian has just died. What is an octogenarian, Peter?' And
|
||
|
Mr. Sloane said he didn't know, but they must be very sickly
|
||
|
creatures, for you never heard tell of them but they were dying.
|
||
|
That's the way with Martin's aunts."
|
||
|
|
||
|
"Martin's just like all the rest of those French," said Marilla in disgust.
|
||
|
"You can't depend on them for a day." Marilla was looking over Anne's
|
||
|
Carmody purchases when she heard a shrill shriek in the barnyard.
|
||
|
A minute later Anne dashed into the kitchen, wringing her hands.
|
||
|
|
||
|
"Anne Shirley, what's the matter now?"
|
||
|
|
||
|
"Oh, Marilla, whatever shall I do? This is terrible. And it's all
|
||
|
my fault. Oh, will I EVER learn to stop and reflect a little
|
||
|
before doing reckless things? Mrs. Lynde always told me I would do
|
||
|
something dreadful some day, and now I've done it!"
|
||
|
|
||
|
"Anne, you are the most exasperating girl! WHAT is it you've done?"
|
||
|
|
||
|
"Sold Mr. Harrison's Jersey cow. . .the one he bought from Mr. Bell
|
||
|
. . .to Mr. Shearer! Dolly is out in the milking pen this very minute."
|
||
|
|
||
|
"Anne Shirley, are you dreaming?"
|
||
|
|
||
|
"I only wish I were. There's no dream about it, though it's very
|
||
|
like a nightmare. And Mr. Harrison's cow is in Charlottetown by
|
||
|
this time. Oh, Marilla, I thought I'd finished getting into scrapes,
|
||
|
and here I am in the very worst one I ever was in in my life.
|
||
|
What can I do?"
|
||
|
|
||
|
"Do? There's nothing to do, child, except go and see Mr. Harrison
|
||
|
about it. We can offer him our Jersey in exchange if he doesn't
|
||
|
want to take the money. She is just as good as his."
|
||
|
|
||
|
"I'm sure he'll be awfully cross and disagreeable about it, though,"
|
||
|
moaned Anne.
|
||
|
|
||
|
"I daresay he will. He seems to be an irritable sort of a man.
|
||
|
I'll go and explain to him if you like."
|
||
|
|
||
|
"No, indeed, I'm not as mean as that," exclaimed Anne. "This is all
|
||
|
my fault and I'm certainly not going to let you take my punishment.
|
||
|
I'll go myself and I'll go at once. The sooner it's over the better,
|
||
|
for it will be terribly humiliating."
|
||
|
|
||
|
Poor Anne got her hat and her twenty dollars and was passing out
|
||
|
when she happened to glance through the open pantry door. On the
|
||
|
table reposed a nut cake which she had baked that morning. . .a
|
||
|
particularly toothsome concoction iced with pink icing and adorned
|
||
|
with walnuts. Anne had intended it for Friday evening, when the
|
||
|
youth of Avonlea were to meet at Green Gables to organize the
|
||
|
Improvement Society. But what were they compared to the justly
|
||
|
offended Mr. Harrison? Anne thought that cake ought to soften the
|
||
|
heart of any man, especially one who had to do his own cooking, and
|
||
|
she promptly popped it into a box. She would take it to Mr. Harrison
|
||
|
as a peace offering.
|
||
|
|
||
|
"That is, if he gives me a chance to say anything at all," she
|
||
|
thought ruefully, as she climbed the lane fence and started on a
|
||
|
short cut across the fields, golden in the light of the dreamy
|
||
|
August evening. "I know now just how people feel who are being led
|
||
|
to execution."
|
||
|
|
||
|
|
||
|
|
||
|
III
|
||
|
|
||
|
Mr. Harrison at Home
|
||
|
|
||
|
|
||
|
Mr. Harrison's house was an old-fashioned, low-eaved, whitewashed
|
||
|
structure, set against a thick spruce grove.
|
||
|
|
||
|
Mr. Harrison himself was sitting on his vineshaded veranda, in his
|
||
|
shirt sleeves, enjoying his evening pipe. When he realized who was
|
||
|
coming up the path he sprang suddenly to his feet, bolted into the
|
||
|
house, and shut the door. This was merely the uncomfortable result
|
||
|
of his surprise, mingled with a good deal of shame over his outburst
|
||
|
of temper the day before. But it nearly swept the remnant of her
|
||
|
courage from Anne's heart.
|
||
|
|
||
|
"If he's so cross now what will he be when he hears what I've
|
||
|
done," she reflected miserably, as she rapped at the door.
|
||
|
|
||
|
But Mr. Harrison opened it, smiling sheepishly, and invited her
|
||
|
to enter in a tone quite mild and friendly, if somewhat nervous.
|
||
|
He had laid aside his pipe and donned his coat; he offered Anne a very
|
||
|
dusty chair very politely, and her reception would have passed off
|
||
|
pleasantly enough if it had not been for the telltale of a parrot who
|
||
|
was peering through the bars of his cage with wicked golden eyes.
|
||
|
No sooner had Anne seated herself than Ginger exclaimed,
|
||
|
|
||
|
"Bless my soul, what's that redheaded snippet coming here for?"
|
||
|
|
||
|
It would be hard to say whose face was the redder, Mr. Harrison's
|
||
|
or Anne's.
|
||
|
|
||
|
"Don't you mind that parrot," said Mr. Harrison, casting a furious
|
||
|
glance at Ginger. "He's. . .he's always talking nonsense. I got
|
||
|
him from my brother who was a sailor. Sailors don't always use the
|
||
|
choicest language, and parrots are very imitative birds."
|
||
|
|
||
|
"So I should think," said poor Anne, the remembrance of her errand
|
||
|
quelling her resentment. She couldn't afford to snub Mr. Harrison
|
||
|
under the circumstances, that was certain. When you had just sold
|
||
|
a man's Jersey cow offhand, without his knowledge or consent
|
||
|
you must not mind if his parrot repeated uncomplimentary things.
|
||
|
Nevertheless, the "redheaded snippet" was not quite so meek as she
|
||
|
might otherwise have been.
|
||
|
|
||
|
"I've come to confess something to you, Mr. Harrison," she said
|
||
|
resolutely. "It's. . .it's about. . .that Jersey cow"
|
||
|
|
||
|
"Bless my soul," exclaimed Mr. Harrison nervously, "has she gone
|
||
|
and broken into my oats again? Well, never mind. . .never mind if
|
||
|
she has. It's no difference. . .none at all. I. . .I was too
|
||
|
hasty yesterday, that's a fact. Never mind if she has."
|
||
|
|
||
|
"Oh, if it were only that," sighed Anne. "But it's ten times
|
||
|
worse. I don't..."
|
||
|
|
||
|
"Bless my soul, do you mean to say she's got into my wheat?"
|
||
|
|
||
|
"No. . .no. . .not the wheat. But. . ."
|
||
|
|
||
|
"Then it's the cabbages! She's broken into my cabbages that I was
|
||
|
raising for Exhibition, hey?"
|
||
|
|
||
|
"It's NOT the cabbages, Mr. Harrison. I'll tell you everything. . .
|
||
|
that is what I came for -- but please don't interrupt me. It makes
|
||
|
me so nervous. Just let me tell my story and don't say anything
|
||
|
till I get through -- and then no doubt you'll say plenty,"
|
||
|
Anne concluded, but in thought only.
|
||
|
|
||
|
"I won't say another word," said Mr. Harrison, and he didn't. But
|
||
|
Ginger was not bound by any contract of silence and kept ejaculating,
|
||
|
"Redheaded snippet" at intervals until Anne felt quite wild.
|
||
|
|
||
|
"I shut my Jersey cow up in our pen yesterday. This morning I went
|
||
|
to Carmody and when I came back I saw a Jersey cow in your oats.
|
||
|
Diana and I chased her out and you can't imagine what a hard time
|
||
|
we had. I was so dreadfully wet and tired and vexed -- and Mr.
|
||
|
Shearer came by that very minute and offered to buy the cow. I
|
||
|
sold her to him on the spot for twenty dollars. It was wrong of me.
|
||
|
I should have waited and consulted Marilla, of course. But I'm
|
||
|
dreadfully given to doing things without thinking -- everybody
|
||
|
who knows me will tell you that. Mr. Shearer took the cow right
|
||
|
away to ship her on the afternoon train."
|
||
|
|
||
|
"Redheaded snippet," quoted Ginger in a tone of profound contempt.
|
||
|
|
||
|
At this point Mr. Harrison arose and, with an expression that would
|
||
|
have struck terror into any bird but a parrot, carried Ginger's cage
|
||
|
into an adjoining room and shut the door. Ginger shrieked, swore,
|
||
|
and otherwise conducted himself in keeping with his reputation,
|
||
|
but finding himself left alone, relapsed into sulky silence.
|
||
|
|
||
|
"Excuse me and go on," said Mr. Harrison, sitting down again.
|
||
|
"My brother the sailor never taught that bird any manners."
|
||
|
|
||
|
"I went home and after tea I went out to the milking pen. Mr.
|
||
|
Harrison,". . .Anne leaned forward, clasping her hands with her
|
||
|
old childish gesture, while her big gray eyes gazed imploringly
|
||
|
into Mr. Harrison's embarrassed face. . ."I found my cow still
|
||
|
shut up in the pen. It was YOUR cow I had sold to Mr. Shearer."
|
||
|
|
||
|
"Bless my soul," exclaimed Mr. Harrison, in blank amazement at
|
||
|
this unlooked-for conclusion. "What a VERY extraordinary thing!"
|
||
|
|
||
|
"Oh, it isn't in the least extraordinary that I should be getting
|
||
|
myself and other people into scrapes," said Anne mournfully.
|
||
|
"I'm noted for that. You might suppose I'd have grown out of it
|
||
|
by this time. . .I'll be seventeen next March. . .but it seems
|
||
|
that I haven't. Mr. Harrison, is it too much to hope that you'll
|
||
|
forgive me? I'm afraid it's too late to get your cow back, but
|
||
|
here is the money for her. . .or you can have mine in exchange
|
||
|
if you'd rather. She's a very good cow. And I can't express how
|
||
|
sorry I am for it all."
|
||
|
|
||
|
"Tut, tut," said Mr. Harrison briskly, "don't say another word
|
||
|
about it, miss. It's of no consequence. . .no consequence whatever.
|
||
|
Accidents will happen. I'm too hasty myself sometimes, miss. . .
|
||
|
far too hasty. But I can't help speaking out just what I think and
|
||
|
folks must take me as they find me. If that cow had been in my cabbages
|
||
|
now. . .but never mind, she wasn't, so it's all right. I think I'd
|
||
|
rather have your cow in exchange, since you want to be rid of her."
|
||
|
|
||
|
"Oh, thank you, Mr. Harrison. I'm so glad you are not vexed.
|
||
|
I was afraid you would be."
|
||
|
|
||
|
"And I suppose you were scared to death to come here and tell me,
|
||
|
after the fuss I made yesterday, hey? But you mustn't mind me,
|
||
|
I'm a terrible outspoken old fellow, that's all. . .awful apt to
|
||
|
tell the truth, no matter if it is a bit plain."
|
||
|
|
||
|
"So is Mrs. Lynde," said Anne, before she could prevent herself.
|
||
|
|
||
|
"Who? Mrs. Lynde? Don't you tell me I'm like that old gossip,"
|
||
|
said Mr. Harrison irritably. "I'm not. . .not a bit. What have
|
||
|
you got in that box?"
|
||
|
|
||
|
"A cake," said Anne archly. In her relief at Mr. Harrison's
|
||
|
unexpected amiability her spirits soared upward feather-light.
|
||
|
"I brought it over for you. . .I thought perhaps you didn't
|
||
|
have cake very often."
|
||
|
|
||
|
"I don't, that's a fact, and I'm mighty fond of it, too. I'm much
|
||
|
obliged to you. It looks good on top. I hope it's good all the
|
||
|
way through."
|
||
|
|
||
|
"It is," said Anne, gaily confident. "I have made cakes in my time
|
||
|
that were NOT, as Mrs. Allan could tell you, but this one is all right.
|
||
|
I made it for the Improvement Society, but I can make another for them."
|
||
|
|
||
|
"Well, I'll tell you what, miss, you must help me eat it. I'll put
|
||
|
the kettle on and we'll have a cup of tea. How will that do?"
|
||
|
|
||
|
"Will you let me make the tea?" said Anne dubiously.
|
||
|
|
||
|
Mr. Harrison chuckled.
|
||
|
|
||
|
"I see you haven't much confidence in my ability to make tea.
|
||
|
You're wrong. . .I can brew up as good a jorum of tea as you ever
|
||
|
drank. But go ahead yourself. Fortunately it rained last Sunday,
|
||
|
so there's plenty of clean dishes."
|
||
|
|
||
|
Anne hopped briskly up and went to work. She washed the teapot in
|
||
|
several waters before she put the tea to steep. Then she swept the
|
||
|
stove and set the table, bringing the dishes out of the pantry.
|
||
|
The state of that pantry horrified Anne, but she wisely said
|
||
|
nothing. Mr. Harrison told her where to find the bread and butter
|
||
|
and a can of peaches. Anne adorned the table with a bouquet from
|
||
|
the garden and shut her eyes to the stains on the tablecloth. Soon
|
||
|
the tea was ready and Anne found herself sitting opposite Mr.
|
||
|
Harrison at his own table, pouring his tea for him, and chatting
|
||
|
freely to him about her school and friends and plans. She could
|
||
|
hardly believe the evidence of her senses.
|
||
|
|
||
|
Mr. Harrison had brought Ginger back, averring that the poor
|
||
|
bird would be lonesome; and Anne, feeling that she could forgive
|
||
|
everybody and everything, offered him a walnut. But Ginger's
|
||
|
feelings had been grievously hurt and he rejected all overtures of
|
||
|
friendship. He sat moodily on his perch and ruffled his feathers
|
||
|
up until he looked like a mere ball of green and gold.
|
||
|
|
||
|
"Why do you call him Ginger?" asked Anne, who liked appropriate names
|
||
|
and thought Ginger accorded not at all with such gorgeous plumage.
|
||
|
|
||
|
"My brother the sailor named him. Maybe it had some reference to
|
||
|
his temper. I think a lot of that bird though. . .you'd be
|
||
|
surprised if you knew how much. He has his faults of course.
|
||
|
That bird has cost me a good deal one way and another. Some
|
||
|
people object to his swearing habits but he can't be broken of them.
|
||
|
I've tried. . .other people have tried. Some folks have prejudices
|
||
|
against parrots. Silly, ain't it? I like them myself. Ginger's a
|
||
|
lot of company to me. Nothing would induce me to give that bird
|
||
|
up. . .nothing in the world, miss."
|
||
|
|
||
|
Mr. Harrison flung the last sentence at Anne as explosively as if
|
||
|
he suspected her of some latent design of persuading him to give
|
||
|
Ginger up. Anne, however, was beginning to like the queer, fussy,
|
||
|
fidgety little man, and before the meal was over they were quite
|
||
|
good friends. Mr. Harrison found out about the Improvement
|
||
|
Society and was disposed to approve of it.
|
||
|
|
||
|
"That's right. Go ahead. There's lots of room for improvement in
|
||
|
this settlement. . .and in the people too."
|
||
|
|
||
|
"Oh, I don't know," flashed Anne. To herself, or to her particular
|
||
|
cronies, she might admit that there were some small imperfections,
|
||
|
easily removable, in Avonlea and its inhabitants. But to hear a
|
||
|
practical outsider like Mr. Harrison saying it was an entirely
|
||
|
different thing. "I think Avonlea is a lovely place; and the
|
||
|
people in it are very nice, too."
|
||
|
|
||
|
"I guess you've got a spice of temper," commented Mr. Harrison,
|
||
|
surveying the flushed cheeks and indignant eyes opposite him.
|
||
|
"It goes with hair like yours, I reckon. Avonlea is a pretty
|
||
|
decent place or I wouldn't have located here; but I suppose
|
||
|
even you will admit that it has SOME faults?"
|
||
|
|
||
|
"I like it all the better for them," said loyal Anne. "I don't
|
||
|
like places or people either that haven't any faults. I think a
|
||
|
truly perfect person would be very uninteresting. Mrs. Milton White
|
||
|
says she never met a perfect person, but she's heard enough about one
|
||
|
. . .her husband's first wife. Don't you think it must be very
|
||
|
uncomfortable to be married to a man whose first wife was perfect?"
|
||
|
|
||
|
"It would be more uncomfortable to be married to the perfect wife,"
|
||
|
declared Mr. Harrison, with a sudden and inexplicable warmth.
|
||
|
|
||
|
When tea was over Anne insisted on washing the dishes, although Mr.
|
||
|
Harrison assured her that there were enough in the house to do for
|
||
|
weeks yet. She would dearly have loved to sweep the floor also,
|
||
|
but no broom was visible and she did not like to ask where it was
|
||
|
for fear there wasn't one at all.
|
||
|
|
||
|
"You might run across and talk to me once in a while," suggested
|
||
|
Mr. Harrison when she was leaving. "'Tisn't far and folks ought
|
||
|
to be neighborly. I'm kind of interested in that society of yours.
|
||
|
Seems to me there'll be some fun in it. Who are you going to
|
||
|
tackle first?"
|
||
|
|
||
|
"We are not going to meddle with PEOPLE. . .it is only PLACES we
|
||
|
mean to improve," said Anne, in a dignified tone. She rather
|
||
|
suspected that Mr. Harrison was making fun of the project.
|
||
|
|
||
|
When she had gone Mr. Harrison watched her from the window. . .a
|
||
|
lithe, girlish shape, tripping lightheartedly across the fields in
|
||
|
the sunset afterglow.
|
||
|
|
||
|
"I'm a crusty, lonesome, crabbed old chap," he said aloud,
|
||
|
"but there's something about that little girl makes me feel young
|
||
|
again. . .and it's such a pleasant sensation I'd like to have it
|
||
|
repeated once in a while."
|
||
|
|
||
|
"Redheaded snippet," croaked Ginger mockingly.
|
||
|
|
||
|
Mr. Harrison shook his fist at the parrot.
|
||
|
|
||
|
"You ornery bird," he muttered, "I almost wish I'd wrung your neck
|
||
|
when my brother the sailor brought you home. Will you never be
|
||
|
done getting me into trouble?"
|
||
|
|
||
|
Anne ran home blithely and recounted her adventures to Marilla,
|
||
|
who had been not a little alarmed by her long absence and was
|
||
|
on the point of starting out to look for her.
|
||
|
|
||
|
"It's a pretty good world, after all, isn't it, Marilla?" concluded
|
||
|
Anne happily. "Mrs. Lynde was complaining the other day that it
|
||
|
wasn't much of a world. She said whenever you looked forward to
|
||
|
anything pleasant you were sure to be more or less disappointed
|
||
|
. . .perhaps that is true. But there is a good side to it too.
|
||
|
The bad things don't always come up to your expectations either
|
||
|
. . .they nearly always turn out ever so much better than you think.
|
||
|
I looked forward to a dreadfully unpleasant experience when I went
|
||
|
over to Mr. Harrison's tonight; and instead he was quite kind and
|
||
|
I had almost a nice time. I think we're going to be real good
|
||
|
friends if we make plenty of allowances for each other, and
|
||
|
everything has turned out for the best. But all the same, Marilla,
|
||
|
I shall certainly never again sell a cow before making sure to whom
|
||
|
she belongs. And I do NOT like parrots!"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
IV
|
||
|
|
||
|
Different Opinions
|
||
|
|
||
|
|
||
|
One evening at sunset, Jane Andrews, Gilbert Blythe, and Anne Shirley
|
||
|
were lingering by a fence in the shadow of gently swaying spruce boughs,
|
||
|
where a wood cut known as the Birch Path joined the main road. Jane had
|
||
|
been up to spend the afternoon with Anne, who walked part of the way home
|
||
|
with her; at the fence they met Gilbert, and all three were now talking
|
||
|
about the fateful morrow; for that morrow was the first of September
|
||
|
and the schools would open. Jane would go to Newbridge and Gilbert
|
||
|
to White Sands.
|
||
|
|
||
|
"You both have the advantage of me," sighed Anne. "You're going to
|
||
|
teach children who don't know you, but I have to teach my own old
|
||
|
schoolmates, and Mrs. Lynde says she's afraid they won't respect me
|
||
|
as they would a stranger unless I'm very cross from the first.
|
||
|
But I don't believe a teacher should be cross. Oh, it seems to me
|
||
|
such a responsibility!"
|
||
|
|
||
|
"I guess we'll get on all right," said Jane comfortably. Jane
|
||
|
was not troubled by any aspirations to be an influence for good.
|
||
|
She meant to earn her salary fairly, please the trustees, and get
|
||
|
her name on the School Inspector's roll of honor. Further ambitions
|
||
|
Jane had none. "The main thing will be to keep order and a teacher
|
||
|
has to be a little cross to do that. If my pupils won't do as I tell
|
||
|
them I shall punish them."
|
||
|
|
||
|
"How?"
|
||
|
|
||
|
"Give them a good whipping, of course."
|
||
|
|
||
|
"Oh, Jane, you wouldn't," cried Anne, shocked. "Jane, you COULDN'T!"
|
||
|
|
||
|
"Indeed, I could and would, if they deserved it," said Jane decidedly.
|
||
|
|
||
|
"I could NEVER whip a child," said Anne with equal decision.
|
||
|
"I don't believe in it AT ALL. Miss Stacy never whipped any of us
|
||
|
and she had perfect order; and Mr. Phillips was always whipping and
|
||
|
he had no order at all. No, if I can't get along without whipping
|
||
|
I shall not try to teach school. There are better ways of managing.
|
||
|
I shall try to win my pupils' affections and then they will WANT to
|
||
|
do what I tell them."
|
||
|
|
||
|
"But suppose they don't?" said practical Jane.
|
||
|
|
||
|
"I wouldn't whip them anyhow. I'm sure it wouldn't do any good.
|
||
|
Oh, don't whip your pupils, Jane dear, no matter what they do."
|
||
|
|
||
|
"What do you think about it, Gilbert?" demanded Jane. "Don't you
|
||
|
think there are some children who really need a whipping now and then?"
|
||
|
|
||
|
"Don't you think it's a cruel, barbarous thing to whip a child. . .
|
||
|
ANY child?" exclaimed Anne, her face flushing with earnestness.
|
||
|
|
||
|
"Well," said Gilbert slowly, torn between his real convictions and
|
||
|
his wish to measure up to Anne's ideal, "there's something to be
|
||
|
said on both sides. I don't believe in whipping children MUCH.
|
||
|
I think, as you say, Anne, that there are better ways of managing
|
||
|
as a rule, and that corporal punishment should be a last resort.
|
||
|
But on the other hand, as Jane says, I believe there is an occasional
|
||
|
child who can't be influenced in any other way and who, in short,
|
||
|
needs a whipping and would be improved by it. Corporal punishment
|
||
|
as a last resort is to be my rule."
|
||
|
|
||
|
Gilbert, having tried to please both sides, succeeded, as is usual
|
||
|
and eminently right, in pleasing neither. Jane tossed her head.
|
||
|
|
||
|
"I'll whip my pupils when they're naughty. It's the shortest and
|
||
|
easiest way of convincing them."
|
||
|
|
||
|
Anne gave Gilbert a disappointed glance.
|
||
|
|
||
|
"I shall never whip a child," she repeated firmly. "I feel sure it
|
||
|
isn't either right or necessary."
|
||
|
|
||
|
"Suppose a boy sauced you back when you told him to do something?"
|
||
|
said Jane.
|
||
|
|
||
|
"I'd keep him in after school and talk kindly and firmly to him,"
|
||
|
said Anne. "There is some good in every person if you can find it.
|
||
|
It is a teacher's duty to find and develop it. That is what our
|
||
|
School Management professor at Queen's told us, you know. Do you
|
||
|
suppose you could find any good in a child by whipping him? It's
|
||
|
far more important to influence the children aright than it is even
|
||
|
to teach them the three R's, Professor Rennie says."
|
||
|
|
||
|
"But the Inspector examines them in the three R's, mind you, and he
|
||
|
won't give you a good report if they don't come up to his
|
||
|
standard," protested Jane.
|
||
|
|
||
|
"I'd rather have my pupils love me and look back to me in after years
|
||
|
as a real helper than be on the roll of honor," asserted Anne decidedly.
|
||
|
|
||
|
"Wouldn't you punish children at all, when they misbehaved?" asked
|
||
|
Gilbert.
|
||
|
|
||
|
"Oh, yes, I suppose I shall have to, although I know I'll hate to
|
||
|
do it. But you can keep them in at recess or stand them on the
|
||
|
floor or give them lines to write."
|
||
|
|
||
|
"I suppose you won't punish the girls by making them sit with the boys?"
|
||
|
said Jane slyly.
|
||
|
|
||
|
Gilbert and Anne looked at each other and smiled rather foolishly.
|
||
|
Once upon a time, Anne had been made to sit with Gilbert for
|
||
|
punishment and sad and bitter had been the consequences thereof.
|
||
|
|
||
|
"Well, time will tell which is the best way," said Jane philosophically
|
||
|
as they parted.
|
||
|
|
||
|
Anne went back to Green Gables by way of Birch Path, shadowy,
|
||
|
rustling, fern-scented, through Violet Vale and past Willowmere,
|
||
|
where dark and light kissed each other under the firs, and down
|
||
|
through Lover's Lane. . .spots she and Diana had so named long
|
||
|
ago. She walked slowly, enjoying the sweetness of wood and field
|
||
|
and the starry summer twilight, and thinking soberly about the new
|
||
|
duties she was to take up on the morrow. When she reached the yard
|
||
|
at Green Gables Mrs. Lynde's loud, decided tones floated out through
|
||
|
the open kitchen window.
|
||
|
|
||
|
"Mrs. Lynde has come up to give me good advice about tomorrow,"
|
||
|
thought Anne with a grimace, "but I don't believe I'll go in.
|
||
|
Her advice is much like pepper, I think. . .excellent in small
|
||
|
quantities but rather scorching in her doses. I'll run over and
|
||
|
have a chat with Mr. Harrison instead."
|
||
|
|
||
|
This was not the first time Anne had run over and chatted with Mr.
|
||
|
Harrison since the notable affair of the Jersey cow. She had been
|
||
|
there several evenings and Mr. Harrison and she were very good
|
||
|
friends, although there were times and seasons when Anne found the
|
||
|
outspokenness on which he prided himself rather trying. Ginger
|
||
|
still continued to regard her with suspicion, and never failed to
|
||
|
greet her sarcastically as "redheaded snippet." Mr. Harrison had
|
||
|
tried vainly to break him of the habit by jumping excitedly up
|
||
|
whenever he saw Anne coming and exclaiming,
|
||
|
|
||
|
"Bless my soul, here's that pretty little girl again," or something
|
||
|
equally flattering. But Ginger saw through the scheme and scorned
|
||
|
it. Anne was never to know how many compliments Mr. Harrison paid
|
||
|
her behind her back. He certainly never paid her any to her face.
|
||
|
|
||
|
"Well, I suppose you've been back in the woods laying in a supply
|
||
|
of switches for tomorrow?" was his greeting as Anne came up the
|
||
|
veranda steps.
|
||
|
|
||
|
"No, indeed," said Anne indignantly. She was an excellent target
|
||
|
for teasing because she always took things so seriously. "I shall
|
||
|
never have a switch in my school, Mr. Harrison. Of course, I shall
|
||
|
have to have a pointer, but I shall use it for pointing ONLY."
|
||
|
|
||
|
"So you mean to strap them instead? Well, I don't know but you're right.
|
||
|
A switch stings more at the time but the strap smarts longer, that's a fact."
|
||
|
|
||
|
"I shall not use anything of the sort. I'm not going to whip my pupils."
|
||
|
|
||
|
"Bless my soul," exclaimed Mr. Harrison in genuine astonishment,
|
||
|
"how do you lay out to keep order then?"
|
||
|
|
||
|
"I shall govern by affection, Mr. Harrison."
|
||
|
|
||
|
"It won't do," said Mr. Harrison, "won't do at all, Anne.
|
||
|
`Spare the rod and spoil the child.' When I went to school
|
||
|
the master whipped me regular every day because he said if
|
||
|
I wasn't in mischief just then I was plotting it."
|
||
|
|
||
|
"Methods have changed since your schooldays, Mr. Harrison."
|
||
|
|
||
|
"But human nature hasn't. Mark my words, you'll never manage the young
|
||
|
fry unless you keep a rod in pickle for them. The thing is impossible."
|
||
|
|
||
|
"Well, I'm going to try my way first," said Anne, who had a fairly strong
|
||
|
will of her own and was apt to cling very tenaciously to her theories.
|
||
|
|
||
|
"You're pretty stubborn, I reckon," was Mr. Harrison's way of
|
||
|
putting it. "Well, well, we'll see. Someday when you get riled
|
||
|
up. . .and people with hair like yours are desperate apt to get
|
||
|
riled. . .you'll forget all your pretty little notions and give
|
||
|
some of them a whaling. You're too young to be teaching anyhow
|
||
|
. . .far too young and childish."
|
||
|
|
||
|
Altogether, Anne went to bed that night in a rather pessimistic mood.
|
||
|
She slept poorly and was so pale and tragic at breakfast next morning
|
||
|
that Marilla was alarmed and insisted on making her take a cup of
|
||
|
scorching ginger tea. Anne sipped it patiently, although she could
|
||
|
not imagine what good ginger tea would do. Had it been some magic brew,
|
||
|
potent to confer age and experience, Anne would have swallowed a quart
|
||
|
of it without flinching.
|
||
|
|
||
|
"Marilla, what if I fail!"
|
||
|
|
||
|
"You'll hardly fail completely in one day and there's plenty more
|
||
|
days coming," said Marilla. "The trouble with you, Anne, is that
|
||
|
you'll expect to teach those children everything and reform all
|
||
|
their faults right off, and if you can't you'll think you've failed."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
V
|
||
|
|
||
|
A Full-fledged Schoolma'am
|
||
|
|
||
|
|
||
|
When Anne reached the school that morning. . .for the first time
|
||
|
in her life she had traversed the Birch Path deaf and blind to its
|
||
|
beauties. . .all was quiet and still. The preceding teacher had
|
||
|
trained the children to be in their places at her arrival, and when
|
||
|
Anne entered the schoolroom she was confronted by prim rows of
|
||
|
"shining morning faces" and bright, inquisitive eyes. She hung up
|
||
|
her hat and faced her pupils, hoping that she did not look as
|
||
|
frightened and foolish as she felt and that they would not perceive
|
||
|
how she was trembling.
|
||
|
|
||
|
She had sat up until nearly twelve the preceding night composing a
|
||
|
speech she meant to make to her pupils upon opening the school.
|
||
|
She had revised and improved it painstakingly, and then she had
|
||
|
learned it off by heart. It was a very good speech and had some
|
||
|
very fine ideas in it, especially about mutual help and earnest
|
||
|
striving after knowledge. The only trouble was that she could not
|
||
|
now remember a word of it.
|
||
|
|
||
|
After what seemed to her a year. . .about ten seconds in reality
|
||
|
. . .she said faintly, "Take your Testaments, please," and sank
|
||
|
breathlessly into her chair under cover of the rustle and clatter
|
||
|
of desk lids that followed. While the children read their verses
|
||
|
Anne marshalled her shaky wits into order and looked over the
|
||
|
array of little pilgrims to the Grownup Land.
|
||
|
|
||
|
Most of them were, of course, quite well known to her. Her own
|
||
|
classmates had passed out in the preceding year but the rest had
|
||
|
all gone to school with her, excepting the primer class and ten
|
||
|
newcomers to Avonlea. Anne secretly felt more interest in these
|
||
|
ten than in those whose possibilities were already fairly well
|
||
|
mapped out to her. To be sure, they might be just as commonplace
|
||
|
as the rest; but on the other hand there MIGHT be a genius among
|
||
|
them. It was a thrilling idea.
|
||
|
|
||
|
Sitting by himself at a corner desk was Anthony Pye. He had a
|
||
|
dark, sullen little face, and was staring at Anne with a hostile
|
||
|
expression in his black eyes. Anne instantly made up her mind that
|
||
|
she would win that boy's affection and discomfit the Pyes utterly.
|
||
|
|
||
|
In the other corner another strange boy was sitting with Arty
|
||
|
Sloane. . .a jolly looking little chap, with a snub nose, freckled
|
||
|
face, and big, light blue eyes, fringed with whitish lashes. . .
|
||
|
probably the DonNELL boy; and if resemblance went for anything,
|
||
|
his sister was sitting across the aisle with Mary Bell. Anne
|
||
|
wondered what sort of mother the child had, to send her to school
|
||
|
dressed as she was. She wore a faded pink silk dress, trimmed with
|
||
|
a great deal of cotton lace, soiled white kid slippers, and silk
|
||
|
stockings. Her sandy hair was tortured into innumerable kinky and
|
||
|
unnatural curls, surmounted by a flamboyant bow of pink ribbon
|
||
|
bigger than her head. Judging from her expression she was very
|
||
|
well satisfied with herself.
|
||
|
|
||
|
A pale little thing, with smooth ripples of fine, silky,
|
||
|
fawn-colored hair flowing over her shoulders, must, Anne thought,
|
||
|
be Annetta Bell, whose parents had formerly lived in the Newbridge
|
||
|
school district, but, by reason of hauling their house fifty yards
|
||
|
north of its old site were now in Avonlea. Three pallid little
|
||
|
girls crowded into one seat were certainly Cottons; and there was
|
||
|
no doubt that the small beauty with the long brown curls and hazel
|
||
|
eyes, who was casting coquettish looks at Jack Gills over the edge
|
||
|
of her Testament, was Prillie Rogerson, whose father had recently
|
||
|
married a second wife and brought Prillie home from her grandmother's
|
||
|
in Grafton. A tall, awkward girl in a back seat, who seemed to have
|
||
|
too many feet and hands, Anne could not place at all, but later on
|
||
|
discovered that her name was Barbara Shaw and that she had come to
|
||
|
live with an Avonlea aunt. She was also to find that if Barbara
|
||
|
ever managed to walk down the aisle without falling over her own
|
||
|
or somebody else's feet the Avonlea scholars wrote the unusual
|
||
|
fact up on the porch wall to commemorate it.
|
||
|
|
||
|
But when Anne's eyes met those of the boy at the front desk facing
|
||
|
her own, a queer little thrill went over her, as if she had found
|
||
|
her genius. She knew this must be Paul Irving and that Mrs. Rachel
|
||
|
Lynde had been right for once when she prophesied that he would be
|
||
|
unlike the Avonlea children. More than that, Anne realized that he
|
||
|
was unlike other children anywhere, and that there was a soul
|
||
|
subtly akin to her own gazing at her out of the very dark blue eyes
|
||
|
that were watching her so intently.
|
||
|
|
||
|
She knew Paul was ten but he looked no more than eight. He had the
|
||
|
most beautiful little face she had ever seen in a child. . .
|
||
|
features of exquisite delicacy and refinement, framed in a halo of
|
||
|
chestnut curls. His mouth was delicious, being full without
|
||
|
pouting, the crimson lips just softly touching and curving into
|
||
|
finely finished little corners that narrowly escaped being dimpled.
|
||
|
He had a sober, grave, meditative expression, as if his spirit was
|
||
|
much older than his body; but when Anne smiled softly at him it
|
||
|
vanished in a sudden answering smile, which seemed an illumination
|
||
|
of his whole being, as if some lamp had suddenly kindled into flame
|
||
|
inside of him, irradiating him from top to toe. Best of all, it
|
||
|
was involuntary, born of no external effort or motive, but simply
|
||
|
the outflashing of a hidden personality, rare and fine and sweet.
|
||
|
With a quick interchange of smiles Anne and Paul were fast friends
|
||
|
forever before a word had passed between them.
|
||
|
|
||
|
The day went by like a dream. Anne could never clearly recall it
|
||
|
afterwards. It almost seemed as if it were not she who was
|
||
|
teaching but somebody else. She heard classes and worked sums and
|
||
|
set copies mechanically. The children behaved quite well; only two
|
||
|
cases of discipline occurred. Morley Andrews was caught driving a
|
||
|
pair of trained crickets in the aisle. Anne stood Morley on the
|
||
|
platform for an hour and. . .which Morley felt much more keenly. . .
|
||
|
confiscated his crickets. She put them in a box and on the way from
|
||
|
school set them free in Violet Vale; but Morley believed, then and ever
|
||
|
afterwards, that she took them home and kept them for her own amusement.
|
||
|
|
||
|
The other culprit was Anthony Pye, who poured the last drops of
|
||
|
water from his slate bottle down the back of Aurelia Clay's neck.
|
||
|
Anne kept Anthony in at recess and talked to him about what was
|
||
|
expected of gentlemen, admonishing him that they never poured water
|
||
|
down ladies' necks. She wanted all her boys to be gentlemen, she said.
|
||
|
Her little lecture was quite kind and touching; but unfortunately
|
||
|
Anthony remained absolutely untouched. He listened to her in silence,
|
||
|
with the same sullen expression, and whistled scornfully as he went out.
|
||
|
Anne sighed; and then cheered herself up by remembering that winning a
|
||
|
Pye's affections, like the building of Rome, wasn't the work of a day.
|
||
|
In fact, it was doubtful whether some of the Pyes had any affections
|
||
|
to win; but Anne hoped better things of Anthony, who looked as if he
|
||
|
might be a rather nice boy if one ever got behind his sullenness.
|
||
|
|
||
|
When school was dismissed and the children had gone Anne dropped
|
||
|
wearily into her chair. Her head ached and she felt woefully
|
||
|
discouraged. There was no real reason for discouragement, since
|
||
|
nothing very dreadful had occurred; but Anne was very tired and
|
||
|
inclined to believe that she would never learn to like teaching.
|
||
|
And how terrible it would be to be doing something you didn't like
|
||
|
every day for. . .well, say forty years. Anne was of two minds
|
||
|
whether to have her cry out then and there, or wait till she was
|
||
|
safely in her own white room at home. Before she could decide
|
||
|
there was a click of heels and a silken swish on the porch floor,
|
||
|
and Anne found herself confronted by a lady whose appearance made
|
||
|
her recall a recent criticism of Mr. Harrison's on an overdressed
|
||
|
female he had seen in a Charlottetown store. "She looked like a
|
||
|
head-on collision between a fashion plate and a nightmare."
|
||
|
|
||
|
The newcomer was gorgeously arrayed in a pale blue summer silk,
|
||
|
puffed, frilled, and shirred wherever puff, frill, or shirring
|
||
|
could possibly be placed. Her head was surmounted by a huge white
|
||
|
chiffon hat, bedecked with three long but rather stringy ostrich
|
||
|
feathers. A veil of pink chiffon, lavishly sprinkled with huge
|
||
|
black dots, hung like a flounce from the hat brim to her shoulders
|
||
|
and floated off in two airy streamers behind her. She wore all the
|
||
|
jewelry that could be crowded on one small woman, and a very strong
|
||
|
odor of perfume attended her.
|
||
|
|
||
|
"I am Mrs. DonNELL. . .Mrs. H. B. DonNELL," announced this vision,
|
||
|
"and I have come in to see you about something Clarice Almira told
|
||
|
me when she came home to dinner today. It annoyed me EXCESSIVELY."
|
||
|
|
||
|
"I'm sorry," faltered Anne, vainly trying to recollect any incident
|
||
|
of the morning connected with the Donnell children.
|
||
|
|
||
|
"Clarice Almira told me that you pronounced our name DONnell. Now,
|
||
|
Miss Shirley, the correct pronunciation of our name is DonNELL. . .
|
||
|
accent on the last syllable. I hope you'll remember this in future."
|
||
|
|
||
|
"I'll try to," gasped Anne, choking back a wild desire to laugh.
|
||
|
"I know by experience that it's very unpleasant to have one's name
|
||
|
SPELLED wrong and I suppose it must be even worse to have it
|
||
|
pronounced wrong."
|
||
|
|
||
|
"Certainly it is. And Clarice Almira also informed me that you
|
||
|
call my son Jacob."
|
||
|
|
||
|
"He told me his name was Jacob," protested Anne.
|
||
|
|
||
|
"I might well have expected that," said Mrs. H. B. Donnell, in a
|
||
|
tone which implied that gratitude in children was not to be looked
|
||
|
for in this degenerate age. "That boy has such plebeian tastes,
|
||
|
Miss Shirley. When he was born I wanted to call him St. Clair
|
||
|
. . .it sounds SO aristocratic, doesn't it? But his father
|
||
|
insisted he should be called Jacob after his uncle. I yielded,
|
||
|
because Uncle Jacob was a rich old bachelor. And what do you
|
||
|
think, Miss Shirley? When our innocent boy was five years old Uncle
|
||
|
Jacob actually went and got married and now he has three boys of
|
||
|
his own. Did you ever hear of such ingratitude? The moment the
|
||
|
invitation to the wedding. . .for he had the impertinence to send
|
||
|
us an invitation, Miss Shirley. . .came to the house I said, `No
|
||
|
more Jacobs for me, thank you.' From that day I called my son St.
|
||
|
Clair and St. Clair I am determined he shall be called. His father
|
||
|
obstinately continues to call him Jacob, and the boy himself
|
||
|
has a perfectly unaccountable preference for the vulgar name.
|
||
|
But St. Clair he is and St. Clair he shall remain. You will kindly
|
||
|
remember this, Miss Shirley, will you not? THANK you. I told
|
||
|
Clarice Almira that I was sure it was only a misunderstanding and
|
||
|
that a word would set it right. Donnell. . .accent on the last
|
||
|
syllable. . .and St. Clair. . .on no account Jacob. You'll remember?
|
||
|
THANK you."
|
||
|
|
||
|
When Mrs. H. B. DonNELL had skimmed away Anne locked the school
|
||
|
door and went home. At the foot of the hill she found Paul Irving
|
||
|
by the Birch Path. He held out to her a cluster of the dainty
|
||
|
little wild orchids which Avonlea children called "rice lillies."
|
||
|
|
||
|
"Please, teacher, I found these in Mr. Wright's field," he said
|
||
|
shyly, "and I came back to give them to you because I thought you
|
||
|
were the kind of lady that would like them, and because. . ." he
|
||
|
lifted his big beautiful eyes. . ."I like you, teacher."
|
||
|
|
||
|
"You darling," said Anne, taking the fragrant spikes. As if Paul's
|
||
|
words had been a spell of magic, discouragement and weariness
|
||
|
passed from her spirit, and hope upwelled in her heart like a
|
||
|
dancing fountain. She went through the Birch Path light-footedly,
|
||
|
attended by the sweetness of her orchids as by a benediction.
|
||
|
|
||
|
"Well, how did you get along?" Marilla wanted to know.
|
||
|
|
||
|
"Ask me that a month later and I may be able to tell you. I can't now
|
||
|
. . .I don't know myself. . .I'm too near it. My thoughts feel as if
|
||
|
they had been all stirred up until they were thick and muddy. The only
|
||
|
thing I feel really sure of having accomplished today is that I taught
|
||
|
Cliffie Wright that A is A. He never knew it before. Isn't it
|
||
|
something to have started a soul along a path that may end in
|
||
|
Shakespeare and Paradise Lost?"
|
||
|
|
||
|
Mrs. Lynde came up later on with more encouragement. That good
|
||
|
lady had waylaid the schoolchildren at her gate and demanded of
|
||
|
them how they liked their new teacher.
|
||
|
|
||
|
"And every one of them said they liked you splendid, Anne, except
|
||
|
Anthony Pye. I must admit he didn't. He said you `weren't any good,
|
||
|
just like all girl teachers.' There's the Pye leaven for you.
|
||
|
But never mind."
|
||
|
|
||
|
"I'm not going to mind," said Anne quietly, "and I'm going to make
|
||
|
Anthony Pye like me yet. Patience and kindness will surely win him."
|
||
|
|
||
|
"Well, you can never tell about a Pye," said Mrs. Rachel cautiously.
|
||
|
"They go by contraries, like dreams, often as not. As for that
|
||
|
DonNELL woman, she'll get no DonNELLing from me, I can assure you.
|
||
|
The name is DONnell and always has been. The woman is crazy, that's what.
|
||
|
She has a pug dog she calls Queenie and it has its meals at the table
|
||
|
along with the family, eating off a china plate. I'd be afraid of a
|
||
|
judgment if I was her. Thomas says Donnell himself is a sensible,
|
||
|
hard-working man, but he hadn't much gumption when he picked out a wife,
|
||
|
that's what."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
VI
|
||
|
|
||
|
All Sorts and Conditions of Men. . .and women
|
||
|
|
||
|
|
||
|
A September day on Prince Edward Island hills; a crisp wind blowing
|
||
|
up over the sand dunes from the sea; a long red road, winding
|
||
|
through fields and woods, now looping itself about a corner of
|
||
|
thick set spruces, now threading a plantation of young maples with
|
||
|
great feathery sheets of ferns beneath them, now dipping down into
|
||
|
a hollow where a brook flashed out of the woods and into them again,
|
||
|
now basking in open sunshine between ribbons of golden-rod and
|
||
|
smoke-blue asters; air athrill with the pipings of myriads of crickets,
|
||
|
those glad little pensioners of the summer hills; a plump brown pony
|
||
|
ambling along the road; two girls behind him, full to the lips with
|
||
|
the simple, priceless joy of youth and life.
|
||
|
|
||
|
"Oh, this is a day left over from Eden, isn't it, Diana?". . .and
|
||
|
Anne sighed for sheer happiness. "The air has magic in it. Look
|
||
|
at the purple in the cup of the harvest valley, Diana. And oh, do
|
||
|
smell the dying fir! It's coming up from that little sunny hollow
|
||
|
where Mr. Eben Wright has been cutting fence poles. Bliss is it
|
||
|
on such a day to be alive; but to smell dying fir is very heaven.
|
||
|
That's two thirds Wordsworth and one third Anne Shirley. It
|
||
|
doesn't seem possible that there should be dying fir in heaven,
|
||
|
does it? And yet it doesn't seem to me that heaven would be quite
|
||
|
perfect if you couldn't get a whiff of dead fir as you went through
|
||
|
its woods. Perhaps we'll have the odor there without the death.
|
||
|
Yes, I think that will be the way. That delicious aroma must be the
|
||
|
souls of the firs. . .and of course it will be just souls in heaven."
|
||
|
|
||
|
"Trees haven't souls," said practical Diana, "but the smell of dead
|
||
|
fir is certainly lovely. I'm going to make a cushion and fill it
|
||
|
with fir needles. You'd better make one too, Anne."
|
||
|
|
||
|
"I think I shall. . .and use it for my naps. I'd be certain to
|
||
|
dream I was a dryad or a woodnymph then. But just this minute I'm
|
||
|
well content to be Anne Shirley, Avonlea schoolma'am, driving over
|
||
|
a road like this on such a sweet, friendly day."
|
||
|
|
||
|
"It's a lovely day but we have anything but a lovely task before us,"
|
||
|
sighed Diana. "Why on earth did you offer to canvass this road, Anne?
|
||
|
Almost all the cranks in Avonlea live along it, and we'll probably be
|
||
|
treated as if we were begging for ourselves. It's the very worst road
|
||
|
of all."
|
||
|
|
||
|
"That is why I chose it. Of course Gilbert and Fred would have
|
||
|
taken this road if we had asked them. But you see, Diana, I feel
|
||
|
myself responsible for the A.V.I.S., since I was the first to
|
||
|
suggest it, and it seems to me that I ought to do the most
|
||
|
disagreeable things. I'm sorry on your account; but you needn't
|
||
|
say a word at the cranky places. I'll do all the talking. . .
|
||
|
Mrs. Lynde would say I was well able to. Mrs. Lynde doesn't know
|
||
|
whether to approve of our enterprise or not. She inclines to,
|
||
|
when she remembers that Mr. and Mrs. Allan are in favor of it;
|
||
|
but the fact that village improvement societies first originated
|
||
|
in the States is a count against it. So she is halting between two
|
||
|
opinions and only success will justify us in Mrs. Lynde's eyes.
|
||
|
Priscilla is going to write a paper for our next Improvement meeting,
|
||
|
and I expect it will be good, for her aunt is such a clever writer and
|
||
|
no doubt it runs in the family. I shall never forget the thrill it gave
|
||
|
me when I found out that Mrs. Charlotte E. Morgan was Priscilla's aunt.
|
||
|
It seemed so wonderful that I was a friend of the girl whose aunt wrote
|
||
|
`Edgewood Days' and `The Rosebud Garden.'"
|
||
|
|
||
|
"Where does Mrs. Morgan live?"
|
||
|
|
||
|
"In Toronto. And Priscilla says she is coming to the Island for a
|
||
|
visit next summer, and if it is possible Priscilla is going to
|
||
|
arrange to have us meet her. That seems almost too good to be true
|
||
|
--but it's something pleasant to imagine after you go to bed."
|
||
|
|
||
|
The Avonlea Village Improvement Society was an organized fact.
|
||
|
Gilbert Blythe was president, Fred Wright vice-president, Anne
|
||
|
Shirley secretary, and Diana Barry treasurer. The "Improvers," as
|
||
|
they were promptly christened, were to meet once a fortnight at the
|
||
|
homes of the members. It was admitted that they could not expect
|
||
|
to affect many improvements so late in the season; but they meant
|
||
|
to plan the next summer's campaign, collect and discuss ideas,
|
||
|
write and read papers, and, as Anne said, educate the public
|
||
|
sentiment generally.
|
||
|
|
||
|
There was some disapproval, of course, and. . .which the Improvers
|
||
|
felt much more keenly. . .a good deal of ridicule. Mr. Elisha
|
||
|
Wright was reported to have said that a more appropriate name for
|
||
|
the organization would be Courting Club. Mrs. Hiram Sloane
|
||
|
declared she had heard the Improvers meant to plough up all the
|
||
|
roadsides and set them out with geraniums. Mr. Levi Boulter
|
||
|
warned his neighbors that the Improvers would insist that everybody
|
||
|
pull down his house and rebuild it after plans approved by the society.
|
||
|
Mr. James Spencer sent them word that he wished they would kindly
|
||
|
shovel down the church hill. Eben Wright told Anne that he wished
|
||
|
the Improvers could induce old Josiah Sloane to keep his whiskers trimmed.
|
||
|
Mr. Lawrence Bell said he would whitewash his barns if nothing else would
|
||
|
please them but he would NOT hang lace curtains in the cowstable windows.
|
||
|
Mr. Major Spencer asked Clifton Sloane, an Improver who drove the milk to
|
||
|
the Carmody cheese factory, if it was true that everybody would have to
|
||
|
have his milk-stand hand-painted next summer and keep an embroidered
|
||
|
centerpiece on it.
|
||
|
|
||
|
In spite of. . .or perhaps, human nature being what it is, because
|
||
|
of. . .this, the Society went gamely to work at the only improvement
|
||
|
they could hope to bring about that fall. At the second meeting,
|
||
|
in the Barry parlor, Oliver Sloane moved that they tart a subscription
|
||
|
to re-shingle and paint the hall; Julia Bell seconded it, with an
|
||
|
uneasy feeling that she was doing something not exactly ladylike.
|
||
|
Gilbert put the motion, it was carried unanimously, and Anne gravely
|
||
|
recorded it in her minutes. The next thing was to appoint a committee,
|
||
|
and Gertie Pye, determined not to let Julia Bell carry off all the laurels,
|
||
|
boldly moved that Miss Jane Andrews be chairman of said committee.
|
||
|
This motion being also duly seconded and carried, Jane returned
|
||
|
the compliment by appointing Gertie on the committee, along with
|
||
|
Gilbert, Anne, Diana, and Fred Wright. The committee chose their
|
||
|
routes in private conclave. Anne and Diana were told off for the
|
||
|
Newbridge road, Gilbert and Fred for the White Sands road, and Jane
|
||
|
and Gertie for the Carmody road.
|
||
|
|
||
|
"Because," explained Gilbert to Anne, as they walked home together
|
||
|
through the Haunted Wood, "the Pyes all live along that road and
|
||
|
they won't give a cent unless one of themselves canvasses them."
|
||
|
|
||
|
The next Saturday Anne and Diana started out. They drove to the end of
|
||
|
the road and canvassed homeward, calling first on the "Andrew girls."
|
||
|
|
||
|
"If Catherine is alone we may get something," said Diana, "but if
|
||
|
Eliza is there we won't."
|
||
|
|
||
|
Eliza was there. . .very much so. . .and looked even grimmer than
|
||
|
usual. Miss Eliza was one of those people who give you the
|
||
|
impression that life is indeed a vale of tears, and that a smile,
|
||
|
never to speak of a laugh, is a waste of nervous energy truly
|
||
|
reprehensible. The Andrew girls had been "girls" for fifty odd
|
||
|
years and seemed likely to remain girls to the end of their earthly
|
||
|
pilgrimage. Catherine, it was said, had not entirely given up hope,
|
||
|
but Eliza, who was born a pessimist, had never had any. They lived
|
||
|
in a little brown house built in a sunny corner scooped out of
|
||
|
Mark Andrew's beech woods. Eliza complained that it was terrible
|
||
|
hot in summer, but Catherine was wont to say it was lovely and
|
||
|
warm in winter.
|
||
|
|
||
|
Eliza was sewing patchwork, not because it was needed but simply as
|
||
|
a protest against the frivolous lace Catherine was crocheting.
|
||
|
Eliza listened with a frown and Catherine with a smile, as the
|
||
|
girls explained their errand. To be sure, whenever Catherine
|
||
|
caught Eliza's eye she discarded the smile in guilty confusion;
|
||
|
but it crept back the next moment.
|
||
|
|
||
|
"If I had money to waste," said Eliza grimly, "I'd burn it up and
|
||
|
have the fun of seeing a blaze maybe; but I wouldn't give it to
|
||
|
that hall, not a cent. It's no benefit to the settlement. . .just
|
||
|
a place for young folks to meet and carry on when they's better be
|
||
|
home in their beds."
|
||
|
|
||
|
"Oh, Eliza, young folks must have some amusement," protested
|
||
|
Catherine.
|
||
|
|
||
|
"I don't see the necessity. We didn't gad about to halls and
|
||
|
places when we were young, Catherine Andrews. This world is
|
||
|
getting worse every day"
|
||
|
|
||
|
"I think it's getting better," said Catherine firmly.
|
||
|
|
||
|
"YOU think!" Miss Eliza's voice expressed the utmost contempt.
|
||
|
"It doesn't signify what you THINK, Catherine Andrews. Facts
|
||
|
is facts."
|
||
|
|
||
|
"Well, I always like to look on the bright side, Eliza."
|
||
|
|
||
|
"There isn't any bright side."
|
||
|
|
||
|
"Oh, indeed there is," cried Anne, who couldn't endure such heresy
|
||
|
in silence." Why, there are ever so many bright sides, Miss Andrews.
|
||
|
It's really a beautiful world."
|
||
|
|
||
|
"You won't have such a high opinion of it when you've lived as long
|
||
|
in it as I have," retorted Miss Eliza sourly, "and you won't be so
|
||
|
enthusiastic about improving it either. How is your mother, Diana?
|
||
|
Dear me, but she has failed of late. She looks terrible run down.
|
||
|
And how long is it before Marilla expects to be stone blind, Anne?"
|
||
|
|
||
|
"The doctor thinks her eyes will not get any worse if she is very
|
||
|
careful," faltered Anne.
|
||
|
|
||
|
Eliza shook her head.
|
||
|
|
||
|
"Doctors always talk like that just to keep people cheered up. I wouldn't
|
||
|
have much hope if I was her. It's best to be prepared for the worst."
|
||
|
|
||
|
"But oughtn't we be prepared for the best too?" pleaded Anne.
|
||
|
"It's just as likely to happen as the worst."
|
||
|
|
||
|
"Not in my experience, and I've fifty-seven years to set against
|
||
|
your sixteen," retorted Eliza. "Going, are you? Well, I hope this
|
||
|
new society of yours will be able to keep Avonlea from running any
|
||
|
further down hill but I haven't much hope of it."
|
||
|
|
||
|
Anne and Diana got themselves thankfully out, and drove away as
|
||
|
fast as the fat pony could go. As they rounded the curve below the
|
||
|
beech wood a plump figure came speeding over Mr. Andrews' pasture,
|
||
|
waving to them excitedly. It was Catherine Andrews and she was so
|
||
|
out of breath that she could hardly speak, but she thrust a couple
|
||
|
of quarters into Anne's hand.
|
||
|
|
||
|
"That's my contribution to painting the hall," she gasped. "I'd
|
||
|
like to give you a dollar but I don't dare take more from my egg
|
||
|
money for Eliza would find it out if I did. I'm real interested
|
||
|
in your society and I believe you're going to do a lot of good.
|
||
|
I'm an optimist. I HAVE to be, living with Eliza. I must hurry
|
||
|
back before she misses me. . .she thinks I'm feeding the hens.
|
||
|
I hope you'll have good luck canvassing, and don't be cast down over
|
||
|
what Eliza said. The world IS getting better. . .it certainly is."
|
||
|
|
||
|
The next house was Daniel Blair's.
|
||
|
|
||
|
"Now, it all depends on whether his wife is home or not," said Diana,
|
||
|
as they jolted along a deep-rutted lane. "If she is we won't get a cent.
|
||
|
Everybody says Dan Blair doesn't dare have his hair cut without asking
|
||
|
her permission; and it's certain she's very close, to state it moderately.
|
||
|
She says she has to be just before she's generous. But Mrs. Lynde says
|
||
|
she's so much `before' that generosity never catches up with her at all."
|
||
|
|
||
|
Anne related their experience at the Blair place to Marilla that evening.
|
||
|
|
||
|
"We tied the horse and then rapped at the kitchen door.
|
||
|
Nobody came but the door was open and we could hear somebody
|
||
|
in the pantry, going on dreadfully. We couldn't make out the words
|
||
|
but Diana says she knows they were swearing by the sound of them.
|
||
|
I can't believe that of Mr. Blair, for he is always so quiet and meek;
|
||
|
but at least he had great provocation, for Marilla, when that poor man
|
||
|
came to the door, red as a beet, with perspiration streaming down his
|
||
|
face, he had on one of his wife's big gingham aprons. `I can't get
|
||
|
this durned thing off,' he said, `for the strings are tied in a hard
|
||
|
knot and I can't bust 'em, so you'll have to excuse me, ladies.'
|
||
|
We begged him not to mention it and went in and sat down. Mr. Blair
|
||
|
sat down too; he twisted the apron around to his back and rolled it up,
|
||
|
but he did look so ashamed and worried that I felt sorry for him,
|
||
|
and Diana said she feared we had called at an inconvenient time.
|
||
|
`Oh, not at all,' said Mr. Blair, trying to smile. . .you know he
|
||
|
is always very polite. . .'I'm a little busy. . .getting ready to
|
||
|
bake a cake as it were. My wife got a telegram today that her
|
||
|
sister from Montreal is coming tonight and she's gone to the
|
||
|
train to meet her and left orders for me to make a cake for tea.
|
||
|
She writ out the recipe and told me what to do but I've clean forgot
|
||
|
half the directions already. And it says, "flavor according to taste."
|
||
|
What does that mean? How can you tell? And what if my taste doesn't
|
||
|
happen to be other people's taste? Would a tablespoon of vanilla be
|
||
|
enough for a small layer cake?"
|
||
|
|
||
|
"I felt sorrier than ever for the poor man. He didn't seem to be
|
||
|
in his proper sphere at all. I had heard of henpecked husbands and
|
||
|
now I felt that I saw one. It was on my lips to say, `Mr. Blair,
|
||
|
if you'll give us a subscription for the hall I'll mix up your cake
|
||
|
for you.' But I suddenly thought it wouldn't be neighborly to drive
|
||
|
too sharp a bargain with a fellow creature in distress. So I
|
||
|
offered to mix the cake for him without any conditions at all.
|
||
|
He just jumped at my offer. He said he'd been used to making his
|
||
|
own bread before he was married but he feared cake was beyond him,
|
||
|
and yet he hated to disappoint his wife. He got me another apron,
|
||
|
and Diana beat the eggs and I mixed the cake. Mr. Blair ran about
|
||
|
and got us the materials. He had forgotten all about his apron and
|
||
|
when he ran it streamed out behind him and Diana said she thought
|
||
|
she would die to see it. He said he could bake the cake all right.
|
||
|
. .he was used to that. . .and then he asked for our list and he
|
||
|
put down four dollars. So you see we were rewarded. But even if
|
||
|
he hadn't given a cent I'd always feel that we had done a truly
|
||
|
Christian act in helping him."
|
||
|
|
||
|
Theodore White's was the next stopping place. Neither Anne nor
|
||
|
Diana had ever been there before, and they had only a very slight
|
||
|
acquaintance with Mrs. Theodore, who was not given to hospitality.
|
||
|
Should they go to the back or front door? While they held a
|
||
|
whispered consultation Mrs. Theodore appeared at the front door
|
||
|
with an armful of newspapers. Deliberately she laid them down one
|
||
|
by one on the porch floor and the porch steps, and then down the
|
||
|
path to the very feet of her mystified callers.
|
||
|
|
||
|
"Will you please wipe your feet carefully on the grass and then
|
||
|
walk on these papers?" she said anxiously. "I've just swept
|
||
|
the house all over and I can't have any more dust tracked in.
|
||
|
The path's been real muddy since the rain yesterday."
|
||
|
|
||
|
"Don't you dare laugh," warned Anne in a whisper, as they marched
|
||
|
along the newspapers. "And I implore you, Diana, not to look at me,
|
||
|
no matter what she says, or I shall not be able to keep a sober face."
|
||
|
|
||
|
The papers extended across the hall and into a prim, fleckless parlor.
|
||
|
Anne and Diana sat down gingerly on the nearest chairs and explained
|
||
|
their errand. Mrs. White heard them politely, interrupting only twice,
|
||
|
once to chase out an adventurous fly, and once to pick up a tiny wisp
|
||
|
of grass that had fallen on the carpet from Anne's dress. Anne felt
|
||
|
wretchedly guilty; but Mrs. White subscribed two dollars and paid
|
||
|
the money down. . ."to prevent us from having to go back for it,"
|
||
|
Diana said when they got away. Mrs. White had the newspapers
|
||
|
gathered up before they had their horse untied and as they drove
|
||
|
out of the yard they saw her busily wielding a broom in the hall.
|
||
|
|
||
|
"I've always heard that Mrs. Theodore White was the neatest woman
|
||
|
alive and I'll believe it after this," said Diana, giving way to
|
||
|
her suppressed laughter as soon as it was safe.
|
||
|
|
||
|
"I am glad she has no children," said Anne solemnly. "It would be
|
||
|
dreadful beyond words for them if she had."
|
||
|
|
||
|
At the Spencers' Mrs. Isabella Spencer made them miserable by saying
|
||
|
something ill-natured about everyone in Avonlea. Mr. Thomas Boulter
|
||
|
refused to give anything because the hall, when it had been built,
|
||
|
twenty years before, hadn't been built on the site he recommended.
|
||
|
Mrs. Esther Bell, who was the picture of health, took half an hour
|
||
|
to detail all her aches and pains, and sadly put down fifty cents
|
||
|
because she wouldn't be there that time next year to do it. . .no,
|
||
|
she would be in her grave.
|
||
|
|
||
|
Their worst reception, however, was at Simon Fletcher's. When they
|
||
|
drove into the yard they saw two faces peering at them through the
|
||
|
porch window. But although they rapped and waited patiently and
|
||
|
persistently nobody came to the door. Two decidedly ruffled and
|
||
|
indignant girls drove away from Simon Fletcher's. Even Anne
|
||
|
admitted that she was beginning to feel discouraged. But the tide
|
||
|
turned after that. Several Sloane homesteads came next, where they
|
||
|
got liberal subscriptions, and from that to the end they fared well,
|
||
|
with only an occasional snub. Their last place of call was at
|
||
|
Robert Dickson's by the pond bridge. They stayed to tea here,
|
||
|
although they were nearly home, rather than risk offending Mrs.
|
||
|
Dickson, who had the reputation of being a very "touchy" woman.
|
||
|
|
||
|
While they were there old Mrs. James White called in.
|
||
|
|
||
|
"I've just been down to Lorenzo's," she announced. "He's the
|
||
|
proudest man in Avonlea this minute. What do you think? There's
|
||
|
a brand new boy there. . .and after seven girls that's quite an
|
||
|
event, I can tell you." Anne pricked up her ears, and when they
|
||
|
drove away she said.
|
||
|
|
||
|
"I'm going straight to Lorenzo White's."
|
||
|
|
||
|
"But he lives on the White Sands road and it's quite a distance out
|
||
|
of our, way" protested Diana. "Gilbert and Fred will canvass him."
|
||
|
|
||
|
"They are not going around until next Saturday and it will be too
|
||
|
late by then," said Anne firmly. "The novelty will be worn off.
|
||
|
Lorenzo White is dreadfully mean but he will subscribe to ANYTHING
|
||
|
just now. We mustn't let such a golden opportunity slip, Diana."
|
||
|
The result justified Anne's foresight. Mr. White met them in the yard,
|
||
|
beaming like the sun upon an Easter day. When Anne asked for a
|
||
|
subscription he agreed enthusiastically.
|
||
|
|
||
|
"Certain, certain. Just put me down for a dollar more than the
|
||
|
highest subscription you've got."
|
||
|
|
||
|
"That will be five dollars. . .Mr. Daniel Blair put down four,"
|
||
|
said Anne, half afraid. But Lorenzo did not flinch.
|
||
|
|
||
|
"Five it is. . .and here's the money on the spot. Now, I want you
|
||
|
to come into the house. There's something in there worth seeing. . .
|
||
|
something very few people have seen as yet. Just come in and pass
|
||
|
YOUR opinion."
|
||
|
|
||
|
"What will we say if the baby isn't pretty?" whispered Diana in
|
||
|
trepidation as they followed the excited Lorenzo into the house.
|
||
|
|
||
|
"Oh, there will certainly be something else nice to say about it,"
|
||
|
said Anne easily. "There always is about a baby."
|
||
|
|
||
|
The baby WAS pretty, however, and Mr. White felt that he got his
|
||
|
five dollars' worth of the girls' honest delight over the plump
|
||
|
little newcomer. But that was the first, last, and only time that
|
||
|
Lorenzo White ever subscribed to anything.
|
||
|
|
||
|
Anne, tired as she was, made one more effort for the public weal
|
||
|
that night, slipping over the fields to interview Mr. Harrison, who
|
||
|
was as usual smoking his pipe on the veranda with Ginger beside him.
|
||
|
Strickly speaking he was on the Carmody road; but Jane and Gertie,
|
||
|
who were not acquainted with him save by doubtful report, had
|
||
|
nervously begged Anne to canvass him.
|
||
|
|
||
|
Mr. Harrison, however, flatly refused to subscribe a cent, and all
|
||
|
Anne's wiles were in vain.
|
||
|
|
||
|
"But I thought you approved of our society, Mr. Harrison," she mourned.
|
||
|
|
||
|
"So I do. . .so I do. . .but my approval doesn't go as deep as my
|
||
|
pocket, Anne."
|
||
|
|
||
|
"A few more experiences such as I have had today would make me as
|
||
|
much of a pessimist as Miss Eliza Andrews," Anne told her
|
||
|
reflection in the east gable mirror at bedtime.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
VII
|
||
|
|
||
|
The Pointing of Duty
|
||
|
|
||
|
|
||
|
Anne leaned back in her chair one mild October evening and sighed.
|
||
|
She was sitting at a table covered with text books and exercises,
|
||
|
but the closely written sheets of paper before her had no apparent
|
||
|
connection with studies or school work.
|
||
|
|
||
|
"What is the matter?" asked Gilbert, who had arrived at the open
|
||
|
kitchen door just in time to hear the sigh.
|
||
|
|
||
|
Anne colored, and thrust her writing out of sight under some school
|
||
|
compositions.
|
||
|
|
||
|
"Nothing very dreadful. I was just trying to write out some of my
|
||
|
thoughts, as Professor Hamilton advised me, but I couldn't get them
|
||
|
to please me. They seem so still and foolish directly they're written
|
||
|
down on white paper with black ink. Fancies are like shadows. . .
|
||
|
you can't cage them, they're such wayward, dancing things.
|
||
|
But perhaps I'll learn the secret some day if I keep on trying.
|
||
|
I haven't a great many spare moments, you know. By the time I
|
||
|
finish correcting school exercises and compositions, I don't
|
||
|
always feel like writing any of my own."
|
||
|
|
||
|
"You are getting on splendidly in school, Anne. All the children
|
||
|
like you," said Gilbert, sitting down on the stone step.
|
||
|
|
||
|
"No, not all. Anthony Pye doesn't and WON'T like me. What is worse,
|
||
|
he doesn't respect me. . .no, he doesn't. He simply holds me in
|
||
|
contempt and I don't mind confessing to you that it worries me miserably.
|
||
|
It isn't that he is so very bad. . .he is only rather mischievous, but
|
||
|
no worse than some of the others. He seldom disobeys me; but he obeys
|
||
|
with a scornful air of toleration as if it wasn't worthwhile disputing
|
||
|
the point or he would. . .and it has a bad effect on the others.
|
||
|
I've tried every way to win him but I'm beginning to fear I never shall.
|
||
|
I want to, for he's rather a cute little lad, if he IS a Pye, and I
|
||
|
could like him if he'd let me."
|
||
|
|
||
|
"Probably it's merely the effect of what he hears at home."
|
||
|
|
||
|
"Not altogether. Anthony is an independent little chap and makes
|
||
|
up his own mind about things. He has always gone to men before and
|
||
|
he says girl teachers are no good. Well, we'll see what patience
|
||
|
and kindness will do. I like overcoming difficulties and teaching
|
||
|
is really very interesting work. Paul Irving makes up for all that
|
||
|
is lacking in the others. That child is a perfect darling,
|
||
|
Gilbert, and a genius into the bargain. I'm persuaded the world
|
||
|
will hear of him some day," concluded Anne in a tone of conviction.
|
||
|
|
||
|
"I like teaching, too," said Gilbert. "It's good training, for one thing.
|
||
|
Why, Anne, I've learned more in the weeks I've been teaching the young the
|
||
|
ideas of White Sands than I learned in all the years I went to school myself.
|
||
|
We all seem to be getting on pretty well. The Newbridge people like Jane,
|
||
|
I hear; and I think White Sands is tolerably satisfied with your humble
|
||
|
servant. . .all except Mr. Andrew Spencer. I met Mrs. Peter Blewett on
|
||
|
my way home last night and she told me she thought it her duty to inform
|
||
|
me that Mr. Spencer didn't approve of my methods."
|
||
|
|
||
|
"Have you ever noticed," asked Anne reflectively, "that when people
|
||
|
say it is their duty to tell you a certain thing you may prepare
|
||
|
for something disagreeable? Why is it that they never seem to think
|
||
|
it a duty to tell you the pleasant things they hear about you?
|
||
|
Mrs. H. B. DonNELL called at the school again yesterday and told me
|
||
|
she thought it HER duty to inform me that Mrs. Harmon Andrew
|
||
|
didn't approve of my reading fairy tales to the children, and that
|
||
|
Mr. Rogerson thought Prillie wasn't coming on fast enough in
|
||
|
arithmetic. If Prillie would spend less time making eyes at the
|
||
|
boys over her slate she might do better. I feel quite sure that
|
||
|
Jack Gillis works her class sums for her, though I've never been
|
||
|
able to catch him red-handed."
|
||
|
|
||
|
"Have you succeeded in reconciling Mrs. DonNELL's hopeful son to
|
||
|
his saintly name?"
|
||
|
|
||
|
"Yes," laughed Anne, "but it was really a difficult task. At
|
||
|
first, when I called him `St. Clair' he would not take the least
|
||
|
notice until I'd spoken two or three times; and then, when the
|
||
|
other boys nudged him, he would look up with such an aggrieved air,
|
||
|
as if I'd called him John or Charlie and he couldn't be expected to
|
||
|
know I meant him. So I kept him in after school one night and
|
||
|
talked kindly to him. I told him his mother wished me to call him
|
||
|
St. Clair and I couldn't go against her wishes. He saw it when it
|
||
|
was all explained out. . .he's really a very reasonable little
|
||
|
fellow. . .and he said _I_ could call him St. Clair but that
|
||
|
he'd `lick the stuffing' out of any of the boys that tried it.
|
||
|
Of course, I had to rebuke him again for using such shocking language.
|
||
|
Since then _I_ call him St. Clair and the boys call him Jake and all
|
||
|
goes smoothly. He informs me that he means to be a carpenter, but
|
||
|
Mrs. DonNELL says I am to make a college professor out of him."
|
||
|
|
||
|
The mention of college gave a new direction to Gilbert's thoughts,
|
||
|
and they talked for a time of their plans and wishes. . .gravely,
|
||
|
earnestly, hopefully, as youth loves to talk, while the future is
|
||
|
yet an untrodden path full of wonderful possibilities.
|
||
|
|
||
|
Gilbert had finally made up his mind that he was going to be a doctor.
|
||
|
|
||
|
"It's a splendid profession," he said enthusiastically. "A fellow
|
||
|
has to fight something all through life. . .didn't somebody once
|
||
|
define man as a fighting animal?. . .and I want to fight disease
|
||
|
and pain and ignorance. . .which are all members one of another.
|
||
|
I want to do my share of honest, real work in the world, Anne. . .
|
||
|
add a little to the sum of human knowledge that all the good men
|
||
|
have been accumulating since it began. The folks who lived before
|
||
|
me have done so much for me that I want to show my gratitude by
|
||
|
doing something for the folks who will live after me. It seems to
|
||
|
me that is the only way a fellow can get square with his obligations
|
||
|
to the race."
|
||
|
|
||
|
"I'd like to add some beauty to life," said Anne dreamily. "I don't
|
||
|
exactly want to make people KNOW more. . .though I know that IS the
|
||
|
noblest ambition. . .but I'd love to make them have a pleasanter
|
||
|
time because of me. . .to have some little joy or happy thought
|
||
|
that would never have existed if I hadn't been born."
|
||
|
|
||
|
"I think you're fulfilling that ambition every day," said Gilbert
|
||
|
admiringly.
|
||
|
|
||
|
And he was right. Anne was one of the children of light by birthright.
|
||
|
After she had passed through a life with a smile or a word thrown
|
||
|
across it like a gleam of sunshine the owner of that life saw it,
|
||
|
for the time being at least, as hopeful and lovely and of good report.
|
||
|
|
||
|
Finally Gilbert rose regretfully.
|
||
|
|
||
|
"Well, I must run up to MacPhersons'. Moody Spurgeon came home
|
||
|
from Queen's today for Sunday and he was to bring me out a book
|
||
|
Professor Boyd is lending me."
|
||
|
|
||
|
"And I must get Marilla's tea. She went to see Mrs. Keith this
|
||
|
evening and she will soon be back."
|
||
|
|
||
|
Anne had tea ready when Marilla came home; the fire was crackling
|
||
|
cheerily, a vase of frost-bleached ferns and ruby-red maple leaves
|
||
|
adorned the table, and delectable odors of ham and toast pervaded
|
||
|
the air. But Marilla sank into her chair with a deep sigh.
|
||
|
|
||
|
"Are your eyes troubling you? Does your head ache?" queried
|
||
|
Anne anxiously.
|
||
|
|
||
|
"No. I'm only tired. . .and worried. It's about Mary and those children
|
||
|
. . .Mary is worse. . .she can't last much longer. And as for the twins,
|
||
|
_I_ don't know what is to become of them."
|
||
|
|
||
|
"Hasn't their uncle been heard from?"
|
||
|
|
||
|
"Yes, Mary had a letter from him. He's working in a lumber camp
|
||
|
and `shacking it,' whatever that means. Anyway, he says he can't
|
||
|
possibly take the children till the spring. He expects to be
|
||
|
married then and will have a home to take them to; but he says
|
||
|
she must get some of the neighbors to keep them for the winter.
|
||
|
She says she can't bear to ask any of them. Mary never got on
|
||
|
any too well with the East Grafton people and that's a fact.
|
||
|
And the long and short of it is, Anne, that I'm sure Mary wants
|
||
|
me to take those children. . .she didn't say so but she LOOKED it."
|
||
|
|
||
|
"Oh!" Anne clasped her hands, all athrill with excitement.
|
||
|
"And of course you will, Marilla, won't you?"
|
||
|
|
||
|
"I haven't made up my mind," said Marilla rather tartly. "I don't
|
||
|
rush into things in your headlong way, Anne. Third cousinship is a
|
||
|
pretty slim claim. And it will be a fearful responsibility to have
|
||
|
two children of six years to look after. . .twins, at that."
|
||
|
|
||
|
Marilla had an idea that twins were just twice as bad as single children.
|
||
|
|
||
|
"Twins are very interesting. . .at least one pair of them," said Anne.
|
||
|
"It's only when there are two or three pairs that it gets monotonous.
|
||
|
And I think it would be real nice for you to have something to amuse
|
||
|
you when I'm away in school."
|
||
|
|
||
|
"I don't reckon there'd be much amusement in it. . .more worry and
|
||
|
bother than anything else, I should say. It wouldn't be so risky if
|
||
|
they were even as old as you were when I took you. I wouldn't mind
|
||
|
Dora so much. . .she seems good and quiet. But that Davy is a limb."
|
||
|
|
||
|
Anne was fond of children and her heart yearned over the Keith twins.
|
||
|
The remembrance of her own neglected childhood was very vivid with
|
||
|
her still. She knew that Marilla's only vulnerable point was her
|
||
|
stern devotion to what she believed to be her duty, and Anne
|
||
|
skillfully marshalled her arguments along this line.
|
||
|
|
||
|
"If Davy is naughty it's all the more reason why he should have
|
||
|
good training, isn't it, Marilla? If we don't take them we don't
|
||
|
know who will, nor what kind of influences may surround them.
|
||
|
Suppose Mrs. Keith's next door neighbors, the Sprotts, were to
|
||
|
take them. Mrs. Lynde says Henry Sprott is the most profane man
|
||
|
that ever lived and you can't believe a word his children say.
|
||
|
Wouldn't it be dreadful to have the twins learn anything like that?
|
||
|
Or suppose they went to the Wiggins'. Mrs. Lynde says that Mr.
|
||
|
Wiggins sells everything off the place that can be sold and brings
|
||
|
his family up on skim milk. You wouldn't like your relations to be
|
||
|
starved, even if they were only third cousins, would you? It seems
|
||
|
to me, Marilla, that it is our duty to take them."
|
||
|
|
||
|
"I suppose it is," assented Marilla gloomily. "I daresay I'll tell
|
||
|
Mary I'll take them. You needn't look so delighted, Anne. It will
|
||
|
mean a good deal of extra work for you. I can't sew a stitch on
|
||
|
account of my eyes, so you'll have to see to the making and mending
|
||
|
of their clothes. And you don't like sewing."
|
||
|
|
||
|
"I hate it," said Anne calmly, "but if you are willing to take
|
||
|
those children from a sense of duty surely I can do their sewing
|
||
|
from a sense of duty. It does people good to have to do things
|
||
|
they don't like. . .in moderation."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
VIII
|
||
|
|
||
|
Marilla Adopts Twins
|
||
|
|
||
|
|
||
|
Mrs. Rachel Lynde was sitting at her kitchen window, knitting a
|
||
|
quilt, just as she had been sitting one evening several years
|
||
|
previously when Matthew Cuthbert had driven down over the hill with
|
||
|
what Mrs. Rachel called "his imported orphan." But that had been
|
||
|
in springtime; and this was late autumn, and all the woods were
|
||
|
leafless and the fields sere and brown. The sun was just setting
|
||
|
with a great deal of purple and golden pomp behind the dark woods
|
||
|
west of Avonlea when a buggy drawn by a comfortable brown nag came
|
||
|
down the hill. Mrs. Rachel peered at it eagerly.
|
||
|
|
||
|
"There's Marilla getting home from the funeral," she said to her
|
||
|
husband, who was lying on the kitchen lounge. Thomas Lynde lay
|
||
|
more on the lounge nowadays than he had been used to do, but Mrs.
|
||
|
Rachel, who was so sharp at noticing anything beyond her own
|
||
|
household, had not as yet noticed this. "And she's got the twins
|
||
|
with her,. . .yes, there's Davy leaning over the dashboard
|
||
|
grabbing at the pony's tail and Marilla jerking him back.
|
||
|
Dora's sitting up on the seat as prim as you please. She always
|
||
|
looks as if she'd just been starched and ironed. Well, poor
|
||
|
Marilla is going to have her hands full this winter and no mistake.
|
||
|
Still, I don't see that she could do anything less than take them,
|
||
|
under the circumstances, and she'll have Anne to help her.
|
||
|
Anne's tickled to death over the whole business, and she has a
|
||
|
real knacky way with children, I must say. Dear me, it doesn't
|
||
|
seem a day since poor Matthew brought Anne herself home and
|
||
|
everybody laughed at the idea of Marilla bringing up a child.
|
||
|
And now she has adopted twins. You're never safe from being
|
||
|
surprised till you're dead."
|
||
|
|
||
|
The fat pony jogged over the bridge in Lynde's Hollow and along the
|
||
|
Green Gables lane. Marilla's face was rather grim. It was ten
|
||
|
miles from East Grafton and Davy Keith seemed to be possessed with
|
||
|
a passion for perpetual motion. It was beyond Marilla's power to
|
||
|
make him sit still and she had been in an agony the whole way lest
|
||
|
he fall over the back of the wagon and break his neck, or tumble
|
||
|
over the dashboard under the pony's heels. In despair she finally
|
||
|
threatened to whip him soundly when she got him home. Whereupon
|
||
|
Davy climbed into her lap, regardless of the reins, flung his
|
||
|
chubby arms about her neck and gave her a bear-like hug.
|
||
|
|
||
|
"I don't believe you mean it," he said, smacking her wrinkled cheek
|
||
|
affectionately. "You don't LOOK like a lady who'd whip a little
|
||
|
boy just 'cause he couldn't keep still. Didn't you find it awful
|
||
|
hard to keep still when you was only 's old as me?"
|
||
|
|
||
|
"No, I always kept still when I was told," said Marilla, trying to
|
||
|
speak sternly, albeit she felt her heart waxing soft within her
|
||
|
under Davy's impulsive caresses.
|
||
|
|
||
|
"Well, I s'pose that was 'cause you was a girl," said Davy,
|
||
|
squirming back to his place after another hug. "You WAS a
|
||
|
girl once, I s'pose, though it's awful funny to think of it.
|
||
|
Dora can sit still. . .but there ain't much fun in it _I_ don't think.
|
||
|
Seems to me it must be slow to be a girl. Here, Dora, let me liven
|
||
|
you up a bit."
|
||
|
|
||
|
Davy's method of "livening up" was to grasp Dora's curls in his
|
||
|
fingers and give them a tug. Dora shrieked and then cried.
|
||
|
|
||
|
"How can you be such a naughty boy and your poor mother just laid
|
||
|
in her grave this very day?" demanded Marilla despairingly.
|
||
|
|
||
|
"But she was glad to die," said Davy confidentially. "I know,
|
||
|
'cause she told me so. She was awful tired of being sick.
|
||
|
We'd a long talk the night before she died. She told me you was
|
||
|
going to take me and Dora for the winter and I was to be a good boy.
|
||
|
I'm going to be good, but can't you be good running round just as
|
||
|
well as sitting still? And she said I was always to be kind to Dora
|
||
|
and stand up for her, and I'm going to."
|
||
|
|
||
|
"Do you call pulling her hair being kind to her?"
|
||
|
|
||
|
"Well, I ain't going to let anybody else pull it," said Davy,
|
||
|
doubling up his fists and frowning. "They'd just better try it.
|
||
|
I didn't hurt her much. . .she just cried 'cause she's a girl.
|
||
|
I'm glad I'm a boy but I'm sorry I'm a twin. When Jimmy Sprott's
|
||
|
sister conterdicks him he just says, `I'm oldern you, so of course
|
||
|
I know better,' and that settles HER. But I can't tell Dora that,
|
||
|
and she just goes on thinking diffrunt from me. You might let me
|
||
|
drive the gee-gee for a spell, since I'm a man."
|
||
|
|
||
|
Altogether, Marilla was a thankful woman when she drove into her own yard,
|
||
|
where the wind of the autumn night was dancing with the brown leaves.
|
||
|
Anne was at the gate to meet them and lift the twins out. Dora submitted
|
||
|
calmly to be kissed, but Davy responded to Anne's welcome with one of his
|
||
|
hearty hugs and the cheerful announcement, "I'm Mr. Davy Keith."
|
||
|
|
||
|
At the supper table Dora behaved like a little lady, but Davy's
|
||
|
manners left much to be desired.
|
||
|
|
||
|
"I'm so hungry I ain't got time to eat p'litely," he said when Marilla
|
||
|
reproved him. "Dora ain't half as hungry as I am. Look at all the
|
||
|
ex'cise I took on the road here. That cake's awful nice and plummy.
|
||
|
We haven't had any cake at home for ever'n ever so long, 'cause
|
||
|
mother was too sick to make it and Mrs. Sprott said it was as much
|
||
|
as she could do to bake our bread for us. And Mrs. Wiggins never
|
||
|
puts any plums in HER cakes. Catch her! Can I have another piece?"
|
||
|
|
||
|
Marilla would have refused but Anne cut a generous second slice.
|
||
|
However, she reminded Davy that he ought to say "Thank you" for it.
|
||
|
Davy merely grinned at her and took a huge bite. When he had
|
||
|
finished the slice he said,
|
||
|
|
||
|
"If you'll give me ANOTHER piece I'll say thank you for IT."
|
||
|
|
||
|
"No, you have had plenty of cake," said Marilla in a tone which
|
||
|
Anne knew and Davy was to learn to be final.
|
||
|
|
||
|
Davy winked at Anne, and then, leaning over the table, snatched
|
||
|
Dora's first piece of cake, from which she had just taken one
|
||
|
dainty little bite, out of her very fingers and, opening his mouth
|
||
|
to the fullest extent, crammed the whole slice in. Dora's lip
|
||
|
trembled and Marilla was speechless with horror. Anne promptly
|
||
|
exclaimed, with her best "schoolma'am" air,
|
||
|
|
||
|
"Oh, Davy, gentlemen don't do things like that."
|
||
|
|
||
|
"I know they don't," said Davy, as soon as he could speak,
|
||
|
"but I ain't a gemplum."
|
||
|
|
||
|
"But don't you want to be?" said shocked Anne.
|
||
|
|
||
|
"Course I do. But you can't be a gemplum till you grow up."
|
||
|
|
||
|
"Oh, indeed you can," Anne hastened to say, thinking she saw a chance
|
||
|
to sow good seed betimes. "You can begin to be a gentleman when you
|
||
|
are a little boy. And gentlemen NEVER snatch things from ladies. . .
|
||
|
or forget to say thank you. . .or pull anybody's hair."
|
||
|
|
||
|
"They don't have much fun, that's a fact," said Davy frankly.
|
||
|
"I guess I'll wait till I'm grown up to be one."
|
||
|
|
||
|
Marilla, with a resigned air, had cut another piece of cake for Dora.
|
||
|
She did not feel able to cope with Davy just then. It had been a
|
||
|
hard day for her, what with the funeral and the long drive.
|
||
|
At that moment she looked forward to the future with a pessimism
|
||
|
that would have done credit to Eliza Andrews herself.
|
||
|
|
||
|
The twins were not noticeably alike, although both were fair.
|
||
|
Dora had long sleek curls that never got out of order. Davy had
|
||
|
a crop of fuzzy little yellow ringlets all over his round head.
|
||
|
Dora's hazel eyes were gentle and mild; Davy's were as roguish
|
||
|
and dancing as an elf's. Dora's nose was straight, Davy's a
|
||
|
positive snub; Dora had a "prunes and prisms" mouth, Davy's was
|
||
|
all smiles; and besides, he had a dimple in one cheek and none in the
|
||
|
other, which gave him a dear, comical, lopsided look when he laughed.
|
||
|
Mirth and mischief lurked in every corner of his little face.
|
||
|
|
||
|
"They'd better go to bed," said Marilla, who thought it was the
|
||
|
easiest way to dispose of them. "Dora will sleep with me and you
|
||
|
can put Davy in the west gable. You're not afraid to sleep alone,
|
||
|
are you, Davy?"
|
||
|
|
||
|
"No; but I ain't going to bed for ever so long yet," said Davy comfortably.
|
||
|
|
||
|
"Oh, yes, you are." That was all the muchtried Marilla said, but
|
||
|
something in her tone squelched even Davy. He trotted obediently
|
||
|
upstairs with Anne."
|
||
|
|
||
|
When I'm grown up the very first thing I'm going to do is stay up ALL
|
||
|
night just to see what it would be like," he told her confidentially.
|
||
|
|
||
|
In after years Marilla never thought of that first week of the
|
||
|
twins' sojourn at Green Gables without a shiver. Not that it
|
||
|
really was so much worse than the weeks that followed it; but it
|
||
|
seemed so by reason of its novelty. There was seldom a waking
|
||
|
minute of any day when Davy was not in mischief or devising it;
|
||
|
but his first notable exploit occurred two days after his arrival,
|
||
|
on Sunday morning. . .a fine, warm day, as hazy and mild as September.
|
||
|
Anne dressed him for church while Marilla attended to Dora.
|
||
|
Davy at first objected strongly to having his face washed.
|
||
|
|
||
|
"Marilla washed it yesterday. . .and Mrs. Wiggins scoured me with
|
||
|
hard soap the day of the funeral. That's enough for one week.
|
||
|
I don't see the good of being so awful clean. It's lots more
|
||
|
comfable being dirty."
|
||
|
|
||
|
"Paul Irving washes his face every day of his own accord," said
|
||
|
Anne astutely.
|
||
|
|
||
|
Davy had been an inmate of Green Gables for little over forty-eight
|
||
|
hours; but he already worshipped Anne and hated Paul Irving, whom
|
||
|
he had heard Anne praising enthusiastically the day after his arrival.
|
||
|
If Paul Irving washed his face every day, that settled it. He, Davy
|
||
|
Keith, would do it too, if it killed him. The same consideration
|
||
|
induced him to submit meekly to the other details of his toilet,
|
||
|
and he was really a handsome little lad when all was done.
|
||
|
Anne felt an almost maternal pride in him as she led him into
|
||
|
the old Cuthbert pew.
|
||
|
|
||
|
Davy behaved quite well at first, being occupied in casting covert
|
||
|
glances at all the small boys within view and wondering which was
|
||
|
Paul Irving. The first two hymns and the Scripture reading passed
|
||
|
off uneventfully. Mr. Allan was praying when the sensation came.
|
||
|
|
||
|
Lauretta White was sitting in front of Davy, her head slightly bent
|
||
|
and her fair hair hanging in two long braids, between which a
|
||
|
tempting expanse of white neck showed, encased in a loose lace
|
||
|
frill. Lauretta was a fat, placid-looking child of eight, who had
|
||
|
conducted herself irreproachably in church from the very first day
|
||
|
her mother carried her there, an infant of six months.
|
||
|
|
||
|
Davy thrust his hand into his pocket and produced. . .a
|
||
|
caterpillar, a furry, squirming caterpillar. Marilla saw
|
||
|
and clutched at him but she was too late. Davy dropped the
|
||
|
caterpillar down Lauretta's neck.
|
||
|
|
||
|
Right into the middle of Mr. Allan's prayer burst a series of
|
||
|
piercing shrieks. The minister stopped appalled and opened his eyes.
|
||
|
Every head in the congregation flew up. Lauretta White was dancing
|
||
|
up and down in her pew, clutching frantically at the back of her dress.
|
||
|
|
||
|
"Ow. . .mommer. . .mommer. . .ow. . .take it off. . .ow. . .get it
|
||
|
out. . .ow. . .that bad boy put it down my neck. . .ow. . .mommer.
|
||
|
. .it's going further down. . .ow. . .ow. . .ow...."
|
||
|
|
||
|
Mrs. White rose and with a set face carried the hysterical,
|
||
|
writhing Lauretta out of church. Her shrieks died away in the
|
||
|
distance and Mr. Allan proceeded with the service. But everybody
|
||
|
felt that it was a failure that day. For the first time in her
|
||
|
life Marilla took no notice of the text and Anne sat with scarlet
|
||
|
cheeks of mortification.
|
||
|
|
||
|
When they got home Marilla put Davy to bed and made him stay there
|
||
|
for the rest of the day. She would not give him any dinner but
|
||
|
allowed him a plain tea of bread and milk. Anne carried it to him
|
||
|
and sat sorrowfully by him while he ate it with an unrepentant relish.
|
||
|
But Anne's mournful eyes troubled him.
|
||
|
|
||
|
"I s'pose," he said reflectively, "that Paul Irving wouldn't have
|
||
|
dropped a caterpillar down a girl's neck in church, would he?"
|
||
|
|
||
|
"Indeed he wouldn't," said Anne sadly.
|
||
|
|
||
|
"Well, I'm kind of sorry I did it, then," conceded Davy. "But it
|
||
|
was such a jolly big caterpillar. . .I picked him up on the church
|
||
|
steps just as we went in. It seemed a pity to waste him. And say,
|
||
|
wasn't it fun to hear that girl yell?"
|
||
|
|
||
|
Tuesday afternoon the Aid Society met at Green Gables. Anne hurried
|
||
|
home from school, for she knew that Marilla would need all the assistance
|
||
|
she could give. Dora, neat and proper, in her nicely starched white dress
|
||
|
and black sash, was sitting with the members of the Aid in the parlor,
|
||
|
speaking demurely when spoken to, keeping silence when not, and in every
|
||
|
way comporting herself as a model child. Davy, blissfully dirty, was
|
||
|
making mud pies in the barnyard.
|
||
|
|
||
|
"I told him he might," said Marilla wearily. "I thought it would
|
||
|
keep him out of worse mischief. He can only get dirty at that.
|
||
|
We'll have our teas over before we call him to his. Dora can have
|
||
|
hers with us, but I would never dare to let Davy sit down at the
|
||
|
table with all the Aids here."
|
||
|
|
||
|
When Anne went to call the Aids to tea she found that Dora was not
|
||
|
in the parlor. Mrs. Jasper Bell said Davy had come to the front
|
||
|
door and called her out. A hasty consultation with Marilla in the
|
||
|
pantry resulted in a decision to let both children have their teas
|
||
|
together later on.
|
||
|
|
||
|
Tea was half over when the dining room was invaded by a forlorn
|
||
|
figure. Marilla and Anne stared in dismay, the Aids in amazement.
|
||
|
Could that be Dora. . .that sobbing nondescript in a drenched,
|
||
|
dripping dress and hair from which the water was streaming on
|
||
|
Marilla's new coin-spot rug?
|
||
|
|
||
|
"Dora, what has happened to you?" cried Anne, with a guilty glance
|
||
|
at Mrs. Jasper Bell, whose family was said to be the only one in
|
||
|
the world in which accidents never occurred.
|
||
|
|
||
|
"Davy made me walk the pigpen fence," wailed Dora. "I didn't want
|
||
|
to but he called me a fraid-cat. And I fell off into the pigpen and
|
||
|
my dress got all dirty and the pig runned right over me. My dress
|
||
|
was just awful but Davy said if I'd stand under the pump he'd wash
|
||
|
it clean, and I did and he pumped water all over me but my dress
|
||
|
ain't a bit cleaner and my pretty sash and shoes is all spoiled."
|
||
|
|
||
|
Anne did the honors of the table alone for the rest of the meal
|
||
|
while Marilla went upstairs and redressed Dora in her old clothes.
|
||
|
Davy was caught and sent to bed without any supper. Anne went to
|
||
|
his room at twilight and talked to him seriously. . .a method in
|
||
|
which she had great faith, not altogether unjustified by results.
|
||
|
She told him she felt very badly over his conduct.
|
||
|
|
||
|
"I feel sorry now myself," admitted Davy, "but the trouble is I
|
||
|
never feel sorry for doing things till after I've did them.
|
||
|
Dora wouldn't help me make pies, cause she was afraid of messing her
|
||
|
clo'es and that made me hopping mad. I s'pose Paul Irving wouldn't
|
||
|
have made HIS sister walk a pigpen fence if he knew she'd fall in?"
|
||
|
|
||
|
"No, he would never dream of such a thing. Paul is a perfect
|
||
|
little gentleman."
|
||
|
|
||
|
Davy screwed his eyes tight shut and seemed to meditate on this for
|
||
|
a time. Then he crawled up and put his arms about Anne's neck,
|
||
|
snuggling his flushed little face down on her shoulder.
|
||
|
|
||
|
"Anne, don't you like me a little bit, even if I ain't a good boy like Paul?"
|
||
|
|
||
|
"Indeed I do," said Anne sincerely. Somehow, it was impossible to help
|
||
|
liking Davy. "But I'd like you better still if you weren't so naughty."
|
||
|
|
||
|
"I. . .did something else today," went on Davy in a muffled voice.
|
||
|
"I'm sorry now but I'm awful scared to tell you. You won't be very
|
||
|
cross, will you? And you won't tell Marilla, will you?"
|
||
|
|
||
|
"I don't know, Davy. Perhaps I ought to tell her. But I think I
|
||
|
can promise you I won't if you promise me that you will never do it
|
||
|
again, whatever it is."
|
||
|
|
||
|
"No, I never will. Anyhow, it's not likely I'd find any more of
|
||
|
them this year. I found this one on the cellar steps."
|
||
|
|
||
|
"Davy, what is it you've done?"
|
||
|
|
||
|
"I put a toad in Marilla's bed. You can go and take it out if you like.
|
||
|
But say, Anne, wouldn't it be fun to leave it there?"
|
||
|
|
||
|
"Davy Keith!" Anne sprang from Davy's clinging arms and flew across
|
||
|
the hall to Marilla's room. The bed was slightly rumpled. She
|
||
|
threw back the blankets in nervous haste and there in very truth
|
||
|
was the toad, blinking at her from under a pillow.
|
||
|
|
||
|
"How can I carry that awful thing out?" moaned Anne with a shudder.
|
||
|
The fire shovel suggested itself to her and she crept down to get it
|
||
|
while Marilla was busy in the pantry. Anne had her own troubles carrying
|
||
|
that toad downstairs, for it hopped off the shovel three times and
|
||
|
once she thought she had lost it in the hall. When she finally
|
||
|
deposited it in the cherry orchard she drew a long breath of relief.
|
||
|
|
||
|
"If Marilla knew she'd never feel safe getting into bed again in
|
||
|
her life. I'm so glad that little sinner repented in time.
|
||
|
There's Diana signaling to me from her window. I'm glad. . .I
|
||
|
really feel the need of some diversion, for what with Anthony Pye
|
||
|
in school and Davy Keith at home my nerves have had about all they
|
||
|
can endure for one day."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
IX
|
||
|
|
||
|
A Question of Color
|
||
|
|
||
|
|
||
|
"That old nuisance of a Rachel Lynde was here again today,
|
||
|
pestering me for a subscription towards buying a carpet for the
|
||
|
vestry room," said Mr. Harrison wrathfully. "I detest that woman
|
||
|
more than anybody I know. She can put a whole sermon, text, comment,
|
||
|
and application, into six words, and throw it at you like a brick."
|
||
|
|
||
|
Anne, who was perched on the edge of the veranda, enjoying the charm
|
||
|
of a mild west wind blowing across a newly ploughed field on a gray
|
||
|
November twilight and piping a quaint little melody among the twisted
|
||
|
firs below the garden, turned her dreamy face over her shoulder.
|
||
|
|
||
|
"The trouble is, you and Mrs. Lynde don't understand one another,"
|
||
|
she explained. "That is always what is wrong when people don't
|
||
|
like each other. I didn't like Mrs. Lynde at first either; but as
|
||
|
soon as I came to understand her I learned to."
|
||
|
|
||
|
"Mrs. Lynde may be an acquired taste with some folks; but I didn't
|
||
|
keep on eating bananas because I was told I'd learn to like them if
|
||
|
I did," growled Mr. Harrison." And as for understanding her, I
|
||
|
understand that she is a confirmed busybody and I told her so."
|
||
|
|
||
|
"Oh, that must have hurt her feelings very much," said Anne
|
||
|
reproachfully. "How could you say such a thing? I said some
|
||
|
dreadful things to Mrs. Lynde long ago but it was when I had
|
||
|
lost my temper. I couldn't say them DELIBERATELY."
|
||
|
|
||
|
"It was the truth and I believe in telling the truth to everybody."
|
||
|
|
||
|
"But you don't tell the whole truth," objected Anne. "You only
|
||
|
tell the disagreeable part of the truth. Now, you've told me a
|
||
|
dozen times that my hair was red, but you've never once told me
|
||
|
that I had a nice nose."
|
||
|
|
||
|
"I daresay you know it without any telling," chuckled Mr. Harrison.
|
||
|
|
||
|
"I know I have red hair too. . .although it's MUCH darker than it
|
||
|
used to be. . .so there's no need of telling me that either."
|
||
|
|
||
|
"Well, well, I'll try and not mention it again since you're so
|
||
|
sensitive. You must excuse me, Anne. I've got a habit of being
|
||
|
outspoken and folks mustn't mind it."
|
||
|
|
||
|
"But they can't help minding it. And I don't think it's any help
|
||
|
that it's your habit. What would you think of a person who went
|
||
|
about sticking pins and needles into people and saying, `Excuse me,
|
||
|
you mustn't mind it. . .it's just a habit I've got.' You'd think
|
||
|
he was crazy, wouldn't you? And as for Mrs. Lynde being a busybody,
|
||
|
perhaps she is. But did you tell her she had a very kind heart and
|
||
|
always helped the poor, and never said a word when Timothy Cotton
|
||
|
stole a crock of butter out of her dairy and told his wife he'd
|
||
|
bought it from her? Mrs. Cotton cast it up to her the next time
|
||
|
they met that it tasted of turnips and Mrs. Lynde just said she
|
||
|
was sorry it had turned out so poorly."
|
||
|
|
||
|
"I suppose she has some good qualities," conceded Mr. Harrison grudgingly.
|
||
|
"Most folks have. I have some myself, though you might never suspect it.
|
||
|
But anyhow I ain't going to give anything to that carpet. Folks are
|
||
|
everlasting begging for money here, it seems to me. How's your project
|
||
|
of painting the hall coming on?"
|
||
|
|
||
|
"Splendidly. We had a meeting of the A.V.I.S. last Friday night and
|
||
|
found that we had plenty of money subscribed to paint the and shingle
|
||
|
the roof too. MOST people gave very liberally, Mr. Harrison."
|
||
|
|
||
|
Anne was a sweet-souled lass, but she could instill some venom into
|
||
|
innocent italics when occasion required.
|
||
|
|
||
|
"What color are you going to have it?"
|
||
|
|
||
|
"We have decided on a very pretty green. The roof will be dark red,
|
||
|
of course. Mr. Roger Pye is going to get the paint in town today."
|
||
|
|
||
|
"Who's got the job?"
|
||
|
|
||
|
"Mr. Joshua Pye of Carmody. He has nearly finished the shingling.
|
||
|
We had to give him the contract, for every one of the Pyes. . .
|
||
|
and there are four families, you know. . .said they wouldn't give
|
||
|
a cent unless Joshua got it. They had subscribed twelve dollars
|
||
|
between them and we thought that was too much to lose, although
|
||
|
some people think we shouldn't have given in to the Pyes.
|
||
|
Mrs. Lynde says they try to run everything."
|
||
|
|
||
|
"The main question is will this Joshua do his work well. If he does
|
||
|
I don't see that it matters whether his name is Pye or Pudding."
|
||
|
|
||
|
"He has the reputation of being a good workman, though they say
|
||
|
he's a very peculiar man. He hardly ever talks."
|
||
|
|
||
|
"He's peculiar enough all right then," said Mr. Harrison drily.
|
||
|
"Or at least, folks here will call him so. I never was much of a
|
||
|
talker till I came to Avonlea and then I had to begin in self-defense
|
||
|
or Mrs. Lynde would have said I was dumb and started a subscription
|
||
|
to have me taught sign language. You're not going yet, Anne?"
|
||
|
|
||
|
"I must. I have some sewing to do for Dora this evening. Besides,
|
||
|
Davy is probably breaking Marilla's heart with some new mischief by
|
||
|
this time. This morning the first thing he said was, `Where does
|
||
|
the dark go, Anne? I want to know.' I told him it went around to
|
||
|
the other side of the world but after breakfast he declared it
|
||
|
didn't. . .that it went down the well. Marilla says she caught
|
||
|
him hanging over the well-box four times today, trying to reach
|
||
|
down to the dark."
|
||
|
|
||
|
"He's a limb," declared Mr. Harrison. "He came over here
|
||
|
yesterday and pulled six feathers out of Ginger's tail before I
|
||
|
could get in from the barn. The poor bird has been moping ever
|
||
|
since. Those children must be a sight of trouble to you folks."
|
||
|
|
||
|
"Everything that's worth having is some trouble," said Anne,
|
||
|
secretly resolving to forgive Davy's next offence, whatever it
|
||
|
might be, since he had avenged her on Ginger.
|
||
|
|
||
|
Mr. Roger Pye brought the hall paint home that night and Mr. Joshua
|
||
|
Pye, a surly, taciturn man, began painting the next day. He was
|
||
|
not disturbed in his task. The hall was situated on what was called
|
||
|
"the lower road." In late autumn this road was always muddy and wet,
|
||
|
and people going to Carmody traveled by the longer "upper" road.
|
||
|
The hall was so closely surrounded by fir woods that it was invisible
|
||
|
unless you were near it. Mr. Joshua Pye painted away in the solitude
|
||
|
and independence that were so dear to his unsociable heart.
|
||
|
|
||
|
Friday afternoon he finished his job and went home to Carmody.
|
||
|
Soon after his departure Mrs. Rachel Lynde drove by, having braved
|
||
|
the mud of the lower road out of curiosity to see what the hall
|
||
|
looked like in its new coat of paint. When she rounded the spruce
|
||
|
curve she saw.
|
||
|
|
||
|
The sight affected Mrs. Lynde oddly. She dropped the reins, held
|
||
|
up her hands, and said "Gracious Providence!" She stared as if she
|
||
|
could not believe her eyes. Then she laughed almost hysterically.
|
||
|
|
||
|
"There must be some mistake. . .there must. I knew those Pyes would
|
||
|
make a mess of things."
|
||
|
|
||
|
Mrs. Lynde drove home, meeting several people on the road and
|
||
|
stopping to tell them about the hall. The news flew like wildfire.
|
||
|
Gilbert Blythe, poring over a text book at home, heard it from his
|
||
|
father's hired boy at sunset, and rushed breathlessly to Green
|
||
|
Gables, joined on the way by Fred Wright. They found Diana Barry,
|
||
|
Jane Andrews, and Anne Shirley, despair personified, at the yard
|
||
|
gate of Green Gables, under the big leafless willows.
|
||
|
|
||
|
"It isn't true surely, Anne?" exclaimed Gilbert.
|
||
|
|
||
|
"It is true," answered Anne, looking like the muse of tragedy.
|
||
|
"Mrs. Lynde called on her way from Carmody to tell me. Oh, it is
|
||
|
simply dreadful! What is the use of trying to improve anything?"
|
||
|
|
||
|
"What is dreadful?" asked Oliver Sloane, arriving at this moment
|
||
|
with a bandbox he had brought from town for Marilla.
|
||
|
|
||
|
"Haven't you heard?" said Jane wrathfully. "Well, its simply this.
|
||
|
. .Joshua Pye has gone and painted the hall blue instead of green.
|
||
|
. .a deep, brilliant blue, the shade they use for painting carts
|
||
|
and wheelbarrows. And Mrs. Lynde says it is the most hideous
|
||
|
color for a building, especially when combined with a red roof,
|
||
|
that she ever saw or imagined. You could simply have knocked me
|
||
|
down with a feather when I heard it. It's heartbreaking, after all
|
||
|
the trouble we've had."
|
||
|
|
||
|
"How on earth could such a mistake have happened?" wailed Diana.
|
||
|
|
||
|
The blame of this unmerciful disaster was eventually narrowed down
|
||
|
to the Pyes. The Improvers had decided to use Morton-Harris paints
|
||
|
and the Morton-Harris paint cans were numbered according to a color
|
||
|
card. A purchaser chose his shade on the card and ordered by the
|
||
|
accompanying number. Number 147 was the shade of green desired and
|
||
|
when Mr. Roger Pye sent word to the Improvers by his son, John
|
||
|
Andrew, that he was going to town and would get their paint for
|
||
|
them, the Improvers told John Andrew to tell his father to get 147.
|
||
|
John Andrew always averred that he did so, but Mr. Roger Pye as
|
||
|
stanchly declared that John Andrew told him 157; and there the
|
||
|
matter stands to this day.
|
||
|
|
||
|
That night there was blank dismay in every Avonlea house where an
|
||
|
Improver lived. The gloom at Green Gables was so intense that it
|
||
|
quenched even Davy. Anne wept and would not be comforted.
|
||
|
|
||
|
"I must cry, even if I am almost seventeen, Marilla," she sobbed.
|
||
|
"It is so mortifying. And it sounds the death knell of our society.
|
||
|
We'll simply be laughed out of existence."
|
||
|
|
||
|
In life, as in dreams, however, things often go by contraries. The
|
||
|
Avonlea people did not laugh; they were too angry. Their money had
|
||
|
gone to paint the hall and consequently they felt themselves bitterly
|
||
|
aggrieved by the mistake. Public indignation centered on the Pyes.
|
||
|
Roger Pye and John Andrew had bungled the matter between them;
|
||
|
and as for Joshua Pye, he must be a born fool not to suspect
|
||
|
there was something wrong when he opened the cans and saw the color
|
||
|
of the paint. Joshua Pye, when thus animadverted upon, retorted
|
||
|
that the Avonlea taste in colors was no business of his, whatever
|
||
|
his private opinion might be; he had been hired to paint the hall,
|
||
|
not to talk about it; and he meant to have his money for it.
|
||
|
|
||
|
The Improvers paid him his money in bitterness of spirit, after
|
||
|
consulting Mr. Peter Sloane, who was a magistrate.
|
||
|
|
||
|
"You'll have to pay it," Peter told him. "You can't hold him
|
||
|
responsible for the mistake, since he claims he was never told
|
||
|
what the color was supposed to be but just given the cans and
|
||
|
told to go ahead. But it's a burning shame and that hall
|
||
|
certainly does look awful."
|
||
|
|
||
|
The luckless Improvers expected that Avonlea would be more
|
||
|
prejudiced than ever against them; but instead, public sympathy
|
||
|
veered around in their favor. People thought the eager,
|
||
|
enthusiastic little band who had worked so hard for their object
|
||
|
had been badly used. Mrs. Lynde told them to keep on and show
|
||
|
the Pyes that there really were people in the world who could
|
||
|
do things without making a muddle of them. Mr. Major Spencer sent
|
||
|
them word that he would clean out all the stumps along the road
|
||
|
front of his farm and seed it down with grass at his own expense;
|
||
|
and Mrs. Hiram Sloane called at the school one day and beckoned
|
||
|
Anne mysteriously out into the porch to tell her that if the "Sassiety"
|
||
|
wanted to make a geranium bed at the crossroads in the spring they
|
||
|
needn't be afraid of her cow, for she would see that the marauding
|
||
|
animal was kept within safe bounds. Even Mr. Harrison chuckled,
|
||
|
if he chuckled at all, in private, and was all sympathy outwardly.
|
||
|
|
||
|
"Never mind, Anne. Most paints fade uglier every year but that
|
||
|
blue is as ugly as it can be to begin with, so it's bound to fade
|
||
|
prettier. And the roof is shingled and painted all right. Folks
|
||
|
will be able to sit in the hall after this without being leaked on.
|
||
|
You've accomplished so much anyhow."
|
||
|
|
||
|
"But Avonlea's blue hall will be a byword in all the neighboring
|
||
|
settlements from this time out," said Anne bitterly.
|
||
|
|
||
|
And it must be confessed that it was.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
X
|
||
|
|
||
|
Davy in Search of a Sensation
|
||
|
|
||
|
|
||
|
Anne, walking home from school through the Birch Path one November
|
||
|
afternoon, felt convinced afresh that life was a very wonderful thing.
|
||
|
The day had been a good day; all had gone well in her little kingdom.
|
||
|
St. Clair Donnell had not fought any of the other boys over the
|
||
|
question of his name; Prillie Rogerson's face had been so puffed
|
||
|
up from the effects of toothache that she did not once try to
|
||
|
coquette with the boys in her vicinity. Barbara Shaw had met
|
||
|
with only ONE accident. . .spilling a dipper of water over
|
||
|
the floor. . .and Anthony Pye had not been in school at all.
|
||
|
|
||
|
"What a nice month this November has been!" said Anne, who had
|
||
|
never quite got over her childish habit of talking to herself.
|
||
|
"November is usually such a disagreeable month. . .as if the year
|
||
|
had suddenly found out that she was growing old and could do
|
||
|
nothing but weep and fret over it. This year is growing old
|
||
|
gracefully. . .just like a stately old lady who knows she can be
|
||
|
charming even with gray hair and wrinkles. We've had lovely days
|
||
|
and delicious twilights. This last fortnight has been so peaceful,
|
||
|
and even Davy has been almost well-behaved. I really think he
|
||
|
is improving a great deal. How quiet the woods are today. . .
|
||
|
not a murmur except that soft wind purring in the treetops!
|
||
|
It sounds like surf on a faraway shore. How dear the woods are!
|
||
|
You beautiful trees! I love every one of you as a friend."
|
||
|
|
||
|
Anne paused to throw her arm about a slim young birch and kiss its
|
||
|
cream-white trunk. Diana, rounding a curve in the path, saw her
|
||
|
and laughed.
|
||
|
|
||
|
"Anne Shirley, you're only pretending to be grown up. I believe
|
||
|
when you're alone you're as much a little girl as you ever were."
|
||
|
|
||
|
"Well, one can't get over the habit of being a little girl all at
|
||
|
once," said Anne gaily. "You see, I was little for fourteen years
|
||
|
and I've only been grown-uppish for scarcely three. I'm sure I
|
||
|
shall always feel like a child in the woods. These walks home
|
||
|
from school are almost the only time I have for dreaming. . .
|
||
|
except the half-hour or so before I go to sleep. I'm so busy
|
||
|
with teaching and studying and helping Marilla with the
|
||
|
twins that I haven't another moment for imagining things.
|
||
|
You don't know what splendid adventures I have for a little
|
||
|
while after I go to bed in the east gable every night. I always
|
||
|
imagine I'm something very brilliant and triumphant and splendid. . .
|
||
|
a great prima donna or a Red Cross nurse or a queen. Last night
|
||
|
I was a queen. It's really splendid to imagine you are a queen.
|
||
|
You have all the fun of it without any of the inconveniences and
|
||
|
you can stop being a queen whenever you want to, which you couldn't
|
||
|
in real life. But here in the woods I like best to imagine quite
|
||
|
different things. . .I'm a dryad living in an old pine, or a little
|
||
|
brown wood-elf hiding under a crinkled leaf. That white birch you
|
||
|
caught me kissing is a sister of mine. The only difference is,
|
||
|
she's a tree and I'm a girl, but that's no real difference.
|
||
|
Where are you going, Diana?"
|
||
|
|
||
|
"Down to the Dicksons. I promised to help Alberta cut out her new dress.
|
||
|
Can't you walk down in the evening, Anne, and come home with me?"
|
||
|
|
||
|
"I might. . .since Fred Wright is away in town," said Anne with a
|
||
|
rather too innocent face.
|
||
|
|
||
|
Diana blushed, tossed her head, and walked on. She did not look
|
||
|
offended, however.
|
||
|
|
||
|
Anne fully intended to go down to the Dicksons' that evening, but
|
||
|
she did not. When she arrived at Green Gables she found a state of
|
||
|
affairs which banished every other thought from her mind. Marilla
|
||
|
met her in the yard. . .a wild-eyed Marilla.
|
||
|
|
||
|
"Anne, Dora is lost!"
|
||
|
|
||
|
"Dora! Lost!" Anne looked at Davy, who was swinging on the yard
|
||
|
gate, and detected merriment in his eyes. "Davy, do you know where
|
||
|
she is?"
|
||
|
|
||
|
"No, I don't," said Davy stoutly. "I haven't seen her since dinner
|
||
|
time, cross my heart."
|
||
|
|
||
|
"I've been away ever since one o'clock," said Marilla. "Thomas Lynde
|
||
|
took sick all of a sudden and Rachel sent up for me to go at once.
|
||
|
When I left here Dora was playing with her doll in the kitchen and Davy
|
||
|
was making mud pies behind the barn. I only got home half an hour ago
|
||
|
. . .and no Dora to be seen. Davy declares he never saw her since I left."
|
||
|
|
||
|
"Neither I did," avowed Davy solemnly.
|
||
|
|
||
|
"She must be somewhere around," said Anne. "She would never wander
|
||
|
far away alone. . .you know how timid she is. Perhaps she has fallen
|
||
|
asleep in one of the rooms."
|
||
|
|
||
|
Marilla shook her head.
|
||
|
|
||
|
"I've hunted the whole house through. But she may be in some of
|
||
|
the buildings."
|
||
|
|
||
|
A thorough search followed. Every corner of house, yard, and
|
||
|
outbuildings was ransacked by those two distracted people. Anne
|
||
|
roved the orchards and the Haunted Wood, calling Dora's name.
|
||
|
Marilla took a candle and explored the cellar. Davy accompanied
|
||
|
each of them in turn, and was fertile in thinking of places where
|
||
|
Dora could possibly be. Finally they met again in the yard.
|
||
|
|
||
|
"It's a most mysterious thing," groaned Marilla.
|
||
|
|
||
|
"Where can she be?" said Anne miserably
|
||
|
|
||
|
"Maybe she's tumbled into the well," suggested Davy cheerfully.
|
||
|
|
||
|
Anne and Marilla looked fearfully into each other's eyes.
|
||
|
The thought had been with them both through their entire
|
||
|
search but neither had dared to put it into words.
|
||
|
|
||
|
"She. . .she might have," whispered Marilla.
|
||
|
|
||
|
Anne, feeling faint and sick, went to the wellbox and peered over.
|
||
|
The bucket sat on the shelf inside. Far down below was a tiny
|
||
|
glimmer of still water. The Cuthbert well was the deepest in
|
||
|
Avonlea. If Dora. . .but Anne could not face the idea.
|
||
|
She shuddered and turned away.
|
||
|
|
||
|
"Run across for Mr. Harrison," said Marilla, wringing her hands.
|
||
|
|
||
|
"Mr. Harrison and John Henry are both away. . .they went to town today.
|
||
|
I'll go for Mr. Barry."
|
||
|
|
||
|
Mr. Barry came back with Anne, carrying a coil of rope to which
|
||
|
was attached a claw-like instrument that had been the business end
|
||
|
of a grubbing fork. Marilla and Anne stood by, cold and shaken
|
||
|
with horror and dread, while Mr. Barry dragged the well, and Davy,
|
||
|
astride the gate, watched the group with a face indicative of huge
|
||
|
enjoyment.
|
||
|
|
||
|
Finally Mr. Barry shook his head, with a relieved air.
|
||
|
|
||
|
"She can't be down there. It's a mighty curious thing where she
|
||
|
could have got to, though. Look here, young man, are you sure
|
||
|
you've no idea where your sister is?"
|
||
|
|
||
|
"I've told you a dozen times that I haven't," said Davy, with an
|
||
|
injured air. "Maybe a tramp come and stole her."
|
||
|
|
||
|
"Nonsense," said Marilla sharply, relieved from her horrible fear
|
||
|
of the well. "Anne, do you suppose she could have strayed over to
|
||
|
Mr. Harrison's? She has always been talking about his parrot ever
|
||
|
since that time you took her over"
|
||
|
|
||
|
"I can't believe Dora would venture so far alone but I'll go over
|
||
|
and see," said Anne.
|
||
|
|
||
|
Nobody was looking at Davy just then or it would have been seen that
|
||
|
a very decided change came over his face. He quietly slipped off
|
||
|
the gate and ran, as fast as his fat legs could carry him, to the barn.
|
||
|
|
||
|
Anne hastened across the fields to the Harrison establishment in no
|
||
|
very hopeful frame of mind. The house was locked, the window
|
||
|
shades were down, and there was no sign of anything living about
|
||
|
the place. She stood on the veranda and called Dora loudly.
|
||
|
|
||
|
Ginger, in the kitchen behind her, shrieked and swore with sudden
|
||
|
fierceness; but between his outbursts Anne heard a plaintive cry
|
||
|
from the little building in the yard which served Mr. Harrison as
|
||
|
a toolhouse. Anne flew to the door, unhasped it, and caught up a
|
||
|
small mortal with a tearstained face who was sitting forlornly on
|
||
|
an upturned nail keg.
|
||
|
|
||
|
"Oh, Dora, Dora, what a fright you have given us! How came you to be here?"
|
||
|
|
||
|
"Davy and I came over to see Ginger," sobbed Dora, "but we couldn't
|
||
|
see him after all, only Davy made him swear by kicking the door.
|
||
|
And then Davy brought me here and run out and shut the door; and I
|
||
|
couldn't get out. I cried and cried, I was frightened, and oh, I'm
|
||
|
so hungry and cold; and I thought you'd never come, Anne."
|
||
|
|
||
|
"Davy?" But Anne could say no more. She carried Dora home with a
|
||
|
heavy heart. Her joy at finding the child safe and sound was
|
||
|
drowned out in the pain caused by Davy's behavior. The freak of
|
||
|
shutting Dora up might easily have been pardoned. But Davy had
|
||
|
told falsehoods. . .downright coldblooded falsehoods about it.
|
||
|
That was the ugly fact and Anne could not shut her eyes to it.
|
||
|
She could have sat down and cried with sheer disappointment.
|
||
|
She had grown to love Davy dearly. . .how dearly she had not
|
||
|
known until this minute. . .and it hurt her unbearably to
|
||
|
discover that he was guilty of deliberate falsehood.
|
||
|
|
||
|
Marilla listened to Anne's tale in a silence that boded no good
|
||
|
Davy-ward; Mr. Barry laughed and advised that Davy be summarily
|
||
|
dealt with. When he had gone home Anne soothed and warmed the
|
||
|
sobbing, shivering Dora, got her her supper and put her to bed.
|
||
|
Then she returned to the kitchen, just as Marilla came grimly in,
|
||
|
leading, or rather pulling, the reluctant, cobwebby Davy, whom she
|
||
|
had just found hidden away in the darkest corner of the stable.
|
||
|
|
||
|
She jerked him to the mat on the middle of the floor and then went
|
||
|
and sat down by the east window. Anne was sitting limply by the
|
||
|
west window. Between them stood the culprit. His back was toward
|
||
|
Marilla and it was a meek, subdued, frightened back; but his face
|
||
|
was toward Anne and although it was a little shamefaced there was a
|
||
|
gleam of comradeship in Davy's eyes, as if he knew he had done wrong
|
||
|
and was going to be punished for it, but could count on a laugh over
|
||
|
it all with Anne later on.
|
||
|
|
||
|
But no half hidden smile answered him in Anne's gray eyes,
|
||
|
as there might have done had it been only a question of mischief.
|
||
|
There was something else. . .something ugly and repulsive.
|
||
|
|
||
|
"How could you behave so, Davy?" she asked sorrowfully.
|
||
|
|
||
|
Davy squirmed uncomfortably.
|
||
|
|
||
|
"I just did it for fun. Things have been so awful quiet here for
|
||
|
so long that I thought it would be fun to give you folks a big scare.
|
||
|
It was, too."
|
||
|
|
||
|
In spite of fear and a little remorse Davy grinned over the recollection.
|
||
|
|
||
|
"But you told a falsehood about it, Davy," said Anne, more sorrowfully
|
||
|
than ever.
|
||
|
|
||
|
Davy looked puzzled.
|
||
|
|
||
|
"What's a falsehood? Do you mean a whopper?"
|
||
|
|
||
|
"I mean a story that was not true."
|
||
|
|
||
|
"Course I did," said Davy frankly. "If I hadn't you wouldn't have
|
||
|
been scared. I HAD to tell it."
|
||
|
|
||
|
Anne was feeling the reaction from her fright and exertions.
|
||
|
Davy's impenitent attitude gave the finishing touch.
|
||
|
Two big tears brimmed up in her eyes.
|
||
|
|
||
|
"Oh, Davy, how could you?" she said, with a quiver in her voice.
|
||
|
"Don't you know how wrong it was?"
|
||
|
|
||
|
Davy was aghast. Anne crying. . .he had made Anne cry! A flood of real
|
||
|
remorse rolled like a wave over his warm little heart and engulfed it.
|
||
|
He rushed to Anne, hurled himself into her lap, flung his arms around
|
||
|
her neck, and burst into tears.
|
||
|
|
||
|
"I didn't know it was wrong to tell whoppers," he sobbed.
|
||
|
"How did you expect me to know it was wrong? All Mr. Sprott's
|
||
|
children told them REGULAR every day, and cross their hearts too.
|
||
|
I s'pose Paul Irving never tells whoppers and here I've been trying
|
||
|
awful hard to be as good as him, but now I s'pose you'll never
|
||
|
love me again. But I think you might have told me it was wrong.
|
||
|
I'm awful sorry I've made you cry, Anne, and I'll never tell a
|
||
|
whopper again."
|
||
|
|
||
|
Davy buried his face in Anne's shoulder and cried stormily.
|
||
|
Anne, in a sudden glad flash of understanding, held him tight
|
||
|
and looked over his curly thatch at Marilla.
|
||
|
|
||
|
"He didn't know it was wrong to tell falsehoods, Marilla.
|
||
|
I think we must forgive him for that part of it this time
|
||
|
if he will promise never to say what isn't true again."
|
||
|
|
||
|
"I never will, now that I know it's bad," asseverated Davy between sobs.
|
||
|
"If you ever catch me telling a whopper again you can. . ." Davy groped
|
||
|
mentally for a suitable penance. . ."you can skin me alive, Anne."
|
||
|
|
||
|
"Don't say `whopper,' Davy. . .say `falsehood,'" said the schoolma'am.
|
||
|
|
||
|
"Why?" queried Davy, settling comfortably down and looking up with
|
||
|
a tearstained, investigating face. "Why ain't whopper as good as
|
||
|
falsehood? I want to know. It's just as big a word."
|
||
|
|
||
|
"It's slang; and it's wrong for little boys to use slang."
|
||
|
|
||
|
"There's an awful lot of things it's wrong to do," said Davy with a sigh.
|
||
|
"I never s'posed there was so many. I'm sorry it's wrong to tell whop. . .
|
||
|
falsehoods, 'cause it's awful handy, but since it is I'm never going to
|
||
|
tell any more. What are you going to do to me for telling them this time?
|
||
|
I want to know." Anne looked beseechingly at Marilla.
|
||
|
|
||
|
"I don't want to be too hard on the child," said Marilla. "I
|
||
|
daresay nobody ever did tell him it was wrong to tell lies, and
|
||
|
those Sprott children were no fit companions for him. Poor Mary
|
||
|
was too sick to train him properly and I presume you couldn't
|
||
|
expect a six-year-old child to know things like that by instinct.
|
||
|
I suppose we'll just have to assume he doesn't know ANYTHING right
|
||
|
and begin at the beginning. But he'll have to be punished for
|
||
|
shutting Dora up, and I can't think of any way except to send him
|
||
|
to bed without his supper and we've done that so often. Can't you
|
||
|
suggest something else, Anne? I should think you ought to be able
|
||
|
to, with that imagination you're always talking of."
|
||
|
|
||
|
"But punishments are so horrid and I like to imagine only pleasant things,"
|
||
|
said Anne, cuddling Davy. "There are so many unpleasant things in the
|
||
|
world already that there is no use in imagining any more."
|
||
|
|
||
|
In the end Davy was sent to bed, as usual, there to remain until
|
||
|
noon next day. He evidently did some thinking, for when Anne went
|
||
|
up to her room a little later she heard him calling her name softly.
|
||
|
Going in, she found him sitting up in bed, with his elbows on his
|
||
|
knees and his chin propped on his hands.
|
||
|
|
||
|
"Anne," he said solemnly, "is it wrong for everybody to tell whop. . .
|
||
|
falsehoods? I want to know"
|
||
|
|
||
|
"Yes, indeed."
|
||
|
|
||
|
"Is it wrong for a grown-up person?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Then," said Davy decidedly, "Marilla is bad, for SHE tells them.
|
||
|
And she's worse'n me, for I didn't know it was wrong but she does."
|
||
|
|
||
|
"Davy Keith, Marilla never told a story in her life," said Anne
|
||
|
indignantly.
|
||
|
|
||
|
"She did so. She told me last Tuesday that something dreadful
|
||
|
WOULD happen to me if I didn't say my prayers every night. And I
|
||
|
haven't said them for over a week, just to see what would happen. . .
|
||
|
and nothing has," concluded Davy in an aggrieved tone.
|
||
|
|
||
|
Anne choked back a mad desire to laugh with the conviction that it
|
||
|
would be fatal, and then earnestly set about saving Marilla's reputation.
|
||
|
|
||
|
"Why, Davy Keith," she said solemnly, "something dreadful HAS happened
|
||
|
to you this very day"
|
||
|
|
||
|
Davy looked sceptical.
|
||
|
|
||
|
"I s'pose you mean being sent to bed without any supper," he said
|
||
|
scornfully, "but THAT isn't dreadful. Course, I don't like it,
|
||
|
but I've been sent to bed so much since I come here that I'm getting
|
||
|
used to it. And you don't save anything by making me go without
|
||
|
supper either, for I always eat twice as much for breakfast."
|
||
|
|
||
|
"I don't mean your being sent to bed. I mean the fact that you
|
||
|
told a falsehood today. And, Davy,". . .Anne leaned over the
|
||
|
footboard of the bed and shook her finger impressively at the
|
||
|
culprit. . ."for a boy to tell what isn't true is almost the
|
||
|
worst thing that could HAPPEN to him. . .almost the very worst.
|
||
|
So you see Marilla told you the truth."
|
||
|
|
||
|
"But I thought the something bad would be exciting," protested Davy
|
||
|
in an injured tone.
|
||
|
|
||
|
"Marilla isn't to blame for what you thought. Bad things aren't
|
||
|
always exciting. They're very often just nasty and stupid."
|
||
|
|
||
|
"It was awful funny to see Marilla and you looking down the well, though,"
|
||
|
said Davy, hugging his knees.
|
||
|
|
||
|
Anne kept a sober face until she got downstairs and then she collapsed
|
||
|
on the sitting room lounge and laughed until her sides ached.
|
||
|
|
||
|
"I wish you'd tell me the joke," said Marilla, a little grimly.
|
||
|
"I haven't seen much to laugh at today."
|
||
|
|
||
|
"You'll laugh when you hear this," assured Anne. And Marilla did
|
||
|
laugh, which showed how much her education had advanced since the
|
||
|
adoption of Anne. But she sighed immediately afterwards.
|
||
|
|
||
|
"I suppose I shouldn't have told him that, although I heard a
|
||
|
minister say it to a child once. But he did aggravate me so. It
|
||
|
was that night you were at the Carmody concert and I was putting
|
||
|
him to bed. He said he didn't see the good of praying until he got
|
||
|
big enough to be of some importance to God. Anne, I do not know
|
||
|
what we are going to do with that child. I never saw his beat.
|
||
|
I'm feeling clean discouraged."
|
||
|
|
||
|
"Oh, don't say that, Marilla. Remember how bad I was when I came here."
|
||
|
|
||
|
"Anne, you never were bad. . .NEVER. I see that now, when I've
|
||
|
learned what real badness is. You were always getting into
|
||
|
terrible scrapes, I'll admit, but your motive was always good.
|
||
|
Davy is just bad from sheer love of it."
|
||
|
|
||
|
"Oh, no, I don't think it is real badness with him either," pleaded Anne.
|
||
|
"It's just mischief. And it is rather quiet for him here, you know.
|
||
|
He has no other boys to play with and his mind has to have something
|
||
|
to occupy it. Dora is so prim and proper she is no good for a boy's playmate. I really think it
|
||
|
would be better to let them go to school, Marilla."
|
||
|
|
||
|
"No," said Marilla resolutely, "my father always said that no
|
||
|
child should be cooped up in the four walls of a school until
|
||
|
it was seven years old, and Mr. Allan says the same thing.
|
||
|
The twins can have a few lessons at home but go to school they
|
||
|
shan't till they're seven."
|
||
|
|
||
|
"Well, we must try to reform Davy at home then," said Anne
|
||
|
cheerfully. "With all his faults he's really a dear little chap.
|
||
|
I can't help loving him. Marilla, it may be a dreadful thing to say,
|
||
|
but honestly, I like Davy better than Dora, for all she's so good."
|
||
|
|
||
|
"I don't know but that I do, myself," confessed Marilla, "and it
|
||
|
isn't fair, for Dora isn't a bit of trouble. There couldn't be a
|
||
|
better child and you'd hardly know she was in the house."
|
||
|
|
||
|
"Dora is too good," said Anne. "She'd behave just as well if there
|
||
|
wasn't a soul to tell her what to do. She was born already brought
|
||
|
up, so she doesn't need us; and I think," concluded Anne, hitting
|
||
|
on a very vital truth, "that we always love best the people who
|
||
|
need us. Davy needs us badly."
|
||
|
|
||
|
"He certainly needs something," agreed Marilla. "Rachel Lynde
|
||
|
would say it was a good spanking."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XI
|
||
|
|
||
|
Facts and Fancies
|
||
|
|
||
|
|
||
|
"Teaching is really very interesting work," wrote Anne to a Queen's
|
||
|
Academy chum. "Jane says she thinks it is monotonous but I don't
|
||
|
find it so. Something funny is almost sure to happen every day,
|
||
|
and the children say such amusing things. Jane says she punishes
|
||
|
her pupils when they make funny speeches, which is probably why she
|
||
|
finds teaching monotonous. This afternoon little Jimmy Andrews was
|
||
|
trying to spell `speckled' and couldn't manage it. `Well,' he said
|
||
|
finally, `I can't spell it but I know what it means.'
|
||
|
|
||
|
"`What?' I asked.
|
||
|
|
||
|
"`St. Clair Donnell's face, miss.'
|
||
|
|
||
|
"St. Clair is certainly very much freckled, although I try to
|
||
|
prevent the others from commenting on it. . .for I was freckled
|
||
|
once and well do I remember it. But I don't think St. Clair minds.
|
||
|
It was because Jimmy called him `St. Clair' that St. Clair pounded
|
||
|
him on the way home from school. I heard of the pounding, but not
|
||
|
officially, so I don't think I'll take any notice of it.
|
||
|
|
||
|
"Yesterday I was trying to teach Lottie Wright to do addition.
|
||
|
I said, `If you had three candies in one hand and two in the other,
|
||
|
how many would you have altogether?' `A mouthful,' said Lottie.
|
||
|
And in the nature study class, when I asked them to give me a good
|
||
|
reason why toads shouldn't be killed, Benjie Sloane gravely answered,
|
||
|
`Because it would rain the next day.'
|
||
|
|
||
|
"It's so hard not to laugh, Stella. I have to save up all my amusement
|
||
|
until I get home, and Marilla says it makes her nervous to hear wild shrieks
|
||
|
of mirth proceeding from the east gable without any apparent cause.
|
||
|
She says a man in Grafton went insane once and that was how it began.
|
||
|
|
||
|
"Did you know that Thomas a Becket was canonized as a SNAKE?
|
||
|
Rose Bell says he was. . .also that William Tyndale WROTE the
|
||
|
New Testament. Claude White says a `glacier' is a man who puts
|
||
|
in window frames!
|
||
|
|
||
|
"I think the most difficult thing in teaching, as well as the most
|
||
|
interesting, is to get the children to tell you their real thoughts
|
||
|
about things. One stormy day last week I gathered them around me
|
||
|
at dinner hour and tried to get them to talk to me just as if I
|
||
|
were one of themselves. I asked them to tell me the things
|
||
|
they most wanted. Some of the answers were commonplace enough
|
||
|
. . . dolls, ponies, and skates. Others were decidedly original.
|
||
|
Hester Boulter wanted `to wear her Sunday dress every day and eat
|
||
|
in the sitting room.' Hannah Bell wanted `to be good without having
|
||
|
to take any trouble about it.' Marjory White, aged ten, wanted to
|
||
|
be a WIDOW. Questioned why, she gravely said that if you weren't
|
||
|
married people called you an old maid, and if you were your husband
|
||
|
bossed you; but if you were a widow there'd be no danger of either.
|
||
|
The most remarkable wish was Sally Bell's. She wanted a 'honeymoon.'
|
||
|
I asked her if she knew what it was and she said she thought it was
|
||
|
an extra nice kind of bicycle because her cousin in Montreal went on
|
||
|
a honeymoon when he was married and he had always had the very latest
|
||
|
in bicycles!
|
||
|
|
||
|
"Another day I asked them all to tell me the naughtiest thing they
|
||
|
had ever done. I couldn't get the older ones to do so, but the
|
||
|
third class answered quite freely. Eliza Bell had `set fire to her
|
||
|
aunt's carded rolls.' Asked if she meant to do it she said, `not
|
||
|
altogether.' She just tried a little end to see how it would burn
|
||
|
and the whole bundle blazed up in a jiffy. Emerson Gillis had
|
||
|
spent ten cents for candy when he should have put it in his
|
||
|
missionary box. Annetta Bell's worst crime was `eating some
|
||
|
blueberries that grew in the graveyard.' Willie White had `slid
|
||
|
down the sheephouse roof a lot of times with his Sunday trousers on.'
|
||
|
`But I was punished for it 'cause I had to wear patched pants
|
||
|
to Sunday School all summer, and when you're punished for a thing
|
||
|
you don't have to repent of it,' declared Willie.
|
||
|
|
||
|
"I wish you could see some of their compositions. . .so much do
|
||
|
I wish it that I'll send you copies of some written recently.
|
||
|
Last week I told the fourth class I wanted them to write me letters
|
||
|
about anything they pleased, adding by way of suggestion that they
|
||
|
might tell me of some place they had visited or some interesting
|
||
|
thing or person they had seen. They were to write the letters on
|
||
|
real note paper, seal them in an envelope, and address them to me,
|
||
|
all without any assistance from other people. Last Friday morning
|
||
|
I found a pile of letters on my desk and that evening I realized
|
||
|
afresh that teaching has its pleasures as well as its pains. Those
|
||
|
compositions would atone for much. Here is Ned Clay's, address,
|
||
|
spelling, and grammar as originally penned.
|
||
|
|
||
|
"`Miss teacher ShiRley
|
||
|
|
||
|
Green gabels.
|
||
|
|
||
|
p.e. Island can
|
||
|
|
||
|
birds
|
||
|
|
||
|
|
||
|
"`Dear teacher I think I will write you a composition about birds.
|
||
|
birds is very useful animals. my cat catches birds. His name is
|
||
|
William but pa calls him tom. he is oll striped and he got one of
|
||
|
his ears froz of last winter. only for that he would be a
|
||
|
good-looking cat. My unkle has adopted a cat. it come to his
|
||
|
house one day and woudent go away and unkle says it has forgot more
|
||
|
than most people ever knowed. he lets it sleep on his rocking
|
||
|
chare and my aunt says he thinks more of it than he does of his
|
||
|
children. that is not right. we ought to be kind to cats and give
|
||
|
them new milk but we ought not be better to them than to our
|
||
|
children. this is oll I can think of so no more at present from
|
||
|
|
||
|
edward blake ClaY.'"
|
||
|
|
||
|
|
||
|
"St. Clair Donnell's is, as usual, short and to the point. St.
|
||
|
Clair never wastes words. I do not think he chose his subject or
|
||
|
added the postscript out of malice aforethought. It is just that
|
||
|
he has not a great deal of tact or imagination.
|
||
|
|
||
|
|
||
|
"`Dear Miss Shirley
|
||
|
|
||
|
You told us to describe something strange we have seen. I will
|
||
|
describe the Avonlea Hall. It has two doors, an inside one and an
|
||
|
outside one. It has six windows and a chimney. It has two ends
|
||
|
and two sides. It is painted blue. That is what makes it strange.
|
||
|
It is built on the lower Carmody road. It is the third most
|
||
|
important building in Avonlea. The others are the church and the
|
||
|
blacksmith shop. They hold debating clubs and lectures in it and
|
||
|
concerts.
|
||
|
|
||
|
Yours truly,
|
||
|
Jacob Donnell.
|
||
|
|
||
|
P.S. The hall is a very bright blue.'"
|
||
|
|
||
|
|
||
|
"Annetta Bell's letter was quite long, which surprised me, for
|
||
|
writing essays is not Annetta's forte, and hers are generally as
|
||
|
brief as st. Clair's. Annetta is a quiet little puss and a model
|
||
|
of good behavior, but there isn't a shadow of orginality in her.
|
||
|
Here is her letter. --
|
||
|
|
||
|
|
||
|
"`Dearest teacher,
|
||
|
|
||
|
I think I will write you a letter to tell you how much I love you.
|
||
|
I love you with my whole heart and soul and mind. . .with all
|
||
|
there is of me to love. . .and I want to serve you for ever.
|
||
|
It would be my highest privilege. That is why I try so hard to be
|
||
|
good in school and learn my lessuns.
|
||
|
|
||
|
"`You are so beautiful, my teacher. Your voice is like music and
|
||
|
your eyes are like pansies when the dew is on them. You are like a
|
||
|
tall stately queen. Your hair is like rippling gold. Anthony Pye
|
||
|
says it is red, but you needn't pay any attention to Anthony.
|
||
|
|
||
|
"`I have only known you for a few months but I cannot realize that
|
||
|
there was ever a time when I did not know you. . .when you had not
|
||
|
come into my life to bless and hallow it. I will always look back
|
||
|
to this year as the most wonderful in my life because it brought
|
||
|
you to me. Besides, it's the year we moved to Avonlea from
|
||
|
Newbridge. My love for you has made my life very rich and it has
|
||
|
kept me from much of harm and evil. I owe this all to you, my
|
||
|
sweetest teacher.
|
||
|
|
||
|
"`I shall never forget how sweet you looked the last time I saw
|
||
|
you in that black dress with flowers in your hair. I shall see you
|
||
|
like that for ever, even when we are both old and gray. You will
|
||
|
always be young and fair to me, dearest teacher. I am thinking of
|
||
|
you all the time. . .in the morning and at the noontide and at the
|
||
|
twilight. I love you when you laugh and when you sigh. . .even
|
||
|
when you look disdainful. I never saw you look cross though
|
||
|
Anthony Pye says you always look so but I don't wonder you look
|
||
|
cross at him for he deserves it. I love you in every dress. . .you
|
||
|
seem more adorable in each new dress than the last.
|
||
|
|
||
|
"`Dearest teacher, good night. The sun has set and the stars are
|
||
|
shining. . .stars that are as bright and beautiful as your eyes.
|
||
|
I kiss your hands and face, my sweet. May God watch over you and
|
||
|
protect you from all harm.
|
||
|
|
||
|
Your afecksionate pupil
|
||
|
Annetta Bell.'"
|
||
|
|
||
|
|
||
|
"This extraordinary letter puzzled me not a little. I knew Annetta
|
||
|
couldn't have composed it any more than she could fly. When I went
|
||
|
to school the next day I took her for a walk down to the brook at
|
||
|
recess and asked her to tell me the truth about the letter.
|
||
|
Annetta cried and 'fessed up freely. She said she had never
|
||
|
written a letter and she didn't know how to, or what to say, but
|
||
|
there was bundle of love letters in her mother's top bureau drawer
|
||
|
which had been written to her by an old `beau.'
|
||
|
|
||
|
"`It wasn't father,' sobbed Annetta, `it was someone who was
|
||
|
studying for a minister, and so he could write lovely letters, but
|
||
|
ma didn't marry him after all. She said she couldn't make out what
|
||
|
he was driving at half the time. But I thought the letters were
|
||
|
sweet and that I'd just copy things out of them here and there to
|
||
|
write you. I put "teacher" where he put "lady" and I put in
|
||
|
something of my own when I could think of it and I changed some words.
|
||
|
I put "dress" in place of "mood." I didn't know just what a "mood"
|
||
|
was but I s'posed it was something to wear. I didn't s'pose you'd
|
||
|
know the difference. I don't see how you found out it wasn't
|
||
|
all mine. You must be awful clever, teacher.'
|
||
|
|
||
|
"I told Annetta it was very wrong to copy another person's letter
|
||
|
and pass it off as her own. But I'm afraid that all Annetta
|
||
|
repented of was being found out.
|
||
|
|
||
|
"`And I do love you, teacher,' she sobbed. `It was all true, even
|
||
|
if the minister wrote it first. I do love you with all my heart.'
|
||
|
|
||
|
"It's very difficult to scold anybody properly under such circumstances.
|
||
|
|
||
|
"Here is Barbara Shaw's letter. I can't reproduce the blots of the original.
|
||
|
|
||
|
"`Dear teacher,
|
||
|
|
||
|
You said we might write about a visit. I never visited but once.
|
||
|
It was at my Aunt Mary's last winter. My Aunt Mary is a very particular
|
||
|
woman and a great housekeeper. The first night I was there we were at tea.
|
||
|
I knocked over a jug and broke it. Aunt Mary said she had had that jug
|
||
|
ever since she was married and nobody had ever broken it before.
|
||
|
When we got up I stepped on her dress and all the gathers tore out
|
||
|
of the skirt. The next morning when I got up I hit the pitcher against
|
||
|
the basin and cracked them both and I upset a cup of tea on the tablecloth
|
||
|
at breakfast. When I was helping Aunt Mary with the dinner dishes I
|
||
|
dropped a china plate and it smashed. That evening I fell downstairs
|
||
|
and sprained my ankle and had to stay in bed for a week. I heard Aunt Mary
|
||
|
tell Uncle Joseph it was a mercy or I'd have broken everything in the house.
|
||
|
When I got better it was time to go home. I don't like visiting very much.
|
||
|
I like going to school better, especially since I came to Avonlea.
|
||
|
|
||
|
Yours respectfully,
|
||
|
Barbara. Shaw.'"
|
||
|
|
||
|
"Willie White's began,
|
||
|
|
||
|
Respected Miss,
|
||
|
|
||
|
I want to tell you about my Very Brave Aunt. She lives in Ontario
|
||
|
and one day she went out to the barn and saw a dog in the yard.
|
||
|
The dog had no business there so she got a stick and whacked
|
||
|
him hard and drove him into the barn and shut him up. Pretty soon
|
||
|
a man came looking for an inaginary lion' (Query; -- Did Willie
|
||
|
mean a menagerie lion?) `that had run away from a circus. And it
|
||
|
turned out that the dog was a lion and my Very Brave Aunt had druv
|
||
|
him into the barn with a stick. It was a wonder she was not et up
|
||
|
but she was very brave. Emerson Gillis says if she thought it was
|
||
|
a dog she wasn't any braver than if it really was a dog. But
|
||
|
Emerson is jealous because he hasn't got a Brave Aunt himself,
|
||
|
nothing but uncles.'"
|
||
|
|
||
|
|
||
|
"I have kept the best for the last. You laugh at me because I
|
||
|
think Paul is a genius but I am sure his letter will convince you
|
||
|
that he is a very uncommon child. Paul lives away down near the
|
||
|
shore with his grandmother and he has no playmates. . .no real
|
||
|
playmates. You remember our School Management professor told us
|
||
|
that we must not have `favorites' among our pupils, but I can't
|
||
|
help loving Paul Irving the best of all mine. I don't think it
|
||
|
does any harm, though, for everybody loves Paul, even Mrs. Lynde,
|
||
|
who says she could never have believed she'd get so fond of a Yankee.
|
||
|
The other boys in school like him too. There is nothing weak or
|
||
|
girlish about him in spite of his dreams and fancies. He is very
|
||
|
manly and can hold his own in all games. He fought St. Clair
|
||
|
Donnell recently because St. Clair said the Union Jack was away
|
||
|
ahead of the Stars and Stripes as a flag. The result was a drawn
|
||
|
battle and a mutual agreement to respect each other's patriotism
|
||
|
henceforth. St. Clair says he can hit the HARDEST but Paul can
|
||
|
hit the OFTENEST.
|
||
|
|
||
|
|
||
|
"Paul's Letter.
|
||
|
|
||
|
My dear teacher,
|
||
|
|
||
|
You told us we might write you about some interesting people we knew.
|
||
|
I think the most interesting people I know are my rock people and I
|
||
|
mean to tell you about them. I have never told anybody about them
|
||
|
except grandma and father but I would like to have you know about
|
||
|
them because you understand things. There are a great many people
|
||
|
who do not understand things so there is no use in telling them.
|
||
|
|
||
|
My rock people live at the shore. I used to visit them almost
|
||
|
every evening before the winter came. Now I can't go till spring,
|
||
|
but they will be there, for people like that never change. . .that
|
||
|
is the splendid thing about them. Nora was the first one of them I
|
||
|
got acquainted with and so I think I love her the best. She lives
|
||
|
in Andrews' Cove and she has black hair and black eyes, and she
|
||
|
knows all about the mermaids and the water kelpies. You ought to
|
||
|
hear the stories she can tell. Then there are the Twin Sailors.
|
||
|
They don't live anywhere, they sail all the time, but they often
|
||
|
come ashore to talk to me. They are a pair of jolly tars and they
|
||
|
have seen everything in the world. . .and more than what is in the
|
||
|
world. Do you know what happened to the youngest Twin Sailor
|
||
|
once? He was sailing and he sailed right into a moonglade. A
|
||
|
moonglade is the track the full moon makes on the water when it is
|
||
|
rising from the sea, you know, teacher. Well, the youngest Twin
|
||
|
Sailor sailed along the moonglade till he came right up to the
|
||
|
moon, and there was a little golden door in the moon and he opened
|
||
|
it and sailed right through. He had some wonderful adventures in
|
||
|
the moon but it would make this letter too long to tell them.
|
||
|
|
||
|
Then there is the Golden Lady of the cave. One day I found a big
|
||
|
cave down on the shore and I went away in and after a while I found
|
||
|
the Golden Lady. She has golden hair right down to her feet and
|
||
|
her dress is all glittering and glistening like gold that is alive.
|
||
|
And she has a golden harp and plays on it all day long. . .you can
|
||
|
hear the music any time along shore if you listen carefully but
|
||
|
most people would think it was only the wind among the rocks.
|
||
|
I've never told Nora about the Golden Lady. I was afraid it
|
||
|
might hurt her feelings. It even hurt her feelings if I talked
|
||
|
too long with the Twin Sailors.
|
||
|
|
||
|
I always met the Twin Sailors at the Striped Rocks. The youngest
|
||
|
Twin Sailor is very good-tempered but the oldest Twin Sailor can
|
||
|
look dreadfully fierce at times. I have my suspicions about that
|
||
|
oldest Twin. I believe he'd be a pirate if he dared. There's really
|
||
|
something very mysterious about him. He swore once and I told him
|
||
|
if he ever did it again he needn't come ashore to talk to me because
|
||
|
I'd promised grandmother I'd never associate with anybody that swore.
|
||
|
He was pretty well scared, I can tell you, and he said if I would
|
||
|
forgive him he would take me to the sunset. So the next evening
|
||
|
when I was sitting on the Striped Rocks the oldest Twin came
|
||
|
sailing over the sea in an enchanted boat and I got in her. The
|
||
|
boat was all pearly and rainbowy, like the inside of the mussel
|
||
|
shells, and her sail was like moonshine. Well, we sailed right
|
||
|
across to the sunset. Think of that, teacher, I've been in the
|
||
|
sunset. And what do you suppose it is? The sunset is a land
|
||
|
all flowers. We sailed into a great garden, and the clouds are beds
|
||
|
of flowers. We sailed into a great harbor, all the color of gold,
|
||
|
and I stepped right out of the boat on a big meadow all covered with
|
||
|
buttercups as big as roses. I stayed there for ever so long. It
|
||
|
seemed nearly a year but the Oldest Twin says it was only a few
|
||
|
minutes. You see, in the sunset land the time is ever so much
|
||
|
longer than it is here.
|
||
|
|
||
|
Your loving pupil
|
||
|
Paul Irving.
|
||
|
|
||
|
P. S. of course, this letter isn't really true, teacher.
|
||
|
P.I.'"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XII
|
||
|
|
||
|
A Jonah Day
|
||
|
|
||
|
|
||
|
It really began the night before with a restless, wakeful vigil of
|
||
|
grumbling toothache. When Anne arose in the dull, bitter winter
|
||
|
morning she felt that life was flat, stale, and unprofitable.
|
||
|
|
||
|
She went to school in no angelic mood. Her cheek was swollen and
|
||
|
her face ached. The schoolroom was cold and smoky, for the fire
|
||
|
refused to burn and the children were huddled about it in shivering
|
||
|
groups. Anne sent them to their seats with a sharper tone than she
|
||
|
had ever used before. Anthony Pye strutted to his with his usual
|
||
|
impertinent swagger and she saw him whisper something to his
|
||
|
seat-mate and then glance at her with a grin.
|
||
|
|
||
|
Never, so it seemed to Anne, had there been so many squeaky pencils
|
||
|
as there were that morning; and when Barbara Shaw came up to the
|
||
|
desk with a sum she tripped over the coal scuttle with disastrous
|
||
|
results. The coal rolled to every part of the room, her slate was
|
||
|
broken into fragments, and when she picked herself up, her face,
|
||
|
stained with coal dust, sent the boys into roars of laughter.
|
||
|
|
||
|
Anne turned from the second reader class which she was hearing.
|
||
|
|
||
|
"Really, Barbara," she said icily, "if you cannot move without
|
||
|
falling over something you'd better remain in your seat. It is
|
||
|
positively disgraceful for a girl of your age to be so awkward."
|
||
|
|
||
|
Poor Barbara stumbled back to her desk, her tears combining with
|
||
|
the coal dust to produce an effect truly grotesque. Never before
|
||
|
had her beloved, sympathetic teacher spoken to her in such a tone
|
||
|
or fashion, and Barbara was heartbroken. Anne herself felt a prick
|
||
|
of conscience but it only served to increase her mental irritation,
|
||
|
and the second reader class remember that lesson yet, as well as
|
||
|
the unmerciful infliction of arithmetic that followed. Just as Anne
|
||
|
was snapping the sums out St. Clair Donnell arrived breathlessly.
|
||
|
|
||
|
"You are half an hour late, St. Clair," Anne reminded him frigidly.
|
||
|
"Why is this?"
|
||
|
|
||
|
"Please, miss, I had to help ma make a pudding for dinner
|
||
|
'cause we're expecting company and Clarice Almira's sick,"
|
||
|
was St. Clair's answer, given in a perfectly respectful voice
|
||
|
but nevertheless provocative of great mirth among his mates.
|
||
|
|
||
|
"Take your seat and work out the six problems on page eighty-four
|
||
|
of your arithmetic for punishment," said Anne. St. Clair looked
|
||
|
rather amazed at her tone but he went meekly to his desk and took
|
||
|
out his slate. Then he stealthily passed a small parcel to Joe
|
||
|
Sloane across the aisle. Anne caught him in the act and jumped to
|
||
|
a fatal conclusion about that parcel.
|
||
|
|
||
|
Old Mrs. Hiram Sloane had lately taken to making and selling
|
||
|
"nut cakes" by way of adding to her scanty income. The cakes were
|
||
|
specially tempting to small boys and for several weeks Anne had had
|
||
|
not a little trouble in regard to them. On their way to school the
|
||
|
boys would invest their spare cash at Mrs. Hiram's, bring the cakes
|
||
|
along with them to school, and, if possible, eat them and treat
|
||
|
their mates during school hours. Anne had warned them that if
|
||
|
they brought any more cakes to school they would be confiscated;
|
||
|
and yet here was St. Clair Donnell coolly passing a parcel of them,
|
||
|
wrapped up in the blue and white striped paper Mrs. Hiram used,
|
||
|
under her very eyes.
|
||
|
|
||
|
"Joseph," said Anne quietly, "bring that parcel here."
|
||
|
|
||
|
Joe, startled and abashed, obeyed. He was a fat urchin who always
|
||
|
blushed and stuttered when he was frightened. Never did anybody
|
||
|
look more guilty than poor Joe at that moment.
|
||
|
|
||
|
"Throw it into the fire," said Anne.
|
||
|
|
||
|
Joe looked very blank.
|
||
|
|
||
|
"P. . .p. . .p. . .lease, m. . .m. . .miss," he began.
|
||
|
|
||
|
"Do as I tell you, Joseph, without any words about it."
|
||
|
|
||
|
"B. . .b. . .but m. . .m. . .miss. . .th. . .th. . .they're. . ."
|
||
|
gasped Joe in desperation.
|
||
|
|
||
|
"Joseph, are you going to obey me or are you NOT?" said Anne.
|
||
|
|
||
|
A bolder and more self-possessed lad than Joe Sloane would have
|
||
|
been overawed by her tone and the dangerous flash of her eyes.
|
||
|
This was a new Anne whom none of her pupils had ever seen before.
|
||
|
Joe, with an agonized glance at St. Clair, went to the stove,
|
||
|
opened the big, square front door, and threw the blue and white
|
||
|
parcel in, before St. Clair, who had sprung to his feet, could
|
||
|
utter a word. Then he dodged back just in time.
|
||
|
|
||
|
For a few moments the terrified occupants of Avonlea school did not
|
||
|
know whether it was an earthquake or a volcanic explosion that had
|
||
|
occurred. The innocent looking parcel which Anne had rashly
|
||
|
supposed to contain Mrs. Hiram's nut cakes really held an
|
||
|
assortment of firecrackers and pinwheels for which Warren Sloane
|
||
|
had sent to town by St. Clair Donnell's father the day before,
|
||
|
intending to have a birthday celebration that evening. The
|
||
|
crackers went off in a thunderclap of noise and the pinwheels
|
||
|
bursting out of the door spun madly around the room, hissing and
|
||
|
spluttering. Anne dropped into her chair white with dismay and all
|
||
|
the girls climbed shrieking upon their desks. Joe Sloane stood as
|
||
|
one transfixed in the midst of the commotion and St. Clair,
|
||
|
helpless with laughter, rocked to and fro in the aisle. Prillie
|
||
|
Rogerson fainted and Annetta Bell went into hysterics.
|
||
|
|
||
|
It seemed a long time, although it was really only a few minutes,
|
||
|
before the last pinwheel subsided. Anne, recovering herself,
|
||
|
sprang to open doors and windows and let out the gas and smoke
|
||
|
which filled the room. Then she helped the girls carry the
|
||
|
unconscious Prillie into the porch, where Barbara Shaw, in an agony
|
||
|
of desire to be useful, poured a pailful of half frozen water over
|
||
|
Prillie's face and shoulders before anyone could stop her.
|
||
|
|
||
|
It was a full hour before quiet was restored . . .but it was a
|
||
|
quiet that might be felt. Everybody realized that even the
|
||
|
explosion had not cleared the teacher's mental atmosphere.
|
||
|
Nobody, except Anthony Pye, dared whisper a word. Ned Clay
|
||
|
accidentally squeaked his pencil while working a sum, caught
|
||
|
Anne's eye and wished the floor would open and swallow him up.
|
||
|
The geography class were whisked through a continent with a speed
|
||
|
that made them dizzy. The grammar class were parsed and analyzed
|
||
|
within an inch of their lives. Chester Sloane, spelling "odoriferous"
|
||
|
with two f's, was made to feel that he could never live down the
|
||
|
disgrace of it, either in this world or that which is to come.
|
||
|
|
||
|
Anne knew that she had made herself ridiculous and that the
|
||
|
incident would be laughed over that night at a score of tea-tables,
|
||
|
but the knowledge only angered her further. In a calmer mood she
|
||
|
could have carried off the situation with a laugh but now that was
|
||
|
impossible; so she ignored it in icy disdain.
|
||
|
|
||
|
When Anne returned to the school after dinner all the children were
|
||
|
as usual in their seats and every face was bent studiously over a
|
||
|
desk except Anthony Pye's. He peered across his book at Anne, his
|
||
|
black eyes sparkling with curiosity and mockery. Anne twitched
|
||
|
open the drawer of her desk in search of chalk and under her very
|
||
|
hand a lively mouse sprang out of the drawer, scampered over the
|
||
|
desk, and leaped to the floor.
|
||
|
|
||
|
Anne screamed and sprang back, as if it had been a snake, and
|
||
|
Anthony Pye laughed aloud.
|
||
|
|
||
|
Then a silence fell. . .a very creepy, uncomfortable silence.
|
||
|
Annetta Bell was of two minds whether to go into hysterics again
|
||
|
or not, especially as she didn't know just where the mouse had gone.
|
||
|
But she decided not to. Who could take any comfort out of
|
||
|
hysterics with a teacher so white-faced and so blazing-eyed
|
||
|
standing before one?
|
||
|
|
||
|
"Who put that mouse in my desk?" said Anne. Her voice was quite
|
||
|
low but it made a shiver go up and down Paul Irving's spine. Joe
|
||
|
Sloane caught her eye, felt responsible from the crown of his head
|
||
|
to the sole of his feet, but stuttered out wildly,
|
||
|
|
||
|
"N. . .n. . .not m. . .m. . .me t. . .t. . .teacher, n. . .n. .
|
||
|
.not m. . .m. . .me."
|
||
|
|
||
|
Anne paid no attention to the wretched Joseph. She looked at
|
||
|
Anthony Pye, and Anthony Pye looked back unabashed and unashamed.
|
||
|
|
||
|
"Anthony, was it you?"
|
||
|
|
||
|
"Yes, it was," said Anthony insolently.
|
||
|
|
||
|
Anne took her pointer from her desk. It was a long, heavy hardwood pointer.
|
||
|
|
||
|
"Come here, Anthony."
|
||
|
|
||
|
It was far from being the most severe punishment Anthony Pye had
|
||
|
ever undergone. Anne, even the stormy-souled Anne she was at that
|
||
|
moment, could not have punished any child cruelly. But the pointer
|
||
|
nipped keenly and finally Anthony's bravado failed him; he winced
|
||
|
and the tears came to his eyes.
|
||
|
|
||
|
Anne, conscience-stricken, dropped the pointer and told Anthony to
|
||
|
go to his seat. She sat down at her desk feeling ashamed,
|
||
|
repentant, and bitterly mortified. Her quick anger was gone and
|
||
|
she would have given much to have been able to seek relief in
|
||
|
tears. So all her boasts had come to this. . .she had actually
|
||
|
whipped one of her pupils. How Jane would triumph! And how
|
||
|
Mr. Harrison would chuckle! But worse than this, bitterest
|
||
|
thought of all, she had lost her last chance of winning Anthony Pye.
|
||
|
Never would he like her now.
|
||
|
|
||
|
Anne, by what somebody has called "a Herculaneum effort," kept back
|
||
|
her tears until she got home that night. Then she shut herself in
|
||
|
the east gable room and wept all her shame and remorse and
|
||
|
disappointment into her pillows. . .wept so long that Marilla grew
|
||
|
alarmed, invaded the room, and insisted on knowing what the trouble was.
|
||
|
|
||
|
"The trouble is, I've got things the matter with my conscience,"
|
||
|
sobbed Anne. "Oh, this has been such a Jonah day, Marilla. I'm so
|
||
|
ashamed of myself. I lost my temper and whipped Anthony Pye."
|
||
|
|
||
|
"I'm glad to hear it," said Marilla with decision. "It's what you
|
||
|
should have done long ago."
|
||
|
|
||
|
"Oh, no, no, Marilla. And I don't see how I can ever look those
|
||
|
children in the face again. I feel that I have humiliated myself
|
||
|
to the very dust. You don't know how cross and hateful and horrid
|
||
|
I was. I can't forget the expression in Paul Irving's eyes. . .he
|
||
|
looked so surprised and disappointed. Oh, Marilla, I HAVE tried so
|
||
|
hard to be patient and to win Anthony's liking. . .and now it has
|
||
|
all gone for nothing."
|
||
|
|
||
|
Marilla passed her hard work-worn hand over the girl's glossy,
|
||
|
tumbled hair with a wonderful tenderness. When Anne's sobs grew
|
||
|
quieter she said, very gently for her,
|
||
|
|
||
|
"You take things too much to heart, Anne. We all make mistakes. . .but
|
||
|
people forget them. And Jonah days come to everybody. As for Anthony Pye,
|
||
|
why need you care if he does dislike you? He is the only one."
|
||
|
|
||
|
"I can't help it. I want everybody to love me and it hurts me so
|
||
|
when anybody doesn't. And Anthony never will now. Oh, I just made
|
||
|
an idiot of myself today, Marilla. I'll tell you the whole story."
|
||
|
|
||
|
Marilla listened to the whole story, and if she smiled at certain
|
||
|
parts of it Anne never knew. When the tale was ended she said briskly,
|
||
|
|
||
|
"Well, never mind. This day's done and there's a new one coming
|
||
|
tomorrow, with no mistakes in it yet, as you used to say yourself.
|
||
|
Just come downstairs and have your supper. You'll see if a good
|
||
|
cup of tea and those plum puffs I made today won't hearten you up."
|
||
|
|
||
|
"Plum puffs won't minister to a mind diseased," said Anne disconsolately;
|
||
|
but Marilla thought it a good sign that she had recovered sufficiently
|
||
|
to adapt a quotation.
|
||
|
|
||
|
The cheerful supper table, with the twins' bright faces, and
|
||
|
Marilla's matchless plum puffs. . .of which Davy ate four. . .
|
||
|
did "hearten her up" considerably after all. She had a good sleep
|
||
|
that night and and awakened in the morning to find herself and the
|
||
|
world transformed. It had snowed softly and thickly all through
|
||
|
the hours of darkness and the beautiful whiteness, glittering in
|
||
|
the frosty sunshine, looked like a mantle of charity cast over all
|
||
|
the mistakes and humiliations of the past.
|
||
|
|
||
|
|
||
|
"Every morn is a fresh beginning,
|
||
|
Every morn is the world made new,"
|
||
|
|
||
|
sang Anne, as she dressed.
|
||
|
|
||
|
Owing to the snow she had to go around by the road to school and
|
||
|
she thought it was certainly an impish coincidence that Anthony Pye
|
||
|
should come ploughing along just as she left the Green Gables lane.
|
||
|
She felt as guilty as if their positions were reversed; but to her
|
||
|
unspeakable astonishment Anthony not only lifted his cap. . .which
|
||
|
he had never done before. . .but said easily,
|
||
|
|
||
|
"Kind of bad walking, ain't it? Can I take those books for you,
|
||
|
teacher?"
|
||
|
|
||
|
Anne surrendered her books and wondered if she could possibly be awake.
|
||
|
Anthony walked on in silence to the school, but when Anne took her books
|
||
|
she smiled down at him. . .not the stereotyped "kind" smile she had so
|
||
|
persistently assumed for his benefit but a sudden outflashing of good
|
||
|
comradeship. Anthony smiled. . .no, if the truth must be told,
|
||
|
Anthony GRINNED back. A grin is not generally supposed to be a
|
||
|
respectful thing; yet Anne suddenly felt that if she had not yet
|
||
|
won Anthony's liking she had, somehow or other, won his respect.
|
||
|
|
||
|
Mrs. Rachel Lynde came up the next Saturday and confirmed this.
|
||
|
|
||
|
"Well, Anne, I guess you've won over Anthony Pye, that's what.
|
||
|
He says he believes you are some good after all, even if you are
|
||
|
a girl. Says that whipping you gave him was `just as good as a man's.'"
|
||
|
|
||
|
"I never expected to win him by whipping him, though," said Anne, a
|
||
|
little mournfully, feeling that her ideals had played her false somewhere.
|
||
|
"It doesn't seem right. I'm sure my theory of kindness can't be wrong."
|
||
|
|
||
|
"No, but the Pyes are an exception to every known rule, that's what,"
|
||
|
declared Mrs. Rachel with conviction.
|
||
|
|
||
|
Mr. Harrison said, "Thought you'd come to it," when he heard it,
|
||
|
and Jane rubbed it in rather unmercifully.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XIII
|
||
|
|
||
|
A Golden Picnic
|
||
|
|
||
|
|
||
|
Anne, on her way to Orchard Slope, met Diana, bound for Green Gables,
|
||
|
just where the mossy old log bridge spanned the brook below the
|
||
|
Haunted Wood, and they sat down by the margin of the Dryad's Bubble,
|
||
|
where tiny ferns were unrolling like curly-headed green pixy folk
|
||
|
wakening up from a nap.
|
||
|
|
||
|
"I was just on my way over to invite you to help me celebrate my
|
||
|
birthday on Saturday," said Anne.
|
||
|
|
||
|
"Your birthday? But your birthday was in March!"
|
||
|
|
||
|
"That wasn't my fault," laughed Anne. "If my parents had consulted
|
||
|
me it would never have happened then. I should have chosen to be
|
||
|
born in spring, of course. It must be delightful to come into the
|
||
|
world with the mayflowers and violets. You would always feel that
|
||
|
you were their foster sister. But since I didn't, the next best
|
||
|
thing is to celebrate my birthday in the spring. Priscilla is
|
||
|
coming over Saturday and Jane will be home. We'll all four start
|
||
|
off to the woods and spend a golden day making the acquaintance of
|
||
|
the spring. We none of us really know her yet, but we'll meet her
|
||
|
back there as we never can anywhere else. I want to explore all
|
||
|
those fields and lonely places anyhow. I have a conviction that
|
||
|
there are scores of beautiful nooks there that have never really
|
||
|
been SEEN although they may have been LOOKED at. We'll make friends
|
||
|
with wind and sky and sun, and bring home the spring in our hearts."
|
||
|
|
||
|
"It SOUNDS awfully nice," said Diana, with some inward distrust of
|
||
|
Anne's magic of words. "But won't it be very damp in some places yet?"
|
||
|
|
||
|
"Oh, we'll wear rubbers," was Anne's concession to practicalities.
|
||
|
"And I want you to come over early Saturday morning and help me
|
||
|
prepare lunch. I'm going to have the daintiest things possible. . .
|
||
|
things that will match the spring, you understand. . .little jelly
|
||
|
tarts and lady fingers, and drop cookies frosted with pink and
|
||
|
yellow icing, and buttercup cake. And we must have sandwiches
|
||
|
too, though they're NOT very poetical."
|
||
|
|
||
|
Saturday proved an ideal day for a picnic. . .a day of breeze and
|
||
|
blue, warm, sunny, with a little rollicking wind blowing across
|
||
|
meadow and orchard. Over every sunlit upland and field was a
|
||
|
delicate, flower-starred green.
|
||
|
|
||
|
Mr. Harrison, harrowing at the back of his farm and feeling some
|
||
|
of the spring witch-work even in his sober, middle-aged blood,
|
||
|
saw four girls, basket laden, tripping across the end of his field
|
||
|
where it joined a fringing woodland of birch and fir. Their blithe
|
||
|
voices and laughter echoed down to him.
|
||
|
|
||
|
"It's so easy to be happy on a day like this, isn't it?" Anne
|
||
|
was saying, with true Anneish philosophy. "Let's try to make this
|
||
|
a really golden day, girls, a day to which we can always look back
|
||
|
with delight. We're to seek for beauty and refuse to see anything else.
|
||
|
`Begone, dull care!' Jane, you are thinking of something that went wrong
|
||
|
in school yesterday."
|
||
|
|
||
|
"How do you know?" gasped Jane, amazed.
|
||
|
|
||
|
"Oh, I know the expression. . .I've felt it often enough on my own
|
||
|
face. But put it out of your mind, there's a dear. It will keep
|
||
|
till Monday. . .or if it doesn't so much the better. Oh, girls,
|
||
|
girls, see that patch of violets! There's something for memory's
|
||
|
picture gallery. When I'm eighty years old. . .if I ever am. . .
|
||
|
I shall shut my eyes and see those violets just as I see them now.
|
||
|
That's the first good gift our day has given us."
|
||
|
|
||
|
"If a kiss could be seen I think it would look like a violet,"
|
||
|
said Priscilla.
|
||
|
|
||
|
Anne glowed.
|
||
|
|
||
|
"I'm so glad you SPOKE that thought, Priscilla, instead of just
|
||
|
thinking it and keeping it to yourself. This world would be a much
|
||
|
more interesting place. . .although it IS very interesting anyhow. . .
|
||
|
if people spoke out their real thoughts."
|
||
|
|
||
|
"It would be too hot to hold some folks," quoted Jane sagely.
|
||
|
|
||
|
"I suppose it might be, but that would be their own faults for
|
||
|
thinking nasty things. Anyhow, we can tell all our thoughts today
|
||
|
because we are going to have nothing but beautiful thoughts.
|
||
|
Everybody can say just what comes into her head. THAT is conversation.
|
||
|
Here's a little path I never saw before. Let's explore it."
|
||
|
|
||
|
The path was a winding one, so narrow that the girls walked in
|
||
|
single file and even then the fir boughs brushed their faces.
|
||
|
Under the firs were velvety cushions of moss, and further on, where
|
||
|
the trees were smaller and fewer, the ground was rich in a variety
|
||
|
of green growing things.
|
||
|
|
||
|
"What a lot of elephant's ears," exclaimed Diana. "I'm going to
|
||
|
pick a big bunch, they're so pretty."
|
||
|
|
||
|
"How did such graceful feathery things ever come to have such a
|
||
|
dreadful name?" asked Priscilla.
|
||
|
|
||
|
"Because the person who first named them either had no imagination
|
||
|
at all or else far too much," said Anne, "Oh, girls, look at that!"
|
||
|
|
||
|
"That" was a shallow woodland pool in the center of a little open
|
||
|
glade where the path ended. Later on in the season it would be dried
|
||
|
up and its place filled with a rank growth of ferns; but now it was
|
||
|
a glimmering placid sheet, round as a saucer and clear as crystal.
|
||
|
A ring of slender young birches encircled it and little ferns
|
||
|
fringed its margin.
|
||
|
|
||
|
"HOW sweet!" said Jane.
|
||
|
|
||
|
"Let us dance around it like wood-nymphs," cried Anne, dropping her
|
||
|
basket and extending her hands.
|
||
|
|
||
|
But the dance was not a success for the ground was boggy and Jane's
|
||
|
rubbers came off.
|
||
|
|
||
|
"You can't be a wood-nymph if you have to wear rubbers,"
|
||
|
was her decision.
|
||
|
|
||
|
"Well, we must name this place before we leave it,"
|
||
|
said Anne, yielding to the indisputable logic of facts.
|
||
|
"Everybody suggest a name and we'll draw lots. Diana?"
|
||
|
|
||
|
"Birch Pool," suggested Diana promptly.
|
||
|
|
||
|
"Crystal Lake," said Jane.
|
||
|
|
||
|
Anne, standing behind them, implored Priscilla with her eyes not to
|
||
|
perpetrate another such name and Priscilla rose to the occasion
|
||
|
with "Glimmer-glass." Anne's selection was "The Fairies' Mirror."
|
||
|
|
||
|
The names were written on strips of birch bark with a pencil
|
||
|
Schoolma'am Jane produced from her pocket, and placed in Anne's
|
||
|
hat. Then Priscilla shut her eyes and drew one. "Crystal Lake,"
|
||
|
read Jane triumphantly. Crystal Lake it was, and if Anne thought
|
||
|
that chance had played the pool a shabby trick she did not say so.
|
||
|
|
||
|
Pushing through the undergrowth beyond, the girls came out to the
|
||
|
young green seclusion of Mr. Silas Sloane's back pasture. Across it
|
||
|
they found the entrance to a lane striking up through the woods and
|
||
|
voted to explore it also. It rewarded their quest with a succession
|
||
|
of pretty surprises. First, skirting Mr. Sloane's pasture, came an
|
||
|
archway of wild cherry trees all in bloom. The girls swung their hats
|
||
|
on their arms and wreathed their hair with the creamy, fluffy blossoms.
|
||
|
Then the lane turned at right angles and plunged into a spruce wood
|
||
|
so thick and dark that they walked in a gloom as of twilight, with
|
||
|
not a glimpse of sky or sunlight to be seen.
|
||
|
|
||
|
"This is where the bad wood elves dwell," whispered Anne. "They
|
||
|
are impish and malicious but they can't harm us, because they are
|
||
|
not allowed to do evil in the spring. There was one peeping at us
|
||
|
around that old twisted fir; and didn't you see a group of them on
|
||
|
that big freckly toadstool we just passed? The good fairies always
|
||
|
dwell in the sunshiny places."
|
||
|
|
||
|
"I wish there really were fairies," said Jane. "Wouldn't it
|
||
|
be nice to have three wishes granted you. . .or even only one?
|
||
|
What would you wish for, girls, if you could have a wish granted?
|
||
|
I'd wish to be rich and beautiful and clever."
|
||
|
|
||
|
"I'd wish to be tall and slender," said Diana.
|
||
|
|
||
|
"I would wish to be famous," said Priscilla. Anne thought of her
|
||
|
hair and then dismissed the thought as unworthy.
|
||
|
|
||
|
"I'd wish it might be spring all the time and in everybody's heart
|
||
|
and all our lives," she said.
|
||
|
|
||
|
"But that," said Priscilla, "would be just wishing this world
|
||
|
were like heaven."
|
||
|
|
||
|
"Only like a part of heaven. In the other parts there would be
|
||
|
summer and autumn. . .yes, and a bit of winter, too. I think I
|
||
|
want glittering snowy fields and white frosts in heaven sometimes.
|
||
|
Don't you, Jane?"
|
||
|
|
||
|
"I. . .I don't know," said Jane uncomfortably. Jane was a good girl,
|
||
|
a member of the church, who tried conscientiously to live up to her
|
||
|
profession and believed everything she had been taught. But she
|
||
|
never thought about heaven any more than she could help, for all that.
|
||
|
|
||
|
"Minnie May asked me the other day if we would wear our best
|
||
|
dresses every day in heaven," laughed Diana.
|
||
|
|
||
|
"And didn't you tell her we would?" asked Anne.
|
||
|
|
||
|
"Mercy, no! I told her we wouldn't be thinking of dresses at all there."
|
||
|
|
||
|
"Oh, I think we will. . .a LITTLE," said Anne earnestly.
|
||
|
"There'll be plenty of time in all eternity for it without
|
||
|
neglecting more important things. I believe we'll all wear
|
||
|
beautiful dresses. . .or I suppose RAIMENT would be a more
|
||
|
suitable way of speaking. I shall want to wear pink for a few
|
||
|
centuries at firSt. . .it would take me that long to get tired of it,
|
||
|
I feel sure. I do love pink so and I can never wear it in THIS world."
|
||
|
|
||
|
Past the spruces the lane dipped down into a sunny little open
|
||
|
where a log bridge spanned a brook; and then came the glory of a
|
||
|
sunlit beechwood where the air was like transparent golden wine,
|
||
|
and the leaves fresh and green, and the wood floor a mosaic of
|
||
|
tremulous sunshine. Then more wild cherries, and a little valley
|
||
|
of lissome firs, and then a hill so steep that the girls lost their
|
||
|
breath climbing it; but when they reached the top and came out into
|
||
|
the open the prettiest surprise of all awaited them.
|
||
|
|
||
|
Beyond were the "back fields" of the farms that ran out to the
|
||
|
upper Carmody road. Just before them, hemmed in by beeches and
|
||
|
firs but open to the south, was a little corner and in it a garden
|
||
|
. . .or what had once been a garden. A tumbledown stone dyke,
|
||
|
overgrown with mosses and grass, surrounded it. Along the eastern
|
||
|
side ran a row of garden cherry trees, white as a snowdrift.
|
||
|
There were traces of old paths still and a double line of rosebushes
|
||
|
through the middle; but all the rest of the space was a sheet of
|
||
|
yellow and white narcissi, in their airiest, most lavish, wind-swayed
|
||
|
bloom above the lush green grasses.
|
||
|
|
||
|
"Oh, how perfectly lovely!" three of the girls cried. Anne only
|
||
|
gazed in eloquent silence.
|
||
|
|
||
|
"How in the world does it happen that there ever was a garden back here?"
|
||
|
said Priscilla in amazement.
|
||
|
|
||
|
"It must be Hester Gray's garden," said Diana. "I've heard mother
|
||
|
speak of it but I never saw it before, and I wouldn't have supposed
|
||
|
that it could be in existence still. You've heard the story, Anne?"
|
||
|
|
||
|
"No, but the name seems familiar to me."
|
||
|
|
||
|
"Oh, you've seen it in the graveyard. She is buried down there in
|
||
|
the poplar corner. You know the little brown stone with the
|
||
|
opening gates carved on it and `Sacred to the memory of Hester
|
||
|
Gray, aged twenty-two.' Jordan Gray is buried right beside her
|
||
|
but there's no stone to him. It's a wonder Marilla never told
|
||
|
you about it, Anne. To be sure, it happened thirty years ago
|
||
|
and everybody has forgotten."
|
||
|
|
||
|
"Well, if there's a story we must have it," said Anne. "Let's sit
|
||
|
right down here among the narcissi and Diana will tell it. Why, girls,
|
||
|
there are hundreds of them. . .they've spread over everything.
|
||
|
It looks as if the garden were carpeted with moonshine and
|
||
|
sunshine combined. This is a discovery worth making.
|
||
|
To think that I've lived within a mile of this place for
|
||
|
six years and have never seen it before! Now, Diana."
|
||
|
|
||
|
"Long ago," began Diana, "this farm belonged to old Mr. David Gray.
|
||
|
He didn't live on it. . .he lived where Silas Sloane lives now.
|
||
|
He had one son, Jordan, and he went up to Boston one winter to work
|
||
|
and while he was there he fell in love with a girl named Hester Murray.
|
||
|
She was working in a store and she hated it. She'd been brought up
|
||
|
in the country and she always wanted to get back. When Jordan asked
|
||
|
her to marry him she said she would if he'd take her away to some
|
||
|
quiet spot where she'd see nothing but fields and trees. So he
|
||
|
brought her to Avonlea. Mrs. Lynde said he was taking a fearful
|
||
|
risk in marrying a Yankee, and it's certain that Hester was very
|
||
|
delicate and a very poor housekeeper; but mother says she was
|
||
|
very pretty and sweet and Jordan just worshipped the ground
|
||
|
she walked on. Well, Mr. Gray gave Jordan this farm and he built
|
||
|
a little house back here and Jordan and Hester lived in it for
|
||
|
four years. She never went out much and hardly anybody went
|
||
|
to see her except mother and Mrs. Lynde. Jordan made her this
|
||
|
garden and she was crazy about it and spent most of her time in it.
|
||
|
She wasn't much of a housekeeper but she had a knack with flowers.
|
||
|
And then she got sick. Mother says she thinks she was in consumption
|
||
|
before she ever came here. She never really laid up but just grew
|
||
|
weaker and weaker all the time. Jordan wouldn't have anybody to
|
||
|
wait on her. He did it all himself and mother says he was as
|
||
|
tender and gentle as a woman. Every day he'd wrap her in a shawl
|
||
|
and carry her out to the garden and she'd lie there on a bench
|
||
|
quite happy. They say she used to make Jordan kneel down by her
|
||
|
every night and morning and pray with her that she might die out in
|
||
|
the garden when the time came. And her prayer was answered. One
|
||
|
day Jordan carried her out to the bench and then he picked all the
|
||
|
roses that were out and heaped them over her; and she just smiled
|
||
|
up at him. . .and closed her eyes. . .and that," concluded Diana softly,
|
||
|
"was the end."
|
||
|
|
||
|
"Oh, what a dear story," sighed Anne, wiping away her tears.
|
||
|
|
||
|
"What became of Jordan?" asked Priscilla.
|
||
|
|
||
|
"He sold the farm after Hester died and went back to Boston.
|
||
|
Mr. Jabez Sloane bought the farm and hauled the little house
|
||
|
out to the road. Jordan died about ten years after and he was
|
||
|
brought home and buried beside Hester."
|
||
|
|
||
|
"I can't understand how she could have wanted to live back here,
|
||
|
away from everything," said Jane.
|
||
|
|
||
|
"Oh, I can easily understand THAT," said Anne thoughtfully. "I
|
||
|
wouldn't want it myself for a steady thing, because, although I
|
||
|
love the fields and woods, I love people too. But I can understand
|
||
|
it in Hester. She was tired to death of the noise of the big city
|
||
|
and the crowds of people always coming and going and caring nothing
|
||
|
for her. She just wanted to escape from it all to some still, green,
|
||
|
friendly place where she could reSt. And she got just what she wanted,
|
||
|
which is something very few people do, I believe. She had four
|
||
|
beautiful years before she died. . .four years of perfect happiness,
|
||
|
so I think she was to be envied more than pitied. And then to shut
|
||
|
your eyes and fall asleep among roses, with the one you loved best
|
||
|
on earth smiling down at you. . .oh, I think it was beautiful!"
|
||
|
|
||
|
"She set out those cherry trees over there," said Diana. "She told
|
||
|
mother she'd never live to eat their fruit, but she wanted to think
|
||
|
that something she had planted would go on living and helping to
|
||
|
make the world beautiful after she was dead."
|
||
|
|
||
|
"I'm so glad we came this way," said Anne, the shining-eyed.
|
||
|
"This is my adopted birthday, you know, and this garden and
|
||
|
its story is the birthday gift it has given me. Did your mother
|
||
|
ever tell you what Hester Gray looked like, Diana?"
|
||
|
|
||
|
"No. . .only just that she was pretty."
|
||
|
|
||
|
"I'm rather glad of that, because I can imagine what she looked like,
|
||
|
without being hampered by facts. I think she was very slight and small,
|
||
|
with softly curling dark hair and big, sweet, timid brown eyes, and a
|
||
|
little wistful, pale face."
|
||
|
|
||
|
The girls left their baskets in Hester's garden and spent the rest
|
||
|
of the afternoon rambling in the woods and fields surrounding it,
|
||
|
discovering many pretty nooks and lanes. When they got hungry they
|
||
|
had lunch in the prettiest spot of all. . .on the steep bank of a
|
||
|
gurgling brook where white birches shot up out of long feathery
|
||
|
grasses. The girls sat down by the roots and did full justice to
|
||
|
Anne's dainties, even the unpoetical sandwiches being greatly
|
||
|
appreciated by hearty, unspoiled appetites sharpened by all the
|
||
|
fresh air and exercise they had enjoyed. Anne had brought glasses
|
||
|
and lemonade for her guests, but for her own part drank cold brook
|
||
|
water from a cup fashioned out of birch bark. The cup leaked,
|
||
|
and the water tasted of earth, as brook water is apt to do in spring;
|
||
|
but Anne thought it more appropriate to the occasion than lemonade.
|
||
|
|
||
|
"Look do you see that poem?" she said suddenly, pointing.
|
||
|
|
||
|
"Where?" Jane and Diana stared, as if expecting to see Runic rhymes
|
||
|
on the birch trees.
|
||
|
|
||
|
"There. . .down in the brook. . .that old green, mossy log with
|
||
|
the water flowing over it in those smooth ripples that look as if
|
||
|
they'd been combed, and that single shaft of sunshine falling right
|
||
|
athwart it, far down into the pool. Oh, it's the most beautiful
|
||
|
poem I ever saw."
|
||
|
|
||
|
"I should rather call it a picture," said Jane. "A poem is lines
|
||
|
and verses."
|
||
|
|
||
|
"Oh dear me, no." Anne shook her head with its fluffy wild cherry
|
||
|
coronal positively. "The lines and verses are only the outward
|
||
|
garments of the poem and are no more really it than your ruffles
|
||
|
and flounces are YOU, Jane. The real poem is the soul within them
|
||
|
. . .and that beautiful bit is the soul of an unwritten poem.
|
||
|
It is not every day one sees a soul. . .even of a poem."
|
||
|
|
||
|
"I wonder what a soul. . .a person's soul. . .would look like,"
|
||
|
said Priscilla dreamily.
|
||
|
|
||
|
"Like that, I should think," answered Anne, pointing to a radiance
|
||
|
of sifted sunlight streaming through a birch tree. "Only with shape
|
||
|
and features of course. I like to fancy souls as being made of light.
|
||
|
And some are all shot through with rosy stains and quivers. . .and
|
||
|
some have a soft glitter like moonlight on the sea. . .and some are
|
||
|
pale and transparent like mist at dawn."
|
||
|
|
||
|
"I read somewhere once that souls were like flowers," said Priscilla.
|
||
|
|
||
|
"Then your soul is a golden narcissus," said Anne, "and Diana's is like
|
||
|
a red, red rose. Jane's is an apple blossom, pink and wholesome and sweet."
|
||
|
|
||
|
"And your own is a white violet, with purple streaks in its heart,"
|
||
|
finished Priscilla.
|
||
|
|
||
|
Jane whispered to Diana that she really could not understand what
|
||
|
they were talking about. Could she?
|
||
|
|
||
|
The girls went home by the light of a calm golden sunset, their
|
||
|
baskets filled with narcissus blossoms from Hester's garden,
|
||
|
some of which Anne carried to the cemetery next day and laid
|
||
|
upon Hester's grave. Minstrel robins were whistling in the firs
|
||
|
and the frogs were singing in the marshes. All the basins among
|
||
|
the hills were brimmed with topaz and emerald light.
|
||
|
|
||
|
"Well, we have had a lovely time after all," said Diana, as if she
|
||
|
had hardly expected to have it when she set out.
|
||
|
|
||
|
"It has been a truly golden day," said Priscilla.
|
||
|
|
||
|
"I'm really awfully fond of the woods myself," said Jane.
|
||
|
|
||
|
Anne said nothing. She was looking afar into the western sky and
|
||
|
thinking of little Hester Gray.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XIV
|
||
|
|
||
|
A Danger Averted
|
||
|
|
||
|
|
||
|
Anne, walking home from the post office one Friday evening,
|
||
|
was joined by Mrs. Lynde, who was as usual cumbered with
|
||
|
all the cares of church and state.
|
||
|
|
||
|
"I've just been down to Timothy Cotton's to see if I could get
|
||
|
Alice Louise to help me for a few days," she said. "I had her last
|
||
|
week, for, though she's too slow to stop quick, she's better than
|
||
|
nobody. But she's sick and can't come. Timothy's sitting there,
|
||
|
too, coughing and complaining. He's been dying for ten years and
|
||
|
he'll go on dying for ten years more. That kind can't even die and
|
||
|
have done with it. . .they can't stick to anything, even to being sick,
|
||
|
long enough to finish it. They're a terrible shiftless family and
|
||
|
what is to become of them I don't know, but perhaps Providence does."
|
||
|
|
||
|
Mrs. Lynde sighed as if she rather doubted the extent of Providential
|
||
|
knowledge on the subject.
|
||
|
|
||
|
"Marilla was in about her eyes again Tuesday, wasn't she?
|
||
|
What did the specialist think of them?" she continued.
|
||
|
|
||
|
"He was much pleased," said Anne brightly. "He says there is a
|
||
|
great improvement in them and he thinks the danger of her losing
|
||
|
her sight completely is past. But he says she'll never be able to
|
||
|
read much or do any fine hand-work again. How are your preparations
|
||
|
for your bazaar coming on?"
|
||
|
|
||
|
The Ladies' Aid Society was preparing for a fair and supper,
|
||
|
and Mrs. Lynde was the head and front of the enterprise.
|
||
|
|
||
|
"Pretty well. . .and that reminds me. Mrs. Allan thinks it
|
||
|
would be nice to fix up a booth like an old-time kitchen and
|
||
|
serve a supper of baked beans, doughnuts, pie, and so on.
|
||
|
We're collecting old-fashioned fixings everywhere. Mrs.
|
||
|
Simon Fletcher is going to lend us her mother's braided rugs
|
||
|
and Mrs. Levi Boulter some old chairs and Aunt Mary Shaw will
|
||
|
lend us her cupboard with the glass doors. I suppose Marilla
|
||
|
will let us have her brass candlesticks? And we want all the
|
||
|
old dishes we can get. Mrs. Allan is specially set on having
|
||
|
a real blue willow ware platter if we can find one. But nobody
|
||
|
seems to have one. Do you know where we could get one?"
|
||
|
|
||
|
"Miss Josephine Barry has one. I'll write and ask her if she'll
|
||
|
lend it for the occasion," said Anne.
|
||
|
|
||
|
"Well, I wish you would. I guess we'll have the supper in about a
|
||
|
fortnight's time. Uncle Abe Andrews is prophesying rain and storms for
|
||
|
about that time; and that's a pretty sure sign we'll have fine weather."
|
||
|
|
||
|
The said "Uncle Abe," it may be mentioned, was at least like
|
||
|
other prophets in that he had small honor in his own country.
|
||
|
He was, in fact, considered in the light of a standing joke,
|
||
|
for few of his weather predictions were ever fulfilled.
|
||
|
Mr. Elisha Wright, who labored under the impression that
|
||
|
he was a local wit, used to say that nobody in Avonlea
|
||
|
ever thought of looking in the Charlottetown dailies for
|
||
|
weather probabilities. No; they just asked Uncle Abe
|
||
|
what it was going to be tomorrow and expected the opposite.
|
||
|
Nothing daunted, Uncle Abe kept on prophesying.
|
||
|
|
||
|
"We want to have the fair over before the election comes off,"
|
||
|
continued Mrs. Lynde, "for the candidates will be sure to come and
|
||
|
spend lots of money. The Tories are bribing right and left, so they
|
||
|
might as well be given a chance to spend their money honestly for once."
|
||
|
|
||
|
Anne was a red-hot Conservative, out of loyalty to Matthew's
|
||
|
memory, but she said nothing. She knew better than to get
|
||
|
Mrs. Lynde started on politics. She had a letter for Marilla,
|
||
|
postmarked from a town in British Columbia.
|
||
|
|
||
|
"It's probably from the children's uncle," she said excitedly,
|
||
|
when she got home. "Oh, Marilla, I wonder what he says about them."
|
||
|
|
||
|
"The best plan might be to open it and see," said Marilla curtly.
|
||
|
A close observer might have thought that she was excited also,
|
||
|
but she would rather have died than show it.
|
||
|
|
||
|
Anne tore open the letter and glanced over the somewhat untidy and
|
||
|
poorly written contents.
|
||
|
|
||
|
"He says he can't take the children this spring. . .he's been sick
|
||
|
most of the winter and his wedding is put off. He wants to know if
|
||
|
we can keep them till the fall and he'll try and take them then.
|
||
|
We will, of course, won't we Marilla?"
|
||
|
|
||
|
"I don't see that there is anything else for us to do," said
|
||
|
Marilla rather grimly, although she felt a secret relief.
|
||
|
"Anyhow they're not so much trouble as they were. . .or else
|
||
|
we've got used to them. Davy has improved a great deal."
|
||
|
|
||
|
"His MANNERS are certainly much better," said Anne cautiously,
|
||
|
as if she were not prepared to say as much for his morals.
|
||
|
|
||
|
Anne had come home from school the previous evening, to find
|
||
|
Marilla away at an Aid meeting, Dora asleep on the kitchen sofa,
|
||
|
and Davy in the sitting room closet, blissfully absorbing the
|
||
|
contents of a jar of Marilla's famous yellow plum preserves. . .
|
||
|
"company jam," Davy called it. . .which he had been forbidden to
|
||
|
touch. He looked very guilty when Anne pounced on him and whisked
|
||
|
him out of the closet.
|
||
|
|
||
|
"Davy Keith, don't you know that it is very wrong of you to be
|
||
|
eating that jam, when you were told never to meddle with anything
|
||
|
in THAT closet?"
|
||
|
|
||
|
"Yes, I knew it was wrong," admitted Davy uncomfortably, "but plum
|
||
|
jam is awful nice, Anne. I just peeped in and it looked so good I
|
||
|
thought I'd take just a weeny taste. I stuck my finger in. . ."
|
||
|
Anne groaned. . ."and licked it clean. And it was so much gooder
|
||
|
than I'd ever thought that I got a spoon and just SAILED IN."
|
||
|
|
||
|
Anne gave him such a serious lecture on the sin of stealing plum
|
||
|
jam that Davy became conscience stricken and promised with
|
||
|
repentant kisses never to do it again.
|
||
|
|
||
|
"Anyhow, there'll be plenty of jam in heaven, that's one comfort,"
|
||
|
he said complacently.
|
||
|
|
||
|
Anne nipped a smile in the bud.
|
||
|
|
||
|
"Perhaps there will. . .if we want it," she said, "But what makes
|
||
|
you think so?"
|
||
|
|
||
|
"Why, it's in the catechism," said Davy.
|
||
|
|
||
|
"Oh, no, there is nothing like THAT in the catechism, Davy."
|
||
|
|
||
|
"But I tell you there is," persisted Davy. "It was in that
|
||
|
question Marilla taught me last Sunday. `Why should we love God?'
|
||
|
It says, `Because He makes preserves, and redeems us.' Preserves
|
||
|
is just a holy way of saying jam."
|
||
|
|
||
|
"I must get a drink of water," said Anne hastily. When she came
|
||
|
back it cost her some time and trouble to explain to Davy that a
|
||
|
certain comma in the said catechism question made a great deal of
|
||
|
difference in the meaning.
|
||
|
|
||
|
"Well, I thought it was too good to be true," he said at last, with
|
||
|
a sigh of disappointed conviction. "And besides, I didn't see when
|
||
|
He'd find time to make jam if it's one endless Sabbath day, as the
|
||
|
hymn says. I don't believe I want to go to heaven. Won't there
|
||
|
ever be any Saturdays in heaven, Anne?"
|
||
|
|
||
|
"Yes, Saturdays, and every other kind of beautiful days. And every
|
||
|
day in heaven will be more beautiful than the one before it, Davy,"
|
||
|
assured Anne, who was rather glad that Marilla was not by to be shocked.
|
||
|
Marilla, it is needless to say, was bringing the twins up in the good old
|
||
|
ways of theology and discouraged all fanciful speculations thereupon.
|
||
|
Davy and Dora were taught a hymn, a catechism question, and two
|
||
|
Bible verses every Sunday. Dora learned meekly and recited like a
|
||
|
little machine, with perhaps as much understanding or interest as if
|
||
|
she were one. Davy, on the contrary, had a lively curiosity, and
|
||
|
frequently asked questions which made Marilla tremble for his fate.
|
||
|
|
||
|
"Chester Sloane says we'll do nothing all the time in heaven but
|
||
|
walk around in white dresses and play on harps; and he says he
|
||
|
hopes he won't have to go till he's an old man, 'cause maybe he'll
|
||
|
like it better then. And he thinks it will be horrid to wear
|
||
|
dresses and I think so too. Why can't men angels wear trousers,
|
||
|
Anne? Chester Sloane is interested in those things, 'cause they're
|
||
|
going to make a minister of him. He's got to be a minister 'cause
|
||
|
his grandmother left the money to send him to college and he can't
|
||
|
have it unless he is a minister. She thought a minister was such a
|
||
|
'spectable thing to have in a family. Chester says he doesn't mind
|
||
|
much. . .though he'd rather be a blacksmith. . .but he's bound to
|
||
|
have all the fun he can before he begins to be a minister, 'cause
|
||
|
he doesn't expect to have much afterwards. I ain't going to be a
|
||
|
minister. I'm going to be a storekeeper, like Mr. Blair, and keep
|
||
|
heaps of candy and bananas. But I'd rather like going to your kind
|
||
|
of a heaven if they'd let me play a mouth organ instead of a harp.
|
||
|
Do you s'pose they would?"
|
||
|
|
||
|
"Yes, I think they would if you wanted it," was all Anne could
|
||
|
trust herself to say.
|
||
|
|
||
|
The A.V.I.S. met at Mr. Harmon Andrews' that evening and a full
|
||
|
attendance had been requested, since important business was to be
|
||
|
discussed. The A.V.I.S. was in a flourishing condition, and had
|
||
|
already accomplished wonders. Early in the spring Mr. Major
|
||
|
Spencer had redeemed his promise and had stumped, graded, and
|
||
|
seeded down all the road front of his farm. A dozen other men,
|
||
|
some prompted by a determination not to let a Spencer get ahead
|
||
|
of them, others goaded into action by Improvers in their own
|
||
|
households, had followed his example. The result was that there
|
||
|
were long strips of smooth velvet turf where once had been
|
||
|
unsightly undergrowth or brush. The farm fronts that had not been
|
||
|
done looked so badly by contrast that their owners were secretly
|
||
|
shamed into resolving to see what they could do another spring.
|
||
|
The triangle of ground at the cross roads had also been cleared and
|
||
|
seeded down, and Anne's bed of geraniums, unharmed by any marauding
|
||
|
cow, was already set out in the center.
|
||
|
|
||
|
Altogether, the Improvers thought that they were getting on
|
||
|
beautifully, even if Mr. Levi Boulter, tactfully approached by a
|
||
|
carefully selected committee in regard to the old house on his
|
||
|
upper farm, did bluntly tell them that he wasn't going to have it
|
||
|
meddled with.
|
||
|
|
||
|
At this especial meeting they intended to draw up a petition to the
|
||
|
school trustees, humbly praying that a fence be put around the
|
||
|
school grounds; and a plan was also to be discussed for planting a
|
||
|
few ornamental trees by the church, if the funds of the society
|
||
|
would permit of it. . .for, as Anne said, there was no use in
|
||
|
starting another subscription as long as the hall remained blue.
|
||
|
The members were assembled in the Andrews' parlor and Jane was
|
||
|
already on her feet to move the appointment of a committee which
|
||
|
should find out and report on the price of said trees, when Gertie
|
||
|
Pye swept in, pompadoured and frilled within an inch of her life.
|
||
|
Gertie had a habit of being late. . ."to make her entrance more
|
||
|
effective," spiteful people said. Gertie's entrance in this
|
||
|
instance was certainly effective, for she paused dramatically on
|
||
|
the middle of the floor, threw up her hands, rolled her eyes,
|
||
|
and exclaimed, "I've just heard something perfectly awful.
|
||
|
What DO you think? Mr. Judson Parker IS GOING TO RENT ALL
|
||
|
THE ROAD FENCE OF HIS FARM TO A PATENT MEDICINE COMPANY TO
|
||
|
PAINT ADVERTISEMENTS ON."
|
||
|
|
||
|
For once in her life Gertie Pye made all the sensation she desired.
|
||
|
If she had thrown a bomb among the complacent Improvers she could
|
||
|
hardly have made more.
|
||
|
|
||
|
"It CAN'T be true," said Anne blankly.
|
||
|
|
||
|
"That's just what _I_ said when I heard it first, don't you know,"
|
||
|
said Gertie, who was enjoying herself hugely. "_I_ said it couldn't
|
||
|
be true. . .that Judson Parker wouldn't have the HEART to do it,
|
||
|
don't you know. But father met him this afternoon and asked him
|
||
|
about it and he said it WAS true. Just fancy! His farm is side-on
|
||
|
to the Newbridge road and how perfectly awful it will look to see
|
||
|
advertisements of pills and plasters all along it, don't you know?"
|
||
|
|
||
|
The Improvers DID know, all too well. Even the least imaginative
|
||
|
among them could picture the grotesque effect of half a mile of
|
||
|
board fence adorned with such advertisements. All thought of
|
||
|
church and school grounds vanished before this new danger.
|
||
|
Parliamentary rules and regulations were forgotten, and Anne,
|
||
|
in despair, gave up trying to keep minutes at all. Everybody
|
||
|
talked at once and fearful was the hubbub.
|
||
|
|
||
|
"Oh, let us keep calm," implored Anne, who was the most excited
|
||
|
of them all, "and try to think of some way of preventing him."
|
||
|
|
||
|
"I don't know how you're going to prevent him," exclaimed Jane bitterly.
|
||
|
"Everybody knows what Judson Parker is. He'd do ANYTHING for money.
|
||
|
He hasn't a SPARK of public spirit or ANY sense of the beautiful."
|
||
|
|
||
|
The prospect looked rather unpromising. Judson Parker and his
|
||
|
sister were the only Parkers in Avonlea, so that no leverage could
|
||
|
be exerted by family connections. Martha Parker was a lady of all
|
||
|
too certain age who disapproved of young people in general and the
|
||
|
Improvers in particular. Judson was a jovial, smooth-spoken man,
|
||
|
so uniformly goodnatured and bland that it was surprising how few
|
||
|
friends he had. Perhaps he had got the better in too many business
|
||
|
transactions. . .which seldom makes for popularity. He was
|
||
|
reputed to be very "sharp" and it was the general opinion that he
|
||
|
"hadn't much principle."
|
||
|
|
||
|
"If Judson Parker has a chance to `turn an honest penny,' as he
|
||
|
says himself, he'll never lose it," declared Fred Wright.
|
||
|
|
||
|
"Is there NOBODY who has any influence over him?" asked Anne
|
||
|
despairingly.
|
||
|
|
||
|
"He goes to see Louisa Spencer at White Sands," suggested Carrie
|
||
|
Sloane. "Perhaps she could coax him not to rent his fences."
|
||
|
|
||
|
"Not she," said Gilbert emphatically. "I know Louisa Spencer well.
|
||
|
She doesn't `believe' in Village Improvement Societies, but she
|
||
|
DOES believe in dollars and cents. She'd be more likely to urge
|
||
|
Judson on than to dissuade him."
|
||
|
|
||
|
"The only thing to do is to appoint a committee to wait on him and protest,"
|
||
|
said Julia Bell, "and you must send girls, for he'd hardly be civil to boys
|
||
|
. . .but _I_ won't go, so nobody need nominate me."
|
||
|
|
||
|
"Better send Anne alone, " said Oliver Sloane. "She can talk Judson
|
||
|
over if anybody can."
|
||
|
|
||
|
Anne protested. She was willing to go and do the talking; but she
|
||
|
must have others with her "for moral support." Diana and Jane were
|
||
|
therefore appointed to support her morally and the Improvers broke
|
||
|
up, buzzing like angry bees with indignation. Anne was so worried
|
||
|
that she didn't sleep until nearly morning, and then she dreamed
|
||
|
that the trustees had put a fence around the school and painted
|
||
|
"Try Purple Pills" all over it.
|
||
|
|
||
|
The committee waited on Judson Parker the next afternoon. Anne
|
||
|
pleaded eloquently against his nefarious design and Jane and Diana
|
||
|
supported her morally and valiantly. Judson was sleek, suave, flattering;
|
||
|
paid them several compliments of the delicacy of sunflowers;
|
||
|
felt real bad to refuse such charming young ladies . . .but
|
||
|
business was business; couldn't afford to let sentiment stand
|
||
|
in the way these hard times.
|
||
|
|
||
|
"But I'll tell what I WILL do," he said, with a twinkle in his
|
||
|
light, full eyes. "I'll tell the agent he must use only handsome,
|
||
|
tasty colors. . .red and yellow and so on. I'll tell him he
|
||
|
mustn't paint the ads BLUE on any account."
|
||
|
|
||
|
The vanquished committee retired, thinking things not lawful to be uttered.
|
||
|
|
||
|
"We have done all we can do and must simply trust the rest to Providence,"
|
||
|
said Jane, with an unconscious imitation of Mrs. Lynde's tone and manner.
|
||
|
|
||
|
"I wonder if Mr. Allan could do anything," reflected Diana.
|
||
|
|
||
|
Anne shook her head.
|
||
|
|
||
|
"No, it's no use to worry Mr. Allan, especially now when the baby's
|
||
|
so sick. Judson would slip away from him as smoothly as from us,
|
||
|
although he HAS taken to going to church quite regularly just now.
|
||
|
That is simply because Louisa Spencer's father is an elder and very
|
||
|
particular about such things."
|
||
|
|
||
|
"Judson Parker is the only man in Avonlea who would dream of
|
||
|
renting his fences," said Jane indignantly. "Even Levi Boulter or
|
||
|
Lorenzo White would never stoop to that, tightfisted as they are.
|
||
|
They would have too much respect for public opinion."
|
||
|
|
||
|
Public opinion was certainly down on Judson Parker when the facts
|
||
|
became known, but that did not help matters much. Judson chuckled
|
||
|
to himself and defied it, and the Improvers were trying to
|
||
|
reconcile themselves to the prospect of seeing the prettiest part
|
||
|
of the Newbridge road defaced by advertisements, when Anne rose
|
||
|
quietly at the president's call for reports of committees on the
|
||
|
occasion of the next meeting of the Society, and announced that
|
||
|
Mr. Judson Parker had instructed her to inform the Society that he
|
||
|
was NOT going to rent his fences to the Patent Medicine Company.
|
||
|
|
||
|
Jane and Diana stared as if they found it hard to believe their ears.
|
||
|
Parliamentary etiquette, which was generally very strictly enforced
|
||
|
in the A.V.I.S., forbade them giving instant vent to their curiosity,
|
||
|
but after the Society adjourned Anne was besieged for explanations.
|
||
|
Anne had no explanation to give. Judson Parker had overtaken her
|
||
|
on the road the preceding evening and told her that he had decided
|
||
|
to humor the A.V.I.S. in its peculiar prejudice against patent
|
||
|
medicine advertisements. That was all Anne would say, then
|
||
|
or ever afterwards, and it was the simple truth; but when
|
||
|
Jane Andrews, on her way home, confided to Oliver Sloane her firm
|
||
|
belief that there was more behind Judson Parker's mysterious change
|
||
|
of heart than Anne Shirley had revealed, she spoke the truth also.
|
||
|
|
||
|
Anne had been down to old Mrs. Irving's on the shore road the
|
||
|
preceding evening and had come home by a short cut which led her
|
||
|
first over the low-lying shore fields, and then through the beech
|
||
|
wood below Robert Dickson's, by a little footpath that ran out to
|
||
|
the main road just above the Lake of Shining Waters. . .known to
|
||
|
unimaginative people as Barry's pond.
|
||
|
|
||
|
Two men were sitting in their buggies, reined off to the side of
|
||
|
the road, just at the entrance of the path. One was Judson Parker;
|
||
|
the other was Jerry Corcoran, a Newbridge man against whom, as
|
||
|
Mrs. Lynde would have told you in eloquent italics, nothing shady had
|
||
|
ever been PROVED. He was an agent for agricultural implements and
|
||
|
a prominent personage in matters political. He had a finger. . .
|
||
|
some people said ALL his fingers. . .in every political pie that
|
||
|
was cooked; and as Canada was on the eve of a general election
|
||
|
Jerry Corcoran had been a busy man for many weeks, canvassing the
|
||
|
county in the interests of his party's candidate. Just as Anne
|
||
|
emerged from under the overhanging beech boughs she heard Corcoran
|
||
|
say, "If you'll vote for Amesbury, Parker. . .well, I've a note
|
||
|
for that pair of harrows you've got in the spring. I suppose you
|
||
|
wouldn't object to having it back, eh?"
|
||
|
|
||
|
"We. . .ll, since you put it in that way," drawled Judson with a
|
||
|
grin, "I reckon I might as well do it. A man must look out for his
|
||
|
own interests in these hard times."
|
||
|
|
||
|
Both saw Anne at this moment and conversation abruptly ceased.
|
||
|
Anne bowed frostily and walked on, with her chin slightly more
|
||
|
tilted than usual. Soon Judson Parker overtook her.
|
||
|
|
||
|
"Have a lift, Anne?" he inquired genially.
|
||
|
|
||
|
"Thank you, no," said Anne politely, but with a fine, needle-like
|
||
|
disdain in her voice that pierced even Judson Parker's none too
|
||
|
sensitive consciousness. His face reddened and he twitched his
|
||
|
reins angrily; but the next second prudential considerations
|
||
|
checked him. He looked uneasily at Anne, as she walked steadily on,
|
||
|
glancing neither to the right nor to the left. Had she heard Corcoran's
|
||
|
unmistakable offer and his own too plain acceptance of it?
|
||
|
Confound Corcoran! If he couldn't put his meaning into less
|
||
|
dangerous phrases he'd get into trouble some of these
|
||
|
long-come-shorts. And confound redheaded school-ma'ams with a
|
||
|
habit of popping out of beechwoods where they had no business to be.
|
||
|
If Anne had heard, Judson Parker, measuring her corn in his
|
||
|
own half bushel, as the country saying went, and cheating himself
|
||
|
thereby, as such people generally do, believed that she would tell
|
||
|
it far and wide. Now, Judson Parker, as has been seen, was not
|
||
|
overly regardful of public opinion; but to be known as having
|
||
|
accepted a bribe would be a nasty thing; and if it ever reached
|
||
|
Isaac Spencer's ears farewell forever to all hope of winning Louisa
|
||
|
Jane with her comfortable prospects as the heiress of a well-to-do
|
||
|
farmer. Judson Parker knew that Mr. Spencer looked somewhat
|
||
|
askance at him as it was; he could not afford to take any risks.
|
||
|
|
||
|
"Ahem. . .Anne, I've been wanting to see you about that little
|
||
|
matter we were discussing the other day. I've decided not to let
|
||
|
my fences to that company after all. A society with an aim like
|
||
|
yours ought to be encouraged."
|
||
|
|
||
|
Anne thawed out the merest trifle.
|
||
|
|
||
|
"Thank you," she said.
|
||
|
|
||
|
"And. . .and. . .you needn't mention that little conversation of
|
||
|
mine with Jerry."
|
||
|
|
||
|
"I have no intention of mentioning it in any case," said Anne icily,
|
||
|
for she would have seen every fence in Avonlea painted with
|
||
|
advertisements before she would have stooped to bargain with
|
||
|
a man who would sell his vote.
|
||
|
|
||
|
"Just so. . .just so," agreed Judson, imagining that they
|
||
|
understood each other beautifully. "I didn't suppose you would.
|
||
|
Of course, I was only stringing Jerry. . .he thinks he's so
|
||
|
all-fired cute and smart. I've no intention of voting for Amesbury.
|
||
|
I'm going to vote for Grant as I've always done. . .you'll see
|
||
|
that when the election comes off. I just led Jerry on to see
|
||
|
if he would commit himself. And it's all right about the fence
|
||
|
. . .you can tell the Improvers that."
|
||
|
|
||
|
"It takes all sorts of people to make a world, as I've often heard,
|
||
|
but I think there are some who could be spared," Anne told her
|
||
|
reflection in the east gable mirror that night. "I wouldn't have
|
||
|
mentioned the disgraceful thing to a soul anyhow, so my conscience
|
||
|
is clear on THAT score. I really don't know who or what is to be
|
||
|
thanked for this. _I_ did nothing to bring it about, and it's hard
|
||
|
to believe that Providence ever works by means of the kind of
|
||
|
politics men like Judson Parker and Jerry Corcoran have."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XV
|
||
|
|
||
|
The Beginning of Vacation
|
||
|
|
||
|
|
||
|
Anne locked the schoolhouse door on a still, yellow evening, when
|
||
|
the winds were purring in the spruces around the playground, and
|
||
|
the shadows were long and lazy by the edge of the woods. She
|
||
|
dropped the key into her pocket with a sigh of satisfaction. The
|
||
|
school year was ended, she had been reengaged for the next, with
|
||
|
many expressions of satisfaction. . .only Mr. Harmon Andrews told
|
||
|
her she ought to use the strap oftener. . .and two delightful
|
||
|
months of a well-earned vacation beckoned her invitingly. Anne
|
||
|
felt at peace with the world and herself as she walked down the
|
||
|
hill with her basket of flowers in her hand. Since the earliest
|
||
|
mayflowers Anne had never missed her weekly pilgrimage to Matthew's
|
||
|
grave. Everyone else in Avonlea, except Marilla, had already
|
||
|
forgotten quiet, shy, unimportant Matthew Cuthbert; but his memory
|
||
|
was still green in Anne's heart and always would be. She could
|
||
|
never forget the kind old man who had been the first to give her
|
||
|
the love and sympathy her starved childhood had craved.
|
||
|
|
||
|
At the foot of the hill a boy was sitting on the fence in the
|
||
|
shadow of the spruces. . .a boy with big, dreamy eyes and a
|
||
|
beautiful, sensitive face. He swung down and joined Anne, smiling;
|
||
|
but there were traces of tears on his cheeks.
|
||
|
|
||
|
"I thought I'd wait for you, teacher, because I knew you were going
|
||
|
to the graveyard," he said, slipping his hand into hers. "I'm going
|
||
|
there, too. . .I'm taking this bouquet of geraniums to put on
|
||
|
Grandpa Irving's grave for grandma. And look, teacher, I'm going
|
||
|
to put this bunch of white roses beside Grandpa's grave in memory of
|
||
|
my little mother. . .because I can't go to her grave to put it there.
|
||
|
But don't you think she'll know all about it, just the same?"
|
||
|
|
||
|
"Yes, I am sure she will, Paul."
|
||
|
|
||
|
"You see, teacher, it's just three years today since my little
|
||
|
mother died. It's such a long, long time but it hurts just as
|
||
|
much as ever. . .and I miss her just as much as ever. Sometimes
|
||
|
it seems to me that I just can't bear it, it hurts so."
|
||
|
|
||
|
Paul's voice quivered and his lip trembled. He looked down at his
|
||
|
roses, hoping that his teacher would not notice the tears in his eyes.
|
||
|
|
||
|
"And yet," said Anne, very softly, "you wouldn't want it to stop hurting
|
||
|
. . .you wouldn't want to forget your little mother even if you could."
|
||
|
|
||
|
"No, indeed, I wouldn't. . .that's just the way I feel. You're so
|
||
|
good at understanding, teacher. Nobody else understands so well. .
|
||
|
.not even grandma, although she's so good to me. Father understood
|
||
|
pretty well, but still I couldn't talk much to him about mother,
|
||
|
because it made him feel so bad. When he put his hand over his face
|
||
|
I always knew it was time to stop. Poor father, he must be dreadfully
|
||
|
lonesome without me; but you see he has nobody but a housekeeper
|
||
|
now and he thinks housekeepers are no good to bring up little boys,
|
||
|
especially when he has to be away from home so much on business.
|
||
|
Grandmothers are better, next to mothers. Someday, when I'm brought
|
||
|
up, I'll go back to father and we're never going to be parted again."
|
||
|
|
||
|
Paul had talked so much to Anne about his mother and father that
|
||
|
she felt as if she had known them. She thought his mother must
|
||
|
have been very like what he was himself, in temperament and
|
||
|
disposition; and she had an idea that Stephen Irving was a rather
|
||
|
reserved man with a deep and tender nature which he kept hidden
|
||
|
scrupulously from the world.
|
||
|
|
||
|
"Father's not very easy to get acquainted with," Paul had said once.
|
||
|
"I never got really acquainted with him until after my little mother died.
|
||
|
But he's splendid when you do get to know him. I love him the best in all
|
||
|
the world, and Grandma Irving next, and then you, teacher. I'd love you
|
||
|
next to father if it wasn't my DUTY to love Grandma Irving best, because
|
||
|
she's doing so much for me. YOU know, teacher. I wish she would leave
|
||
|
the lamp in my room till I go to sleep, though. She takes it right out
|
||
|
as soon as she tucks me up because she says I mustn't be a coward.
|
||
|
I'm NOT scared, but I'd RATHER have the light. My little mother
|
||
|
used always to sit beside me and hold my hand till I went to sleep.
|
||
|
I expect she spoiled me. Mothers do sometimes, you know."
|
||
|
|
||
|
No, Anne did not know this, although she might imagine it.
|
||
|
She thought sadly of HER "little mother," the mother who
|
||
|
had thought her so "perfectly beautiful" and who had died
|
||
|
so long ago and was buried beside her boyish husband in
|
||
|
that unvisited grave far away. Anne could not remember
|
||
|
her mother and for this reason she almost envied Paul.
|
||
|
|
||
|
"My birthday is next week," said Paul, as they walked up the long
|
||
|
red hill, basking in the June sunshine, "and father wrote me that he
|
||
|
is sending me something that he thinks I'll like better than anything
|
||
|
else he could send. I believe it has come already, for Grandma
|
||
|
is keeping the bookcase drawer locked and that is something new.
|
||
|
And when I asked her why, she just looked mysterious and said
|
||
|
little boys mustn't be too curious. It's very exciting to have a
|
||
|
birthday, isn't it? I'll be eleven. You'd never think it to look
|
||
|
at me, would you? Grandma says I'm very small for my age and that
|
||
|
it's all because I don't eat enough porridge. I do my very best,
|
||
|
but Grandma gives such generous platefuls. . .there's nothing mean
|
||
|
about Grandma, I can tell you. Ever since you and I had that talk
|
||
|
about praying going home from Sunday School that day, teacher. . .
|
||
|
when you said we ought to pray about all our difficulties. . .I've
|
||
|
prayed every night that God would give me enough grace to enable me
|
||
|
to eat every bit of my porridge in the mornings. But I've never
|
||
|
been able to do it yet, and whether it's because I have too little
|
||
|
grace or too much porridge I really can't decide. Grandma says
|
||
|
father was brought up on porridge, and it certainly did work
|
||
|
well in his case, for you ought to see the shoulders he has.
|
||
|
But sometimes," concluded Paul with a sigh and a meditative air
|
||
|
"I really think porridge will be the death of me."
|
||
|
|
||
|
Anne permitted herself a smile, since Paul was not looking at her.
|
||
|
All Avonlea knew that old Mrs. Irving was bringing her grandson up
|
||
|
in accordance with the good, old-fashioned methods of diet and morals.
|
||
|
|
||
|
"Let us hope not, dear," she said cheerfully. "How are your rock people
|
||
|
coming on? Does the oldest Twin still continue to behave himself?"
|
||
|
|
||
|
"He HAS to," said Paul emphatically. "He knows I won't associate
|
||
|
with him if he doesn't. He is really full of wickedness, I think."
|
||
|
|
||
|
"And has Nora found out about the Golden Lady yet?"
|
||
|
|
||
|
"No; but I think she suspects. I'm almost sure she watched me the
|
||
|
last time I went to the cave. _I_ don't mind if she finds out. . .
|
||
|
it is only for HER sake I don't want her to. . .so that her feelings
|
||
|
won't be hurt. But if she is DETERMINED to have her feelings hurt
|
||
|
it can't be helped."
|
||
|
|
||
|
"If I were to go to the shore some night with you do you think I
|
||
|
could see your rock people too?"
|
||
|
|
||
|
Paul shook his head gravely.
|
||
|
|
||
|
"No, I don't think you could see MY rock people. I'm the only
|
||
|
person who can see them. But you could see rock people of your
|
||
|
own. You're one of the kind that can. We're both that kind.
|
||
|
YOU know, teacher," he added, squeezing her hand chummily.
|
||
|
"Isn't it splendid to be that kind, teacher?"
|
||
|
|
||
|
"Splendid," Anne agreed, gray shining eyes looking down into blue
|
||
|
shining ones. Anne and Paul both knew
|
||
|
|
||
|
"How fair the realm
|
||
|
Imagination opens to the view,"
|
||
|
|
||
|
and both knew the way to that happy land. There the rose of joy
|
||
|
bloomed immortal by dale and stream; clouds never darkened the
|
||
|
sunny sky; sweet bells never jangled out of tune; and kindred
|
||
|
spirits abounded. The knowledge of that land's geography. . .
|
||
|
"east o' the sun, west o' the moon". . .is priceless lore, not to
|
||
|
be bought in any market place. It must be the gift of the good
|
||
|
fairies at birth and the years can never deface it or take it away.
|
||
|
It is better to possess it, living in a garret, than to be the
|
||
|
inhabitant of palaces without it.
|
||
|
|
||
|
The Avonlea graveyard was as yet the grass-grown solitude it had
|
||
|
always been. To be sure, the Improvers had an eye on it, and
|
||
|
Priscilla Grant had read a paper on cemeteries before the
|
||
|
last meeting of the Society. At some future time the Improvers
|
||
|
meant to have the lichened, wayward old board fence replaced by a
|
||
|
neat wire railing, the grass mown and the leaning monuments
|
||
|
straightened up.
|
||
|
|
||
|
Anne put on Matthew's grave the flowers she had brought for it, and
|
||
|
then went over to the little poplar shaded corner where Hester Gray slept.
|
||
|
Ever since the day of the spring picnic Anne had put flowers on Hester's
|
||
|
grave when she visited Matthew's. The evening before she had made a
|
||
|
pilgrimage back to the little deserted garden in the woods and brought
|
||
|
therefrom some of Hester's own white roses.
|
||
|
|
||
|
"I thought you would like them better than any others, dear,"
|
||
|
she said softly.
|
||
|
|
||
|
Anne was still sitting there when a shadow fell over the grass and
|
||
|
she looked up to see Mrs. Allan. They walked home together.
|
||
|
|
||
|
Mrs. Allan's face was not the face of the girlbride whom the
|
||
|
minister had brought to Avonlea five years before. It had lost
|
||
|
some of its bloom and youthful curves, and there were fine, patient
|
||
|
lines about eyes and mouth. A tiny grave in that very cemetery
|
||
|
accounted for some of them; and some new ones had come during the
|
||
|
recent illness, now happily over, of her little son. But Mrs. Allan's
|
||
|
dimples were as sweet and sudden as ever, her eyes as clear and bright
|
||
|
and true; and what her face lacked of girlish beauty was now more than
|
||
|
atoned for in added tenderness and strength.
|
||
|
|
||
|
"I suppose you are looking forward to your vacation, Anne?" she said,
|
||
|
as they left the graveyard.
|
||
|
|
||
|
Anne nodded.
|
||
|
|
||
|
"Yes.. . .I could roll the word as a sweet morsel under my tongue.
|
||
|
I think the summer is going to be lovely. For one thing, Mrs. Morgan
|
||
|
is coming to the Island in July and Priscilla is going to bring her up.
|
||
|
I feel one of my old `thrills' at the mere thought."
|
||
|
|
||
|
"I hope you'll have a good time, Anne. You've worked very hard
|
||
|
this past year and you have succeeded."
|
||
|
|
||
|
"Oh, I don't know. I've come so far short in so many things. I
|
||
|
haven't done what I meant to do when I began to teach last fall.
|
||
|
I haven't lived up to my ideals."
|
||
|
|
||
|
"None of us ever do," said Mrs. Allan with a sigh. "But then, Anne,
|
||
|
you know what Lowell says, `Not failure but low aim is crime.'
|
||
|
We must have ideals and try to live up to them, even if we never
|
||
|
quite succeed. Life would be a sorry business without them.
|
||
|
With them it's grand and great. Hold fast to your ideals, Anne."
|
||
|
|
||
|
"I shall try. But I have to let go most of my theories," said Anne,
|
||
|
laughing a little. "I had the most beautiful set of theories you ever
|
||
|
knew when I started out as a schoolma'am, but every one of them has
|
||
|
failed me at some pinch or another."
|
||
|
|
||
|
"Even the theory on corporal punishment," teased Mrs. Allan.
|
||
|
|
||
|
But Anne flushed.
|
||
|
|
||
|
"I shall never forgive myself for whipping Anthony."
|
||
|
|
||
|
"Nonsense, dear, he deserved it. And it agreed with him. You have
|
||
|
had no trouble with him since and he has come to think there's
|
||
|
nobody like you. Your kindness won his love after the idea that a
|
||
|
'girl was no good' was rooted out of his stubborn mind."
|
||
|
|
||
|
"He may have deserved it, but that is not the point. If I had
|
||
|
calmly and deliberately decided to whip him because I thought it a
|
||
|
just punishment for him I would not feel over it as I do. But the
|
||
|
truth is, Mrs. Allan, that I just flew into a temper and whipped
|
||
|
him because of that. I wasn't thinking whether it was just or
|
||
|
unjust. . .even if he hadn't deserved it I'd have done it just the
|
||
|
same. That is what humiliates me."
|
||
|
|
||
|
"Well, we all make mistakes, dear, so just put it behind you. We
|
||
|
should regret our mistakes and learn from them, but never carry
|
||
|
them forward into the future with us. There goes Gilbert Blythe on
|
||
|
his wheel. . .home for his vacation too, I suppose. How are you
|
||
|
and he getting on with your studies?"
|
||
|
|
||
|
"Pretty well. We plan to finish the Virgil tonight. . .there are
|
||
|
only twenty lines to do. Then we are not going to study any more
|
||
|
until September."
|
||
|
|
||
|
"Do you think you will ever get to college?"
|
||
|
|
||
|
"Oh, I don't know." Anne looked dreamily afar to the opal-tinted
|
||
|
horizon. "Marilla's eyes will never be much better than they are now,
|
||
|
although we are so thankful to think that they will not get worse.
|
||
|
And then there are the twins. . .somehow I don't believe their uncle
|
||
|
will ever really send for them. Perhaps college may be around the bend
|
||
|
in the road, but I haven't got to the bend yet and I don't think much
|
||
|
about it lest I might grow discontented."
|
||
|
|
||
|
"Well, I should like to see you go to college, Anne; but if you
|
||
|
never do, don't be discontented about it. We make our own lives
|
||
|
wherever we are, after all. . .college can only help us to do it
|
||
|
more easily. They are broad or narrow according to what we put
|
||
|
into them, not what we get out. Life is rich and full here. . .
|
||
|
everywhere. . .if we can only learn how to open our whole hearts
|
||
|
to its richness and fulness."
|
||
|
|
||
|
"I think I understand what you mean," said Anne thoughtfully,
|
||
|
"and I know I have so much to feel thankful for. . .oh, so much. . .
|
||
|
my work, and Paul Irving, and the dear twins, and all my friends.
|
||
|
Do you know, Mrs. Allan, I'm so thankful for friendship. It
|
||
|
beautifies life so much."
|
||
|
|
||
|
"True friendship is a very helpfulul thing indeed," said Mrs. Allan,
|
||
|
"and we should have a very high ideal of it, and never sully
|
||
|
it by any failure in truth and sincerity. I fear the name of
|
||
|
friendship is often degraded to a kind of intimacy that has nothing
|
||
|
of real friendship in it."
|
||
|
|
||
|
"Yes. . .like Gertie Pye's and Julia Bell's. They are very intimate
|
||
|
and go everywhere together; but Gertie is always saying nasty things
|
||
|
of Julia behind her back and everybody thinks she is jealous of her
|
||
|
because she is always so pleased when anybody criticizes Julia.
|
||
|
I think it is desecration to call that friendship. If we have
|
||
|
friends we should look only for the best in them and give them
|
||
|
the best that is in us, don't you think? Then friendship would
|
||
|
be the most beautiful thing in the world."
|
||
|
|
||
|
"Friendship IS very beautiful," smiled Mrs. Allan, "but some day. . ."
|
||
|
|
||
|
Then she paused abruptly. In the delicate, white-browed face
|
||
|
beside her, with its candid eyes and mobile features, there was
|
||
|
still far more of the child than of the woman. Anne's heart so far
|
||
|
harbored only dreams of friendship and ambition, and Mrs. Allan
|
||
|
did not wish to brush the bloom from her sweet unconsciousness.
|
||
|
So she left her sentence for the future years to finish.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XVI
|
||
|
|
||
|
The Substance of Things Hoped For
|
||
|
|
||
|
|
||
|
"Anne," said Davy appealingly, scrambling up on the shiny,
|
||
|
leather-covered sofa in the Green Gables kitchen, where Anne sat,
|
||
|
reading a letter, "Anne, I'm AWFUL hungry. You've no idea."
|
||
|
|
||
|
"I'll get you a piece of bread and butter in a minute," said Anne
|
||
|
absently. Her letter evidently contained some exciting news, for
|
||
|
her cheeks were as pink as the roses on the big bush outside, and
|
||
|
her eyes were as starry as only Anne's eyes could be.
|
||
|
|
||
|
"But I ain't bread and butter hungry, " said Davy in a disgusted tone.
|
||
|
"I'm plum cake hungry."
|
||
|
|
||
|
"Oh," laughed Anne, laying down her letter and putting her arm
|
||
|
about Davy to give him a squeeze, "that's a kind of hunger that can
|
||
|
be endured very comfortably, Davy-boy. You know it's one of
|
||
|
Marilla's rules that you can't have anything but bread and butter
|
||
|
between meals."
|
||
|
|
||
|
"Well, gimme a piece then. . .please."
|
||
|
|
||
|
Davy had been at last taught to say "please," but he generally
|
||
|
tacked it on as an afterthought. He looked with approval at the
|
||
|
generous slice Anne presently brought to him. "You always put such
|
||
|
a nice lot of butter on it, Anne. Marilla spreads it pretty thin.
|
||
|
It slips down a lot easier when there's plenty of butter."
|
||
|
|
||
|
The slice "slipped down" with tolerable ease, judging from its
|
||
|
rapid disappearance. Davy slid head first off the sofa, turned a
|
||
|
double somersault on the rug, and then sat up and announced decidedly,
|
||
|
|
||
|
"Anne, I've made up my mind about heaven. I don't want to go there."
|
||
|
|
||
|
"Why not?" asked Anne gravely.
|
||
|
|
||
|
"Cause heaven is in Simon Fletcher's garret, and I don't like
|
||
|
Simon Fletcher."
|
||
|
|
||
|
"Heaven in. . .Simon Fletcher's garret!" gasped Anne, too amazed
|
||
|
even to laugh. "Davy Keith, whatever put such an extraordinary
|
||
|
idea into your head?"
|
||
|
|
||
|
"Milty Boulter says that's where it is. It was last Sunday in
|
||
|
Sunday School. The lesson was about Elijah and Elisha, and I up
|
||
|
and asked Miss Rogerson where heaven was. Miss Rogerson looked
|
||
|
awful offended. She was cross anyhow, because when she'd asked us
|
||
|
what Elijah left Elisha when he went to heaven Milty Boulter said,
|
||
|
`His old clo'es,' and us fellows all laughed before we thought. I
|
||
|
wish you could think first and do things afterwards, 'cause then
|
||
|
you wouldn't do them. But Milty didn't mean to be disrespeckful.
|
||
|
He just couldn't think of the name of the thing. Miss Rogerson said
|
||
|
heaven was where God was and I wasn't to ask questions like that.
|
||
|
Milty nudged me and said in a whisper, `Heaven's in Uncle Simon's
|
||
|
garret and I'll esplain about it on the road home.' So when
|
||
|
we was coming home he esplained. Milty's a great hand at
|
||
|
esplaining things. Even if he don't know anything about a thing
|
||
|
he'll make up a lot of stuff and so you get it esplained all the
|
||
|
same. His mother is Mrs. Simon's sister and he went with her to
|
||
|
the funeral when his cousin, Jane Ellen, died. The minister said
|
||
|
she'd gone to heaven, though Milty says she was lying right before
|
||
|
them in the coffin. But he s'posed they carried the coffin to the
|
||
|
garret afterwards. Well, when Milty and his mother went upstairs
|
||
|
after it was all over to get her bonnet he asked her where heaven
|
||
|
was that Jane Ellen had gone to, and she pointed right to the
|
||
|
ceiling and said, `Up there.' Milty knew there wasn't anything but
|
||
|
the garret over the ceiling, so that's how HE found out. And he's
|
||
|
been awful scared to go to his Uncle Simon's ever since."
|
||
|
|
||
|
Anne took Davy on her knee and did her best to straighten out this
|
||
|
theological tangle also. She was much better fitted for the task
|
||
|
than Marilla, for she remembered her own childhood and had an
|
||
|
instinctive understanding of the curious ideas that seven-year-olds
|
||
|
sometimes get about matters that are, of course, very plain and
|
||
|
simple to grown up people. She had just succeeded in convincing
|
||
|
Davy that heaven was NOT in Simon Fletcher's garret when Marilla
|
||
|
came in from the garden, where she and Dora had been picking peas.
|
||
|
Dora was an industrious little soul and never happier than when
|
||
|
"helping" in various small tasks suited to her chubby fingers. She
|
||
|
fed chickens, picked up chips, wiped dishes, and ran errands galore.
|
||
|
She was neat, faithful and observant; she never had to be told how
|
||
|
to do a thing twice and never forgot any of her little duties.
|
||
|
Davy, on the other hand, was rather heedless and forgetful; but
|
||
|
he had the born knack of winning love, and even yet Anne and Marilla
|
||
|
liked him the better.
|
||
|
|
||
|
While Dora proudly shelled the peas and Davy made boats of the pods,
|
||
|
with masts of matches and sails of paper, Anne told Marilla about
|
||
|
the wonderful contents of her letter.
|
||
|
|
||
|
"Oh, Marilla, what do you think? I've had a letter from Priscilla
|
||
|
and she says that Mrs. Morgan is on the Island, and that if it is
|
||
|
fine Thursday they are going to drive up to Avonlea and will reach
|
||
|
here about twelve. They will spend the afternoon with us and go to
|
||
|
the hotel at White Sands in the evening, because some of Mrs. Morgan's
|
||
|
American friends are staying there. Oh, Marilla, isn't it wonderful?
|
||
|
I can hardly believe I'm not dreaming."
|
||
|
|
||
|
"I daresay Mrs. Morgan is a lot like other people," said Marilla drily,
|
||
|
although she did feel a trifle excited herself. Mrs. Morgan was a
|
||
|
famous woman and a visit from her was no commonplace occurrence.
|
||
|
"They'll be here to dinner, then?"
|
||
|
|
||
|
"Yes; and oh, Marilla, may I cook every bit of the dinner myself?
|
||
|
I want to feel that I can do something for the author of `The
|
||
|
Rosebud Garden,' if it is only to cook a dinner for her.
|
||
|
You won't mind, will you?"
|
||
|
|
||
|
"Goodness, I'm not so fond of stewing over a hot fire in July that
|
||
|
it would vex me very much to have someone else do it. You're quite
|
||
|
welcome to the job."
|
||
|
|
||
|
"Oh, thank you," said Anne, as if Marilla had just conferred a
|
||
|
tremendous favor, "I'll make out the menu this very night."
|
||
|
|
||
|
"You'd better not try to put on too much style," warned Marilla,
|
||
|
a little alarmed by the high-flown sound of "menu." You'll likely
|
||
|
come to grief if you do."
|
||
|
|
||
|
"Oh, I'm not going to put on any `style,' if you mean trying to do or
|
||
|
have things we don't usually have on festal occasions," assured Anne.
|
||
|
"That would be affectation, and, although I know I haven't as much
|
||
|
sense and steadiness as a girl of seventeen and a schoolteacher
|
||
|
ought to have, I'm not so silly AS that. But I want to have
|
||
|
everything as nice and dainty as possible. Davy-boy, don't leave
|
||
|
those peapods on the back stairs. . .someone might slip on them.
|
||
|
I'll have a light soup to begin with. . .you know I can make
|
||
|
lovely cream-of-onion soup. . .and then a couple of roast fowls.
|
||
|
I'll have the two white roosters. I have real affection for
|
||
|
those roosters and they've been pets ever since the gray hen
|
||
|
hatched out just the two of them. . .little balls of yellow down.
|
||
|
But I know they would have to be sacrificed sometime, and surely
|
||
|
there couldn't be a worthier occasion than this. But oh, Marilla,
|
||
|
_I_ cannot kill them. . .not even for Mrs. Morgan's sake. I'll have
|
||
|
to ask John Henry Carter to come over and do it for me."
|
||
|
|
||
|
"I'll do it," volunteered Davy, "if Marilla'll hold them by the legs"
|
||
|
cause I guess it'd take both my hands to manage the axe. It's awful
|
||
|
jolly fun to see them hopping about after their heads are cut off."
|
||
|
|
||
|
"Then I'll have peas and beans and creamed potatoes and a
|
||
|
lettuce salad, for vegetables," resumed Anne, "and for dessert,
|
||
|
lemon pie with whipped cream, and coffee and cheese and lady fingers.
|
||
|
I'll make the pies and lady fingers tomorrow and do up my white muslin
|
||
|
dress. And I must tell Diana tonight, for she'll want to do up hers.
|
||
|
Mrs. Morgan's heroines are nearly always dressed in white muslin,
|
||
|
and Diana and I have always resolved that that was what we
|
||
|
would wear if we ever met her. It will be such a delicate
|
||
|
compliment, don't you think? Davy, dear, you mustn't poke peapods
|
||
|
into the cracks of the floor. I must ask Mr. and Mrs. Allan and
|
||
|
Miss Stacy to dinner, too, for they're all very anxious to meet
|
||
|
Mrs. Morgan. It's so fortunate she's coming while Miss Stacy is here.
|
||
|
Davy dear, don't sail the peapods in the water bucket. . .go out to
|
||
|
the trough. Oh, I do hope it will be fine Thursday, and I think it
|
||
|
will, for Uncle Abe said last night when he called at Mr. Harrison's,
|
||
|
that it was going to rain most of this week."
|
||
|
|
||
|
"That's a good sign," agreed Marilla.
|
||
|
|
||
|
Anne ran across to Orchard Slope that evening to tell the news to Diana,
|
||
|
who was also very much excited over it, and they discussed the matter
|
||
|
in the hammock swung under the big willow in the Barry garden.
|
||
|
|
||
|
"Oh, Anne, mayn't I help you cook the dinner?" implored Diana.
|
||
|
"You know I can make splendid lettuce salad."
|
||
|
|
||
|
"Indeed you, may" said Anne unselfishly. "And I shall want you to
|
||
|
help me decorate too. I mean to have the parlor simply a BOWER of
|
||
|
blossoms. . .and the dining table is to be adorned with wild roses.
|
||
|
Oh, I do hope everything will go smoothly. Mrs. Morgan's heroines
|
||
|
NEVER get into scrapes or are taken at a disadvantage, and they
|
||
|
are always so selfpossessed and such good housekeepers. They seem
|
||
|
to be BORN good housekeepers. You remember that Gertrude in
|
||
|
`Edgewood Days' kept house for her father when she was only eight
|
||
|
years old. When I was eight years old I hardly knew how to do a
|
||
|
thing except bring up children. Mrs. Morgan must be an authority
|
||
|
on girls when she has written so much about them, and I do want her
|
||
|
to have a good opinion of us. I've imagined it all out a dozen
|
||
|
different ways. . .what she'll look like, and what she'll say, and
|
||
|
what I'll say. And I'm so anxious about my nose. There are seven
|
||
|
freckles on it, as you can see. They came at the A.V.I S. picnic,
|
||
|
when I went around in the sun without my hat. I suppose it's
|
||
|
ungrateful of me to worry over them, when I should be thankful
|
||
|
they're not spread all over my face as they once were; but I do
|
||
|
wish they hadn't come. . .all Mrs. Morgan's heroines have such
|
||
|
perfect complexions. I can't recall a freckled one among them."
|
||
|
|
||
|
"Yours are not very noticeable," comforted Diana. "Try a little
|
||
|
lemon juice on them tonight."
|
||
|
|
||
|
The next day Anne made her pies and lady fingers, did up her muslin
|
||
|
dress, and swept and dusted every room in the house. . .a quite
|
||
|
unnecessary proceeding, for Green Gables was, as usual, in the
|
||
|
apple pie order dear to Marilla's heart. But Anne felt that a
|
||
|
fleck of dust would be a desecration in a house that was to be
|
||
|
honored by a visit from Charlotte E. Morgan. She even cleaned out
|
||
|
the "catch-all" closet under the stairs, although there was not the
|
||
|
remotest possibility of Mrs. Morgan's seeing its interior.
|
||
|
|
||
|
"But I want to FEEL that it is in perfect order, even if she isn't
|
||
|
to see it," Anne told Marilla. "You know, in her book `Golden Keys,'
|
||
|
she makes her two heroines Alice and Louisa take for their motto
|
||
|
that verse of Longfellow's,
|
||
|
|
||
|
"`In the elder days of art
|
||
|
Builders wrought with greatest care
|
||
|
Each minute and unseen part,
|
||
|
For the gods see everywhere,'
|
||
|
|
||
|
and so they always kept their cellar stairs scrubbed and never
|
||
|
forgot to sweep under the beds. I should have a guilty conscience
|
||
|
if I thought this closet was in disorder when Mrs. Morgan was in
|
||
|
the house. Ever since we read `Golden Keys,' last April, Diana and
|
||
|
I have taken that verse for our motto too."
|
||
|
|
||
|
That night John Henry Carter and Davy between them contrived to execute
|
||
|
the two white roosters, and Anne dressed them, the usually distasteful
|
||
|
task glorified in her eyes by the destination of the plump birds.
|
||
|
|
||
|
"I don't like picking fowls," she told Marilla, "but isn't it fortunate
|
||
|
we don't have to put our souls into what our hands may be doing?
|
||
|
I've been picking chickens with my hands but in imagination I've
|
||
|
been roaming the Milky Way."
|
||
|
|
||
|
"I thought you'd scattered more feathers over the floor than usual,"
|
||
|
remarked Marilla.
|
||
|
|
||
|
Then Anne put Davy to bed and made him promise that he would behave
|
||
|
perfectly the next day.
|
||
|
|
||
|
"If I'm as good as good can be all day tomorrow will you let me be
|
||
|
just as bad as I like all the next day?" asked Davy.
|
||
|
|
||
|
"I couldn't do that," said Anne discreetly, "but I'll take you and
|
||
|
Dora for a row in the flat right to the bottom of the pond, and
|
||
|
we'll go ashore on the sandhills and have a picnic."
|
||
|
|
||
|
"It's a bargain," said Davy. "I'll be good, you bet. I meant to
|
||
|
go over to Mr. Harrison's and fire peas from my new popgun at
|
||
|
Ginger but another day'll do as well. I espect it will be just
|
||
|
like Sunday, but a picnic at the shore'll make up for THAT."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XVII
|
||
|
|
||
|
A Chapter of Accidents
|
||
|
|
||
|
|
||
|
Anne woke three times in the night and made pilgrimages to her
|
||
|
window to make sure that Uncle Abe's prediction was not coming true.
|
||
|
Finally the morning dawned pearly and lustrous in a sky full of
|
||
|
silver sheen and radiance, and the wonderful day had arrived.
|
||
|
|
||
|
Diana appeared soon after breakfast, with a basket of flowers over
|
||
|
one arm and HER muslin dress over the other. . .for it would not
|
||
|
do to don it until all the dinner preparations were completed.
|
||
|
Meanwhile she wore her afternoon pink print and a lawn apron
|
||
|
fearfully and wonderfully ruffled and frilled; and very neat and
|
||
|
pretty and rosy she was.
|
||
|
|
||
|
"You look simply sweet," said Anne admiringly.
|
||
|
|
||
|
Diana sighed.
|
||
|
|
||
|
"But I've had to let out every one of my dresses AGAIN. I weigh
|
||
|
four pounds more than I did in July. Anne, WHERE will this end?
|
||
|
Mrs. Morgan's heroines are all tall and slender."
|
||
|
|
||
|
"Well, let's forget our troubles and think of our mercies," said
|
||
|
Anne gaily. "Mrs. Allan says that whenever we think of anything
|
||
|
that is a trial to us we should also think of something nice that
|
||
|
we can set over against it. If you are slightly too plump you've
|
||
|
got the dearest dimples; and if I have a freckled nose the SHAPE of
|
||
|
it is all right. Do you think the lemon juice did any good?"
|
||
|
|
||
|
"Yes, I really think it did," said Diana critically; and, much
|
||
|
elated, Anne led the way to the garden, which was full of airy
|
||
|
shadows and wavering golden lights.
|
||
|
|
||
|
"We'll decorate the parlor first. We have plenty of time, for
|
||
|
Priscilla said they'd be here about twelve or half past at the
|
||
|
latest, so we'll have dinner at one."
|
||
|
|
||
|
There may have been two happier and more excited girls somewhere
|
||
|
in Canada or the United States at that moment, but I doubt it.
|
||
|
Every snip of the scissors, as rose and peony and bluebell fell,
|
||
|
seemed to chirp, "Mrs. Morgan is coming today." Anne wondered
|
||
|
how Mr. Harrison COULD go on placidly mowing hay in the field
|
||
|
across the lane, just as if nothing were going to happen.
|
||
|
|
||
|
The parlor at Green Gables was a rather severe and gloomy apartment,
|
||
|
with rigid horsehair furniture, stiff lace curtains, and white
|
||
|
antimacassars that were always laid at a perfectly correct angle,
|
||
|
except at such times as they clung to unfortunate people's buttons.
|
||
|
Even Anne had never been able to infuse much grace into it, for
|
||
|
Marilla would not permit any alterations. But it is wonderful
|
||
|
what flowers can accomplish if you give them a fair chance;
|
||
|
when Anne and Diana finished with the room you would not have
|
||
|
recognized it.
|
||
|
|
||
|
A great blue bowlful of snowballs overflowed on the polished table.
|
||
|
The shining black mantelpiece was heaped with roses and ferns.
|
||
|
Every shelf of the what-not held a sheaf of bluebells; the dark
|
||
|
corners on either side of the grate were lighted up with jars full
|
||
|
of glowing crimson peonies, and the grate itself was aflame with
|
||
|
yellow poppies. All this splendor and color, mingled with the
|
||
|
sunshine falling through the honeysuckle vines at the windows in a
|
||
|
leafy riot of dancing shadows over walls and floor, made of the
|
||
|
usually dismal little room the veritable "bower" of Anne's
|
||
|
imagination, and even extorted a tribute of admiration from
|
||
|
Marilla, who came in to criticize and remained to praise.
|
||
|
|
||
|
"Now, we must set the table," said Anne, in the tone of a priestess
|
||
|
about to perform some sacred rite in honor of a divinity. "We'll
|
||
|
have a big vaseful of wild roses in the center and one single rose
|
||
|
in front of everybody's plate -- and a special bouquet of rosebuds
|
||
|
only by Mrs. Morgan's -- an allusion to `The Rosebud Garden' you know."
|
||
|
|
||
|
The table was set in the sitting room, with Marilla's finest linen
|
||
|
and the best china, glass, and silver. You may be perfectly
|
||
|
certain that every article placed on it was polished or scoured to
|
||
|
the highest possible perfection of gloss and glitter.
|
||
|
|
||
|
Then the girls tripped out to the kitchen, which was filled with
|
||
|
appetizing odors emanating from the oven, where the chickens were
|
||
|
already sizzling splendidly. Anne prepared the potatoes and Diana
|
||
|
got the peas and beans ready. Then, while Diana shut herself into
|
||
|
the pantry to compound the lettuce salad, Anne, whose cheeks were
|
||
|
already beginning to glow crimson, as much with excitement as from
|
||
|
the heat of the fire, prepared the bread sauce for the chickens,
|
||
|
minced her onions for the soup, and finally whipped the cream for
|
||
|
her lemon pies.
|
||
|
|
||
|
And what about Davy all this time? Was he redeeming his promise to
|
||
|
be good? He was, indeed. To be sure, he insisted on remaining in
|
||
|
the kitchen, for his curiosity wanted to see all that went on. But
|
||
|
as he sat quietly in a corner, busily engaged in untying the knots
|
||
|
in a piece of herring net he had brought home from his last trip to
|
||
|
the shore, nobody objected to this.
|
||
|
|
||
|
At half past eleven the lettuce salad was made, the golden circles
|
||
|
of the pies were heaped with whipped cream, and everything was
|
||
|
sizzling and bubbling that ought to sizzle and bubble.
|
||
|
|
||
|
"We'd better go and dress now," said Anne, "for they may be here by twelve.
|
||
|
We must have dinner at sharp one, for the soup must be served as soon as
|
||
|
it's done."
|
||
|
|
||
|
Serious indeed were the toilet rites presently performed in the
|
||
|
east gable. Anne peered anxiously at her nose and rejoiced to see
|
||
|
that its freckles were not at all prominent, thanks either to the
|
||
|
lemon juice or to the unusual flush on her cheeks. When they were
|
||
|
ready they looked quite as sweet and trim and girlish as ever did
|
||
|
any of "Mrs. Morgan's heroines."
|
||
|
|
||
|
"I do hope I'll be able to say something once in a while, and not
|
||
|
sit like a mute," said Diana anxiously. "All Mrs. Morgan's
|
||
|
heroines converse so beautifully. But I'm afraid I'll be
|
||
|
tongue-tied and stupid. And I'll be sure to say `I seen.'
|
||
|
I haven't often said it since Miss Stacy taught here; but in
|
||
|
moments of excitement it's sure to pop out. Anne, if I were
|
||
|
to say `I seen' before Mrs. Morgan I'd die of mortification.
|
||
|
And it would be almost as bad to have nothing to say."
|
||
|
|
||
|
"I'm nervous about a good many things," said Anne, "but I
|
||
|
don't think there is much fear that I won't be able to talk"
|
||
|
|
||
|
And, to do her justice, there wasn't.
|
||
|
|
||
|
Anne shrouded her muslin glories in a big apron and went down to
|
||
|
concoct her soup. Marilla had dressed herself and the twins, and
|
||
|
looked more excited than she had ever been known to look before.
|
||
|
At half past twelve the Allans and Miss Stacy came. Everything was
|
||
|
going well but Anne was beginning to feel nervous. It was surely
|
||
|
time for Priscilla and Mrs. Morgan to arrive. She made frequent
|
||
|
trips to the gate and looked as anxiously down the lane as ever her
|
||
|
namesake in the Bluebeard story peered from the tower casement.
|
||
|
|
||
|
"Suppose they don't come at all?" she said piteously.
|
||
|
|
||
|
"Don't suppose it. It would be too mean," said Diana, who, however,
|
||
|
was beginning to have uncomfortable misgivings on the subject.
|
||
|
|
||
|
"Anne," said Marilla, coming out from the parlor, "Miss Stacy wants
|
||
|
to see Miss Barry's willowware platter."
|
||
|
|
||
|
Anne hastened to the sitting room closet to get the platter. She
|
||
|
had, in accordance with her promise to Mrs. Lynde, written to Miss
|
||
|
Barry of Charlottetown, asking for the loan of it. Miss Barry was
|
||
|
an old friend of Anne's, and she promply sent the platter out, with
|
||
|
a letter exhorting Anne to be very careful of it, for she had paid
|
||
|
twenty dollars for it. The platter had served its purpose at the
|
||
|
Aid bazaar and had then been returned to the Green Gables closet,
|
||
|
for Anne would not trust anybody but herself to take it back to town.
|
||
|
|
||
|
She carried the platter carefully to the front door where her
|
||
|
guests were enjoying the cool breeze that blew up from the brook.
|
||
|
It was examined and admired; then, just as Anne had taken it back
|
||
|
into her own hands, a terrific crash and clatter sounded from the
|
||
|
kitchen pantry. Marilla, Diana, and Anne fled out, the latter
|
||
|
pausing only long enough to set the precious platter hastily down
|
||
|
on the second step of the stairs.
|
||
|
|
||
|
When they reached the pantry a truly harrowing spectacle met their
|
||
|
eyes. . .a guilty looking small boy scrambling down from the
|
||
|
table, with his clean print blouse liberally plastered with yellow
|
||
|
filling, and on the table the shattered remnants of what had been
|
||
|
two brave, becreamed lemon pies.
|
||
|
|
||
|
Davy had finished ravelling out his herring net and had wound the
|
||
|
twine into a ball. Then he had gone into the pantry to put it up
|
||
|
on the shelf above the table, where he already kept a score or so
|
||
|
of similar balls, which, so far as could be discovered, served no
|
||
|
useful purpose save to yield the joy of possession. Davy had to
|
||
|
climb on the table and reach over to the shelf at a dangerous
|
||
|
angle. . .something he had been forbidden by Marilla to do, as he
|
||
|
had come to grief once before in the experiment. The result in
|
||
|
this instance was disastrous. Davy slipped and came sprawling
|
||
|
squarely down on the lemon pies. His clean blouse was ruined for
|
||
|
that time and the pies for all time. It is, however, an ill wind
|
||
|
that blows nobody good, and the pig was eventually the gainer by
|
||
|
Davy's mischance.
|
||
|
|
||
|
"Davy Keith," said Marilla, shaking him by the shoulder, "didn't I
|
||
|
forbid you to climb up on that table again? Didn't I?"
|
||
|
|
||
|
"I forgot," whimpered Davy. "You've told me not to do such an
|
||
|
awful lot of things that I can't remember them all."
|
||
|
|
||
|
"Well, you march upstairs and stay there till after dinner.
|
||
|
Perhaps you'll get them sorted out in your memory by that time.
|
||
|
No, Anne, never you mind interceding for him. I'm not punishing
|
||
|
him because he spoiled your pies. . .that was an accident.
|
||
|
I'm punishing him for his disobedience. Go, Davy, I say."
|
||
|
|
||
|
"Ain't I to have any dinner?" wailed Davy.
|
||
|
|
||
|
"You can come down after dinner is over and have yours in the kitchen."
|
||
|
|
||
|
"Oh, all right," said Davy, somewhat comforted. "I know Anne'll
|
||
|
save some nice bones for me, won't you, Anne? 'Cause you know I
|
||
|
didn't mean to fall on the pies. Say, Anne, since they ARE spoiled
|
||
|
can't I take some of the pieces upstairs with me?"
|
||
|
|
||
|
"No, no lemon pie for you, Master Davy," said Marilla, pushing him
|
||
|
toward the hall."
|
||
|
|
||
|
What shall we do for dessert?" asked Anne, looking regretfully at
|
||
|
the wreck and ruin.
|
||
|
|
||
|
"Get out a crock of strawberry preserves," said Marilla consolingly.
|
||
|
"There's plenty of whipped cream left in the bowl for it."
|
||
|
|
||
|
One o'clock came. . .but no Priscilla or Mrs. Morgan. Anne was in
|
||
|
an agony. Everything was done to a turn and the soup was just
|
||
|
what soup should be, but couldn't be depended on to remain so for
|
||
|
any length of time.
|
||
|
|
||
|
"I don't believe they're coming after all," said Marilla crossly.
|
||
|
|
||
|
Anne and Diana sought comfort in each other's eyes.
|
||
|
|
||
|
At half past one Marilla again emerged from the parlor.
|
||
|
|
||
|
"Girls, we MUST have dinner. Everybody is hungry and it's no use
|
||
|
waiting any longer. Priscilla and Mrs. Morgan are not coming,
|
||
|
that's plain, and nothing is being improved by waiting."
|
||
|
|
||
|
Anne and Diana set about lifting the dinner, with all the zest gone
|
||
|
out of the performance.
|
||
|
|
||
|
"I don't believe I'll be able to eat a mouthful," said Diana dolefully.
|
||
|
|
||
|
"Nor I. But I hope everything will be nice for Miss Stacy's and
|
||
|
Mr. and Mrs. Allan's sakes," said Anne listlessly.
|
||
|
|
||
|
When Diana dished the peas she tasted them and a very peculiar
|
||
|
expression crossed her face.
|
||
|
|
||
|
"Anne, did YOU put sugar in these peas?"
|
||
|
|
||
|
"Yes," said Anne, mashing the potatoes with the air of one expected
|
||
|
to do her duty. "I put a spoonful of sugar in. We always do.
|
||
|
Don't you like it?"
|
||
|
|
||
|
"But _I_ put a spoonful in too, when I set them on the stove," said Diana.
|
||
|
|
||
|
Anne dropped her masher and tasted the peas also. Then she made a grimace.
|
||
|
|
||
|
"How awful! I never dreamed you had put sugar in, because I knew
|
||
|
your mother never does. I happened to think of it, for a wonder. . .
|
||
|
I'm always forgetting it. . .so I popped a spoonful in."
|
||
|
|
||
|
"It's a case of too many cooks, I guess," said Marilla, who
|
||
|
had listened to this dialogue with a rather guilty expression.
|
||
|
"I didn't think you'd remember about the sugar, Anne, for I'm
|
||
|
perfectly certain you never did before. . .so _I_ put in a spoonful."
|
||
|
|
||
|
The guests in the parlor heard peal after peal of laughter from the
|
||
|
kitchen, but they never knew what the fun was about. There were no
|
||
|
green peas on the dinner table that day, however.
|
||
|
|
||
|
"Well," said Anne, sobering down again with a sigh of recollection,
|
||
|
"we have the salad anyhow and I don't think anything has happened
|
||
|
to the beans. Let's carry the things in and get it over."
|
||
|
|
||
|
It cannot be said that that dinner was a notable success socially.
|
||
|
The Allans and Miss Stacy exerted themselves to save the situation
|
||
|
and Marilla's customary placidity was not noticeably ruffled.
|
||
|
But Anne and Diana, between their disappointment and the reaction
|
||
|
from their excitement of the forenoon, could neither talk nor eat.
|
||
|
Anne tried heroically to bear her part in the conversation for the
|
||
|
sake of her guests; but all the sparkle had been quenched in her
|
||
|
for the time being, and, in spite of her love for the Allans and
|
||
|
Miss Stacy, she couldn't help thinking how nice it would be when
|
||
|
everybody had gone home and she could bury her weariness and
|
||
|
disappointment in the pillows of the east gable.
|
||
|
|
||
|
There is an old proverb that really seems at times to be inspired
|
||
|
. . ."it never rains but it pours." The measure of that day's
|
||
|
tribulations was not yet full. Just as Mr. Allan had finished
|
||
|
returning thanks there arose a strange, ominous sound on the
|
||
|
stairs, as of some hard, heavy object bounding from step to step,
|
||
|
finishing up with a grand smash at the bottom. Everybody ran out
|
||
|
into the hall. Anne gave a shriek of dismay.
|
||
|
|
||
|
At the bottom of the stairs lay a big pink conch shell amid the
|
||
|
fragments of what had been Miss Barry's platter; and at the top of
|
||
|
the stairs knelt a terrified Davy, gazing down with wide-open eyes
|
||
|
at the havoc.
|
||
|
|
||
|
"Davy," said Marilla ominously, "did you throw that conch down ON PURPOSE?"
|
||
|
|
||
|
"No, I never did," whimpered Davy. "I was just kneeling here,
|
||
|
quiet as quiet, to watch you folks through the bannisters, and my
|
||
|
foot struck that old thing and pushed it off. . .and I'm awful
|
||
|
hungry. . .and I do wish you'd lick a fellow and have done with it,
|
||
|
instead of always sending him upstairs to miss all the fun."
|
||
|
|
||
|
"Don't blame Davy," said Anne, gathering up the fragments with
|
||
|
trembling fingers. "It was my fault. I set that platter there and
|
||
|
forgot all about it. I am properly punished for my carelessness;
|
||
|
but oh, what will Miss Barry say?"
|
||
|
|
||
|
"Well, you know she only bought it, so it isn't the same as if it
|
||
|
was an heirloom," said Diana, trying to console.
|
||
|
|
||
|
The guests went away soon after, feeling that it was the most tactful
|
||
|
thing to do, and Anne and Diana washed the dishes, talking less than
|
||
|
they had ever been known to do before. Then Diana went home with a
|
||
|
headache and Anne went with another to the east gable, where she
|
||
|
stayed until Marilla came home from the post office at sunset,
|
||
|
with a letter from Priscilla, written the day before. Mrs. Morgan
|
||
|
had sprained her ankle so severely that she could not leave her room.
|
||
|
|
||
|
"And oh, Anne dear," wrote Priscilla, "I'm so sorry, but I'm afraid
|
||
|
we won't get up to Green Gables at all now, for by the time Aunty's
|
||
|
ankle is well she will have to go back to Toronto. She has to be
|
||
|
there by a certain date."
|
||
|
|
||
|
"Well," sighed Anne, laying the letter down on the red sandstone
|
||
|
step of the back porch, where she was sitting, while the twilight
|
||
|
rained down out of a dappled sky, "I always thought it was too good
|
||
|
to be true that Mrs. Morgan should really come. But there. . .that
|
||
|
speech sounds as pessimistic as Miss Eliza Andrews and I'm ashamed
|
||
|
of making it. After all, it was NOT too good to be true. . .things
|
||
|
just as good and far better are coming true for me all the time.
|
||
|
And I suppose the events of today have a funny side too.
|
||
|
Perhaps when Diana and I are old and gray we shall be able
|
||
|
to laugh over them. But I feel that I can't expect to do it
|
||
|
before then, for it has truly been a bitter disappointment."
|
||
|
|
||
|
"You'll probably have a good many more and worse disappointments
|
||
|
than that before you get through life," said Marilla, who honestly
|
||
|
thought she was making a comforting speech. "It seems to me, Anne,
|
||
|
that you are never going to outgrow your fashion of setting your
|
||
|
heart so on things and then crashing down into despair because you
|
||
|
don't get them."
|
||
|
|
||
|
"I know I'm too much inclined that, way" agreed Anne ruefully.
|
||
|
"When I think something nice is going to happen I seem to fly right
|
||
|
up on the wings of anticipation; and then the first thing I realize
|
||
|
I drop down to earth with a thud. But really, Marilla, the flying
|
||
|
part IS glorious as long as it lasts. . .it's like soaring through
|
||
|
a sunset. I think it almost pays for the thud."
|
||
|
|
||
|
"Well, maybe it does," admitted Marilla. "I'd rather walk calmly
|
||
|
along and do without both flying and thud. But everybody has her
|
||
|
own way of living. . .I used to think there was only one right way
|
||
|
. . .but since I've had you and the twins to bring up I don't feel
|
||
|
so sure of it. What are you going to do about Miss Barry's platter?"
|
||
|
|
||
|
"Pay her back the twenty dollars she paid for it, I suppose.
|
||
|
I'm so thankful it wasn't a cherished heirloom because then
|
||
|
no money could replace it."
|
||
|
|
||
|
"Maybe you could find one like it somewhere and buy it for her."
|
||
|
|
||
|
"I'm afraid not. Platters as old as that are very scarce. Mrs.
|
||
|
Lynde couldn't find one anywhere for the supper. I only wish I
|
||
|
could, for of course Miss Barry would just as soon have one platter
|
||
|
as another, if both were equally old and genuine. Marilla, look at
|
||
|
that big star over Mr. Harrison's maple grove, with all that holy
|
||
|
hush of silvery sky about it. It gives me a feeling that is like
|
||
|
a prayer. After all, when one can see stars and skies like that,
|
||
|
little disappointments and accidents can't matter so much, can they?"
|
||
|
|
||
|
"Where's Davy?" said Marilla, with an indifferent glance at the star.
|
||
|
|
||
|
"In bed. I've promised to take him and Dora to the shore for a
|
||
|
picnic tomorrow. Of course, the original agreement was that he
|
||
|
must be good. But he TRIED to be good. . .and I hadn't the heart
|
||
|
to disappoint him."
|
||
|
|
||
|
"You'll drown yourself or the twins, rowing about the pond in that flat,"
|
||
|
grumbled Marilla. "I've lived here for sixty years and I've never been
|
||
|
on the pond yet."
|
||
|
|
||
|
"Well, it's never too late to mend," said Anne roguishly.
|
||
|
"Suppose you come with us tomorrow. We'll shut Green Gables up
|
||
|
and spend the whole day at the shore, daffing the world aside."
|
||
|
|
||
|
"No, thank you," said Marilla, with indignant emphasis. "I'd be a
|
||
|
nice sight, wouldn't I, rowing down the pond in a flat? I think I
|
||
|
hear Rachel pronouncing on it. There's Mr. Harrison driving away
|
||
|
somewhere. Do you suppose there is any truth in the gossip that
|
||
|
Mr. Harrison is going to see Isabella Andrews?"
|
||
|
|
||
|
"No, I'm sure there isn't. He just called there one evening
|
||
|
on business with Mr. Harmon Andrews and Mrs. Lynde saw him and
|
||
|
said she knew he was courting because he had a white collar on.
|
||
|
I don't believe Mr. Harrison will ever marry. He seems to have
|
||
|
a prejudice against marriage."
|
||
|
|
||
|
"Well, you can never tell about those old bachelors. And if he had
|
||
|
a white collar on I'd agree with Rachel that it looks suspicious,
|
||
|
for I'm sure he never was seen with one before."
|
||
|
|
||
|
"I think he only put it on because he wanted to conclude a business
|
||
|
deal with Harmon Andrews," said Anne. "I've heard him say that's
|
||
|
the only time a man needs to be particular about his appearance,
|
||
|
because if he looks prosperous the party of the second part won't
|
||
|
be so likely to try to cheat him. I really feel sorry for Mr.
|
||
|
Harrison; I don't believe he feels satisfied with his life. It
|
||
|
must be very lonely to have no one to care about except a parrot,
|
||
|
don't you think? But I notice Mr. Harrison doesn't like to be
|
||
|
pitied. Nobody does, I imagine."
|
||
|
|
||
|
"There's Gilbert coming up the lane," said Marilla. "If he wants
|
||
|
you to go for a row on the pond mind you put on your coat and
|
||
|
rubbers. There's a heavy dew tonight."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XVIII
|
||
|
|
||
|
An Adventure on the Tory Road
|
||
|
|
||
|
|
||
|
"Anne," said Davy, sitting up in bed and propping his chin on
|
||
|
his hands, "Anne, where is sleep? People go to sleep every night,
|
||
|
and of course I know it's the place where I do the things I dream,
|
||
|
but I want to know WHERE it is and how I get there and back without
|
||
|
knowing anything about it. . .and in my nighty too. Where is it?"
|
||
|
|
||
|
Anne was kneeling at the west gable window watching the sunset sky that
|
||
|
was like a great flower with petals of crocus and a heart of fiery yellow.
|
||
|
She turned her head at Davy's question and answered dreamily,
|
||
|
|
||
|
"`Over the mountains of the moon,
|
||
|
Down the valley of the shadow.'"
|
||
|
|
||
|
|
||
|
Paul Irving would have known the meaning of this, or made a meaning
|
||
|
out of it for himself, if he didn't; but practical Davy, who, as
|
||
|
Anne often despairingly remarked, hadn't a particle of imagination,
|
||
|
was only puzzled and disgusted.
|
||
|
|
||
|
"Anne, I believe you're just talking nonsense."
|
||
|
|
||
|
"Of course, I was, dear boy. Don't you know that it is only very
|
||
|
foolish folk who talk sense all the time?"
|
||
|
|
||
|
"Well, I think you might give a sensible answer when I ask a
|
||
|
sensible question," said Davy in an injured tone.
|
||
|
|
||
|
"Oh, you are too little to understand," said Anne. But she felt rather
|
||
|
ashamed of saying it; for had she not, in keen remembrance of many
|
||
|
similar snubs administered in her own early years, solemnly vowed
|
||
|
that she would never tell any child it was too little to understand?
|
||
|
Yet here she was doing it. . .so wide sometimes is the gulf between
|
||
|
theory and practice.
|
||
|
|
||
|
"Well, I'm doing my best to grow," said Davy, "but it's a thing you
|
||
|
can't hurry much. If Marilla wasn't so stingy with her jam I believe
|
||
|
I'd grow a lot faster."
|
||
|
|
||
|
"Marilla is not stingy, Davy," said Anne severely. "It is very
|
||
|
ungrateful of you to say such a thing."
|
||
|
|
||
|
"There's another word that means the same thing and sounds a lot
|
||
|
better, but I don't just remember it," said Davy, frowning intently.
|
||
|
"I heard Marilla say she was it, herself, the other day."
|
||
|
|
||
|
"If you mean ECONOMICAL, it's a VERY different thing from being stingy.
|
||
|
It is an excellent trait in a person if she is economical.
|
||
|
If Marilla had been stingy she wouldn't have taken you and Dora
|
||
|
when your mother died. Would you have liked to live with Mrs. Wiggins?"
|
||
|
|
||
|
"You just bet I wouldn't!" Davy was emphatic on that point. "Nor I
|
||
|
don't want to go out to Uncle Richard neither. I'd far rather live
|
||
|
here, even if Marilla is that long-tailed word when it comes to jam,
|
||
|
'cause YOU'RE here, Anne. Say, Anne, won't you tell me a story
|
||
|
'fore I go to sleep? I don't want a fairy story. They're all
|
||
|
right for girls, I s'pose, but I want something exciting. . .lots
|
||
|
of killing and shooting in it, and a house on fire, and in'trusting
|
||
|
things like that."
|
||
|
|
||
|
Fortunately for Anne, Marilla called out at this moment from her room.
|
||
|
|
||
|
"Anne, Diana's signaling at a great rate. You'd better see what she wants."
|
||
|
|
||
|
Anne ran to the east gable and saw flashes of light coming through
|
||
|
the twilight from Diana's window in groups of five, which meant,
|
||
|
according to their old childish code, "Come over at once for I have
|
||
|
something important to reveal." Anne threw her white shawl over her
|
||
|
head and hastened through the Haunted Wood and across Mr. Bell's
|
||
|
pasture corner to Orchard Slope.
|
||
|
|
||
|
"I've good news for you, Anne," said Diana. "Mother and I have
|
||
|
just got home from Carmody, and I saw Mary Sentner from Spencer
|
||
|
vale in Mr. Blair's store. She says the old Copp girls on the
|
||
|
Tory Road have a willow-ware platter and she thinks it's exactly
|
||
|
like the one we had at the supper. She says they'll likely sell it,
|
||
|
for Martha Copp has never been known to keep anything she COULD sell;
|
||
|
but if they won't there's a platter at Wesley Keyson's at Spencervale
|
||
|
and she knows they'd sell it, but she isn't sure it's just the same
|
||
|
kind as Aunt Josephine's."
|
||
|
|
||
|
"I'll go right over to Spencervale after it tomorrow," said Anne
|
||
|
resolutely, "and you must come with me. It will be such a weight
|
||
|
off my mind, for I have to go to town day after tomorrow and how
|
||
|
can I face your Aunt Josephine without a willow-ware platter?
|
||
|
It would be even worse than the time I had to confess about
|
||
|
jumping on the spare room bed."
|
||
|
|
||
|
Both girls laughed over the old memory. . .concerning which, if
|
||
|
any of my readers are ignorant and curious, I must refer them to
|
||
|
Anne's earlier history.
|
||
|
|
||
|
The next afternoon the girls fared forth on their platter hunting
|
||
|
expedition. It was ten miles to Spencervale and the day was not
|
||
|
especially pleasant for traveling. It was very warm and windless,
|
||
|
and the dust on the road was such as might have been expected after
|
||
|
six weeks of dry weather.
|
||
|
|
||
|
"Oh, I do wish it would rain soon," sighed Anne. "Everything is so
|
||
|
parched up. The poor fields just seem pitiful to me and the trees
|
||
|
seem to be stretching out their hands pleading for rain. As for my
|
||
|
garden, it hurts me every time I go into it. I suppose I shouldn't
|
||
|
complain about a garden when the farmers' crops are suffering so.
|
||
|
Mr. Harrison says his pastures are so scorched up that his poor
|
||
|
cows can hardly get a bite to eat and he feels guilty of cruelty
|
||
|
to animals every time he meets their eyes."
|
||
|
|
||
|
After a wearisome drive the girls reached Spencervale and turned
|
||
|
down the "Tory" Road. . .a green, solitary highway where the strips
|
||
|
of grass between the wheel tracks bore evidence to lack of travel.
|
||
|
Along most of its extent it was lined with thick-set young spruces
|
||
|
crowding down to the roadway, with here and there a break where the
|
||
|
back field of a Spencervale farm came out to the fence or an expanse
|
||
|
of stumps was aflame with fireweed and goldenrod.
|
||
|
|
||
|
"Why is it called the Tory Road?" asked Anne.
|
||
|
|
||
|
"Mr. Allan says it is on the principle of calling a place a grove
|
||
|
because there are no trees in it," said Diana, "for nobody lives
|
||
|
along the road except the Copp girls and old Martin Bovyer at the
|
||
|
further end, who is a Liberal. The Tory government ran the road
|
||
|
through when they were in power just to show they were doing something."
|
||
|
|
||
|
Diana's father was a Liberal, for which reason she and Anne never
|
||
|
discussed politics. Green Gables folk had always been Conservatives.
|
||
|
|
||
|
Finally the girls came to the old Copp homestead. . .a place of
|
||
|
such exceeding external neatness that even Green Gables would have
|
||
|
suffered by contrast. The house was a very old-fashioned one,
|
||
|
situated on a slope, which fact had necessitated the building of a
|
||
|
stone basement under one end. The house and out-buildings were all
|
||
|
whitewashed to a condition of blinding perfection and not a weed
|
||
|
was visible in the prim kitchen garden surrounded by its white paling.
|
||
|
|
||
|
"The shades are all down," said Diana ruefully. "I believe that nobody
|
||
|
is home."
|
||
|
|
||
|
This proved to be the case. The girls looked at each other in perplexity.
|
||
|
|
||
|
"I don't know what to do," said Anne. "If I were sure the platter
|
||
|
was the right kind I would not mind waiting until they came home.
|
||
|
But if it isn't it may be too late to go to Wesley Keyson's
|
||
|
afterward."
|
||
|
|
||
|
Diana looked at a certain little square window over the basement.
|
||
|
|
||
|
"That is the pantry window, I feel sure," she said, "because this
|
||
|
house is just like Uncle Charles' at Newbridge, and that is their
|
||
|
pantry window. The shade isn't down, so if we climbed up on the
|
||
|
roof of that little house we could look into the pantry and might
|
||
|
be able to see the platter. Do you think it would be any harm?"
|
||
|
|
||
|
"No, I don't think so," decided Anne, after due reflection, "since
|
||
|
our motive is not idle curiosity."
|
||
|
|
||
|
This important point of ethics being settled, Anne prepared to mount the
|
||
|
aforesaid "little house," a construction of lathes, with a peaked roof,
|
||
|
which had in times past served as a habitation for ducks. The Copp girls
|
||
|
had given up keeping ducks. . ."because they were such untidy birds". . .
|
||
|
and the house had not been in use for some years, save as an abode of
|
||
|
correction for setting hens. Although scrupulously whitewashed it had
|
||
|
become somewhat shaky, and Anne felt rather dubious as she scrambled up
|
||
|
from the vantage point of a keg placed on a box.
|
||
|
|
||
|
"I'm afraid it won't bear my weight," she said as she gingerly
|
||
|
stepped on the roof.
|
||
|
|
||
|
"Lean on the window sill," advised Diana, and Anne accordingly leaned.
|
||
|
Much to her delight, she saw, as she peered through the pane,
|
||
|
a willow-ware platter, exactly such as she was in quest of,
|
||
|
on the shelf in front of the window. So much she saw before the
|
||
|
catastrophe came. In her joy Anne forgot the precarious nature
|
||
|
of her footing, incautiously ceased to lean on the window sill,
|
||
|
gave an impulsive little hop of pleasure. . .and the next moment she
|
||
|
had crashed through the roof up to her armpits, and there she hung,
|
||
|
quite unable to extricate herself. Diana dashed into the duck
|
||
|
house and, seizing her unfortunate friend by the waist, tried to
|
||
|
draw her down.
|
||
|
|
||
|
"Ow. . .don't," shrieked poor Anne. "There are some long
|
||
|
splinters sticking into me. See if you can put something under my
|
||
|
feet. . .then perhaps I can draw myself up."
|
||
|
|
||
|
Diana hastily dragged in the previously mentioned keg and Anne
|
||
|
found that it was just sufficiently high to furnish a secure
|
||
|
resting place for her feet. But she could not release herself.
|
||
|
|
||
|
"Could I pull you out if I crawled up?" suggested Diana.
|
||
|
|
||
|
Anne shook her head hopelessly.
|
||
|
|
||
|
"No. . .the splinters hurt too badly. If you can find an axe you
|
||
|
might chop me out, though. Oh dear, I do really begin to believe
|
||
|
that I was born under an ill-omened star."
|
||
|
|
||
|
Diana searched faithfully but no axe was to be found.
|
||
|
|
||
|
"I'll have to go for help," she said, returning to the prisoner.
|
||
|
|
||
|
"No, indeed, you won't," said Anne vehemently. "If you do the story
|
||
|
of this will get out everywhere and I shall be ashamed to show my face.
|
||
|
No, we must just wait until the Copp girls come home and bind them
|
||
|
to secrecy. They'll know where the axe is and get me out.
|
||
|
I'm not uncomfortable, as long as I keep perfectly still. . .
|
||
|
not uncomfortable in BODY I mean. I wonder what the Copp girls
|
||
|
value this house at. I shall have to pay for the damage I've done,
|
||
|
but I wouldn't mind that if I were only sure they would understand
|
||
|
my motive in peeping in at their pantry window. My sole comfort is
|
||
|
that the platter is just the kind I want and if Miss Copp will only
|
||
|
sell it to me I shall be resigned to what has happened."
|
||
|
|
||
|
"What if the Copp girls don't come home until after night. . .or
|
||
|
till tomorrow?" suggested Diana.
|
||
|
|
||
|
"If they're not back by sunset you'll have to go for other
|
||
|
assistance, I suppose," said Anne reluctantly, "but you mustn't go
|
||
|
until you really have to. Oh dear, this is a dreadful predicament.
|
||
|
I wouldn't mind my misfortunes so much if they were romantic, as
|
||
|
Mrs. Morgan's heroines' always are, but they are always just
|
||
|
simply ridiculous. Fancy what the Copp girls will think when they
|
||
|
drive into their yard and see a girl's head and shoulders sticking
|
||
|
out of the roof of one of their outhouses. Listen. . .is that a
|
||
|
wagon? No, Diana, I believe it is thunder."
|
||
|
|
||
|
Thunder it was undoubtedly, and Diana, having made a hasty
|
||
|
pilgrimage around the house, returned to announce that a very black
|
||
|
cloud was rising rapidly in the northwest.
|
||
|
|
||
|
"I believe we're going to have a heavy thunder-shower," she exclaimed
|
||
|
in dismay, "Oh, Anne, what will we do?"
|
||
|
|
||
|
"We must prepare for it," said Anne tranquilly. A thunderstorm
|
||
|
seemed a trifle in comparison with what had already happened.
|
||
|
"You'd better drive the horse and buggy into that open shed.
|
||
|
Fortunately my parasol is in the buggy. Here. . .take my hat
|
||
|
with you. Marilla told me I was a goose to put on my best hat
|
||
|
to come to the Tory Road and she was right, as she always is."
|
||
|
|
||
|
Diana untied the pony and drove into the shed, just as the first
|
||
|
heavy drops of rain fell. There she sat and watched the resulting
|
||
|
downpour, which was so thick and heavy that she could hardly see
|
||
|
Anne through it, holding the parasol bravely over her bare head.
|
||
|
There was not a great deal of thunder, but for the best part of an
|
||
|
hour the rain came merrily down. Occasionally Anne slanted back
|
||
|
her parasol and waved an encouraging hand to her friend; But
|
||
|
conversation at that distance was quite out of the question.
|
||
|
Finally the rain ceased, the sun came out, and Diana ventured
|
||
|
across the puddles of the yard.
|
||
|
|
||
|
"Did you get very wet?" she asked anxiously.
|
||
|
|
||
|
"Oh, no," returned Anne cheerfully. "My head and shoulders are
|
||
|
quite dry and my skirt is only a little damp where the rain beat
|
||
|
through the lathes. Don't pity me, Diana, for I haven't minded it
|
||
|
at all. I kept thinking how much good the rain will do and how glad
|
||
|
my garden must be for it, and imagining what the flowers and buds
|
||
|
would think when the drops began to fall. I imagined out a most
|
||
|
interesting dialogue between the asters and the sweet peas and the
|
||
|
wild canaries in the lilac bush and the guardian spirit of the garden.
|
||
|
When I go home I mean to write it down. I wish I had a pencil and
|
||
|
paper to do it now, because I daresay I'll forget the best parts
|
||
|
before I reach home."
|
||
|
|
||
|
Diana the faithful had a pencil and discovered a sheet of wrapping
|
||
|
paper in the box of the buggy. Anne folded up her dripping
|
||
|
parasol, put on her hat, spread the wrapping paper on a shingle
|
||
|
Diana handed up, and wrote out her garden idyl under conditions
|
||
|
that could hardly be considered as favorable to literature.
|
||
|
Nevertheless, the result was quite pretty, and Diana was
|
||
|
"enraptured" when Anne read it to her.
|
||
|
|
||
|
"Oh, Anne, it's sweet. . .just sweet. DO send it to the `Canadian Woman.'"
|
||
|
|
||
|
Anne shook her head.
|
||
|
|
||
|
"Oh, no, it wouldn't be suitable at all. There is no PLOT in it,
|
||
|
you see. It's just a string of fancies. I like writing such things,
|
||
|
but of course nothing of the sort would ever do for publication,
|
||
|
for editors insist on plots, so Priscilla says. Oh, there's
|
||
|
Miss Sarah Copp now. PLEASE, Diana, go and explain."
|
||
|
|
||
|
Miss Sarah Copp was a small person, garbed in shabby black, with a hat
|
||
|
chosen less for vain adornment than for qualities that would wear well.
|
||
|
She looked as amazed as might be expected on seeing the curious tableau
|
||
|
in her yard, but when she heard Diana's explanation she was all sympathy.
|
||
|
She hurriedly unlocked the back door, produced the axe, and with a few
|
||
|
skillfull blows set Anne free. The latter, somewhat tired and stiff,
|
||
|
ducked down into the interior of her prison and thankfully emerged
|
||
|
into liberty once more.
|
||
|
|
||
|
"Miss Copp," she said earnestly. "I assure you I looked into your
|
||
|
pantry window only to discover if you had a willow-ware platter.
|
||
|
I didn't see anything else -- I didn't LOOK for anything else."
|
||
|
|
||
|
"Bless you, that's all right," said Miss Sarah amiably. "You
|
||
|
needn't worry -- there's no harm done. Thank goodness, we Copps
|
||
|
keep our pantries presentable at all times and don't care who sees
|
||
|
into them. As for that old duckhouse, I'm glad it's smashed, for
|
||
|
maybe now Martha will agree to having it taken down. She never
|
||
|
would before for fear it might come in handy sometime and I've had to
|
||
|
whitewash it every spring. But you might as well argue with a post
|
||
|
as with Martha. She went to town today -- I drove her to the station.
|
||
|
And you want to buy my platter. Well, what will you give for it?"
|
||
|
|
||
|
"Twenty dollars," said Anne, who was never meant to match business
|
||
|
wits with a Copp, or she would not have offered her price at the start.
|
||
|
|
||
|
"Well, I'll see," said Miss Sarah cautiously. "That platter is mine
|
||
|
fortunately, or I'd never dare to sell it when Martha wasn't here.
|
||
|
As it is, I daresay she'll raise a fuss. Martha's the boss
|
||
|
of this establishment I can tell you. I'm getting awful tired of
|
||
|
living under another woman's thumb. But come in, come in. You
|
||
|
must be real tired and hungry. I'll do the best I can for you in
|
||
|
the way of tea but I warn you not to expect anything but bread and
|
||
|
butter and some cowcumbers. Martha locked up all the cake and
|
||
|
cheese and preserves afore she went. She always does, because she
|
||
|
says I'm too extravagant with them if company comes."
|
||
|
|
||
|
The girls were hungry enough to do justice to any fare, and they
|
||
|
enjoyed Miss Sarah's excellent bread and butter and "cowcumbers"
|
||
|
thoroughly. When the meal was over Miss Sarah said,
|
||
|
|
||
|
"I don't know as I mind selling the platter. But it's worth
|
||
|
twenty-five dollars. It's a very old platter."
|
||
|
|
||
|
Diana gave Anne's foot a gentle kick under the table, meaning,
|
||
|
"Don't agree -- she'll let it go for twenty if you hold out."
|
||
|
But Anne was not minded to take any chances in regard to that
|
||
|
precious platter. She promptly agreed to give twenty-five and
|
||
|
Miss Sarah looked as if she felt sorry she hadn't asked for thirty.
|
||
|
|
||
|
"Well, I guess you may have it. I want all the money I can scare
|
||
|
up just now. The fact is -- " Miss Sarah threw up her head
|
||
|
importantly, with a proud flush on her thin cheeks -- "I'm going
|
||
|
to be married -- to Luther Wallace. He wanted me twenty years ago.
|
||
|
I liked him real well but he was poor then and father packed him off.
|
||
|
I s'pose I shouldn't have let him go so meek but I was timid and
|
||
|
frightened of father. Besides, I didn't know men were so skurse."
|
||
|
|
||
|
When the girls were safely away, Diana driving and Anne holding
|
||
|
the coveted platter carefully on her lap, the green, rain-freshened
|
||
|
solitudes of the Tory Road were enlivened by ripples of girlish laughter.
|
||
|
|
||
|
"I'll amuse your Aunt Josephine with the `strange eventful history'
|
||
|
of this afternoon when I go to town tomorrow. We've had a rather
|
||
|
trying time but it's over now. I've got the platter, and that rain
|
||
|
has laid the dust beautifully. So `all's well that ends well.'"
|
||
|
|
||
|
"We're not home yet," said Diana rather pessimistically, "and
|
||
|
there's no telling what may happen before we are. You're such
|
||
|
a girl to have adventures, Anne."
|
||
|
|
||
|
"Having adventures comes natural to some people," said Anne
|
||
|
serenely. "You just have a gift for them or you haven't."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XIX
|
||
|
|
||
|
Just a Happy Day
|
||
|
|
||
|
|
||
|
"After all," Anne had said to Marilla once, "I believe the nicest and
|
||
|
sweetest days are not those on which anything very splendid or wonderful
|
||
|
or exciting happens but just those that bring simple little pleasures,
|
||
|
following one another softly, like pearls slipping off a string."
|
||
|
|
||
|
Life at Green Gables was full of just such days, for Anne's adventures
|
||
|
and misadventures, like those of other people, did not all happen at once,
|
||
|
but were sprinkled over the year, with long stretches of harmless, happy
|
||
|
days between, filled with work and dreams and laughter and lessons.
|
||
|
Such a day came late in August. In the forenoon Anne and Diana rowed
|
||
|
the delighted twins down the pond to the sandshore to pick "sweet grass"
|
||
|
and paddle in the surf, over which the wind was harping an old lyric
|
||
|
learned when the world was young.
|
||
|
|
||
|
In the afternoon Anne walked down to the old Irving place to see Paul.
|
||
|
She found him stretched out on the grassy bank beside the thick fir
|
||
|
grove that sheltered the house on the north, absorbed in a book of
|
||
|
fairy tales. He sprang up radiantly at sight of her.
|
||
|
|
||
|
"Oh, I'm so glad you've come, teacher," he said eagerly, "because
|
||
|
Grandma's away. You'll stay and have tea with me, won't you?
|
||
|
It's so lonesome to have tea all by oneself. YOU know, teacher.
|
||
|
I've had serious thoughts of asking Young Mary Joe to sit down
|
||
|
and eat her tea with me, but I expect Grandma wouldn't approve.
|
||
|
She says the French have to be kept in their place. And anyhow,
|
||
|
it's difficult to talk with Young Mary Joe. She just laughs and says,
|
||
|
`Well, yous do beat all de kids I ever knowed.' That isn't my idea
|
||
|
of conversation."
|
||
|
|
||
|
"Of course I'll stay to tea," said Anne gaily. "I was dying to be
|
||
|
asked. My mouth has been watering for some more of your grandma's
|
||
|
delicious shortbread ever since I had tea here before."
|
||
|
|
||
|
Paul looked very sober.
|
||
|
|
||
|
"If it depended on me, teacher," he said, standing before Anne with
|
||
|
his hands in his pockets and his beautiful little face shadowed with
|
||
|
sudden care, "You should have shortbread with a right good will.
|
||
|
But it depends on Mary Joe. I heard Grandma tell her before she
|
||
|
left that she wasn't to give me any shortcake because it was too
|
||
|
rich for little boys' stomachs. But maybe Mary Joe will cut some
|
||
|
for you if I promise I won't eat any. Let us hope for the best."
|
||
|
|
||
|
"Yes, let us," agreed Anne, whom this cheerful philosophy suited
|
||
|
exactly, "and if Mary Joe proves hard-hearted and won't give me any
|
||
|
shortbread it doesn't matter in the least, so you are not to worry
|
||
|
over that."
|
||
|
|
||
|
"You're sure you won't mind if she doesn't?" said Paul anxiously.
|
||
|
|
||
|
"Perfectly sure, dear heart."
|
||
|
|
||
|
"Then I won't worry," said Paul, with a long breath of relief,
|
||
|
"especially as I really think Mary Joe will listen to reason.
|
||
|
She's not a naturally unreasonable person, but she has learned
|
||
|
by experience that it doesn't do to disobey Grandma's orders.
|
||
|
Grandma is an excellent woman but people must do as she tells them.
|
||
|
She was very much pleased with me this morning because I managed at
|
||
|
last to eat all my plateful of porridge. It was a great effort but
|
||
|
I succeeded. Grandma says she thinks she'll make a man of me yet.
|
||
|
But, teacher, I want to ask you a very important question.
|
||
|
You will answer it truthfully, won't you?"
|
||
|
|
||
|
"I'll try," promised Anne.
|
||
|
|
||
|
"Do you think I'm wrong in my upper story?" asked Paul, as if his
|
||
|
very existence depended on her reply.
|
||
|
|
||
|
"Goodness, no, Paul," exclaimed Anne in amazement. "Certainly
|
||
|
you're not. What put such an idea into your head?"
|
||
|
|
||
|
"Mary Joe. . .but she didn't know I heard her. Mrs. Peter Sloane's
|
||
|
hired girl, Veronica, came to see Mary Joe last evening and I heard
|
||
|
them talking in the kitchen as I was going through the hall.
|
||
|
I heard Mary Joe say, `Dat Paul, he is de queeres' leetle boy.
|
||
|
He talks dat queer. I tink dere's someting wrong in his upper story.'
|
||
|
I couldn't sleep last night for ever so long, thinking of it, and
|
||
|
wondering if Mary Joe was right. I couldn't bear to ask Grandma
|
||
|
about it somehow, but I made up my mind I'd ask you. I'm so glad
|
||
|
you think I'm all right in my upper story."
|
||
|
|
||
|
"Of course you are. Mary Joe is a silly, ignorant girl, and you
|
||
|
are never to worry about anything she says," said Anne indignantly,
|
||
|
secretly resolving to give Mrs. Irving a discreet hint as to the
|
||
|
advisability of restraining Mary Joe's tongue.
|
||
|
|
||
|
"Well, that's a weight off my mind," said Paul. "I'm perfectly
|
||
|
happy now, teacher, thanks to you. It wouldn't be nice to
|
||
|
have something wrong in your upper story, would it, teacher?
|
||
|
I suppose the reason Mary Joe imagines I have is because I tell
|
||
|
her what I think about things sometimes."
|
||
|
|
||
|
"It is a rather dangerous practice," admitted Anne, out of the
|
||
|
depths of her own experience.
|
||
|
|
||
|
"Well, by and by I'll tell you the thoughts I told Mary Joe and you
|
||
|
can see for yourself if there's anything queer in them," said Paul,
|
||
|
"but I'll wait till it begins to get dark. That is the time I ache
|
||
|
to tell people things, and when nobody else is handy I just HAVE to
|
||
|
tell Mary Joe. But after this I won't, if it makes her imagine I'm
|
||
|
wrong in my upper story. I'll just ache and bear it."
|
||
|
|
||
|
"And if the ache gets too bad you can come up to Green Gables and
|
||
|
tell me your thoughts," suggested Anne, with all the gravity that
|
||
|
endeared her to children, who so dearly love to be taken seriously.
|
||
|
|
||
|
"Yes, I will. But I hope Davy won't be there when I go because he
|
||
|
makes faces at me. I don't mind VERY much because he is such a
|
||
|
little boy and I am quite a big one, but still it is not pleasant
|
||
|
to have faces made at you. And Davy makes such terrible ones.
|
||
|
Sometimes I am frightened he will never get his face straightened
|
||
|
out again. He makes them at me in church when I ought to be thinking
|
||
|
of sacred things. Dora likes me though, and I like her, but not so
|
||
|
well as I did before she told Minnie May Barry that she meant to
|
||
|
marry me when I grew up. I may marry somebody when I grow up but
|
||
|
I'm far too young to be thinking of it yet, don't you think, teacher?"
|
||
|
|
||
|
"Rather young," agreed teacher.
|
||
|
|
||
|
"Speaking of marrying, reminds me of another thing that has been
|
||
|
troubling me of late," continued Paul. "Mrs. Lynde was down here
|
||
|
one day last week having tea with Grandma, and Grandma made me show
|
||
|
her my little mother's picture. . .the one father sent me for my
|
||
|
birthday present. I didn't exactly want to show it to Mrs. Lynde.
|
||
|
Mrs. Lynde is a good, kind woman, but she isn't the sort of person
|
||
|
you want to show your mother's picture to. YOU know, teacher.
|
||
|
But of course I obeyed Grandma. Mrs. Lynde said she was very
|
||
|
pretty ut kind of actressy looking, and must have been an awful lot
|
||
|
younger than father. Then she said, `Some of these days your pa
|
||
|
will be marrying again likely. How will you like to have a new ma,
|
||
|
Master Paul? ' Well, the idea almost took my breath away, teacher,
|
||
|
but I wasn't going to let Mrs. Lynde see THAT. I just looked her
|
||
|
straight in the face. . .like this. . .and I said, `Mrs. Lynde,
|
||
|
father made a pretty good job of picking out my first mother and I
|
||
|
could trust him to pick out just as good a one the second time.'
|
||
|
And I CAN trust him, teacher. But still, I hope, if he ever does
|
||
|
give me a new mother, he'll ask my opinion about her before it's
|
||
|
too late. There's Mary Joe coming to call us to tea. I'll go and
|
||
|
consult with her about the shortbread."
|
||
|
|
||
|
As a result of the "consultation," Mary Joe cut the shortbread and
|
||
|
added a dish of preserves to the bill of fare. Anne poured the tea
|
||
|
and she and Paul had a very merry meal in the dim old sitting room
|
||
|
whose windows were open to the gulf breezes, and they talked so much
|
||
|
"nonsense" that Mary Joe was quite scandalized and told Veronica
|
||
|
the next evening that "de school mees" was as queer as Paul.
|
||
|
After tea Paul took Anne up to his room to show her his
|
||
|
mother's picture, which had been the mysterious birthday present
|
||
|
kept by Mrs. Irving in the bookcase. Paul's little low-ceilinged
|
||
|
room was a soft whirl of ruddy light from the sun that was setting
|
||
|
over the sea and swinging shadows from the fir trees that grew
|
||
|
close to the square, deep-set window. From out this soft glow
|
||
|
and glamor shone a sweet, girlish face, with tender mother eyes,
|
||
|
that was hanging on the wall at the foot of the bed.
|
||
|
|
||
|
"That's my little mother," said Paul with loving pride. "I got
|
||
|
Grandma to hang it there where I'd see it as soon as I opened my
|
||
|
eyes in the morning. I never mind not having the light when I go
|
||
|
to bed now, because it just seems as if my little mother was right
|
||
|
here with me. Father knew just what I would like for a birthday
|
||
|
present, although he never asked me. Isn't it wonderful how much
|
||
|
fathers DO know?"
|
||
|
|
||
|
"Your mother was very lovely, Paul, and you look a little like her.
|
||
|
But her eyes and hair are darker than yours."
|
||
|
|
||
|
"My eyes are the same color as father's," said Paul, flying
|
||
|
about the room to heap all available cushions on the window seat,
|
||
|
"but father's hair is gray. He has lots of it, but it is gray.
|
||
|
You see, father is nearly fifty. That's ripe old age, isn't it?
|
||
|
But it's only OUTSIDE he's old. INSIDE he's just as young as anybody.
|
||
|
Now, teacher, please sit here; and I'll sit at your feet. May I lay
|
||
|
my head against your knee? That's the way my little mother and I
|
||
|
used to sit. Oh, this is real splendid, I think."
|
||
|
|
||
|
"Now, I want to hear those thoughts which Mary Joe pronounces so queer,"
|
||
|
said Anne, patting the mop of curls at her side. Paul never needed any
|
||
|
coaxing to tell his thoughts. . .at least, to congenial souls.
|
||
|
|
||
|
"I thought them out in the fir grove one night," he said dreamily.
|
||
|
"Of course I didn't BELIEVE them but I THOUGHT them. YOU know,
|
||
|
teacher. And then I wanted to tell them to somebody and there was
|
||
|
nobody but Mary Joe. Mary Joe was in the pantry setting bread and
|
||
|
I sat down on the bench beside her and I said, `Mary Joe, do you
|
||
|
know what I think? I think the evening star is a lighthouse on the
|
||
|
land where the fairies dwell.' And Mary Joe said, `Well, yous are
|
||
|
de queer one. Dare ain't no such ting as fairies.' I was very much
|
||
|
provoked. Of course, I knew there are no fairies; but that needn't
|
||
|
prevent my thinking there is. You know, teacher. But I tried
|
||
|
again quite patiently. I said, `Well then, Mary Joe, do you know
|
||
|
what I think? I think an angel walks over the world after the sun
|
||
|
sets. . .a great, tall, white angel, with silvery folded wings. . .
|
||
|
and sings the flowers and birds to sleep. Children can hear him
|
||
|
if they know how to listen.' Then Mary Joe held up her hands
|
||
|
all over flour and said, `Well, yous are de queer leetle boy.
|
||
|
Yous make me feel scare.' And she really did looked scared.
|
||
|
I went out then and whispered the rest of my thoughts to the garden.
|
||
|
There was a little birch tree in the garden and it died. Grandma says
|
||
|
the salt spray killed it; but I think the dryad belonging to it was
|
||
|
a foolish dryad who wandered away to see the world and got lost.
|
||
|
And the little tree was so lonely it died of a broken heart."
|
||
|
|
||
|
"And when the poor, foolish little dryad gets tired of the world
|
||
|
and comes back to her tree HER heart will break," said Anne.
|
||
|
|
||
|
"Yes; but if dryads are foolish they must take the consequences,
|
||
|
just as if they were real people," said Paul gravely. "Do you know
|
||
|
what I think about the new moon, teacher? I think it is a little
|
||
|
golden boat full of dreams."
|
||
|
|
||
|
"And when it tips on a cloud some of them spill out and fall into
|
||
|
your sleep."
|
||
|
|
||
|
"Exactly, teacher. Oh, you DO know. And I think the violets are
|
||
|
little snips of the sky that fell down when the angels cut out
|
||
|
holes for the stars to shine through. And the buttercups are made
|
||
|
out of old sunshine; and I think the sweet peas will be butterflies
|
||
|
when they go to heaven. Now, teacher, do you see anything so very
|
||
|
queer about those thoughts?"
|
||
|
|
||
|
"No, laddie dear, they are not queer at all; they are strange and
|
||
|
beautiful thoughts for a little boy to think, and so people who
|
||
|
couldn't think anything of the sort themselves, if they tried for a
|
||
|
hundred years, think them queer. But keep on thinking them, Paul
|
||
|
. . .some day you are going to be a poet, I believe."
|
||
|
|
||
|
When Anne reached home she found a very different type of boyhood
|
||
|
waiting to be put to bed. Davy was sulky; and when Anne had
|
||
|
undressed him he bounced into bed and buried his face in the pillow.
|
||
|
|
||
|
"Davy, you have forgotten to say your prayers," said Anne rebukingly.
|
||
|
|
||
|
"No, I didn't forget," said Davy defiantly, "but I ain't going to
|
||
|
say my prayers any more. I'm going to give up trying to be good,
|
||
|
'cause no matter how good I am you'd like Paul Irving better.
|
||
|
So I might as well be bad and have the fun of it."
|
||
|
|
||
|
"I don't like Paul Irving BETTER," said Anne seriously. "I like
|
||
|
you just as well, only in a different way."
|
||
|
|
||
|
"But I want you to like me the same way," pouted Davy.
|
||
|
|
||
|
"You can't like different people the same way. You don't like Dora
|
||
|
and me the same way, do you?"
|
||
|
|
||
|
Davy sat up and reflected.
|
||
|
|
||
|
"No. . .o. . .o," he admitted at last, "I like Dora because she's
|
||
|
my sister but I like you because you're YOU."
|
||
|
|
||
|
"And I like Paul because he is Paul and Davy because he is Davy,"
|
||
|
said Anne gaily.
|
||
|
|
||
|
"Well, I kind of wish I'd said my prayers then," said Davy, convinced
|
||
|
by this logic. "But it's too much bother getting out now to say them.
|
||
|
I'll say them twice over in the morning, Anne. Won't that do as well?"
|
||
|
|
||
|
No, Anne was positive it would not do as well. So Davy scrambled
|
||
|
out and knelt down at her knee. When he had finished his devotions
|
||
|
he leaned back on his little, bare, brown heels and looked up at her.
|
||
|
|
||
|
"Anne, I'm gooder than I used to be."
|
||
|
|
||
|
"Yes, indeed you are, Davy," said Anne, who never hesitated to give
|
||
|
credit where credit was due.
|
||
|
|
||
|
"I KNOW I'm gooder," said Davy confidently, "and I'll tell you how
|
||
|
I know it. Today Marilla give me two pieces of bread and jam, one
|
||
|
for me and one for Dora. One was a good deal bigger than the other
|
||
|
and Marilla didn't say which was mine. But I give the biggest
|
||
|
piece to Dora. That was good of me, wasn't it?"
|
||
|
|
||
|
"Very good, and very manly, Davy."
|
||
|
|
||
|
"Of course," admitted Davy, "Dora wasn't very hungry and she only et
|
||
|
half her slice and then she give the rest to me. But I didn't know
|
||
|
she was going to do that when I give it to her, so I WAS good, Anne."
|
||
|
|
||
|
In the twilight Anne sauntered down to the Dryad's Bubble and saw
|
||
|
Gilbert Blythe coming down through the dusky Haunted Wood. She had
|
||
|
a sudden realization that Gilbert was a schoolboy no longer. And
|
||
|
how manly he looked -- the tall, frank-faced fellow, with the
|
||
|
clear, straightforward eyes and the broad shoulders. Anne thought
|
||
|
Gilbert was a very handsome lad, even though he didn't look at all
|
||
|
like her ideal man. She and Diana had long ago decided what kind
|
||
|
of a man they admired and their tastes seemed exactly similar. He
|
||
|
must be very tall and distinguished looking, with melancholy,
|
||
|
inscrutable eyes, and a melting, sympathetic voice. There was
|
||
|
nothing either melancholy or inscrutable in Gilbert's physiognomy,
|
||
|
but of course that didn't matter in friendship!
|
||
|
|
||
|
Gilbert stretched himself out on the ferns beside the Bubble and
|
||
|
looked approvingly at Anne. If Gilbert had been asked to describe
|
||
|
his ideal woman the description would have answered point for point
|
||
|
to Anne, even to those seven tiny freckles whose obnoxious presence
|
||
|
still continued to vex her soul. Gilbert was as yet little more
|
||
|
than a boy; but a boy has his dreams as have others, and in
|
||
|
Gilbert's future there was always a girl with big, limpid gray
|
||
|
eyes, and a face as fine and delicate as a flower. He had made up
|
||
|
his mind, also, that his future must be worthy of its goddess.
|
||
|
Even in quiet Avonlea there were temptations to be met and faced.
|
||
|
White Sands youth were a rather "fast" set, and Gilbert was popular
|
||
|
wherever he went. But he meant to keep himself worthy of Anne's
|
||
|
friendship and perhaps some distant day her love; and he watched
|
||
|
over word and thought and deed as jealously as if her clear eyes
|
||
|
were to pass in judgment on it. She held over him the unconscious
|
||
|
influence that every girl, whose ideals are high and pure, wields
|
||
|
over her friends; an influence which would endure as long as she
|
||
|
was faithful to those ideals and which she would as certainly lose
|
||
|
if she were ever false to them. In Gilbert's eyes Anne's greatest
|
||
|
charm was the fact that she never stooped to the petty practices of
|
||
|
so many of the Avonlea girls -- the small jealousies, the little
|
||
|
deceits and rivalries, the palpable bids for favor. Anne held
|
||
|
herself apart from all this, not consciously or of design, but
|
||
|
simply because anything of the sort was utterly foreign to her
|
||
|
transparent, impulsive nature, crystal clear in its motives and
|
||
|
aspirations.
|
||
|
|
||
|
But Gilbert did not attempt to put his thoughts into words, for he
|
||
|
had already too good reason to know that Anne would mercilessly and
|
||
|
frostily nip all attempts at sentiment in the bud -- or laugh at him,
|
||
|
which was ten times worse.
|
||
|
|
||
|
"You look like a real dryad under that birch tree," he said teasingly.
|
||
|
|
||
|
"I love birch trees," said Anne, laying her cheek against the creamy
|
||
|
satin of the slim bole, with one of the pretty, caressing gestures
|
||
|
that came so natural to her.
|
||
|
|
||
|
"Then you'll be glad to hear that Mr. Major Spencer has decided
|
||
|
to set out a row of white birches all along the road front of
|
||
|
his farm, by way of encouraging the A.V.I.S.," said Gilbert.
|
||
|
"He was talking to me about it today. Major Spencer is the most
|
||
|
progressive and public-spirited man in Avonlea. And Mr. William
|
||
|
Bell is going to set out a spruce hedge along his road front and up
|
||
|
his lane. Our Society is getting on splendidly, Anne. It is past
|
||
|
the experimental stage and is an accepted fact. The older folks
|
||
|
are beginning to take an interest in it and the White Sands people
|
||
|
are talking of starting one too. Even Elisha Wright has come
|
||
|
around since that day the Americans from the hotel had the picnic
|
||
|
at the shore. They praised our roadsides so highly and said they
|
||
|
were so much prettier than in any other part of the Island. And
|
||
|
when, in due time, the other farmers follow Mr. Spencer's good
|
||
|
example and plant ornamental trees and hedges along their road
|
||
|
fronts Avonlea will be the prettiest settlement in the province."
|
||
|
|
||
|
"The Aids are talking of taking up the graveyard," said Anne, "and I
|
||
|
hope they will, because there will have to be a subscription for that,
|
||
|
and it would be no use for the Society to try it after the hall affair.
|
||
|
But the Aids would never have stirred in the matter if the Society
|
||
|
hadn't put it into their thoughts unofficially. Those trees we
|
||
|
planted on the church grounds are flourishing, and the trustees
|
||
|
have promised me that they will fence in the school grounds next year.
|
||
|
If they do I'll have an arbor day and every scholar shall plant a tree;
|
||
|
and we'll have a garden in the corner by the road."
|
||
|
|
||
|
"We've succeeded in almost all our plans so far, except in getting the old
|
||
|
Boulter house removed," said Gilbert, "and I've given THAT up in despair.
|
||
|
Levi won't have it taken down just to vex us. There's a contrary streak
|
||
|
in all the Boulters and it's strongly developed in him."
|
||
|
|
||
|
"Julia Bell wants to send another committee to him, but I think the
|
||
|
better way will just be to leave him severely alone," said Anne sagely.
|
||
|
|
||
|
"And trust to Providence, as Mrs. Lynde says," smiled Gilbert.
|
||
|
"Certainly, no more committees. They only aggravate him.
|
||
|
Julia Bell thinks you can do anything, if you only have a committee
|
||
|
to attempt it. Next spring, Anne, we must start an agitation for
|
||
|
nice lawns and grounds. We'll sow good seed betimes this winter.
|
||
|
I've a treatise here on lawns and lawnmaking and I'm going to prepare
|
||
|
a paper on the subject soon. Well, I suppose our vacation is almost
|
||
|
over. School opens Monday. Has Ruby Gillis got the Carmody school?"
|
||
|
|
||
|
"Yes; Priscilla wrote that she had taken her own home school, so
|
||
|
the Carmody trustees gave it to Ruby. I'm sorry Priscilla is not
|
||
|
coming back, but since she can't I'm glad Ruby has got the school.
|
||
|
She will be home for Saturdays and it will seem like old times,
|
||
|
to have her and Jane and Diana and myself all together again."
|
||
|
|
||
|
Marilla, just home from Mrs. Lynde's, was sitting on the back
|
||
|
porch step when Anne returned to the house.
|
||
|
|
||
|
"Rachel and I have decided to have our cruise to town tomorrow,"
|
||
|
she said. "Mr. Lynde is feeling better this week and Rachel wants
|
||
|
to go before he has another sick spell."
|
||
|
|
||
|
"I intend to get up extra early tomorrow morning, for I've ever so
|
||
|
much to do," said Anne virtuously. "For one thing, I'm going to
|
||
|
shift the feathers from my old bedtick to the new one. I ought to
|
||
|
have done it long ago but I've just kept putting it off. . .
|
||
|
it's such a detestable task. It's a very bad habit to put off
|
||
|
disagreeable things, and I never mean to again, or else I can't
|
||
|
comfortably tell my pupils not to do it. That would be inconsistent.
|
||
|
Then I want to make a cake for Mr. Harrison and finish my paper
|
||
|
on gardens for the A.V.I.S., and write Stella, and wash and starch
|
||
|
my muslin dress, and make Dora's new apron."
|
||
|
|
||
|
"You won't get half done," said Marilla pessimistically. "I never yet
|
||
|
planned to do a lot of things but something happened to prevent me."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XX
|
||
|
|
||
|
The Way It Often Happens
|
||
|
|
||
|
|
||
|
Anne rose betimes the next morning and blithely greeted the fresh day,
|
||
|
when the banners of the sunrise were shaken triumphantly across the
|
||
|
pearly skies. Green Gables lay in a pool of sunshine, flecked with
|
||
|
the dancing shadows of poplar and willow. Beyond the land was
|
||
|
Mr. Harrison's wheatfield, a great, windrippled expanse of pale gold.
|
||
|
The world was so beautiful that Anne spent ten blissful minutes
|
||
|
hanging idly over the garden gate drinking the loveliness in.
|
||
|
|
||
|
After breakfast Marilla made ready for her journey. Dora was to go
|
||
|
with her, having been long promised this treat.
|
||
|
|
||
|
"Now, Davy, you try to be a good boy and don't bother Anne," she
|
||
|
straitly charged him. "If you are good I'll bring you a striped
|
||
|
candy cane from town."
|
||
|
|
||
|
For alas, Marilla had stooped to the evil habit of bribing people
|
||
|
to be good!
|
||
|
|
||
|
"I won't be bad on purpose, but s'posen I'm bad zacksidentally?"
|
||
|
Davy wanted to know.
|
||
|
|
||
|
"You'll have to guard against accidents," admonished Marilla.
|
||
|
"Anne, if Mr. Shearer comes today get a nice roast and some steak.
|
||
|
If he doesn't you'll have to kill a fowl for dinner tomorrow."
|
||
|
|
||
|
Anne nodded.
|
||
|
|
||
|
"I'm not going to bother cooking any dinner for just Davy and myself today,"
|
||
|
she said. "That cold ham bone will do for noon lunch and I'll have some
|
||
|
steak fried for you when you come home at night."
|
||
|
|
||
|
"I'm going to help Mr. Harrison haul dulse this morning," announced Davy.
|
||
|
"He asked me to, and I guess he'll ask me to dinner too. Mr. Harrison is
|
||
|
an awful kind man. He's a real sociable man. I hope I'll be like him
|
||
|
when I grow up. I mean BEHAVE like him. . .I don't want to LOOK like him.
|
||
|
But I guess there's no danger, for Mrs. Lynde says I'm a very handsome child.
|
||
|
Do you s'pose it'll last, Anne? I want to know"
|
||
|
|
||
|
"I daresay it will," said Anne gravely. "You ARE a handsome boy, Davy,"
|
||
|
. . .Marilla looked volumes of disapproval. . ."but you must live up to
|
||
|
it and be just as nice and gentlemanly as you look to be."
|
||
|
|
||
|
"And you told Minnie May Barry the other day, when you found her crying
|
||
|
'cause some one said she was ugly, that if she was nice and kind and
|
||
|
loving people wouldn't mind her looks," said Davy discontentedly.
|
||
|
"Seems to me you can't get out of being good in this world for
|
||
|
some reason or 'nother. You just HAVE to behave."
|
||
|
|
||
|
"Don't you want to be good?" asked Marilla, who had learned a great
|
||
|
deal but had not yet learned the futility of asking such questions.
|
||
|
|
||
|
"Yes, I want to be good but not TOO good," said Davy cautiously.
|
||
|
"You don't have to be very good to be a Sunday School superintendent.
|
||
|
Mr. Bell's that, and he's a real bad man."
|
||
|
|
||
|
"Indeed he's not," said Marila indignantly.
|
||
|
|
||
|
"He is. . .he says he is himself," asseverated Davy. "He said it
|
||
|
when he prayed in Sunday School last Sunday. He said he was a vile
|
||
|
worm and a miserable sinner and guilty of the blackest 'niquity.
|
||
|
What did he do that was so bad, Marilla? Did he kill anybody?
|
||
|
Or steal the collection cents? I want to know."
|
||
|
|
||
|
Fortunately Mrs. Lynde came driving up the lane at this moment and
|
||
|
Marilla made off, feeling that she had escaped from the snare of
|
||
|
the fowler, and wishing devoutly that Mr. Bell were not quite so
|
||
|
highly figurative in his public petitions, especially in the
|
||
|
hearing of small boys who were always "wanting to know."
|
||
|
|
||
|
Anne, left alone in her glory, worked with a will. The floor was
|
||
|
swept, the beds made, the hens fed, the muslin dress washed and
|
||
|
hung out on the line. Then Anne prepared for the transfer of
|
||
|
feathers. She mounted to the garret and donned the first old dress
|
||
|
that came to hand. . .a navy blue cashmere she had worn at
|
||
|
fourteen. It was decidedly on the short side and as "skimpy" as
|
||
|
the notable wincey Anne had worn upon the occasion of her debut at
|
||
|
Green Gables; but at least it would not be materially injured by
|
||
|
down and feathers. Anne completed her toilet by tying a big red
|
||
|
and white spotted handkerchief that had belonged to Matthew over
|
||
|
her head, and, thus accoutred, betook herself to the kitchen
|
||
|
chamber, whither Marilla, before her departure, had helped her
|
||
|
carry the feather bed.
|
||
|
|
||
|
A cracked mirror hung by the chamber window and in an unlucky
|
||
|
moment Anne looked into it. There were those seven freckles on her
|
||
|
nose, more rampant than ever, or so it seemed in the glare of light
|
||
|
from the unshaded window.
|
||
|
|
||
|
"Oh, I forgot to rub that lotion on last night," she thought.
|
||
|
"I'd better run down to the pantry and do it now."
|
||
|
|
||
|
Anne had already suffered many things trying to remove those freckles.
|
||
|
On one occasion the entire skin had peeled off her nose but the
|
||
|
freckles remained. A few days previously she had found a recipe
|
||
|
for a freckle lotion in a magazine and, as the ingredients were
|
||
|
within her reach, she straightway compounded it, much to the disgust
|
||
|
of Marilla, who thought that if Providence had placed freckles on
|
||
|
your nose it was your bounden duty to leave them there.
|
||
|
|
||
|
Anne scurried down to the pantry, which, always dim from the big
|
||
|
willow growing close to the window, was now almost dark by reason
|
||
|
of the shade drawn to exclude flies. Anne caught the bottle
|
||
|
containing the lotion from the shelf and copiously anointed her
|
||
|
nose therewith by means of a little sponge sacred to the purpose.
|
||
|
This important duty done, she returned to her work. Any one who
|
||
|
has ever shifted feathers from one tick to another will not need to
|
||
|
be told that when Anne finished she was a sight to behold. Her
|
||
|
dress was white with down and fluff, and her front hair, escaping from
|
||
|
under the handkerchief, was adorned with a veritable halo of feathers.
|
||
|
At this auspicious moment a knock sounded at the kitchen door.
|
||
|
|
||
|
"That must be Mr. Shearer," thought Anne. "I'm in a dreadful mess
|
||
|
but I'll have to run down as I am, for he's always in a hurry."
|
||
|
|
||
|
Down flew Anne to the kitchen door. If ever a charitable floor did
|
||
|
open to swallow up a miserable, befeathered damsel the Green Gables
|
||
|
porch floor should promptly have engulfed Anne at that moment.
|
||
|
On the doorstep were standing Priscilla Grant, golden and fair
|
||
|
in silk attire, a short, stout gray-haired lady in a tweed suit,
|
||
|
and another lady, tall stately, wonderfully gowned, with a
|
||
|
beautiful, highbred face and large, black-lashed violet eyes,
|
||
|
whom Anne "instinctively felt," as she would have said in her
|
||
|
earlier days, to be Mrs. Charlotte E. Morgan.
|
||
|
|
||
|
In the dismay of the moment one thought stood out from the
|
||
|
confusion of Anne's mind and she grasped at it as at the proverbial
|
||
|
straw. All Mrs. Morgan's heroines were noted for "rising to the
|
||
|
occasion." No matter what their troubles were, they invariably rose
|
||
|
to the occasion and showed their superiority over all ills of time,
|
||
|
space, and quantity. Anne therefore felt it was HER duty to rise
|
||
|
to the occasion and she did it, so perfectly that Priscilla
|
||
|
afterward declared she never admired Anne Shirley more than
|
||
|
at that moment. No matter what her outraged feelings were
|
||
|
she did not show them. She greeted Priscilla and was introduced
|
||
|
to her companions as calmly and composedly as if she had been
|
||
|
arrayed in purple and fine linen. To be sure, it was somewhat
|
||
|
of a shock to find that the lady she had instinctively felt
|
||
|
to be Mrs. Morgan was not Mrs. Morgan at all, but an unknown
|
||
|
Mrs. Pendexter, while the stout little gray-haired woman was
|
||
|
Mrs. Morgan; but in the greater shock the lesser lost its power.
|
||
|
Anne ushered her guests to the spare room and thence into the parlor,
|
||
|
where she left them while she hastened out to help Priscilla
|
||
|
unharness her horse.
|
||
|
|
||
|
"It's dreadful to come upon you so unexpectedly as this,"
|
||
|
apologized Priscilla, "but I did not know till last night that we
|
||
|
were coming. Aunt Charlotte is going away Monday and she had
|
||
|
promised to spend today with a friend in town. But last night her
|
||
|
friend telephoned to her not to come because they were quarantined
|
||
|
for scarlet fever. So I suggested we come here instead, for I knew
|
||
|
you were longing to see her. We called at the White Sands Hotel and
|
||
|
brought Mrs. Pendexter with us. She is a friend of aunt's and lives
|
||
|
in New York and her husband is a millionaire. We can't stay very long,
|
||
|
for Mrs. Pendexter has to be back at the hotel by five o'clock."
|
||
|
|
||
|
Several times while they were putting away the horse Anne caught
|
||
|
Priscilla looking at her in a furtive, puzzled way.
|
||
|
|
||
|
"She needn't stare at me so," Anne thought a little resentfully.
|
||
|
"If she doesn't KNOW what it is to change a feather bed she might
|
||
|
IMAGINE it."
|
||
|
|
||
|
When Priscilla had gone to the parlor, and before Anne could escape
|
||
|
upstairs, Diana walked into the kitchen. Anne caught her astonished
|
||
|
friend by the arm.
|
||
|
|
||
|
"Diana Barry, who do you suppose is in that parlor at this very
|
||
|
moment? Mrs. Charlotte E. Morgan. . .and a New York millionaire's
|
||
|
wife. . .and here I am like THIS. . .and NOT A THING IN THE HOUSE
|
||
|
FOR DINNER BUT A COLD HAM BONE, Diana!"
|
||
|
|
||
|
By this time Anne had become aware that Diana was staring at her
|
||
|
in precisely the same bewildered fashion as Priscilla had done.
|
||
|
It was really too much.
|
||
|
|
||
|
"Oh, Diana, don't look at me so," she implored. "YOU, at least,
|
||
|
must know that the neatest person in the world couldn't empty
|
||
|
feathers from one tick into another and remain neat in the process."
|
||
|
|
||
|
"It. . .it. . .isn't the feathers," hesitated Diana. "It's. . .
|
||
|
it's. . .your nose, Anne."
|
||
|
|
||
|
"My nose? Oh, Diana, surely nothing has gone wrong with it!"
|
||
|
|
||
|
Anne rushed to the little looking glass over the sink. One glance
|
||
|
revealed the fatal truth. Her nose was a brilliant scarlet!
|
||
|
|
||
|
Anne sat down on the sofa, her dauntless spirit subdued at last.
|
||
|
|
||
|
"What is the matter with it?" asked Diana, curiosity overcoming delicacy.
|
||
|
|
||
|
"I thought I was rubbing my freckle lotion on it, but I must have
|
||
|
used that red dye Marilla has for marking the pattern on her rugs,"
|
||
|
was the despairing response. "What shall I do?"
|
||
|
|
||
|
"Wash it off," said Diana practically.
|
||
|
|
||
|
"Perhaps it won't wash off. First I dye my hair; then I dye my nose.
|
||
|
Marilla cut my hair off when I dyed it but that remedy would hardly be
|
||
|
practicable in this case. Well, this is another punishment for vanity
|
||
|
and I suppose I deserve it. . .though there's not much comfort in THAT.
|
||
|
It is really almost enough to make one believe in ill-luck, though Mrs.
|
||
|
Lynde says there is no such thing, because everything is foreordained."
|
||
|
|
||
|
Fortunately the dye washed off easily and Anne, somewhat consoled,
|
||
|
betook herself to the east gable while Diana ran home. Presently
|
||
|
Anne came down again, clothed and in her right mind. The muslin
|
||
|
dress she had fondly hoped to wear was bobbing merrily about on the
|
||
|
line outside, so she was forced to content herself with her black
|
||
|
lawn. She had the fire on and the tea steeping when Diana
|
||
|
returned; the latter wore HER muslin, at least, and carried a
|
||
|
covered platter in her hand.
|
||
|
|
||
|
"Mother sent you this," she said, lifting the cover and displaying
|
||
|
a nicely carved and jointed chicken to Anne's greatful eyes.
|
||
|
|
||
|
The chicken was supplemented by light new bread, excellent butter
|
||
|
and cheese, Marilla's fruit cake and a dish of preserved plums,
|
||
|
floating in their golden syrup as in congealed summer sunshine.
|
||
|
There was a big bowlful of pink-and-white asters also, by way of
|
||
|
decoration; yet the spread seemed very meager beside the elaborate
|
||
|
one formerly prepared for Mrs. Morgan.
|
||
|
|
||
|
Anne's hungry guests, however, did not seem to think anything was
|
||
|
lacking and they ate the simple viands with apparent enjoyment.
|
||
|
But after the first few moments Anne thought no more of what was
|
||
|
or was not on her bill of fare. Mrs. Morgan's appearance might be
|
||
|
somewhat disappointing, as even her loyal worshippers had been
|
||
|
forced to admit to each other; but she proved to be a delightful
|
||
|
conversationalist. She had traveled extensively and was an
|
||
|
excellent storyteller. She had seen much of men and women, and
|
||
|
crystalized her experiences into witty little sentences and
|
||
|
epigrams which made her hearers feel as if they were listening to
|
||
|
one of the people in clever books. But under all her sparkle there
|
||
|
was a strongly felt undercurrent of true, womanly sympathy and
|
||
|
kindheartedness which won affection as easily as her brilliancy won
|
||
|
admiration. Nor did she monopolize the conversation. She could
|
||
|
draw others out as skillfully and fully as she could talk herself,
|
||
|
and Anne and Diana found themselves chattering freely to her. Mrs.
|
||
|
Pendexter said little; she merely smiled with her lovely eyes and lips,
|
||
|
and ate chicken and fruit cake and preserves with such exquisite grace
|
||
|
that she conveyed the impression of dining on ambrosia and honeydew.
|
||
|
But then, as Anne said to Diana later on, anybody so divinely beautiful
|
||
|
as Mrs. Pendexter didn't need to talk; it was enough for her just to LOOK.
|
||
|
|
||
|
After dinner they all had a walk through Lover's Lane and Violet
|
||
|
Vale and the Birch Path, then back through the Haunted Wood to the
|
||
|
Dryad's Bubble, where they sat down and talked for a delightful
|
||
|
last half hour. Mrs. Morgan wanted to know how the Haunted Wood
|
||
|
came by its name, and laughed until she cried when she heard the
|
||
|
story and Anne's dramatic account of a certain memorable walk
|
||
|
through it at the witching hour of twilight.
|
||
|
|
||
|
"It has indeed been a feast of reason and flow of soul, hasn't it?"
|
||
|
said Anne, when her guests had gone and she and Diana were alone again.
|
||
|
"I don't know which I enjoyed more. . .listening to Mrs. Morgan or
|
||
|
gazing at Mrs. Pendexter. I believe we had a nicer time than if
|
||
|
we'd known they were coming and been cumbered with much serving.
|
||
|
You must stay to tea with me, Diana, and we'll talk it all over."
|
||
|
|
||
|
"Priscilla says Mrs. Pendexter's husband's sister is married to an
|
||
|
English earl; and yet she took a second helping of the plum preserves,"
|
||
|
said Diana, as if the two facts were somehow incompatible.
|
||
|
|
||
|
"I daresay even the English earl himself wouldn't have turned up his
|
||
|
aristocratic nose at Marilla's plum preserves," said Anne proudly.
|
||
|
|
||
|
Anne did not mention the misfortune which had befallen HER nose when she
|
||
|
related the day's history to Marilla that evening. But she took the
|
||
|
bottle of freckle lotion and emptied it out of the window.
|
||
|
|
||
|
"I shall never try any beautifying messes again," she said, darkly
|
||
|
resolute. "They may do for careful, deliberate people; but for
|
||
|
anyone so hopelessly given over to making mistakes as I seem to be
|
||
|
it's tempting fate to meddle with them."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXI
|
||
|
|
||
|
Sweet Miss Lavendar
|
||
|
|
||
|
|
||
|
School opened and Anne returned to her work, with fewer theories but
|
||
|
considerably more experience. She had several new pupils, six- and
|
||
|
seven-year-olds just venturing, round-eyed, into a world of wonder.
|
||
|
Among them were Davy and Dora. Davy sat with Milty Boulter, who had been
|
||
|
going to school for a year and was therefore quite a man of the world.
|
||
|
Dora had made a compact at Sunday School the previous Sunday to sit
|
||
|
with Lily Sloane; but Lily Sloane not coming the first day, she was
|
||
|
temporarily assigned to Mirabel Cotton, who was ten years old and
|
||
|
therefore, in Dora's eyes, one of the "big girls."
|
||
|
|
||
|
"I think school is great fun," Davy told Marilla when he got home
|
||
|
that night. "You said I'd find it hard to sit still and I did. . .
|
||
|
you mostly do tell the truth, I notice. . .but you can wriggle
|
||
|
your legs about under the desk and that helps a lot. It's splendid
|
||
|
to have so many boys to play with. I sit with Milty Boulter and
|
||
|
he's fine. He's longer than me but I'm wider. It's nicer to sit
|
||
|
in the back seats but you can't sit there till your legs grow long
|
||
|
enough to touch the floor. Milty drawed a picture of Anne on his
|
||
|
slate and it was awful ugly and I told him if he made pictures of
|
||
|
Anne like that I'd lick him at recess. I thought first I'd draw
|
||
|
one of him and put horns and a tail on it, but I was afraid it
|
||
|
would hurt his feelings, and Anne says you should never hurt
|
||
|
anyone's feelings. It seems it's dreadful to have your feelings
|
||
|
hurt. It's better to knock a boy down than hurt his feelings if
|
||
|
you MUST do something. Milty said he wasn't scared of me but he'd
|
||
|
just as soon call it somebody else to 'blige me, so he rubbed out
|
||
|
Anne's name and printed Barbara Shaw's under it. Milty doesn't
|
||
|
like Barbara 'cause she calls him a sweet little boy and once she
|
||
|
patted him on his head."
|
||
|
|
||
|
Dora said primly that she liked school; but she was very quiet,
|
||
|
even for her; and when at twilight Marilla bade her go upstairs to
|
||
|
bed she hesitated and began to cry.
|
||
|
|
||
|
"I'm. . .I'm frightened," she sobbed. "I. . .I don't want to go
|
||
|
upstairs alone in the dark."
|
||
|
|
||
|
"What notion have you got into your head now?" demanded Marilla.
|
||
|
"I'm sure you've gone to bed alone all summer and never been
|
||
|
frightened before."
|
||
|
|
||
|
Dora still continued to cry, so Anne picked her up, cuddled her
|
||
|
sympathetically, and whispered,
|
||
|
|
||
|
"Tell Anne all about it, sweetheart. What are you frightened of?"
|
||
|
|
||
|
"Of. . .of Mirabel Cotton's uncle," sobbed Dora. "Mirabel Cotton told
|
||
|
me all about her family today in school. Nearly everybody in her
|
||
|
family has died. . .all her grandfathers and grandmothers and ever
|
||
|
so many uncles and aunts. They have a habit of dying, Mirabel says.
|
||
|
Mirabel's awful proud of having so many dead relations, and she told
|
||
|
me what they all died of, and what they said, and how they looked in
|
||
|
their coffins. And Mirabel says one of her uncles was seen walking
|
||
|
around the house after he was buried. Her mother saw him. I don't
|
||
|
mind the rest so much but I can't help thinking about that uncle."
|
||
|
|
||
|
Anne went upstairs with Dora and sat by her until she fell asleep.
|
||
|
The next day Mirabel Cotton was kept in at recess and "gently but
|
||
|
firmly" given to understand that when you were so unfortunate as to
|
||
|
possess an uncle who persisted in walking about houses after he had
|
||
|
been decently interred it was not in good taste to talk about that
|
||
|
eccentric gentleman to your deskmate of tender years. Mirabel
|
||
|
thought this very harsh. The Cottons had not much to boast of.
|
||
|
How was she to keep up her prestige among her schoolmates if she
|
||
|
were forbidden to make capital out of the family ghost?
|
||
|
|
||
|
September slipped by into a gold and crimson graciousness of October.
|
||
|
One Friday evening Diana came over.
|
||
|
|
||
|
"I'd a letter from Ella Kimball today, Anne, and she wants us to go over
|
||
|
to tea tomorrow afternoon to meet her cousin, Irene Trent, from town.
|
||
|
But we can't get one of our horses to go, for they'll all be in use
|
||
|
tomorrow, and your pony is lame. . .so I suppose we can't go."
|
||
|
|
||
|
"Why can't we walk?" suggested Anne. "If we go straight back
|
||
|
through the woods we'll strike the West Grafton road not far from
|
||
|
the Kimball place. I was through that way last winter and I know
|
||
|
the road. It's no more than four miles and we won't have to walk
|
||
|
home, for Oliver Kimball will be sure to drive us. He'll be only
|
||
|
too glad of the excuse, for he goes to see Carrie Sloane and they
|
||
|
say his father will hardly ever let him have a horse."
|
||
|
|
||
|
It was accordingly arranged that they should walk, and the
|
||
|
following afternoon they set out, going by way of Lover's Lane to
|
||
|
the back of the Cuthbert farm, where they found a road leading into
|
||
|
the heart of acres of glimmering beech and maple woods, which were
|
||
|
all in a wondrous glow of flame and gold, lying in a great purple
|
||
|
stillness and peace.
|
||
|
|
||
|
"It's as if the year were kneeling to pray in a vast cathedral full
|
||
|
of mellow stained light, isn't it?" said Anne dreamily. "It doesn't
|
||
|
seem right to hurry through it, does it? It seems irreverent,
|
||
|
like running in a church."
|
||
|
|
||
|
"We MUST hurry though," said Diana, glancing at her watch.
|
||
|
"We've left ourselves little enough time as it is."
|
||
|
|
||
|
"Well, I'll walk fast but don't ask me to talk," said Anne, quickening
|
||
|
her pace. "I just want to drink the day's loveliness in. . .I feel as
|
||
|
if she were holding it out to my lips like a cup of airy wine and
|
||
|
I'll take a sip at every step."
|
||
|
|
||
|
Perhaps it was because she was so absorbed in "drinking it in" that
|
||
|
Anne took the left turning when they came to a fork in the road.
|
||
|
She should have taken the right, but ever afterward she counted it
|
||
|
the most fortunate mistake of her life. They came out finally to a
|
||
|
lonely, grassy road, with nothing in sight along it but ranks of
|
||
|
spruce saplings.
|
||
|
|
||
|
"Why, where are we?" exclaimed Diana in bewilderment. "This isn't
|
||
|
the West Grafton road."
|
||
|
|
||
|
"No, it's the base line road in Middle Grafton," said Anne, rather
|
||
|
shamefacedly. "I must have taken the wrong turning at the fork.
|
||
|
I don't know where we are exactly, but we must be all of three miles
|
||
|
from Kimballs' still."
|
||
|
|
||
|
"Then we can't get there by five, for it's half past four now,"
|
||
|
said Diana, with a despairing look at her watch. "We'll arrive
|
||
|
after they have had their tea, and they'll have all the bother of
|
||
|
getting ours over again."
|
||
|
|
||
|
"We'd better turn back and go home," suggested Anne humbly.
|
||
|
But Diana, after consideration, vetoed this.
|
||
|
|
||
|
"No, we may as well go and spend the evening, since we
|
||
|
have come this far"
|
||
|
|
||
|
A few yards further on the girls came to a place where
|
||
|
the road forked again.
|
||
|
|
||
|
"Which of these do we take?" asked Diana dubiously.
|
||
|
|
||
|
Anne shook her head.
|
||
|
|
||
|
"I don't know and we can't afford to make any more mistakes. Here
|
||
|
is a gate and a lane leading right into the wood. There must be a
|
||
|
house at the other side. Let us go down and inquire."
|
||
|
|
||
|
"What a romantic old lane this it," said Diana, as they walked
|
||
|
along its twists and turns. It ran under patriarchal old firs
|
||
|
whose branches met above, creating a perpetual gloom in which
|
||
|
nothing except moss could grow. On either hand were brown wood
|
||
|
floors, crossed here and there by fallen lances of sunlight.
|
||
|
All was very still and remote, as if the world and the cares
|
||
|
of the world were far away.
|
||
|
|
||
|
"I feel as if we were walking through an enchanted forest," said
|
||
|
Anne in a hushed tone. "Do you suppose we'll ever find our way
|
||
|
back to the real world again, Diana? We shall presently come to a
|
||
|
palace with a spellbound princess in it, I think."
|
||
|
|
||
|
Around the next turn they came in sight, not indeed of a palace,
|
||
|
but of a little house almost as surprising as a palace would have
|
||
|
been in this province of conventional wooden farmhouses, all as
|
||
|
much alike in general characteristics as if they had grown from the
|
||
|
same seed. Anne stopped short in rapture and Diana exclaimed,
|
||
|
"Oh, I know where we are now. That is the little stone house where
|
||
|
Miss Lavendar Lewis lives. . .Echo Lodge, she calls it, I think.
|
||
|
I've often heard of it but I've never seen it before. Isn't it a
|
||
|
romantic spot?"
|
||
|
|
||
|
"It's the sweetest, prettiest place I ever saw or imagined," said
|
||
|
Anne delightedly. "It looks like a bit out of a story book or a dream."
|
||
|
|
||
|
The house was a low-eaved structure built of undressed blocks of
|
||
|
red Island sandstone, with a little peaked roof out of which peered
|
||
|
two dormer windows, with quaint wooden hoods over them, and two
|
||
|
great chimneys. The whole house was covered with a luxuriant
|
||
|
growth of ivy, finding easy foothold on the rough stonework and
|
||
|
turned by autumn frosts to most beautiful bronze and wine-red tints.
|
||
|
|
||
|
Before the house was an oblong garden into which the lane gate
|
||
|
where the girls were standing opened. The house bounded it on
|
||
|
one side; on the three others it was enclosed by an old stone dyke,
|
||
|
so overgrown with moss and grass and ferns that it looked like a high,
|
||
|
green bank. On the right and left the tall, dark spruces spread
|
||
|
their palm-like branches over it; but below it was a little meadow,
|
||
|
green with clover aftermath, sloping down to the blue loop of the
|
||
|
Grafton River. No other house or clearing was in sight. . .nothing
|
||
|
but hills and valleys covered with feathery young firs.
|
||
|
|
||
|
"I wonder what sort of a person Miss Lewis is," speculated Diana as
|
||
|
they opened the gate into the garden. "They say she is very peculiar."
|
||
|
|
||
|
"She'll be interesting then," said Anne decidedly. "Peculiar people
|
||
|
are always that at least, whatever else they are or are not.
|
||
|
Didn't I tell you we would come to an enchanted palace?
|
||
|
I knew the elves hadn't woven magic over that lane for nothing."
|
||
|
|
||
|
"But Miss Lavendar Lewis is hardly a spellbound princess," laughed
|
||
|
Diana. "She's an old maid. . .she's forty-five and quite gray,
|
||
|
I've heard."
|
||
|
|
||
|
"Oh, that's only part of the spell," asserted Anne confidently.
|
||
|
"At heart she's young and beautiful still. . .and if we only knew
|
||
|
how to unloose the spell she would step forth radiant and fair again.
|
||
|
But we don't know how. . .it's always and only the prince who knows that
|
||
|
. . .and Miss Lavendar's prince hasn't come yet. Perhaps some fatal
|
||
|
mischance has befallen him. . .though THAT'S against the law of all
|
||
|
fairy tales."
|
||
|
|
||
|
"I'm afraid he came long ago and went away again," said Diana.
|
||
|
"They say she used to be engaged to Stephan Irving. . .Paul's
|
||
|
father. . .when they were young. But they quarreled and parted."
|
||
|
|
||
|
"Hush," warned Anne. "The door is open."
|
||
|
|
||
|
The girls paused in the porch under the tendrils of ivy and knocked
|
||
|
at the open door. There was a patter of steps inside and a rather
|
||
|
odd little personage presented herself. . .a girl of about
|
||
|
fourteen, with a freckled face, a snub nose, a mouth so wide that
|
||
|
it did really seem as if it stretched "from ear to ear," and two
|
||
|
long braids of fair hair tied with two enormous bows of blue ribbon.
|
||
|
|
||
|
"Is Miss Lewis at home?" asked Diana.
|
||
|
|
||
|
"Yes, ma'am. Come in, ma'am. I'll tell Miss Lavendar you're here,
|
||
|
ma'am. She's upstairs, ma'am."
|
||
|
|
||
|
With this the small handmaiden whisked out of sight and the girls,
|
||
|
left alone, looked about them with delighted eyes. The interior of
|
||
|
this wonderful little house was quite as interesting as its exterior.
|
||
|
|
||
|
The room had a low ceiling and two square, small-paned windows,
|
||
|
curtained with muslin frills. All the furnishings were old-fashioned,
|
||
|
but so well and daintily kept that the effect was delicious.
|
||
|
But it must be candidly admitted that the most attractive feature,
|
||
|
to two healthy girls who had just tramped four miles through autumn air,
|
||
|
was a table, set out with pale blue china and laden with delicacies,
|
||
|
while little golden-hued ferns scattered over the cloth gave it what
|
||
|
Anne would have termed "a festal air."
|
||
|
|
||
|
"Miss Lavendar must be expecting company to tea," she whispered.
|
||
|
"There are six places set. But what a funny little girl she has.
|
||
|
She looked like a messenger from pixy land. I suppose she could
|
||
|
have told us the road, but I was curious to see Miss Lavendar.
|
||
|
S. . .s. . .sh, she's coming."
|
||
|
|
||
|
And with that Miss Lavendar Lewis was standing in the doorway.
|
||
|
The girls were so surprised that they forgot good manners and
|
||
|
simply stared. They had unconsciously been expecting to see
|
||
|
the usual type of elderly spinster as known to their experience
|
||
|
. . .a rather angular personage, with prim gray hair and spectacles.
|
||
|
Nothing more unlike Miss Lavendar could possibly be imagined.
|
||
|
|
||
|
She was a little lady with snow-white hair beautifully wavy and
|
||
|
thick, and carefully arranged in becoming puffs and coils. Beneath
|
||
|
it was an almost girlish face, pink cheeked and sweet lipped, with
|
||
|
big soft brown eyes and dimples. . .actually dimples. She wore a
|
||
|
very dainty gown of cream muslin with pale-hued roses on it. . .a
|
||
|
gown which would have seemed ridiculously juvenile on most women of
|
||
|
her age, but which suited Miss Lavendar so perfectly that you never
|
||
|
thought about it at all.
|
||
|
|
||
|
"Charlotta the Fourth says that you wished to see me," she said,
|
||
|
in a voice that matched her appearance.
|
||
|
|
||
|
"We wanted to ask the right road to West Grafton," said Diana.
|
||
|
"We are invited to tea at Mr. Kimball's, but we took the wrong path
|
||
|
coming through the woods and came out to the base line instead of the
|
||
|
West Grafton road. Do we take the right or left turning at your gate?"
|
||
|
|
||
|
"The left," said Miss Lavendar, with a hesitating glance at her tea table.
|
||
|
Then she exclaimed, as if in a sudden little burst of resolution,
|
||
|
|
||
|
"But oh, won't you stay and have tea with me? Please, do.
|
||
|
Mr. Kimball's will have tea over before you get there.
|
||
|
And Charlotta the Fourth and I will be so glad to have you."
|
||
|
|
||
|
Diana looked mute inquiry at Anne.
|
||
|
|
||
|
"We'd like to stay," said Anne promptly, for she had made up her mind that
|
||
|
she wanted to know more of this surprising Miss Lavendar, "if it won't
|
||
|
inconvenience you. But you are expecting other guests, aren't you?"
|
||
|
|
||
|
Miss Lavendar looked at her tea table again, and blushed.
|
||
|
|
||
|
"I know you'll think me dreadfully foolish," she said. "I AM
|
||
|
foolish. . .and I'm ashamed of it when I'm found out, but never
|
||
|
unless I AM found out. I'm not expecting anybody. . .I was just
|
||
|
pretending I was. You see, I was so lonely. I love company. . .
|
||
|
that is, the right kind of company. . .but so few people ever
|
||
|
come here because it is so far out of the way. Charlotta the
|
||
|
Fourth was lonely too. So I just pretended I was going to have a
|
||
|
tea party. I cooked for it. . .and decorated the table for it. . .
|
||
|
and set it with my mother's wedding china . . .and I dressed up
|
||
|
for it." Diana secretly thought Miss Lavendar quite as peculiar as
|
||
|
report had pictured her. The idea of a woman of forty-five
|
||
|
playing at having a tea party, just as if she were a little girl!
|
||
|
But Anne of the shining eyes exclaimed joyfuly, "Oh, do YOU imagine
|
||
|
things too?"
|
||
|
|
||
|
That "too" revealed a kindred spirit to Miss Lavendar.
|
||
|
|
||
|
"Yes, I do," she confessed, boldly. "Of course it's silly in anybody
|
||
|
as old as I am. But what is the use of being an independent old maid
|
||
|
if you can't be silly when you want to, and when it doesn't hurt anybody?
|
||
|
A person must have some compensations. I don't believe I could live
|
||
|
at times if I didn't pretend things. I'm not often caught at it though,
|
||
|
and Charlotta the Fourth never tells. But I'm glad to be caught today,
|
||
|
for you have really come and I have tea all ready for you. Will you
|
||
|
go up to the spare room and take off your hats? It's the white door
|
||
|
at the head of the stairs. I must run out to the kitchen and see that
|
||
|
Charlotta the Fourth isn't letting the tea boil. Charlotta the Fourth
|
||
|
is a very good girl but she WILL let the tea boil."
|
||
|
|
||
|
Miss Lavendar tripped off to the kitchen on hospitable thoughts intent
|
||
|
and the girls found their way up to the spare room, an apartment as
|
||
|
white as its door, lighted by the ivy-hung dormer window and looking,
|
||
|
as Anne said, like the place where happy dreams grew.
|
||
|
|
||
|
"This is quite an adventure, isn't it?" said Diana. "And isn't
|
||
|
Miss Lavendar sweet, if she IS a little odd? She doesn't look a bit
|
||
|
like an old maid."
|
||
|
|
||
|
"She looks just as music sounds, I think," answered Anne.
|
||
|
|
||
|
When they went down Miss Lavendar was carrying in the teapot,
|
||
|
and behind her, looking vastly pleased, was Charlotta the Fourth,
|
||
|
with a plate of hot biscuits.
|
||
|
|
||
|
"Now, you must tell me your names," said Miss Lavendar. "I'm so
|
||
|
glad you are young girls. I love young girls. It's so easy to
|
||
|
pretend I'm a girl myself when I'm with them. I do hate". . .with
|
||
|
a little grimace. . ."to believe I'm old. Now, who are you. . .
|
||
|
just for convenience' sake? Diana Barry? And Anne Shirley? May I
|
||
|
pretend that I've known you for a hundred years and call you Anne
|
||
|
and Diana right away?"
|
||
|
|
||
|
"You, may" the girls said both together.
|
||
|
|
||
|
"Then just let's sit comfily down and eat everything," said Miss Lavendar
|
||
|
happily. "Charlotta, you sit at the foot and help with the chicken.
|
||
|
It is so fortunate that I made the sponge cake and doughnuts.
|
||
|
Of course, it was foolish to do it for imaginary guests. . .
|
||
|
I know Charlotta the Fourth thought so, didn't you, Charlotta?
|
||
|
But you see how well it has turned out. Of course they wouldn't have
|
||
|
been wasted, for Charlotta the Fourth and I could have eaten them
|
||
|
through time. But sponge cake is not a thing that improves with time."
|
||
|
|
||
|
That was a merry and memorable meal; and when it was over they all
|
||
|
went out to the garden, lying in the glamor of sunset.
|
||
|
|
||
|
"I do think you have the loveliest place here," said Diana,
|
||
|
looking round her admiringly.
|
||
|
|
||
|
"Why do you call it Echo Lodge?" asked Anne.
|
||
|
|
||
|
"Charlotta," said Miss Lavendar, "go into the house and bring out
|
||
|
the little tin horn that is hanging over the clock shelf."
|
||
|
|
||
|
Charlotta the Fourth skipped off and returned with the horn.
|
||
|
|
||
|
"Blow it, Charlotta," commanded Miss Lavendar.
|
||
|
|
||
|
Charlotta accordingly blew, a rather raucous, strident blast.
|
||
|
There was moment's stillness. . .and then from the woods over the
|
||
|
river came a multitude of fairy echoes, sweet, elusive, silvery,
|
||
|
as if all the "horns of elfland" were blowing against the sunset.
|
||
|
Anne and Diana exclaimed in delight.
|
||
|
|
||
|
"Now laugh, Charlotta. . .laugh loudly."
|
||
|
|
||
|
Charlotta, who would probably have obeyed if Miss Lavendar had told
|
||
|
her to stand on her head, climbed upon the stone bench and laughed
|
||
|
loud and heartily. Back came the echoes, as if a host of pixy
|
||
|
people were mimicking her laughter in the purple woodlands and
|
||
|
along the fir-fringed points.
|
||
|
|
||
|
"People always admire my echoes very much," said Miss Lavendar,
|
||
|
as if the echoes were her personal property. "I love them myself.
|
||
|
They are very good company. . .with a little pretending. On calm
|
||
|
evenings Charlotta the Fourth and I often sit out here and amuse
|
||
|
ourselves with them. Charlotta, take back the horn and hang it
|
||
|
carefully in its place."
|
||
|
|
||
|
"Why do you call her Charlotta the Fourth?" asked Diana, who was
|
||
|
bursting with curiosity on this point.
|
||
|
|
||
|
"Just to keep her from getting mixed up with other Charlottas in
|
||
|
my thoughts," said Miss Lavendar seriously. "They all look so much
|
||
|
alike there's no telling them apart. Her name isn't really
|
||
|
Charlotta at all. It is. . .let me see. . .what is it? I THINK
|
||
|
it's Leonora. . .yes, it IS Leonora. You see, it is this way.
|
||
|
When mother died ten years ago I couldn't stay here alone. . .
|
||
|
and I couldn't afford to pay the wages of a grown-up girl.
|
||
|
So I got little Charlotta Bowman to come and stay with me for
|
||
|
board and clothes. Her name really was Charlotta. . .she was
|
||
|
Charlotta the First. She was just thirteen. She stayed with me
|
||
|
till she was sixteen and then she went away to Boston, because she
|
||
|
could do better there. Her sister came to stay with me then.
|
||
|
Her name was Julietta. . .Mrs. Bowman had a weakness for fancy
|
||
|
names I think. . .but she looked so like Charlotta that I
|
||
|
kept calling her that all the time. . .and she didn't mind.
|
||
|
So I just gave up trying to remember her right name.
|
||
|
She was Charlotta the Second, and when she went away Evelina
|
||
|
came and she was Charlotta the Third. Now I have Charlotta
|
||
|
the Fourth; but when she is sixteen. . .she's fourteen now. . .
|
||
|
she will want to go to Boston too, and what I shall do then I
|
||
|
really do not know. Charlotta the Fourth is the last of the
|
||
|
Bowman girls, and the best. The other Charlottas always let
|
||
|
me see that they thought it silly of me to pretend things but
|
||
|
Charlotta the Fourth never does, no matter what she may really think.
|
||
|
I don't care what people think about me if they don't let me see it."
|
||
|
|
||
|
"Well," said Diana looking regretfully at the setting sun.
|
||
|
"I suppose we must go if we want to get to Mr. Kimball's before dark.
|
||
|
We've had a lovely time, Miss Lewis."
|
||
|
|
||
|
"Won't you come again to see me?" pleaded Miss Lavendar.
|
||
|
|
||
|
Tall Anne put her arm about the little lady.
|
||
|
|
||
|
"Indeed we shall," she promised. "Now that we have discovered you
|
||
|
we'll wear out our welcome coming to see you. Yes, we must go. . .
|
||
|
'we must tear ourselves away,' as Paul Irving says every time he
|
||
|
comes to Green Gables."
|
||
|
|
||
|
"Paul Irving?" There was a subtle change in Miss Lavendar's voice.
|
||
|
"Who is he? I didn't think there was anybody of that name in Avonlea."
|
||
|
|
||
|
Anne felt vexed at her own heedlessness. She had forgotten about
|
||
|
Miss Lavendar's old romance when Paul's name slipped out.
|
||
|
|
||
|
"He is a little pupil of mine," she explained slowly. "He came
|
||
|
from Boston last year to live with his grandmother, Mrs. Irving
|
||
|
of the shore road."
|
||
|
|
||
|
"Is he Stephen Irving's son?" Miss Lavendar asked, bending over her
|
||
|
namesake border so that her face was hidden.
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"I'm going to give you girls a bunch of lavendar apiece," said Miss
|
||
|
Lavendar brightly, as if she had not heard the answer to her question.
|
||
|
"It's very sweet, don't you think? Mother always loved it.
|
||
|
She planted these borders long ago. Father named me Lavendar
|
||
|
because he was so fond of it. The very first time he saw mother
|
||
|
was when he visited her home in East Grafton with her brother. He
|
||
|
fell in love with her at first sight; and they put him in the spare
|
||
|
room bed to sleep and the sheets were scented with lavendar and he
|
||
|
lay awake all night and thought of her. He always loved the scent
|
||
|
of lavendar after that. . .and that was why he gave me the name.
|
||
|
Don't forget to come back soon, girls dear. We'll be looking for
|
||
|
you, Charlotta the Fourth and I."
|
||
|
|
||
|
She opened the gate under the firs for them to pass through. She looked
|
||
|
suddenly old and tired; the glow and radiance had faded from her face;
|
||
|
her parting smile was as sweet with ineradicable youth as ever, but when
|
||
|
the girls looked back from the first curve in the lane they saw her sitting
|
||
|
on the old stone bench under the silver poplar in the middle of the garden
|
||
|
with her head leaning wearily on her hand.
|
||
|
|
||
|
"She does look lonely," said Diana softly. "We must come often to see her."
|
||
|
|
||
|
"I think her parents gave her the only right and fitting name that
|
||
|
could possibly be given her," said Anne. "If they had been so
|
||
|
blind as to name her Elizabeth or Nellie or Muriel she must have
|
||
|
been called Lavendar just the same, I think. It's so suggestive of
|
||
|
sweetness and old-fashioned graces and `silk attire.' Now, my name
|
||
|
just smacks of bread and butter, patchwork and chores."
|
||
|
|
||
|
"Oh, I don't think so," said Diana. "Anne seems to me real stately
|
||
|
and like a queen. But I'd like Kerrenhappuch if it happened to be
|
||
|
your name. I think people make their names nice or ugly just by
|
||
|
what they are themselves. I can't bear Josie or Gertie for names
|
||
|
now but before I knew the Pye girls I thought them real pretty."
|
||
|
|
||
|
"That's a lovely idea, Diana," said Anne enthusiastically.
|
||
|
"Living so that you beautify your name, even if it wasn't
|
||
|
beautiful to begin with. . .making it stand in people's
|
||
|
thoughts for something so lovely and pleasant that they
|
||
|
never think of it by itself. Thank you, Diana."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXII
|
||
|
|
||
|
Odds and Ends
|
||
|
|
||
|
|
||
|
"So you had tea at the stone house with Lavendar Lewis?" said Marilla
|
||
|
at the breakfast table next morning. "What is she like now?
|
||
|
It's over fifteen years since I saw her last. . .it was one
|
||
|
Sunday in Grafton church. I suppose she has changed a great deal.
|
||
|
Davy Keith, when you want something you can't reach, ask to have it
|
||
|
passed and don't spread yourself over the table in that fashion.
|
||
|
Did you ever see Paul Irving doing that when he was here to meals?"
|
||
|
|
||
|
"But Paul's arms are longer'n mine," brumbled Davy. "They've had
|
||
|
eleven years to grow and mine've only had seven. 'Sides, I DID ask,
|
||
|
but you and Anne was so busy talking you didn't pay any 'tention.
|
||
|
'Sides, Paul's never been here to any meal escept tea, and it's easier
|
||
|
to be p'lite at tea than at breakfast. You ain't half as hungry.
|
||
|
It's an awful long while between supper and breakfast. Now, Anne,
|
||
|
that spoonful ain't any bigger than it was last year and I'M ever
|
||
|
so much bigger."
|
||
|
|
||
|
"Of course, I don't know what Miss Lavendar used to look like but I
|
||
|
don't fancy somehow that she has changed a great deal," said Anne,
|
||
|
after she had helped Davy to maple syrup, giving him two spoonfuls
|
||
|
to pacify him. "Her hair is snow-white but her face is fresh and
|
||
|
almost girlish, and she has the sweetest brown eyes. . .such a
|
||
|
pretty shade of wood-brown with little golden glints in them. . .
|
||
|
and her voice makes you think of white satin and tinkling water
|
||
|
and fairy bells all mixed up together."
|
||
|
|
||
|
"She was reckoned a great beauty when she was a girl," said Marilla.
|
||
|
"I never knew her very well but I liked her as far as I did know her.
|
||
|
Some folks thought her peculiar even then. DAVY, if ever I catch you
|
||
|
at such a trick again you'll be made to wait for your meals till
|
||
|
everyone else is done, like the French."
|
||
|
|
||
|
Most conversations between Anne and Marilla in the presence of the
|
||
|
twins, were punctuated by these rebukes Davy-ward. In this instance,
|
||
|
Davy, sad to relate, not being able to scoop up the last drops of
|
||
|
his syrup with his spoon, had solved the difficulty by lifting his
|
||
|
plate in both hands and applying his small pink tongue to it.
|
||
|
Anne looked at him with such horrified eyes that the little
|
||
|
sinner turned red and said, half shamefacedly, half defiantly,
|
||
|
|
||
|
"There ain't any wasted that way."
|
||
|
|
||
|
"People who are different from other people are always called
|
||
|
peculiar," said Anne. "And Miss Lavendar is certainly different,
|
||
|
though it's hard to say just where the difference comes in.
|
||
|
Perhaps it is because she is one of those people who never grow old."
|
||
|
|
||
|
"One might as well grow old when all your generation do," said
|
||
|
Marilla, rather reckless of her pronouns. "If you don't, you don't
|
||
|
fit in anywhere. Far as I can learn Lavendar Lewis has just
|
||
|
dropped out of everything. She's lived in that out of the way
|
||
|
place until everybody has forgotten her. That stone house is one
|
||
|
of the oldest on the Island. Old Mr. Lewis built it eighty years
|
||
|
ago when he came out from England. Davy, stop joggling Dora's elbow.
|
||
|
Oh, I saw you! You needn't try to look innocent. What does make you
|
||
|
behave so this morning?"
|
||
|
|
||
|
"Maybe I got out of the wrong side of the bed," suggested Davy.
|
||
|
"Milty Boulter says if you do that things are bound to go wrong
|
||
|
with you all day. His grandmother told him. But which is the
|
||
|
right side? And what are you to do when your bed's against the
|
||
|
wall? I want to know."
|
||
|
|
||
|
"I've always wondered what went wrong between Stephen Irving and
|
||
|
Lavendar Lewis," continued Marilla, ignoring Davy. "They were
|
||
|
certainly engaged twenty-five years ago and then all at once it was
|
||
|
broken off. I don't know what the trouble was but it must have
|
||
|
been something terrible, for he went away to the States and never
|
||
|
come home since."
|
||
|
|
||
|
"Perhaps it was nothing very dreadful after all. I think the
|
||
|
little things in life often make more trouble than the big things,"
|
||
|
said Anne, with one of those flashes of insight which experience
|
||
|
could not have bettered. "Marilla, please don't say anything about
|
||
|
my being at Miss Lavendar's to Mrs. Lynde. She'd be sure to ask a
|
||
|
hundred questions and somehow I wouldn't like it. . .nor Miss
|
||
|
Lavendar either if she knew, I feel sure."
|
||
|
|
||
|
"I daresay Rachel would be curious," admitted Marilla, "though she
|
||
|
hasn't as much time as she used to have for looking after other
|
||
|
people's affairs. She's tied home now on account of Thomas; and
|
||
|
she's feeling pretty downhearted, for I think she's beginning to
|
||
|
lose hope of his ever getting better. Rachel will be left pretty
|
||
|
lonely if anything happens to him, with all her children settled
|
||
|
out west, except Eliza in town; and she doesn't like her husband."
|
||
|
|
||
|
Marilla's pronouns slandered Eliza, who was very fond of her husband.
|
||
|
|
||
|
"Rachel says if he'd only brace up and exert his will power he'd
|
||
|
get better. But what is the use of asking a jellyfish to sit up
|
||
|
straight?" continued Marilla. "Thomas Lynde never had any will
|
||
|
power to exert. His mother ruled him till he married and then
|
||
|
Rachel carried it on. It's a wonder he dared to get sick without
|
||
|
asking her permission. But there, I shouldn't talk so. Rachel has
|
||
|
been a good wife to him. He'd never have amounted to anything
|
||
|
without her, that's certain. He was born to be ruled; and it's
|
||
|
well he fell into the hands of a clever, capable manager like Rachel.
|
||
|
He didn't mind her way. It saved him the bother of ever making up
|
||
|
his own mind about anything. Davy, do stop squirming like an eel."
|
||
|
|
||
|
"I've nothing else to do," protested Davy. "I can't eat any more,
|
||
|
and it's no fun watching you and Anne eat."
|
||
|
|
||
|
"Well, you and Dora go out and give the hens their wheat," said
|
||
|
Marilla. "And don't you try to pull any more feathers out of the
|
||
|
white rooster's tail either."
|
||
|
|
||
|
"I wanted some feathers for an Injun headdress," said Davy sulkily.
|
||
|
"Milty Boulter has a dandy one, made out of the feathers his mother
|
||
|
give him when she killed their old white gobbler. You might let me
|
||
|
have some. That rooster's got ever so many more'n he wants."
|
||
|
|
||
|
"You may have the old feather duster in the garret," said Anne,
|
||
|
"and I'll dye them green and red and yellow for you."
|
||
|
|
||
|
"You do spoil that boy dreadfully," said Marilla, when Davy, with a
|
||
|
radiant face, had followed prim Dora out. Marilla's education had
|
||
|
made great strides in the past six years; but she had not yet been
|
||
|
able to rid herself of the idea that it was very bad for a child to
|
||
|
have too many of its wishes indulged.
|
||
|
|
||
|
"All the boys of his class have Indian headdresses, and Davy wants
|
||
|
one too," said Anne. "_I_ know how it feels. . .I'll never forget how
|
||
|
I used to long for puffed sleeves when all the other girls had them.
|
||
|
And Davy isn't being spoiled. He is improving every day. Think what
|
||
|
a difference there is in him since he came here a year ago."
|
||
|
|
||
|
"He certainly doesn't get into as much mischief since he began to
|
||
|
go to school," acknowledged Marilla. "I suppose he works off the
|
||
|
tendency with the other boys. But it's a wonder to me we haven't
|
||
|
heard from Richard Keith before this. Never a word since last May."
|
||
|
|
||
|
"I'll be afraid to hear from him," sighed Anne, beginning to clear
|
||
|
away the dishes. "If a letter should come I'd dread opening it,
|
||
|
for fear it would tell us to send the twins to him."
|
||
|
|
||
|
A month later a letter did come. But it was not from Richard Keith.
|
||
|
A friend of his wrote to say that Richard Keith had died of consumption
|
||
|
a fortnight previously. The writer of the letter was the executor of
|
||
|
his will and by that will the sum of two thousand dollars was left to
|
||
|
Miss Marilla Cuthbert in trust for David and Dora Keith until they
|
||
|
came of age or married. In the meantime the interest was to be used
|
||
|
for their maintenance.
|
||
|
|
||
|
"It seems dreadful to be glad of anything in connection with a death,"
|
||
|
said Anne soberly. "I'm sorry for poor Mr. Keith; but I AM glad that
|
||
|
we can keep the twins."
|
||
|
|
||
|
"It's a very good thing about the money," said Marilla practically.
|
||
|
"I wanted to keep them but I really didn't see how I could afford
|
||
|
to do it, especially when they grew older. The rent of the farm
|
||
|
doesn't do any more than keep the house and I was bound that not a
|
||
|
cent of your money should be spent on them. You do far too much
|
||
|
for them as it is. Dora didn't need that new hat you bought her
|
||
|
any more than a cat needs two tails. But now the way is made clear
|
||
|
and they are provided for."
|
||
|
|
||
|
Davy and Dora were delighted when they heard that they were to live
|
||
|
at Green Gables, "for good." The death of an uncle whom they had
|
||
|
never seen could not weigh a moment in the balance against that.
|
||
|
But Dora had one misgiving.
|
||
|
|
||
|
"Was Uncle Richard buried?" she whispered to Anne.
|
||
|
|
||
|
"Yes, dear, of course."
|
||
|
|
||
|
"He. . .he. . .isn't like Mirabel Cotton's uncle, is he?" in a
|
||
|
still more agitated whisper. "He won't walk about houses after
|
||
|
being buried, will he, Anne?"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXIII
|
||
|
|
||
|
Miss Lavendar's Romance
|
||
|
|
||
|
|
||
|
"I think I'll take a walk through to Echo Lodge this evening," said Anne,
|
||
|
one Friday afternoon in December.
|
||
|
|
||
|
"It looks like snow," said Marilla dubiously.
|
||
|
|
||
|
"I'll be there before the snow comes and I mean to stay all night.
|
||
|
Diana can't go because she has company, and I'm sure Miss Lavendar will
|
||
|
be looking for me tonight. It's a whole fortnight since I was there."
|
||
|
|
||
|
Anne had paid many a visit to Echo Lodge since that October day.
|
||
|
Sometimes she and Diana drove around by the road; sometimes they
|
||
|
walked through the woods. When Diana could not go Anne went alone.
|
||
|
Between her and Miss Lavendar had sprung up one of those fervent,
|
||
|
helpful friendships possible only between a woman who has kept the
|
||
|
freshness of youth in her heart and soul, and a girl whose
|
||
|
imagination and intuition supplied the place of experience.
|
||
|
Anne had at last discovered a real "kindred spirit," while into
|
||
|
the little lady's lonely, sequestered life of dreams Anne and Diana
|
||
|
came with the wholesome joy and exhilaration of the outer existence,
|
||
|
which Miss Lavendar, "the world forgetting, by the world forgot,"
|
||
|
had long ceased to share; they brought an atmosphere of youth
|
||
|
and reality to the little stone house. Charlotta the Fourth
|
||
|
always greeted them with her very widest smile. . .and Charlotta's
|
||
|
smiles WERE fearfully wide. . .loving them for the sake of her
|
||
|
adored mistress as well as for their own. Never had there been
|
||
|
such "high jinks" held in the little stone house as were held there
|
||
|
that beautiful, late-lingering autumn, when November seemed October
|
||
|
over again, and even December aped the sunshine and hazes of summer.
|
||
|
|
||
|
But on this particular day it seemed as if December had remembered
|
||
|
that it was time for winter and had turned suddenly dull and
|
||
|
brooding, with a windless hush predictive of coming snow.
|
||
|
Nevertheless, Anne keenly enjoyed her walk through the great gray
|
||
|
maze of the beechlands; though alone she never found it lonely; her
|
||
|
imagination peopled her path with merry companions, and with these
|
||
|
she carried on a gay, pretended conversation that was wittier and
|
||
|
more fascinating than conversations are apt to be in real life,
|
||
|
where people sometimes fail most lamentably to talk up to the
|
||
|
requirements. In a "make believe" assembly of choice spirits
|
||
|
everybody says just the thing you want her to say and so gives you
|
||
|
the chance to say just what YOU want to say. Attended by this
|
||
|
invisible company, Anne traversed the woods and arrived at the fir
|
||
|
lane just as broad, feathery flakes began to flutter down softly.
|
||
|
|
||
|
At the first bend she came upon Miss Lavendar, standing under a
|
||
|
big, broad-branching fir. She wore a gown of warm, rich red, and
|
||
|
her head and shoulders were wrapped in a silvery gray silk shawl.
|
||
|
|
||
|
"You look like the queen of the fir wood fairies," called Anne merrily.
|
||
|
|
||
|
"I thought you would come tonight, Anne," said Miss Lavendar,
|
||
|
running forward. "And I'm doubly glad, for Charlotta the Fourth
|
||
|
is away. Her mother is sick and she had to go home for the night.
|
||
|
I should have been very lonely if you hadn't come. . .even the
|
||
|
dreams and the echoes wouldn't have been enough company. Oh, Anne,
|
||
|
how pretty you are," she added suddenly, looking up at the tall,
|
||
|
slim girl with the soft rose-flush of walking on her face. "How
|
||
|
pretty and how young! It's so delightful to be seventeen, isn't it?
|
||
|
I do envy you," concluded Miss Lavendar candidly.
|
||
|
|
||
|
"But you are only seventeen at heart," smiled Anne.
|
||
|
|
||
|
"No, I'm old. . .or rather middle-aged, which is far worse,"
|
||
|
sighed Miss Lavendar. "Sometimes I can pretend I'm not, but at
|
||
|
other times I realize it. And I can't reconcile myself to it as
|
||
|
most women seem to. I'm just as rebellious as I was when I
|
||
|
discovered my first gray hair. Now, Anne, don't look as if you
|
||
|
were trying to understand. Seventeen CAN'T understand. I'm going
|
||
|
to pretend right away that I am seventeen too, and I can do it, now
|
||
|
that you're here. You always bring youth in your hand like a gift.
|
||
|
We're going to have a jolly evening. Tea first. . .what do you
|
||
|
want for tea? We'll have whatever you like. Do think of something
|
||
|
nice and indigestible."
|
||
|
|
||
|
There were sounds of riot and mirth in the little stone house
|
||
|
that night. What with cooking and feasting and making candy and
|
||
|
laughing and "pretending," it is quite true that Miss Lavendar and
|
||
|
Anne comported themselves in a fashion entirely unsuited to the
|
||
|
dignity of a spinster of forty-five and a sedate schoolma'am.
|
||
|
Then, when they were tired, they sat down on the rug before the
|
||
|
grate in the parlor, lighted only by the soft fireshine and
|
||
|
perfumed deliciously by Miss Lavendar's open rose-jar on the mantel.
|
||
|
The wind had risen and was sighing and wailing around the eaves and
|
||
|
the snow was thudding softly against the windows, as if a hundred
|
||
|
storm sprites were tapping for entrance.
|
||
|
|
||
|
"I'm so glad you're here, Anne," said Miss Lavendar, nibbling at
|
||
|
her candy. "If you weren't I should be blue. . .very blue. . .
|
||
|
almost navy blue. Dreams and make-believes are all very well in
|
||
|
the daytime and the sunshine, but when dark and storm come they
|
||
|
fail to satisfy. One wants real things then. But you don't know
|
||
|
this. . .seventeen never knows it. At seventeen dreams DO satisfy
|
||
|
because you think the realities are waiting for you further on.
|
||
|
When I was seventeen, Anne, I didn't think forty-five would find me
|
||
|
a white-haired little old maid with nothing but dreams to fill my life."
|
||
|
|
||
|
"But you aren't an old maid," said Anne, smiling into Miss Lavendar's
|
||
|
wistful woodbrown eyes. "Old maids are BORN. . .they don't BECOME."
|
||
|
|
||
|
"Some are born old maids, some achieve old maidenhood, and some have
|
||
|
old maidenhood thrust upon them," parodied Miss Lavendar whimsically.
|
||
|
|
||
|
"You are one of those who have achieved it then," laughed Anne,
|
||
|
"and you've done it so beautifully that if every old maid were
|
||
|
like you they would come into the fashion, I think."
|
||
|
|
||
|
"I always like to do things as well as possible," said Miss
|
||
|
Lavendar meditatively, "and since an old maid I had to be I was
|
||
|
determined to be a very nice one. People say I'm odd; but it's
|
||
|
just because I follow my own way of being an old maid and refuse to
|
||
|
copy the traditional pattern. Anne, did anyone ever tell you
|
||
|
anything about Stephen Irving and me?"
|
||
|
|
||
|
"Yes," said Anne candidly, "I've heard that you and he were engaged once."
|
||
|
|
||
|
"So we were. . .twenty-five years ago. . .a lifetime ago. And we
|
||
|
were to have been married the next spring. I had my wedding
|
||
|
dress made, although nobody but mother and Stephen ever knew THAT.
|
||
|
We'd been engaged in a way almost all our lives, you might say.
|
||
|
When Stephen was a little boy his mother would bring him here when
|
||
|
she came to see my mother; and the second time he ever came. . .
|
||
|
he was nine and I was six. . .he told me out in the garden that
|
||
|
he had pretty well made up his mind to marry me when he grew up.
|
||
|
I remember that I said `Thank you'; and when he was gone I told
|
||
|
mother very gravely that there was a great weight off my mind,
|
||
|
because I wasn't frightened any more about having to be an old
|
||
|
maid. How poor mother laughed!"
|
||
|
|
||
|
"And what went wrong?" asked Anne breathlessly.
|
||
|
|
||
|
"We had just a stupid, silly, commonplace quarrel. So commonplace
|
||
|
that, if you'll believe me, I don't even remember just how it began.
|
||
|
I hardly know who was the more to blame for it. Stephen did really
|
||
|
begin it, but I suppose I provoked him by some foolishness of mine.
|
||
|
He had a rival or two, you see. I was vain and coquettish and liked
|
||
|
to tease him a little. He was a very high-strung, sensitive fellow.
|
||
|
Well, we parted in a temper on both sides. But I thought it would all
|
||
|
come right; and it would have if Stephen hadn't come back too soon.
|
||
|
Anne, my dear, I'm sorry to say". . .Miss Lavendar dropped her voice
|
||
|
as if she were about to confess a predilection for murdering people,
|
||
|
"that I am a dreadfully sulky person. Oh, you needn't smile,. . .
|
||
|
it's only too true. I DO sulk; and Stephen came back before I had
|
||
|
finished sulking. I wouldn't listen to him and I wouldn't forgive him;
|
||
|
and so he went away for good. He was too proud to come again. And
|
||
|
then I sulked because he didn't come. I might have sent for him
|
||
|
perhaps, but I couldn't humble myself to do that. I was just as
|
||
|
proud as he was. . .pride and sulkiness make a very bad combination,
|
||
|
Anne. But I could never care for anybody else and I didn't want to.
|
||
|
I knew I would rather be an old maid for a thousand years than marry
|
||
|
anybody who wasn't Stephen Irving. Well, it all seems like a dream now,
|
||
|
of course. How sympathetic you look, Anne. . .as sympathetic as only
|
||
|
seventeen can look. But don't overdo it. I'm really a very happy,
|
||
|
contented little person in spite of my broken heart. My heart did break,
|
||
|
if ever a heart did, when I realized that Stephen Irving was not coming back.
|
||
|
But, Anne, a broken heart in real life isn't half as dreadful as it is
|
||
|
in books. It's a good deal like a bad tooth. . .though you won't
|
||
|
think THAT a very romantic simile. It takes spells of aching and
|
||
|
gives you a sleepless night now and then, but between times it lets
|
||
|
you enjoy life and dreams and echoes and peanut candy as if there
|
||
|
were nothing the matter with it. And now you're looking disappointed.
|
||
|
You don't think I'm half as interesting a person as you did five minutes
|
||
|
ago when you believed I was always the prey of a tragic memory bravely
|
||
|
hidden beneath external smiles. That's the worst. . .or the best. . .
|
||
|
of real life, Anne. It WON'T let you be miserable. It keeps on trying
|
||
|
to make you comfortable. . .and succeeding...even when you're determined
|
||
|
to be unhappy and romantic. Isn't this candy scrumptious? I've eaten
|
||
|
far more than is good for me already but I'm going to keep recklessly on."
|
||
|
|
||
|
After a little silence Miss Lavendar said abruptly,
|
||
|
|
||
|
"It gave me a shock to hear about Stephen's son that first day you
|
||
|
were here, Anne. I've never been able to mention him to you since,
|
||
|
but I've wanted to know all about him. What sort of a boy is he?"
|
||
|
|
||
|
"He is the dearest, sweetest child I ever knew, Miss Lavendar. . .
|
||
|
and he pretends things too, just as you and I do."
|
||
|
|
||
|
"I'd like to see him," said Miss Lavendar softly, as if talking to herself.
|
||
|
"I wonder if he looks anything like the little dream-boy who lives here
|
||
|
with me. . .MY little dream-boy."
|
||
|
|
||
|
"If you would like to see Paul I'll bring him through with me sometime,"
|
||
|
said Anne.
|
||
|
|
||
|
"I would like it. . .but not too soon. I want to get used to the thought.
|
||
|
There might be more pain than pleasure in it. . .if he looked too much
|
||
|
like Stephen. . .or if he didn't look enough like him. In a month's time
|
||
|
you may bring him."
|
||
|
|
||
|
Accordingly, a month later Anne and Paul walked through the woods
|
||
|
to the stone house, and met Miss Lavendar in the lane. She had
|
||
|
not been expecting them just then and she turned very pale.
|
||
|
|
||
|
"So this is Stephen's boy," she said in a low tone, taking Paul's
|
||
|
hand and looking at him as he stood, beautiful and boyish, in his
|
||
|
smart little fur coat and cap. "He. . .he is very like his father."
|
||
|
|
||
|
"Everybody says I'm a chip off the old block," remarked Paul,
|
||
|
quite at his ease.
|
||
|
|
||
|
Anne, who had been watching the little scene, drew a relieved breath.
|
||
|
She saw that Miss Lavendar and Paul had "taken" to each other, and
|
||
|
that there would be no constraint or stiffness. Miss Lavendar
|
||
|
was a very sensible person, in spite of her dreams and romance,
|
||
|
and after that first little betrayal she tucked her feelings
|
||
|
out of sight and entertained Paul as brightly and naturally
|
||
|
as if he were anybody's son who had come to see her.
|
||
|
They all had a jolly afternoon together and such a feast of fat
|
||
|
things by way of supper as would have made old Mrs. Irving hold up
|
||
|
her hands in horror, believing that Paul's digestion would be
|
||
|
ruined for ever.
|
||
|
|
||
|
"Come again, laddie," said Miss Lavendar, shaking hands with him
|
||
|
at parting.
|
||
|
|
||
|
"You may kiss me if you like," said Paul gravely.
|
||
|
|
||
|
Miss Lavendar stooped and kissed him.
|
||
|
|
||
|
"How did you know I wanted to?" she whispered.
|
||
|
|
||
|
"Because you looked at me just as my little mother used to do
|
||
|
when she wanted to kiss me. As a rule, I don't like to be kissed.
|
||
|
Boys don't. You know, Miss Lewis. But I think I rather like to
|
||
|
have you kiss me. And of course I'll come to see you again.
|
||
|
I think I'd like to have you for a particular friend of mine,
|
||
|
if you don't object."
|
||
|
|
||
|
"I. . .I don't think I shall object," said Miss Lavendar.
|
||
|
She turned and went in very quickly; but a moment later she
|
||
|
was waving a gay and smiling good-bye to them from the window.
|
||
|
|
||
|
"I like Miss Lavendar," announced Paul, as they walked through the
|
||
|
beech woods. "I like the way she looked at me, and I like her
|
||
|
stone house, and I like Charlotta the Fourth. I wish Grandma
|
||
|
Irving had a Charlotta the Fourth instead of a Mary Joe. I feel
|
||
|
sure Charlotta the Fourth wouldn't think I was wrong in my upper
|
||
|
story when I told her what I think about things. Wasn't that a
|
||
|
splendid tea we had, teacher? Grandma says a boy shouldn't be
|
||
|
thinking about what he gets to eat, but he can't help it sometimes
|
||
|
when he is real hungry. YOU know, teacher. I don't think Miss
|
||
|
Lavendar would make a boy eat porridge for breakfast if he didn't
|
||
|
like it. She'd get things for him he did like. But of course". . .
|
||
|
Paul was nothing if not fair-minded. . ."that mightn't be very good
|
||
|
for him. It's very nice for a change though, teacher. YOU know."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXIV
|
||
|
|
||
|
A Prophet in His Own Country
|
||
|
|
||
|
|
||
|
One May day Avonlea folks were mildly excited over some "Avonlea Notes,"
|
||
|
signed "Observer," which appeared in the Charlottetown `Daily Enterprise.'
|
||
|
Gossip ascribed the authorship thereof to Charlie Sloane, partly because
|
||
|
the said Charlie had indulged in similar literary flights in times past,
|
||
|
and partly because one of the notes seemed to embody a sneer at Gilbert
|
||
|
Blythe. Avonlea juvenile society persisted in regarding Gilbert Blythe
|
||
|
and Charlie Sloane as rivals in the good graces of a certain damsel with
|
||
|
gray eyes and an imagination.
|
||
|
|
||
|
Gossip, as usual, was wrong. Gilbert Blythe, aided and abetted by
|
||
|
Anne, had written the notes, putting in the one about himself as a
|
||
|
blind. Only two of the notes have any bearing on this history:
|
||
|
|
||
|
"Rumor has it that there will be a wedding in our village ere the
|
||
|
daisies are in bloom. A new and highly respected citizen will lead
|
||
|
to the hymeneal altar one of our most popular ladies.
|
||
|
|
||
|
"Uncle Abe, our well-known weather prophet, predicts a violent
|
||
|
storm of thunder and lightning for the evening of the twenty-third
|
||
|
of May, beginning at seven o'clock sharp. The area of the storm
|
||
|
will extend over the greater part of the Province. People traveling
|
||
|
that evening will do well to take umbrellas and mackintoshes with them."
|
||
|
|
||
|
"Uncle Abe really has predicted a storm for sometime this spring,"
|
||
|
said Gilbert, "but do you suppose Mr. Harrison really does go to
|
||
|
see Isabella Andrews?"
|
||
|
|
||
|
"No," said Anne, laughing, "I'm sure he only goes to play checkers with
|
||
|
Mr. Harrison Andrews, but Mrs. Lynde says she knows Isabella Andrews
|
||
|
must be going to get married, she's in such good spirits this spring."
|
||
|
|
||
|
Poor old Uncle Abe felt rather indignant over the notes. He suspected
|
||
|
that "Observer" was making fun of him. He angrily denied having
|
||
|
assigned any particular date for his storm but nobody believed him.
|
||
|
|
||
|
Life in Avonlea continued on the smooth and even tenor of its way.
|
||
|
The "planting" was put in; the Improvers celebrated an Arbor Day.
|
||
|
Each Improver set out, or caused to be set out, five ornamental trees.
|
||
|
As the society now numbered forty members, this meant a total of
|
||
|
two hundred young trees. Early oats greened over the red fields;
|
||
|
apple orchards flung great blossoming arms about the farmhouses
|
||
|
and the Snow Queen adorned itself as a bride for her husband.
|
||
|
Anne liked to sleep with her window open and let the cherry
|
||
|
fragrance blow over her face all night. She thought it very
|
||
|
poetical. Marilla thought she was risking her life.
|
||
|
|
||
|
"Thanksgiving should be celebrated in the spring," said Anne
|
||
|
one evening to Marilla, as they sat on the front door steps and
|
||
|
listened to the silver-sweet chorus of the frogs. "I think it
|
||
|
would be ever so much better than having it in November when
|
||
|
everything is dead or asleep. Then you have to remember to be
|
||
|
thankful; but in May one simply can't help being thankful. . .
|
||
|
that they are alive, if for nothing else. I feel exactly as Eve
|
||
|
must have felt in the garden of Eden before the trouble began.
|
||
|
IS that grass in the hollow green or golden? It seems to me,
|
||
|
Marilla, that a pearl of a day like this, when the blossoms are
|
||
|
out and the winds don't know where to blow from next for sheer
|
||
|
crazy delight must be pretty near as good as heaven."
|
||
|
|
||
|
Marilla looked scandalized and glanced apprehensively around to
|
||
|
make sure the twins were not within earshot. They came around the
|
||
|
corner of the house just then.
|
||
|
|
||
|
"Ain't it an awful nice-smelling evening?" asked Davy, sniffing
|
||
|
delightedly as he swung a hoe in his grimy hands. He had been
|
||
|
working in his garden. That spring Marilla, by way of turning
|
||
|
Davy's passion for reveling in mud and clay into useful channels,
|
||
|
had given him and Dora a small plot of ground for a garden.
|
||
|
Both had eagerly gone to work in a characteristic fashion.
|
||
|
Dora planted, weeded, and watered carefully, systematically,
|
||
|
and dispassionately. As a result, her plot was already green
|
||
|
with prim, orderly little rows of vegetables and annuals.
|
||
|
Davy, however, worked with more zeal than discretion; he dug
|
||
|
and hoed and raked and watered and transplanted so energetically
|
||
|
that his seeds had no chance for their lives.
|
||
|
|
||
|
"How is your garden coming on, Davy-boy?" asked Anne.
|
||
|
|
||
|
"Kind of slow," said Davy with a sigh. "I don't know why the
|
||
|
things don't grow better. Milty Boulter says I must have
|
||
|
planted them in the dark of the moon and that's the whole trouble.
|
||
|
He says you must never sow seeds or kill pork or cut your hair or
|
||
|
do any 'portant thing in the wrong time of the moon. Is that true,
|
||
|
Anne? I want to know."
|
||
|
|
||
|
"Maybe if you didn't pull your plants up by the roots every other day
|
||
|
to see how they're getting on `at the other end,' they'd do better,"
|
||
|
said Marilla sarcastically.
|
||
|
|
||
|
"I only pulled six of them up," protested Davy. "I wanted to see
|
||
|
if there was grubs at the roots. Milty Boulter said if it wasn't
|
||
|
the moon's fault it must be grubs. But I only found one grub.
|
||
|
He was a great big juicy curly grub. I put him on a stone and got
|
||
|
another stone and smashed him flat. He made a jolly SQUISH I tell you.
|
||
|
I was sorry there wasn't more of them. Dora's garden was planted same
|
||
|
time's mine and her things are growing all right. It CAN'T be the moon,"
|
||
|
Davy concluded in a reflective tone.
|
||
|
|
||
|
"Marilla, look at that apple tree," said Anne." Why, the thing is human.
|
||
|
It is reaching out long arms to pick its own pink skirts daintily up and
|
||
|
provoke us to admiration."
|
||
|
|
||
|
"Those Yellow Duchess trees always bear well," said Marilla complacently.
|
||
|
"That tree'll be loaded this year. I'm real glad. . .they're great for pies."
|
||
|
|
||
|
But neither Marilla nor Anne nor anybody else was fated to make
|
||
|
pies out of Yellow Duchess apples that year.
|
||
|
|
||
|
The twenty-third of May came. . .an unseasonably warm day, as none
|
||
|
realized more keenly than Anne and her little beehive of pupils,
|
||
|
sweltering over fractions and syntax in the Avonlea schoolroom.
|
||
|
A hot breeze blew all the forenoon; but after noon hour it died away
|
||
|
into a heavy stillness. At half past three Anne heard a low rumble
|
||
|
of thunder. She promptly dismissed school at once, so that the
|
||
|
children might get home before the storm came.
|
||
|
|
||
|
As they went out to the playground Anne perceived a certain shadow
|
||
|
and gloom over the world in spite of the fact that the sun was
|
||
|
still shining brightly. Annetta Bell caught her hand nervously.
|
||
|
|
||
|
"Oh, teacher, look at that awful cloud!"
|
||
|
|
||
|
Anne looked and gave an exclamation of dismay. In the northwest a
|
||
|
mass of cloud, such as she had never in all her life beheld before,
|
||
|
was rapidly rolling up. It was dead black, save where its curled
|
||
|
and fringed edges showed a ghastly, livid white. There was
|
||
|
something about it indescribably menacing as it gloomed up in the
|
||
|
clear blue sky; now and again a bolt of lightning shot across it,
|
||
|
followed by a savage growl. It hung so low that it almost seemed
|
||
|
to be touching the tops of the wooded hills.
|
||
|
|
||
|
Mr. Harmon Andrews came clattering up the hill in his truck wagon,
|
||
|
urging his team of grays to their utmost speed. He pulled them to
|
||
|
a halt opposite the school.
|
||
|
|
||
|
"Guess Uncle Abe's hit it for once in his life, Anne," he shouted.
|
||
|
"His storm's coming a leetle ahead of time. Did ye ever see the
|
||
|
like of that cloud? Here, all you young ones, that are going my
|
||
|
way, pile in, and those that ain't scoot for the post office if
|
||
|
ye've more'n a quarter of a mile to go, and stay there till the
|
||
|
shower's over."
|
||
|
|
||
|
Anne caught Davy and Dora by the hands and flew down the hill,
|
||
|
along the Birch Path, and past Violet Vale and Willowmere, as fast
|
||
|
as the twins' fat legs could go. They reached Green Gables not a
|
||
|
moment too soon and were joined at the door by Marilla, who had been
|
||
|
hustling her ducks and chickens under shelter. As they dashed into
|
||
|
the kitchen the light seemed to vanish, as if blown out by some
|
||
|
mighty breath; the awful cloud rolled over the sun and a darkness
|
||
|
as of late twilight fell across the world. At the same moment,
|
||
|
with a crash of thunder and a blinding glare of lightning, the
|
||
|
hail swooped down and blotted the landscape out in one white fury.
|
||
|
|
||
|
Through all the clamor of the storm came the thud of torn branches
|
||
|
striking the house and the sharp crack of breaking glass. In three
|
||
|
minutes every pane in the west and north windows was broken and the
|
||
|
hail poured in through the apertures covering the floor with stones,
|
||
|
the smallest of which was as big as a hen's egg. For three quarters
|
||
|
of an hour the storm raged unabated and no one who underwent it ever
|
||
|
forgot it. Marilla, for once in her life shaken out of her composure
|
||
|
by sheer terror, knelt by her rocking chair in a corner of the kitchen,
|
||
|
gasping and sobbing between the deafening thunder peals. Anne, white
|
||
|
as paper, had dragged the sofa away from the window and sat on it with
|
||
|
a twin on either side. Davy at the first crash had howled, "Anne, Anne,
|
||
|
is it the Judgment Day? Anne, Anne, I never meant to be naughty," and
|
||
|
then had buried his face in Anne's lap and kept it there, his little
|
||
|
body quivering. Dora, somewhat pale but quite composed, sat with her
|
||
|
hand clasped in Anne's, quiet and motionless. It is doubtful if an
|
||
|
earthquake would have disturbed Dora.
|
||
|
|
||
|
Then, almost as suddenly as it began, the storm ceased. The hail
|
||
|
stopped, the thunder rolled and muttered away to the eastward, and
|
||
|
the sun burst out merry and radiant over a world so changed that it
|
||
|
seemed an absurd thing to think that a scant three quarters of an
|
||
|
hour could have effected such a transformation.
|
||
|
|
||
|
Marilla rose from her knees, weak and trembling, and dropped on her rocker.
|
||
|
Her face was haggard and she looked ten years older.
|
||
|
|
||
|
"Have we all come out of that alive?" she asked solemnly.
|
||
|
|
||
|
"You bet we have," piped Davy cheerfully, quite his own man again.
|
||
|
"I wasn't a bit scared either. . .only just at the first. It come on
|
||
|
a fellow so sudden. I made up my mind quick as a wink that I wouldn't
|
||
|
fight Teddy Sloane Monday as I'd promised; but now maybe I will.
|
||
|
Say, Dora, was you scared?"
|
||
|
|
||
|
"Yes, I was a little scared," said Dora primly, "but I held tight
|
||
|
to Anne's hand and said my prayers over and over again."
|
||
|
|
||
|
"Well, I'd have said my prayers too if I'd have thought of it,"
|
||
|
said Davy; "but," he added triumphantly, "you see I came through
|
||
|
just as safe as you for all I didn't say them."
|
||
|
|
||
|
Anne got Marilla a glassful of her potent currant wine. . .HOW
|
||
|
potent it was Anne, in her earlier days, had had all too good
|
||
|
reason to know. . .and then they went to the door to look out on
|
||
|
the strange scene.
|
||
|
|
||
|
Far and wide was a white carpet, knee deep, of hailstones; drifts
|
||
|
of them were heaped up under the eaves and on the steps. When,
|
||
|
three or four days later, those hailstones melted, the havoc they
|
||
|
had wrought was plainly seen, for every green growing thing in the
|
||
|
field or garden was cut off. Not only was every blossom stripped
|
||
|
from the apple trees but great boughs and branches were wrenched
|
||
|
away. And out of the two hundred trees set out by the Improvers by
|
||
|
far the greater number were snapped off or torn to shreds.
|
||
|
|
||
|
"Can it possibly be the same world it was an hour ago?" asked Anne,
|
||
|
dazedly. "It MUST have taken longer than that to play such havoc."
|
||
|
|
||
|
"The like of this has never been known in Prince Edward Island,"
|
||
|
said Marilla, "never. I remember when I was a girl there was a
|
||
|
bad storm, but it was nothing to this. We'll hear of terrible
|
||
|
destruction, you may be sure."
|
||
|
|
||
|
"I do hope none of the children were caught out in it," murmured
|
||
|
Anne anxiously. As it was discovered later, none of the children
|
||
|
had been, since all those who had any distance to go had taken Mr.
|
||
|
Andrews' excellent advice and sought refuge at the post office.
|
||
|
|
||
|
"There comes John Henry Carter," said Marilla.
|
||
|
|
||
|
John Henry came wading through the hailstones with a rather scared grin.
|
||
|
|
||
|
"Oh, ain't this awful, Miss Cuthbert? Mr. Harrison sent me over to
|
||
|
see if yous had come out all right."
|
||
|
|
||
|
"We're none of us killed," said Marilla grimly, "and none of the
|
||
|
buildings was struck. I hope you got off equally well."
|
||
|
|
||
|
"Yas'm. Not quite so well, ma'am. We was struck. The lightning
|
||
|
knocked over the kitchen chimbly and come down the flue and knocked
|
||
|
over Ginger's cage and tore a hole in the floor and went into the
|
||
|
sullar. Yas'm."
|
||
|
|
||
|
"Was Ginger hurt?" queried Anne.
|
||
|
|
||
|
"Yas'm. He was hurt pretty bad. He was killed." Later on Anne
|
||
|
went over to comfort Mr. Harrison. She found him sitting by the
|
||
|
table, stroking Ginger's gay dead body with a trembling hand.
|
||
|
|
||
|
"Poor Ginger won't call you any more names, Anne," he said mournfully.
|
||
|
|
||
|
Anne could never have imagined herself crying on Ginger's account,
|
||
|
but the tears came into her eyes.
|
||
|
|
||
|
"He was all the company I had, Anne. . .and now he's dead. Well,
|
||
|
well, I'm an old fool to care so much. I'll let on I don't care.
|
||
|
I know you're going to say something sympathetic as soon as I
|
||
|
stop talking. . .but don't. If you did I'd cry like a baby.
|
||
|
Hasn't this been a terrible storm? I guess folks won't laugh
|
||
|
at Uncle Abe's predictions again. Seems as if all the storms
|
||
|
that he's been prophesying all his life that never happened came
|
||
|
all at once. Beats all how he struck the very day though, don't it?
|
||
|
Look at the mess we have here. I must hustle round and get some
|
||
|
boards to patch up that hole in the floor."
|
||
|
|
||
|
Avonlea folks did nothing the next day but visit each other and
|
||
|
compare damages. The roads were impassable for wheels by reason of
|
||
|
the hailstones, so they walked or rode on horseback. The mail came
|
||
|
late with ill tidings from all over the province. Houses had been
|
||
|
struck, people killed and injured; the whole telephone and
|
||
|
telegraph system had been disorganized, and any number of young
|
||
|
stock exposed in the fields had perished.
|
||
|
|
||
|
Uncle Abe waded out to the blacksmith's forge early in the morning
|
||
|
and spent the whole day there. It was Uncle Abe's hour of triumph
|
||
|
and he enjoyed it to the full. It would be doing Uncle Abe an
|
||
|
injustice to say that he was glad the storm had happened; but since
|
||
|
it had to be he was very glad he had predicted it. . .to the very
|
||
|
day, too. Uncle Abe forgot that he had ever denied setting the day.
|
||
|
As for the trifling discrepancy in the hour, that was nothing.
|
||
|
|
||
|
Gilbert arrived at Green Gables in the evening and found Marilla
|
||
|
and Anne busily engaged in nailing strips of oilcloth over the
|
||
|
broken windows.
|
||
|
|
||
|
"Goodness only knows when we'll get glass for them," said Marilla.
|
||
|
"Mr. Barry went over to Carmody this afternoon but not a pane
|
||
|
could he get for love or money. Lawson and Blair were cleaned out
|
||
|
by the Carmody people by ten o'clock. Was the storm bad at White
|
||
|
Sands, Gilbert?"
|
||
|
|
||
|
"I should say so. I was caught in the school with all the children
|
||
|
and I thought some of them would go mad with fright. Three of them
|
||
|
fainted, and two girls took hysterics, and Tommy Blewett did
|
||
|
nothing but shriek at the top of his voice the whole time."
|
||
|
|
||
|
"I only squealed once," said Davy proudly. "My garden was all
|
||
|
smashed flat," he continued mournfully, "but so was Dora's," he
|
||
|
added in a tone which indicated that there was yet balm in Gilead.
|
||
|
|
||
|
Anne came running down from the west gable.
|
||
|
|
||
|
"Oh, Gilbert, have you heard the news? Mr. Levi Boulter's old
|
||
|
house was struck and burned to the ground. It seems to me that I'm
|
||
|
dreadfully wicked to feel glad over THAT, when so much damage has
|
||
|
been done. Mr. Boulter says he believes the A.V.I.S. magicked up
|
||
|
that storm on purpose."
|
||
|
|
||
|
"Well, one thing is certain," said Gilbert, laughing, "`Observer'
|
||
|
has made Uncle Abe's reputation as a weather prophet. `Uncle Abe's
|
||
|
storm' will go down in local history. It is a most extraordinary
|
||
|
coincidence that it should have come on the very day we selected.
|
||
|
I actually have a half guilty feeling, as if I really had `magicked'
|
||
|
it up. We may as well rejoice over the old house being removed, for
|
||
|
there's not much to rejoice over where our young trees are concerned.
|
||
|
Not ten of them have escaped."
|
||
|
|
||
|
"Ah, well, we'll just have to plant them over again next spring,"
|
||
|
said Anne philosophically. "That is one good thing about this
|
||
|
world. . .there are always sure to be more springs."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXV
|
||
|
|
||
|
An Avonlea Scandal
|
||
|
|
||
|
|
||
|
One blithe June morning, a fortnight after Uncle Abe's storm, Anne
|
||
|
came slowly through the Green Gables yard from the garden, carrying
|
||
|
in her hands two blighted stalks of white narcissus.
|
||
|
|
||
|
"Look, Marilla," she said sorroly, holding up the flowers before
|
||
|
the eyes of a grim lady, with her hair coifed in a green gingham
|
||
|
apron, who was going into the house with a plucked chicken, "these
|
||
|
are the only buds the storm spared. . .and even they are imperfect.
|
||
|
I'm so sorry. . .I wanted some for Matthew's grave. He was always
|
||
|
so fond of June lilies."
|
||
|
|
||
|
"I kind of miss them myself," admitted Marilla, "though it doesn't
|
||
|
seem right to lament over them when so many worse things have
|
||
|
happened. . .all the crops destroyed as well as the fruit."
|
||
|
|
||
|
"But people have sown their oats over again," said Anne comfortingly,
|
||
|
"and Mr. Harrison says he thinks if we have a good summer they will
|
||
|
come out all right though late. And my annuals are all coming up again
|
||
|
. . .but oh, nothing can replace the June lilies. Poor little Hester
|
||
|
Gray will have none either. I went all the way back to her garden
|
||
|
last night but there wasn't one. I'm sure she'll miss them."
|
||
|
|
||
|
"I don't think it's right for you to say such things, Anne, I
|
||
|
really don't," said Marilla severely. "Hester Gray has been dead
|
||
|
for thirty years and her spirit is in heaven. . .I hope."
|
||
|
|
||
|
"Yes, but I believe she loves and remembers her garden here still,"
|
||
|
said Anne. "I'm sure no matter how long I'd lived in heaven I'd like to
|
||
|
look down and see somebody putting flowers on my grave. If I had had a
|
||
|
garden here like Hester Gray's it would take me more than thirty years,
|
||
|
even in heaven, to forget being homesick for it by spells."
|
||
|
|
||
|
"Well, don't let the twins hear you talking like that," was Marilla's
|
||
|
feeble protest, as she carried her chicken into the house.
|
||
|
|
||
|
Anne pinned her narcissi on her hair and went to the lane gate,
|
||
|
where she stood for awhile sunning herself in the June brightness
|
||
|
before going in to attend to her Saturday morning duties. The world
|
||
|
was growing lovely again; old Mother Nature was doing her best
|
||
|
to remove the traces of the storm, and, though she was not to
|
||
|
succeed fully for many a moon, she was really accomplishing wonders.
|
||
|
|
||
|
"I wish I could just be idle all day today," Anne told a bluebird,
|
||
|
who was singing and swinging on a willow bough, "but a schoolma'am,
|
||
|
who is also helping to bring up twins, can't indulge in laziness,
|
||
|
birdie. How sweet you are singing, little bird. You are just
|
||
|
putting the feelings of my heart into song ever so much better than
|
||
|
I could myself. Why, who is coming?"
|
||
|
|
||
|
An express wagon was jolting up the lane, with two people on the
|
||
|
front seat and a big trunk behind. When it drew near Anne
|
||
|
recognized the driver as the son of the station agent at Bright
|
||
|
River; but his companion was a stranger. . .a scrap of a woman who
|
||
|
sprang nimbly down at the gate almost before the horse came to a
|
||
|
standstill. She was a very pretty little person, evidently nearer
|
||
|
fifty than forty, but with rosy cheeks, sparkling black eyes, and
|
||
|
shining black hair, surmounted by a wonderful beflowered and
|
||
|
beplumed bonnet. In spite of having driven eight miles over a
|
||
|
dusty road she was as neat as if she had just stepped out of the
|
||
|
proverbial bandbox.
|
||
|
|
||
|
"Is this where Mr. James A. Harrison lives?" she inquired briskly.
|
||
|
|
||
|
"No, Mr. Harrison lives over there," said Anne, quite lost in astonishment.
|
||
|
|
||
|
"Well, I DID think this place seemed too tidy. . .MUCH too tidy for James A.
|
||
|
to be living here, unless he has greatly changed since I knew him," chirped
|
||
|
the little lady. "Is it true that James A. is going to be married to some
|
||
|
woman living in this settlement?"
|
||
|
|
||
|
"No, oh no," cried Anne, flushing so guiltily that the stranger looked
|
||
|
curiously at her, as if she half suspected her of matrimonial designs on
|
||
|
Mr. Harrison.
|
||
|
|
||
|
"But I saw it in an Island paper," persisted the Fair Unknown. "A
|
||
|
friend sent a marked copy to me. . .friends are always so ready to
|
||
|
do such things. James A.'s name was written in over `new citizen.'"
|
||
|
|
||
|
"Oh, that note was only meant as a joke," gasped Anne. "Mr. Harrison
|
||
|
has no intention of marrying ANYBODY. I assure you he hasn't."
|
||
|
|
||
|
"I'm very glad to hear it," said the rosy lady, climbing nimbly back
|
||
|
to her seat in the wagon, "because he happens to be married already.
|
||
|
_I_ am his wife. Oh, you may well look surprised. I suppose he has
|
||
|
been masquerading as a bachelor and breaking hearts right and left.
|
||
|
Well, well, James A.," nodding vigorously over the fields at the
|
||
|
long white house, "your fun is over. I am here. . .though I wouldn't
|
||
|
have bothered coming if I hadn't thought you were up to some mischief.
|
||
|
I suppose," turning to Anne, "that parrot of his is as profane as ever?"
|
||
|
|
||
|
"His parrot. . .is dead. . .I THINK," gasped poor Anne, who
|
||
|
couldn't have felt sure of her own name at that precise moment.
|
||
|
|
||
|
"Dead! Everything will be all right then," cried the rosy lady
|
||
|
jubilantly. "I can manage James A. if that bird is out of the way."
|
||
|
|
||
|
With which cryptic utterance she went joyfully on her way and Anne
|
||
|
flew to the kitchen door to meet Marilla.
|
||
|
|
||
|
"Anne, who was that woman?"
|
||
|
|
||
|
"Marilla," said Anne solemnly, but with dancing eyes, "do I look as
|
||
|
if I were crazy?"
|
||
|
|
||
|
"Not more so than usual," said Marilla, with no thought of being sarcastic.
|
||
|
|
||
|
"Well then, do you think I am awake?"
|
||
|
|
||
|
"Anne, what nonsense has got into you? Who was that woman, I say?"
|
||
|
|
||
|
"Marilla, if I'm not crazy and not asleep she can't be such stuff as dreams
|
||
|
are made of. . .she must be real. Anyway, I'm sure I couldn't have
|
||
|
imagined such a bonnet. She says she is Mr. Harrison's wife, Marilla."
|
||
|
|
||
|
Marilla stared in her turn.
|
||
|
|
||
|
"His wife! Anne Shirley! Then what has he been passing himself off
|
||
|
as an unmarried man for?"
|
||
|
|
||
|
"I don't suppose he did, really," said Anne, trying to be just.
|
||
|
"He never said he wasn't married. People simply took it for
|
||
|
granted. Oh Marilla, what will Mrs. Lynde say to this?"
|
||
|
|
||
|
They found out what Mrs. Lynde had to say when she came up that
|
||
|
evening. Mrs. Lynde wasn't surprised! Mrs. Lynde had always
|
||
|
expected something of the sort! Mrs. Lynde had always known there
|
||
|
was SOMETHING about Mr. Harrison!
|
||
|
|
||
|
"To think of his deserting his wife!" she said indignantly.
|
||
|
"It's like something you'd read of in the States, but who
|
||
|
would expect such a thing to happen right here in Avonlea?"
|
||
|
|
||
|
"But we don't know that he deserted her," protested Anne,
|
||
|
determined to believe her friend innocent till he was proved
|
||
|
guilty. "We don't know the rights of it at all."
|
||
|
|
||
|
"Well, we soon will. I'm going straight over there," said Mrs.
|
||
|
Lynde, who had never learned that there was such a word as delicacy
|
||
|
in the dictionary. "I'm not supposed to know anything about her
|
||
|
arrival, and Mr. Harrison was to bring some medicine for Thomas
|
||
|
from Carmody today, so that will be a good excuse. I'll find out
|
||
|
the whole story and come in and tell you on the way back."
|
||
|
|
||
|
Mrs. Lynde rushed in where Anne had feared to tread. Nothing
|
||
|
would have induced the latter to go over to the Harrison place;
|
||
|
but she had her natural and proper share of curiosity and she
|
||
|
felt secretly glad that Mrs. Lynde was going to solve the mystery.
|
||
|
She and Marilla waited expectantly for that good lady's return, but
|
||
|
waited in vain. Mrs. Lynde did not revisit Green Gables that night.
|
||
|
Davy, arriving home at nine o'clock from the Boulter place, explained why.
|
||
|
|
||
|
"I met Mrs. Lynde and some strange woman in the Hollow," he said,
|
||
|
"and gracious, how they were talking both at once! Mrs. Lynde
|
||
|
said to tell you she was sorry it was too late to call tonight.
|
||
|
Anne, I'm awful hungry. We had tea at Milty's at four and I think
|
||
|
Mrs. Boulter is real mean. She didn't give us any preserves or cake
|
||
|
. . .and even the bread was skurce."
|
||
|
|
||
|
"Davy, when you go visiting you must never criticize anything you
|
||
|
are given to eat," said Anne solemnly. "It is very bad manners."
|
||
|
|
||
|
"All right. . .I'll only think it," said Davy cheerfully.
|
||
|
"Do give a fellow some supper, Anne."
|
||
|
|
||
|
Anne looked at Marilla, who followed her into the pantry and shut
|
||
|
the door cautiously.
|
||
|
|
||
|
"You can give him some jam on his bread, I know what tea at Levi
|
||
|
Boulter's is apt to be."
|
||
|
|
||
|
Davy took his slice of bread and jam with a sigh.
|
||
|
|
||
|
"It's a kind of disappointing world after all," he remarked.
|
||
|
"Milty has a cat that takes fits. . .she's took a fit regular
|
||
|
every day for three weeks. Milty says it's awful fun to watch her.
|
||
|
I went down today on purpose to see her have one but the mean old
|
||
|
thing wouldn't take a fit and just kept healthy as healthy, though
|
||
|
Milty and me hung round all the afternoon and waited. But never mind"
|
||
|
. . .Davy brightened up as the insidious comfort of the plum jam
|
||
|
stole into his soul. . ."maybe I'll see her in one sometime yet.
|
||
|
It doesn't seem likely she'd stop having them all at once when she's
|
||
|
been so in the habit of it, does it? This jam is awful nice."
|
||
|
|
||
|
Davy had no sorrows that plum jam could not cure.
|
||
|
|
||
|
Sunday proved so rainy that there was no stirring abroad; but by
|
||
|
Monday everybody had heard some version of the Harrison story. The
|
||
|
school buzzed with it and Davy came home, full of information.
|
||
|
|
||
|
"Marilla, Mr. Harrison has a new wife. . .well, not ezackly new,
|
||
|
but they've stopped being married for quite a spell, Milty says.
|
||
|
I always s'posed people had to keep on being married once they'd
|
||
|
begun, but Milty says no, there's ways of stopping if you can't agree.
|
||
|
Milty says one way is just to start off and leave your wife, and that's
|
||
|
what Mr. Harrison did. Milty says Mr. Harrison left his wife because
|
||
|
she throwed things at him. . .HARD things. . .and Arty Sloane says
|
||
|
it was because she wouldn't let him smoke, and Ned Clay says it
|
||
|
was 'cause she never let up scolding him. I wouldn't leave MY
|
||
|
wife for anything like that. I'd just put my foot down and say,
|
||
|
`Mrs. Davy, you've just got to do what'll please ME 'cause I'm a MAN.'
|
||
|
THAT'D settle her pretty quick I guess. But Annetta Clay says SHE left
|
||
|
HIM because he wouldn't scrape his boots at the door and she doesn't
|
||
|
blame her. I'm going right over to Mr. Harrison's this minute to see
|
||
|
what she's like."
|
||
|
|
||
|
Davy soon returned, somewhat cast down.
|
||
|
|
||
|
"Mrs. Harrison was away. . .she's gone to Carmody with Mrs. Rachel
|
||
|
Lynde to get new paper for the parlor. And Mr. Harrison said to
|
||
|
tell Anne to go over and see him `cause he wants to have a talk
|
||
|
with her. And say, the floor is scrubbed, and Mr. Harrison is
|
||
|
shaved, though there wasn't any preaching yesterday."
|
||
|
|
||
|
The Harrison kitchen wore a very unfamiliar look to Anne. The floor
|
||
|
was indeed scrubbed to a wonderful pitch of purity and so was every
|
||
|
article of furniture in the room; the stove was polished until she
|
||
|
could see her face in it; the walls were whitewashed and the window
|
||
|
panes sparkled in the sunlight. By the table sat Mr. Harrison in
|
||
|
his working clothes, which on Friday had been noted for sundry
|
||
|
rents and tatters but which were now neatly patched and brushed.
|
||
|
He was sprucely shaved and what little hair he had was carefully trimmed.
|
||
|
|
||
|
"Sit down, Anne, sit down," said Mr. Harrison in a tone but two
|
||
|
degrees removed from that which Avonlea people used at funerals.
|
||
|
"Emily's gone over to Carmody with Rachel Lynde. . .she's struck
|
||
|
up a lifelong friendship already with Rachel Lynde. Beats all how
|
||
|
contrary women are. Well, Anne, my easy times are over. . .all over.
|
||
|
It's neatness and tidiness for me for the rest of my natural life,
|
||
|
I suppose."
|
||
|
|
||
|
Mr. Harrison did his best to speak dolefully, but an irrepressible
|
||
|
twinkle in his eye betrayed him.
|
||
|
|
||
|
"Mr. Harrison, you are glad your wife is come back," cried Anne,
|
||
|
shaking her finger at him. "You needn't pretend you're not,
|
||
|
because I can see it plainly."
|
||
|
|
||
|
Mr. Harrison relaxed into a sheepish smile.
|
||
|
|
||
|
"Well. . .well. . .I'm getting used to it," he conceded. "I can't
|
||
|
say I was sorry to see Emily. A man really needs some protection
|
||
|
in a community like this, where he can't play a game of checkers
|
||
|
with a neighbor without being accused of wanting to marry that
|
||
|
neighbor's sister and having it put in the paper."
|
||
|
|
||
|
"Nobody would have supposed you went to see Isabella Andrews if you
|
||
|
hadn't pretended to be unmarried," said Anne severely.
|
||
|
|
||
|
"I didn't pretend I was. If anybody'd have asked me if I was
|
||
|
married I'd have said I was. But they just took it for granted.
|
||
|
I wasn't anxious to talk about the matter. . .I was feeling too
|
||
|
sore over it. It would have been nuts for Mrs. Rachel Lynde if
|
||
|
she had known my wife had left me, wouldn't it now?"
|
||
|
|
||
|
"But some people say that you left her."
|
||
|
|
||
|
"She started it, Anne, she started it. I'm going to tell you
|
||
|
the whole story, for I don't want you to think worse of me than I
|
||
|
deserve. . .nor of Emily neither. But let's go out on the veranda.
|
||
|
Everything is so fearful neat in here that it kind of makes me homesick.
|
||
|
I suppose I'll get used to it after awhile but it eases me up to look
|
||
|
at the yard. Emily hasn't had time to tidy it up yet."
|
||
|
|
||
|
As soon as they were comfortably seated on the veranda Mr. Harrison
|
||
|
began his tale of woe.
|
||
|
|
||
|
"I lived in Scottsford, New Brunswick, before I came here, Anne.
|
||
|
My sister kept house for me and she suited me fine; she was just
|
||
|
reasonably tidy and she let me alone and spoiled me. . .so Emily says.
|
||
|
But three years ago she died. Before she died she worried a lot about
|
||
|
what was to become of me and finally she got me to promise I'd get married.
|
||
|
She advised me to take Emily Scott because Emily had money of her own and was
|
||
|
a pattern housekeeper. I said, says I, `Emily Scott wouldn't look at me.'
|
||
|
`You ask her and see,' says my sister; and just to ease her mind I promised
|
||
|
her I would. . .and I did. And Emily said she'd have me. Never was so
|
||
|
surprised in my life, Anne. . .a smart pretty little woman like her and
|
||
|
an old fellow like me. I tell you I thought at first I was in luck.
|
||
|
Well, we were married and took a little wedding trip to St. John for
|
||
|
a fortnight and then we went home. We got home at ten o'clock at night,
|
||
|
and I give you my word, Anne, that in half an hour that woman was at
|
||
|
work housecleaning. Oh, I know you're thinking my house needed it. . .
|
||
|
you've got a very expressive face, Anne; your thoughts just come out
|
||
|
on it like print. . .but it didn't, not that bad. It had got pretty
|
||
|
mixed up while I was keeping bachelor's hall, I admit, but I'd got a
|
||
|
woman to come in and clean it up before I was married and there'd
|
||
|
been considerable painting and fixing done. I tell you if you
|
||
|
took Emily into a brand new white marble palace she'd be into the
|
||
|
scrubbing as soon as she could get an old dress on. Well, she
|
||
|
cleaned house till one o'clock that night and at four she was up
|
||
|
and at it again. And she kept on that way. . .far's I could see
|
||
|
she never stopped. It was scour and sweep and dust everlasting,
|
||
|
except on Sundays, and then she was just longing for Monday to
|
||
|
begin again. But it was her way of amusing herself and I could
|
||
|
have reconciled myself to it if she'd left me alone. But that she
|
||
|
wouldn't do. She'd set out to make me over but she hadn't caught
|
||
|
me young enough. I wasn't allowed to come into the house unless I
|
||
|
changed my boots for slippers at the door. I darsn't smoke a pipe
|
||
|
for my life unless I went to the barn. And I didn't use good
|
||
|
enough grammar. Emily'd been a schoolteacher in her early life and
|
||
|
she'd never got over it. Then she hated to see me eating with my
|
||
|
knife. Well, there it was, pick and nag everlasting. But I
|
||
|
s'pose, Anne, to be fair, _I_ was cantankerous too. I didn't
|
||
|
try to improve as I might have done. . .I just got cranky and
|
||
|
disagreeable when she found fault. I told her one day she hadn't
|
||
|
complained of my grammar when I proposed to her. It wasn't an
|
||
|
overly tactful thing to say. A woman would forgive a man for
|
||
|
beating her sooner than for hinting she was too much pleased to
|
||
|
get him. Well, we bickered along like that and it wasn't exactly
|
||
|
pleasant, but we might have got used to each other after a spell if
|
||
|
it hadn't been for Ginger. Ginger was the rock we split on at
|
||
|
last. Emily didn't like parrots and she couldn't stand Ginger's
|
||
|
profane habits of speech. I was attached to the bird for my
|
||
|
brother the sailor's sake. My brother the sailor was a pet of
|
||
|
mine when we were little tads and he'd sent Ginger to me when he
|
||
|
was dying. I didn't see any sense in getting worked up over his
|
||
|
swearing. There's nothing I hate worse'n profanity in a human
|
||
|
being, but in a parrot, that's just repeating what it's heard with
|
||
|
no more understanding of it than I'd have of Chinese, allowances
|
||
|
might be made. But Emily couldn't see it that way. Women ain't
|
||
|
logical. She tried to break Ginger of swearing but she hadn't any
|
||
|
better success than she had in trying to make me stop saying `I
|
||
|
seen' and `them things.' Seemed as if the more she tried the worse
|
||
|
Ginger got, same as me.
|
||
|
|
||
|
"Well, things went on like this, both of us getting raspier, till
|
||
|
the CLIMAX came. Emily invited our minister and his wife to tea,
|
||
|
and another minister and HIS wife that was visiting them. I'd
|
||
|
promised to put Ginger away in some safe place where nobody would
|
||
|
hear him. . .Emily wouldn't touch his cage with a ten-foot pole
|
||
|
. . . and I meant to do it, for I didn't want the ministers to hear
|
||
|
anything unpleasant in my house. But it slipped my mind. . .Emily
|
||
|
was worrying me so much about clean collars and grammar that it
|
||
|
wasn't any wonder. . .and I never thought of that poor parrot till
|
||
|
we sat down to tea. Just as minister number one was in the very
|
||
|
middle of saying grace, Ginger, who was on the veranda outside the
|
||
|
dining room window, lifted up HIS voice. The gobbler had come
|
||
|
into view in the yard and the sight of a gobbler always had an
|
||
|
unwholesome effect on Ginger. He surpassed himself that time.
|
||
|
You can smile, Anne, and I don't deny I've chuckled some over it
|
||
|
since myself, but at the time I felt almost as much mortified as Emily.
|
||
|
I went out and carried Ginger to the barn. I can't say I enjoyed
|
||
|
the meal. I knew by the look of Emily that there was trouble
|
||
|
brewing for Ginger and James A. When the folks went away I
|
||
|
started for the cow pasture and on the way I did some thinking.
|
||
|
I felt sorry for Emily and kind of fancied I hadn't been so thoughtful
|
||
|
of her as I might; and besides, I wondered if the ministers would
|
||
|
think that Ginger had learned his vocabulary from me. The long and
|
||
|
short of it was, I decided that Ginger would have to be mercifully
|
||
|
disposed of and when I'd druv the cows home I went in to tell Emily so.
|
||
|
But there was no Emily and there was a letter on the table. . .just
|
||
|
according to the rule in story books. Emily writ that I'd have to
|
||
|
choose between her and Ginger; she'd gone back to her own house and
|
||
|
there she would stay till I went and told her I'd got rid of that parrot.
|
||
|
|
||
|
"I was all riled up, Anne, and I said she might stay till doomsday if
|
||
|
she waited for that; and I stuck to it. I packed up her belongings
|
||
|
and sent them after her. It made an awful lot of talk . . .Scottsford
|
||
|
was pretty near as bad as Avonlea for gossip. . .and everybody
|
||
|
sympathized with Emily. It kept me all cross and cantankerous
|
||
|
and I saw I'd have to get out or I'd never have any peace.
|
||
|
I concluded I'd come to the Island. I'd been here when I was
|
||
|
a boy and I liked it; but Emily had always said she wouldn't
|
||
|
live in a place where folks were scared to walk out after dark for
|
||
|
fear they'd fall off the edge. So, just to be contrary, I moved
|
||
|
over here. And that's all there is to it. I hadn't ever heard a
|
||
|
word from or about Emily till I come home from the back field
|
||
|
Saturday and found her scrubbing the floor but with the first
|
||
|
decent dinner I'd had since she left me all ready on the table.
|
||
|
She told me to eat it first and then we'd talk. . .by which I
|
||
|
concluded that Emily had learned some lessons about getting along
|
||
|
with a man. So she's here and she's going to stay. . .seeing that
|
||
|
Ginger's dead and the Island's some bigger than she thought.
|
||
|
There's Mrs. Lynde and her now. No, don't go, Anne. Stay and get
|
||
|
acquainted with Emily. She took quite a notion to you Saturday. . .
|
||
|
wanted to know who that handsome redhaired girl was at the next house."
|
||
|
|
||
|
Mrs. Harrison welcomed Anne radiantly and insisted on her staying to tea.
|
||
|
|
||
|
"James A. has been telling me all about you and how kind you've been,
|
||
|
making cakes and things for him," she said. "I want to get acquainted
|
||
|
with all my new neighbors just as soon as possible. Mrs. Lynde is a
|
||
|
lovely woman, isn't she? So friendly."
|
||
|
|
||
|
When Anne went home in the sweet June dusk, Mrs. Harrison went with her
|
||
|
across the fields where the fireflies were lighting their starry lamps.
|
||
|
|
||
|
"I suppose," said Mrs. Harrison confidentially, "that James A. has told
|
||
|
you our story?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Then I needn't tell it, for James A. is a just man and he would
|
||
|
tell the truth. The blame was far from being all on his side.
|
||
|
I can see that now. I wasn't back in my own house an hour before I
|
||
|
wished I hadn't been so hasty but I wouldn't give in. I see now that
|
||
|
I expected too much of a man. And I was real foolish to mind his
|
||
|
bad grammar. It doesn't matter if a man does use bad grammar so
|
||
|
long as he is a good provider and doesn't go poking round the pantry
|
||
|
to see how much sugar you've used in a week. I feel that James A.
|
||
|
and I are going to be real happy now. I wish I knew who `Observer'
|
||
|
is, so that I could thank him. I owe him a real debt of gratitude."
|
||
|
|
||
|
Anne kept her own counsel and Mrs. Harrison never knew that her
|
||
|
gratitude found its way to its object. Anne felt rather bewildered
|
||
|
over the far-reaching consequences of those foolish "notes." They
|
||
|
had reconciled a man to his wife and made the reputation of a prophet.
|
||
|
|
||
|
Mrs. Lynde was in the Green Gables kitchen. She had been telling
|
||
|
the whole story to Marilla.
|
||
|
|
||
|
"Well, and how do you like Mrs. Harrison?" she asked Anne.
|
||
|
|
||
|
"Very much. I think she's a real nice little woman."
|
||
|
|
||
|
"That's exactly what she is," said Mrs. Rachel with emphasis,
|
||
|
"and as I've just been sayin' to Marilla, I think we ought all
|
||
|
to overlook Mr. Harrison's peculiarities for her sake and try to
|
||
|
make her feel at home here, that's what. Well, I must get back.
|
||
|
Thomas'll be wearying for me. I get out a little since Eliza came
|
||
|
and he's seemed a lot better these past few days, but I never like
|
||
|
to be long away from him. I hear Gilbert Blythe has resigned from
|
||
|
White Sands. He'll be off to college in the fall, I suppose."
|
||
|
|
||
|
Mrs. Rachel looked sharply at Anne, but Anne was bending over a sleepy
|
||
|
Davy nodding on the sofa and nothing was to be read in her face.
|
||
|
She carried Davy away, her oval girlish cheek pressed against his
|
||
|
curly yellow head. As they went up the stairs Davy flung a tired
|
||
|
arm about Anne's neck and gave her a warm hug and a sticky kiss.
|
||
|
|
||
|
"You're awful nice, Anne. Milty Boulter wrote on his slate today
|
||
|
and showed it to Jennie Sloane,
|
||
|
|
||
|
"`Roses red and vi'lets blue,
|
||
|
Sugar's sweet, and so are you"
|
||
|
|
||
|
and that 'spresses my feelings for you ezackly, Anne."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXVI
|
||
|
|
||
|
Around the Bend
|
||
|
|
||
|
|
||
|
Thomas Lynde faded out of life as quietly and unobtrusively as he
|
||
|
had lived it. His wife was a tender, patient, unwearied nurse.
|
||
|
Sometimes Rachel had been a little hard on her Thomas in health,
|
||
|
when his slowness or meekness had provoked her; but when he became
|
||
|
ill no voice could be lower, no hand more gently skillful, no vigil
|
||
|
more uncomplaining.
|
||
|
|
||
|
"You've been a good wife to me, Rachel," he once said simply, when
|
||
|
she was sitting by him in the dusk, holding his thin, blanched old
|
||
|
hand in her work-hardened one. "A good wife. I'm sorry I ain't
|
||
|
leaving you better off; but the children will look after you.
|
||
|
They're all smart, capable children, just like their mother.
|
||
|
A good mother. . .a good woman. . . ."
|
||
|
|
||
|
He had fallen asleep then, and the next morning, just as the white
|
||
|
dawn was creeping up over the pointed firs in the hollow, Marilla
|
||
|
went softly into the east gable and wakened Anne.
|
||
|
|
||
|
"Anne, Thomas Lynde is gone. . .their hired boy just brought the word.
|
||
|
I'm going right down to Rachel."
|
||
|
|
||
|
On the day after Thomas Lynde's funeral Marilla went about Green Gables
|
||
|
with a strangely preoccupied air. Occasionally she looked at Anne,
|
||
|
seemed on the point of saying something, then shook her head and
|
||
|
buttoned up her mouth. After tea she went down to see Mrs. Rachel;
|
||
|
and when she returned she went to the east gable, where Anne was
|
||
|
correcting school exercises.
|
||
|
|
||
|
"How is Mrs. Lynde tonight?" asked the latter.
|
||
|
|
||
|
"She's feeling calmer and more composed," answered Marilla, sitting
|
||
|
down on Anne's bed. . .a proceeding which betokened some unusual
|
||
|
mental excitement, for in Marilla's code of household ethics to
|
||
|
sit on a bed after it was made up was an unpardonable offense.
|
||
|
"But she's very lonely. Eliza had to go home today. . .her son
|
||
|
isn't well and she felt she couldn't stay any longer."
|
||
|
|
||
|
"When I've finished these exercises I'll run down and chat awhile
|
||
|
with Mrs. Lynde," said Anne. "I had intended to study some Latin
|
||
|
composition tonight but it can wait."
|
||
|
|
||
|
"I suppose Gilbert Blythe is going to college in the fall," said
|
||
|
Marilla jerkily. "How would you like to go too, Anne?"
|
||
|
|
||
|
Anne looked up in astonishment.
|
||
|
|
||
|
"I would like it, of course, Marilla. But it isn't possible."
|
||
|
|
||
|
"I guess it can be made possible. I've always felt that you should go.
|
||
|
I've never felt easy to think you were giving it all up on my account."
|
||
|
|
||
|
"But Marilla, I've never been sorry for a moment that I stayed home.
|
||
|
I've been so happy. . .Oh, these past two years have just been delightful."
|
||
|
|
||
|
"Oh, yes, I know you've been contented enough. But that isn't the
|
||
|
question exactly. You ought to go on with your education. You've
|
||
|
saved enough to put you through one year at Redmond and the money the
|
||
|
stock brought in will do for another year. . .and there's scholarships
|
||
|
and things you might win."
|
||
|
|
||
|
"Yes, but I can't go, Marilla. Your eyes are better, of course;
|
||
|
but I can't leave you alone with the twins. They need so much
|
||
|
looking after."
|
||
|
|
||
|
"I won't be alone with them. That's what I meant to discuss with you.
|
||
|
I had a long talk with Rachel tonight. Anne, she's feeling dreadful
|
||
|
bad over a good many things. She's not left very well off. It seems
|
||
|
they mortgaged the farm eight years ago to give the youngest boy a
|
||
|
start when he went west; and they've never been able to pay much more
|
||
|
than the interest since. And then of course Thomas' illness has cost
|
||
|
a good deal, one way or another. The farm will have to be sold and Rachel
|
||
|
thinks there'll be hardly anything left after the bills are settled.
|
||
|
She says she'll have to go and live with Eliza and it's breaking her
|
||
|
heart to think of leaving Avonlea. A woman of her age doesn't make
|
||
|
new friends and interests easy. And, Anne, as she talked about it
|
||
|
the thought came to me that I would ask her to come and live with me,
|
||
|
but I thought I ought to talk it over with you first before I said
|
||
|
anything to her. If I had Rachel living with me you could go to college.
|
||
|
How do you feel about it?"
|
||
|
|
||
|
"I feel. . .as if. . .somebody. . .had handed me. . .the moon. . .and I
|
||
|
didn't know. . .exactly. . .what to do. . .with it," said Anne dazedly.
|
||
|
"But as for asking Mrs. Lynde to come here, that is for you to decide,
|
||
|
Marilla. Do you think. . .are you sure. . .you would like it? Mrs. Lynde
|
||
|
is a good woman and a kind neighbor, but. . .but. . ."
|
||
|
|
||
|
"But she's got her faults, you mean to say? Well, she has, of course;
|
||
|
but I think I'd rather put up with far worse faults than see Rachel
|
||
|
go away from Avonlea. I'd miss her terrible. She's the only close
|
||
|
friend I've got here and I'd be lost without her. We've been neighbors
|
||
|
for forty-five years and we've never had a quarrel. . .though we came
|
||
|
rather near it that time you flew at Mrs. Rachel for calling you homely
|
||
|
and redhaired. Do you remember, Anne?"
|
||
|
|
||
|
"I should think I do," said Anne ruefully. "People don't forget
|
||
|
things like that. How I hated poor Mrs. Rachel at that moment!"
|
||
|
|
||
|
"And then that `apology' you made her. Well, you were a handful,
|
||
|
in all conscience, Anne. I did feel so puzzled and bewildered how
|
||
|
to manage you. Matthew understood you better."
|
||
|
|
||
|
"Matthew understood everything," said Anne softly, as she always
|
||
|
spoke of him.
|
||
|
|
||
|
"Well, I think it could be managed so that Rachel and I wouldn't
|
||
|
clash at all. It always seemed to me that the reason two women
|
||
|
can't get along in one house is that they try to share the same
|
||
|
kitchen and get in each other's way. Now, if Rachel came here,
|
||
|
she could have the north gable for her bedroom and the spare room
|
||
|
for a kitchen as well as not, for we don't really need a spare room
|
||
|
at all. She could put her stove there and what furniture she wanted
|
||
|
to keep, and be real comfortable and independent. She'll have enough
|
||
|
to live on of course...her children'll see to that...so all I'd be
|
||
|
giving her would be house room. Yes, Anne, far as I'm concerned
|
||
|
I'd like it."
|
||
|
|
||
|
"Then ask her," said Anne promptly. "I'd be very sorry myself to
|
||
|
see Mrs. Rachel go away."
|
||
|
|
||
|
"And if she comes," continued Marilla, "You can go to college as well
|
||
|
as not. She'll be company for me and she'll do for the twins what I
|
||
|
can't do, so there's no reason in the world why you shouldn't go."
|
||
|
|
||
|
Anne had a long meditation at her window that night. Joy and regret
|
||
|
struggled together in her heart. She had come at last. . .suddenly
|
||
|
and unexpectedly. . .to the bend in the road; and college was around it,
|
||
|
with a hundred rainbow hopes and visions; but Anne realized as well that
|
||
|
when she rounded that curve she must leave many sweet things behind. . .
|
||
|
all the little simple duties and interests which had grown so dear to her
|
||
|
in the last two years and which she had glorified into beauty and delight
|
||
|
by the enthusiasm she had put into them. She must give up her school. . .
|
||
|
and she loved every one of her pupils, even the stupid and naughty ones.
|
||
|
The mere thought of Paul Irving made her wonder if Redmond were such a
|
||
|
name to conjure with after all.
|
||
|
|
||
|
"I've put out a lot of little roots these two years," Anne told the moon,
|
||
|
"and when I'm pulled up they're going to hurt a great deal. But it's best
|
||
|
to go, I think, and, as Marilla says, there's no good reason why I shouldn't.
|
||
|
I must get out all my ambitions and dust them."
|
||
|
|
||
|
Anne sent in her resignation the next day; and Mrs. Rachel, after
|
||
|
a heart to heart talk with Marilla, gratefully accepted the offer
|
||
|
of a home at Green Gables. She elected to remain in her own house
|
||
|
for the summer, however; the farm was not to be sold until the fall
|
||
|
and there were many arrangements to be made.
|
||
|
|
||
|
"I certainly never thought of living as far off the road as Green Gables,"
|
||
|
sighed Mrs. Rachel to herself. "But really, Green Gables doesn't seem as
|
||
|
out of the world as it used to do. . .Anne has lots of company and the
|
||
|
twins make it real lively. And anyhow, I'd rather live at the bottom
|
||
|
of a well than leave Avonlea."
|
||
|
|
||
|
These two decisions being noised abroad speedily ousted the arrival
|
||
|
of Mrs. Harrison in popular gossip. Sage heads were shaken over
|
||
|
Marilla Cuthbert's rash step in asking Mrs. Rachel to live with her.
|
||
|
People opined that they wouldn't get on together. They were both
|
||
|
"too fond of their own way," and many doleful predictions were made,
|
||
|
none of which disturbed the parties in question at all. They had
|
||
|
come to a clear and distinct understanding of the respective duties
|
||
|
and rights of their new arrangements and meant to abide by them.
|
||
|
|
||
|
"I won't meddle with you nor you with me," Mrs. Rachel had said decidedly,
|
||
|
"and as for the twins, I'll be glad to do all I can for them; but I won't
|
||
|
undertake to answer Davy's questions, that's what. I'm not an encyclopedia,
|
||
|
neither am I a Philadelphia lawyer. You'll miss Anne for that."
|
||
|
|
||
|
"Sometimes Anne's answers were about as queer as Davy's questions,"
|
||
|
said Marilla drily. "The twins will miss her and no mistake; but
|
||
|
her future can't be sacrificed to Davy's thirst for information.
|
||
|
When he asks questions I can't answer I'll just tell him children
|
||
|
should be seen and not heard. That was how I was brought up,
|
||
|
and I don't know but what it was just as good a way as all these
|
||
|
new-fangled notions for training children."
|
||
|
|
||
|
"Well, Anne's methods seem to have worked fairly well with Davy,"
|
||
|
said Mrs. Lynde smilingly. "He is a reformed character, that's what."
|
||
|
|
||
|
"He isn't a bad little soul," conceded Marilla. "I never expected to get
|
||
|
as fond of those children as I have. Davy gets round you somehow . . .and
|
||
|
Dora is a lovely child, although she is. . .kind of. . .well, kind of. . ."
|
||
|
|
||
|
"Monotonous? Exactly," supplied Mrs. Rachel. "Like a book where every
|
||
|
page is the same, that's what. Dora will make a good, reliable woman but
|
||
|
she'll never set the pond on fire. Well, that sort of folks are comfortable
|
||
|
to have round, even if they're not as interesting as the other kind."
|
||
|
|
||
|
Gilbert Blythe was probably the only person to whom the news of
|
||
|
Anne's resignation brought unmixed pleasure. Her pupils looked
|
||
|
upon it as a sheer catastrophe. Annetta Bell had hysterics when
|
||
|
she went home. Anthony Pye fought two pitched and unprovoked
|
||
|
battles with other boys by way of relieving his feelings. Barbara
|
||
|
Shaw cried all night. Paul Irving defiantly told his grandmother
|
||
|
that she needn't expect him to eat any porridge for a week.
|
||
|
|
||
|
"I can't do it, Grandma," he said. "I don't really know if I can
|
||
|
eat ANYTHING. I feel as if there was a dreadful lump in my throat.
|
||
|
I'd have cried coming home from school if Jake Donnell hadn't been
|
||
|
watching me. I believe I will cry after I go to bed. It wouldn't
|
||
|
show on my eyes tomorrow, would it? And it would be such a relief.
|
||
|
But anyway, I can't eat porridge. I'm going to need all my strength
|
||
|
of mind to bear up against this, Grandma, and I won't have any left
|
||
|
to grapple with porridge. Oh Grandma, I don't know what I'll do when
|
||
|
my beautiful teacher goes away. Milty Boulter says he bets Jane Andrews
|
||
|
will get the school. I suppose Miss Andrews is very nice. But I know
|
||
|
she won't understand things like Miss Shirley."
|
||
|
|
||
|
Diana also took a very pessimistic view of affairs.
|
||
|
|
||
|
"It will be horribly lonesome here next winter," she mourned, one twilight
|
||
|
when the moonlight was raining "airy silver" through the cherry boughs
|
||
|
and filling the east gable with a soft, dream-like radiance in which
|
||
|
the two girls sat and talked, Anne on her low rocker by the window,
|
||
|
Diana sitting Turkfashion on the bed. "You and Gilbert will be gone
|
||
|
. . .and the Allans too. They are going to call Mr. Allan to
|
||
|
Charlottetown and of course he'll accept. It's too mean. We'll
|
||
|
be vacant all winter, I suppose, and have to listen to a long
|
||
|
string of candidates. . .and half of them won't be any good."
|
||
|
|
||
|
"I hope they won't call Mr. Baxter from East Grafton here, anyhow,"
|
||
|
said Anne decidedly. "He wants the call but he does preach such
|
||
|
gloomy sermons. Mr. Bell says he's a minister of the old school,
|
||
|
but Mrs. Lynde says there's nothing whatever the matter with him
|
||
|
but indigestion. His wife isn't a very good cook, it seems, and
|
||
|
Mrs. Lynde says that when a man has to eat sour bread two weeks
|
||
|
out of three his theology is bound to get a kink in it somewhere.
|
||
|
Mrs. Allan feels very badly about going away. She says everybody
|
||
|
has been so kind to her since she came here as a bride that she
|
||
|
feels as if she were leaving lifelong friends. And then, there's
|
||
|
the baby's grave, you know. She says she doesn't see how she can
|
||
|
go away and leave that. . .it was such a little mite of a thing
|
||
|
and only three months old, and she says she is afraid it will miss
|
||
|
its mother, although she knows better and wouldn't say so to Mr. Allan
|
||
|
for anything. She says she has slipped through the birch grove back
|
||
|
of the manse nearly every night to the graveyard and sung a little
|
||
|
lullaby to it. She told me all about it last evening when I was
|
||
|
up putting some of those early wild roses on Matthew's grave.
|
||
|
I promised her that as long as I was in Avonlea I would put flowers
|
||
|
on the baby's grave and when I was away I felt sure that. . ."
|
||
|
|
||
|
"That I would do it," supplied Diana heartily. "Of course I will.
|
||
|
And I'll put them on Matthew's grave too, for your sake, Anne."
|
||
|
|
||
|
"Oh, thank you. I meant to ask you to if you would. And on little
|
||
|
Hester Gray's too? Please don't forget hers. Do you know, I've
|
||
|
thought and dreamed so much about little Hester Gray that she has
|
||
|
become strangely real to me. I think of her, back there in her
|
||
|
little garden in that cool, still, green corner; and I have a fancy
|
||
|
that if I could steal back there some spring evening, just at the
|
||
|
magic time 'twixt light and dark, and tiptoe so softly up the beech
|
||
|
hill that my footsteps could not frighten her, I would find the
|
||
|
garden just as it used to be, all sweet with June lilies and early
|
||
|
roses, with the tiny house beyond it all hung with vines; and
|
||
|
little Hester Gray would be there, with her soft eyes, and the wind
|
||
|
ruffling her dark hair, wandering about, putting her fingertips
|
||
|
under the chins of the lilies and whispering secrets with the roses;
|
||
|
and I would go forward, oh, so softly, and hold out my hands and
|
||
|
say to her, `Little Hester Gray, won't you let me be your playmate,
|
||
|
for I love the roses too?' And we would sit down on the old bench
|
||
|
and talk a little and dream a little, or just be beautifully silent
|
||
|
together. And then the moon would rise and I would look around me
|
||
|
. . .and there would be no Hester Gray and no little vine-hung house,
|
||
|
and no roses. . .only an old waste garden starred with June lilies amid the
|
||
|
grasses, and the wind sighing, oh, so sorrowfully in the cherry trees. And
|
||
|
I would not know whether it had been real or if I had just imagined it all."
|
||
|
Diana crawled up and got her back against the headboard of the bed.
|
||
|
When your companion of twilight hour said such spooky things it was
|
||
|
just as well not to be able to fancy there was anything behind you.
|
||
|
|
||
|
"I'm afraid the Improvement Society will go down when you and
|
||
|
Gilbert are both gone," she remarked dolefully.
|
||
|
|
||
|
"Not a bit of fear of it," said Anne briskly, coming back from
|
||
|
dreamland to the affairs of practical life. "It is too firmly
|
||
|
established for that, especially since the older people are
|
||
|
becoming so enthusiastic about it. Look what they are doing this
|
||
|
summer for their lawns and lanes. Besides, I'll be watching for
|
||
|
hints at Redmond and I'll write a paper for it next winter and
|
||
|
send it over. Don't take such a gloomy view of things, Diana.
|
||
|
And don't grudge me my little hour of gladness and jubilation now.
|
||
|
Later on, when I have to go away, I'll feel anything but glad."
|
||
|
|
||
|
"It's all right for you to be glad. . .you're going to college and
|
||
|
you'll have a jolly time and make heaps of lovely new friends."
|
||
|
|
||
|
"I hope I shall make new friends," said Anne thoughtfully.
|
||
|
"The possibilities of making new friends help to make life very
|
||
|
fascinating. But no matter how many friends I make they'll never
|
||
|
be as dear to me as the old ones. . .especially a certain girl
|
||
|
with black eyes and dimples. Can you guess who she is, Diana?"
|
||
|
|
||
|
"But there'll be so many clever girls at Redmond," sighed Diana,
|
||
|
"and I'm only a stupid little country girl who says `I seen'
|
||
|
sometimes. . .though I really know better when I stop to think.
|
||
|
Well, of course these past two years have really been too pleasant
|
||
|
to last. I know SOMEBODY who is glad you are going to Redmond anyhow.
|
||
|
Anne, I'm going to ask you a question. . .a serious question. Don't be
|
||
|
vexed and do answer seriously. Do you care anything for Gilbert?"
|
||
|
|
||
|
"Ever so much as a friend and not a bit in the way you mean," said Anne
|
||
|
calmly and decidedly; she also thought she was speaking sincerely.
|
||
|
|
||
|
Diana sighed. She wished, somehow, that Anne had answered differently.
|
||
|
|
||
|
"Don't you mean EVER to be married, Anne?"
|
||
|
|
||
|
"Perhaps. . .some day. . .when I meet the right one," said Anne,
|
||
|
smiling dreamily up at the moonlight.
|
||
|
|
||
|
"But how can you be sure when you do meet the right one?" persisted Diana.
|
||
|
|
||
|
"Oh, I should know him. . .SOMETHING would tell me. You know what my
|
||
|
ideal is, Diana."
|
||
|
|
||
|
"But people's ideals change sometimes."
|
||
|
|
||
|
"Mine won't. And I COULDN'T care for any man who didn't fulfill it."
|
||
|
|
||
|
"What if you never meet him?"
|
||
|
|
||
|
"Then I shall die an old maid," was the cheerful response. "I daresay
|
||
|
it isn't the hardest death by any means."
|
||
|
|
||
|
"Oh, I suppose the dying would be easy enough; it's the living an
|
||
|
old maid I shouldn't like," said Diana, with no intention of being
|
||
|
humorous. "Although I wouldn't mind being an old maid VERY much if
|
||
|
I could be one like Miss Lavendar. But I never could be. When I'm
|
||
|
forty-five I'll be horribly fat. And while there might be some
|
||
|
romance about a thin old maid there couldn't possibly be any about
|
||
|
a fat one. Oh, mind you, Nelson Atkins proposed to Ruby Gillis
|
||
|
three weeks ago. Ruby told me all about it. She says she never
|
||
|
had any intention of taking him, because any one who married him
|
||
|
will have to go in with the old folks; but Ruby says that he made
|
||
|
such a perfectly beautiful and romantic proposal that it simply
|
||
|
swept her off her feet. But she didn't want to do anything rash so
|
||
|
she asked for a week to consider; and two days later she was at a
|
||
|
meeting of the Sewing Circle at his mother's and there was a book
|
||
|
called `The Complete Guide to Etiquette,' lying on the parlor
|
||
|
table. Ruby said she simply couldn't describe her feelings when in
|
||
|
a section of it headed, `The Deportment of Courtship and Marriage,'
|
||
|
she found the very proposal Nelson had made, word for word. She
|
||
|
went home and wrote him a perfectly scathing refusal; and she says
|
||
|
his father and mother have taken turns watching him ever since for
|
||
|
fear he'll drown himself in the river; but Ruby says they needn't
|
||
|
be afraid; for in the Deportment of Courtship and Marriage it told
|
||
|
how a rejected lover should behave and there's nothing about
|
||
|
drowning in THAT. And she says Wilbur Blair is literally pining
|
||
|
away for her but she's perfectly helpless in the matter."
|
||
|
|
||
|
Anne made an impatient movement.
|
||
|
|
||
|
"I hate to say it. . .it seems so disloyal. . .but, well, I don't
|
||
|
like Ruby Gillis now. I liked her when we went to school and
|
||
|
Queen's together. . .though not so well as you and Jane of course.
|
||
|
But this last year at Carmody she seems so different. . .so. . .so. . ."
|
||
|
|
||
|
"I know," nodded Diana. "It's the Gillis coming out in her. . .
|
||
|
she can't help it. Mrs. Lynde says that if ever a Gillis girl
|
||
|
thought about anything but the boys she never showed it in her
|
||
|
walk and conversation. She talks about nothing but boys and what
|
||
|
compliments they pay her, and how crazy they all are about her at
|
||
|
Carmody. And the strange thing is, they ARE, too. . ." Diana
|
||
|
admitted this somewhat resentfully. "Last night when I saw her in
|
||
|
Mr. Blair's store she whispered to me that she'd just made a new `mash.'
|
||
|
I wouldn't ask her who it was, because I knew she was dying to BE asked.
|
||
|
Well, it's what Ruby always wanted, I suppose. You remember even when
|
||
|
she was little she always said she meant to have dozens of beaus when she
|
||
|
grew up and have the very gayest time she could before she settled down.
|
||
|
She's so different from Jane, isn't she? Jane is such a nice, sensible,
|
||
|
lady-like girl."
|
||
|
|
||
|
"Dear old Jane is a jewel," agreed Anne, "but," she added, leaning
|
||
|
forward to bestow a tender pat on the plump, dimpled little hand
|
||
|
hanging over her pillow, "there's nobody like my own Diana after all.
|
||
|
Do you remember that evening we first met, Diana, and `swore'
|
||
|
eternal friendship in your garden? We've kept that `oath,' I
|
||
|
think. . .we've never had a quarrel nor even a coolness. I shall
|
||
|
never forget the thrill that went over me the day you told me you
|
||
|
loved me. I had had such a lonely, starved heart all through my
|
||
|
childhood. I'm just beginning to realize how starved and lonely it
|
||
|
really was. Nobody cared anything for me or wanted to be bothered
|
||
|
with me. I should have been miserable if it hadn't been for that
|
||
|
strange little dream-life of mine, wherein I imagined all the
|
||
|
friends and love I craved. But when I came to Green Gables
|
||
|
everything was changed. And then I met you. You don't know what
|
||
|
your friendship meant to me. I want to thank you here and now,
|
||
|
dear, for the warm and true affection you've always given me."
|
||
|
|
||
|
"And always, always will," sobbed Diana. "I shall NEVER love anybody
|
||
|
. . .any GIRL. . .half as well as I love you. And if I ever do marry
|
||
|
and have a little girl of my own I'm going to name her ANNE."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXVII
|
||
|
|
||
|
An Afternoon at the Stone House
|
||
|
|
||
|
|
||
|
"Where are you going, all dressed up, Anne?" Davy wanted to know.
|
||
|
"You look bully in that dress."
|
||
|
|
||
|
Anne had come down to dinner in a new dress of pale green muslin
|
||
|
. . .the first color she had worn since Matthew's death. It became
|
||
|
her perfectly, bringing out all the delicate, flower-like tints of
|
||
|
her face and the gloss and burnish of her hair.
|
||
|
|
||
|
"Davy, how many times have I told you that you mustn't use that word,"
|
||
|
she rebuked. "I'm going to Echo Lodge."
|
||
|
|
||
|
"Take me with you," entreated Davy.
|
||
|
|
||
|
"I would if I were driving. But I'm going to walk and it's too far
|
||
|
for your eight-year-old legs. Besides, Paul is going with me and I
|
||
|
fear you don't enjoy yourself in his company."
|
||
|
|
||
|
"Oh, I like Paul lots better'n I did," said Davy, beginning to make
|
||
|
fearful inroads into his pudding. "Since I've got pretty good
|
||
|
myself I don't mind his being gooder so much. If I can keep
|
||
|
on I'll catch up with him some day, both in legs and goodness.
|
||
|
'Sides, Paul's real nice to us second primer boys in school.
|
||
|
He won't let the other big boys meddle with us and he shows us
|
||
|
lots of games."
|
||
|
|
||
|
"How came Paul to fall into the brook at noon hour yesterday?"
|
||
|
asked Anne. "I met him on the playground, such a dripping figure
|
||
|
that I sent him promptly home for clothes without waiting to find
|
||
|
out what had happened."
|
||
|
|
||
|
"Well, it was partly a zacksident," explained Davy. "He stuck
|
||
|
his head in on purpose but the rest of him fell in zacksidentally.
|
||
|
We was all down at the brook and Prillie Rogerson got mad at Paul
|
||
|
about something. . .she's awful mean and horrid anyway, if she IS
|
||
|
pretty. . .and said that his grandmother put his hair up in curl
|
||
|
rags every night. Paul wouldn't have minded what she said, I guess,
|
||
|
but Gracie Andrews laughed, and Paul got awful red, 'cause Gracie's
|
||
|
his girl, you know. He's CLEAN GONE on her. . .brings her flowers
|
||
|
and carries her books as far as the shore road. He got as red as
|
||
|
a beet and said his grandmother didn't do any such thing and his
|
||
|
hair was born curly. And then he laid down on the bank and stuck
|
||
|
his head right into the spring to show them. Oh, it wasn't the
|
||
|
spring we drink out of. . ." seeing a horrified look on Marilla's
|
||
|
face. . ."it was the little one lower down. But the bank's awful
|
||
|
slippy and Paul went right in. I tell you he made a bully splash.
|
||
|
Oh, Anne, Anne, I didn't mean to say that. . .it just slipped out
|
||
|
before I thought. He made a SPLENDID splash. But he looked so
|
||
|
funny when he crawled out, all wet and muddy. The girls laughed
|
||
|
more'n ever, but Gracie didn't laugh. She looked sorry. Gracie's
|
||
|
a nice girl but she's got a snub nose. When I get big enough to
|
||
|
have a girl I won't have one with a snub nose. . .I'll pick one
|
||
|
with a pretty nose like yours, Anne."
|
||
|
|
||
|
"A boy who makes such a mess of syrup all over his face when he is eating
|
||
|
his pudding will never get a girl to look at him," said Marilla severely.
|
||
|
|
||
|
"But I'll wash my face before I go courting," protested Davy,
|
||
|
trying to improve matters by rubbing the back of his hand over the
|
||
|
smears. "And I'll wash behind my ears too, without being told.
|
||
|
I remembered to this morning, Marilla. I don't forget half as often
|
||
|
as I did. But. . ." and Davy sighed. . ."there's so many corners
|
||
|
about a fellow that it's awful hard to remember them all. Well, if
|
||
|
I can't go to Miss Lavendar's I'll go over and see Mrs. Harrison.
|
||
|
Mrs. Harrison's an awful nice woman, I tell you. She keeps a jar
|
||
|
of cookies in her pantry a-purpose for little boys, and she always
|
||
|
gives me the scrapings out of a pan she's mixed up a plum cake in.
|
||
|
A good many plums stick to the sides, you see. Mr. Harrison was
|
||
|
always a nice man, but he's twice as nice since he got married over
|
||
|
again. I guess getting married makes folks nicer. Why don't YOU
|
||
|
get married, Marilla? I want to know."
|
||
|
|
||
|
Marilla's state of single blessedness had never been a sore point
|
||
|
with her, so she answered amiably, with an exchange of significant looks
|
||
|
with Anne, that she supposed it was because nobody would have her.
|
||
|
|
||
|
"But maybe you never asked anybody to have you," protested Davy.
|
||
|
|
||
|
"Oh, Davy," said Dora primly, shocked into speaking without being spoken to,
|
||
|
"it's the MEN that have to do the asking."
|
||
|
|
||
|
"I don't know why they have to do it ALWAYS," grumbled Davy.
|
||
|
"Seems to me everything's put on the men in this world.
|
||
|
Can I have some more pudding, Marilla?"
|
||
|
|
||
|
"You've had as much as was good for you," said Marilla; but she
|
||
|
gave him a moderate second helping.
|
||
|
|
||
|
"I wish people could live on pudding. Why can't they, Marilla?
|
||
|
I want to know."
|
||
|
|
||
|
"Because they'd soon get tired of it."
|
||
|
|
||
|
"I'd like to try that for myself," said skeptical Davy. "But I
|
||
|
guess it's better to have pudding only on fish and company days
|
||
|
than none at all. They never have any at Milty Boulter's.
|
||
|
Milty says when company comes his mother gives them cheese and cuts
|
||
|
it herself. . .one little bit apiece and one over for manners."
|
||
|
|
||
|
"If Milty Boulter talks like that about his mother at least you
|
||
|
needn't repeat it," said Marilla severely.
|
||
|
|
||
|
"Bless my soul,". . .Davy had picked this expression up from
|
||
|
Mr. Harrison and used it with great gusto. . ."Milty meant it
|
||
|
as a compelment. He's awful proud of his mother, cause folks
|
||
|
say she could scratch a living on a rock."
|
||
|
|
||
|
"I. . .I suppose them pesky hens are in my pansy bed again,"
|
||
|
said Marilla, rising and going out hurriedly.
|
||
|
|
||
|
The slandered hens were nowhere near the pansy bed and Marilla did
|
||
|
not even glance at it. Instead, she sat down on the cellar hatch
|
||
|
and laughed until she was ashamed of herself.
|
||
|
|
||
|
When Anne and Paul reached the stone house that afternoon they
|
||
|
found Miss Lavendar and Charlotta the Fourth in the garden,
|
||
|
weeding, raking, clipping, and trimming as if for dear life.
|
||
|
Miss Lavendar herself, all gay and sweet in the frills and laces
|
||
|
she loved, dropped her shears and ran joyously to meet her guests,
|
||
|
while Charlotta the Fourth grinned cheerfully.
|
||
|
|
||
|
"Welcome, Anne. I thought you'd come today. You belong to the
|
||
|
afternoon so it brought you. Things that belong together are sure
|
||
|
to come together. What a lot of trouble that would save some
|
||
|
people if they only knew it. But they don't. . .and so they waste
|
||
|
beautiful energy moving heaven and earth to bring things together
|
||
|
that DON'T belong. And you, Paul. . .why, you've grown! You're
|
||
|
half a head taller than when you were here before."
|
||
|
|
||
|
"Yes, I've begun to grow like pigweed in the night, as Mrs. Lynde says,"
|
||
|
said Paul, in frank delight over the fact. "Grandma says it's the
|
||
|
porridge taking effect at last. Perhaps it is. Goodness knows. . ."
|
||
|
Paul sighed deeply. . ."I've eaten enough to make anyone grow.
|
||
|
I do hope, now that I've begun, I'll keep on till I'm as tall as father.
|
||
|
He is six feet, you know, Miss Lavendar."
|
||
|
|
||
|
Yes, Miss Lavendar did know; the flush on her pretty cheeks
|
||
|
deepened a little; she took Paul's hand on one side and Anne's
|
||
|
on the other and walked to the house in silence.
|
||
|
|
||
|
"Is it a good day for the echoes, Miss Lavendar?" queried Paul anxiously.
|
||
|
The day of his first visit had been too windy for echoes and Paul had
|
||
|
been much disappointed.
|
||
|
|
||
|
"Yes, just the best kind of a day," answered Miss Lavendar, rousing
|
||
|
herself from her reverie. "But first we are all going to have
|
||
|
something to eat. I know you two folks didn't walk all the way
|
||
|
back here through those beechwoods without getting hungry, and
|
||
|
Charlotta the Fourth and I can eat any hour of the day. . .we have
|
||
|
such obliging appetites. So we'll just make a raid on the pantry.
|
||
|
Fortunately it's lovely and full. I had a presentiment that I was
|
||
|
going to have company today and Charlotta the Fourth and I prepared."
|
||
|
|
||
|
"I think you are one of the people who always have nice things in
|
||
|
their pantry," declared Paul. "Grandma's like that too. But she
|
||
|
doesn't approve of snacks between meals. I wonder," he added
|
||
|
meditatively, "if I OUGHT to eat them away from home when I know
|
||
|
she doesn't approve."
|
||
|
|
||
|
"Oh, I don't think she would disapprove after you have had a
|
||
|
long walk. That makes a difference," said Miss Lavendar,
|
||
|
exchanging amused glances with Anne over Paul's brown curls.
|
||
|
"I suppose that snacks ARE extremely unwholesome. That is why
|
||
|
we have them so often at Echo Lodge. We. . .Charlotta the Fourth
|
||
|
and I. . .live in defiance of every known law of diet. We eat all
|
||
|
sorts of indigestible things whenever we happen to think of it,
|
||
|
by day or night; and we flourish like green bay trees. We are always
|
||
|
intending to reform. When we read any article in a paper warning
|
||
|
us against something we like we cut it out and pin it up on the
|
||
|
kitchen wall so that we'll remember it. But we never can somehow
|
||
|
. . .until after we've gone and eaten that very thing. Nothing has
|
||
|
ever killed us yet; but Charlotta the Fourth has been known to have
|
||
|
bad dreams after we had eaten doughnuts and mince pie and fruit
|
||
|
cake before we went to bed."
|
||
|
|
||
|
"Grandma lets me have a glass of milk and a slice of bread and butter
|
||
|
before I go to bed; and on Sunday nights she puts jam on the bread,"
|
||
|
said Paul. "So I'm always glad when it's Sunday night. . . for more
|
||
|
reasons than one. Sunday is a very long day on the shore road.
|
||
|
Grandma says it's all too short for her and that father never found
|
||
|
Sundays tiresome when he was a little boy. It wouldn't seem so long
|
||
|
if I could talk to my rock people but I never do that because Grandma
|
||
|
doesn't approve of it on Sundays. I think a good deal; but I'm afraid
|
||
|
my thoughts are worldly. Grandma says we should never think anything
|
||
|
but religious thoughts on Sundays. But teacher here said once that
|
||
|
every really beautiful thought was religious, no matter what it was about,
|
||
|
or what day we thought it on. But I feel sure Grandma thinks that sermons
|
||
|
and Sunday School lessons are the only things you can think truly
|
||
|
religious thoughts about. And when it comes to a difference of opinion
|
||
|
between Grandma and teacher I don't know what to do. In my heart". . .
|
||
|
Paul laid his hand on his breast and raised very serious blue eyes to
|
||
|
Miss Lavendar's immediately sympathetic face. . ."I agree with teacher.
|
||
|
But then, you see, Grandma has brought father up HER way and made a
|
||
|
brilliant success of him; and teacher has never brought anybody up yet,
|
||
|
though she's helping with Davy and Dora. But you can't tell how they'll
|
||
|
turn out till they ARE grown up. So sometimes I feel as if it might be
|
||
|
safer to go by Grandma's opinions."
|
||
|
|
||
|
"I think it would," agreed Anne solemnly. "Anyway, I daresay that
|
||
|
if your Grandma and I both got down to what we really do mean,
|
||
|
under our different ways of expressing it, we'd find out we both
|
||
|
meant much the same thing. You'd better go by her way of expressing it,
|
||
|
since it's been the result of experience. We'll have to wait until we see
|
||
|
how the twins do turn out before we can be sure that my way is equally good."
|
||
|
After lunch they went back to the garden, where Paul made the acquaintance
|
||
|
of the echoes, to his wonder and delight, while Anne and Miss Lavendar sat
|
||
|
on the stone bench under the poplar and talked.
|
||
|
|
||
|
"So you are going away in the fall?" said Miss Lavendar wistfully.
|
||
|
"I ought to be glad for your sake, Anne. . .but I'm horribly,
|
||
|
selfishly sorry. I shall miss you so much. Oh, sometimes, I think
|
||
|
it is of no use to make friends. They only go out of your life
|
||
|
after awhile and leave a hurt that is worse than the emptiness
|
||
|
before they came."
|
||
|
|
||
|
"That sounds like something Miss Eliza Andrews might say but never
|
||
|
Miss Lavendar," said Anne. "NOTHING is worse than emptiness. . .and
|
||
|
I'm not going out of your life. There are such things as letters and
|
||
|
vacations. Dearest, I'm afraid you're looking a little pale and tired."
|
||
|
|
||
|
"Oh. . .hoo. . .hoo. . .hoo," went Paul on the dyke, where he had been
|
||
|
making noises diligently. . .not all of them melodious in the making,
|
||
|
but all coming back transmuted into the very gold and silver of sound
|
||
|
by the fairy alchemists over the river. Miss Lavendar made an
|
||
|
impatient movement with her pretty hands.
|
||
|
|
||
|
"I'm just tired of everything. . .even of the echoes. There is nothing
|
||
|
in my life but echoes. . .echoes of lost hopes and dreams and joys.
|
||
|
They're beautiful and mocking. Oh Anne, it's horrid of me to talk
|
||
|
like this when I have company. It's just that I'm getting old and
|
||
|
it doesn't agree with me. I know I'll be fearfully cranky by the
|
||
|
time I'm sixty. But perhaps all I need is a course of blue pills."
|
||
|
At this moment Charlotta the Fourth, who had disappeared after lunch,
|
||
|
returned, and announced that the northeast corner of Mr. John Kimball's
|
||
|
pasture was red with early strawberries, and wouldn't Miss Shirley
|
||
|
like to go and pick some.
|
||
|
|
||
|
"Early strawberries for tea!" exclaimed Miss Lavendar. "Oh, I'm
|
||
|
not so old as I thought. . .and I don't need a single blue pill!
|
||
|
Girls, when you come back with your strawberries we'll have tea out
|
||
|
here under the silver poplar. I'll have it all ready for you with
|
||
|
home-grown cream."
|
||
|
|
||
|
Anne and Charlotta the Fourth accordingly betook themselves back to
|
||
|
Mr. Kimball's pasture, a green remote place where the air was as
|
||
|
soft as velvet and fragrant as a bed of violets and golden as amber.
|
||
|
|
||
|
"Oh, isn't it sweet and fresh back here?" breathed Anne. "I just
|
||
|
feel as if I were drinking in the sunshine."
|
||
|
|
||
|
"Yes, ma'am, so do I. That's just exactly how I feel too, ma'am,"
|
||
|
agreed Charlotta the Fourth, who would have said precisely the same
|
||
|
thing if Anne had remarked that she felt like a pelican of the
|
||
|
wilderness. Always after Anne had visited Echo Lodge Charlotta the
|
||
|
Fourth mounted to her little room over the kitchen and tried before
|
||
|
her looking glass to speak and look and move like Anne. Charlotta
|
||
|
could never flatter herself that she quite succeeded; but practice
|
||
|
makes perfect, as Charlotta had learned at school, and she fondly
|
||
|
hoped that in time she might catch the trick of that dainty uplift
|
||
|
of chin, that quick, starry outflashing of eyes, that fashion of
|
||
|
walking as if you were a bough swaying in the wind. It seemed so
|
||
|
easy when you watched Anne. Charlotta the Fourth admired Anne
|
||
|
wholeheartedly. It was not that she thought her so very handsome.
|
||
|
Diana Barry's beauty of crimson cheek and black curls was much more
|
||
|
to Charlotta the Fourth's taste than Anne's moonshine charm of
|
||
|
luminous gray eyes and the pale, everchanging roses of her cheeks.
|
||
|
|
||
|
"But I'd rather look like you than be pretty," she told Anne sincerely.
|
||
|
|
||
|
Anne laughed, sipped the honey from the tribute, and cast away the sting.
|
||
|
She was used to taking her compliments mixed. Public opinion never
|
||
|
agreed on Anne's looks. People who had heard her called handsome
|
||
|
met her and were disappointed. People who had heard her called
|
||
|
plain saw her and wondered where other people's eyes were. Anne
|
||
|
herself would never believe that she had any claim to beauty.
|
||
|
When she looked in the glass all she saw was a little pale face
|
||
|
with seven freckles on the nose thereof. Her mirror never revealed
|
||
|
to her the elusive, ever-varying play of feeling that came and went
|
||
|
over her features like a rosy illuminating flame, or the charm of
|
||
|
dream and laughter alternating in her big eyes.
|
||
|
|
||
|
While Anne was not beautiful in any strictly defined sense of the
|
||
|
word she possessed a certain evasive charm and distinction of
|
||
|
appearance that left beholders with a pleasurable sense of
|
||
|
satisfaction in that softly rounded girlhood of hers, with all its
|
||
|
strongly felt potentialities. Those who knew Anne best felt,
|
||
|
without realizing that they felt it, that her greatest attraction
|
||
|
was the aura of possibility surrounding her. . .the power of
|
||
|
future development that was in her. She seemed to walk in an
|
||
|
atmosphere of things about to happen.
|
||
|
|
||
|
As they picked, Charlotta the Fourth confided to Anne her fears
|
||
|
regarding Miss Lavendar. The warm-hearted little handmaiden was
|
||
|
honestly worried over her adored mistress' condition.
|
||
|
|
||
|
"Miss Lavendar isn't well, Miss Shirley, ma'am. I'm sure she isn't,
|
||
|
though she never complains. She hasn't seemed like herself this
|
||
|
long while, ma'am. . .not since that day you and Paul were here
|
||
|
together before. I feel sure she caught cold that night, ma'am.
|
||
|
After you and him had gone she went out and walked in the garden
|
||
|
for long after dark with nothing but a little shawl on her.
|
||
|
There was a lot of snow on the walks and I feel sure she got a
|
||
|
chill, ma'am. Ever since then I've noticed her acting tired and
|
||
|
lonesome like. She don't seem to take an interest in anything, ma'am.
|
||
|
She never pretends company's coming, nor fixes up for it, nor nothing,
|
||
|
ma'am. It's only when you come she seems to chirk up a bit. And the
|
||
|
worst sign of all, Miss Shirley, ma'am. . ." Charlotta the Fourth
|
||
|
lowered her voice as if she were about to tell some exceedingly
|
||
|
weird and awful symptom indeed. . ."is that she never gets cross
|
||
|
now when I breaks things. Why, Miss Shirley, ma'am, yesterday I
|
||
|
bruk her green and yaller bowl that's always stood on the bookcase.
|
||
|
Her grandmother brought it out from England and Miss Lavendar was
|
||
|
awful choice of it. I was dusting it just as careful, Miss Shirley,
|
||
|
ma'am, and it slipped out, so fashion, afore I could grab holt of it,
|
||
|
and bruk into about forty millyun pieces. I tell you I was sorry
|
||
|
and scared. I thought Miss Lavendar would scold me awful, ma'am;
|
||
|
and I'd ruther she had than take it the way she did. She just
|
||
|
come in and hardly looked at it and said, `It's no matter, Charlotta.
|
||
|
Take up the pieces and throw them away.' Just like that, Miss Shirley,
|
||
|
ma'am. . .`take up the pieces and throw them away,' as if it wasn't
|
||
|
her grandmother's bowl from England. Oh, she isn't well and I feel
|
||
|
awful bad about it. She's got nobody to look after her but me."
|
||
|
|
||
|
Charlotta the Fourth's eyes brimmed up with tears. Anne patted the
|
||
|
little brown paw holding the cracked pink cup sympathetically.
|
||
|
|
||
|
"I think Miss Lavendar needs a change, Charlotta. She stays here
|
||
|
alone too much. Can't we induce her to go away for a little trip?"
|
||
|
|
||
|
Charlotta shook her head, with its rampant bows, disconsolately.
|
||
|
|
||
|
"I don't think so, Miss Shirley, ma'am. Miss Lavendar hates visiting.
|
||
|
She's only got three relations she ever visits and she says she
|
||
|
just goes to see them as a family duty. Last time when she come
|
||
|
home she said she wasn't going to visit for family duty no more.
|
||
|
`I've come home in love with loneliness, Charlotta,' she says to me,
|
||
|
`and I never want to stray from my own vine and fig tree again.
|
||
|
My relations try so hard to make an old lady of me and it has
|
||
|
a bad effect on me.' Just like that, Miss Shirley, ma'am.
|
||
|
'It has a very bad effect on me.' So I don't think it would
|
||
|
do any good to coax her to go visiting."
|
||
|
|
||
|
"We must see what can be done," said Anne decidedly, as she put
|
||
|
the last possible berry in her pink cup. "Just as soon as I have
|
||
|
my vacation I'll come through and spend a whole week with you.
|
||
|
We'll have a picnic every day and pretend all sorts of interesting
|
||
|
things, and see if we can't cheer Miss Lavendar up."
|
||
|
|
||
|
"That will be the very thing, Miss Shirley, ma'am," exclaimed Charlotta
|
||
|
the Fourth in rapture. She was glad for Miss Lavendar's sake and for
|
||
|
her own too. With a whole week in which to study Anne constantly
|
||
|
she would surely be able to learn how to move and behave like her.
|
||
|
|
||
|
When the girls got back to Echo Lodge they found that Miss Lavendar
|
||
|
and Paul had carried the little square table out of the kitchen to
|
||
|
the garden and had everything ready for tea. Nothing ever tasted
|
||
|
so delicious as those strawberries and cream, eaten under a great
|
||
|
blue sky all curdled over with fluffy little white clouds, and in
|
||
|
the long shadows of the wood with its lispings and its murmurings.
|
||
|
After tea Anne helped Charlotta wash the dishes in the kitchen,
|
||
|
while Miss Lavendar sat on the stone bench with Paul and heard
|
||
|
all about his rock people. She was a good listener, this sweet
|
||
|
Miss Lavendar, but just at the last it struck Paul that she had
|
||
|
suddenly lost interest in the Twin Sailors.
|
||
|
|
||
|
"Miss Lavendar, why do you look at me like that?" he asked gravely.
|
||
|
|
||
|
"How do I look, Paul?"
|
||
|
|
||
|
"Just as if you were looking through me at somebody I put you in mind of,"
|
||
|
said Paul, who had such occasional flashes of uncanny insight that it
|
||
|
wasn't quite safe to have secrets when he was about.
|
||
|
|
||
|
"You do put me in mind of somebody I knew long ago," said Miss Lavendar
|
||
|
dreamily.
|
||
|
|
||
|
"When you were young?"
|
||
|
|
||
|
"Yes, when I was young. Do I seem very old to you, Paul?"
|
||
|
|
||
|
"Do you know, I can't make up my mind about that," said Paul
|
||
|
confidentially. "Your hair looks old. . .I never knew a young
|
||
|
person with white hair. But your eyes are as young as my beautiful
|
||
|
teacher's when you laugh. I tell you what, Miss Lavendar". . .
|
||
|
Paul's voice and face were as solemn as a judge's. . ."I think you
|
||
|
would make a splendid mother. You have just the right look in
|
||
|
your eyes. . . the look my little mother always had. I think
|
||
|
it's a pity you haven't any boys of your own."
|
||
|
|
||
|
"I have a little dream boy, Paul."
|
||
|
|
||
|
"Oh, have you really? How old is he?"
|
||
|
|
||
|
"About your age I think. He ought to be older because I dreamed
|
||
|
him long before you were born. But I'll never let him get any
|
||
|
older than eleven or twelve; because if I did some day he might
|
||
|
grow up altogether and then I'd lose him."
|
||
|
|
||
|
"I know," nodded Paul. "That's the beauty of dream-people. . .they
|
||
|
stay any age you want them. You and my beautiful teacher and me
|
||
|
myself are the only folks in the world that I know of that have
|
||
|
dream-people. Isn't it funny and nice we should all know each
|
||
|
other? But I guess that kind of people always find each other out.
|
||
|
Grandma never has dream-people and Mary Joe thinks I'm wrong in the
|
||
|
upper story because I have them. But I think it's splendid to have them.
|
||
|
YOU know, Miss Lavendar. Tell me all about your little dream-boy."
|
||
|
|
||
|
"He has blue eyes and curly hair. He steals in and wakens me with
|
||
|
a kiss every morning. Then all day he plays here in the garden. . .
|
||
|
and I play with him. Such games as we have. We run races and talk
|
||
|
with the echoes; and I tell him stories. And when twilight comes. . ."
|
||
|
|
||
|
"I know," interrupted Paul eagerly. "He comes and sits beside you. . .
|
||
|
SO. . .because of course at twelve he'd be too big to climb into your lap
|
||
|
. . .and lays his head on your shoulder. . .SO. . .and you put your arms
|
||
|
about him and hold him tight, tight, and rest your cheek on his head. . .
|
||
|
yes, that's the very way. Oh, you DO know, Miss Lavendar."
|
||
|
|
||
|
Anne found the two of them there when she came out of the stone house,
|
||
|
and something in Miss Lavendar's face made her hate to disturb them.
|
||
|
|
||
|
"I'm afraid we must go, Paul, if we want to get home before dark.
|
||
|
Miss Lavendar, I'm going to invite myself to Echo Lodge for a whole
|
||
|
week pretty soon."
|
||
|
|
||
|
"If you come for a week I'll keep you for two," threatened Miss Lavendar.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXVIII
|
||
|
|
||
|
The Prince Comes Back to the Enchanted Palace
|
||
|
|
||
|
|
||
|
The last day of school came and went. A triumphant
|
||
|
"semi-annual examination" was held and Anne's pupils
|
||
|
acquitted themselves splendidly. At the close they gave
|
||
|
her an address and a writing desk. All the girls and ladies
|
||
|
present cried, and some of the boys had it cast up to them
|
||
|
later on that they cried too, although they always denied it.
|
||
|
|
||
|
Mrs. Harmon Andrews, Mrs. Peter Sloane, and Mrs. William Bell
|
||
|
walked home together and talked things over.
|
||
|
|
||
|
"I do think it is such a pity Anne is leaving when the children seem
|
||
|
so much attached to her," sighed Mrs. Peter Sloane, who had a habit
|
||
|
of sighing over everything and even finished off her jokes that way.
|
||
|
"To be sure," she added hastily, "we all know we'll have a good
|
||
|
teacher next year too."
|
||
|
|
||
|
"Jane will do her duty, I've no doubt," said Mrs. Andrews rather stiffly.
|
||
|
"I don't suppose she'll tell the children quite so many fairy tales or
|
||
|
spend so much time roaming about the woods with them. But she has her
|
||
|
name on the Inspector's Roll of Honor and the Newbridge people are in
|
||
|
a terrible state over her leaving."
|
||
|
|
||
|
"I'm real glad Anne is going to college," said Mrs. Bell.
|
||
|
"She has always wanted it and it will be a splendid thing for her."
|
||
|
|
||
|
"Well, I don't know." Mrs. Andrews was determined not to agree fully
|
||
|
with anybody that day. "I don't see that Anne needs any more education.
|
||
|
She'll probably be marrying Gilbert Blythe, if his infatuation for her
|
||
|
lasts till he gets through college, and what good will Latin and Greek
|
||
|
do her then? If they taught you at college how to manage a man there
|
||
|
might be some sense in her going."
|
||
|
|
||
|
Mrs. Harmon Andrews, so Avonlea gossip whispered, had never
|
||
|
learned how to manage her "man," and as a result the Andrews
|
||
|
household was not exactly a model of domestic happiness.
|
||
|
|
||
|
"I see that the Charlottetown call to Mr. Allan is up before the
|
||
|
Presbytery," said Mrs. Bell. "That means we'll be losing him soon,
|
||
|
I suppose."
|
||
|
|
||
|
"They're not going before September," said Mrs. Sloane. "It will
|
||
|
be a great loss to the community. . .though I always did think
|
||
|
that Mrs. Allan dressed rather too gay for a minister's wife.
|
||
|
But we are none of us perfect. Did you notice how neat and snug
|
||
|
Mr. Harrison looked today? I never saw such a changed man. He goes
|
||
|
to church every Sunday and has subscribed to the salary."
|
||
|
|
||
|
"Hasn't that Paul Irving grown to be a big boy?" said Mrs. Andrews.
|
||
|
"He was such a mite for his age when he came here. I declare I
|
||
|
hardly knew him today. He's getting to look a lot like his father."
|
||
|
|
||
|
"He's a smart boy," said Mrs. Bell.
|
||
|
|
||
|
"He's smart enough, but". . .Mrs. Andrews lowered her voice. . ."I
|
||
|
believe he tells queer stories. Gracie came home from school one
|
||
|
day last week with the greatest rigmarole he had told her about
|
||
|
people who lived down at the shore. . .stories there couldn't be a
|
||
|
word of truth in, you know. I told Gracie not to believe them,
|
||
|
and she said Paul didn't intend her to. But if he didn't what did
|
||
|
he tell them to her for?"
|
||
|
|
||
|
"Anne says Paul is a genius," said Mrs. Sloane.
|
||
|
|
||
|
"He may be. You never know what to expect of them Americans,"
|
||
|
said Mrs. Andrews. Mrs. Andrews' only acquaintance with the word
|
||
|
"genius" was derived from the colloquial fashion of calling any
|
||
|
eccentric individual "a queer genius." She probably thought,
|
||
|
with Mary Joe, that it meant a person with something wrong
|
||
|
in his upper story.
|
||
|
|
||
|
Back in the schoolroom Anne was sitting alone at her desk, as she
|
||
|
had sat on the first day of school two years before, her face
|
||
|
leaning on her hand, her dewy eyes looking wistfully out of the
|
||
|
window to the Lake of Shining Waters. Her heart was so wrung over
|
||
|
the parting with her pupils that for a moment college had lost all
|
||
|
its charm. She still felt the clasp of Annetta Bell's arms about
|
||
|
her neck and heard the childish wail, "I'll NEVER love any teacher
|
||
|
as much as you, Miss Shirley, never, never."
|
||
|
|
||
|
For two years she had worked earnestly and faithfully, making many
|
||
|
mistakes and learning from them. She had had her reward. She had
|
||
|
taught her scholars something, but she felt that they had taught
|
||
|
her much more. . .lessons of tenderness, self-control, innocent
|
||
|
wisdom, lore of childish hearts. Perhaps she had not succeeded in
|
||
|
"inspiring" any wonderful ambitions in her pupils, but she had
|
||
|
taught them, more by her own sweet personality than by all her
|
||
|
careful precepts, that it was good and necessary in the years that
|
||
|
were before them to live their lives finely and graciously, holding
|
||
|
fast to truth and courtesy and kindness, keeping aloof from all
|
||
|
that savored of falsehood and meanness and vulgarity. They were,
|
||
|
perhaps, all unconscious of having learned such lessons; but they
|
||
|
would remember and practice them long after they had forgotten the
|
||
|
capital of Afghanistan and the dates of the Wars of the Roses.
|
||
|
|
||
|
"Another chapter in my life is closed," said Anne aloud, as she
|
||
|
locked her desk. She really felt very sad over it; but the romance
|
||
|
in the idea of that "closed chapter" did comfort her a little.
|
||
|
|
||
|
Anne spent a fortnight at Echo Lodge early in her vacation and
|
||
|
everybody concerned had a good time.
|
||
|
|
||
|
She took Miss Lavendar on a shopping expedition to town and persuaded
|
||
|
her to buy a new organdy dress; then came the excitement of cutting
|
||
|
and making it together, while the happy Charlotta the Fourth basted
|
||
|
and swept up clippings. Miss Lavendar had complained that she could
|
||
|
not feel much interest in anything, but the sparkle came back to her
|
||
|
eyes over her pretty dress.
|
||
|
|
||
|
"What a foolish, frivolous person I must be," she sighed.
|
||
|
"I'm wholesomely ashamed to think that a new dress. . .
|
||
|
even it is a forget-me-not organdy. . .should exhilarate me so,
|
||
|
when a good conscience and an extra contribution to Foreign Missions
|
||
|
couldn't do it."
|
||
|
|
||
|
Midway in her visit Anne went home to Green Gables for a day to mend
|
||
|
the twins' stockings and settle up Davy's accumulated store of questions.
|
||
|
In the evening she went down to the shore road to see Paul Irving.
|
||
|
As she passed by the low, square window of the Irving sitting room
|
||
|
she caught a glimpse of Paul on somebody's lap; but the next moment
|
||
|
he came flying through the hall.
|
||
|
|
||
|
"Oh, Miss Shirley," he cried excitedly, "you can't think what
|
||
|
has happened! Something so splendid. Father is here. . .
|
||
|
just think of that! Father is here! Come right in. Father,
|
||
|
this is my beautiful teacher. YOU know, father."
|
||
|
|
||
|
Stephen Irving came forward to meet Anne with a smile. He was a
|
||
|
tall, handsome man of middle age, with iron-gray hair, deep-set,
|
||
|
dark blue eyes, and a strong, sad face, splendidly modeled about
|
||
|
chin and brow. Just the face for a hero of romance, Anne thought
|
||
|
with a thrill of intense satisfaction. It was so disappointing to
|
||
|
meet someone who ought to be a hero and find him bald or stooped,
|
||
|
or otherwise lacking in manly beauty. Anne would have thought it
|
||
|
dreadful if the object of Miss Lavendar's romance had not looked
|
||
|
the part.
|
||
|
|
||
|
"So this is my little son's `beautiful teacher,' of whom I have
|
||
|
heard so much," said Mr. Irving with a hearty handshake. "Paul's
|
||
|
letters have been so full of you, Miss Shirley, that I feel as if I
|
||
|
were pretty well acquainted with you already. I want to thank you
|
||
|
for what you have done for Paul. I think that your influence has
|
||
|
been just what he needed. Mother is one of the best and dearest of
|
||
|
women; but her robust, matter-of-fact Scotch common sense could not
|
||
|
always understand a temperament like my laddie's. What was lacking in
|
||
|
her you have supplied. Between you, I think Paul's training in these
|
||
|
two past years has been as nearly ideal as a motherless boy's could be."
|
||
|
|
||
|
Everybody likes to be appreciated. Under Mr. Irving's praise
|
||
|
Anne's face "burst flower like into rosy bloom," and the busy,
|
||
|
weary man of the world, looking at her, thought he had never seen a
|
||
|
fairer, sweeter slip of girlhood than this little "down east"
|
||
|
schoolteacher with her red hair and wonderful eyes.
|
||
|
|
||
|
Paul sat between them blissfully happy.
|
||
|
|
||
|
"I never dreamed father was coming," he said radiantly. "Even Grandma
|
||
|
didn't know it. It was a great surprise. As a general thing. . ."
|
||
|
Paul shook his brown curls gravely. . ."I don't like to be surprised.
|
||
|
You lose all the fun of expecting things when you're surprised.
|
||
|
But in a case like this it is all right. Father came last night
|
||
|
after I had gone to bed. And after Grandma and Mary Joe had stopped
|
||
|
being surprised he and Grandma came upstairs to look at me, not meaning
|
||
|
to wake me up till morning. But I woke right up and saw father.
|
||
|
I tell you I just sprang at him."
|
||
|
|
||
|
"With a hug like a bear's," said Mr. Irving, putting his arms
|
||
|
around Paul's shoulder smilingly. "I hardly knew my boy, he had
|
||
|
grown so big and brown and sturdy."
|
||
|
|
||
|
"I don't know which was the most pleased to see father, Grandma or I,"
|
||
|
continued Paul. "Grandma's been in kitchen all day making the things
|
||
|
father likes to eat. She wouldn't trust them to Mary Joe, she says.
|
||
|
That's HER way of showing gladness. _I_ like best just to sit and
|
||
|
talk to father. But I'm going to leave you for a little while now
|
||
|
if you'll excuse me. I must get the cows for Mary Joe. That is one
|
||
|
of my daily duties."
|
||
|
|
||
|
When Paul had scampered away to do his "daily duty" Mr. Irving
|
||
|
talked to Anne of various matters. But Anne felt that he was
|
||
|
thinking of something else underneath all the time. Presently it
|
||
|
came to the surface.
|
||
|
|
||
|
"In Paul's last letter he spoke of going with you to visit an old. . .
|
||
|
friend of mine. . .Miss Lewis at the stone house in Grafton.
|
||
|
Do you know her well?"
|
||
|
|
||
|
"Yes, indeed, she is a very dear friend of mine," was Anne's demure
|
||
|
reply, which gave no hint of the sudden thrill that tingled over
|
||
|
her from head to foot at Mr. Irving's question. Anne "felt
|
||
|
instinctively" that romance was peeping at her around a corner.
|
||
|
|
||
|
Mr. Irving rose and went to the window, looking out on a great,
|
||
|
golden, billowing sea where a wild wind was harping. For a few
|
||
|
moments there was silence in the little dark-walled room. Then he
|
||
|
turned and looked down into Anne's sympathetic face with a smile,
|
||
|
half-whimsical, half-tender.
|
||
|
|
||
|
"I wonder how much you know," he said.
|
||
|
|
||
|
"I know all about it," replied Anne promptly. "You see," she explained
|
||
|
hastily, "Miss Lavendar and I are very intimate. She wouldn't tell
|
||
|
things of such a sacred nature to everybody. We are kindred spirits."
|
||
|
|
||
|
"Yes, I believe you are. Well, I am going to ask a favor of you.
|
||
|
I would like to go and see Miss Lavendar if she will let me. Will
|
||
|
you ask her if I may come?"
|
||
|
|
||
|
Would she not? Oh, indeed she would! Yes, this was romance, the very,
|
||
|
the real thing, with all the charm of rhyme and story and dream.
|
||
|
It was a little belated, perhaps, like a rose blooming in October
|
||
|
which should have bloomed in June; but none the less a rose,
|
||
|
all sweetness and fragrance, with the gleam of gold in its heart.
|
||
|
Never did Anne's feet bear her on a more willing errand than on
|
||
|
that walk through the beechwoods to Grafton the next morning.
|
||
|
She found Miss Lavendar in the garden. Anne was fearfully excited.
|
||
|
Her hands grew cold and her voice trembled.
|
||
|
|
||
|
"Miss Lavendar, I have something to tell you. . .something very important.
|
||
|
Can you guess what it is?"
|
||
|
|
||
|
Anne never supposed that Miss Lavendar could GUESS; but Miss Lavendar's
|
||
|
face grew very pale and Miss Lavendar said in a quiet, still voice,
|
||
|
from which all the color and sparkle that Miss Lavendar's voice usually
|
||
|
suggested had faded.
|
||
|
|
||
|
"Stephen Irving is home?"
|
||
|
|
||
|
"How did you know? Who told you?" cried Anne disappointedly,
|
||
|
vexed that her great revelation had been anticipated.
|
||
|
|
||
|
"Nobody. I knew that must be it, just from the way you spoke."
|
||
|
|
||
|
"He wants to come and see you," said Anne. "May I send him word
|
||
|
that he may?"
|
||
|
|
||
|
"Yes, of course," fluttered Miss Lavendar. "There is no reason why
|
||
|
he shouldn't. He is only coming as any old friend might."
|
||
|
|
||
|
Anne had her own opinion about that as she hastened into the house
|
||
|
to write a note at Miss Lavendar's desk.
|
||
|
|
||
|
"Oh, it's delightful to be living in a storybook," she thought gaily.
|
||
|
"It will come out all right of course. . .it must. . .and Paul will
|
||
|
have a mother after his own heart and everybody will be happy.
|
||
|
But Mr. Irving will take Miss Lavendar away. . .and dear knows
|
||
|
what will happen to the little stone house. . .and so there are
|
||
|
two sides to it, as there seems to be to everything in this world."
|
||
|
The important note was written and Anne herself carried it to the
|
||
|
Grafton post office, where she waylaid the mail carrier and asked
|
||
|
him to leave it at the Avonlea office.
|
||
|
|
||
|
"It's so very important," Anne assured him anxiously. The mail
|
||
|
carrier was a rather grumpy old personage who did not at all look
|
||
|
the part of a messenger of Cupid; and Anne was none too certain
|
||
|
that his memory was to be trusted. But he said he would do his
|
||
|
best to remember and she had to be contented with that.
|
||
|
|
||
|
Charlotta the Fourth felt that some mystery pervaded the stone
|
||
|
house that afternoon. . .a mystery from which she was excluded.
|
||
|
Miss Lavendar roamed about the garden in a distracted fashion.
|
||
|
Anne, too, seemed possessed by a demon of unrest, and walked to
|
||
|
and fro and went up and down. Charlotta the Fourth endured it
|
||
|
till atience ceased to be a virtue; then she confronted Anne
|
||
|
on the occasion of that romantic young person's third aimless
|
||
|
peregrination through the kitchen.
|
||
|
|
||
|
"Please, Miss Shirley, ma'am," said Charlotta the Fourth, with an
|
||
|
indignant toss of her very blue bows, "it's plain to be seen you
|
||
|
and Miss Lavendar have got a secret and I think, begging your
|
||
|
pardon if I'm too forward, Miss Shirley, ma'am, that it's real
|
||
|
mean not to tell me when we've all been such chums."
|
||
|
|
||
|
"Oh, Charlotta dear, I'd have told you all about it if it were my
|
||
|
secret. . .but it's Miss Lavendar's, you see. However, I'll tell
|
||
|
you this much. . .and if nothing comes of it you must never
|
||
|
breathe a word about it to a living soul. You see, Prince Charming
|
||
|
is coming tonight. He came long ago, but in a foolish moment went
|
||
|
away and wandered afar and forgot the secret of the magic pathway
|
||
|
to the enchanted castle, where the princess was weeping her
|
||
|
faithful heart out for him. But at last he remembered it again and
|
||
|
the princess is waiting still. . .because nobody but her own dear
|
||
|
prince could carry her off."
|
||
|
|
||
|
"Oh, Miss Shirley, ma'am, what is that in prose?" gasped the
|
||
|
mystified Charlotta.
|
||
|
|
||
|
Anne laughed.
|
||
|
|
||
|
"In prose, an old friend of Miss Lavendar's is coming to see her
|
||
|
tonight."
|
||
|
|
||
|
"Do you mean an old beau of hers?" demanded the literal Charlotta.
|
||
|
|
||
|
"That is probably what I do mean. . .in prose," answered Anne gravely.
|
||
|
"It is Paul's father. . .Stephen Irving. And goodness knows what will
|
||
|
come of it, but let us hope for the best, Charlotta."
|
||
|
|
||
|
"I hope that he'll marry Miss Lavendar," was Charlotta's unequivocal response.
|
||
|
"Some women's intended from the start to be old maids, and I'm afraid I'm one
|
||
|
of them, Miss Shirley, ma'am, because I've awful little patience with the men.
|
||
|
But Miss Lavendar never was. And I've been awful worried, thinking what on
|
||
|
earth she'd do when I got so big I'd HAVE to go to Boston. There ain't any
|
||
|
more girls in our family and dear knows what she'd do if she got some
|
||
|
stranger that might laugh at her pretendings and leave things lying round
|
||
|
out of their place and not be willing to be called Charlotta the Fifth.
|
||
|
She might get someone who wouldn't be as unlucky as me in breaking dishes
|
||
|
but she'd never get anyone who'd love her better."
|
||
|
|
||
|
And the faithful little handmaiden dashed to the oven door with a sniff.
|
||
|
|
||
|
They went through the form of having tea as usual that night at
|
||
|
Echo Lodge; but nobody really ate anything. After tea Miss Lavendar
|
||
|
went to her room and put on her new forget-me-not organdy,
|
||
|
while Anne did her hair for her. Both were dreadfully excited;
|
||
|
but Miss Lavendar pretended to be very calm and indifferent.
|
||
|
|
||
|
"I must really mend that rent in the curtain tomorrow," she said
|
||
|
anxiously, inspecting it as if it were the only thing of any
|
||
|
importance just then. "Those curtains have not worn as well as
|
||
|
they should, considering the price I paid. Dear me, Charlotta
|
||
|
has forgotten to dust the stair railing AGAIN. I really MUST
|
||
|
speak to her about it."
|
||
|
|
||
|
Anne was sitting on the porch steps when Stephen Irving came down
|
||
|
the lane and across the garden.
|
||
|
|
||
|
"This is the one place where time stands still," he said, looking
|
||
|
around him with delighted eyes. "There is nothing changed about
|
||
|
this house or garden since I was here twenty-five years ago.
|
||
|
It makes me feel young again."
|
||
|
|
||
|
"You know time always does stand still in an enchanted palace," said Anne
|
||
|
seriously. "It is only when the prince comes that things begin to happen."
|
||
|
|
||
|
Mr. Irving smiled a little sadly into her uplifted face, all astar with
|
||
|
its youth and promise.
|
||
|
|
||
|
"Sometimes the prince comes too late," he said. He did not ask Anne to
|
||
|
translate her remark into prose. Like all kindred spirits he "understood."
|
||
|
|
||
|
"Oh, no, not if he is the real prince coming to the true princess,"
|
||
|
said Anne, shaking her red head decidedly, as she opened the parlor door.
|
||
|
When he had gone in she shut it tightly behind him and turned to confront
|
||
|
Charlotta the Fourth, who was in the hall, all "nods and becks and
|
||
|
wreathed smiles."
|
||
|
|
||
|
"Oh, Miss Shirley, ma'am," she breathed, "I peeked from the kitchen
|
||
|
window. . .and he's awful handsome. . .and just the right age for
|
||
|
Miss Lavendar. And oh, Miss Shirley, ma'am, do you think it would
|
||
|
be much harm to listen at the door?"
|
||
|
|
||
|
"It would be dreadful, Charlotta," said Anne firmly, "so just you
|
||
|
come away with me out of the reach of temptation."
|
||
|
|
||
|
"I can't do anything, and it's awful to hang round just waiting," sighed
|
||
|
Charlotta. "What if he don't propose after all, Miss Shirley, ma'am?
|
||
|
You can never be sure of them men. My older sister, Charlotta the First,
|
||
|
thought she was engaged to one once. But it turned out HE had a
|
||
|
different opinion and she says she'll never trust one of them again.
|
||
|
And I heard of another case where a man thought he wanted one girl
|
||
|
awful bad when it was really her sister he wanted all the time.
|
||
|
When a man don't know his own mind, Miss Shirley, ma'am, how's
|
||
|
a poor woman going to be sure of it?"
|
||
|
|
||
|
"We'll go to the kitchen and clean the silver spoons," said Anne.
|
||
|
"That's a task which won't require much thinking fortunately. . .
|
||
|
for I COULDN'T think tonight. And it will pass the time."
|
||
|
|
||
|
It passed an hour. Then, just as Anne laid down the last shining spoon,
|
||
|
they heard the front door shut. Both sought comfort fearfully in each
|
||
|
other's eyes.
|
||
|
|
||
|
"Oh, Miss Shirley, ma'am," gasped Charlotta, "if he's going away this
|
||
|
early there's nothing into it and never will be." They flew to the window.
|
||
|
Mr. Irving had no intention of going away. He and Miss Lavendar were
|
||
|
strolling slowly down the middle path to the stone bench.
|
||
|
|
||
|
"Oh, Miss Shirley, ma'am, he's got his arm around her waist,"
|
||
|
whispered Charlotta the Fourth delightedly. "He must have proposed
|
||
|
to her or she'd never allow it."
|
||
|
|
||
|
Anne caught Charlotta the Fourth by her own plump waist and danced
|
||
|
her around the kitchen until they were both out of breath.
|
||
|
|
||
|
"Oh, Charlotta," she cried gaily, "I'm neither a prophetess nor the
|
||
|
daughter of a prophetess but I'm going to make a prediction.
|
||
|
There'll be a wedding in this old stone house before the maple
|
||
|
leaves are red. Do you want that translated into prose, Charlotta?"
|
||
|
|
||
|
"No, I can understand that," said Charlotta. "A wedding ain't
|
||
|
poetry. Why, Miss Shirley, ma'am, you're crying! What for?"
|
||
|
|
||
|
"Oh, because it's all so beautiful. . .and story bookish. . .and
|
||
|
romantic. . .and sad," said Anne, winking the tears out of her
|
||
|
eyes. "It's all perfectly lovely. . .but there's a little sadness
|
||
|
mixed up in it too, somehow."
|
||
|
|
||
|
"Oh, of course there's a resk in marrying anybody," conceded
|
||
|
Charlotta the Fourth, "but, when all's said and done, Miss Shirley,
|
||
|
ma'am, there's many a worse thing than a husband."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXIX
|
||
|
|
||
|
Poetry and Prose
|
||
|
|
||
|
|
||
|
For the next month Anne lived in what, for Avonlea, might be called
|
||
|
a whirl of excitement. The preparation of her own modest outfit
|
||
|
for Redmond was of secondary importance. Miss Lavendar was getting
|
||
|
ready to be married and the stone house was the scene of endless
|
||
|
consultations and plannings and discussions, with Charlotta the Fourth
|
||
|
hovering on the outskirts of things in agitated delight and wonder.
|
||
|
Then the dressmaker came, and there was the rapture and wretchedness
|
||
|
of choosing fashions and being fitted. Anne and Diana spent half their
|
||
|
time at Echo Lodge and there were nights when Anne could not sleep for
|
||
|
wondering whether she had done right in advising Miss Lavendar to select
|
||
|
brown rather than navy blue for her traveling dress, and to have her
|
||
|
gray silk made princess.
|
||
|
|
||
|
Everybody concerned in Miss Lavendar's story was very happy.
|
||
|
Paul Irving rushed to Green Gables to talk the news over with
|
||
|
Anne as soon as his father had told him.
|
||
|
|
||
|
"I knew I could trust father to pick me out a nice little second mother,"
|
||
|
he said proudly. "It's a fine thing to have a father you can depend on,
|
||
|
teacher. I just love Miss Lavendar. Grandma is pleased, too. She says
|
||
|
she's real glad father didn't pick out an American for his second wife,
|
||
|
because, although it turned out all right the first time, such a thing
|
||
|
wouldn't be likely to happen twice. Mrs. Lynde says she thoroughly
|
||
|
approves of the match and thinks its likely Miss Lavendar will give
|
||
|
up her queer notions and be like other people, now that she's going to
|
||
|
be married. But I hope she won't give her queer notions up, teacher,
|
||
|
because I like them. And I don't want her to be like other people.
|
||
|
There are too many other people around as it is. YOU know, teacher."
|
||
|
|
||
|
Charlotta the Fourth was another radiant person.
|
||
|
|
||
|
"Oh, Miss Shirley, ma'am, it has all turned out so beautiful.
|
||
|
When Mr. Irving and Miss Lavendar come back from their tower
|
||
|
I'm to go up to Boston and live with them. . .and me only fifteen,
|
||
|
and the other girls never went till they were sixteen. Ain't
|
||
|
Mr. Irving splendid? He just worships the ground she treads on
|
||
|
and it makes me feel so queer sometimes to see the look in his eyes
|
||
|
when he's watching her. It beggars description, Miss Shirley, ma'am.
|
||
|
I'm awful thankful they're so fond of each other. It's the best way,
|
||
|
when all's said and done, though some folks can get along without it.
|
||
|
I've got an aunt who has been married three times and says she married
|
||
|
the first time for love and the last two times for strictly business,
|
||
|
and was happy with all three except at the times of the funerals.
|
||
|
But I think she took a resk, Miss Shirley, ma'am."
|
||
|
|
||
|
"Oh, it's all so romantic," breathed Anne to Marilla that night.
|
||
|
"If I hadn't taken the wrong path that day we went to Mr. Kimball's
|
||
|
I'd never have known Miss Lavendar; and if I hadn't met her I'd
|
||
|
never have taken Paul there. . .and he'd never have written to his
|
||
|
father about visiting Miss Lavendar just as Mr. Irving was starting for
|
||
|
San Francisco. Mr. Irving says whenever he got that letter he made
|
||
|
up his mind to send his partner to San Francisco and come here instead.
|
||
|
He hadn't heard anything of Miss Lavendar for fifteen years. Somebody
|
||
|
had told him then that she was to be married and he thought she was and
|
||
|
never asked anybody anything about her. And now everything has come right.
|
||
|
And I had a hand in bringing it about. Perhaps, as Mrs. Lynde says,
|
||
|
everything is foreordained and it was bound to happen anyway. But even so,
|
||
|
it's nice to think one was an instrument used by predestination. Yes indeed,
|
||
|
it's very romantic."
|
||
|
|
||
|
"I can't see that it's so terribly romantic at all," said Marilla
|
||
|
rather crisply. Marilla thought Anne was too worked up about it
|
||
|
and had plenty to do with getting ready for college without "traipsing"
|
||
|
to Echo Lodge two days out of three helping Miss Lavendar. "In the
|
||
|
first place two young fools quarrel and turn sulky; then Steve Irving
|
||
|
goes to the States and after a spell gets married up there and is
|
||
|
perfectly happy from all accounts. Then his wife dies and after
|
||
|
a decent interval he thinks he'll come home and see if his first
|
||
|
fancy'll have him. Meanwhile, she's been living single, probably
|
||
|
because nobody nice enough came along to want her, and they meet and
|
||
|
agree to be married after all. Now, where is the romance in all that?"
|
||
|
|
||
|
"Oh, there isn't any, when you put it that way," gasped Anne,
|
||
|
rather as if somebody had thrown cold water over her. "I suppose
|
||
|
that's how it looks in prose. But it's very different if you look
|
||
|
at it through poetry. . .and _I_ think it's nicer. . ." Anne recovered
|
||
|
herself and her eyes shone and her cheeks flushed. . ."to look at
|
||
|
it through poetry."
|
||
|
|
||
|
Marilla glanced at the radiant young face and refrained from
|
||
|
further sarcastic comments. Perhaps some realization came to her
|
||
|
that after all it was better to have, like Anne, "the vision and
|
||
|
the faculty divine". . .that gift which the world cannot bestow or
|
||
|
take away, of looking at life through some transfiguring. . .or
|
||
|
revealing?. . .medium, whereby everything seemed apparelled in
|
||
|
celestial light, wearing a glory and a freshness not visible to
|
||
|
those who, like herself and Charlotta the Fourth, looked at things
|
||
|
only through prose.
|
||
|
|
||
|
"When's the wedding to be?" she asked after a pause.
|
||
|
|
||
|
"The last Wednesday in August. They are to be married in the
|
||
|
garden under the honeysuckle trellis. . .the very spot where
|
||
|
Mr. Irving proposed to her twenty-five years ago. Marilla, that
|
||
|
IS romantic, even in prose. There's to be nobody there except
|
||
|
Mrs. Irving and Paul and Gilbert and Diana and I, and Miss Lavendar's
|
||
|
cousins. And they will leave on the six o'clock train for a trip
|
||
|
to the Pacific coast. When they come back in the fall Paul and
|
||
|
Charlotta the Fourth are to go up to Boston to live with them.
|
||
|
But Echo Lodge is to be left just as it is. . .only of course they'll
|
||
|
sell the hens and cow, and board up the windows. . .and every summer
|
||
|
they're coming down to live in it. I'm so glad. It would have
|
||
|
hurt me dreadfully next winter at Redmond to think of that dear
|
||
|
stone house all stripped and deserted, with empty rooms. . .or far
|
||
|
worse still, with other people living in it. But I can think of it
|
||
|
now, just as I've always seen it, waiting happily for the summer to
|
||
|
bring life and laughter back to it again."
|
||
|
|
||
|
There was more romance in the world than that which had fallen
|
||
|
to the share of the middle-aged lovers of the stone house.
|
||
|
Anne stumbled suddenly on it one evening when she went over to
|
||
|
Orchard Slope by the wood cut and came out into the Barry garden.
|
||
|
Diana Barry and Fred Wright were standing together under the big willow.
|
||
|
Diana was leaning against the gray trunk, her lashes cast down on
|
||
|
very crimson cheeks. One hand was held by Fred, who stood with his
|
||
|
face bent toward her, stammering something in low earnest tones.
|
||
|
There were no other people in the world except their two selves at
|
||
|
that magic moment; so neither of them saw Anne, who, after one
|
||
|
dazed glance of comprehension, turned and sped noiselessly back
|
||
|
through the spruce wood, never stopping till she gained her own
|
||
|
gable room, where she sat breathlessly down by her window and tried
|
||
|
to collect her scattered wits.
|
||
|
|
||
|
"Diana and Fred are in love with each other," she gasped.
|
||
|
"Oh, it does seem so. . .so. . .so HOPELESSLY grown up."
|
||
|
|
||
|
Anne, of late, had not been without her suspicions that Diana was
|
||
|
proving false to the melancholy Byronic hero of her early dreams.
|
||
|
But as "things seen are mightier than things heard," or suspected,
|
||
|
the realization that it was actually so came to her with almost the
|
||
|
shock of perfect surprise. This was succeeded by a queer, little
|
||
|
lonely feeling. . .as if, somehow, Diana had gone forward into a
|
||
|
new world, shutting a gate behind her, leaving Anne on the outside.
|
||
|
|
||
|
"Things are changing so fast it almost frightens me," Anne thought,
|
||
|
a little sadly. "And I'm afraid that this can't help making some
|
||
|
difference between Diana and me. I'm sure I can't tell her all my
|
||
|
secrets after this. . .she might tell Fred. And what CAN she see
|
||
|
in Fred? He's very nice and jolly. . .but he's just Fred Wright."
|
||
|
|
||
|
It is always a very puzzling question. . .what can somebody see in
|
||
|
somebody else? But how fortunate after all that it is so, for if
|
||
|
everybody saw alike. . .well, in that case, as the old Indian said,
|
||
|
"Everybody would want my squaw." It was plain that Diana DID see
|
||
|
something in Fred Wright, however Anne's eyes might be holden.
|
||
|
Diana came to Green Gables the next evening, a pensive, shy young
|
||
|
lady, and told Anne the whole story in the dusky seclusion of the
|
||
|
east gable. Both girls cried and kissed and laughed.
|
||
|
|
||
|
"I'm so happy," said Diana, "but it does seem ridiculous to think
|
||
|
of me being engaged."
|
||
|
|
||
|
"What is it really like to be engaged?" asked Anne curiously.
|
||
|
|
||
|
"Well, that all depends on who you're engaged to," answered Diana,
|
||
|
with that maddening air of superior wisdom always assumed by those
|
||
|
who are engaged over those who are not. "It's perfectly lovely to
|
||
|
be engaged to Fred. . .but I think it would be simply horrid to be
|
||
|
engaged to anyone else."
|
||
|
|
||
|
"There's not much comfort for the rest of us in that, seeing that
|
||
|
there is only one Fred," laughed Anne.
|
||
|
|
||
|
"Oh, Anne, you don't understand," said Diana in vexation. "I didn't
|
||
|
mean THAT. . .it's so hard to explain. Never mind, you'll understand
|
||
|
sometime, when your own turn comes."
|
||
|
|
||
|
"Bless you, dearest of Dianas, I understand now. What is an imagination
|
||
|
for if not to enable you to peep at life through other people's eyes?"
|
||
|
|
||
|
"You must be my bridesmaid, you know, Anne. Promise me that. . .
|
||
|
wherever you may be when I'm married."
|
||
|
|
||
|
"I'll come from the ends of the earth if necessary," promised Anne solemnly.
|
||
|
|
||
|
"Of course, it won't be for ever so long yet," said Diana, blushing.
|
||
|
"Three years at the very least. . .for I'm only eighteen and mother
|
||
|
says no daughter of hers shall be married before she's twenty-one.
|
||
|
Besides, Fred's father is going to buy the Abraham Fletcher farm
|
||
|
for him and he says he's got to have it two thirds paid for before
|
||
|
he'll give it to him in his own name. But three years isn't any too
|
||
|
much time to get ready for housekeeping, for I haven't a speck of fancy
|
||
|
work made yet. But I'm going to begin crocheting doilies tomorrow.
|
||
|
Myra Gillis had thirty-seven doilies when she was married and I'm
|
||
|
determined I shall have as many as she had."
|
||
|
|
||
|
"I suppose it would be perfectly impossible to keep house with only
|
||
|
thirty-six doilies," conceded Anne, with a solemn face but dancing eyes.
|
||
|
|
||
|
Diana looked hurt.
|
||
|
|
||
|
"I didn't think you'd make fun of me, Anne," she said reproachfully.
|
||
|
|
||
|
"Dearest, I wasn't making fun of you," cried Anne repentantly.
|
||
|
"I was only teasing you a bit. I think you'll make the sweetest
|
||
|
little housekeeper in the world. And I think it's perfectly lovely
|
||
|
of you to be planning already for your home o'dreams."
|
||
|
|
||
|
Anne had no sooner uttered the phrase, "home o'dreams," than it
|
||
|
captivated her fancy and she immediately began the erection of one
|
||
|
of her own. It was, of course, tenanted by an ideal master, dark,
|
||
|
proud, and melancholy; but oddly enough, Gilbert Blythe persisted
|
||
|
in hanging about too, helping her arrange pictures, lay out gardens,
|
||
|
and accomplish sundry other tasks which a proud and melancholy hero
|
||
|
evidently considered beneath his dignity. Anne tried to banish
|
||
|
Gilbert's image from her castle in Spain but, somehow, he went
|
||
|
on being there, so Anne, being in a hurry, gave up the attempt
|
||
|
and pursued her aerial architecture with such success that her
|
||
|
"home o'dreams" was built and furnished before Diana spoke again.
|
||
|
|
||
|
"I suppose, Anne, you must think it's funny I should like Fred so
|
||
|
well when he's so different from the kind of man I've always said I
|
||
|
would marry. . .the tall, slender kind? But somehow I wouldn't
|
||
|
want Fred to be tall and slender. . .because, don't you see, he
|
||
|
wouldn't be Fred then. Of course," added Diana rather dolefully,
|
||
|
"we will be a dreadfully pudgy couple. But after all that's better
|
||
|
than one of us being short and fat and the other tall and lean,
|
||
|
like Morgan Sloane and his wife. Mrs. Lynde says it always makes
|
||
|
her think of the long and short of it when she sees them together."
|
||
|
|
||
|
"Well," said Anne to herself that night, as she brushed her hair
|
||
|
before her gilt framed mirror, "I am glad Diana is so happy and
|
||
|
satisfied. But when my turn comes. . .if it ever does. . .I do
|
||
|
hope there'll be something a little more thrilling about it. But
|
||
|
then Diana thought so too, once. I've heard her say time and again
|
||
|
she'd never get engaged any poky commonplace way. . .he'd HAVE to
|
||
|
do something splendid to win her. But she has changed. Perhaps
|
||
|
I'll change too. But I won't. . .and I'm determined I won't. Oh,
|
||
|
I think these engagements are dreadfully unsettling things when
|
||
|
they happen to your intimate friends."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
XXX
|
||
|
|
||
|
A Wedding at the Stone House
|
||
|
|
||
|
The last week in August came. Miss Lavendar was to be married in it.
|
||
|
Two weeks later Anne and Gilbert would leave for Redmond College.
|
||
|
In a week's time Mrs. Rachel Lynde would move to Green Gables and
|
||
|
set up her lares and penates in the erstwhile spare room, which was
|
||
|
already prepared for her coming. She had sold all her superfluous
|
||
|
household plenishings by auction and was at present reveling in the
|
||
|
congenial occupation of helping the Allans pack up. Mr. Allan was
|
||
|
to preach his farewell sermon the next Sunday. The old order was
|
||
|
changing rapidly to give place to the new, as Anne felt with a
|
||
|
little sadness threading all her excitement and happiness.
|
||
|
|
||
|
"Changes ain't totally pleasant but they're excellent things,"
|
||
|
said Mr. Harrison philosophically. "Two years is about long
|
||
|
enough for things to stay exactly the same. If they stayed
|
||
|
put any longer they might grow mossy."
|
||
|
|
||
|
Mr. Harrison was smoking on his veranda. His wife had
|
||
|
self-sacrificingly told that he might smoke in the house
|
||
|
if he took care to sit by an open window. Mr. Harrison
|
||
|
rewarded this concession by going outdoors altogether to
|
||
|
smoke in fine weather, and so mutual goodwill reigned.
|
||
|
|
||
|
Anne had come over to ask Mrs. Harrison for some of her yellow dahlias.
|
||
|
She and Diana were going through to Echo Lodge that evening to help
|
||
|
Miss Lavendar and Charlotta the Fourth with their final preparations
|
||
|
for the morrow's bridal. Miss Lavendar herself never had dahlias;
|
||
|
she did not like them and they would not have suited the fine
|
||
|
retirement of her old-fashioned garden. But flowers of any kind
|
||
|
were rather scarce in Avonlea and the neighboring districts that summer,
|
||
|
thanks to Uncle Abe's storm; and Anne and Diana thought that a certain
|
||
|
old cream-colored stone jug, usually kept sacred to doughnuts, brimmed
|
||
|
over with yellow dahlias, would be just the thing to set in a dim angle
|
||
|
of the stone house stairs, against the dark background of red hall paper.
|
||
|
|
||
|
"I s'pose you'll be starting off for college in a fortnight's time?"
|
||
|
continued Mr. Harrison. "Well, we're going to miss you an awful lot,
|
||
|
Emily and me. To be sure, Mrs. Lynde'll be over there in your place.
|
||
|
There ain't nobody but a substitute can be found for them."
|
||
|
|
||
|
The irony of Mr. Harrison's tone is quite untransferable to paper.
|
||
|
In spite of his wife's intimacy with Mrs. Lynde, the best that could
|
||
|
be said of the relationship between her and Mr. Harrison even under
|
||
|
the new regime, was that they preserved an armed neutrality.
|
||
|
|
||
|
"Yes, I'm going," said Anne. "I'm very glad with my head. . .and
|
||
|
very sorry with my heart."
|
||
|
|
||
|
"I s'pose you'll be scooping up all the honors that are lying round
|
||
|
loose at Redmond."
|
||
|
|
||
|
"I may try for one or two of them," confessed Anne, "but I
|
||
|
don't care so much for things like that as I did two years ago.
|
||
|
What I want to get out of my college course is some knowledge of
|
||
|
the best way of living life and doing the most and best with it.
|
||
|
I want to learn to understand and help other people and myself."
|
||
|
|
||
|
Mr. Harrison nodded.
|
||
|
|
||
|
"That's the idea exactly. That's what college ought to be for,
|
||
|
instead of for turning out a lot of B.A.'s, so chock full of
|
||
|
book-learning and vanity that there ain't room for anything else.
|
||
|
You're all right. College won't be able to do you much harm,
|
||
|
I reckon."
|
||
|
|
||
|
Diana and Anne drove over to Echo Lodge after tea, taking with them
|
||
|
all the flowery spoil that several predatory expeditions in their
|
||
|
own and their neighbors' gardens had yielded. They found the stone
|
||
|
house agog with excitement. Charlotta the Fourth was flying around
|
||
|
with such vim and briskness that her blue bows seemed really to possess
|
||
|
the power of being everywhere at once. Like the helmet of Navarre,
|
||
|
Charlotta's blue bows waved ever in the thickest of the fray.
|
||
|
|
||
|
"Praise be to goodness you've come," she said devoutly, "for
|
||
|
there's heaps of things to do. . .and the frosting on that cake
|
||
|
WON'T harden. . .and there's all the silver to be rubbed up yet. . .
|
||
|
and the horsehair trunk to be packed. . .and the roosters for the
|
||
|
chicken salad are running out there beyant the henhouse yet,
|
||
|
crowing, Miss Shirley, ma'am. And Miss Lavendar ain't to be
|
||
|
trusted to do a thing. I was thankful when Mr. Irving came
|
||
|
a few minutes ago and took her off for a walk in the woods.
|
||
|
Courting's all right in its place, Miss Shirley, ma'am, but if
|
||
|
you try to mix it up with cooking and scouring everything's spoiled.
|
||
|
That's MY opinion, Miss Shirley, ma'am."
|
||
|
|
||
|
Anne and Diana worked so heartily that by ten o'clock even
|
||
|
Charlotta the Fourth was satisfied. She braided her hair in
|
||
|
innumerable plaits and took her weary little bones off to bed.
|
||
|
|
||
|
"But I'm sure I shan't sleep a blessed wink, Miss Shirley, ma'am,
|
||
|
for fear that something'll go wrong at the last minute. . .the cream
|
||
|
won't whip. . .or Mr. Irving'll have a stroke and not be able to come."
|
||
|
|
||
|
"He isn't in the habit of having strokes, is he?" asked Diana, the
|
||
|
dimpled corners of her mouth twitching. To Diana, Charlotta the Fourth
|
||
|
was, if not exactly a thing of beauty, certainly a joy forever.
|
||
|
|
||
|
"They're not things that go by habit," said Charlotta the Fourth
|
||
|
with dignity. "They just HAPPEN. . .and there you are. ANYBODY
|
||
|
can have a stroke. You don't have to learn how. Mr. Irving looks
|
||
|
a lot like an uncle of mine that had one once just as he was
|
||
|
sitting down to dinner one day. But maybe everything'll go all
|
||
|
right. In this world you've just got to hope for the best and
|
||
|
prepare for the worst and take whatever God sends."
|
||
|
|
||
|
"The only thing I'm worried about is that it won't be fine tomorrow,"
|
||
|
said Diana. "Uncle Abe predicted rain for the middle of the week,
|
||
|
and ever since the big storm I can't help believing there's a good
|
||
|
deal in what Uncle Abe says."
|
||
|
|
||
|
Anne, who knew better than Diana just how much Uncle Abe had to do
|
||
|
with the storm, was not much disturbed by this. She slept the
|
||
|
sleep of the just and weary, and was roused at an unearthly hour by
|
||
|
Charlotta the Fourth.
|
||
|
|
||
|
"Oh, Miss Shirley, ma'am, it's awful to call you so early," came
|
||
|
wailing through the keyhole, "but there's so much to do yet. . .and oh,
|
||
|
Miss Shirley, ma'am, I'm skeered it's going to rain and I wish
|
||
|
you'd get up and tell me you think it ain't." Anne flew to the
|
||
|
window, hoping against hope that Charlotta the Fourth was saying
|
||
|
this merely by way of rousing her effectually. But alas, the
|
||
|
morning did look unpropitious. Below the window Miss Lavendar's
|
||
|
garden, which should have been a glory of pale virgin sunshine, lay
|
||
|
dim and windless; and the sky over the firs was dark with moody clouds.
|
||
|
|
||
|
"Isn't it too mean!" said Diana.
|
||
|
|
||
|
"We must hope for the best," said Anne determinedly. "If it only
|
||
|
doesn't actually rain, a cool, pearly gray day like this would
|
||
|
really be nicer than hot sunshine."
|
||
|
|
||
|
"But it will rain," mourned Charlotta, creeping into the room, a
|
||
|
figure of fun, with her many braids wound about her head, the ends,
|
||
|
tied up with white thread, sticking out in all directions. "It'll
|
||
|
hold off till the last minute and then pour cats and dogs. And all
|
||
|
the folks will get sopping. . .and track mud all over the house. . .
|
||
|
and they won't be able to be married under the honeysuckle. . .and
|
||
|
it's awful unlucky for no sun to shine on a bride, say what you will,
|
||
|
Miss Shirley, ma'am. _I_ knew things were going too well to last."
|
||
|
|
||
|
Charlotta the Fourth seemed certainly to have borrowed a leaf out
|
||
|
of Miss Eliza Andrews' book.
|
||
|
|
||
|
It did not rain, though it kept on looking as if it meant to.
|
||
|
By noon the rooms were decorated, the table beautifully laid;
|
||
|
and upstairs was waiting a bride, "adorned for her husband."
|
||
|
|
||
|
"You do look sweet," said Anne rapturously.
|
||
|
|
||
|
"Lovely," echoed Diana.
|
||
|
|
||
|
"Everything's ready, Miss Shirley, ma'am, and nothing dreadful has
|
||
|
happened YET," was Charlotta's cheerful statement as she betook
|
||
|
herself to her little back room to dress. Out came all the braids;
|
||
|
the resultant rampant crinkliness was plaited into two tails and
|
||
|
tied, not with two bows alone, but with four, of brand-new ribbon,
|
||
|
brightly blue. The two upper bows rather gave the impression of
|
||
|
overgrown wings sprouting from Charlotta's neck, somewhat after the
|
||
|
fashion of Raphael's cherubs. But Charlotta the Fourth thought
|
||
|
them very beautiful, and after she had rustled into a white dress,
|
||
|
so stiffly starched that it could stand alone, she surveyed herself
|
||
|
in her glass with great satisfaction. . .a satisfaction which lasted
|
||
|
until she went out in the hall and caught a glimpse through the spare
|
||
|
room door of a tall girl in some softly clinging gown, pinning white,
|
||
|
star-like flowers on the smooth ripples of her ruddy hair.
|
||
|
|
||
|
"Oh, I'll NEVER be able to look like Miss Shirley," thought poor
|
||
|
Charlotta despairingly. "You just have to be born so, I guess. . .
|
||
|
don't seem's if any amount of practice could give you that AIR."
|
||
|
|
||
|
By one o'clock the guests had come, including Mr. and Mrs. Allan,
|
||
|
for Mr. Allan was to perform the ceremony in the absence of the
|
||
|
Grafton minister on his vacation. There was no formality about
|
||
|
the marriage. Miss Lavendar came down the stairs to meet her
|
||
|
bridegroom at the foot, and as he took her hand she lifted her big
|
||
|
brown eyes to his with a look that made Charlotta the Fourth, who
|
||
|
intercepted it, feel queerer than ever. They went out to the
|
||
|
honeysuckle arbor, where Mr. Allan was awaiting them. The guests
|
||
|
grouped themselves as they pleased. Anne and Diana stood by the
|
||
|
old stone bench, with Charlotta the Fourth between them, desperately
|
||
|
clutching their hands in her cold, tremulous little paws.
|
||
|
|
||
|
Mr. Allan opened his blue book and the ceremony proceeded. Just as
|
||
|
Miss Lavendar and Stephen Irving were pronounced man and wife a very
|
||
|
beautiful and symbolic thing happened. The sun suddenly burst through
|
||
|
the gray and poured a flood of radiance on the happy bride. Instantly
|
||
|
the garden was alive with dancing shadows and flickering lights.
|
||
|
|
||
|
"What a lovely omen," thought Anne, as she ran to kiss the bride.
|
||
|
Then the three girls left the rest of the guests laughing around
|
||
|
the bridal pair while they flew into the house to see that all was
|
||
|
in readiness for the feast.
|
||
|
|
||
|
"Thanks be to goodness, it's over, Miss Shirley, ma'am," breathed
|
||
|
Charlotta the Fourth, "and they're married safe and sound, no
|
||
|
matter what happens now. The bags of rice are in the pantry,
|
||
|
ma'am, and the old shoes are behind the door, and the cream for
|
||
|
whipping is on the sullar steps."
|
||
|
|
||
|
At half past two Mr. and Mrs. Irving left, and everybody went to
|
||
|
Bright River to see them off on the afternoon train. As Miss
|
||
|
Lavendar. . .I beg her pardon, Mrs. Irving. . .stepped from the
|
||
|
door of her old home Gilbert and the girls threw the rice and
|
||
|
Charlotta the Fourth hurled an old shoe with such excellent aim
|
||
|
that she struck Mr. Allan squarely on the head. But it was
|
||
|
reserved for Paul to give the prettiest send-off. He popped out of
|
||
|
the porch ringing furiously a huge old brass dinner bell which had
|
||
|
adorned the dining room mantel. Paul's only motive was to make a
|
||
|
joyful noise; but as the clangor died away, from point and curve
|
||
|
and hill across the river came the chime of "fairy wedding bells,"
|
||
|
ringing clearly, sweetly, faintly and more faint, as if Miss
|
||
|
Lavendar's beloved echoes were bidding her greeting and farewell.
|
||
|
And so, amid this benediction of sweet sounds, Miss Lavendar drove
|
||
|
away from the old life of dreams and make-believes to a fuller life
|
||
|
of realities in the busy world beyond.
|
||
|
|
||
|
Two hours later Anne and Charlotta the Fourth came down the lane again.
|
||
|
Gilbert had gone to West Grafton on an errand and Diana had to keep an
|
||
|
engagement at home. Anne and Charlotta had come back to put things in
|
||
|
order and lock up the little stone house. The garden was a pool of
|
||
|
late golden sunshine, with butterflies hovering and bees booming;
|
||
|
but the little house had already that indefinable air of desolation
|
||
|
which always follows a festivity.
|
||
|
|
||
|
"Oh dear me, don't it look lonesome?" sniffed Charlotta the Fourth,
|
||
|
who had been crying all the way home from the station. "A wedding
|
||
|
ain't much cheerfuller than a funeral after all, when it's all
|
||
|
over, Miss Shirley, ma'am."
|
||
|
|
||
|
A busy evening followed. The decorations had to be removed,
|
||
|
the dishes washed, the uneaten delicacies packed into a basket for
|
||
|
the delectation of Charlotta the Fourth's young brothers at home.
|
||
|
Anne would not rest until everything was in apple-pie order; after
|
||
|
Charlotta had gone home with her plunder Anne went over the still
|
||
|
rooms, feeling like one who trod alone some banquet hall deserted,
|
||
|
and closed the blinds. Then she locked the door and sat down under
|
||
|
the silver poplar to wait for Gilbert, feeling very tired but still
|
||
|
unweariedly thinking "long, long thoughts."
|
||
|
|
||
|
"What are you thinking of, Anne?" asked Gilbert, coming down the
|
||
|
walk. He had left his horse and buggy out at the road.
|
||
|
|
||
|
"Of Miss Lavendar and Mr. Irving," answered Anne dreamily. "Isn't
|
||
|
it beautiful to think how everything has turned out. . .how they
|
||
|
have come together again after all the years of separation and
|
||
|
misunderstanding?"
|
||
|
|
||
|
"Yes, it's beautiful," said Gilbert, looking steadily down into
|
||
|
Anne's uplifted face, "but wouldn't it have been more beautiful still,
|
||
|
Anne, if there had been NO separation or misunderstanding. . .
|
||
|
if they had come hand in hand all the way through life, with no
|
||
|
memories behind them but those which belonged to each other?"
|
||
|
|
||
|
For a moment Anne's heart fluttered queerly and for the first time
|
||
|
her eyes faltered under Gilbert's gaze and a rosy flush stained the
|
||
|
paleness of her face. It was as if a veil that had hung before
|
||
|
her inner consciousness had been lifted, giving to her view a
|
||
|
revelation of unsuspected feelings and realities. Perhaps, after
|
||
|
all, romance did not come into one's life with pomp and blare, like
|
||
|
a gay knight riding down; perhaps it crept to one's side like an
|
||
|
old friend through quiet ways; perhaps it revealed itself in
|
||
|
seeming prose, until some sudden shaft of illumination flung
|
||
|
athwart its pages betrayed the rhythm and the music, perhaps. . .
|
||
|
perhaps. . .love unfolded naturally out of a beautiful friendship,
|
||
|
as a golden-hearted rose slipping from its green sheath.
|
||
|
|
||
|
Then the veil dropped again; but the Anne who walked up the dark
|
||
|
lane was not quite the same Anne who had driven gaily down it the
|
||
|
evening before. The page of girlhood had been turned, as by an
|
||
|
unseen finger, and the page of womanhood was before her with all
|
||
|
its charm and mystery, its pain and gladness.
|
||
|
|
||
|
Gilbert wisely said nothing more; but in his silence he read the
|
||
|
history of the next four years in the light of Anne's remembered
|
||
|
blush. Four years of earnest, happy work. . .and then the guerdon
|
||
|
of a useful knowledge gained and a sweet heart won.
|
||
|
|
||
|
Behind them in the garden the little stone house brooded among the
|
||
|
shadows. It was lonely but not forsaken. It had not yet done with
|
||
|
dreams and laughter and the joy of life; there were to be future
|
||
|
summers for the little stone house; meanwhile, it could wait. And
|
||
|
over the river in purple durance the echoes bided their time.
|
||
|
|
||
|
|
||
|
End of Project Gutenberg Etext of Anne of Avonlea.
|
||
|
|
||
|
|
||
|
The correct words were obtained from the L.C. Page & Company, Inc.
|
||
|
edition of this book copyright 1909 - Thirteenth Impression, April 1911.
|
||
|
|
||
|
Italic emphases have been CAPITALIZED for emphasis, other italics, such
|
||
|
as titles have been `Placed in Single Quotes.' Italic I's are _I_.
|
||
|
|
||
|
Most spellings and combined words have been left as they were in the
|
||
|
majority of the editions orginally published. Some spelling errors
|
||
|
we presume were not intended have been corrected.
|
||
|
|