16105 lines
758 KiB
Plaintext
16105 lines
758 KiB
Plaintext
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A Tale of Two Cities, by Charles Dickens
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[A story of the French Revolution]
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CONTENTS
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Book the First--Recalled to Life
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Chapter I The Period
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Chapter II The Mail
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Chapter III The Night Shadows
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Chapter IV The Preparation
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Chapter V The Wine-shop
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Chapter VI The Shoemaker
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Book the Second--the Golden Thread
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Chapter I Five Years Later
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Chapter II A Sight
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Chapter III A Disappointment
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Chapter IV Congratulatory
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Chapter V The Jackal
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Chapter VI Hundreds of People
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Chapter VII Monseigneur in Town
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Chapter VIII Monseigneur in the Country
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Chapter IX The Gorgon's Head
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Chapter X Two Promises
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Chapter XI A Companion Picture
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Chapter XII The Fellow of Delicacy
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Chapter XIII The Fellow of no Delicacy
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Chapter XIV The Honest Tradesman
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Chapter XV Knitting
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Chapter XVI Still Knitting
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Chapter XVII One Night
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Chapter XVIII Nine Days
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Chapter XIX An Opinion
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Chapter XX A Plea
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Chapter XXI Echoing Footsteps
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Chapter XXII The Sea still Rises
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Chapter XXIII Fire Rises
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Chapter XXIV Drawn to the Loadstone Rock
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Book the Third--the Track of a Storm
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Chapter I In Secret
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Chapter II The Grindstone
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Chapter III The Shadow
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Chapter IV Calm in Storm
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Chapter V The Wood-sawyer
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Chapter VI Triumph
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Chapter VII A Knock at the Door
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Chapter VIII A Hand at Cards
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Chapter IX The Game Made
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Chapter X The Substance of the Shadow
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Chapter XI Dusk
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Chapter XII Darkness
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Chapter XIII Fifty-two
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Chapter XIV The Knitting Done
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Chapter XV The Footsteps die out For ever
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Book the First--Recalled to Life
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I
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The Period
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It was the best of times, it was the worst of times,
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it was the age of wisdom, it was the age of foolishness,
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it was the epoch of belief, it was the epoch of incredulity,
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it was the season of Light, it was the season of Darkness,
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it was the spring of hope, it was the winter of despair,
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we had everything before us, we had nothing before us,
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we were all going direct to Heaven, we were all going direct
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the other way--in short, the period was so far like the present
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period, that some of its noisiest authorities insisted on its
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being received, for good or for evil, in the superlative degree
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of comparison only.
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There were a king with a large jaw and a queen with a plain face,
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on the throne of England; there were a king with a large jaw and
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a queen with a fair face, on the throne of France. In both
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countries it was clearer than crystal to the lords of the State
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preserves of loaves and fishes, that things in general were
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settled for ever.
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It was the year of Our Lord one thousand seven hundred and
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seventy-five. Spiritual revelations were conceded to England at
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that favoured period, as at this. Mrs. Southcott had recently
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attained her five-and-twentieth blessed birthday, of whom a
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prophetic private in the Life Guards had heralded the sublime
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appearance by announcing that arrangements were made for the
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swallowing up of London and Westminster. Even the Cock-lane
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ghost had been laid only a round dozen of years, after rapping
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out its messages, as the spirits of this very year last past
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(supernaturally deficient in originality) rapped out theirs.
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Mere messages in the earthly order of events had lately come to
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the English Crown and People, from a congress of British subjects
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in America: which, strange to relate, have proved more important
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to the human race than any communications yet received through
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any of the chickens of the Cock-lane brood.
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France, less favoured on the whole as to matters spiritual than
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her sister of the shield and trident, rolled with exceeding
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smoothness down hill, making paper money and spending it.
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Under the guidance of her Christian pastors, she entertained
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herself, besides, with such humane achievements as sentencing
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a youth to have his hands cut off, his tongue torn out with
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pincers, and his body burned alive, because he had not kneeled
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down in the rain to do honour to a dirty procession of monks
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which passed within his view, at a distance of some fifty or
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sixty yards. It is likely enough that, rooted in the woods of
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France and Norway, there were growing trees, when that sufferer
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was put to death, already marked by the Woodman, Fate, to come
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down and be sawn into boards, to make a certain movable framework
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with a sack and a knife in it, terrible in history. It is likely
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enough that in the rough outhouses of some tillers of the heavy
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lands adjacent to Paris, there were sheltered from the weather
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that very day, rude carts, bespattered with rustic mire, snuffed
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about by pigs, and roosted in by poultry, which the Farmer, Death,
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had already set apart to be his tumbrils of the Revolution.
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But that Woodman and that Farmer, though they work unceasingly,
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work silently, and no one heard them as they went about with
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muffled tread: the rather, forasmuch as to entertain any suspicion
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that they were awake, was to be atheistical and traitorous.
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In England, there was scarcely an amount of order and protection
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to justify much national boasting. Daring burglaries by armed
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men, and highway robberies, took place in the capital itself
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every night; families were publicly cautioned not to go out of
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town without removing their furniture to upholsterers' warehouses
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for security; the highwayman in the dark was a City tradesman in
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the light, and, being recognised and challenged by his fellow-
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tradesman whom he stopped in his character of "the Captain,"
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gallantly shot him through the head and rode away; the mall was
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waylaid by seven robbers, and the guard shot three dead, and then
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got shot dead himself by the other four, "in consequence of the
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failure of his ammunition:" after which the mall was robbed in
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peace; that magnificent potentate, the Lord Mayor of London, was
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made to stand and deliver on Turnham Green, by one highwayman,
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who despoiled the illustrious creature in sight of all his
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retinue; prisoners in London gaols fought battles with their
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turnkeys, and the majesty of the law fired blunderbusses in among
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them, loaded with rounds of shot and ball; thieves snipped off
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diamond crosses from the necks of noble lords at Court
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drawing-rooms; musketeers went into St. Giles's, to search for
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contraband goods, and the mob fired on the musketeers, and the
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musketeers fired on the mob, and nobody thought any of these
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occurrences much out of the common way. In the midst of them,
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the hangman, ever busy and ever worse than useless, was in
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constant requisition; now, stringing up long rows of miscellaneous
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criminals; now, hanging a housebreaker on Saturday who had been
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taken on Tuesday; now, burning people in the hand at Newgate by
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the dozen, and now burning pamphlets at the door of Westminster Hall;
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to-day, taking the life of an atrocious murderer, and to-morrow of a
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wretched pilferer who had robbed a farmer's boy of sixpence.
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All these things, and a thousand like them, came to pass in
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and close upon the dear old year one thousand seven hundred
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and seventy-five. Environed by them, while the Woodman and the
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Farmer worked unheeded, those two of the large jaws, and those
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other two of the plain and the fair faces, trod with stir enough,
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and carried their divine rights with a high hand. Thus did the
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year one thousand seven hundred and seventy-five conduct their
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Greatnesses, and myriads of small creatures--the creatures of this
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chronicle among the rest--along the roads that lay before them.
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II
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The Mail
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It was the Dover road that lay, on a Friday night late in November,
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before the first of the persons with whom this history has business.
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The Dover road lay, as to him, beyond the Dover mail, as it
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lumbered up Shooter's Hill. He walked up hill in the mire
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by the side of the mail, as the rest of the passengers did;
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not because they had the least relish for walking exercise, under the
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circumstances, but because the hill, and the harness, and the mud,
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and the mail, were all so heavy, that the horses had three times
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already come to a stop, besides once drawing the coach across the road,
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with the mutinous intent of taking it back to Blackheath. Reins and whip
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and coachman and guard, however, in combination, had read that article
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of war which forbade a purpose otherwise strongly in favour of the argument,
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that some brute animals are endued with Reason; and the team had capitulated
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and returned to their duty.
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With drooping heads and tremulous tails, they mashed their way
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through the thick mud, floundering and stumbling between whiles,
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as if they were falling to pieces at the larger joints. As often
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as the driver rested them and brought them to a stand, with a
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wary "Wo-ho! so-ho- then!" the near leader violently shook his
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head and everything upon it--like an unusually emphatic horse,
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denying that the coach could be got up the hill. Whenever the
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leader made this rattle, the passenger started, as a nervous
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passenger might, and was disturbed in mind.
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There was a steaming mist in all the hollows, and it had roamed
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in its forlornness up the hill, like an evil spirit, seeking rest
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and finding none. A clammy and intensely cold mist, it made its
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slow way through the air in ripples that visibly followed and
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overspread one another, as the waves of an unwholesome sea might
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do. It was dense enough to shut out everything from the light of
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the coach-lamps but these its own workings, and a few yards of
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road; and the reek of the labouring horses steamed into it, as if
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they had made it all.
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Two other passengers, besides the one, were plodding up the hill
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by the side of the mail. All three were wrapped to the cheekbones
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and over the ears, and wore jack-boots. Not one of the three
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could have said, from anything he saw, what either of the other
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two was like; and each was hidden under almost as many wrappers
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from the eyes of the mind, as from the eyes of the body, of his
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two companions. In those days, travellers were very shy of being
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confidential on a short notice, for anybody on the road might be
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a robber or in league with robbers. As to the latter, when every
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posting-house and ale-house could produce somebody in "the Captain's"
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pay, ranging from the landlord to the lowest stable non-descript,
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it was the likeliest thing upon the cards. So the guard of the
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Dover mail thought to himself, that Friday night in November, one
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thousand seven hundred and seventy-five, lumbering up Shooter's
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Hill, as he stood on his own particular perch behind the mail,
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beating his feet, and keeping an eye and a hand on the arm-chest
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before him, where a loaded blunderbuss lay at the top of six or
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eight loaded horse-pistols, deposited on a substratum of cutlass.
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The Dover mail was in its usual genial position that the guard
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suspected the passengers, the passengers suspected one another
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and the guard, they all suspected everybody else, and the coachman
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was sure of nothing but the horses; as to which cattle he could
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with a clear conscience have taken his oath on the two Testaments
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that they were not fit for the journey.
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"Wo-ho!" said the coachman. "So, then! One more pull and you're
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at the top and be damned to you, for I have had trouble enough to
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get you to it!--Joe!"
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"Halloa!" the guard replied.
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"What o'clock do you make it, Joe?"
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"Ten minutes, good, past eleven."
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"My blood!" ejaculated the vexed coachman, "and not atop of
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Shooter's yet! Tst! Yah! Get on with you! "
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The emphatic horse, cut short by the whip in a most decided
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negative, made a decided scramble for it, and the three other
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horses followed suit. Once more, the Dover mail struggled on,
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with the jack-boots of its passengers squashing along by its
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side. They had stopped when the coach stopped, and they kept
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close company with it. If any one of the three had had the
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hardihood to propose to another to walk on a little ahead into
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the mist and darkness, he would have put himself in a fair way
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of getting shot instantly as a highwayman.
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The last burst carried the mail to the summit of the hill.
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The horses stopped to breathe again, and the guard got down to
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skid the wheel for the descent, and open the coach-door to let
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the passengers in.
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"Tst! Joe!" cried the coachman in a warning voice, looking down
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from his box.
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"What do you say, Tom?"
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They both listened.
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"I say a horse at a canter coming up, Joe."
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"_I_ say a horse at a gallop, Tom," returned the guard, leaving
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his hold of the door, and mounting nimbly to his place.
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"Gentlemen! In the kings name, all of you!"
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With this hurried adjuration, he cocked his blunderbuss, and
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stood on the offensive.
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The passenger booked by this history, was on the coach-step,
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getting in; the two other passengers were close behind him, and
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about to follow. He remained on the step, half in the coach and
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half out of; they re-mained in the road below him. They all
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looked from the coachman to the guard, and from the guard to the
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coachman, and listened. The coachman looked back and the guard
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looked back, and even the emphatic leader pricked up his ears and
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looked back, without contradicting.
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The stillness consequent on the cessation of the rumbling and and
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labouring of the coach, added to the stillness of the night, made
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it very quiet indeed. The panting of the horses communicated a
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tremulous motion to the coach, as if it were in a state of
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agitation. The hearts of the passengers beat loud enough perhaps
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to be heard; but at any rate, the quiet pause was audibly
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expressive of people out of breath, and holding the breath, and
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having the pulses quickened by expectation.
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The sound of a horse at a gallop came fast and furiously up the hill.
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"So-ho!" the guard sang out, as loud as he could roar. "Yo there!
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Stand! I shall fire!"
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The pace was suddenly checked, and, with much splashing and floundering,
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a man's voice called from the mist, "Is that the Dover mail?"
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"Never you mind what it is!" the guard retorted. "What are you?"
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"IS that the Dover mail?"
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"Why do you want to know?"
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"I want a passenger, if it is."
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"What passenger?"
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"Mr. Jarvis Lorry."
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Our booked passenger showed in a moment that it was his name.
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The guard, the coachman, and the two other passengers eyed him
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distrustfully.
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"Keep where you are," the guard called to the voice in the mist,
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"because, if I should make a mistake, it could never be set right
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in your lifetime. Gentleman of the name of Lorry answer straight."
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"What is the matter?" asked the passenger, then, with mildly
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quavering speech. "Who wants me? Is it Jerry?"
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("I don't like Jerry's voice, if it is Jerry," growled the guard
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to himself. "He's hoarser than suits me, is Jerry.")
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"Yes, Mr. Lorry."
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"What is the matter?"
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"A despatch sent after you from over yonder. T. and Co."
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"I know this messenger, guard," said Mr. Lorry, getting down into
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the road--assisted from behind more swiftly than politely by the
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other two passengers, who immediately scrambled into the coach,
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shut the door, and pulled up the window. "He may come close;
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there's nothing wrong."
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"I hope there ain't, but I can't make so 'Nation sure of that,"
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said the guard, in gruff soliloquy. "Hallo you!"
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"Well! And hallo you!" said Jerry, more hoarsely than before.
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"Come on at a footpace! d'ye mind me? And if you've got holsters
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to that saddle o' yourn, don't let me see your hand go nigh 'em.
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For I'm a devil at a quick mistake, and when I make one it takes
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the form of Lead. So now let's look at you."
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The figures of a horse and rider came slowly through the eddying
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mist, and came to the side of the mail, where the passenger stood.
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The rider stooped, and, casting up his eyes at the guard, handed
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the passenger a small folded paper. The rider's horse was blown,
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and both horse and rider were covered with mud, from the hoofs of
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the horse to the hat of the man.
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"Guard!" said the passenger, in a tone of quiet business confidence.
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The watchful guard, with his right hand at the stock of his raised
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blunderbuss, his left at the barrel, and his eye on the horseman,
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answered curtly, "Sir."
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"There is nothing to apprehend. I belong to Tellson's Bank.
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You must know Tellson's Bank in London. I am going to Paris
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on business. A crown to drink. I may read this?"
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"If so be as you're quick, sir."
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He opened it in the light of the coach-lamp on that side,
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and read--first to himself and then aloud: "`Wait at Dover for
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Mam'selle.' It's not long, you see, guard. Jerry, say that my
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answer was, RECALLED TO LIFE."
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Jerry started in his saddle. "That's a Blazing strange answer, too,"
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said he, at his hoarsest.
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"Take that message back, and they will know that I received this,
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as well as if I wrote. Make the best of your way. Good night."
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With those words the passenger opened the coach-door and got in;
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not at all assisted by his fellow-passengers, who had
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expeditiously secreted their watches and purses in their boots,
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and were now making a general pretence of being asleep. With no
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more definite purpose than to escape the hazard of originating
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any other kind of action.
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||
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|
||
|
The coach lumbered on again, with heavier wreaths of mist closing
|
||
|
round it as it began the descent. The guard soon replaced his
|
||
|
blunderbuss in his arm-chest, and, having looked to the rest of its
|
||
|
contents, and having looked to the supplementary pistols that he wore
|
||
|
in his belt, looked to a smaller chest beneath his seat, in which
|
||
|
there were a few smith's tools, a couple of torches, and a tinder-box.
|
||
|
For he was furnished with that completeness that if the coach-lamps
|
||
|
had been blown and stormed out, which did occasionally happen, he had
|
||
|
only to shut himself up inside, keep the flint and steel sparks well
|
||
|
off the straw, and get a light with tolerable safety and ease (if he
|
||
|
were lucky) in five minutes.
|
||
|
|
||
|
"Tom!" softly over the coach roof.
|
||
|
|
||
|
"Hallo, Joe."
|
||
|
|
||
|
"Did you hear the message?"
|
||
|
|
||
|
"I did, Joe."
|
||
|
|
||
|
"What did you make of it, Tom?"
|
||
|
|
||
|
"Nothing at all, Joe."
|
||
|
|
||
|
"That's a coincidence, too," the guard mused, "for I made the
|
||
|
same of it myself."
|
||
|
|
||
|
Jerry, left alone in the mist and darkness, dismounted meanwhile,
|
||
|
not only to ease his spent horse, but to wipe the mud from his
|
||
|
face, and shake the wet out of his hat-brim, which might be
|
||
|
capable of holding about half a gallon. After standing with the
|
||
|
bridle over his heavily-splashed arm, until the wheels of the
|
||
|
mail were no longer within hearing and the night was quite still
|
||
|
again, he turned to walk down the hill.
|
||
|
|
||
|
"After that there gallop from Temple Bar, old lady, I won't trust
|
||
|
your fore-legs till I get you on the level," said this hoarse
|
||
|
messenger, glancing at his mare. "`Recalled to life.' That's a
|
||
|
Blazing strange message. Much of that wouldn't do for you, Jerry!
|
||
|
I say, Jerry! You'd be in a Blazing bad way, if recalling to life was
|
||
|
to come into fashion, Jerry!"
|
||
|
|
||
|
|
||
|
|
||
|
III
|
||
|
|
||
|
The Night Shadows
|
||
|
|
||
|
|
||
|
A Wonderful fact to reflect upon, that every human creature is
|
||
|
constituted to be that profound secret and mystery to every other.
|
||
|
A solemn consideration, when I enter a great city by night, that
|
||
|
every one of those darkly clustered houses encloses its own secret;
|
||
|
that every room in every one of them encloses its own secret; that
|
||
|
every beating heart in the hundreds of thousands of breasts there,
|
||
|
is, in some of its imaginings, a secret to the heart nearest it!
|
||
|
Something of the awfulness, even of Death itself, is referable to
|
||
|
this. No more can I turn the leaves of this dear book that I loved,
|
||
|
and vainly hope in time to read it all. No more can I look into the
|
||
|
depths of this unfathomable water, wherein, as momentary lights
|
||
|
glanced into it, I have had glimpses of buried treasure and other
|
||
|
things submerged. It was appointed that the book should shut with a
|
||
|
a spring, for ever and for ever, when I had read but a page. It was
|
||
|
appointed that the water should be locked in an eternal frost, when
|
||
|
the light was playing on its surface, and I stood in ignorance on the
|
||
|
shore. My friend is dead, my neighbour is dead, my love, the darling
|
||
|
of my soul, is dead; it is the inexorable consolidation and
|
||
|
perpetuation of the secret that was always in that individuality,
|
||
|
and which I shall carry in mine to my life's end. In any of the
|
||
|
burial-places of this city through which I pass, is there a sleeper
|
||
|
more inscrutable than its busy inhabitants are, in their innermost
|
||
|
personality, to me, or than I am to them?
|
||
|
|
||
|
As to this, his natural and not to be alienated inheritance,
|
||
|
the messenger on horseback had exactly the same possessions as
|
||
|
the King, the first Minister of State, or the richest merchant
|
||
|
in London. So with the three passengers shut up in the narrow
|
||
|
compass of one lumbering old mail coach; they were mysteries to
|
||
|
one another, as complete as if each had been in his own coach and
|
||
|
six, or his own coach and sixty, with the breadth of a county
|
||
|
between him and the next.
|
||
|
|
||
|
The messenger rode back at an easy trot, stopping pretty often at
|
||
|
ale-houses by the way to drink, but evincing a tendency to keep his
|
||
|
own counsel, and to keep his hat cocked over his eyes. He had eyes
|
||
|
that assorted very well with that decoration, being of a surface
|
||
|
black, with no depth in the colour or form, and much too near
|
||
|
together--as if they were afraid of being found out in something,
|
||
|
singly, if they kept too far apart. They had a sinister expression,
|
||
|
under an old cocked-hat like a three-cornered spittoon, and over a
|
||
|
great muffler for the chin and throat, which descended nearly to the
|
||
|
wearer's knees. When he stopped for drink, he moved this muffler
|
||
|
with his left hand, only while he poured his liquor in with his
|
||
|
right; as soon as that was done, he muffled again.
|
||
|
|
||
|
"No, Jerry, no!" said the messenger, harping on one theme as he rode.
|
||
|
"It wouldn't do for you, Jerry. Jerry, you honest tradesman, it
|
||
|
wouldn't suit YOUR line of business! Recalled--! Bust me if I
|
||
|
don't think he'd been a drinking!"
|
||
|
|
||
|
His message perplexed his mind to that degree that he was fain,
|
||
|
several times, to take off his hat to scratch his head. Except on
|
||
|
the crown, which was raggedly bald, he had stiff, black hair,
|
||
|
standing jaggedly all over it, and growing down hill almost to his
|
||
|
broad, blunt nose. It was so like Smith's work, so much more like
|
||
|
the top of a strongly spiked wall than a head of hair, that the best
|
||
|
of players at leap-frog might have declined him, as the most
|
||
|
dangerous man in the world to go over.
|
||
|
|
||
|
While he trotted back with the message he was to deliver to the night
|
||
|
watchman in his box at the door of Tellson's Bank, by Temple Bar, who
|
||
|
was to deliver it to greater authorities within, the shadows of the
|
||
|
night took such shapes to him as arose out of the message, and took
|
||
|
such shapes to the mare as arose out of HER private topics of
|
||
|
uneasiness. They seemed to be numerous, for she shied at every
|
||
|
shadow on the road.
|
||
|
|
||
|
What time, the mail-coach lumbered, jolted, rattled, and bumped upon
|
||
|
its tedious way, with its three fellow-inscrutables inside. To whom,
|
||
|
likewise, the shadows of the night revealed themselves, in the forms
|
||
|
their dozing eyes and wandering thoughts suggested.
|
||
|
|
||
|
Tellson's Bank had a run upon it in the mail. As the bank passenger--
|
||
|
with an arm drawn through the leathern strap, which did what lay in
|
||
|
it to keep him from pounding against the next passenger, and driving
|
||
|
him into his corner, whenever the coach got a special jolt--nodded in
|
||
|
his place, with half-shut eyes, the little coach-windows, and the
|
||
|
coach-lamp dimly gleaming through them, and the bulky bundle of
|
||
|
opposite passenger, became the bank, and did a great stroke of business.
|
||
|
The rattle of the harness was the chink of money, and more drafts
|
||
|
were honoured in five minutes than even Tellson's, with all its
|
||
|
foreign and home connection, ever paid in thrice the time. Then the
|
||
|
strong-rooms underground, at Tellson's, with such of their valuable
|
||
|
stores and secrets as were known to the passenger (and it was not a
|
||
|
little that he knew about them), opened before him, and he went in
|
||
|
among them with the great keys and the feebly-burning candle, and
|
||
|
found them safe, and strong, and sound, and still, just as he had
|
||
|
last seen them.
|
||
|
|
||
|
But, though the bank was almost always with him, and though the coach
|
||
|
(in a confused way, like the presence of pain under an opiate) was
|
||
|
always with him, there was another current of impression that never
|
||
|
ceased to run, all through the night. He was on his way to dig some
|
||
|
one out of a grave.
|
||
|
|
||
|
Now, which of the multitude of faces that showed themselves before
|
||
|
him was the true face of the buried person, the shadows of the night
|
||
|
did not indicate; but they were all the faces of a man of five-and-
|
||
|
forty by years, and they differed principally in the passions they
|
||
|
expressed, and in the ghastliness of their worn and wasted state.
|
||
|
Pride, contempt, defiance, stubbornness, submission, lamentation,
|
||
|
succeeded one another; so did varieties of sunken cheek, cadaverous
|
||
|
colour, emaciated hands and figures. But the face was in the main
|
||
|
one face, and every head was prematurely white. A hundred times the
|
||
|
dozing passenger inquired of this spectre:
|
||
|
|
||
|
"Buried how long?"
|
||
|
|
||
|
The answer was always the same: "Almost eighteen years."
|
||
|
|
||
|
"You had abandoned all hope of being dug out?"
|
||
|
|
||
|
"Long ago."
|
||
|
|
||
|
"You know that you are recalled to life?"
|
||
|
|
||
|
"They tell me so."
|
||
|
|
||
|
"I hope you care to live?"
|
||
|
|
||
|
"I can't say."
|
||
|
|
||
|
"Shall I show her to you? Will you come and see her?"
|
||
|
|
||
|
The answers to this question were various and contradictory.
|
||
|
Sometimes the broken reply was, "Wait! It would kill me if I saw
|
||
|
her too soon." Sometimes, it was given in a tender rain of tears,
|
||
|
and then it was, "Take me to her." Sometimes it was staring and
|
||
|
bewildered, and then it was, "I don't know her. I don't understand."
|
||
|
|
||
|
After such imaginary discourse, the passenger in his fancy would dig,
|
||
|
and dig, dig--now with a spade, now with a great key, now with his
|
||
|
hands--to dig this wretched creature out. Got out at last, with
|
||
|
earth hanging about his face and hair, he would suddenly fan away to
|
||
|
dust. The passenger would then start to himself, and lower the
|
||
|
window, to get the reality of mist and rain on his cheek.
|
||
|
|
||
|
Yet even when his eyes were opened on the mist and rain, on the
|
||
|
moving patch of light from the lamps, and the hedge at the roadside
|
||
|
retreating by jerks, the night shadows outside the coach would fall
|
||
|
into the train of the night shadows within. The real Banking-house
|
||
|
by Temple Bar, the real business of the past day, the real strong
|
||
|
rooms, the real express sent after him, and the real message returned,
|
||
|
would all be there. Out of the midst of them, the ghostly face would
|
||
|
rise, and he would accost it again.
|
||
|
|
||
|
"Buried how long?"
|
||
|
|
||
|
"Almost eighteen years."
|
||
|
|
||
|
"I hope you care to live?"
|
||
|
|
||
|
"I can't say."
|
||
|
|
||
|
Dig--dig--dig--until an impatient movement from one of the two
|
||
|
passengers would admonish him to pull up the window, draw his arm
|
||
|
securely through the leathern strap, and speculate upon the two
|
||
|
slumbering forms, until his mind lost its hold of them, and they
|
||
|
again slid away into the bank and the grave.
|
||
|
|
||
|
"Buried how long?"
|
||
|
|
||
|
"Almost eighteen years."
|
||
|
|
||
|
"You had abandoned all hope of being dug out?"
|
||
|
|
||
|
"Long ago."
|
||
|
|
||
|
The words were still in his hearing as just spoken--distinctly in his
|
||
|
hearing as ever spoken words had been in his life--when the weary
|
||
|
passenger started to the consciousness of daylight, and found that
|
||
|
the shadows of the night were gone.
|
||
|
|
||
|
He lowered the window, and looked out at the rising sun. There was a
|
||
|
ridge of ploughed land, with a plough upon it where it had been left
|
||
|
last night when the horses were unyoked; beyond, a quiet coppice-wood,
|
||
|
in which many leaves of burning red and golden yellow still remained
|
||
|
upon the trees. Though the earth was cold and wet, the sky was
|
||
|
clear, and the sun rose bright, placid, and beautiful.
|
||
|
|
||
|
"Eighteen years!" said the passenger, looking at the sun.
|
||
|
"Gracious Creator of day! To be buried alive for eighteen years!"
|
||
|
|
||
|
|
||
|
|
||
|
IV
|
||
|
|
||
|
The Preparation
|
||
|
|
||
|
|
||
|
When the mail got successfully to Dover, in the course of the
|
||
|
forenoon, the head drawer at the Royal George Hotel opened the
|
||
|
coach-door as his custom was. He did it with some flourish of
|
||
|
ceremony, for a mail journey from London in winter was an achievement
|
||
|
to congratulate an adventurous traveller upon.
|
||
|
|
||
|
By that time, there was only one adventurous traveller left be
|
||
|
congratulated: for the two others had been set down at their
|
||
|
respective roadside destinations. The mildewy inside of the coach,
|
||
|
with its damp and dirty straw, its disageeable smell, and its
|
||
|
obscurity, was rather like a larger dog-kennel. Mr. Lorry, the
|
||
|
passenger, shaking himself out of it in chains of straw, a tangle of
|
||
|
shaggy wrapper, flapping hat, and muddy legs, was rather like a
|
||
|
larger sort of dog.
|
||
|
|
||
|
"There will be a packet to Calais, tomorrow, drawer?"
|
||
|
|
||
|
"Yes, sir, if the weather holds and the wind sets tolerable fair.
|
||
|
The tide will serve pretty nicely at about two in the afternoon,
|
||
|
sir. Bed, sir?"
|
||
|
|
||
|
"I shall not go to bed till night; but I want a bedroom, and a barber."
|
||
|
|
||
|
"And then breakfast, sir? Yes, sir. That way, sir, if you please.
|
||
|
Show Concord! Gentleman's valise and hot water to Concord. Pull off
|
||
|
gentleman's boots in Concord. (You will find a fine sea-coal fire,
|
||
|
sir.) Fetch barber to Concord. Stir about there, now, for Concord!"
|
||
|
|
||
|
The Concord bed-chamber being always assigned to a passenger by the
|
||
|
mail, and passengers by the mail being always heavily wrapped up from
|
||
|
bead to foot, the room had the odd interest for the establishment of
|
||
|
the Royal George, that although but one kind of man was seen to go
|
||
|
into it, all kinds and varieties of men came out of it. Consequently,
|
||
|
another drawer, and two porters, and several maids and the landlady,
|
||
|
were all loitering by accident at various points of the road between
|
||
|
the Concord and the coffee-room, when a gentleman of sixty, formally
|
||
|
dressed in a brown suit of clothes, pretty well worn, but very well
|
||
|
kept, with large square cuffs and large flaps to the pockets, passed
|
||
|
along on his way to his breakfast.
|
||
|
|
||
|
The coffee-room had no other occupant, that forenoon, than the
|
||
|
gentleman in brown. His breakfast-table was drawn before the fire,
|
||
|
and as he sat, with its light shining on him, waiting for the meal,
|
||
|
he sat so still, that he might have been sitting for his portrait.
|
||
|
|
||
|
Very orderly and methodical he looked, with a hand on each knee, and
|
||
|
a loud watch ticking a sonorous sermon under his flapped waist-coat,
|
||
|
as though it pitted its gravity and longevity against the levity and
|
||
|
evanescence of the brisk fire. He had a good leg, and was a little
|
||
|
vain of it, for his brown stockings fitted sleek and close, and were
|
||
|
of a fine texture; his shoes and buckles, too, though plain, were
|
||
|
trim. He wore an odd little sleek crisp flaxen wig, setting very
|
||
|
close to his head: which wig, it is to be presumed, was made of hair,
|
||
|
but which looked far more as though it were spun from filaments of
|
||
|
silk or glass. His linen, though not of a fineness in accordance
|
||
|
with his stockings, was as white as the tops of the waves that broke
|
||
|
upon the neighbouring beach, or the specks of sail that glinted in
|
||
|
the sunlight far at sea. A face habitually suppressed and quieted,
|
||
|
was still lighted up under the quaint wig by a pair of moist bright
|
||
|
eyes that it must have cost their owner, in years gone by, some pains
|
||
|
to drill to the composed and reserved expression of Tellson's Bank.
|
||
|
He had a healthy colour in his cheeks, and his face, though lined,
|
||
|
bore few traces of anxiety. But, perhaps the confidential bachelor
|
||
|
clerks in Tellson's Bank were principally occupied with the cares of
|
||
|
other people; and perhaps second-hand cares, like second-hand
|
||
|
clothes, come easily off and on.
|
||
|
|
||
|
Completing his resemblance to a man who was sitting for his portrait,
|
||
|
Mr. Lorry dropped off to sleep. The arrival of his breakfast roused
|
||
|
him, and he said to the drawer, as he moved his chair to it:
|
||
|
|
||
|
"I wish accommodation prepared for a young lady who may come here at
|
||
|
any time to-day. She may ask for Mr. Jarvis Lorry, or she may only
|
||
|
ask for a gentleman from Tellson's Bank. Please to let me know."
|
||
|
|
||
|
"Yes, sir. Tellson's Bank in London, sir?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Yes, sir. We have oftentimes the honour to entertain your gentlemen
|
||
|
in their travelling backwards and forwards betwixt London and Paris,
|
||
|
sir. A vast deal of travelling, sir, in Tellson and Company's House."
|
||
|
|
||
|
"Yes. We are quite a French House, as well as an English one."
|
||
|
|
||
|
"Yes, sir. Not much in the habit of such travelling yourself,
|
||
|
I think, sir?"
|
||
|
|
||
|
"Not of late years. It is fifteen years since we--since I--
|
||
|
came last from France."
|
||
|
|
||
|
"Indeed, sir? That was before my time here, sir. Before our people's
|
||
|
time here, sir. The George was in other hands at that time, sir."
|
||
|
|
||
|
"I believe so."
|
||
|
|
||
|
"But I would hold a pretty wager, sir, that a House like Tellson and
|
||
|
Company was flourishing, a matter of fifty, not to speak of fifteen
|
||
|
years ago?"
|
||
|
|
||
|
"You might treble that, and say a hundred and fifty, yet not be far
|
||
|
from the truth."
|
||
|
|
||
|
"Indeed, sir!"
|
||
|
|
||
|
Rounding his mouth and both his eyes, as he stepped backward from the
|
||
|
table, the waiter shifted his napkin from his right arm to his left,
|
||
|
dropped into a comfortable attitude, and stood surveying the guest
|
||
|
while he ate and drank, as from an observatory or watchtower.
|
||
|
According to the immemorial usage of waiters in all ages.
|
||
|
|
||
|
When Mr. Lorry had finished his breakfast, he went out for a stroll
|
||
|
on the beach. The little narrow, crooked town of Dover hid itself
|
||
|
away from the beach, and ran its head into the chalk cliffs, like a
|
||
|
marine ostrich. The beach was a desert of heaps of sea and stones
|
||
|
tumbling wildly about, and the sea did what it liked, and what it
|
||
|
liked was destruction. It thundered at the town, and thundered at
|
||
|
the cliffs, and brought the coast down, madly. The air among the
|
||
|
houses was of so strong a piscatory flavour that one might have
|
||
|
supposed sick fish went up to be dipped in it, as sick people went
|
||
|
down to be dipped in the sea. A little fishing was done in the port,
|
||
|
and a quantity of strolling about by night, and looking seaward:
|
||
|
particularly at those times when the tide made, and was near flood.
|
||
|
Small tradesmen, who did no business whatever, sometimes unaccountably
|
||
|
realised large fortunes, and it was remarkable that nobody in the
|
||
|
neighbourhood could endure a lamplighter.
|
||
|
|
||
|
As the day declined into the afternoon, and the air, which had been
|
||
|
at intervals clear enough to allow the French coast to be seen,
|
||
|
became again charged with mist and vapour, Mr. Lorry's thoughts
|
||
|
seemed to cloud too. When it was dark, and he sat before the
|
||
|
coffee-room fire, awaiting his dinner as he had awaited his breakfast,
|
||
|
his mind was busily digging, digging, digging, in the live red coals.
|
||
|
|
||
|
A bottle of good claret after dinner does a digger in the red coals
|
||
|
no harm, otherwise than as it has a tendency to throw him out of
|
||
|
work. Mr. Lorry had been idle a long time, and had just poured out
|
||
|
his last glassful of wine with as complete an appearance of
|
||
|
satisfaction as is ever to be found in an elderly gentleman of a
|
||
|
fresh complexion who has got to the end of a bottle, when a rattling
|
||
|
of wheels came up the narrow street, and rumbled into the inn-yard.
|
||
|
|
||
|
He set down his glass untouched. "This is Mam'selle!" said he.
|
||
|
|
||
|
In a very few minutes the waiter came in to announce that Miss
|
||
|
Manette had arrived from London, and would be happy to see the
|
||
|
gentleman from Tellson's.
|
||
|
|
||
|
"So soon?"
|
||
|
|
||
|
Miss Manette had taken some refreshment on the road, and required
|
||
|
none then, and was extremely anxious to see the gentleman from
|
||
|
Tellson's immediately, if it suited his pleasure and convenience.
|
||
|
|
||
|
The gentleman from Tellson's had nothing left for it but to empty his
|
||
|
glass with an air of stolid desperation, settle his odd little flaxen
|
||
|
wig at the ears, and follow the waiter to Miss Manette's apartment.
|
||
|
It was a large, dark room, furnished in a funereal manner with black
|
||
|
horsehair, and loaded with heavy dark tables. These had been oiled
|
||
|
and oiled, until the two tall candles on the table in the middle of
|
||
|
the room were gloomily reflected on every leaf; as if THEY were
|
||
|
buried, in deep graves of black mahogany, and no light to speak of
|
||
|
could be expected from them until they were dug out.
|
||
|
|
||
|
The obscurity was so difficult to penetrate that Mr. Lorry,
|
||
|
picking his way over the well-worn Turkey carpet, supposed
|
||
|
|
||
|
Miss Manette to be, for the moment, in some adjacent room, until,
|
||
|
having got past the two tall candles, he saw standing to receive him
|
||
|
by the table between them and the fire, a young lady of not more than
|
||
|
seventeen, in a riding-cloak, and still holding her straw travelling-
|
||
|
hat by its ribbon in her hand. As his eyes rested on a short, slight,
|
||
|
pretty figure, a quantity of golden hair, a pair of blue eyes that
|
||
|
met his own with an inquiring look, and a forehead with a singular
|
||
|
capacity (remembering how young and smooth it was), of rifting and
|
||
|
knitting itself into an expression that was not quite one of perplexity,
|
||
|
or wonder, or alarm, or merely of a bright fixed attention, though it
|
||
|
included all the four expressions-as his eyes rested on these things,
|
||
|
a sudden vivid likeness passed before him, of a child whom he had
|
||
|
held in his anus on the passage across that very Channel, one cold
|
||
|
time, when the hail drifted heavily and the sea ran high. The
|
||
|
likeness passed away, like a breath along the surface of the gaunt
|
||
|
pier-glass behind her, on the frame of which, a hospital procession
|
||
|
of negro cupids, several headless and all cripples, were offering
|
||
|
black baskets of Dead Sea fruit to black divinities of the feminine
|
||
|
gender-and he made his formal bow to Miss Manette.
|
||
|
|
||
|
"Pray take a seat, sir." In a very clear and pleasant young voice;
|
||
|
a little foreign in its accent, but a very little indeed.
|
||
|
|
||
|
"I kiss your hand, miss," said Mr. Lorry, with the manners of an
|
||
|
earlier date, as he made his formal bow again, and took his seat.
|
||
|
|
||
|
"I received a letter from the Bank, sir, yesterday, informing me that
|
||
|
some intelligence--or discovery--"
|
||
|
|
||
|
"The word is not material, miss; either word will do."
|
||
|
|
||
|
"--respecting the small property of my poor father, whom I never
|
||
|
saw--so long dead--"
|
||
|
|
||
|
Mr. Lorry moved in his chair, and cast a troubled look towards the
|
||
|
hospital procession of negro cupids. As if THEY had any help for
|
||
|
anybody in their absurd baskets!
|
||
|
|
||
|
"--rendered it necessary that I should go to Paris, there to
|
||
|
communicate with a gentleman of the Bank, so good as to be despatched
|
||
|
to Paris for the purpose."
|
||
|
|
||
|
"Myself."
|
||
|
|
||
|
"As I was prepared to hear, sir."
|
||
|
|
||
|
She curtseyed to him (young ladies made curtseys in those days), with
|
||
|
a pretty desire to convey to him that she felt how much older and
|
||
|
wiser he was than she. He made her another bow.
|
||
|
|
||
|
"I replied to the Bank, sir, that as it was considered necessary, by
|
||
|
those who know, and who are so kind as to advise me, that I should go
|
||
|
to France, and that as I am an orphan and have no friend who could go
|
||
|
with me, I should esteem it highly if I might be permitted to place
|
||
|
myself, during the journey, under that worthy gentleman's protection.
|
||
|
The gentleman had left London, but I think a messenger was sent after
|
||
|
him to beg the favour of his waiting for me here."
|
||
|
|
||
|
"I was happy," said Mr. Lorry, "to be entrusted with the charge.
|
||
|
I shall be more happy to execute it."
|
||
|
|
||
|
"Sir, I thank you indeed. I thank you very gratefully. It was told
|
||
|
me by the Bank that the gentleman would explain to me the details of
|
||
|
the business, and that I must prepare myself to find them of a
|
||
|
surprising nature. I have done my best to prepare myself, and I
|
||
|
naturally have a strong and eager interest to know what they are."
|
||
|
|
||
|
"Naturally," said Mr. Lorry. "Yes--I--"
|
||
|
|
||
|
After a pause, he added, again settling the crisp flaxen wig at the ears,
|
||
|
"It is very difficult to begin."
|
||
|
|
||
|
He did not begin, but, in his indecision, met her glance. The young
|
||
|
forehead lifted itself into that singular expression--but it was
|
||
|
pretty and characteristic, besides being singular--and she raised
|
||
|
her hand, as if with an involuntary action she caught at, or stayed
|
||
|
some passing shadow.
|
||
|
|
||
|
"Are you quite a stranger to me, sir?"
|
||
|
|
||
|
"Am I not?" Mr. Lorry opened his hands, and extended them outwards
|
||
|
with an argumentative smile.
|
||
|
|
||
|
Between the eyebrows and just over the little feminine nose, the line
|
||
|
of which was as delicate and fine as it was possible to be, the
|
||
|
expression deepened itself as she took her seat thoughtfully in the
|
||
|
chair by which she had hitherto remained standing. He watched her as
|
||
|
she mused, and the moment she raised her eyes again, went on:
|
||
|
|
||
|
"In your adopted country, I presume, I cannot do better than address
|
||
|
you as a young English lady, Miss Manette?"
|
||
|
|
||
|
"If you please, sir."
|
||
|
|
||
|
"Miss Manette, I am a man of business. I have a business charge to
|
||
|
acquit myself of. In your reception of it, don't heed me any more
|
||
|
than if I was a speaking machine-truly, I am not much else. I will,
|
||
|
with your leave, relate to you, miss, the story of one of our
|
||
|
customers."
|
||
|
|
||
|
"Story!"
|
||
|
|
||
|
He seemed wilfully to mistake the word she had repeated, when he
|
||
|
added, in a hurry, "Yes, customers; in the banking business we
|
||
|
usually call our connection our customers. He was a French
|
||
|
gentleman; a scientific gentleman; a man of great acquirements--
|
||
|
a Doctor."
|
||
|
|
||
|
"Not of Beauvais?"
|
||
|
|
||
|
"Why, yes, of Beauvais. Like Monsieur Manette, your father,
|
||
|
the gentleman was of Beauvais. Like Monsieur Manette, your father,
|
||
|
the gentleman was of repute in Paris. I had the honour of knowing
|
||
|
him there. Our relations were business relations, but confidential.
|
||
|
I was at that time in our French House, and had been--oh! twenty years."
|
||
|
|
||
|
"At that time--I may ask, at what time, sir?"
|
||
|
|
||
|
"I speak, miss, of twenty years ago. He married--an English
|
||
|
lady--and I was one of the trustees. His affairs, like the affairs
|
||
|
of many other French gentlemen and French families, were entirely in
|
||
|
Tellson's hands. In a similar way I am, or I have been, trustee of
|
||
|
one kind or other for scores of our customers. These are mere business
|
||
|
relations, miss; there is no friendship in them, no particular
|
||
|
interest, nothing like sentiment. I have passed from one to another,
|
||
|
in the course of my business life, just as I pass from one of our
|
||
|
customers to another in the course of my business day; in short, I
|
||
|
have no feelings; I am a mere machine. To go on--"
|
||
|
|
||
|
"But this is my father's story, sir; and I begin to think"
|
||
|
--the curiously roughened forehead was very intent upon him--"that
|
||
|
when I was left an orphan through my mother's surviving my father
|
||
|
only two years, it was you who brought me to England. I am almost
|
||
|
sure it was you."
|
||
|
|
||
|
Mr. Lorry took the hesitating little hand that confidingly advanced
|
||
|
to take his, and he put it with some ceremony to his lips. He then
|
||
|
conducted the young lady straightway to her chair again, and, holding
|
||
|
the chair-back with his left hand, and using his right by turns to
|
||
|
rub his chin, pull his wig at the ears, or point what he said, stood
|
||
|
looking down into her face while she sat looking up into his.
|
||
|
|
||
|
"Miss Manette, it WAS I. And you will see how truly I spoke of
|
||
|
myself just now, in saying I had no feelings, and that all the
|
||
|
relations I hold with my fellow-creatures are mere business
|
||
|
relations, when you reflect that I have never seen you since.
|
||
|
No; you have been the ward of Tellson's House since, and I have been
|
||
|
busy with the other business of Tellson's House since. Feelings!
|
||
|
I have no time for them, no chance of them. I pass my whole life,
|
||
|
miss, in turning an immense pecuniary Mangle."
|
||
|
|
||
|
After this odd description of his daily routine of employment, Mr.
|
||
|
Lorry flattened his flaxen wig upon his head with both hands (which
|
||
|
was most unnecessary, for nothing could be flatter than its shining
|
||
|
surface was before), and resumed his former attitude.
|
||
|
|
||
|
"So far, miss (as you have remarked), this is the story of your
|
||
|
gretted father. Now comes the difference. If your father had not
|
||
|
died when he did--Don't be frightened! How you start!"
|
||
|
|
||
|
She did, indeed, start. And she caught his wrist with both her hands.
|
||
|
|
||
|
"Pray," said Mr. Lorry, in a soothing tone, bringing his left hand
|
||
|
from the back of the chair to lay it on the supplicatory fingers that
|
||
|
clasped him in so violent a tremble: "pray control your agitation--
|
||
|
a matter of business. As I was saying--"
|
||
|
|
||
|
Her look so discomposed him that he stopped, wandered, and began anew:
|
||
|
|
||
|
"As I was saying; if Monsieur Manette had not died; if he had
|
||
|
suddenly and silently disappeared; if he had been spirited away;
|
||
|
if it had not been difficult to guess to what dreadful place, though
|
||
|
no art could trace him; if he had an enemy in some compatriot who
|
||
|
could exercise a privilege that I in my own time have known the boldest
|
||
|
people afraid to speak of in a whisper, across the water there; for
|
||
|
instance, the privilege of filling up blank forms for the consignment
|
||
|
of any one to the oblivion of a prison for any length of time; if his
|
||
|
wife had implored the king, the queen, the court, the clergy, for any
|
||
|
tidings of him, and all quite in vain;--then the history of your father
|
||
|
would have been the history of this unfortunate gentleman, the Doctor
|
||
|
of Beauvais."
|
||
|
|
||
|
"I entreat you to tell me more, sir."
|
||
|
|
||
|
"I will. I am going to. You can bear it?"
|
||
|
|
||
|
"I can bear anything but the uncertainty you leave me in at this moment."
|
||
|
|
||
|
"You speak collectedly, and you--ARE collected. That's good!"
|
||
|
(Though his manner was less satisfied than his words.) "A matter of
|
||
|
business. Regard it as a matter of business-business that must be
|
||
|
done. Now if this doctor's wife, though a lady of great courage and
|
||
|
spirit, had suffered so intensely from this cause before her little
|
||
|
child was born--"
|
||
|
|
||
|
"The little child was a daughter, sir."
|
||
|
|
||
|
"A daughter. A-a-matter of business--don't be distressed. Miss,
|
||
|
if the poor lady had suffered so intensely before her little child
|
||
|
was born, that she came to the determination of sparing the poor
|
||
|
child the inheritance of any part of the agony she had known the
|
||
|
pains of, by rearing her in the belief that her father was dead--
|
||
|
No, don't kneel! In Heaven's name why should you kneel to me!"
|
||
|
|
||
|
"For the truth. O dear, good, compassionate sir, for the truth!"
|
||
|
|
||
|
"A-a matter of business. You confuse me, and how can I transact
|
||
|
business if I am confused? Let us be clear-headed. If you could
|
||
|
kindly mention now, for instance, what nine times ninepence are,
|
||
|
or how many shillings in twenty guineas, it would be so encouraging.
|
||
|
I should be so much more at my ease about your state of mind."
|
||
|
|
||
|
Without directly answering to this appeal, she sat so still when
|
||
|
he had very gently raised her, and the hands that had not ceased
|
||
|
to clasp his wrists were so much more steady than they had been,
|
||
|
that she communicated some reassurance to Mr. Jarvis Lorry.
|
||
|
|
||
|
"That's right, that's right. Courage! Business! You have business
|
||
|
before you; useful business. Miss Manette, your mother took this
|
||
|
course with you. And when she died--I believe broken-hearted--
|
||
|
having never slackened her unavailing search for your father,
|
||
|
she left you, at two years old, to grow to be blooming, beautiful,
|
||
|
and happy, without the dark cloud upon you of living in uncertainty
|
||
|
whether your father soon wore his heart out in prison, or wasted
|
||
|
there through many lingering years."
|
||
|
|
||
|
As he said the words he looked down, with an admiring pity, on the
|
||
|
flowing golden hair; as if he pictured to himself that it might have
|
||
|
been already tinged with grey.
|
||
|
|
||
|
"You know that your parents had no great possession, and that what
|
||
|
they had was secured to your mother and to you. There has been no
|
||
|
new discovery, of money, or of any other property; but--"
|
||
|
|
||
|
He felt his wrist held closer, and he stopped. The expression in the
|
||
|
forehead, which had so particularly attracted his notice, and which
|
||
|
was now immovable, had deepened into one of pain and horror.
|
||
|
|
||
|
"But he has been-been found. He is alive. Greatly changed, it is
|
||
|
too probable; almost a wreck, it is possible; though we will hope the
|
||
|
best. Still, alive. Your father has been taken to the house of an
|
||
|
old servant in Paris, and we are going there: I, to identify him if
|
||
|
I can: you, to restore him to life, love, duty, rest, comfort."
|
||
|
|
||
|
A shiver ran through her frame, and from it through his. She said,
|
||
|
in a low, distinct, awe-stricken voice, as if she were saying it in a
|
||
|
dream,
|
||
|
|
||
|
"I am going to see his Ghost! It will be his Ghost--not him!"
|
||
|
|
||
|
Mr. Lorry quietly chafed the hands that held his arm. "There, there,
|
||
|
there! See now, see now! The best and the worst are known to you, now.
|
||
|
You are well on your way to the poor wronged gentleman, and, with a fair
|
||
|
sea voyage, and a fair land journey, you will be soon at his dear side."
|
||
|
|
||
|
She repeated in the same tone, sunk to a whisper, "I have been free,
|
||
|
I have been happy, yet his Ghost has never haunted me!"
|
||
|
|
||
|
"Only one thing more," said Mr. Lorry, laying stress upon it as a
|
||
|
wholesome means of enforcing her attention: "he has been found under
|
||
|
another name; his own, long forgotten or long concealed. It would be
|
||
|
worse than useless now to inquire which; worse than useless to seek
|
||
|
to know whether he has been for years overlooked, or always designedly
|
||
|
held prisoner. It would be worse than useless now to make any inquiries,
|
||
|
because it would be dangerous. Better not to mention the subject,
|
||
|
anywhere or in any way, and to remove him--for a while at all events--
|
||
|
out of France. Even I, safe as an Englishman, and even Tellson's,
|
||
|
important as they are to French credit, avoid all naming of the
|
||
|
matter. I carry about me, not a scrap of writing openly referring to
|
||
|
it. This is a secret service altogether. My credentials, entries,
|
||
|
and memoranda, are all comprehended in the one line, `Recalled to
|
||
|
Life;' which may mean anything. But what is the matter! She doesn't
|
||
|
notice a word! Miss Manette!"
|
||
|
|
||
|
Perfectly still and silent, and not even fallen back in her chair,
|
||
|
she sat under his hand, utterly insensible; with her eyes open and
|
||
|
fixed upon him, and with that last expression looking as if it were
|
||
|
carved or branded into her forehead. So close was her hold upon his
|
||
|
arm, that he feared to detach himself lest he should hurt her;
|
||
|
therefore he called out loudly for assistance without moving.
|
||
|
|
||
|
A wild-looking woman, whom even in his agitation, Mr. Lorry observed
|
||
|
to be all of a red colour, and to have red hair, and to be dressed in
|
||
|
some extraordinary tight-fitting fashion, and to have on her head a
|
||
|
most wonderful bonnet like a Grenadier wooden measure, and good
|
||
|
measure too, or a great Stilton cheese, came running into the room in
|
||
|
advance of the inn servants, and soon settled the question of his
|
||
|
detachment from the poor young lady, by laying a brawny hand upon his
|
||
|
chest, and sending him flying back against the nearest wall.
|
||
|
|
||
|
("I really think this must be a man!" was Mr. Lorry's breathless
|
||
|
reflection, simultaneously with his coming against the wall.)
|
||
|
|
||
|
"Why, look at you all!" bawled this figure, addressing the inn
|
||
|
servants. "Why don't you go and fetch things, instead of standing
|
||
|
there staring at me? I am not so much to look at, am I? Why don't
|
||
|
you go and fetch things? I'll let you know, if you don't bring
|
||
|
smelling-salts, cold water, and vinegar, quick, I will."
|
||
|
|
||
|
There was an immediate dispersal for these restoratives, and she
|
||
|
softly laid the patient on a sofa, and tended her with great skill
|
||
|
and gentleness: calling her "my precious!" and "my bird!" and spreading
|
||
|
her golden hair aside over her shoulders with great pride and care.
|
||
|
|
||
|
"And you in brown!" she said, indignantly turning to Mr. Lorry;
|
||
|
couldn't you tell her what you had to tell her, without frightening
|
||
|
her to death? Look at her, with her pretty pale face and her cold
|
||
|
hands. Do you call THAT being a Banker?"
|
||
|
|
||
|
Mr. Lorry was so exceedingly disconcerted by a question so hard to
|
||
|
answer, that he could only look on, at a distance, with much feebler
|
||
|
sympathy and humility, while the strong woman, having banished the
|
||
|
inn servants under the mysterious penalty of "letting them know"
|
||
|
something not mentioned if they stayed there, staring, recovered her
|
||
|
charge by a regular series of gradations, and coaxed her to lay her
|
||
|
drooping head upon her shoulder.
|
||
|
|
||
|
"I hope she will do well now," said Mr. Lorry.
|
||
|
|
||
|
"No thanks to you in brown, if she does. My darling pretty!"
|
||
|
|
||
|
"I hope," said Mr. Lorry, after another pause of feeble sympathy and
|
||
|
humility, "that you accompany Miss Manette to France?"
|
||
|
|
||
|
"A likely thing, too!" replied the strong woman. "If it was ever
|
||
|
intended that I should go across salt water, do you suppose
|
||
|
Providence would have cast my lot in an island?"
|
||
|
|
||
|
This being another question hard to answer, Mr. Jarvis Lorry withdrew
|
||
|
to consider it.
|
||
|
|
||
|
|
||
|
|
||
|
V
|
||
|
|
||
|
The Wine-shop
|
||
|
|
||
|
|
||
|
A large cask of wine had been dropped and broken, in the street.
|
||
|
The accident had happened in getting it out of a cart; the cask had
|
||
|
tumbled out with a run, the hoops had burst, and it lay on the stones
|
||
|
just outside the door of the wine-shop, shattered like a
|
||
|
walnut-shell.
|
||
|
|
||
|
All the people within reach had suspended their business, or their
|
||
|
idleness, to run to the spot and drink the wine. The rough,
|
||
|
irregular stones of the street, pointing every way, and designed,
|
||
|
one might have thought, expressly to lame all living creatures that
|
||
|
approached them, had dammed it into little pools; these were surrounded,
|
||
|
each by its own jostling group or crowd, according to its size.
|
||
|
Some men kneeled down, made scoops of their two hands joined, and
|
||
|
sipped, or tried to help women, who bent over their shoulders, to
|
||
|
sip, before the wine had all run out between their fingers. Others,
|
||
|
men and women, dipped in the puddles with little mugs of mutilated
|
||
|
earthenware, or even with handkerchiefs from women's heads, which
|
||
|
were squeezed dry into infants' mouths; others made small mud-
|
||
|
embankments, to stem the wine as it ran; others, directed by
|
||
|
lookers-on up at high windows, darted here and there, to cut off
|
||
|
little streams of wine that started away in new directions; others
|
||
|
devoted themselves to the sodden and lee-dyed pieces of the cask,
|
||
|
licking, and even champing the moister wine-rotted fragments with
|
||
|
eager relish. There was no drainage to carry off the wine, and not
|
||
|
only did it all get taken up, but so much mud got taken up along with
|
||
|
it, that there might have been a scavenger in the street, if anybody
|
||
|
acquainted with it could have believed in such a miraculous presence.
|
||
|
|
||
|
A shrill sound of laughter and of amused voices--voices of men,
|
||
|
women, and children--resounded in the street while this wine game
|
||
|
lasted. There was little roughness in the sport, and much playfulness.
|
||
|
There was a special companionship in it, an observable inclination on
|
||
|
the part of every one to join some other one, which led, especially
|
||
|
among the luckier or lighter-hearted, to frolicsome embraces,
|
||
|
drinking of healths, shaking of hands, and even joining of hands and
|
||
|
dancing, a dozen together. When the wine was gone, and the places
|
||
|
where it had been most abundant were raked into a gridiron-pattern by
|
||
|
fingers, these demonstrations ceased, as suddenly as they had broken
|
||
|
out. The man who had left his saw sticking in the firewood he was
|
||
|
cutting, set it in motion again; the women who had left on a door-step
|
||
|
the little pot of hot ashes, at which she had been trying to soften
|
||
|
the pain in her own starved fingers and toes, or in those of her
|
||
|
child, returned to it; men with bare arms, matted locks, and cadaverous
|
||
|
faces, who had emerged into the winter light from cellars, moved
|
||
|
away, to descend again; and a gloom gathered on the scene that
|
||
|
appeared more natural to it than sunshine.
|
||
|
|
||
|
The wine was red wine, and had stained the ground of the narrow
|
||
|
street in the suburb of Saint Antoine, in Paris, where it was
|
||
|
spilled. It had stained many hands, too, and many faces, and many
|
||
|
naked feet, and many wooden shoes. The hands of the man who sawed
|
||
|
the wood, left red marks on the billets; and the forehead of the
|
||
|
woman who nursed her baby, was stained with the stain of the old rag
|
||
|
she wound about her head again. Those who had been greedy with the
|
||
|
staves of the cask, had acquired a tigerish smear about the mouth;
|
||
|
and one tall joker so besmirched, his head more out of a long squalid
|
||
|
bag of a nightcap than in it, scrawled upon a wall with his finger
|
||
|
dipped in muddy wine-lees--BLOOD.
|
||
|
|
||
|
The time was to come, when that wine too would be spilled on the
|
||
|
street-stones, and when the stain of it would be red upon many there.
|
||
|
|
||
|
And now that the cloud settled on Saint Antoine, which a momentary
|
||
|
gleam had driven from his sacred countenance, the darkness of it was
|
||
|
heavy-cold, dirt, sickness, ignorance, and want, were the lords in
|
||
|
waiting on the saintly presence-nobles of great power all of them;
|
||
|
but, most especially the last. Samples of a people that had
|
||
|
undergone a terrible grinding and regrinding in the mill, and
|
||
|
certainly not in the fabulous mill which ground old people young,
|
||
|
shivered at every corner, passed in and out at every doorway, looked
|
||
|
from every window, fluttered in every vestige of a garment that the
|
||
|
wind shook. The mill which had worked them down, was the mill that
|
||
|
grinds young people old; the children had ancient faces and grave
|
||
|
voices; and upon them, and upon the grown faces, and ploughed into
|
||
|
every furrow of age and coming up afresh, was the sigh, Hunger. It
|
||
|
was prevalent everywhere. Hunger was pushed out of the tall houses,
|
||
|
in the wretched clothing that hung upon poles and lines; Hunger was
|
||
|
patched into them with straw and rag and wood and paper; Hunger was
|
||
|
repeated in every fragment of the small modicum of firewood that the
|
||
|
man sawed off; Hunger stared down from the smokeless chimneys, and
|
||
|
started up from the filthy street that had no offal, among its refuse,
|
||
|
of anything to eat. Hunger was the inscription on the baker's
|
||
|
shelves, written in every small loaf of his scanty stock of bad
|
||
|
bread; at the sausage-shop, in every dead-dog preparation that was
|
||
|
offered for sale. Hunger rattled its dry bones among the roasting
|
||
|
chestnuts in the turned cylinder; Hunger was shred into atomics in
|
||
|
every farthing porringer of husky chips of potato, fried with some
|
||
|
reluctant drops of oil.
|
||
|
|
||
|
Its abiding place was in all things fitted to it. A narrow winding
|
||
|
street, full of offence and stench, with other narrow winding streets
|
||
|
diverging, all peopled by rags and nightcaps, and all smelling of
|
||
|
rags and nightcaps, and all visible things with a brooding look upon
|
||
|
them that looked ill. In the hunted air of the people there was yet
|
||
|
some wild-beast thought of the possibility of turning at bay. Depressed
|
||
|
and slinking though they were, eyes of fire were not wanting among
|
||
|
them; nor compressed lips, white with what they suppressed; nor
|
||
|
foreheads knitted into the likeness of the gallows-rope they mused
|
||
|
about enduring, or inflicting. The trade signs (and they were almost
|
||
|
as many as the shops) were, all, grim illustrations of Want. The
|
||
|
butcher and the porkman painted up, only the leanest scrags of meat;
|
||
|
the baker, the coarsest of meagre loaves. The people rudely pictured
|
||
|
as drinking in the wine-shops, croaked over their scanty measures of
|
||
|
thin wine and beer, and were gloweringly confidential together.
|
||
|
Nothing was represented in a flourishing condition, save tools and
|
||
|
weapons; but, the cutler's knives and axes were sharp and bright, the
|
||
|
smith's hammers were heavy, and the gunmaker's stock was murderous.
|
||
|
The crippling stones of the pavement, with their many little
|
||
|
reservoirs of mud and water, had no footways, but broke off abruptly
|
||
|
at the doors. The kennel, to make amends, ran down the middle of the
|
||
|
street--when it ran at all: which was only after heavy rains, and
|
||
|
then it ran, by many eccentric fits, into the houses. Across the
|
||
|
streets, at wide intervals, one clumsy lamp was slung by a rope and
|
||
|
pulley; at night, when the lamplighter had let these down, and lighted,
|
||
|
and hoisted them again, a feeble grove of dim wicks swung in a sickly
|
||
|
manner overhead, as if they were at sea. Indeed they were at sea,
|
||
|
and the ship and crew were in peril of tempest.
|
||
|
|
||
|
For, the time was to come, when the gaunt scarecrows of that region
|
||
|
should have watched the lamplighter, in their idleness and hunger,
|
||
|
so long, as to conceive the idea of improving on his method, and
|
||
|
hauling up men by those ropes and pulleys, to flare upon the
|
||
|
darkness of their condition. But, the time was not come yet; and
|
||
|
every wind that blew over France shook the rags of the scarecrows
|
||
|
in vain, for the birds, fine of song and feather, took no warning.
|
||
|
|
||
|
The wine-shop was a corner shop, better than most others in its
|
||
|
appearance and degree, and the master of the wine-shop had stood
|
||
|
outside it, in a yellow waistcoat and green breeches, looking on at
|
||
|
the struggle for the lost wine. "It's not my affair," said he,
|
||
|
with a final shrug of the shoulders. "The people from the market
|
||
|
did it. Ut them bring another."
|
||
|
|
||
|
There, his eyes happening to catch the tall joker writing up his
|
||
|
joke, he called to him across the way:
|
||
|
|
||
|
"Say, then, my Gaspard, what do you do there?"
|
||
|
|
||
|
The fellow pointed to his joke with immense significance, as is often
|
||
|
the way with his tribe. It missed its mark, and completely failed,
|
||
|
as is often the way with his tribe too.
|
||
|
|
||
|
"What now? Are you a subject for the mad hospital?" said the
|
||
|
wine-shop keeper, crossing the road, and obliterating the jest with
|
||
|
a handful of mud, picked up for the purpose, and smeared over it.
|
||
|
"Why do you write in the public streets? Is there--tell me thou--is
|
||
|
there no other place to write such words in?"
|
||
|
|
||
|
In his expostulation he dropped his cleaner hand (perhaps accidentally,
|
||
|
perhaps not) upon the joker's heart. The joker rapped it with his
|
||
|
own, took a nimble spring upward, and came down in a fantastic
|
||
|
dancing attitude, with one of his stained shoes jerked off his foot
|
||
|
into his hand, and held out. A joker of an extremely, not to say
|
||
|
wolfishly practical character, he looked, under those circumstances.
|
||
|
|
||
|
"Put it on, put it on," said the other. "Call wine, wine; and finish
|
||
|
there." With that advice, he wiped his soiled hand upon the joker's
|
||
|
dress, such as it was--quite deliberately, as having dirtied the hand
|
||
|
on his account; and then recrossed the road and entered the wine-shop.
|
||
|
|
||
|
This wine-shop keeper was a bull-necked, martial-looking man of
|
||
|
thirty, and he should have been of a hot temperament, for, although
|
||
|
it was a bitter day, he wore no coat, but carried one slung over his
|
||
|
shoulder. His shirt-sleeves were rolled up, too, and his brown arms
|
||
|
were bare to the elbows. Neither did he wear anything more on his
|
||
|
head than his own crisply-curling short dark hair. He was a dark man
|
||
|
altogether, with good eyes and a good bold breadth between them.
|
||
|
Good-humoured looking on the whole, but implacable-looking, too;
|
||
|
evidently a man of a strong resolution and a set purpose; a man not
|
||
|
desirable to be met, rushing down a narrow pass with a gulf on either
|
||
|
side, for nothing would turn the man.
|
||
|
|
||
|
Madame Defarge, his wife, sat in the shop behind the counter as he
|
||
|
came in. Madame Defarge was a stout woman of about his own age, with
|
||
|
a watchful eye that seldom seemed to look at anything, a large hand
|
||
|
heavily ringed, a steady face, strong features, and great composure
|
||
|
of manner. There was a character about Madame Defarge, from which
|
||
|
one might have predicated that she did not often make mistakes against
|
||
|
herself in any of the reckonings over which she presided. Madame
|
||
|
Defarge being sensitive to cold, was wrapped in fur, and had a
|
||
|
quantity of bright shawl twined about her head, though not to the
|
||
|
concealment of her large earrings. Her knitting was before her, but
|
||
|
she had laid it down to pick her teeth with a toothpick. Thus
|
||
|
engaged, with her right elbow supported by her left hand, Madame
|
||
|
Defarge said nothing when her lord came in, but coughed just one
|
||
|
grain of cough. This, in combination with the lifting of her darkly
|
||
|
defined eyebrows over her toothpick by the breadth of a line, suggested
|
||
|
to her husband that he would do well to look round the shop among the
|
||
|
customers, for any new customer who had dropped in while he stepped
|
||
|
over the way.
|
||
|
|
||
|
The wine-shop keeper accordingly rolled his eyes about, until they
|
||
|
rested upon an elderly gentleman and a young lady, who were seated in
|
||
|
a corner. Other company were there: two playing cards, two playing
|
||
|
dominoes, three standing by the counter lengthening out a short
|
||
|
supply of wine. As he passed behind the counter, he took notice that
|
||
|
the elderly gentleman said in a look to the young lady, "This is our
|
||
|
man."
|
||
|
|
||
|
"What the devil do YOU do in that galley there?" said Monsieur
|
||
|
Defarge to himself; "I don't know you."
|
||
|
|
||
|
But, he feigned not to notice the two strangers, and fell into
|
||
|
discourse with the triumvirate of customers who were drinking at the
|
||
|
counter.
|
||
|
|
||
|
"How goes it, Jacques?" said one of these three to Monsieur Defarge.
|
||
|
"Is all the spilt wine swallowed?"
|
||
|
|
||
|
"Every drop, Jacques," answered Monsieur Defarge.
|
||
|
|
||
|
When this interchange of Christian name was effected, Madame Defarge,
|
||
|
picking her teeth with her toothpick, coughed another grain of cough,
|
||
|
and raised her eyebrows by the breadth of another line.
|
||
|
|
||
|
"It is not often," said the second of the three, addressing Monsieur
|
||
|
Defarge, "that many of these miserable beasts know the taste of wine,
|
||
|
or of anything but black bread and death. Is it not so, Jacques?"
|
||
|
|
||
|
"It is so, Jacques," Monsieur Defarge returned.
|
||
|
|
||
|
At this second interchange of the Christian name, Madame Defarge,
|
||
|
still using her toothpick with profound composure, coughed another
|
||
|
grain of cough, and raised her eyebrows by the breadth of another line.
|
||
|
|
||
|
The last of the three now said his say, as he put down his empty
|
||
|
drinking vessel and smacked his lips.
|
||
|
|
||
|
"Ah! So much the worse! A bitter taste it is that such poor cattle
|
||
|
always have in their mouths, and hard lives they live, Jacques.
|
||
|
Am I right, Jacques?"
|
||
|
|
||
|
"You are right, Jacques," was the response of Monsieur Defarge.
|
||
|
|
||
|
This third interchange of the Christian name was completed at the
|
||
|
moment when Madame Defarge put her toothpick by, kept her eyebrows
|
||
|
up, and slightly rustled in her seat.
|
||
|
|
||
|
"Hold then! True!" muttered her husband. "Gentlemen--my wife!"
|
||
|
|
||
|
The three customers pulled off their hats to Madame Defarge, with
|
||
|
three flourishes. She acknowledged their homage by bending her head,
|
||
|
and giving them a quick look. Then she glanced in a casual manner
|
||
|
round the wine-shop, took up her knitting with great apparent
|
||
|
calmness and repose of spirit, and became absorbed in it.
|
||
|
|
||
|
"Gentlemen," said her husband, who had kept his bright eye
|
||
|
observantly upon her, "good day. The chamber, furnished bachelor-
|
||
|
fashion, that you wished to see, and were inquiring for when I
|
||
|
stepped out, is on the fifth floor. The doorway of the staircase
|
||
|
gives on the little courtyard close to the left here," pointing with
|
||
|
his hand, "near to the window of my establishment. But, now that I
|
||
|
remember, one of you has already been there, and can show the way.
|
||
|
Gentlemen, adieu!"
|
||
|
|
||
|
They paid for their wine, and left the place. The eyes of Monsieur
|
||
|
Defarge were studying his wife at her knitting when the elderly
|
||
|
gentleman advanced from his corner, and begged the favour of a word.
|
||
|
|
||
|
"Willingly, sir," said Monsieur Defarge, and quietly stepped with him
|
||
|
to the door.
|
||
|
|
||
|
Their conference was very short, but very decided. Almost at the
|
||
|
first word, Monsieur Defarge started and became deeply attentive.
|
||
|
It had not lasted a minute, when he nodded and went out. The
|
||
|
gentleman then beckoned to the young lady, and they, too, went out.
|
||
|
Madame Defarge knitted with nimble fingers and steady eyebrows, and
|
||
|
saw nothing.
|
||
|
|
||
|
Mr. Jarvis Lorry and Miss Manette, emerging from the wine-shop thus,
|
||
|
joined Monsieur Defarge in the doorway to which he had directed his
|
||
|
own company just before. It opened from a stinking little black
|
||
|
courtyard, and was the general public entrance to a great pile of
|
||
|
houses, inhabited by a great number of people. In the gloomy tile-
|
||
|
paved entry to the gloomy tile-paved staircase, Monsieur Defarge bent
|
||
|
down on one knee to the child of his old master, and put her hand to
|
||
|
his lips. It was a gentle action, but not at all gently done; a very
|
||
|
remarkable transformation had come over him in a few seconds. He had
|
||
|
no good-humour in his face, nor any openness of aspect left, but had
|
||
|
become a secret, angry, dangerous man.
|
||
|
|
||
|
"It is very high; it is a little difficult. Better to begin slowly."
|
||
|
Thus, Monsieur Defarge, in a stem voice, to Mr. Lorry, as they began
|
||
|
ascending the stairs.
|
||
|
|
||
|
"Is he alone?" the latter whispered.
|
||
|
|
||
|
"Alone! God help him, who should be with him!" said the other, in the
|
||
|
same low voice.
|
||
|
|
||
|
"Is he always alone, then?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Of his own desire?"
|
||
|
|
||
|
"Of his own necessity. As he was, when I first saw him after they
|
||
|
found me and demanded to know if I would take him, and, at my peril
|
||
|
be discreet--as he was then, so he is now."
|
||
|
|
||
|
"He is greatly changed?"
|
||
|
|
||
|
"Changed!"
|
||
|
|
||
|
The keeper of the wine-shop stopped to strike the wall with his hand,
|
||
|
and mutter a tremendous curse. No direct answer could have been half
|
||
|
so forcible. Mr. Lorry's spirits grew heavier and heavier, as he and
|
||
|
his two companions ascended higher and higher.
|
||
|
|
||
|
Such a staircase, with its accessories, in the older and more crowded
|
||
|
parts of Paris, would be bad enough now; but, at that time, it was
|
||
|
vile indeed to unaccustomed and unhardened senses. Every little
|
||
|
habitation within the great foul nest of one high building--that is
|
||
|
to say, the room or rooms within every door that opened on the
|
||
|
general staircase--left its own heap of refuse on its own landing,
|
||
|
besides flinging other refuse from its own windows. The uncontrollable
|
||
|
and hopeless mass of decomposition so engendered, would have polluted
|
||
|
the air, even if poverty and deprivation had not loaded it with their
|
||
|
intangible impurities; the two bad sources combined made it almost
|
||
|
insupportable. Through such an atmosphere, by a steep dark shaft of
|
||
|
dirt and poison, the way lay. Yielding to his own disturbance of
|
||
|
mind, and to his young companion's agitation, which became greater
|
||
|
every instant, Mr. Jarvis Lorry twice stopped to rest. Each of these
|
||
|
stoppages was made at a doleful grating, by which any languishing
|
||
|
good airs that were left uncorrupted, seemed to escape, and all
|
||
|
spoilt and sickly vapours seemed to crawl in. Through the rusted
|
||
|
bars, tastes, rather than glimpses, were caught of the jumbled
|
||
|
neighbourhood; and nothing within range, nearer or lower than the
|
||
|
summits of the two great towers of Notre-Dame, had any promise on it
|
||
|
of healthy life or wholesome aspirations.
|
||
|
|
||
|
At last, the top of the staircase was gained, and they stopped for
|
||
|
the third time. There was yet an upper staircase, of a steeper
|
||
|
inclination and of contracted dimensions, to be ascended, before the
|
||
|
garret story was reached. The keeper of the wine-shop, always going
|
||
|
a little in advance, and always going on the side which Mr. Lorry
|
||
|
took, as though he dreaded to be asked any question by the young
|
||
|
lady, turned himself about here, and, carefully feeling in the
|
||
|
pockets of the coat he carried over his shoulder, took out a key.
|
||
|
|
||
|
"The door is locked then, my friend?" said Mr. Lorry, surprised.
|
||
|
|
||
|
"Ay. Yes," was the grim reply of Monsieur Defarge.
|
||
|
|
||
|
"You think it necessary to keep the unfortunate gentleman so retired?"
|
||
|
|
||
|
"I think it necessary to turn the key." Monsieur Defarge whispered it
|
||
|
closer in his ear, and frowned heavily.
|
||
|
|
||
|
"Why?"
|
||
|
|
||
|
"Why! Because he has lived so long, locked up, that he would be
|
||
|
frightened-rave-tear himself to pieces-die-come to I know not what
|
||
|
harm--if his door was left open."
|
||
|
|
||
|
"Is it possible!" exclaimed Mr. Lorry.
|
||
|
|
||
|
"Is it possible!" repeated Defarge, bitterly. "Yes. And a beautiful
|
||
|
world we live in, when it IS possible, and when many other such
|
||
|
things are possible, and not only possible, but done--done, see
|
||
|
you!--under that sky there, every day. Long live the Devil. Let us
|
||
|
go on."
|
||
|
|
||
|
This dialogue had been held in so very low a whisper, that not a word
|
||
|
of it had reached the young lady's ears. But, by this time she
|
||
|
trembled under such strong emotion, and her face expressed such deep
|
||
|
anxiety, and, above all, such dread and terror, that Mr. Lorry felt
|
||
|
it incumbent on him to speak a word or two of reassurance.
|
||
|
|
||
|
"Courage, dear miss! Courage! Business! The worst will be over
|
||
|
in a moment; it is but passing the room-door, and the worst is over.
|
||
|
Then, all the good you bring to him, all the relief, all the
|
||
|
happiness you bring to him, begin. Let our good friend here,
|
||
|
assist you on that side. That's well, friend Defarge. Come, now.
|
||
|
Business, business!"
|
||
|
|
||
|
They went up slowly and softly. The staircase was short, and they
|
||
|
were soon at the top. There, as it had an abrupt turn in it, they
|
||
|
came all at once in sight of three men, whose heads were bent down
|
||
|
close together at the side of a door, and who were intently looking
|
||
|
into the room to which the door belonged, through some chinks or
|
||
|
holes in the wall. On hearing footsteps close at hand, these three
|
||
|
turned, and rose, and showed themselves to be the three of one name
|
||
|
who had been drinking in the wine-shop.
|
||
|
|
||
|
"I forgot them in the surprise of your visit," explained Monsieur
|
||
|
Defarge. "Leave us, good boys; we have business here."
|
||
|
|
||
|
The three glided by, and went silently down.
|
||
|
|
||
|
There appearing to be no other door on that floor, and the keeper of
|
||
|
the wine-shop going straight to this one when they were left alone,
|
||
|
Mr. Lorry asked him in a whisper, with a little anger:
|
||
|
|
||
|
"Do you make a show of Monsieur Manette?"
|
||
|
|
||
|
"I show him, in the way you have seen, to a chosen few."
|
||
|
|
||
|
"Is that well?"
|
||
|
|
||
|
"_I_ think it is well."
|
||
|
|
||
|
"Who are the few? How do you choose them?"
|
||
|
|
||
|
"I choose them as real men, of my name--Jacques is my name--to whom
|
||
|
the sight is likely to do good. Enough; you are English; that is
|
||
|
another thing. Stay there, if you please, a little moment."
|
||
|
|
||
|
With an admonitory gesture to keep them back, he stooped, and looked
|
||
|
in through the crevice in the wall. Soon raising his head again, he
|
||
|
struck twice or thrice upon the door--evidently with no other object
|
||
|
than to make a noise there. With the same intention, he drew the key
|
||
|
across it, three or four times, before he put it clumsily into the
|
||
|
lock, and turned it as heavily as he could.
|
||
|
|
||
|
The door slowly opened inward under his hand, and he looked into the
|
||
|
room and said something. A faint voice answered something. Little
|
||
|
more than a single syllable could have been spoken on either side.
|
||
|
|
||
|
He looked back over his shoulder, and beckoned them to enter.
|
||
|
Mr. Lorry got his arm securely round the daughter's waist, and held
|
||
|
her; for he felt that she was sinking.
|
||
|
|
||
|
"A-a-a-business, business!" he urged, with a moisture that was not of
|
||
|
business shining on his cheek. "Come in, come in!"
|
||
|
|
||
|
"I am afraid of it," she answered, shuddering.
|
||
|
|
||
|
"Of it? What?"
|
||
|
|
||
|
"I mean of him. Of my father."
|
||
|
|
||
|
Rendered in a manner desperate, by her state and by the beckoning of
|
||
|
their conductor, he drew over his neck the arm that shook upon his
|
||
|
shoulder, lifted her a little, and hurried her into the room. He sat
|
||
|
her down just within the door, and held her, clinging to him.
|
||
|
|
||
|
Defarge drew out the key, closed the door, locked it on the inside,
|
||
|
took out the key again, and held it in his hand. All this he did,
|
||
|
methodically, and with as loud and harsh an accompaniment of noise as
|
||
|
he could make. Finally, he walked across the room with a measured
|
||
|
tread to where the window was. He stopped there, and faced round.
|
||
|
|
||
|
The garret, built to be a depository for firewood and the like, was
|
||
|
dim and dark: for, the window of dormer shape, was in truth a door in
|
||
|
the roof, with a little crane over it for the hoisting up of stores
|
||
|
from the street: unglazed, and closing up the middle in two pieces,
|
||
|
like any other door of French construction. To exclude the cold, one
|
||
|
half of this door was fast closed, and the other was opened but a
|
||
|
very little way. Such a scanty portion of light was admitted through
|
||
|
these means, that it was difficult, on first coming in, to see
|
||
|
anything; and long habit alone could have slowly formed in any one,
|
||
|
the ability to do any work requiring nicety in such obscurity. Yet,
|
||
|
work of that kind was being done in the garret; for, with his back
|
||
|
towards the door, and his face towards the window where the keeper of
|
||
|
the wine-shop stood looking at him, a white-haired man sat on a low
|
||
|
bench, stooping forward and very busy, making shoes.
|
||
|
|
||
|
|
||
|
|
||
|
VI
|
||
|
|
||
|
The Shoemaker
|
||
|
|
||
|
|
||
|
"Good day!" said Monsieur Defarge, looking down at the white head
|
||
|
that bent low over the shoemaking.
|
||
|
|
||
|
It was raised for a moment, and a very faint voice responded to the
|
||
|
salutation, as if it were at a distance:
|
||
|
|
||
|
"Good day!"
|
||
|
|
||
|
"You are still hard at work, I see?"
|
||
|
|
||
|
After a long silence, the head was lifted for another moment, and the
|
||
|
voice replied, "Yes--I am working." This time, a pair of haggard eyes
|
||
|
had looked at the questioner, before the face had dropped again.
|
||
|
|
||
|
The faintness of the voice was pitiable and dreadful. It was not the
|
||
|
faintness of physical weakness, though confinement and hard fare no
|
||
|
doubt had their part in it. Its deplorable peculiarity was, that it
|
||
|
was the faintness of solitude and disuse. It was like the last
|
||
|
feeble echo of a sound made long and long ago. So entirely had it
|
||
|
lost the life and resonance of the human voice, that it affected the
|
||
|
senses like a once beautiful colour faded away into a poor weak
|
||
|
stain. So sunken and suppressed it was, that it was like a voice
|
||
|
underground. So expressive it was, of a hopeless and lost creature,
|
||
|
that a famished traveller, wearied out by lonely wandering in a
|
||
|
wilderness, would have remembered home and friends in such a tone
|
||
|
before lying down to die.
|
||
|
|
||
|
Some minutes of silent work had passed: and the haggard eyes had
|
||
|
looked up again: not with any interest or curiosity, but with a dull
|
||
|
mechanical perception, beforehand, that the spot where the only
|
||
|
visitor they were aware of had stood, was not yet empty.
|
||
|
|
||
|
"I want," said Defarge, who had not removed his gaze from the
|
||
|
shoemaker, "to let in a little more light here. You can bear a
|
||
|
little more?"
|
||
|
|
||
|
The shoemaker stopped his work; looked with a vacant air of listening,
|
||
|
at the floor on one side of him; then similarly, at the floor on the
|
||
|
other side of him; then, upward at the speaker.
|
||
|
|
||
|
"What did you say?"
|
||
|
|
||
|
"You can bear a little more light?"
|
||
|
|
||
|
"I must bear it, if you let it in." (Laying the palest shadow of a
|
||
|
stress upon the second word.)
|
||
|
|
||
|
The opened half-door was opened a little further, and secured at that
|
||
|
angle for the time. A broad ray of light fell into the garret, and
|
||
|
showed the workman with an unfinished shoe upon his lap, pausing in
|
||
|
his labour. His few common tools and various scraps of leather were
|
||
|
at his feet and on his bench. He had a white beard, raggedly cut,
|
||
|
but not very long, a hollow face, and exceedingly bright eyes. The
|
||
|
hollowness and thinness of his face would have caused them to look
|
||
|
large, under his yet dark eyebrows and his confused white hair,
|
||
|
though they had been really otherwise; but, they were naturally
|
||
|
large, and looked unnaturally so. His yellow rags of shirt lay open
|
||
|
at the throat, and showed his body to be withered and worn. He, and
|
||
|
his old canvas frock, and his loose stockings, and all his poor
|
||
|
tatters of clothes, had, in a long seclusion from direct light and
|
||
|
air, faded down to such a dull uniformity of parchment-yellow, that
|
||
|
it would have been hard to say which was which.
|
||
|
|
||
|
He had put up a hand between his eyes and the light, and the very
|
||
|
bones of it seemed transparent. So he sat, with a steadfastly vacant
|
||
|
gaze, pausing in his work. He never looked at the figure before him,
|
||
|
without first looking down on this side of himself, then on that, as
|
||
|
if he had lost the habit of associating place with sound; he never
|
||
|
spoke, without first wandering in this manner, and forgetting to speak.
|
||
|
|
||
|
"Are you going to finish that pair of shoes to-day?" asked Defarge,
|
||
|
motioning to Mr. Lorry to come forward.
|
||
|
|
||
|
"What did you say?"
|
||
|
|
||
|
"Do you mean to finish that pair of shoes to-day?"
|
||
|
|
||
|
"I can't say that I mean to. I suppose so. I don't know."
|
||
|
|
||
|
But, the question reminded him of his work, and he bent over it again.
|
||
|
|
||
|
Mr. Lorry came silently forward, leaving the daughter by the door.
|
||
|
When he had stood, for a minute or two, by the side of Defarge, the
|
||
|
shoemaker looked up. He showed no surprise at seeing another figure,
|
||
|
but the unsteady fingers of one of his hands strayed to his lips as
|
||
|
he looked at it (his lips and his nails were of the same pale lead-
|
||
|
colour), and then the hand dropped to his work, and he once more bent
|
||
|
over the shoe. The look and the action had occupied but an instant.
|
||
|
|
||
|
"You have a visitor, you see," said Monsieur Defarge.
|
||
|
|
||
|
"What did you say?"
|
||
|
|
||
|
"Here is a visitor."
|
||
|
|
||
|
The shoemaker looked up as before, but without removing a hand from his work.
|
||
|
|
||
|
"Come!" said Defarge. "Here is monsieur, who knows a well-made shoe
|
||
|
when he sees one. Show him that shoe you are working at. Take it, monsieur."
|
||
|
|
||
|
Mr. Lorry took it in his hand.
|
||
|
|
||
|
"Tell monsieur what kind of shoe it is, and the maker's name."
|
||
|
|
||
|
There was a longer pause than usual, before the shoemaker replied:
|
||
|
|
||
|
"I forget what it was you asked me. What did you say?"
|
||
|
|
||
|
"I said, couldn't you describe the kind of shoe, for monsieur's information?"
|
||
|
|
||
|
"It is a lady's shoe. It is a young lady's walking-shoe. It is in the
|
||
|
present mode. I never saw the mode. I have had a pattern in my hand."
|
||
|
He glanced at the shoe with some little passing touch of pride.
|
||
|
|
||
|
"And the maker's name?" said Defarge.
|
||
|
|
||
|
Now that he had no work to hold, he laid the knuckles of the right hand
|
||
|
in the hollow of the left, and then the knuckles of the left hand in the
|
||
|
hollow of the right, and then passed a hand across his bearded chin,
|
||
|
and so on in regular changes, without a moment's intermission.
|
||
|
The task of recalling him from the vagrancy into which he always
|
||
|
sank when he had spoken, was like recalling some very weak person
|
||
|
from a swoon, or endeavouring, in the hope of some disclosure,
|
||
|
to stay the spirit of a fast-dying man.
|
||
|
|
||
|
"Did you ask me for my name?"
|
||
|
|
||
|
"Assuredly I did."
|
||
|
|
||
|
"One Hundred and Five, North Tower."
|
||
|
|
||
|
"Is that all?"
|
||
|
|
||
|
"One Hundred and Five, North Tower."
|
||
|
|
||
|
With a weary sound that was not a sigh, nor a groan, he bent to work
|
||
|
again, until the silence was again broken.
|
||
|
|
||
|
"You are not a shoemaker by trade?" said Mr. Lorry, looking steadfastly
|
||
|
at him.
|
||
|
|
||
|
His haggard eyes turned to Defarge as if he would have transferred
|
||
|
the question to him: but as no help came from that quarter, they
|
||
|
turned back on the questioner when they had sought the ground.
|
||
|
|
||
|
"I am not a shoemaker by trade? No, I was not a shoemaker by trade.
|
||
|
I-I learnt it here. I taught myself. I asked leave to--"
|
||
|
|
||
|
He lapsed away, even for minutes, ringing those measured changes on
|
||
|
his hands the whole time. His eyes came slowly back, at last, to the
|
||
|
face from which they had wandered; when they rested on it, he started,
|
||
|
and resumed, in the manner of a sleeper that moment awake,
|
||
|
reverting to a subject of last night.
|
||
|
|
||
|
"I asked leave to teach myself, and I got it with much difficulty
|
||
|
after a long while, and I have made shoes ever since."
|
||
|
|
||
|
As he held out his hand for the shoe that had been taken from him,
|
||
|
Mr. Lorry said, still looking steadfastly in his face:
|
||
|
|
||
|
"Monsieur Manette, do you remember nothing of me?"
|
||
|
|
||
|
The shoe dropped to the ground, and he sat looking fixedly at the
|
||
|
questioner.
|
||
|
|
||
|
"Monsieur Manette"; Mr. Lorry laid his hand upon Defarge's arm;
|
||
|
"do you remember nothing of this man? Look at him. Look at me.
|
||
|
Is there no old banker, no old business, no old servant, no old time,
|
||
|
rising in your mind, Monsieur Manette?"
|
||
|
|
||
|
As the captive of many years sat looking fixedly, by turns, at
|
||
|
Mr. Lorry and at Defarge, some long obliterated marks of an actively
|
||
|
intent intelligence in the middle of the forehead, gradually forced
|
||
|
themselves through the black mist that had fallen on him. They were
|
||
|
overclouded again, they were fainter, they were gone; but they had
|
||
|
been there. And so exactly was the expression repeated on the fair
|
||
|
young face of her who had crept along the wall to a point where she
|
||
|
could see him, and where she now stood looking at him, with hands
|
||
|
which at first had been only raised in frightened compassion, if not
|
||
|
even to keep him off and shut out the sight of him, but which were
|
||
|
now extending towards him, trembling with eagerness to lay the
|
||
|
spectral face upon her warm young breast, and love it back to life
|
||
|
and hope--so exactly was the expression repeated (though in stronger
|
||
|
characters) on her fair young face, that it looked as though it had
|
||
|
passed like a moving light, from him to her.
|
||
|
|
||
|
Darkness had fatten on him in its place. He looked at the two, less
|
||
|
and less attentively, and his eyes in gloomy abstraction sought the
|
||
|
ground and looked about him in the old way. Finally, with a deep
|
||
|
long sigh, he took the shoe up, and resumed his work.
|
||
|
|
||
|
"Have you recognised him, monsieur?" asked Defarge in a whisper.
|
||
|
|
||
|
"Yes; for a moment. At first I thought it quite hopeless, but I have
|
||
|
unquestionably seen, for a single moment, the face that I once knew
|
||
|
so well. Hush! Let us draw further back. Hush!"
|
||
|
|
||
|
She had moved from the wall of the garret, very near to the bench on
|
||
|
which he sat. There was something awful in his unconsciousness of
|
||
|
the figure that could have put out its hand and touched him as he
|
||
|
stooped over his labour.
|
||
|
|
||
|
Not a word was spoken, not a sound was made. She stood, like a
|
||
|
spirit, beside him, and he bent over his work.
|
||
|
|
||
|
It happened, at length, that he had occasion to change the instrument
|
||
|
in his hand, for his shoemaker's knife. It lay on that side of him
|
||
|
which was not the side on which she stood. He had taken it up, and
|
||
|
was stooping to work again, when his eyes caught the skirt of her
|
||
|
dress. He raised them, and saw her face. The two spectators started
|
||
|
forward, but she stayed them with a motion of her hand. She had no
|
||
|
fear of his striking at her with the knife, though they had.
|
||
|
|
||
|
He stared at her with a fearful look, and after a while his lips
|
||
|
began to form some words, though no sound proceeded from them. By
|
||
|
degrees, in the pauses of his quick and laboured breathing, he was
|
||
|
heard to say:
|
||
|
|
||
|
"What is this?"
|
||
|
|
||
|
With the tears streaming down her face, she put her two hands to her
|
||
|
lips, and kissed them to him; then clasped them on her breast, as if
|
||
|
she laid his ruined head there.
|
||
|
|
||
|
"You are not the gaoler's daughter?"
|
||
|
|
||
|
She sighed "No."
|
||
|
|
||
|
"Who are you?"
|
||
|
|
||
|
Not yet trusting the tones of her voice, she sat down on the bench
|
||
|
beside him. He recoiled, but she laid her hand upon his arm. A
|
||
|
strange thrill struck him when she did so, and visibly passed over
|
||
|
his frame; he laid the knife down' softly, as he sat staring at her.
|
||
|
|
||
|
Her golden hair, which she wore in long curls, had been hurriedly
|
||
|
pushed aside, and fell down over her neck. Advancing his hand by
|
||
|
little and little, he took it up and looked at it. In the midst of
|
||
|
the action he went astray, and, with another deep sigh, fell to work
|
||
|
at his shoemaking.
|
||
|
|
||
|
But not for long. Releasing his arm, she laid her hand upon his
|
||
|
shoulder. After looking doubtfully at it, two or three times, as if
|
||
|
to be sure that it was really there, he laid down his work, put his
|
||
|
hand to his neck, and took off a blackened string with a scrap of
|
||
|
folded rag attached to it. He opened this, carefully, on his knee,
|
||
|
and it contained a very little quantity of hair: not more than one or
|
||
|
two long golden hairs, which he had, in some old day, wound off upon
|
||
|
his finger.
|
||
|
|
||
|
He took her hair into his hand again, and looked closely at it. "It
|
||
|
is the same. How can it be! When was it! How was it!"
|
||
|
|
||
|
As the concentrated expression returned to his forehead, he seemed to
|
||
|
become conscious that it was in hers too. He turned her full to the
|
||
|
light, and looked at her.
|
||
|
|
||
|
"She had laid her head upon my shoulder, that night when I was
|
||
|
summoned out--she had a fear of my going, though I had none--and when
|
||
|
I was brought to the North Tower they found these upon my sleeve.
|
||
|
'You will leave me them? They can never help me to escape in the
|
||
|
body, though they may in the spirit.' Those were the words I said.
|
||
|
I remember them very well."
|
||
|
|
||
|
He formed this speech with his lips many times before he could utter
|
||
|
it. But when he did find spoken words for it, they came to him
|
||
|
coherently, though slowly.
|
||
|
|
||
|
"How was this?--WAS IT YOU?"
|
||
|
|
||
|
Once more, the two spectators started, as he turned upon her with a
|
||
|
frightful suddenness. But she sat perfectly still in his grasp, and
|
||
|
only said, in a low voice, "I entreat you, good gentlemen, do not
|
||
|
come near us, do not speak, do not move!"
|
||
|
|
||
|
"Hark!" he exclaimed. "Whose voice was that?"
|
||
|
|
||
|
His hands released her as he uttered this cry, and went up to his
|
||
|
white hair, which they tore in a frenzy. It died out, as everything
|
||
|
but his shoemaking did die out of him, and he refolded his little
|
||
|
packet and tried to secure it in his breast; but he still looked at
|
||
|
her, and gloomily shook his head.
|
||
|
|
||
|
"No, no, no; you are too young, too blooming. It can't be. See what
|
||
|
the prisoner is. These are not the hands she knew, this is not the
|
||
|
face she knew, this is not a voice she ever heard. No, no. She
|
||
|
was--and He was--before the slow years of the North Tower--ages ago.
|
||
|
What is your name, my gentle angel?"
|
||
|
|
||
|
Hailing his softened tone and manner, his daughter fell upon her
|
||
|
knees before him, with her appealing hands upon his breast.
|
||
|
|
||
|
"O, sir, at another time you shall know my name, and who my mother
|
||
|
was, and who my father, and how I never knew their hard, hard
|
||
|
history. But I cannot tell you at this time, and I cannot tell you
|
||
|
here. All that I may tell you, here and now, is, that I pray to you
|
||
|
to touch me and to bless me. Kiss me, kiss me! O my dear, my dear!"
|
||
|
|
||
|
His cold white head mingled with her radiant hair, which warmed and
|
||
|
lighted it as though it were the light of Freedom shining on him.
|
||
|
|
||
|
"If you hear in my voice--I don't know that it is so, but I hope it
|
||
|
is--if you hear in my voice any resemblance to a voice that once was
|
||
|
sweet music in your ears, weep for it, weep for it! If you touch,
|
||
|
in touching my hair, anything that recalls a beloved head that lay on
|
||
|
your breast when you were young and free, weep for it, weep for it!
|
||
|
If, when I hint to you of a Home that is before us, where I will be
|
||
|
true to you with all my duty and with all my faithful service, I
|
||
|
bring back the remembrance of a Home long desolate, while your poor
|
||
|
heart pined away, weep for it, weep for it!"
|
||
|
|
||
|
She held him closer round the neck, and rocked him on her breast
|
||
|
like a child.
|
||
|
|
||
|
"If, when I tell you, dearest dear, that your agony is over, and that
|
||
|
I have come here to take you from it, and that we go to England to be
|
||
|
at peace and at rest, I cause you to think of your useful life laid
|
||
|
waste, and of our native France so wicked to you, weep for it, weep
|
||
|
for it! And if, when I shall tell you of my name, and of my father
|
||
|
who is living, and of my mother who is dead, you learn that I have to
|
||
|
kneel to my honoured father, and implore his pardon for having never
|
||
|
for his sake striven all day and lain awake and wept all night,
|
||
|
because the love of my poor mother hid his torture from me, weep for
|
||
|
it, weep for it! Weep for her, then, and for me! Good gentlemen,
|
||
|
thank God! I feel his sacred tears upon my face, and his sobs strike
|
||
|
against my heart. O, see! Thank God for us, thank God!"
|
||
|
|
||
|
He had sunk in her arms, and his face dropped on her breast: a sight
|
||
|
so touching, yet so terrible in the tremendous wrong and suffering
|
||
|
which had gone before it, that the two beholders covered their faces.
|
||
|
|
||
|
When the quiet of the garret had been long undisturbed, and his
|
||
|
heaving breast and shaken form had long yielded to the calm that must
|
||
|
follow all storms--emblem to humanity, of the rest and silence into
|
||
|
which the storm called Life must hush at last--they came forward to
|
||
|
raise the father and daughter from the ground. He had gradually
|
||
|
dropped to the floor, and lay there in a lethargy, worn out. She had
|
||
|
nestled down with him, that his head might lie upon her arm; and her
|
||
|
hair drooping over him curtained him from the light.
|
||
|
|
||
|
"If, without disturbing him," she said, raising her hand to Mr. Lorry
|
||
|
as he stooped over them, after repeated blowings of his nose, "all
|
||
|
could be arranged for our leaving Paris at once, so that, from the,
|
||
|
very door, he could be taken away--"
|
||
|
|
||
|
"But, consider. Is he fit for the journey?" asked Mr. Lorry.
|
||
|
|
||
|
"More fit for that, I think, than to remain in this city, so dreadful to him."
|
||
|
|
||
|
"It is true," said Defarge, who was kneeling to look on and hear.
|
||
|
"More than that; Monsieur Manette is, for all reasons, best out of
|
||
|
France. Say, shall I hire a carriage and post-horses?"
|
||
|
|
||
|
"That's business," said Mr. Lorry, resuming on the shortest notice
|
||
|
his methodical manners; "and if business is to be done, I had better do it."
|
||
|
|
||
|
"Then be so kind," urged Miss Manette, "as to leave us here. You see
|
||
|
how composed he has become, and you cannot be afraid to leave him
|
||
|
with me now. Why should you be? If you will lock the door to secure
|
||
|
us from interruption, I do not doubt that you will find him, when you
|
||
|
come back, as quiet as you leave him. In any case, I will take care
|
||
|
of him until you return, and then we will remove him straight."
|
||
|
|
||
|
Both Mr. Lorry and Defarge were rather disinclined to this course,
|
||
|
and in favour of one of them remaining. But, as there were not only
|
||
|
carriage and horses to be seen to, but travelling papers; and as time
|
||
|
pressed, for the day was drawing to an end, it came at last to their
|
||
|
hastily dividing the business that was necessary to be done, and
|
||
|
hurrying away to do it.
|
||
|
|
||
|
Then, as the darkness closed in, the daughter laid her head down on
|
||
|
the hard ground close at the father's side, and watched him. The
|
||
|
darkness deepened and deepened, and they both lay quiet, until a
|
||
|
light gleamed through the chinks in the wall.
|
||
|
|
||
|
Mr. Lorry and Monsieur Defarge had made all ready for the journey,
|
||
|
and had brought with them, besides travelling cloaks and wrappers,
|
||
|
bread and meat, wine, and hot coffee. Monsieur Defarge put this
|
||
|
provender, and the lamp he carried, on the shoemaker's bench (there
|
||
|
was nothing else in the garret but a pallet bed), and he and
|
||
|
Mr. Lorry roused the captive, and assisted him to his feet.
|
||
|
|
||
|
No human intelligence could have read the mysteries of his mind, in
|
||
|
the scared blank wonder of his face. Whether he knew what had
|
||
|
happened, whether he recollected what they had said to him, whether
|
||
|
he knew that he was free, were questions which no sagacity could have
|
||
|
solved. They tried speaking to him; but, he was so confused, and so
|
||
|
very slow to answer, that they took fright at his bewilderment, and
|
||
|
agreed for the time to tamper with him no more. He had a wild, lost
|
||
|
manner of occasionally clasping his head in his hands, that had not
|
||
|
been seen in him before; yet, he had some pleasure in the mere sound
|
||
|
of his daughter's voice, and invariably turned to it when she spoke.
|
||
|
|
||
|
In the submissive way of one long accustomed to obey under coercion,
|
||
|
he ate and drank what they gave him to eat and drink, and put on the
|
||
|
cloak and other wrappings, that they gave him to wear. He readily
|
||
|
responded to his daughter's drawing her arm through his, and
|
||
|
took--and kept--her hand in both his own.
|
||
|
|
||
|
They began to descend; Monsieur Defarge going first with the lamp,
|
||
|
Mr. Lorry closing the little procession. They had not traversed many
|
||
|
steps of the long main staircase when he stopped, and stared at the
|
||
|
roof and round at the wails.
|
||
|
|
||
|
"You remember the place, my father? You remember coming up here?"
|
||
|
|
||
|
"What did you say?"
|
||
|
|
||
|
But, before she could repeat the question, he murmured an answer as
|
||
|
if she had repeated it.
|
||
|
|
||
|
"Remember? No, I don't remember. It was so very long ago."
|
||
|
|
||
|
That he had no recollection whatever of his having been brought from
|
||
|
his prison to that house, was apparent to them. They heard him mutter,
|
||
|
"One Hundred and Five, North Tower;" and when he looked about him, it
|
||
|
evidently was for the strong fortress-walls which had long encompassed him.
|
||
|
On their reaching the courtyard he instinctively altered his tread,
|
||
|
as being in expectation of a drawbridge; and when there was no
|
||
|
drawbridge, and he saw the carriage waiting in the open street, he
|
||
|
dropped his daughter's hand and clasped his head again.
|
||
|
|
||
|
No crowd was about the door; no people were discernible at any of the
|
||
|
many windows; not even a chance passerby was in the street. An unnatural
|
||
|
silence and desertion reigned there. Only one soul was to be seen,
|
||
|
and that was Madame Defarge--who leaned against the door-post,
|
||
|
knitting, and saw nothing.
|
||
|
|
||
|
The prisoner had got into a coach, and his daughter had followed him,
|
||
|
when Mr. Lorry's feet were arrested on the step by his asking,
|
||
|
miserably, for his shoemaking tools and the unfinished shoes. Madame
|
||
|
Defarge immediately called to her husband that she would get them,
|
||
|
and went, knitting, out of the lamplight, through the courtyard. She
|
||
|
quickly brought them down and handed them in;--and immediately
|
||
|
afterwards leaned against the door-post, knitting, and saw nothing.
|
||
|
|
||
|
Defarge got upon the box, and gave the word "To the Barrier!"
|
||
|
The postilion cracked his whip, and they clattered away under
|
||
|
the feeble over-swinging lamps.
|
||
|
|
||
|
Under the over-swinging lamps--swinging ever brighter in the better
|
||
|
streets, and ever dimmer in the worse--and by lighted shops, gay
|
||
|
crowds, illuminated coffee-houses, and theatre-doors, to one of the
|
||
|
city gates. Soldiers with lanterns, at the guard-house there.
|
||
|
"Your papers, travellers!" "See here then, Monsieur the Officer,"
|
||
|
said Defarge, getting down, and taking him gravely apart, "these are
|
||
|
the papers of monsieur inside, with the white head. They were
|
||
|
consigned to me, with him, at the--" He dropped his voice, there was
|
||
|
a flutter among the military lanterns, and one of them being handed
|
||
|
into the coach by an arm in uniform, the eyes connected with the arm
|
||
|
looked, not an every day or an every night look, at monsieur with the
|
||
|
white head. "It is well. Forward!" from the uniform. "Adieu!" from
|
||
|
Defarge. And so, under a short grove of feebler and feebler
|
||
|
over-swinging lamps, out under the great grove of stars.
|
||
|
|
||
|
Beneath that arch of unmoved and eternal lights; some, so remote from
|
||
|
this little earth that the learned tell us it is doubtful whether
|
||
|
their rays have even yet discovered it, as a point in space where
|
||
|
anything is suffered or done: the shadows of the night were broad and
|
||
|
black. All through the cold and restless interval, until dawn, they
|
||
|
once more whispered in the ears of Mr. Jarvis Lorry--sitting opposite
|
||
|
the buried man who had been dug out, and wondering what subtle powers
|
||
|
were for ever lost to him, and what were capable of restoration--the
|
||
|
old inquiry:
|
||
|
|
||
|
"I hope you care to be recalled to life?"
|
||
|
|
||
|
And the old answer:
|
||
|
|
||
|
"I can't say."
|
||
|
|
||
|
|
||
|
|
||
|
The end of the first book.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Book the Second-the Golden Thread
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
I
|
||
|
|
||
|
Five Years Later
|
||
|
|
||
|
|
||
|
Tellson's Bank by Temple Bar was an old-fashioned place, even in the
|
||
|
year one thousand seven hundred and eighty. It was very small, very
|
||
|
dark, very ugly, very incommodious. It was an old-fashioned place,
|
||
|
moreover, in the moral attribute that the partners in the House were
|
||
|
proud of its smallness, proud of its darkness, proud of its ugliness,
|
||
|
proud of its incommodiousness. They were even boastful of its
|
||
|
eminence in those particulars, and were fired by an express conviction
|
||
|
that, if it were less objectionable, it would be less respectable.
|
||
|
This was no passive belief, but an active weapon which they flashed
|
||
|
at more convenient places of business. Tellson's (they said) wanted
|
||
|
no elbow-room, Tellson's wanted no light, Tellson's wanted no
|
||
|
embellishment. Noakes and Co.'s might, or Snooks Brothers' might;
|
||
|
but Tellson's, thank Heaven!--
|
||
|
|
||
|
Any one of these partners would have disinherited his son on the
|
||
|
question of rebuilding Tellson's. In this respect the House was much
|
||
|
on a par with the Country; which did very often disinherit its sons
|
||
|
for suggesting improvements in laws and customs that had long been
|
||
|
highly objectionable, but were only the more respectable.
|
||
|
|
||
|
Thus it had come to pass, that Tellson's was the triumphant
|
||
|
perfection of inconvenience. After bursting open a door of idiotic
|
||
|
obstinacy with a weak rattle in its throat, you fell into Tellson's
|
||
|
down two steps, and came to your senses in a miserable little shop,
|
||
|
with two little counters, where the oldest of men made your cheque
|
||
|
shake as if the wind rustled it, while they examined the signature by
|
||
|
the dingiest of windows, which were always under a shower-bath of mud
|
||
|
from Fleet-street, and which were made the dingier by their own iron
|
||
|
bars proper, and the heavy shadow of Temple Bar. If your business
|
||
|
necessitated your seeing "the House," you were put into a species of
|
||
|
Condemned Hold at the back, where you meditated on a misspent life,
|
||
|
until the House came with its bands in its pockets, and you could
|
||
|
hardly blink at it in the dismal twilight. Your money came out of,
|
||
|
or went into, wormy old wooden drawers, particles of which flew up
|
||
|
your nose and down your throat when they were opened and shut. Your
|
||
|
bank-notes had a musty odour, as if they were fast decomposing into
|
||
|
rags again. Your plate was stowed away among the neighbouring
|
||
|
cesspools, and evil communications corrupted its good polish in a day
|
||
|
or two. Your deeds got into extemporised strong-rooms made of
|
||
|
kitchens and sculleries, and fretted all the fat out of their
|
||
|
parchments into the banking-house air. Your lighter boxes of family
|
||
|
papers went up-stairs into a Barmecide room, that always had a great
|
||
|
dining-table in it and never had a dinner, and where, even in the
|
||
|
year one thousand seven hundred and eighty, the first letters written
|
||
|
to you by your old love, or by your little children, were but newly
|
||
|
released from the horror of being ogled through the windows, by the
|
||
|
heads exposed on Temple Bar with an insensate brutality and ferocity
|
||
|
worthy of Abyssinia or Ashantee.
|
||
|
|
||
|
But indeed, at that time, putting to death was a recipe much in vogue
|
||
|
with all trades and professions, and not least of all with Tellson's.
|
||
|
Death is Nature's remedy for all things, and why not Legislation's?
|
||
|
Accordingly, the forger was put to Death; the utterer of a bad note
|
||
|
was put to Death; the unlawful opener of a letter was put to Death;
|
||
|
the purloiner of forty shillings and sixpence was put to Death; the
|
||
|
holder of a horse at Tellson's door, who made off with it, was put to
|
||
|
Death; the coiner of a bad shilling was put to Death; the sounders of
|
||
|
three-fourths of the notes in the whole gamut of Crime, were put to
|
||
|
Death. Not that it did the least good in the way of prevention--it
|
||
|
might almost have been worth remarking that the fact was exactly the
|
||
|
reverse--but, it cleared off (as to this world) the trouble of each
|
||
|
particular case, and left nothing else connected with it to be looked
|
||
|
after. Thus, Tellson's, in its day, like greater places of business,
|
||
|
its contemporaries, had taken so many lives, that, if the heads laid
|
||
|
low before it had been ranged on Temple Bar instead of being
|
||
|
privately disposed of, they would probably have excluded what little
|
||
|
light the ground floor bad, in a rather significant manner.
|
||
|
|
||
|
Cramped in all kinds of dun cupboards and hutches at Tellson's, the
|
||
|
oldest of men carried on the business gravely. When they took a
|
||
|
young man into Tellson's London house, they hid him somewhere till he
|
||
|
was old. They kept him in a dark place, like a cheese, until he had
|
||
|
the full Tellson flavour and blue-mould upon him. Then only was he
|
||
|
permitted to be seen, spectacularly poring over large books, and
|
||
|
casting his breeches and gaiters into the general weight of the
|
||
|
establishment.
|
||
|
|
||
|
Outside Tellson's--never by any means in it, unless called in--was an
|
||
|
odd-job-man, an occasional porter and messenger, who served as the
|
||
|
live sign of the house. He was never absent during business hours,
|
||
|
unless upon an errand, and then he was represented by his son: a
|
||
|
grisly urchin of twelve, who was his express image. People
|
||
|
understood that Tellson's, in a stately way, tolerated the
|
||
|
odd-job-man. The house had always tolerated some person in that
|
||
|
capacity, and time and tide had drifted this person to the post. His
|
||
|
surname was Cruncher, and on the youthful occasion of his renouncing
|
||
|
by proxy the works of darkness, in the easterly parish church of
|
||
|
Hounsditch, he had received the added appellation of Jerry.
|
||
|
|
||
|
The scene was Mr. Cruncher's private lodging in Hanging-sword-alley,
|
||
|
Whitefriars: the time, half-past seven of the clock on a windy March
|
||
|
morning, Anno Domini seventeen hundred and eighty. (Mr. Cruncher
|
||
|
himself always spoke of the year of our Lord as Anna Dominoes:
|
||
|
apparently under the impression that the Christian era dated from the
|
||
|
invention of a popular game, by a lady who had bestowed her name upon it.)
|
||
|
|
||
|
Mr. Cruncher's apartments were not in a savoury neighbourhood, and
|
||
|
were but two in number, even if a closet with a single pane of glass
|
||
|
in it might be counted as one. But they were very decently kept.
|
||
|
Early as it was, on the windy March morning, the room in which he lay
|
||
|
abed was already scrubbed throughout; and between the cups and
|
||
|
saucers arranged for breakfast, and the lumbering deal table, a very
|
||
|
clean white cloth was spread.
|
||
|
|
||
|
Mr. Cruncher reposed under a patchwork counterpane, like a Harlequin
|
||
|
at home. At fast, he slept heavily, but, by degrees, began to roll
|
||
|
and surge in bed, until he rose above the surface, with his spiky
|
||
|
hair looking as if it must tear the sheets to ribbons. At which
|
||
|
juncture, he exclaimed, in a voice of dire exasperation:
|
||
|
|
||
|
"Bust me, if she ain't at it agin!"
|
||
|
|
||
|
A woman of orderly and industrious appearance rose from her knees in
|
||
|
a corner, with sufficient haste and trepidation to show that she was
|
||
|
the person referred to.
|
||
|
|
||
|
"What!" said Mr. Cruncher, looking out of bed for a boot. "You're at
|
||
|
it agin, are you?"
|
||
|
|
||
|
After hailing the mom with this second salutation, he threw a boot at
|
||
|
the woman as a third. It was a very muddy boot, and may introduce
|
||
|
the odd circumstance connected with Mr. Cruncher's domestic economy,
|
||
|
that, whereas he often came home after banking hours with clean
|
||
|
boots, he often got up next morning to find the same boots
|
||
|
covered with clay.
|
||
|
|
||
|
"What," said Mr. Cruncher, varying his apostrophe after missing
|
||
|
his mark--"what are you up to, Aggerawayter?"
|
||
|
|
||
|
"I was only saying my prayers."
|
||
|
|
||
|
"Saying your prayers! You're a nice woman! What do you mean by
|
||
|
flopping yourself down and praying agin me?"
|
||
|
|
||
|
"I was not praying against you; I was praying for you."
|
||
|
|
||
|
"You weren't. And if you were, I won't be took the liberty with.
|
||
|
Here! your mother's a nice woman, young Jerry, going a praying agin
|
||
|
your father's prosperity. You've got a dutiful mother, you have, my
|
||
|
son. You've got a religious mother, you have, my boy: going and
|
||
|
flopping herself down, and praying that the bread-and-butter may be
|
||
|
snatched out of the mouth of her only child."
|
||
|
|
||
|
Master Cruncher (who was in his shirt) took this very ill, and,
|
||
|
turning to his mother, strongly deprecated any praying away of his
|
||
|
personal board.
|
||
|
|
||
|
"And what do you suppose, you conceited female," said Mr. Cruncher,
|
||
|
with unconscious inconsistency, "that the worth of YOUR prayers may be?
|
||
|
Name the price that you put YOUR prayers at!"
|
||
|
|
||
|
"They only come from the heart, Jerry. They are worth no more than that."
|
||
|
|
||
|
"Worth no more than that," repeated Mr. Cruncher.
|
||
|
"They ain't worth much, then. Whether or no,
|
||
|
I won't be prayed agin, I tell you. I can't afford it.
|
||
|
I'm not a going to be made unlucky by YOUR sneaking.
|
||
|
If you must go flopping yourself down, flop in favour
|
||
|
of your husband and child, and not in opposition to 'em. If I
|
||
|
had had any but a unnat'ral wife, and this poor boy had had any but
|
||
|
a unnat'ral mother, I might have made some money last week instead
|
||
|
of being counter-prayed and countermined and religiously circumwented
|
||
|
into the worst of luck. B-u-u-ust me!" said Mr. Cruncher, who all
|
||
|
this time had been putting on his clothes, "if I ain't, what with
|
||
|
piety and one blowed thing and another, been choused this last week
|
||
|
into as bad luck as ever a poor devil of a honest tradesman met with!
|
||
|
Young Jerry, dress yourself, my boy, and while I clean my boots keep
|
||
|
a eye upon your mother now and then, and if you see any signs of more
|
||
|
flopping, give me a call. For, I tell you," here he addressed his
|
||
|
wife once more, "I won't be gone agin, in this manner. I am as
|
||
|
rickety as a hackney-coach, I'm as sleepy as laudanum, my lines is
|
||
|
strained to that degree that I shouldn't know, if it wasn't for the
|
||
|
pain in 'em, which was me and which somebody else, yet I'm none the
|
||
|
better for it in pocket; and it's my suspicion that you've been at it
|
||
|
from morning to night to prevent me from being the better for it in pocket,
|
||
|
and I won't put up with it, Aggerawayter, and what do you say now!"
|
||
|
|
||
|
Growling, in addition, such phrases as "Ah! yes! You're religious, too.
|
||
|
You wouldn't put yourself in opposition to the interests of your husband
|
||
|
and child, would you? Not you!" and throwing off other sarcastic sparks
|
||
|
from the whirling grindstone of his indignation, Mr. Cruncher betook
|
||
|
himself to his boot-cleaning and his general preparation for business.
|
||
|
In the meantime, his son, whose head was garnished with tenderer spikes,
|
||
|
and whose young eyes stood close by one another, as his father's did,
|
||
|
kept the required watch upon his mother. He greatly disturbed that
|
||
|
poor woman at intervals, by darting out of his sleeping closet,
|
||
|
where he made his toilet, with a suppressed cry of "You are going to flop,
|
||
|
mother. --Halloa, father!" and, after raising this fictitious alarm,
|
||
|
darting in again with an undutiful grin.
|
||
|
|
||
|
Mr. Cruncher's temper was not at all improved when he came to his
|
||
|
breakfast. He resented Mrs. Cruncher's saying grace with particular
|
||
|
animosity.
|
||
|
|
||
|
"Now, Aggerawayter! What are you up to? At it again?"
|
||
|
|
||
|
His wife explained that she had merely "asked a blessing."
|
||
|
|
||
|
"Don't do it!" said Mr. Crunches looking about, as if he rather
|
||
|
expected to see the loaf disappear under the efficacy of his wife's
|
||
|
petitions. "I ain't a going to be blest out of house and home.
|
||
|
I won't have my wittles blest off my table. Keep still!"
|
||
|
|
||
|
Exceedingly red-eyed and grim, as if he had been up all night at a
|
||
|
party which had taken anything but a convivial turn, Jerry Cruncher
|
||
|
worried his breakfast rather than ate it, growling over it like any
|
||
|
four-footed inmate of a menagerie. Towards nine o'clock he smoothed
|
||
|
his ruffled aspect, and, presenting as respectable and business-like
|
||
|
an exterior as he could overlay his natural self with, issued forth
|
||
|
to the occupation of the day.
|
||
|
|
||
|
It could scarcely be called a trade, in spite of his favourite
|
||
|
description of himself as "a honest tradesman." His stock consisted
|
||
|
of a wooden stool, made out of a broken-backed chair cut down, which
|
||
|
stool, young Jerry, walking at his father's side, carried every
|
||
|
morning to beneath the banking-house window that was nearest Temple
|
||
|
Bar: where, with the addition of the first handful of straw that
|
||
|
could be gleaned from any passing vehicle to keep the cold and wet
|
||
|
from the odd-job-man's feet, it formed the encampment for the day.
|
||
|
On this post of his, Mr. Cruncher was as well known to Fleet-street
|
||
|
and the Temple, as the Bar itself,--and was almost as in-looking.
|
||
|
|
||
|
Encamped at a quarter before nine, in good time to touch his three-
|
||
|
cornered hat to the oldest of men as they passed in to Tellson's,
|
||
|
Jerry took up his station on this windy March morning, with young
|
||
|
Jerry standing by him, when not engaged in making forays through the
|
||
|
Bar, to inflict bodily and mental injuries of an acute description on
|
||
|
passing boys who were small enough for his amiable purpose. Father
|
||
|
and son, extremely like each other, looking silently on at the
|
||
|
morning traffic in Fleet-street, with their two heads as near to one
|
||
|
another as the two eyes of each were, bore a considerable resemblance
|
||
|
to a pair of monkeys. The resemblance was not lessened by the
|
||
|
accidental circumstance, that the mature Jerry bit and spat out
|
||
|
straw, while the twinkling eyes of the youthful Jerry were as
|
||
|
restlessly watchful of him as of everything else in Fleet-street.
|
||
|
|
||
|
The head of one of the regular indoor messengers attached to
|
||
|
Tellson's establishment was put through the door, and the word was
|
||
|
given:
|
||
|
|
||
|
"Porter wanted!"
|
||
|
|
||
|
"Hooray, father! Here's an early job to begin with!"
|
||
|
|
||
|
Having thus given his parent God speed, young Jerry seated himself on
|
||
|
the stool, entered on his reversionary interest in the straw his
|
||
|
father had been chewing, and cogitated.
|
||
|
|
||
|
"Al-ways rusty! His fingers is al-ways rusty!" muttered young Jerry.
|
||
|
"Where does my father get all that iron rust from? He don't get no
|
||
|
iron rust here!"
|
||
|
|
||
|
|
||
|
|
||
|
II
|
||
|
|
||
|
A Sight
|
||
|
|
||
|
|
||
|
"You know the Old Bailey, well, no doubt?" said one of the oldest of
|
||
|
clerks to Jerry the messenger.
|
||
|
|
||
|
"Ye-es, sir," returned Jerry, in something of a dogged manner. "I
|
||
|
DO know the Bailey."
|
||
|
|
||
|
"Just so. And you know Mr. Lorry."
|
||
|
|
||
|
"I know Mr. Lorry, sir, much better than I know the Bailey. Much
|
||
|
better," said Jerry, not unlike a reluctant witness at the
|
||
|
establishment in question, "than I, as a honest tradesman, wish to
|
||
|
know the Bailey."
|
||
|
|
||
|
"Very well. Find the door where the witnesses go in, and show the
|
||
|
door-keeper this note for Mr. Lorry. He will then let you in."
|
||
|
|
||
|
"Into the court, sir?"
|
||
|
|
||
|
"Into the court."
|
||
|
|
||
|
Mr. Cruncher's eyes seemed to get a little closer to one another, and
|
||
|
to interchange the inquiry, "What do you think of this?"
|
||
|
|
||
|
"Am I to wait in the court, sir?" he asked, as the result of that
|
||
|
conference.
|
||
|
|
||
|
"I am going to tell you. The door-keeper will pass the note to Mr.
|
||
|
Lorry, and do you make any gesture that will attract Mr. Lorry's
|
||
|
attention, and show him where you stand. Then what you have to do,
|
||
|
is, to remain there until he wants you."
|
||
|
|
||
|
"Is that all, sir?"
|
||
|
|
||
|
"That's all. He wishes to have a messenger at hand. This is to tell
|
||
|
him you are there."
|
||
|
|
||
|
As the ancient clerk deliberately folded and superscribed the note,
|
||
|
Mr. Cruncher, after surveying him in silence until he came to the
|
||
|
blotting-paper stage, remarked:
|
||
|
|
||
|
"I suppose they'll be trying Forgeries this morning?"
|
||
|
|
||
|
"Treason!"
|
||
|
|
||
|
"That's quartering," said Jerry. "Barbarous!"
|
||
|
|
||
|
"It is the law," remarked the ancient clerk, turning his surprised
|
||
|
spectacles upon him. "It is the law."
|
||
|
|
||
|
"It's hard in the law to spile a man, I think. Ifs hard enough to
|
||
|
kill him, but it's wery hard to spile him, sir."
|
||
|
|
||
|
"Not at all," retained the ancient clerk. "Speak well of the law.
|
||
|
Take care of your chest and voice, my good friend, and leave the law
|
||
|
to take care of itself. I give you that advice."
|
||
|
|
||
|
"It's the damp, sir, what settles on my chest and voice," said Jerry.
|
||
|
"I leave you to judge what a damp way of earning a living mine is."
|
||
|
|
||
|
"WeB, well," said the old clerk; "we aa have our various ways of
|
||
|
gaining a livelihood. Some of us have damp ways, and some of us have
|
||
|
dry ways. Here is the letter. Go along."
|
||
|
|
||
|
Jerry took the letter, and, remarking to himself with less internal
|
||
|
deference than he made an outward show of, "You are a lean old one,
|
||
|
too," made his bow, informed his son, in passing, of his destination,
|
||
|
and went his way.
|
||
|
|
||
|
They hanged at Tyburn, in those days, so the street outside Newgate
|
||
|
had not obtained one infamous notoriety that has since attached to
|
||
|
it. But, the gaol was a vile place, in which most kinds of
|
||
|
debauchery and villainy were practised, and where dire diseases were
|
||
|
bred, that came into court with the prisoners, and sometimes rushed
|
||
|
straight from the dock at my Lord Chief Justice himself, and pulled
|
||
|
him off the bench. It had more than once happened, that the Judge in
|
||
|
the black cap pronounced his own doom as certainly as the prisoner's,
|
||
|
and even died before him. For the rest, the Old Bailey was famous as
|
||
|
a kind of deadly inn-yard, from which pale travellers set out
|
||
|
continually, in carts and coaches, on a violent passage into the
|
||
|
other world: traversing some two miles and a half of public street
|
||
|
and road, and shaming few good citizens, if any. So powerful is use,
|
||
|
and so desirable to be good use in the beginning. It was famous,
|
||
|
too, for the pillory, a wise old institution, that inflicted a
|
||
|
punishment of which no one could foresee the extent; also, for the
|
||
|
whipping-post, another dear old institution, very humanising and
|
||
|
softening to behold in action; also, for extensive transactions in
|
||
|
blood-money, another fragment of ancestral wisdom, systematically
|
||
|
leading to the most frightful mercenary crimes that could be
|
||
|
committed under Heaven. Altogether, the Old Bailey, at that date,
|
||
|
was a choice illustration of the precept, that "Whatever is is right;"
|
||
|
an aphorism that would be as final as it is lazy, did it not include
|
||
|
the troublesome consequence, that nothing that ever was, was wrong.
|
||
|
|
||
|
Making his way through the tainted crowd, dispersed up and down this
|
||
|
hideous scene of action, with the skill of a man accustomed to make
|
||
|
his way quietly, the messenger found out the door he sought, and
|
||
|
handed in his letter through a trap in it. For, people then paid to
|
||
|
see the play at the Old Bailey, just as they paid to see the play in
|
||
|
Bedlam--only the former entertainment was much the dearer. Therefore,
|
||
|
all the Old Bailey doors were well guarded--except, indeed, the
|
||
|
social doors by which the criminals got there, and those were always
|
||
|
left wide open.
|
||
|
|
||
|
After some delay and demur, the door grudgingly turned on its hinges
|
||
|
a very little way, and allowed Mr. Jerry Cruncher to squeeze himself
|
||
|
into court.
|
||
|
|
||
|
"What's on?" he asked, in a whisper, of the man he found himself next to.
|
||
|
|
||
|
"Nothing yet."
|
||
|
|
||
|
"What's coming on?"
|
||
|
|
||
|
"The Treason case."
|
||
|
|
||
|
"The quartering one, eh?"
|
||
|
|
||
|
"Ah!" returned the man, with a relish; "he'll be drawn on a hurdle
|
||
|
to be half hanged, and then he'll be taken down and sliced before
|
||
|
his own face, and then his inside will be taken out and burnt while
|
||
|
he looks on, and then his head will be chopped off, and he'll be
|
||
|
cut into quarters. That's the sentence."
|
||
|
|
||
|
"If he's found Guilty, you mean to say?" Jerry added, by way of proviso.
|
||
|
|
||
|
"Oh! they'll find him guilty," said the other. "Don't you be afraid of that."
|
||
|
|
||
|
Mr. Cruncher's attention was here diverted to the door-keeper, whom
|
||
|
he saw making his way to Mr. Lorry, with the note in his hand. Mr.
|
||
|
Lorry sat at a table, among the gentlemen in wigs: not far from a
|
||
|
wigged gentleman, the prisoner's counsel, who had a great bundle of
|
||
|
papers before him: and nearly opposite another wigged gentleman with
|
||
|
his hands in his pockets, whose whole attention, when Mr. Cruncher
|
||
|
looked at him then or afterwards, seemed to be concentrated on the
|
||
|
ceiling of the court. After some gruff coughing and rubbing of his
|
||
|
chin and signing with his hand, Jerry attracted the notice of
|
||
|
Mr. Lorry, who had stood up to look for him, and who quietly nodded
|
||
|
and sat down again.
|
||
|
|
||
|
"What's HE got to do with the case?" asked the man he had spoken with.
|
||
|
|
||
|
"Blest if I know," said Jerry.
|
||
|
|
||
|
"What have YOU got to do with it, then, if a person may inquire?"
|
||
|
|
||
|
"Blest if I know that either," said Jerry.
|
||
|
|
||
|
The entrance of the Judge, and a consequent great stir and settling
|
||
|
down in the court, stopped the dialogue. Presently, the dock became
|
||
|
the central point of interest. Two gaolers, who had been standing
|
||
|
there, wont out, and the prisoner was brought in, and put to the bar.
|
||
|
|
||
|
Everybody present, except the one wigged gentleman who looked at the
|
||
|
ceiling, stared at him. All the human breath in the place, rolled at
|
||
|
him, like a sea, or a wind, or a fire. Eager faces strained round
|
||
|
pillars and corners, to get a sight of him; spectators in back rows
|
||
|
stood up, not to miss a hair of him; people on the floor of the
|
||
|
court, laid their hands on the shoulders of the people before them,
|
||
|
to help themselves, at anybody's cost, to a view of him--stood
|
||
|
a-tiptoe, got upon ledges, stood upon next to nothing, to see every
|
||
|
inch of him. Conspicuous among these latter, like an animated bit of
|
||
|
the spiked wall of Newgate, Jerry stood: aiming at the prisoner the
|
||
|
beery breath of a whet he had taken as he came along, and discharging
|
||
|
it to mingle with the waves of other beer, and gin, and tea, and
|
||
|
coffee, and what not, that flowed at him, and already broke upon the
|
||
|
great windows behind him in an impure mist and rain.
|
||
|
|
||
|
The object of all this staring and blaring, was a young man of about
|
||
|
five-and-twenty, well-grown and well-looking, with a sunburnt cheek
|
||
|
and a dark eye. His condition was that of a young gentleman. He was
|
||
|
plainly dressed in black, or very dark grey, and his hair, which was
|
||
|
long and dark, was gathered in a ribbon at the back of his neck; more
|
||
|
to be out of his way than for ornament. As an emotion of the mind
|
||
|
will express itself through any covering of the body, so the paleness
|
||
|
which his situation engendered came through the brown upon his cheek,
|
||
|
showing the soul to be stronger than the sun. He was otherwise quite
|
||
|
self-possessed, bowed to the Judge, and stood quiet.
|
||
|
|
||
|
The sort of interest with which this man was stared and breathed at,
|
||
|
was not a sort that elevated humanity. Had he stood in peril of a
|
||
|
less horrible sentence--had there been a chance of any one of its
|
||
|
savage details being spared--by just so much would he have lost in
|
||
|
his fascination. The form that was to be doomed to be so shamefully
|
||
|
mangled, was the sight; the immortal creature that was to be so
|
||
|
butchered and torn asunder, yielded the sensation. Whatever gloss
|
||
|
the various spectators put upon the interest, according to their
|
||
|
several arts and powers of self-deceit, the interest was, at the
|
||
|
root of it, Ogreish.
|
||
|
|
||
|
Silence in the court! Charles Darnay had yesterday pleaded Not Guilty
|
||
|
to an indictment denouncing him (with infinite jingle and jangle) for
|
||
|
that he was a false traitor to our serene, illustrious, excellent,
|
||
|
and so forth, prince, our Lord the King, by reason of his having, on
|
||
|
divers occasions, and by divers means and ways, assisted Lewis, the
|
||
|
French King, in his wars against our said serene, illustrious,
|
||
|
excellent, and so forth; that was to say, by coming and going,
|
||
|
between the dominions of our said serene, illustrious, excellent, and
|
||
|
so forth, and those of the said French Lewis, and wickedly, falsely,
|
||
|
traitorously, and otherwise evil-adverbiously, revealing to the said
|
||
|
French Lewis what forces our said serene, illustrious, excellent, and
|
||
|
so forth, had in preparation to send to Canada and North America.
|
||
|
This much, Jerry, with his head becoming more and more spiky as the
|
||
|
law terms bristled it, made out with huge satisfaction, and so
|
||
|
arrived circuitously at the understanding that the aforesaid, and
|
||
|
over and over again aforesaid, Charles Darnay, stood there before him
|
||
|
upon his trial; that the jury were swearing in; and that
|
||
|
Mr. Attorney-General was making ready to speak.
|
||
|
|
||
|
The accused, who was (and who knew he was) being mentally hanged,
|
||
|
beheaded, and quartered, by everybody there, neither flinched from
|
||
|
the situation, nor assumed any theatrical air in it. He was quiet
|
||
|
and attentive; watched the opening proceedings with a grave interest;
|
||
|
and stood with his hands resting on the slab of wood before him, so
|
||
|
composedly, that they had not displaced a leaf of the herbs with
|
||
|
which it was strewn. The court was all bestrewn with herbs and
|
||
|
sprinkled with vinegar, as a precaution against gaol air and gaol
|
||
|
fever.
|
||
|
|
||
|
Over the prisoner's head there was a mirror, to throw the light down
|
||
|
upon him. Crowds of the wicked and the wretched had been reflected
|
||
|
in it, and had passed from its surface and this earth's together.
|
||
|
Haunted in a most ghastly manner that abominable place would have
|
||
|
been, if the glass could ever have rendered back its reflections, as
|
||
|
the ocean is one day to give up its dead. Some passing thought of
|
||
|
the infamy and disgrace for which it had been reserved, may have
|
||
|
struck the prisoner's mind. Be that as it may, a change in his
|
||
|
position making him conscious of a bar of light across his face, he
|
||
|
looked up; and when he saw the glass his face flushed, and his right
|
||
|
hand pushed the herbs away.
|
||
|
|
||
|
It happened, that the action turned his face to that side of the
|
||
|
court which was on his left. About on a level with his eyes, there
|
||
|
sat, in that corner of the Judge's bench, two persons upon whom his look
|
||
|
immediately rested; so immediately, and so much to the changing of his aspect,
|
||
|
that all the eyes that were tamed upon him, turned to them.
|
||
|
|
||
|
The spectators saw in the two figures, a young lady of little more
|
||
|
than twenty, and a gentleman who was evidently her father; a man of
|
||
|
a very remarkable appearance in respect of the absolute whiteness
|
||
|
of his hair, and a certain indescribable intensity of face: not of
|
||
|
an active kind, but pondering and self-communing. When this expression
|
||
|
was upon him, he looked as if he were old; but when it was stirred
|
||
|
and broken up--as it was now, in a moment, on his speaking to his
|
||
|
daughter--he became a handsome man, not past the prime of life.
|
||
|
|
||
|
His daughter had one of her hands drawn through his arm, as she sat
|
||
|
by him, and the other pressed upon it. She had drawn close to him,
|
||
|
in her dread of the scene, and in her pity for the prisoner. Her
|
||
|
forehead had been strikingly expressive of an engrossing terror and
|
||
|
compassion that saw nothing but the peril of the accused. This had
|
||
|
been so very noticeable, so very powerfully and naturally shown, that
|
||
|
starers who had had no pity for him were touched by her; and the
|
||
|
whisper went about, "Who are they?"
|
||
|
|
||
|
Jerry, the messenger, who had made his own observations, in his own
|
||
|
manner, and who had been sucking the rust off his fingers in his
|
||
|
absorption, stretched his neck to hear who they were. The crowd
|
||
|
about him had pressed and passed the inquiry on to the nearest
|
||
|
attendant, and from him it had been more slowly pressed and passed
|
||
|
back; at last it got to Jerry:
|
||
|
|
||
|
"Witnesses."
|
||
|
|
||
|
"For which side?"
|
||
|
|
||
|
"Against."
|
||
|
|
||
|
"Against what side?"
|
||
|
|
||
|
"The prisoner's."
|
||
|
|
||
|
The Judge, whose eyes had gone in the general direction, recalled
|
||
|
them, leaned back in his seat, and looked steadily at the man whose
|
||
|
life was in his hand, as Mr. Attorney-General rose to spin the rope,
|
||
|
grind the axe, and hammer the nails into the scaffold.
|
||
|
|
||
|
|
||
|
|
||
|
III
|
||
|
|
||
|
A Disappointment
|
||
|
|
||
|
|
||
|
Mr. Attorney-General had to inform the jury, that the prisoner before
|
||
|
them, though young in years, was old in the treasonable practices
|
||
|
which claimed the forfeit of his life. That this correspondence with
|
||
|
the public enemy was not a correspondence of to-day, or of yesterday,
|
||
|
or even of last year, or of the year before. That, it was certain
|
||
|
the prisoner had, for longer than that, been in the habit of passing
|
||
|
and repassing between France and England, on secret business of which
|
||
|
he could give no honest account. That, if it were in the nature of
|
||
|
traitorous ways to thrive (which happily it never was), the real
|
||
|
wickedness and guilt of his business might have remained undiscovered.
|
||
|
That Providence, however, had put it into the heart of a person who
|
||
|
was beyond fear and beyond reproach, to ferret out the nature of the
|
||
|
prisoner's schemes, and, struck with horror, to disclose them to his
|
||
|
Majesty's Chief Secretary of State and most honourable Privy Council.
|
||
|
That, this patriot would be produced before them. That, his position
|
||
|
and attitude were, on the whole, sublime. That, he had been the
|
||
|
prisoner's friend, but, at once in an auspicious and an evil hour
|
||
|
detecting his infamy, had resolved to immolate the traitor he could
|
||
|
no longer cherish in his bosom, on the sacred altar of his country.
|
||
|
That, if statues were decreed in Britain, as in ancient Greece and
|
||
|
Rome, to public benefactors, this shining citizen would assuredly
|
||
|
have had one. That, as they were not so decreed, he probably would
|
||
|
not have one. That, Virtue, as had been observed by the poets (in
|
||
|
many passages which he well knew the jury would have, word for word,
|
||
|
at the tips of their tongues; whereat the jury's countenances
|
||
|
displayed a guilty consciousness that they knew nothing about the
|
||
|
passages), was in a manner contagious; more especially the bright
|
||
|
virtue known as patriotism, or love of country. That, the lofty
|
||
|
example of this immaculate and unimpeachable witness for the Crown,
|
||
|
to refer to whom however unworthily was an honour, had communicated
|
||
|
itself to the prisoner's servant, and had engendered in him a holy
|
||
|
determination to examine his master's table-drawers and pockets, and
|
||
|
secrete his papers. That, he (Mr. Attorney-General) was prepared to
|
||
|
hear some disparagement attempted of this admirable servant; but that,
|
||
|
in a general way, he preferred him to his (Mr. Attorney-General's)
|
||
|
brothers and sisters, and honoured him more than his
|
||
|
(Mr. Attorney-General's) father and mother. That, he called with
|
||
|
confidence on the jury to come and do likewise. That, the evidence
|
||
|
of these two witnesses, coupled with the documents of their
|
||
|
discovering that would be produced, would show the prisoner to have
|
||
|
been furnished with lists of his Majesty's forces, and of their
|
||
|
disposition and preparation, both by sea and land, and would leave no
|
||
|
doubt that he had habitually conveyed such information to a hostile
|
||
|
power. That, these lists could not be proved to be in the prisoner's
|
||
|
handwriting; but that it was all the same; that, indeed, it was
|
||
|
rather the better for the prosecution, as showing the prisoner to be
|
||
|
artful in his precautions. That, the proof would go back five years,
|
||
|
and would show the prisoner already engaged in these pernicious
|
||
|
missions, within a few weeks before the date of the very first action
|
||
|
fought between the British troops and the Americans. That, for these
|
||
|
reasons, the jury, being a loyal jury (as he knew they were), and
|
||
|
being a responsible jury (as THEY knew they were), must positively
|
||
|
find the prisoner Guilty, and make an end of him, whether they liked
|
||
|
it or not. That, they never could lay their heads upon their pillows;
|
||
|
that, they never could tolerate the idea of their wives laying their
|
||
|
heads upon their pillows; that, they never could endure the notion of
|
||
|
their children laying their heads upon their pillows; in short, that
|
||
|
there never more could be, for them or theirs, any laying of heads
|
||
|
upon pillows at all, unless the prisoner's head was taken off. That
|
||
|
head Mr. Attorney-General concluded by demanding of them, in the name
|
||
|
of everything he could think of with a round turn in it, and on the
|
||
|
faith of his solemn asseveration that he already considered the
|
||
|
prisoner as good as dead and gone.
|
||
|
|
||
|
When the Attorney-General ceased, a buzz arose in the court as if
|
||
|
a cloud of great blue-flies were swarming about the prisoner, in
|
||
|
anticipation of what he was soon to become. When toned down again,
|
||
|
the unimpeachable patriot appeared in the witness-box.
|
||
|
|
||
|
Mr. Solicitor-General then, following his leader's lead, examined
|
||
|
the patriot: John Barsad, gentleman, by name. The story of his pure
|
||
|
soul was exactly what Mr. Attorney-General had described it to be--
|
||
|
perhaps, if it had a fault, a little too exactly. Having released
|
||
|
his noble bosom of its burden, he would have modestly withdrawn
|
||
|
himself, but that the wigged gentleman with the papers before him,
|
||
|
sitting not far from Mr. Lorry, begged to ask him a few questions.
|
||
|
The wigged gentleman sitting opposite, still looking at the ceiling
|
||
|
of the court.
|
||
|
|
||
|
Had he ever been a spy himself? No, he scorned the base insinuation.
|
||
|
What did he live upon? His property. Where was his property?
|
||
|
He didn't precisely remember where it was. What was it? No business
|
||
|
of anybody's. Had he inherited it? Yes, he had. From whom? Distant
|
||
|
relation. Very distant? Rather. Ever been in prison? Certainly not.
|
||
|
Never in a debtors' prison? Didn't see what that had to do with it.
|
||
|
Never in a debtors' prison?--Come, once again. Never? Yes. How many
|
||
|
times? Two or three times. Not five or six? Perhaps. Of what profession?
|
||
|
Gentleman. Ever been kicked? Might have been. Frequently? No.
|
||
|
Ever kicked downstairs? Decidedly not; once received a kick on the
|
||
|
top of a staircase, and fell downstairs of his own accord. Kicked on
|
||
|
that occasion for cheating at dice? Something to that effect was said
|
||
|
by the intoxicated liar who committed the assault, but it was not
|
||
|
true. Swear it was not true? Positively. Ever live by cheating at
|
||
|
play? Never. Ever live by play? Not more than other gentlemen do.
|
||
|
Ever borrow money of the prisoner? Yes. Ever pay him? No. Was not
|
||
|
this intimacy with the prisoner, in reality a very slight one, forced
|
||
|
upon the prisoner in coaches, inns, and packets? No. Sure he saw
|
||
|
the prisoner with these lists? Certain. Knew no more about the
|
||
|
lists? No. Had not procured them himself, for instance? No. Expect
|
||
|
to get anything by this evidence? No. Not in regular government pay
|
||
|
and employment, to lay traps? Oh dear no. Or to do anything? Oh dear no.
|
||
|
Swear that? Over and over again. No motives but motives of sheer patriotism?
|
||
|
None whatever.
|
||
|
|
||
|
The virtuous servant, Roger Cly, swore his way through the case at a
|
||
|
great rate. He had taken service with the prisoner, in good faith
|
||
|
and simplicity, four years ago. He had asked the prisoner, aboard
|
||
|
the Calais packet, if he wanted a handy fellow, and the prisoner had
|
||
|
engaged him. He had not asked the prisoner to take the handy fellow
|
||
|
as an act of charity--never thought of such a thing. He began to
|
||
|
have suspicions of the prisoner, and to keep an eye upon him, soon
|
||
|
afterwards. In arranging his clothes, while travelling, he had seen
|
||
|
similar lists to these in the prisoner's pockets, over and over again.
|
||
|
He had taken these lists from the drawer of the prisoner's desk.
|
||
|
He had not put them there first. He had seen the prisoner show these
|
||
|
identical lists to French gentlemen at Calais, and similar lists to
|
||
|
French gentlemen, both at Calais and Boulogne. He loved his country,
|
||
|
and couldn't bear it, and had given information. He had never been
|
||
|
suspected of stealing a silver tea-pot; he had been maligned respecting
|
||
|
a mustard-pot, but it turned out to be only a plated one. He had
|
||
|
known the last witness seven or eight years; that was merely a
|
||
|
coincidence. He didn't call it a particularly curious coincidence;
|
||
|
most coincidences were curious. Neither did he call it a curious
|
||
|
coincidence that true patriotism was HIS only motive too. He was a
|
||
|
true Briton, and hoped there were many like him.
|
||
|
|
||
|
The blue-flies buzzed again, and Mr. Attorney-General called Mr. Jarvis Lorry.
|
||
|
|
||
|
"Mr. Jarvis Lorry, are you a clerk in Tellson's bank?"
|
||
|
|
||
|
"I am."
|
||
|
|
||
|
"On a certain Friday night in November one thousand seven hundred and
|
||
|
seventy-five, did business occasion you to travel between London and
|
||
|
Dover by the mail?"
|
||
|
|
||
|
"It did."
|
||
|
|
||
|
"Were there any other passengers in the mail?"
|
||
|
|
||
|
"Two."
|
||
|
|
||
|
"Did they alight on the road in the course of the night?"
|
||
|
|
||
|
"They did."
|
||
|
|
||
|
"Mr. Lorry, look upon the prisoner. Was he one of those two passengers?"
|
||
|
|
||
|
"I cannot undertake to say that he was."
|
||
|
|
||
|
"Does he resemble either of these two passengers?"
|
||
|
|
||
|
"Both were so wrapped up, and the night was so dark, and we were all
|
||
|
so reserved, that I cannot undertake to say even that."
|
||
|
|
||
|
"Mr. Lorry, look again upon the prisoner. Supposing him wrapped up
|
||
|
as those two passengers were, is there anything in his bulk and
|
||
|
stature to render it unlikely that he was one of them?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"You will not swear, Mr. Lorry, that he was not one of them?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"So at least you say he may have been one of them?"
|
||
|
|
||
|
"Yes. Except that I remember them both to have been--like myself--
|
||
|
timorous of highwaymen, and the prisoner has not a timorous air."
|
||
|
|
||
|
"Did you ever see a counterfeit of timidity, Mr. Lorry?"
|
||
|
|
||
|
"I certainly have seen that."
|
||
|
|
||
|
"Mr. Lorry, look once more upon the prisoner. Have you seen him,
|
||
|
to your certain knowledge, before?"
|
||
|
|
||
|
"I have."
|
||
|
|
||
|
"When?"
|
||
|
|
||
|
"I was returning from France a few days afterwards, and, at Calais,
|
||
|
the prisoner came on board the packet-ship in which I returned, and
|
||
|
made the voyage with me."
|
||
|
|
||
|
"At what hour did he come on board?"
|
||
|
|
||
|
"At a little after midnight."
|
||
|
|
||
|
"In the dead of the night. Was he the only passenger who came on
|
||
|
board at that untimely hour?"
|
||
|
|
||
|
"He happened to be the only one."
|
||
|
|
||
|
"Never mind about `happening,' Mr. Lorry. He was the only passenger
|
||
|
who came on board in the dead of the night?"
|
||
|
|
||
|
"He was."
|
||
|
|
||
|
"Were you travelling alone, Mr. Lorry, or with any companion?"
|
||
|
|
||
|
"With two companions. A gentleman and lady. They are here."
|
||
|
|
||
|
"They are here. Had you any conversation with the prisoner?"
|
||
|
|
||
|
"Hardly any. The weather was stormy, and the passage long and rough,
|
||
|
and I lay on a sofa, almost from shore to shore."
|
||
|
|
||
|
"Miss Manette!"
|
||
|
|
||
|
The young lady, to whom all eyes had been turned before, and were now
|
||
|
turned again, stood up where she had sat. Her father rose with her,
|
||
|
and kept her hand drawn through his arm.
|
||
|
|
||
|
"Miss Manette, look upon the prisoner."
|
||
|
|
||
|
To be confronted with such pity, and such earnest youth and beauty,
|
||
|
was far more trying to the accused than to be confronted with all the
|
||
|
crowd. Standing, as it were, apart with her on the edge of his grave,
|
||
|
not all the staring curiosity that looked on, could, for the moment,
|
||
|
nerve him to remain quite still. His hurried right hand parcelled
|
||
|
out the herbs before him into imaginary beds of flowers in a garden;
|
||
|
and his efforts to control and steady his breathing shook the lips
|
||
|
from which the colour rushed to his heart. The buzz of the great
|
||
|
flies was loud again.
|
||
|
|
||
|
"Miss Manette, have you seen the prisoner before?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"Where?"
|
||
|
|
||
|
"On board of the packet-ship just now referred to, sir, and on the
|
||
|
same occasion."
|
||
|
|
||
|
"You are the young lady just now referred to?"
|
||
|
|
||
|
"O! most unhappily, I am!"
|
||
|
|
||
|
The plaintive tone of her compassion merged into the less musical
|
||
|
voice of the Judge, as he said something fiercely:
|
||
|
"Answer the questions put to you, and make no remark upon them."
|
||
|
|
||
|
"Miss Manette, had you any conversation with the prisoner on that
|
||
|
passage across the Channel?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"Recall it."
|
||
|
|
||
|
In the midst of a profound stillness, she faintly began: "When the
|
||
|
gentleman came on board--"
|
||
|
|
||
|
"Do you mean the prisoner?" inquired the Judge, knitting his brows.
|
||
|
|
||
|
"Yes, my Lord."
|
||
|
|
||
|
"Then say the prisoner."
|
||
|
|
||
|
"When the prisoner came on board, he noticed that my father," turning
|
||
|
her eyes lovingly to him as he stood beside her, "was much fatigued
|
||
|
and in a very weak state of health. My father was so reduced that I
|
||
|
was afraid to take him out of the air, and I had made a bed for him
|
||
|
on the deck near the cabin steps, and I sat on the deck at his side
|
||
|
to take care of him. There were no other passengers that night, but
|
||
|
we four. The prisoner was so good as to beg permission to advise me
|
||
|
how I could shelter my father from the wind and weather, better than
|
||
|
I had done. I had not known how to do it well, not understanding how
|
||
|
the wind would set when we were out of the harbour. He did it for me.
|
||
|
He expressed great gentleness and kindness for my father's state, and
|
||
|
I am sure he felt it. That was the manner of our beginning to speak
|
||
|
together."
|
||
|
|
||
|
"Let me interrupt you for a moment. Had he come on board alone?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"How many were with him?"
|
||
|
|
||
|
"Two French gentlemen."
|
||
|
|
||
|
"Had they conferred together?"
|
||
|
|
||
|
"They had conferred together until the last moment, when it was
|
||
|
necessary for the French gentlemen to be landed in their boat."
|
||
|
|
||
|
"Had any papers been handed about among them, similar to these lists?"
|
||
|
|
||
|
"Some papers had been handed about among them, but I don't know what
|
||
|
papers."
|
||
|
|
||
|
"Like these in shape and size?"
|
||
|
|
||
|
"Possibly, but indeed I don't know, although they stood whispering
|
||
|
very near to me: because they stood at the top of the cabin steps to
|
||
|
have the light of the lamp that was hanging there; it was a dull lamp,
|
||
|
and they spoke very low, and I did not hear what they said, and saw
|
||
|
only that they looked at papers."
|
||
|
|
||
|
"Now, to the prisoner's conversation, Miss Manette."
|
||
|
|
||
|
"The prisoner was as open in his confidence with me--which arose out
|
||
|
of my helpless situation--as he was kind, and good, and useful to my
|
||
|
father. I hope," bursting into tears, "I may not repay him by doing
|
||
|
him harm to-day."
|
||
|
|
||
|
Buzzing from the blue-flies.
|
||
|
|
||
|
"Miss Manette, if the prisoner does not perfectly understand that you
|
||
|
give the evidence which it is your duty to give--which you must give--
|
||
|
and which you cannot escape from giving--with great unwillingness,
|
||
|
he is the only person present in that condition. Please to go on."
|
||
|
|
||
|
"He told me that he was travelling on business of a delicate and
|
||
|
difficult nature, which might get people into trouble, and that he
|
||
|
was therefore travelling under an assumed name. He said that this
|
||
|
business had, within a few days, taken him to France, and might,
|
||
|
at intervals, take him backwards and forwards between France and
|
||
|
England for a long time to come."
|
||
|
|
||
|
"Did he say anything about America, Miss Manette? Be particular."
|
||
|
|
||
|
"He tried to explain to me how that quarrel had arisen, and he said that,
|
||
|
so far as he could judge, it was a wrong and foolish one on England's
|
||
|
part. He added, in a jesting way, that perhaps George Washington
|
||
|
might gain almost as great a name in history as George the Third.
|
||
|
But there was no harm in his way of saying this: it was said laughingly,
|
||
|
and to beguile the time."
|
||
|
|
||
|
Any strongly marked expression of face on the part of a chief actor
|
||
|
in a scene of great interest to whom many eyes are directed, will be
|
||
|
unconsciously imitated by the spectators. Her forehead was painfully
|
||
|
anxious and intent as she gave this evidence, and, in the pauses when
|
||
|
she stopped for the Judge to write it down, watched its effect upon
|
||
|
the counsel for and against. Among the lookers-on there was the same
|
||
|
expression in all quarters of the court; insomuch, that a great
|
||
|
majority of the foreheads there, might have been mirrors reflecting
|
||
|
the witness, when the Judge looked up from his notes to glare at that
|
||
|
tremendous heresy about George Washington.
|
||
|
|
||
|
Mr. Attorney-General now signified to my Lord, that he deemed it
|
||
|
necessary, as a matter of precaution and form, to call the young
|
||
|
lady's father, Doctor Manette. Who was called accordingly.
|
||
|
|
||
|
"Doctor Manette, look upon the prisoner. Have you ever seen him before?"
|
||
|
|
||
|
"Once. When he caged at my lodgings in London. Some three years, or
|
||
|
three years and a half ago."
|
||
|
|
||
|
"Can you identify him as your fellow-passenger on board the packet,
|
||
|
or speak to his conversation with your daughter?"
|
||
|
|
||
|
"Sir, I can do neither."
|
||
|
|
||
|
"Is there any particular and special reason for your being unable to
|
||
|
do either?"
|
||
|
|
||
|
He answered, in a low voice, "There is."
|
||
|
|
||
|
"Has it been your misfortune to undergo a long imprisonment, without
|
||
|
trial, or even accusation, in your native country, Doctor Manette?"
|
||
|
|
||
|
He answered, in a tone that went to every heart, "A long imprisonment."
|
||
|
|
||
|
"Were you newly released on the occasion in question?"
|
||
|
|
||
|
"They tell me so."
|
||
|
|
||
|
"Have you no remembrance of the occasion?"
|
||
|
|
||
|
"None. My mind is a blank, from some time--I cannot even say what time--
|
||
|
when I employed myself, in my captivity, in making shoes,
|
||
|
to the time when I found myself living in London with my dear
|
||
|
daughter here. She had become familiar to me, when a gracious God
|
||
|
restored my faculties; but, I am quite unable even to say how she
|
||
|
had become familiar. I have no remembrance of the process."
|
||
|
|
||
|
Mr. Attorney-General sat down, and the father and daughter sat down together.
|
||
|
|
||
|
A singular circumstance then arose in the case. The object in hand
|
||
|
being to show that the prisoner went down, with some fellow-plotter
|
||
|
untracked, in the Dover mail on that Friday night in November five
|
||
|
years ago, and got out of the mail in the night, as a blind, at a
|
||
|
place where he did not remain, but from which he travelled back some
|
||
|
dozen miles or more, to a garrison and dockyard, and there collected
|
||
|
information; a witness was called to identify him as having been at
|
||
|
the precise time required, in the coffee-room of an hotel in that
|
||
|
garrison-and-dockyard town, waiting for another person. The prisoner's
|
||
|
counsel was cross-examining this witness with no result, except that
|
||
|
he had never seen the prisoner on any other occasion, when the wigged
|
||
|
gentleman who had all this time been looking at the ceiling of the
|
||
|
court, wrote a word or two on a little piece of paper, screwed it up,
|
||
|
and tossed it to him. Opening this piece of paper in the next pause,
|
||
|
the counsel looked with great attention and curiosity at the prisoner.
|
||
|
|
||
|
"You say again you are quite sure that it was the prisoner?"
|
||
|
|
||
|
The witness was quite sure.
|
||
|
|
||
|
"Did you ever see anybody very like the prisoner?"
|
||
|
|
||
|
Not so like (the witness said) as that he could be mistaken.
|
||
|
|
||
|
"Look well upon that gentleman, my learned friend there," pointing to
|
||
|
him who had tossed the paper over, "and then look well upon the prisoner.
|
||
|
How say you? Are they very like each other?"
|
||
|
|
||
|
Allowing for my learned friend's appearance being careless and
|
||
|
slovenly if not debauched, they were sufficiently like each other to
|
||
|
surprise, not only the witness, but everybody present, when they were
|
||
|
thus brought into comparison. My Lord being prayed to bid my learned
|
||
|
friend lay aside his wig, and giving no very gracious consent, the
|
||
|
likeness became much more remarkable. My Lord inquired of Mr. Stryver
|
||
|
(the prisoner's counsel), whether they were next to try Mr. Carton
|
||
|
(name of my learned friend) for treason? But, Mr. Stryver replied to
|
||
|
my Lord, no; but he would ask the witness to tell him whether what
|
||
|
happened once, might happen twice; whether he would have been so
|
||
|
confident if he had seen this illustration of his rashness sooner,
|
||
|
whether he would be so confident, having seen it; and more.
|
||
|
The upshot of which, was, to smash this witness like a crockery vessel,
|
||
|
and shiver his part of the case to useless lumber.
|
||
|
|
||
|
Mr. Cruncher had by this time taken quite a lunch of rust off his
|
||
|
fingers in his following of the evidence. He had now to attend while
|
||
|
Mr. Stryver fitted the prisoner's case on the jury, like a compact
|
||
|
suit of clothes; showing them how the patriot, Barsad, was a hired spy
|
||
|
and traitor, an unblushing trafficker in blood, and one of the greatest
|
||
|
scoundrels upon earth since accursed Judas--which he certainly did
|
||
|
look rather like. How the virtuous servant, Cly, was his friend and
|
||
|
partner, and was worthy to be; how the watchful eyes of those forgers
|
||
|
and false swearers had rested on the prisoner as a victim, because
|
||
|
some family affairs in France, he being of French extraction, did
|
||
|
require his making those passages across the Channel--though what
|
||
|
those affairs were, a consideration for others who were near and dear
|
||
|
to him, forbade him, even for his life, to disclose. How the evidence
|
||
|
that had been warped and wrested from the young lady, whose anguish in
|
||
|
giving it they had witnessed, came to nothing, involving the mere
|
||
|
little innocent gallantries and politenesses likely to pass between
|
||
|
any young gentleman and young lady so thrown together;--with the
|
||
|
exception of that reference to George Washington, which was altogether
|
||
|
too extravagant and impossible to be regarded in any other light than
|
||
|
as a monstrous joke. How it would be a weakness in the government to
|
||
|
break down in this attempt to practise for popularity on the lowest
|
||
|
national antipathies and fears, and therefore Mr. Attorney-General had
|
||
|
made the most of it; how, nevertheless, it rested upon nothing, save
|
||
|
that vile and infamous character of evidence too often disfiguring
|
||
|
such cases, and of which the State Trials of this country were full.
|
||
|
But, there my Lord interposed (with as grave a face as if it had not
|
||
|
been true), saying that he could not sit upon that Bench and suffer
|
||
|
those allusions.
|
||
|
|
||
|
Mr. Stryver then called his few witnesses, and Mr. Cruncher had next
|
||
|
to attend while Mr. Attorney-General turned the whole suit of clothes
|
||
|
Mr. Stryver had fitted on the jury, inside out; showing how Barsad and
|
||
|
Cly were even a hundred times better than he had thought them, and the
|
||
|
prisoner a hundred times worse. Lastly, came my Lord himself, turning
|
||
|
the suit of clothes, now inside out, now outside in, but on the whole
|
||
|
decidedly trimming and shaping them into grave-clothes for the
|
||
|
prisoner.
|
||
|
|
||
|
And now, the jury turned to consider, and the great flies swarmed again.
|
||
|
|
||
|
Mr. Carton, who had so long sat looking at the ceiling of the court,
|
||
|
changed neither his place nor his attitude, even in this excitement.
|
||
|
While his teamed friend, Mr. Stryver, massing his papers before him,
|
||
|
whispered with those who sat near, and from time to time glanced
|
||
|
anxiously at the jury; while all the spectators moved more or less,
|
||
|
and grouped themselves anew; while even my Lord himself arose from his
|
||
|
seat, and slowly paced up and down his platform, not unattended by a
|
||
|
suspicion in the minds of the audience that his state was feverish;
|
||
|
this one man sat leaning back, with his torn gown half off him, his
|
||
|
untidy wig put on just as it had happened to fight on his head after
|
||
|
its removal, his hands in his pockets, and his eyes on the ceiling as
|
||
|
they had been all day. Something especially reckless in his demeanour,
|
||
|
not only gave him a disreputable look, but so diminished the strong
|
||
|
resemblance he undoubtedly bore to the prisoner (which his momentary
|
||
|
earnestness, when they were compared together, had strengthened),
|
||
|
that many of the lookers-on, taking note of him now, said to one
|
||
|
another they would hardly have thought the two were so alike.
|
||
|
Mr. Cruncher made the observation to his next neighbour, and added,
|
||
|
"I'd hold half a guinea that HE don't get no law-work to do.
|
||
|
Don't look like the sort of one to get any, do he?"
|
||
|
|
||
|
Yet, this Mr. Carton took in more of the details of the scene than he
|
||
|
appeared to take in; for now, when Miss Manette's head dropped upon
|
||
|
her father's breast, he was the first to see it, and to say audibly:
|
||
|
"Officer! look to that young lady. Help the gentleman to take her out.
|
||
|
Don't you see she will fall!"
|
||
|
|
||
|
There was much commiseration for her as she was removed, and much
|
||
|
sympathy with her father. It had evidently been a great distress to
|
||
|
him, to have the days of his imprisonment recalled. He had shown
|
||
|
strong internal agitation when he was questioned, and that pondering
|
||
|
or brooding look which made him old, had been upon him, like a heavy
|
||
|
cloud, ever since. As he passed out, the jury, who had turned back
|
||
|
and paused a moment, spoke, through their foreman.
|
||
|
|
||
|
They were not agreed, and wished to retire. My Lord (perhaps with
|
||
|
George Washington on his mind) showed some surprise that they were not
|
||
|
agreed, but signified his pleasure that they should retire under watch
|
||
|
and ward, and retired himself. The trial had lasted all day, and the
|
||
|
lamps in the court were now being lighted. It began to be rumoured
|
||
|
that the jury would be out a long while. The spectators dropped off
|
||
|
to get refreshment, and the prisoner withdrew to the back of the dock,
|
||
|
and sat down.
|
||
|
|
||
|
Mr. Lorry, who had gone out when the young lady and her father went out,
|
||
|
now reappeared, and beckoned to Jerry: who, in the slackened interest,
|
||
|
could easily get near him.
|
||
|
|
||
|
"Jerry, if you wish to take something to eat, you can. But, keep in
|
||
|
the way. You will be sure to hear when the jury come in. Don't be a
|
||
|
moment behind them, for I want you to take the verdict back to the bank.
|
||
|
You are the quickest messenger I know, and will get to Temple Bar long
|
||
|
before I can."
|
||
|
|
||
|
Jerry had just enough forehead to knuckle, and he knuckled it in
|
||
|
acknowedgment of this communication and a shilling. Mr. Carton came
|
||
|
up at the moment, and touched Mr. Lorry on the arm.
|
||
|
|
||
|
"How is the young lady?"
|
||
|
|
||
|
"She is greatly distressed; but her father is comforting her, and she
|
||
|
feels the better for being out of court."
|
||
|
|
||
|
"I'll tell the prisoner so. It won't do for a respectable bank
|
||
|
gentleman like you, to be seen speaking to him publicly, you know."
|
||
|
|
||
|
Mr. Lorry reddened as if he were conscious of having debated the point
|
||
|
in his mind, and Mr. Carton made his way to the outside of the bar.
|
||
|
The way out of court lay in that direction, and Jerry followed him,
|
||
|
all eyes, ears, and spikes.
|
||
|
|
||
|
"Mr. Darnay!"
|
||
|
|
||
|
The prisoner came forward directly.
|
||
|
|
||
|
"You will naturally be anxious to hear of the witness, Miss Manette.
|
||
|
She will do very well. You have seen the worst of her agitation."
|
||
|
|
||
|
"I am deeply sorry to have been the cause of it. Could you tell her
|
||
|
so for me, with my fervent acknowledgments?"
|
||
|
|
||
|
"Yes, I could. I will, if you ask it."
|
||
|
|
||
|
Mr. Carton's manner was so careless as to be almost insolent. He stood,
|
||
|
half turned from the prisoner, lounging with his elbow against the bar.
|
||
|
|
||
|
"I do ask it. Accept my cordial thanks."
|
||
|
|
||
|
"What," said Carton, still only half turned towards him, "do you
|
||
|
expect, Mr. Darnay?"
|
||
|
|
||
|
"The worst."
|
||
|
|
||
|
"It's the wisest thing to expect, and the likeliest. But I think
|
||
|
their withdrawing is in your favour."
|
||
|
|
||
|
Loitering on the way out of court not being allowed, Jerry heard no
|
||
|
more: but left them--so like each other in feature, so unlike each
|
||
|
other in manner--standing side by side, both reflected in the glass
|
||
|
above them.
|
||
|
|
||
|
An hour and a half limped heavily away in the thief-and-rascal crowded
|
||
|
passages below, even though assisted off with mutton pies and ale.
|
||
|
The hoarse messenger, uncomfortably seated on a form after taking that
|
||
|
refection, had dropped into a doze, when a loud murmur and a rapid
|
||
|
tide of people setting up the stairs that led to the court, carried
|
||
|
him along with them.
|
||
|
|
||
|
"Jerry! Jerry!" Mr. Lorry was already calling at the door when
|
||
|
he got there.
|
||
|
|
||
|
"Here, sir! It's a fight to get back again. Here I am, sir!"
|
||
|
|
||
|
Mr. Lorry handed him a paper through the throng.
|
||
|
"Quick! Have you got it?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
Hastily written on the paper was the word "AQUITTED."
|
||
|
|
||
|
"If you had sent the message, `Recalled to Life,' again," muttered
|
||
|
Jerry, as he turned, "I should have known what you meant, this time."
|
||
|
|
||
|
He had no opportunity of saying, or so much as thinking, anything
|
||
|
else, until he was clear of the Old Bailey; for, the crowd came
|
||
|
pouring out with a vehemence that nearly took him off his legs, and a
|
||
|
loud buzz swept into the street as if the baffled blue-flies were
|
||
|
dispersing in search of other carrion.
|
||
|
|
||
|
|
||
|
|
||
|
IV
|
||
|
|
||
|
Congratulatory
|
||
|
|
||
|
|
||
|
From the dimly-lighted passages of the court, the last sediment of the
|
||
|
human stew that had been boiling there all day, was straining off,
|
||
|
when Doctor Manette, Lucie Manette, his daughter, Mr. Lorry, the
|
||
|
solicitor for the defence, and its counsel, Mr. Stryver, stood
|
||
|
gathered round Mr. Charles Darnay--just released--congratulating him
|
||
|
on his escape from death.
|
||
|
|
||
|
It would have been difficult by a far brighter light, to recognise in
|
||
|
Doctor Manette, intellectual of face and upright of bearing, the
|
||
|
shoemaker of the garret in Paris. Yet, no one could have looked at
|
||
|
him twice, without looking again: even though the opportunity of
|
||
|
observation had not extended to the mournful cadence of his low grave
|
||
|
voice, and to the abstraction that overclouded him fitfully, without
|
||
|
any apparent reason. While one external cause, and that a reference
|
||
|
to his long lingering agony, would always--as on the trial--evoke this
|
||
|
condition from the depths of his soul, it was also in its nature to
|
||
|
arise of itself, and to draw a gloom over him, as incomprehensible to
|
||
|
those unacquainted with his story as if they had seen the shadow of
|
||
|
the actual Bastille thrown upon him by a summer sun, when the
|
||
|
substance was three hundred miles away.
|
||
|
|
||
|
Only his daughter had the power of charming this black brooding from
|
||
|
his mind. She was the golden thread that united him to a Past beyond
|
||
|
his misery, and to a Present beyond his misery: and the sound of her
|
||
|
voice, the light of her face, the touch of her hand, had a strong
|
||
|
beneficial influence with him almost always. Not absolutely always,
|
||
|
for she could recall some occasions on which her power had failed;
|
||
|
but they were few and slight, and she believed them over.
|
||
|
|
||
|
Mr. Darnay had kissed her hand fervently and gratefully, and had
|
||
|
turned to Mr. Stryver, whom he warmly thanked. Mr. Stryver, a man of
|
||
|
little more than thirty, but looking twenty years older than he was,
|
||
|
stout, loud, red, bluff, and free from any drawback of delicacy,
|
||
|
had a pushing way of shouldering himself (morally and physically)
|
||
|
into companies and conversations, that argued well for his shouldering
|
||
|
his way up in life.
|
||
|
|
||
|
He still had his wig and gown on, and he said, squaring himself at his
|
||
|
late client to that degree that he squeezed the innocent Mr. Lorry
|
||
|
clean out of the group: "I am glad to have brought you off with honour,
|
||
|
Mr. Darnay. It was an infamous prosecution, grossly infamous;
|
||
|
but not the less likely to succeed on that account."
|
||
|
|
||
|
"You have laid me under an obligation to you for life--in two senses,"
|
||
|
said his late client, taking his hand.
|
||
|
|
||
|
"I have done my best for you, Mr. Darnay; and my best is as good as
|
||
|
another man's, I believe."
|
||
|
|
||
|
It clearly being incumbent on some one to say, "Much better," Mr. Lorry
|
||
|
said it; perhaps not quite disinterestedly, but with the interested
|
||
|
object of squeezing himself back again.
|
||
|
|
||
|
"You think so?" said Mr. Stryver. "Well! you have been present all day,
|
||
|
and you ought to know. You are a man of business, too."
|
||
|
|
||
|
"And as such," quoth Mr. Lorry, whom the counsel learned in the law
|
||
|
had now shouldered back into the group, just as he had previously
|
||
|
shouldered him out of it--"as such I will appeal to Doctor Manette,
|
||
|
to break up this conference and order us all to our homes.
|
||
|
Miss Lucie looks ill, Mr. Darnay has had a terrible day, we are worn out."
|
||
|
|
||
|
"Speak for yourself, Mr. Lorry," said Stryver; "I have a night's work
|
||
|
to do yet. Speak for yourself."
|
||
|
|
||
|
"I speak for myself," answered Mr. Lorry, "and for Mr. Darnay, and for
|
||
|
Miss Lucie, and--Miss Lucie, do you not think I may speak for us all?"
|
||
|
He asked her the question pointedly, and with a glance at her father.
|
||
|
|
||
|
His face had become frozen, as it were, in a very curious look at
|
||
|
Darnay: an intent look, deepening into a frown of dislike and distrust,
|
||
|
not even unmixed with fear. With this strange expression on him his
|
||
|
thoughts had wandered away.
|
||
|
|
||
|
"My father," said Lucie, softly laying her hand on his.
|
||
|
|
||
|
He slowly shook the shadow off, and turned to her.
|
||
|
|
||
|
"Shall we go home, my father?"
|
||
|
|
||
|
With a long breath, he answered "Yes."
|
||
|
|
||
|
The friends of the acquitted prisoner had dispersed, under the
|
||
|
impression--which he himself had originated--that he would not be
|
||
|
released that night. The lights were nearly all extinguished in the
|
||
|
passages, the iron gates were being closed with a jar and a rattle,
|
||
|
and the dismal place was deserted until to-morrow morning's interest
|
||
|
of gallows, pillory, whipping-post, and branding-iron, should repeople
|
||
|
it. Walking between her father and Mr. Darnay, Lucie Manette passed
|
||
|
into the open air. A hackney-coach was called, and the father and
|
||
|
daughter departed in it.
|
||
|
|
||
|
Mr. Stryver had left them in the passages, to shoulder his way back
|
||
|
to the robing-room. Another person, who had not joined the group,
|
||
|
or interchanged a word with any one of them, but who had been leaning
|
||
|
against the wall where its shadow was darkest, had silently strolled
|
||
|
out after the rest, and had looked on until the coach drove away.
|
||
|
He now stepped up to where Mr. Lorry and Mr. Darnay stood upon the
|
||
|
pavement.
|
||
|
|
||
|
"So, Mr. Lorry! Men of business may speak to Mr. Darnay now?"
|
||
|
|
||
|
Nobody had made any acknowledgment of Mr. Carton's part in the day's
|
||
|
proceedings; nobody had known of it. He was unrobed, and was none
|
||
|
the better for it in appearance.
|
||
|
|
||
|
"If you knew what a conflict goes on in the business mind, when the
|
||
|
business mind is divided between good-natured impulse and business
|
||
|
appearances, you would be amused, Mr. Darnay."
|
||
|
|
||
|
Mr. Lorry reddened, and said, warmly, "You have mentioned that before,
|
||
|
sir. We men of business, who serve a House, are not our own masters.
|
||
|
We have to think of the House more than ourselves."
|
||
|
|
||
|
"_I_ know, _I_ know," rejoined Mr. Carton, carelessly. "Don't be
|
||
|
nettled, Mr. Lorry. You are as good as another, I have no doubt:
|
||
|
better, I dare say."
|
||
|
|
||
|
"And indeed, sir," pursued Mr. Lorry, not minding him, "I really
|
||
|
don't know what you have to do with the matter. If you'll excuse me,
|
||
|
as very much your elder, for saying so, I really don't know that it is
|
||
|
your business."
|
||
|
|
||
|
"Business! Bless you, _I_ have no business," said Mr. Carton.
|
||
|
|
||
|
"It is a pity you have not, sir."
|
||
|
|
||
|
"I think so, too."
|
||
|
|
||
|
"If you had," pursued Mr. Lorry, "perhaps you would attend to it."
|
||
|
|
||
|
"Lord love you, no!--I shouldn't," said Mr. Carton.
|
||
|
|
||
|
"Well, sir!" cried Mr. Lorry, thoroughly heated by his indifference,
|
||
|
"business is a very good thing, and a very respectable thing. And, sir,
|
||
|
if business imposes its restraints and its silences and impediments,
|
||
|
Mr. Darnay as a young gentleman of generosity knows how to make allowance
|
||
|
for that circumstance. Mr. Darnay, good night, God bless you, sir!
|
||
|
I hope you have been this day preserved for a prosperous and happy
|
||
|
life.--Chair there!"
|
||
|
|
||
|
Perhaps a little angry with himself, as well as with the barrister,
|
||
|
Mr. Lorry bustled into the chair, and was carried off to Tellson's.
|
||
|
Carton, who smelt of port wine, and did not appear to be quite sober,
|
||
|
laughed then, and turned to Darnay:
|
||
|
|
||
|
"This is a strange chance that throws you and me together. This must
|
||
|
be a strange night to you, standing alone here with your counterpart
|
||
|
on these street stones?"
|
||
|
|
||
|
"I hardly seem yet," returned Charles Darnay, "to belong to this world
|
||
|
again."
|
||
|
|
||
|
"I don't wonder at it; it's not so long since you were pretty far
|
||
|
advanced on your way to another. You speak faintly."
|
||
|
|
||
|
"I begin to think I AM faint."
|
||
|
|
||
|
"Then why the devil don't you dine? I dined, myself, while those
|
||
|
numskulls were deliberating which world you should belong to--this,
|
||
|
or some other. Let me show you the nearest tavern to dine well at."
|
||
|
|
||
|
Drawing his arm through his own, he took him down Ludgate-hill to
|
||
|
Fleet-street, and so, up a covered way, into a tavern. Here, they
|
||
|
were shown into a little room, where Charles Darnay was soon recruiting
|
||
|
his strength with a good plain dinner and good wine: while Carton sat
|
||
|
opposite to him at the same table, with his separate bottle of port
|
||
|
before him, and his fully half-insolent manner upon him.
|
||
|
|
||
|
"Do you feel, yet, that you belong to this terrestrial scheme again,
|
||
|
Mr. Darnay?"
|
||
|
|
||
|
"I am frightfully confused regarding time and place; but I am so far
|
||
|
mended as to feel that."
|
||
|
|
||
|
"It must be an immense satisfaction!"
|
||
|
|
||
|
He said it bitterly, and filled up his glass again: which was a large one.
|
||
|
|
||
|
"As to me, the greatest desire I have, is to forget that I belong to
|
||
|
it. It has no good in it for me--except wine like this--nor I for it.
|
||
|
So we are not much alike in that particular. Indeed, I begin to think
|
||
|
we are not much alike in any particular, you and I."
|
||
|
|
||
|
Confused by the emotion of the day, and feeling his being there with
|
||
|
this Double of coarse deportment, to be like a dream, Charles Darnay
|
||
|
was at a loss how to answer; finally, answered not at all.
|
||
|
|
||
|
"Now your dinner is done," Carton presently said, "why don't you call
|
||
|
a health, Mr. Darnay; why don't you give your toast?"
|
||
|
|
||
|
"What health? What toast?"
|
||
|
|
||
|
"Why, it's on the tip of your tongue. It ought to be, it must be,
|
||
|
I'll swear it's there."
|
||
|
|
||
|
"Miss Manette, then!"
|
||
|
|
||
|
"Miss Manette, then!"
|
||
|
|
||
|
Looking his companion full in the face while he drank the toast,
|
||
|
Carton flung his glass over his shoulder against the wall, where it
|
||
|
shivered to pieces; then, rang the bell, and ordered in another.
|
||
|
|
||
|
"That's a fair young lady to hand to a coach in the dark, Mr. Darnay!"
|
||
|
he said, ruing his new goblet.
|
||
|
|
||
|
A slight frown and a laconic "Yes," were the answer.
|
||
|
|
||
|
"That's a fair young lady to be pitied by and wept for by! How does it
|
||
|
feel? Is it worth being tried for one's life, to be the object of such
|
||
|
sympathy and compassion, Mr. Darnay?"
|
||
|
|
||
|
Again Darnay answered not a word.
|
||
|
|
||
|
"She was mightily pleased to have your message, when I gave it her.
|
||
|
Not that she showed she was pleased, but I suppose she was."
|
||
|
|
||
|
The allusion served as a timely reminder to Darnay that this
|
||
|
disagreeable companion had, of his own free will, assisted him in the
|
||
|
strait of the day. He turned the dialogue to that point, and thanked
|
||
|
him for it.
|
||
|
|
||
|
"I neither want any thanks, nor merit any," was the careless rejoinder.
|
||
|
"It was nothing to do, in the first place; and I don't know why I did it,
|
||
|
in the second. Mr. Darnay, let me ask you a question."
|
||
|
|
||
|
"Willingly, and a small return for your good offices."
|
||
|
|
||
|
"Do you think I particularly like you?"
|
||
|
|
||
|
"Really, Mr. Carton," returned the other, oddly disconcerted, "I have
|
||
|
not asked myself the question."
|
||
|
|
||
|
"But ask yourself the question now."
|
||
|
|
||
|
"You have acted as if you do; but I don't think you do."
|
||
|
|
||
|
"_I_ don't think I do," said Carton. "I begin to have a very good
|
||
|
opinion of your understanding."
|
||
|
|
||
|
"Nevertheless," pursued Darnay, rising to ring the bell, "there is
|
||
|
nothing in that, I hope, to prevent my calling the reckoning, and our
|
||
|
parting without ill-blood on either side."
|
||
|
|
||
|
Carton rejoining, "Nothing in life!" Darnay rang. "Do you call the
|
||
|
whole reckoning?" said Carton. On his answering in the affirmative,
|
||
|
"Then bring me another pint of this same wine, drawer, and come and
|
||
|
wake me at ten."
|
||
|
|
||
|
The bill being paid, Charles Darnay rose and wished him good night.
|
||
|
Without returning the wish, Carton rose too, with something of a
|
||
|
threat of defiance in his manner, and said, "A last word, Mr. Darnay:
|
||
|
you think I am drunk?"
|
||
|
|
||
|
"I think you have been drinking, Mr. Carton."
|
||
|
|
||
|
"Think? You know I have been drinking."
|
||
|
|
||
|
"Since I must say so, I know it."
|
||
|
|
||
|
"Then you shall likewise know why. I am a disappointed drudge, sir.
|
||
|
I care for no man on earth, and no man on earth cares for me."
|
||
|
|
||
|
"Much to be regretted. You might have used your talents better."
|
||
|
|
||
|
"May be so, Mr. Darnay; may be not. Don't let your sober face elate you,
|
||
|
however; you don't know what it may come to. Good night!"
|
||
|
|
||
|
When he was left alone, this strange being took up a candle, went to a
|
||
|
glass that hung against the wall, and surveyed himself minutely in it.
|
||
|
|
||
|
"Do you particularly like the man?" he muttered, at his own image;
|
||
|
"why should you particularly like a man who resembles you? There is
|
||
|
nothing in you to like; you know that. Ah, confound you! What a
|
||
|
change you have made in yourself! A good reason for taking to a man,
|
||
|
that he shows you what you have fallen away from, and what you might
|
||
|
have been! Change places with him, and would you have been looked at
|
||
|
by those blue eyes as he was, and commiserated by that agitated face
|
||
|
as he was? Come on, and have it out in plain words! You hate the fellow."
|
||
|
|
||
|
He resorted to his pint of wine for consolation, drank it all in a
|
||
|
few minutes, and fell asleep on his arms, with his hair straggling
|
||
|
over the table, and a long winding-sheet in the candle dripping down
|
||
|
upon him.
|
||
|
|
||
|
|
||
|
|
||
|
V
|
||
|
|
||
|
The Jackal
|
||
|
|
||
|
|
||
|
Those were drinking days, and most men drank hard. So very great is
|
||
|
the improvement Time has brought about in such habits, that a moderate
|
||
|
statement of the quantity of wine and punch which one man would swallow
|
||
|
in the course of a night, without any detriment to his reputation as a
|
||
|
perfect gentleman, would seem, in these days, a ridiculous exaggeration.
|
||
|
The learned profession of the law was certainly not behind any other
|
||
|
learned profession in its Bacchanalian propensities; neither was
|
||
|
Mr. Stryver, already fast shouldering his way to a large and lucrative
|
||
|
practice, behind his compeers in this particular, any more than in the
|
||
|
drier parts of the legal race.
|
||
|
|
||
|
A favourite at the Old Bailey, and eke at the Sessions, Mr. Stryver
|
||
|
had begun cautiously to hew away the lower staves of the ladder on
|
||
|
which he mounted. Sessions and Old Bailey had now to summon their
|
||
|
favourite, specially, to their longing arms; and shouldering itself
|
||
|
towards the visage of the Lord Chief Justice in the Court of King's
|
||
|
Bench, the florid countenance of Mr. Stryver might be daily seen,
|
||
|
bursting out of the bed of wigs, like a great sunflower pushing its
|
||
|
way at the sun from among a rank garden-full of flaring companions.
|
||
|
|
||
|
It had once been noted at the Bar, that while Mr. Stryver was a glib
|
||
|
man, and an unscrupulous, and a ready, and a bold, he had not that
|
||
|
faculty of extracting the essence from a heap of statements, which is
|
||
|
among the most striking and necessary of the advocate's accomplishments.
|
||
|
But, a remarkable improvement came upon him as to this. The more
|
||
|
business he got, the greater his power seemed to grow of getting at
|
||
|
its pith and marrow; and however late at night he sat carousing with
|
||
|
Sydney Carton, he always had his points at his fingers' ends in the morning.
|
||
|
|
||
|
Sydney Carton, idlest and most unpromising of men, was Stryver's great
|
||
|
ally. What the two drank together, between Hilary Term and Michaelmas,
|
||
|
might have floated a king's ship. Stryver never had a case in hand,
|
||
|
anywhere, but Carton was there, with his hands in his pockets, staring
|
||
|
at the ceiling of the court; they went the same Circuit, and even there
|
||
|
they prolonged their usual orgies late into the night, and Carton was
|
||
|
rumoured to be seen at broad day, going home stealthily and unsteadily
|
||
|
to his lodgings, like a dissipated cat. At last, it began to get about,
|
||
|
among such as were interested in the matter, that although Sydney Carton
|
||
|
would never be a lion, he was an amazingly good jackal, and that he
|
||
|
rendered suit and service to Stryver in that humble capacity.
|
||
|
|
||
|
"Ten o'clock, sir," said the man at the tavern, whom he had charged to
|
||
|
wake him--"ten o'clock, sir."
|
||
|
|
||
|
"WHAT'S the matter?"
|
||
|
|
||
|
"Ten o'clock, sir."
|
||
|
|
||
|
"What do you mean? Ten o'clock at night?"
|
||
|
|
||
|
"Yes, sir. Your honour told me to call you."
|
||
|
|
||
|
"Oh! I remember. Very well, very well."
|
||
|
|
||
|
After a few dull efforts to get to sleep again, which the man dexterously
|
||
|
combated by stirring the fire continuously for five minutes, he got up,
|
||
|
tossed his hat on, and walked out. He turned into the Temple, and,
|
||
|
having revived himself by twice pacing the pavements of King's Bench-walk
|
||
|
and Paper-buildings, turned into the Stryver chambers.
|
||
|
|
||
|
The Stryver clerk, who never assisted at these conferences, had gone home,
|
||
|
and the Stryver principal opened the door. He had his slippers on,
|
||
|
and a loose bed-gown, and his throat was bare for his greater ease.
|
||
|
He had that rather wild, strained, seared marking about the eyes,
|
||
|
which may be observed in all free livers of his class, from the portrait
|
||
|
of Jeffries downward, and which can be traced, under various disguises
|
||
|
of Art, through the portraits of every Drinking Age.
|
||
|
|
||
|
"You are a little late, Memory," said Stryver.
|
||
|
|
||
|
"About the usual time; it may be a quarter of an hour later."
|
||
|
|
||
|
They went into a dingy room lined with books and littered with papers,
|
||
|
where there was a blazing fire. A kettle steamed upon the hob, and in
|
||
|
the midst of the wreck of papers a table shone, with plenty of wine
|
||
|
upon it, and brandy, and rum, and sugar, and lemons.
|
||
|
|
||
|
"You have had your bottle, I perceive, Sydney."
|
||
|
|
||
|
"Two to-night, I think. I have been dining with the day's client;
|
||
|
or seeing him dine--it's all one!"
|
||
|
|
||
|
"That was a rare point, Sydney, that you brought to bear upon the
|
||
|
identification. How did you come by it? When did it strike you?"
|
||
|
|
||
|
"I thought he was rather a handsome fellow, and I thought I should
|
||
|
have been much the same sort of fellow, if I had had any luck."
|
||
|
|
||
|
Mr. Stryver laughed till he shook his precocious paunch.
|
||
|
|
||
|
"You and your luck, Sydney! Get to work, get to work."
|
||
|
|
||
|
Sullenly enough, the jackal loosened his dress, went into an adjoining
|
||
|
room, and came back with a large jug of cold water, a basin, and a towel
|
||
|
or two. Steeping the towels in the water, and partially wringing them
|
||
|
out, he folded them on his head in a manner hideous to behold, sat down
|
||
|
at the table, and said, "Now I am ready!"
|
||
|
|
||
|
"Not much boiling down to be done to-night, Memory," said Mr. Stryver,
|
||
|
gaily, as he looked among his papers.
|
||
|
|
||
|
"How much?"
|
||
|
|
||
|
"Only two sets of them."
|
||
|
|
||
|
"Give me the worst first."
|
||
|
|
||
|
"There they are, Sydney. Fire away!"
|
||
|
|
||
|
The lion then composed himself on his back on a sofa on one side of
|
||
|
the drinking-table, while the jackal sat at his own paper-bestrewn
|
||
|
table proper, on the other side of it, with the bottles and glasses
|
||
|
ready to his hand. Both resorted to the drinking-table without
|
||
|
stint, but each in a different way; the lion for the most part
|
||
|
reclining with his hands in his waistband, looking at the fire, or
|
||
|
occasionally flirting with some lighter document; the jackal, with
|
||
|
knitted brows and intent face, so deep in his task, that his eyes did
|
||
|
not even follow the hand he stretched out for his glass--which often
|
||
|
groped about, for a minute or more, before it found the glass for his
|
||
|
lips. Two or three times, the matter in hand became so knotty, that
|
||
|
the jackal found it imperative on him to get up, and steep his towels
|
||
|
anew. From these pilgrimages to the jug and basin, he returned with
|
||
|
such eccentricities of damp headgear as no words can describe; which
|
||
|
were made the more ludicrous by his anxious gravity.
|
||
|
|
||
|
At length the jackal had got together a compact repast for the lion,
|
||
|
and proceeded to offer it to him. The lion took it with care and
|
||
|
caution, made his selections from it, and his remarks upon it,
|
||
|
and the jackal assisted both. When the repast was fully discussed,
|
||
|
the lion put his hands in his waistband again, and lay down to mediate.
|
||
|
The jackal then invigorated himself with a bum for his throttle,
|
||
|
and a fresh application to his head, and applied himself to the
|
||
|
collection of a second meal; this was administered to the lion in the
|
||
|
same manner, and was not disposed of until the clocks struck three in
|
||
|
the morning.
|
||
|
|
||
|
"And now we have done, Sydney, fill a bumper of punch," said Mr. Stryver.
|
||
|
|
||
|
The jackal removed the towels from his head, which had been steaming
|
||
|
again, shook himself, yawned, shivered, and complied.
|
||
|
|
||
|
"You were very sound, Sydney, in the matter of those crown witnesses
|
||
|
to-day. Every question told."
|
||
|
|
||
|
"I always am sound; am I not?"
|
||
|
|
||
|
"I don't gainsay it. What has roughened your temper?
|
||
|
Put some punch to it and smooth it again."
|
||
|
|
||
|
With a deprecatory grunt, the jackal again complied.
|
||
|
|
||
|
"The old Sydney Carton of old Shrewsbury School," said Stryver,
|
||
|
nodding his head over him as he reviewed him in the present and the
|
||
|
past, "the old seesaw Sydney. Up one minute and down the next; now
|
||
|
in spirits and now in despondency!"
|
||
|
|
||
|
"Ah!" returned the other, sighing: "yes! The same Sydney, with the
|
||
|
same luck. Even then, I did exercises for other boys, and seldom did
|
||
|
my own.
|
||
|
|
||
|
"And why not?"
|
||
|
|
||
|
"God knows. It was my way, I suppose."
|
||
|
|
||
|
He sat, with his hands in his pockets and his legs stretched out
|
||
|
before him, looking at the fire.
|
||
|
|
||
|
"Carton," said his friend, squaring himself at him with a bullying
|
||
|
air, as if the fire-grate had been the furnace in which sustained
|
||
|
endeavour was forged, and the one delicate thing to be done for the
|
||
|
old Sydney Carton of old Shrewsbury School was to shoulder him into it,
|
||
|
"your way is, and always was, a lame way. You summon no energy and
|
||
|
purpose. Look at me."
|
||
|
|
||
|
"Oh, botheration!" returned Sydney, with a lighter and more good-
|
||
|
humoured laugh, "don't YOU be moral!"
|
||
|
|
||
|
"How have I done what I have done?" said Stryver; "how do I do what I do?"
|
||
|
|
||
|
"Partly through paying me to help you, I suppose. But it's not worth
|
||
|
your while to apostrophise me, or the air, about it; what you want to
|
||
|
do, you do. You were always in the front rank, and I was always behind."
|
||
|
|
||
|
"I had to get into the front rank; I was not born there, was I?"
|
||
|
|
||
|
"I was not present at the ceremony; but my opinion is you were," said
|
||
|
Carton. At this, he laughed again, and they both laughed.
|
||
|
|
||
|
"Before Shrewsbury, and at Shrewsbury, and ever since Shrewsbury,"
|
||
|
pursued Carton, "you have fallen into your rank, and I have fallen
|
||
|
into mine. Even when we were fellow-students in the Student-Quarter
|
||
|
of Paris, picking up French, and French law, and other French crumbs
|
||
|
that we didn't get much good of, you were always somewhere, and I was
|
||
|
always nowhere."
|
||
|
|
||
|
"And whose fault was that?"
|
||
|
|
||
|
"Upon my soul, I am not sure that it was not yours. You were always
|
||
|
driving and riving and shouldering and passing, to that restless
|
||
|
degree that I had no chance for my life but in rust and repose. It's
|
||
|
a gloomy thing, however, to talk about one's own past, with the day
|
||
|
breaking. Turn me in some other direction before I go."
|
||
|
|
||
|
"Well then! Pledge me to the pretty witness," said Stryver, holding
|
||
|
up his glass. "Are you turned in a pleasant direction?"
|
||
|
|
||
|
Apparently not, for he became gloomy again.
|
||
|
|
||
|
"Pretty witness," he muttered, looking down into his glass. "I have
|
||
|
had enough of witnesses to-day and to-night; who's your pretty
|
||
|
witness?"
|
||
|
|
||
|
"The picturesque doctor's daughter, Miss Manette."
|
||
|
|
||
|
"SHE pretty?"
|
||
|
|
||
|
"Is she not?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"Why, man alive, she was the admiration of the whole Court!"
|
||
|
|
||
|
"Rot the admiration of the whole Court! Who made the Old Bailey a
|
||
|
judge of beauty? She was a golden-haired doll!"
|
||
|
|
||
|
"Do you know, Sydney," said Mr. Stryver, looking at him with sharp
|
||
|
eyes, and slowly drawing a hand across his florid face: "do you know,
|
||
|
I rather thought, at the time, that you sympathised with the
|
||
|
golden-haired doll, and were quick to see what happened to the
|
||
|
golden-haired doll?"
|
||
|
|
||
|
"Quick to see what happened! If a girl, doll or no doll, swoons
|
||
|
within a yard or two of a man's nose, he can see it without a
|
||
|
perspective-glass. I pledge you, but I deny the beauty.
|
||
|
And now I'll have no more drink; I'll get to bed."
|
||
|
|
||
|
When his host followed him out on the staircase with a candle,
|
||
|
to light him down the stairs, the day was coldly looking in through
|
||
|
its grimy windows. When he got out of the house, the air was cold
|
||
|
and sad, the dull sky overcast, the river dark and dim, the whole
|
||
|
scene like a lifeless desert. And wreaths of dust were spinning
|
||
|
round and round before the morning blast, as if the desert-sand had
|
||
|
risen far away, and the first spray of it in its advance had begun to
|
||
|
overwhelm the city.
|
||
|
|
||
|
Waste forces within him, and a desert all around, this man stood
|
||
|
still on his way across a silent terrace, and saw for a moment,
|
||
|
lying in the wilderness before him, a mirage of honourable ambition,
|
||
|
self-denial, and perseverance. In the fair city of this vision,
|
||
|
there were airy galleries from which the loves and graces looked upon
|
||
|
him, gardens in which the fruits of life hung ripening, waters of Hope
|
||
|
that sparkled in his sight. A moment, and it was gone. Climbing to
|
||
|
a high chamber in a well of houses, he threw himself down in his
|
||
|
clothes on a neglected bed, and its pillow was wet with wasted tears.
|
||
|
|
||
|
Sadly, sadly, the sun rose; it rose upon no sadder sight than the man
|
||
|
of good abilities and good emotions, incapable of their directed
|
||
|
exercise, incapable of his own help and his own happiness, sensible
|
||
|
of the blight on him, and resigning himself to let it eat him away.
|
||
|
|
||
|
|
||
|
|
||
|
VI
|
||
|
|
||
|
Hundreds of People
|
||
|
|
||
|
|
||
|
The quiet lodgings of Doctor Manette were in a quiet street-corner
|
||
|
not far from Soho-square. On the afternoon of a certain fine Sunday
|
||
|
when the waves of four months had roiled over the trial for treason,
|
||
|
and carried it, as to the public interest and memory, far out to sea,
|
||
|
Mr. Jarvis Lorry walked along the sunny streets from Clerkenwell
|
||
|
where he lived, on his way to dine with the Doctor. After several
|
||
|
relapses into business-absorption, Mr. Lorry had become the Doctor's
|
||
|
friend, and the quiet street-corner was the sunny part of his life.
|
||
|
|
||
|
On this certain fine Sunday, Mr. Lorry walked towards Soho, early in
|
||
|
the afternoon, for three reasons of habit. Firstly, because, on fine
|
||
|
Sundays, he often walked out, before dinner, with the Doctor and Lucie;
|
||
|
secondly, because, on unfavourable Sundays, he was accustomed to be
|
||
|
with them as the family friend, talking, reading, looking out of window,
|
||
|
and generally getting through the day; thirdly, because he happened
|
||
|
to have his own little shrewd doubts to solve, and knew how the ways
|
||
|
of the Doctor's household pointed to that time as a likely time for
|
||
|
solving them.
|
||
|
|
||
|
A quainter corner than the corner where the Doctor lived, was not to
|
||
|
be found in London. There was no way through it, and the front windows
|
||
|
of the Doctor's lodgings commanded a pleasant little vista of street
|
||
|
that had a congenial air of retirement on it. There were few buildings
|
||
|
then, north of the Oxford-road, and forest-trees flourished, and wild
|
||
|
flowers grew, and the hawthorn blossomed, in the now vanished fields.
|
||
|
As a consequence, country airs circulated in Soho with vigorous freedom,
|
||
|
instead of languishing into the parish like stray paupers without a
|
||
|
settlement; and there was many a good south wall, not far off, on which
|
||
|
the peaches ripened in their season.
|
||
|
|
||
|
The summer light struck into the corner brilliantly in the earlier
|
||
|
part of the day; but, when the streets grew hot, the corner was in
|
||
|
shadow, though not in shadow so remote but that you could see beyond
|
||
|
it into a glare of brightness. It was a cool spot, staid but cheerful,
|
||
|
a wonderful place for echoes, and a very harbour from the raging streets.
|
||
|
|
||
|
There ought to have been a tranquil bark in such an anchorage, and
|
||
|
there was. The Doctor occupied two floors of a large stiff house,
|
||
|
where several callings purported to be pursued by day, but whereof
|
||
|
little was audible any day, and which was shunned by all of them at
|
||
|
night. In a building at the back, attainable by a courtyard where a
|
||
|
plane-tree rustled its green leaves, church-organs claimed to be
|
||
|
made, and silver to be chased, and likewise gold to be beaten by some
|
||
|
mysterious giant who had a golden arm starting out of the wall of the
|
||
|
front hall--as if he had beaten himself precious, and menaced a similar
|
||
|
conversion of all visitors. Very little of these trades, or of a
|
||
|
lonely lodger rumoured to live up-stairs, or of a dim coach-trimming
|
||
|
maker asserted to have a counting-house below, was ever heard or seen.
|
||
|
Occasionally, a stray workman putting his coat on, traversed the
|
||
|
hall, or a stranger peered about there, or a distant clink was heard
|
||
|
across the courtyard, or a thump from the golden giant. These,
|
||
|
however, were only the exceptions required to prove the rule that the
|
||
|
sparrows in the plane-tree behind the house, and the echoes in the
|
||
|
corner before it, had their own way from Sunday morning unto Saturday
|
||
|
night.
|
||
|
|
||
|
Doctor Manette received such patients here as his old reputation,
|
||
|
and its revival in the floating whispers of his story, brought him.
|
||
|
His scientific knowledge, and his vigilance and skill in conducting
|
||
|
ingenious experiments, brought him otherwise into moderate request,
|
||
|
and he earned as much as he wanted.
|
||
|
|
||
|
These things were within Mr. Jarvis Lorry's knowledge, thoughts, and
|
||
|
notice, when he rang the door-bell of the tranquil house in the corner,
|
||
|
on the fine Sunday afternoon.
|
||
|
|
||
|
"Doctor Manette at home?"
|
||
|
|
||
|
Expected home.
|
||
|
|
||
|
"Miss Lucie at home?"
|
||
|
|
||
|
Expected home.
|
||
|
|
||
|
"Miss Pross at home?"
|
||
|
|
||
|
Possibly at home, but of a certainty impossible for handmaid to anticipate
|
||
|
intentions of Miss Pross, as to admission or denial of the fact.
|
||
|
|
||
|
"As I am at home myself," said Mr. Lorry, "I'll go upstairs."
|
||
|
|
||
|
Although the Doctor's daughter had known nothing of the country of
|
||
|
her birth, she appeared to have innately derived from it that ability
|
||
|
to make much of little means, which is one of its most useful and
|
||
|
most agreeable characteristics. Simple as the furniture was, it was
|
||
|
set off by so many little adornments, of no value but for their taste
|
||
|
and fancy, that its effect was delightful. The disposition of
|
||
|
everything in the rooms, from the largest object to the least; the
|
||
|
arrangement of colours, the elegant variety and contrast obtained by
|
||
|
thrift in trifles, by delicate hands, clear eyes, and good sense;
|
||
|
were at once so pleasant in themselves, and so expressive of their
|
||
|
originator, that, as Mr. Lorry stood looking about him, the very
|
||
|
chairs and tables seemed to ask him, with something of that peculiar
|
||
|
expression which he knew so well by this time, whether he approved?
|
||
|
|
||
|
There were three rooms on a floor, and, the doors by which they
|
||
|
communicated being put open that the air might pass freely through
|
||
|
them all, Mr. Lorry, smilingly observant of that fanciful resemblance
|
||
|
which he detected all around him, walked from one to another.
|
||
|
The first was the best room, and in it were Lucie's birds, and flowers,
|
||
|
and books, and desk, and work-table, and box of water-colours;
|
||
|
the second was the Doctor's consulting-room, used also as the
|
||
|
dining-room; the third, changingly speckled by the rustle of the
|
||
|
plane-tree in the yard, was the Doctor's bedroom, and there, in a
|
||
|
corner, stood the disused shoemaker's bench and tray of tools,
|
||
|
much as it had stood on the fifth floor of the dismal house by the
|
||
|
wine-shop, in the suburb of Saint Antoine in Paris.
|
||
|
|
||
|
"I wonder," said Mr. Lorry, pausing in his looking about, "that he
|
||
|
keeps that reminder of his sufferings about him!"
|
||
|
|
||
|
"And why wonder at that?" was the abrupt inquiry that made him start.
|
||
|
|
||
|
It proceeded from Miss Pross, the wild red woman, strong of hand,
|
||
|
whose acquaintance he had first made at the Royal George Hotel at Dover,
|
||
|
and had since improved.
|
||
|
|
||
|
"I should have thought--" Mr. Lorry began.
|
||
|
|
||
|
"Pooh! You'd have thought!" said Miss Pross; and Mr. Lorry left off.
|
||
|
|
||
|
"How do you do?" inquired that lady then--sharply, and yet as if to
|
||
|
express that she bore him no malice.
|
||
|
|
||
|
"I am pretty well, I thank you," answered Mr. Lorry, with meekness;
|
||
|
"how are you?"
|
||
|
|
||
|
"Nothing to boast of," said Miss Pross.
|
||
|
|
||
|
"Indeed?"
|
||
|
|
||
|
"Ah! indeed!" said Miss Pross. "I am very much put out about my Ladybird."
|
||
|
|
||
|
"Indeed?"
|
||
|
|
||
|
"For gracious sake say something else besides `indeed,' or you'll
|
||
|
fidget me to death," said Miss Pross: whose character (dissociated
|
||
|
from stature) was shortness.
|
||
|
|
||
|
"Really, then?" said Mr. Lorry, as an amendment.
|
||
|
|
||
|
"Really, is bad enough," returned Miss Pross, "but better. Yes, I am
|
||
|
very much put out."
|
||
|
|
||
|
"May I ask the cause?"
|
||
|
|
||
|
"I don't want dozens of people who are not at all worthy of Ladybird,
|
||
|
to come here looking after her," said Miss Pross.
|
||
|
|
||
|
"DO dozens come for that purpose?"
|
||
|
|
||
|
"Hundreds," said Miss Pross.
|
||
|
|
||
|
It was characteristic of this lady (as of some other people before her
|
||
|
time and since) that whenever her original proposition was questioned,
|
||
|
she exaggerated it.
|
||
|
|
||
|
"Dear me!" said Mr. Lorry, as the safest remark he could think of.
|
||
|
|
||
|
"I have lived with the darling--or the darling has lived with me,
|
||
|
and paid me for it; which she certainly should never have done,
|
||
|
you may take your affidavit, if I could have afforded to keep either
|
||
|
myself or her for nothing--since she was ten years old. And it's
|
||
|
really very hard," said Miss Pross.
|
||
|
|
||
|
Not seeing with precision what was very hard, Mr. Lorry shook his head;
|
||
|
using that important part of himself as a sort of fairy cloak that
|
||
|
would fit anything.
|
||
|
|
||
|
"All sorts of people who are not in the least degree worthy of the pet,
|
||
|
are always turning up," said Miss Pross. "When you began it--"
|
||
|
|
||
|
"_I_ began it, Miss Pross?"
|
||
|
|
||
|
"Didn't you? Who brought her father to life?"
|
||
|
|
||
|
"Oh! If THAT was beginning it--" said Mr. Lorry.
|
||
|
|
||
|
"It wasn't ending it, I suppose? I say, when you began it, it was hard
|
||
|
enough; not that I have any fault to find with Doctor Manette, except
|
||
|
that he is not worthy of such a daughter, which is no imputation on
|
||
|
him, for it was not to be expected that anybody should be, under any
|
||
|
circumstances. But it ready is doubly and trebly hard to have crowds
|
||
|
and multitudes of people turning up after him (I could have forgiven him),
|
||
|
to take Ladybird's affections away from me."
|
||
|
|
||
|
Mr. Lorry knew Miss Pross to be very jealous, but he also knew her by
|
||
|
this time to be, beneath the service of her eccentricity, one of those
|
||
|
unselfish creatures--found only among women--who will, for pure love
|
||
|
and admiration, bind themselves willing slaves, to youth when they
|
||
|
have lost it, to beauty that they never had, to accomplishments that
|
||
|
they were never fortunate enough to gain, to bright hopes that never
|
||
|
shone upon their own sombre lives. He knew enough of the world to
|
||
|
know that there is nothing in it better than the faithful service of
|
||
|
the heart; so rendered and so free from any mercenary taint, he had
|
||
|
such an exalted respect for it, that in the retributive arrangements
|
||
|
made by his own mind--we all make such arrangements, more or less--
|
||
|
he stationed Miss Pross much nearer to the lower Angels than many
|
||
|
ladies immeasurably better got up both by Nature and Art, who had
|
||
|
balances at Tellson's.
|
||
|
|
||
|
"There never was, nor will be, but one man worthy of Ladybird," said
|
||
|
Miss Pross; "and that was my brother Solomon, if he hadn't made a
|
||
|
mistake in life."
|
||
|
|
||
|
Here again: Mr. Lorry's inquiries into Miss Pross's personal history
|
||
|
had established the fact that her brother Solomon was a heartless
|
||
|
scoundrel who had stripped her of everything she possessed, as a
|
||
|
stake to speculate with, and had abandoned her in her poverty for
|
||
|
evermore, with no touch of compunction. Miss Pross's fidelity of
|
||
|
belief in Solomon (deducting a mere trifle for this slight mistake)
|
||
|
was quite a serious matter with Mr. Lorry, and had its weight in his
|
||
|
good opinion of her.
|
||
|
|
||
|
"As we happen to be alone for the moment, and are both people of
|
||
|
business," he said, when they had got back to the drawing-room and
|
||
|
had sat down there in friendly relations, "let me ask you--does the
|
||
|
Doctor, in talking with Lucie, never refer to the shoemaking time, yet?"
|
||
|
|
||
|
"Never."
|
||
|
|
||
|
"And yet keeps that bench and those tools beside him?"
|
||
|
|
||
|
"Ah!" returned Miss Pross, shaking her head. "But I don't say he
|
||
|
don't refer to it within himself."
|
||
|
|
||
|
"Do you believe that he thinks of it much?"
|
||
|
|
||
|
"I do," said Miss Pross.
|
||
|
|
||
|
"Do you imagine--" Mr. Lorry had begun, when Miss Pross took him up
|
||
|
short with:
|
||
|
|
||
|
"Never imagine anything. Have no imagination at all."
|
||
|
|
||
|
"I stand corrected; do you suppose--you go so far as to suppose, sometimes?"
|
||
|
|
||
|
"Now and then," said Miss Pross.
|
||
|
|
||
|
"Do you suppose," Mr. Lorry went on, with a laughing twinkle in his
|
||
|
bright eye, as it looked kindly at her, "that Doctor Manette has any
|
||
|
theory of his own, preserved through all those years, relative to the
|
||
|
cause of his being so oppressed; perhaps, even to the name of his
|
||
|
oppressor?"
|
||
|
|
||
|
"I don't suppose anything about it but what Ladybird tells me."
|
||
|
|
||
|
"And that is--?"
|
||
|
|
||
|
"That she thinks he has."
|
||
|
|
||
|
"Now don't be angry at my asking all these questions; because I am a
|
||
|
mere dull man of business, and you are a woman of business."
|
||
|
|
||
|
"Dull?" Miss Pross inquired, with placidity.
|
||
|
|
||
|
Rather wishing his modest adjective away, Mr. Lorry replied, "No, no,
|
||
|
no. Surely not. To return to business:--Is it not remarkable that
|
||
|
Doctor Manette, unquestionably innocent of any crane as we are all
|
||
|
well assured he is, should never touch upon that question? I will not
|
||
|
say with me, though he had business relations with me many years ago,
|
||
|
and we are now intimate; I will say with the fair daughter to whom he
|
||
|
is so devotedly attached, and who is so devotedly attached to him?
|
||
|
Believe me, Miss Pross, I don't approach the topic with you, out of
|
||
|
curiosity, but out of zealous interest."
|
||
|
|
||
|
"Well! To the best of my understanding, and bad's the best,
|
||
|
you'll tell me," said Miss Pross, softened by the tone of the apology,
|
||
|
"he is afraid of the whole subject."
|
||
|
|
||
|
"Afraid?"
|
||
|
|
||
|
"It's plain enough, I should think, why he may be. It's a dreadful
|
||
|
remembrance. Besides that, his loss of himself grew out of it.
|
||
|
Not knowing how he lost himself, or how he recovered himself, he may
|
||
|
never feel certain of not losing himself again. That alone wouldn't
|
||
|
make the subject pleasant, I should think."
|
||
|
|
||
|
It was a profounder remark than Mr. Lorry had looked for. "True,"
|
||
|
said he, "and fearful to reflect upon. Yet, a doubt lurks in my mind,
|
||
|
Miss Pross, whether it is good for Doctor Manette to have that
|
||
|
suppression always shut up within him. Indeed, it is this doubt and
|
||
|
the uneasiness it sometimes causes me that has led me to our present
|
||
|
confidence."
|
||
|
|
||
|
"Can't be helped," said Miss Pross, shaking her head. "Touch that
|
||
|
string, and he instantly changes for the worse. Better leave it
|
||
|
alone. In short, must leave it alone, like or no like. Sometimes,
|
||
|
he gets up in the dead of the night, and will be heard, by us
|
||
|
overhead there, walking up and down, walking up and down, in his room.
|
||
|
Ladybird has learnt to know then that his mind is walking up and
|
||
|
down, walking up and down, in his old prison. She hurries to him,
|
||
|
and they go on together, walking up and down, walking up and down,
|
||
|
until he is composed. But he never says a word of the true reason of
|
||
|
his restlessness, to her, and she finds it best not to hint at it to him.
|
||
|
In silence they go walking up and down together, walking up and down
|
||
|
together, till her love and company have brought him to himself."
|
||
|
|
||
|
Notwithstanding Miss Pross's denial of her own imagination, there was
|
||
|
a perception of the pain of being monotonously haunted by one sad idea,
|
||
|
in her repetition of the phrase, walking up and down, which testified
|
||
|
to her possessing such a thing.
|
||
|
|
||
|
The corner has been mentioned as a wonderful corner for echoes;
|
||
|
it had begun to echo so resoundingly to the tread of coming feet,
|
||
|
that it seemed as though the very mention of that weary pacing to and
|
||
|
fro had set it going.
|
||
|
|
||
|
"Here they are!" said Miss Pross, rising to break up the conference;
|
||
|
"and now we shall have hundreds of people pretty soon!"
|
||
|
|
||
|
It was such a curious corner in its acoustical properties, such a
|
||
|
peculiar Ear of a place, that as Mr. Lorry stood at the open window,
|
||
|
looking for the father and daughter whose steps he heard, he fancied
|
||
|
they would never approach. Not only would the echoes die away,
|
||
|
as though the steps had gone; but, echoes of other steps that never
|
||
|
came would be heard in their stead, and would die away for good when
|
||
|
they seemed close at hand. However, father and daughter did at last
|
||
|
appear, and Miss Pross was ready at the street door to receive them.
|
||
|
|
||
|
Miss Pross was a pleasant sight, albeit wild, and red, and grim, taking
|
||
|
off her darling's bonnet when she came up-stairs, and touching it up
|
||
|
with the ends of her handkerchief, and blowing the dust off it, and
|
||
|
folding her mantle ready for laying by, and smoothing her rich hair
|
||
|
with as much pride as she could possibly have taken in her own hair
|
||
|
if she had been the vainest and handsomest of women. Her darling was
|
||
|
a pleasant sight too, embracing her and thanking her, and protesting
|
||
|
against her taking so much trouble for her--which last she only dared
|
||
|
to do playfully, or Miss Pross, sorely hurt, would have retired to
|
||
|
her own chamber and cried. The Doctor was a pleasant sight too,
|
||
|
looking on at them, and telling Miss Pross how she spoilt Lucie, in
|
||
|
accents and with eyes that had as much spoiling in them as Miss Pross
|
||
|
had, and would have had more if it were possible. Mr. Lorry was a
|
||
|
pleasant sight too, beaming at all this in his little wig, and thanking
|
||
|
his bachelor stars for having lighted him in his declining years to a
|
||
|
Home. But, no Hundreds of people came to see the sights, and Mr. Lorry
|
||
|
looked in vain for the fulfilment of Miss Pross's prediction.
|
||
|
|
||
|
Dinner-time, and still no Hundreds of people. In the arrangements of
|
||
|
the little household, Miss Pross took charge of the lower regions,
|
||
|
and always acquitted herself marvellously. Her dinners, of a very
|
||
|
modest quality, were so well cooked and so well served, and so neat
|
||
|
in their contrivances, half English and half French, that nothing
|
||
|
could be better. Miss Pross's friendship being of the thoroughly
|
||
|
practical kind, she had ravaged Soho and the adjacent provinces, in
|
||
|
search of impoverished French, who, tempted by shillings and half-
|
||
|
crowns, would impart culinary mysteries to her. From these decayed
|
||
|
sons and daughters of Gaul, she had acquired such wonderful arts,
|
||
|
that the woman and girl who formed the staff of domestics regarded
|
||
|
her as quite a Sorceress, or Cinderella's Godmother: who would send
|
||
|
out for a fowl, a rabbit, a vegetable or two from the garden, and
|
||
|
change them into anything she pleased.
|
||
|
|
||
|
On Sundays, Miss Pross dined at the Doctor's table, but on other days
|
||
|
persisted in taking her meals at unknown periods, either in the lower
|
||
|
regions, or in her own room on the second floor--a blue chamber,
|
||
|
to which no one but her Ladybird ever gained admittance. On this
|
||
|
occasion, Miss Pross, responding to Ladybird's pleasant face and
|
||
|
pleasant efforts to please her, unbent exceedingly; so the dinner was
|
||
|
very pleasant, too.
|
||
|
|
||
|
It was an oppressive day, and, after dinner, Lucie proposed that the
|
||
|
wine should be carried out under the plane-tree, and they should sit
|
||
|
there in the air. As everything turned upon her, and revolved about
|
||
|
her, they went out under the plane-tree, and she carried the wine
|
||
|
down for the special benefit of Mr. Lorry. She had installed herself,
|
||
|
some time before, as Mr. Lorry's cup-bearer; and while they sat under
|
||
|
the plane-tree, talking, she kept his glass replenished. Mysterious
|
||
|
backs and ends of houses peeped at them as they talked, and the
|
||
|
plane-tree whispered to them in its own way above their heads.
|
||
|
|
||
|
Still, the Hundreds of people did not present themselves. Mr. Darnay
|
||
|
presented himself while they were sitting under the plane-tree,
|
||
|
but he was only One.
|
||
|
|
||
|
Doctor Manette received him kindly, and so did Lucie. But, Miss
|
||
|
Pross suddenly became afflicted with a twitching in the head and
|
||
|
body, and retired into the house. She was not unfrequently the
|
||
|
victim of this disorder, and she called it, in familiar conversation,
|
||
|
"a fit of the jerks."
|
||
|
|
||
|
The Doctor was in his best condition, and looked specially young.
|
||
|
The resemblance between him and Lucie was very strong at such times,
|
||
|
and as they sat side by side, she leaning on his shoulder, and he
|
||
|
resting his arm on the back of her chair, it was very agreeable to
|
||
|
trace the likeness.
|
||
|
|
||
|
He had been talking all day, on many subjects, and with unusual vivacity.
|
||
|
"Pray, Doctor Manette," said Mr. Darnay, as they sat under the
|
||
|
plane-tree--and he said it in the natural pursuit of the topic in
|
||
|
hand, which happened to be the old buildings of London--"have you
|
||
|
seen much of the Tower?"
|
||
|
|
||
|
"Lucie and I have been there; but only casually. We have seen enough
|
||
|
of it, to know that it teems with interest; little more."
|
||
|
|
||
|
"_I_ have been there, as you remember," said Darnay, with a smile,
|
||
|
though reddening a little angrily, "in another character, and not in
|
||
|
a character that gives facilities for seeing much of it. They told
|
||
|
me a curious thing when I was there."
|
||
|
|
||
|
"What was that?" Lucie asked.
|
||
|
|
||
|
"In making some alterations, the workmen came upon an old dungeon,
|
||
|
which had been, for many years, built up and forgotten. Every stone
|
||
|
of its inner wall was covered by inscriptions which had been carved
|
||
|
by prisoners--dates, names, complaints, and prayers. Upon a corner
|
||
|
stone in an angle of the wall, one prisoner, who seemed to have gone
|
||
|
to execution, had cut as his last work, three letters. They were
|
||
|
done with some very poor instrument, and hurriedly, with an unsteady
|
||
|
hand. At first, they were read as D. I. C.; but, on being more
|
||
|
carefully examined, the last letter was found to be G. There was no
|
||
|
record or legend of any prisoner with those initials, and many
|
||
|
fruitless guesses were made what the name could have been.
|
||
|
At length, it was suggested that the letters were not initials, but
|
||
|
the complete word, DiG. The floor was examined very carefully under
|
||
|
the inscription, and, in the earth beneath a stone, or tile, or some
|
||
|
fragment of paving, were found the ashes of a paper, mingled with the
|
||
|
ashes of a small leathern case or bag. What the unknown prisoner had
|
||
|
written will never be read, but he had written something, and hidden
|
||
|
it away to keep it from the gaoler."
|
||
|
|
||
|
"My father," exclaimed Lucie, "you are ill!"
|
||
|
|
||
|
He had suddenly started up, with his hand to his head. His manner
|
||
|
and his look quite terrified them all.
|
||
|
|
||
|
"No, my dear, not ill. There are large drops of rain falling,
|
||
|
and they made me start. We had better go in."
|
||
|
|
||
|
He recovered himself almost instantly. Rain was really falling in
|
||
|
large drops, and he showed the back of his hand with rain-drops on it.
|
||
|
But, he said not a single word in reference to the discovery that had
|
||
|
been told of, and, as they went into the house, the business eye of
|
||
|
Mr. Lorry either detected, or fancied it detected, on his face, as it
|
||
|
turned towards Charles Darnay, the same singular look that had been
|
||
|
upon it when it turned towards him in the passages of the Court House.
|
||
|
|
||
|
He recovered himself so quickly, however, that Mr. Lorry had doubts
|
||
|
of his business eye. The arm of the golden giant in the hall was not
|
||
|
more steady than he was, when he stopped under it to remark to them
|
||
|
that he was not yet proof against slight surprises (if he ever would
|
||
|
be), and that the rain had startled him.
|
||
|
|
||
|
Tea-time, and Miss Pross making tea, with another fit of the jerks
|
||
|
upon her, and yet no Hundreds of people. Mr. Carton had lounged in,
|
||
|
but he made only Two.
|
||
|
|
||
|
The night was so very sultry, that although they sat with doors and
|
||
|
windows open, they were overpowered by heat. When the tea-table was
|
||
|
done with, they all moved to one of the windows, and looked out into
|
||
|
the heavy twilight. Lucie sat by her father; Darnay sat beside her;
|
||
|
Carton leaned against a window. The curtains were long and white,
|
||
|
and some of the thunder-gusts that whirled into the corner, caught
|
||
|
them up to the ceiling, and waved them like spectral wings.
|
||
|
|
||
|
"The rain-drops are still falling, large, heavy, and few," said
|
||
|
Doctor Manette. "It comes slowly."
|
||
|
|
||
|
"It comes surely," said Carton.
|
||
|
|
||
|
They spoke low, as people watching and waiting mostly do; as people
|
||
|
in a dark room, watching and waiting for Lightning, always do.
|
||
|
|
||
|
There was a great hurry in the streets of people speeding away to get
|
||
|
shelter before the storm broke; the wonderful corner for echoes
|
||
|
resounded with the echoes of footsteps coming and going, yet not a
|
||
|
footstep was there.
|
||
|
|
||
|
"A multitude of people, and yet a solitude!" said Darnay, when they
|
||
|
had listened for a while.
|
||
|
|
||
|
"Is it not impressive, Mr. Darnay?" asked Lucie. "Sometimes, I have
|
||
|
sat here of an evening, until I have fancied--but even the shade of a
|
||
|
foolish fancy makes me shudder to-night, when all is so black and
|
||
|
solemn--"
|
||
|
|
||
|
"Let us shudder too. We may know what it is."
|
||
|
|
||
|
"It will seem nothing to you. Such whims are only impressive as we
|
||
|
originate them, I think; they are not to be communicated. I have
|
||
|
sometimes sat alone here of an evening, listening, until I have made
|
||
|
the echoes out to be the echoes of all the footsteps that are coming
|
||
|
by-and-bye into our lives."
|
||
|
|
||
|
"There is a great crowd coming one day into our lives, if that be so,"
|
||
|
Sydney Carton struck in, in his moody way.
|
||
|
|
||
|
The footsteps were incessant, and the hurry of them became more and
|
||
|
more rapid. The corner echoed and re-echoed with the tread of feet;
|
||
|
some, as it seemed, under the windows; some, as it seemed, in the room;
|
||
|
some coming, some going, some breaking off, some stopping altogether;
|
||
|
all in the distant streets, and not one within sight.
|
||
|
|
||
|
"Are all these footsteps destined to come to all of us, Miss Manette,
|
||
|
or are we to divide them among us?"
|
||
|
|
||
|
"I don't know, Mr. Darnay; I told you it was a foolish fancy, but you
|
||
|
asked for it. When I have yielded myself to it, I have been alone,
|
||
|
and then I have imagined them the footsteps of the people who are to
|
||
|
come into my life, and my father's."
|
||
|
|
||
|
"I take them into mine!" said Carton. "_I_ ask no questions and make
|
||
|
no stipulations. There is a great crowd bearing down upon us, Miss
|
||
|
Manette, and I see them--by the Lightning." He added the last words,
|
||
|
after there had been a vivid flash which had shown him lounging in
|
||
|
the window.
|
||
|
|
||
|
"And I hear them!" he added again, after a peal of thunder.
|
||
|
"Here they come, fast, fierce, and furious!"
|
||
|
|
||
|
It was the rush and roar of rain that he typified, and it stopped him,
|
||
|
for no voice could be heard in it. A memorable storm of thunder and
|
||
|
lightning broke with that sweep of water, and there was not a moment's
|
||
|
interval in crash, and fire, and rain, until after the moon rose at
|
||
|
midnight.
|
||
|
|
||
|
The great bell of Saint Paul's was striking one in the cleared air,
|
||
|
when Mr. Lorry, escorted by Jerry, high-booted and bearing a lantern,
|
||
|
set forth on his return-passage to Clerkenwell. There were solitary
|
||
|
patches of road on the way between Soho and Clerkenwell, and Mr. Lorry,
|
||
|
mindful of foot-pads, always retained Jerry for this service: though
|
||
|
it was usually performed a good two hours earlier.
|
||
|
|
||
|
"What a night it has been! Almost a night, Jerry," said Mr. Lorry,
|
||
|
"to bring the dead out of their graves."
|
||
|
|
||
|
"I never see the night myself, master--nor yet I don't expect to--
|
||
|
what would do that," answered Jerry.
|
||
|
|
||
|
"Good night, Mr. Carton," said the man of business. "Good night,
|
||
|
Mr. Darnay. Shall we ever see such a night again, together!"
|
||
|
|
||
|
Perhaps. Perhaps, see the great crowd of people with its rush and
|
||
|
roar, bearing down upon them, too.
|
||
|
|
||
|
|
||
|
|
||
|
VII
|
||
|
|
||
|
Monseigneur in Town
|
||
|
|
||
|
|
||
|
Monseigneur, one of the great lords in power at the Court, held his
|
||
|
fortnightly reception in his grand hotel in Paris. Monseigneur was
|
||
|
in his inner room, his sanctuary of sanctuaries, the Holiest of
|
||
|
Holiests to the crowd of worshippers in the suite of rooms without.
|
||
|
Monseigneur was about to take his chocolate. Monseigneur could
|
||
|
swallow a great many things with ease, and was by some few sullen
|
||
|
minds supposed to be rather rapidly swallowing France; but, his
|
||
|
morning's chocolate could not so much as get into the throat of
|
||
|
Monseigneur, without the aid of four strong men besides the Cook.
|
||
|
|
||
|
Yes. It took four men, all four ablaze with gorgeous decoration,
|
||
|
and the Chief of them unable to exist with fewer than two gold
|
||
|
watches in his pocket, emulative of the noble and chaste fashion set
|
||
|
by Monseigneur, to conduct the happy chocolate to Monseigneur's lips.
|
||
|
One lacquey carried the chocolate-pot into the sacred presence;
|
||
|
a second, milled and frothed the chocolate with the little instrument
|
||
|
he bore for that function; a third, presented the favoured napkin;
|
||
|
a fourth (he of the two gold watches), poured the chocolate out.
|
||
|
It was impossible for Monseigneur to dispense with one of these
|
||
|
attendants on the chocolate and hold his high place under the
|
||
|
admiring Heavens. Deep would have been the blot upon his escutcheon
|
||
|
if his chocolate had been ignobly waited on by only three men; he
|
||
|
must have died of two.
|
||
|
|
||
|
Monseigneur had been out at a little supper last night, where the
|
||
|
Comedy and the Grand Opera were charmingly represented. Monseigneur
|
||
|
was out at a little supper most nights, with fascinating company.
|
||
|
So polite and so impressible was Monseigneur, that the Comedy and
|
||
|
the Grand Opera had far more influence with him in the tiresome
|
||
|
articles of state affairs and state secrets, than the needs of all
|
||
|
France. A happy circumstance for France, as the like always is for
|
||
|
all countries similarly favoured!--always was for England (by way of
|
||
|
example), in the regretted days of the merry Stuart who sold it.
|
||
|
|
||
|
Monseigneur had one truly noble idea of general public business,
|
||
|
which was, to let everything go on in its own way; of particular
|
||
|
public business, Monseigneur had the other truly noble idea that it
|
||
|
must all go his way--tend to his own power and pocket. Of his
|
||
|
pleasures, general and particular, Monseigneur had the other truly
|
||
|
noble idea, that the world was made for them. The text of his order
|
||
|
(altered from the original by only a pronoun, which is not much) ran:
|
||
|
"The earth and the fulness thereof are mine, saith Monseigneur."
|
||
|
|
||
|
Yet, Monseigneur had slowly found that vulgar embarrassments crept
|
||
|
into his affairs, both private and public; and he had, as to both
|
||
|
classes of affairs, allied himself perforce with a Farmer-General.
|
||
|
As to finances public, because Monseigneur could not make anything
|
||
|
at all of them, and must consequently let them out to somebody who
|
||
|
could; as to finances private, because Farmer-Generals were rich, and
|
||
|
Monseigneur, after generations of great luxury and expense, was
|
||
|
growing poor. Hence Monseigneur had taken his sister from a convent,
|
||
|
while there was yet time to ward off the impending veil, the cheapest
|
||
|
garment she could wear, and had bestowed her as a prize upon a very
|
||
|
rich Farmer-General, poor in family. Which Farmer-General, carrying
|
||
|
an appropriate cane with a golden apple on the top of it, was now
|
||
|
among the company in the outer rooms, much prostrated before by
|
||
|
mankind--always excepting superior mankind of the blood of Monseigneur,
|
||
|
who, his own wife included, looked down upon him with the loftiest
|
||
|
contempt.
|
||
|
|
||
|
A sumptuous man was the Farmer-General. Thirty horses stood in his
|
||
|
stables, twenty-four male domestics sat in his halls, six body-women
|
||
|
waited on his wife. As one who pretended to do nothing but plunder
|
||
|
and forage where he could, the Farmer-General--howsoever his
|
||
|
matrimonial relations conduced to social morality--was at least the
|
||
|
greatest reality among the personages who attended at the hotel of
|
||
|
Monseigneur that day.
|
||
|
|
||
|
For, the rooms, though a beautiful scene to look at, and adorned with
|
||
|
every device of decoration that the taste and skill of the time could
|
||
|
achieve, were, in truth, not a sound business; considered with any
|
||
|
reference to the scarecrows in the rags and nightcaps elsewhere
|
||
|
(and not so far off, either, but that the watching towers of Notre
|
||
|
Dame, almost equidistant from the two extremes, could see them both),
|
||
|
they would have been an exceedingly uncomfortable business--if that
|
||
|
could have been anybody's business, at the house of Monseigneur.
|
||
|
Military officers destitute of military knowledge; naval officers
|
||
|
with no idea of a ship; civil officers without a notion of affairs;
|
||
|
brazen ecclesiastics, of the worst world worldly, with sensual eyes,
|
||
|
loose tongues, and looser lives; all totally unfit for their several
|
||
|
callings, all lying horribly in pretending to belong to them, but all
|
||
|
nearly or remotely of the order of Monseigneur, and therefore foisted
|
||
|
on all public employments from which anything was to be got; these were
|
||
|
to be told off by the score and the score. People not immediately
|
||
|
connected with Monseigneur or the State, yet equally unconnected with
|
||
|
anything that was real, or with lives passed in travelling by any
|
||
|
straight road to any true earthly end, were no less abundant.
|
||
|
Doctors who made great fortunes out of dainty remedies for imaginary
|
||
|
disorders that never existed, smiled upon their courtly patients in
|
||
|
the ante-chambers of Monseigneur. Projectors who had discovered
|
||
|
every kind of remedy for the little evils with which the State was
|
||
|
touched, except the remedy of setting to work in earnest to root out
|
||
|
a single sin, poured their distracting babble into any ears they
|
||
|
could lay hold of, at the reception of Monseigneur. Unbelieving
|
||
|
Philosophers who were remodelling the world with words, and making
|
||
|
card-towers of Babel to scale the skies with, talked with Unbelieving
|
||
|
Chemists who had an eye on the transmutation of metals, at this
|
||
|
wonderful gathering accumulated by Monseigneur. Exquisite gentlemen
|
||
|
of the finest breeding, which was at that remarkable time--and has
|
||
|
been since--to be known by its fruits of indifference to every
|
||
|
natural subject of human interest, were in the most exemplary state
|
||
|
of exhaustion, at the hotel of Monseigneur. Such homes had these
|
||
|
various notabilities left behind them in the fine world of Paris,
|
||
|
that the spies among the assembled devotees of Monseigneur--forming a
|
||
|
goodly half of the polite company--would have found it hard to
|
||
|
discover among the angels of that sphere one solitary wife, who, in
|
||
|
her manners and appearance, owned to being a Mother. Indeed, except
|
||
|
for the mere act of bringing a troublesome creature into this world--
|
||
|
which does not go far towards the realisation of the name of mother--
|
||
|
there was no such thing known to the fashion. Peasant women kept the
|
||
|
unfashionable babies close, and brought them up, and charming grandmammas
|
||
|
of sixty dressed and supped as at twenty.
|
||
|
|
||
|
The leprosy of unreality disfigured every human creature in attendance
|
||
|
upon Monseigneur. In the outermost room were half a dozen exceptional
|
||
|
people who had had, for a few years, some vague misgiving in them
|
||
|
that things in general were going rather wrong. As a promising way
|
||
|
of setting them right, half of the half-dozen had become members of a
|
||
|
fantastic sect of Convulsionists, and were even then considering within
|
||
|
themselves whether they should foam, rage, roar, and turn cataleptic
|
||
|
on the spot--thereby setting up a highly intelligible finger-post to
|
||
|
the Future, for Monseigneur's guidance. Besides these Dervishes,
|
||
|
were other three who had rushed into another sect, which mended
|
||
|
matters with a jargon about "the Centre of Truth:" holding that Man
|
||
|
had got out of the Centre of Truth--which did not need much
|
||
|
demonstration--but had not got out of the Circumference, and that he
|
||
|
was to be kept from flying out of the Circumference, and was even to
|
||
|
be shoved back into the Centre, by fasting and seeing of spirits.
|
||
|
Among these, accordingly, much discoursing with spirits went on--and
|
||
|
it did a world of good which never became manifest.
|
||
|
|
||
|
But, the comfort was, that all the company at the grand hotel of
|
||
|
Monseigneur were perfectly dressed. If the Day of Judgment had only
|
||
|
been ascertained to be a dress day, everybody there would have been
|
||
|
eternally correct. Such frizzling and powdering and sticking up of
|
||
|
hair, such delicate complexions artificially preserved and mended,
|
||
|
such gallant swords to look at, and such delicate honour to the sense
|
||
|
of smell, would surely keep anything going, for ever and ever.
|
||
|
The exquisite gentlemen of the finest breeding wore little pendent
|
||
|
trinkets that chinked as they languidly moved; these golden fetters
|
||
|
rang like precious little bells; and what with that ringing, and with
|
||
|
the rustle of silk and brocade and fine linen, there was a flutter in
|
||
|
the air that fanned Saint Antoine and his devouring hunger far away.
|
||
|
|
||
|
Dress was the one unfailing talisman and charm used for keeping all
|
||
|
things in their places. Everybody was dressed for a Fancy Ball that
|
||
|
was never to leave off. From the Palace of the Tuileries, through
|
||
|
Monseigneur and the whole Court, through the Chambers, the Tribunals
|
||
|
of Justice, and all society (except the scarecrows), the Fancy Ball
|
||
|
descended to the Common Executioner: who, in pursuance of the charm,
|
||
|
was required to officiate "frizzled, powdered, in a gold-laced coat,
|
||
|
pumps, and white silk stockings." At the gallows and the wheel--the
|
||
|
axe was a rarity--Monsieur Paris, as it was the episcopal mode among
|
||
|
his brother Professors of the provinces, Monsieur Orleans, and the
|
||
|
rest, to call him, presided in this dainty dress. And who among the
|
||
|
company at Monseigneur's reception in that seventeen hundred and
|
||
|
eightieth year of our Lord, could possibly doubt, that a system
|
||
|
rooted in a frizzled hangman, powdered, gold-laced, pumped, and
|
||
|
white-silk stockinged, would see the very stars out!
|
||
|
|
||
|
Monseigneur having eased his four men of their burdens and taken his
|
||
|
chocolate, caused the doors of the Holiest of Holiests to be thrown
|
||
|
open, and issued forth. Then, what submission, what cringing and
|
||
|
fawning, what servility, what abject humiliation! As to bowing down
|
||
|
in body and spirit, nothing in that way was left for Heaven--which
|
||
|
may have been one among other reasons why the worshippers of
|
||
|
Monseigneur never troubled it.
|
||
|
|
||
|
Bestowing a word of promise here and a smile there, a whisper on one
|
||
|
happy slave and a wave of the hand on another, Monseigneur affably
|
||
|
passed through his rooms to the remote region of the Circumference of
|
||
|
Truth. There, Monseigneur turned, and came back again, and so in due
|
||
|
course of time got himself shut up in his sanctuary by the chocolate
|
||
|
sprites, and was seen no more.
|
||
|
|
||
|
The show being over, the flutter in the air became quite a little
|
||
|
storm, and the precious little bells went ringing downstairs.
|
||
|
There was soon but one person left of all the crowd, and he, with his
|
||
|
hat under his arm and his snuff-box in his hand, slowly passed among
|
||
|
the mirrors on his way out.
|
||
|
|
||
|
"I devote you," said this person, stopping at the last door on his
|
||
|
way, and turning in the direction of the sanctuary, "to the Devil!"
|
||
|
|
||
|
With that, he shook the snuff from his fingers as if he had shaken
|
||
|
the dust from his feet, and quietly walked downstairs.
|
||
|
|
||
|
He was a man of about sixty, handsomely dressed, haughty in manner,
|
||
|
and with a face like a fine mask. A face of a transparent paleness;
|
||
|
every feature in it clearly defined; one set expression on it.
|
||
|
The nose, beautifully formed otherwise, was very slightly pinched at
|
||
|
the top of each nostril. In those two compressions, or dints, the
|
||
|
only little change that the face ever showed, resided. They persisted
|
||
|
in changing colour sometimes, and they would be occasionally dilated
|
||
|
and contracted by something like a faint pulsation; then, they gave a
|
||
|
look of treachery, and cruelty, to the whole countenance. Examined
|
||
|
with attention, its capacity of helping such a look was to be found
|
||
|
in the line of the mouth, and the lines of the orbits of the eyes,
|
||
|
being much too horizontal and thin; still, in the effect of the face
|
||
|
made, it was a handsome face, and a remarkable one.
|
||
|
|
||
|
Its owner went downstairs into the courtyard, got into his carriage,
|
||
|
and drove away. Not many people had talked with him at the reception;
|
||
|
he had stood in a little space apart, and Monseigneur might have been
|
||
|
warmer in his manner. It appeared, under the circumstances, rather
|
||
|
agreeable to him to see the common people dispersed before his horses,
|
||
|
and often barely escaping from being run down. His man drove as if
|
||
|
he were charging an enemy, and the furious recklessness of the man
|
||
|
brought no check into the face, or to the lips, of the master. The
|
||
|
complaint had sometimes made itself audible, even in that deaf city
|
||
|
and dumb age, that, in the narrow streets without footways, the fierce
|
||
|
patrician custom of hard driving endangered and maimed the mere vulgar
|
||
|
in a barbarous manner. But, few cared enough for that to think of it
|
||
|
a second time, and, in this matter, as in all others, the common
|
||
|
wretches were left to get out of their difficulties as they could.
|
||
|
|
||
|
With a wild rattle and clatter, and an inhuman abandonment of
|
||
|
consideration not easy to be understood in these days, the carriage
|
||
|
dashed through streets and swept round corners, with women screaming
|
||
|
before it, and men clutching each other and clutching children out of
|
||
|
its way. At last, swooping at a street corner by a fountain, one of
|
||
|
its wheels came to a sickening little jolt, and there was a loud cry
|
||
|
from a number of voices, and the horses reared and plunged.
|
||
|
|
||
|
But for the latter inconvenience, the carriage probably would not
|
||
|
have stopped; carriages were often known to drive on, and leave their
|
||
|
wounded behind, and why not? But the frightened valet had got down in
|
||
|
a hurry, and there were twenty hands at the horses' bridles.
|
||
|
|
||
|
"What has gone wrong?" said Monsieur, calmly looking out.
|
||
|
|
||
|
A tall man in a nightcap had caught up a bundle from among the feet
|
||
|
of the horses, and had laid it on the basement of the fountain,
|
||
|
and was down in the mud and wet, howling over it like a wild animal.
|
||
|
|
||
|
"Pardon, Monsieur the Marquis!" said a ragged and submissive man,
|
||
|
"it is a child."
|
||
|
|
||
|
"Why does he make that abominable noise? Is it his child?"
|
||
|
|
||
|
"Excuse me, Monsieur the Marquis--it is a pity--yes."
|
||
|
|
||
|
The fountain was a little removed; for the street opened, where it
|
||
|
was, into a space some ten or twelve yards square. As the tall man
|
||
|
suddenly got up from the ground, and came running at the carriage,
|
||
|
Monsieur the Marquis clapped his hand for an instant on his sword-hilt.
|
||
|
|
||
|
"Killed!" shrieked the man, in wild desperation, extending both arms
|
||
|
at their length above his head, and staring at him. "Dead!"
|
||
|
|
||
|
The people closed round, and looked at Monsieur the Marquis.
|
||
|
There was nothing revealed by the many eyes that looked at him but
|
||
|
watchfulness and eagerness; there was no visible menacing or anger.
|
||
|
Neither did the people say anything; after the first cry, they had
|
||
|
been silent, and they remained so. The voice of the submissive man
|
||
|
who had spoken, was flat and tame in its extreme submission.
|
||
|
Monsieur the Marquis ran his eyes over them all, as if they had been
|
||
|
mere rats come out of their holes.
|
||
|
|
||
|
He took out his purse.
|
||
|
|
||
|
"It is extraordinary to me," said he, "that you people cannot take
|
||
|
care of yourselves and your children. One or the other of you is for
|
||
|
ever in the, way. How do I know what injury you have done my horses.
|
||
|
See! Give him that."
|
||
|
|
||
|
He threw out a gold coin for the valet to pick up, and all the heads
|
||
|
craned forward that all the eyes might look down at it as it fell.
|
||
|
The tall man called out again with a most unearthly cry, "Dead!"
|
||
|
|
||
|
He was arrested by the quick arrival of another man, for whom the
|
||
|
rest made way. On seeing him, the miserable creature fell upon his
|
||
|
shoulder, sobbing and crying, and pointing to the fountain, where
|
||
|
some women were stooping over the motionless bundle, and moving
|
||
|
gently about it. They were as silent, however, as the men.
|
||
|
|
||
|
"I know all, I know all," said the last comer. "Be a brave man, my
|
||
|
Gaspard! It is better for the poor little plaything to die so, than
|
||
|
to live. It has died in a moment without pain. Could it have lived
|
||
|
an hour as happily?"
|
||
|
|
||
|
"You are a philosopher, you there," said the, Marquis, smiling.
|
||
|
"How do they call you?"
|
||
|
|
||
|
"They call me Defarge."
|
||
|
|
||
|
"Of what trade?"
|
||
|
|
||
|
"Monsieur the Marquis, vendor of wine."
|
||
|
|
||
|
"Pick up that, philosopher and vendor of wine," said the Marquis,
|
||
|
throwing him another gold coin, "and spend it as you will.
|
||
|
The horses there; are they right?"
|
||
|
|
||
|
Without deigning to look at the assemblage a second time, Monsieur
|
||
|
the Marquis leaned back in his seat, and was just being driven away
|
||
|
with the air of a gentleman who had accidentally broke some common
|
||
|
thing, and had paid for it, and could afford to pay for it; when his
|
||
|
ease was suddenly disturbed by a coin flying into his carriage,
|
||
|
and ringing on its floor.
|
||
|
|
||
|
"Hold!" said Monsieur the Marquis. "Hold the horses! Who threw that?"
|
||
|
|
||
|
He looked to the spot where Defarge the vendor of wine had stood,
|
||
|
a moment before; but the wretched father was grovelling on his face
|
||
|
on the pavement in that spot, and the figure that stood beside him
|
||
|
was the figure of a dark stout woman, knitting.
|
||
|
|
||
|
"You dogs!" said the Marquis, but smoothly, and with an unchanged front,
|
||
|
except as to the spots on his nose: "I would ride over any of you
|
||
|
very willingly, and exterminate you from the earth. If I knew which
|
||
|
rascal threw at the carriage, and if that brigand were sufficiently
|
||
|
near it, he should be crushed under the wheels."
|
||
|
|
||
|
So cowed was their condition, and so long and hard their experience
|
||
|
of what such a man could do to them, within the law and beyond it,
|
||
|
that not a voice, or a hand, or even an eye was raised. Among the
|
||
|
men, not one. But the woman who stood knitting looked up steadily,
|
||
|
and looked the Marquis in the face. It was not for his dignity to
|
||
|
notice it; his contemptuous eyes passed over her, and over all the
|
||
|
other rats; and he leaned back in his seat again, and gave the word
|
||
|
"Go on!"
|
||
|
|
||
|
He was driven on, and other carriages came whirling by in quick
|
||
|
succession; the Minister, the State-Projector, the Farmer-General,
|
||
|
the Doctor, the Lawyer, the Ecclesiastic, the Grand Opera, the
|
||
|
Comedy, the whole Fancy Ball in a bright continuous flow, came
|
||
|
whirling by. The rats had crept out of their holes to look on,
|
||
|
and they remained looking on for hours; soldiers and police often
|
||
|
passing between them and the spectacle, and making a barrier behind
|
||
|
which they slunk, and through which they peeped. The father had long
|
||
|
ago taken up his bundle and bidden himself away with it, when the
|
||
|
women who had tended the bundle while it lay on the base of the
|
||
|
fountain, sat there watching the running of the water and the rolling
|
||
|
of the Fancy Ball--when the one woman who had stood conspicuous,
|
||
|
knitting, still knitted on with the steadfastness of Fate. The water
|
||
|
of the fountain ran, the swift river ran, the day ran into evening,
|
||
|
so much life in the city ran into death according to rule, time and
|
||
|
tide waited for no man, the rats were sleeping close together in
|
||
|
their dark holes again, the Fancy Ball was lighted up at supper,
|
||
|
all things ran their course.
|
||
|
|
||
|
|
||
|
|
||
|
VIII
|
||
|
|
||
|
Monseigneur in the Country
|
||
|
|
||
|
|
||
|
A beautiful landscape, with the corn bright in it, but not abundant.
|
||
|
Patches of poor rye where com should have been, patches of poor peas
|
||
|
and beans, patches of most coarse vegetable substitutes for wheat.
|
||
|
On inanimate nature, as on the men and women who cultivated it,
|
||
|
a prevalent tendency towards an appearance of vegetating
|
||
|
unwillingly--a dejected disposition to give up, and wither away.
|
||
|
|
||
|
Monsieur the Marquis in his travelling carriage (which might have
|
||
|
been lighter), conducted by four post-horses and two postilions,
|
||
|
fagged up a steep hill. A blush on the countenance of Monsieur the
|
||
|
Marquis was no impeachment of his high breeding; it was not from
|
||
|
within; it was occasioned by an external circumstance beyond his
|
||
|
control--the setting sun.
|
||
|
|
||
|
The sunset struck so brilliantly into the travelling carriage when it
|
||
|
gained the hill-top, that its occupant was steeped in crimson.
|
||
|
"It will die out," said Monsieur the Marquis, glancing at his hands,
|
||
|
"directly."
|
||
|
|
||
|
In effect, the sun was so low that it dipped at the moment. When the
|
||
|
heavy drag had been adjusted to the wheel, and the carriage slid down
|
||
|
hill, with a cinderous smell, in a cloud of dust, the red glow departed
|
||
|
quickly; the sun and the Marquis going down together, there was no
|
||
|
glow left when the drag was taken off.
|
||
|
|
||
|
But, there remained a broken country, bold and open, a little village
|
||
|
at the bottom of the hill, a broad sweep and rise beyond it, a church-
|
||
|
tower, a windmill, a forest for the chase, and a crag with a fortress
|
||
|
on it used as a prison. Round upon all these darkening objects as
|
||
|
the night drew on, the Marquis looked, with the air of one who was
|
||
|
coming near home.
|
||
|
|
||
|
The village had its one poor street, with its poor brewery, poor
|
||
|
tannery, poor tavern, poor stable-yard for relays of post-horses,
|
||
|
poor fountain, all usual poor appointments. It had its poor people
|
||
|
too. All its people were poor, and many of them were sitting at
|
||
|
their doors, shredding spare onions and the like for supper, while
|
||
|
many were at the fountain, washing leaves, and grasses, and any such
|
||
|
small yieldings of the earth that could be eaten. Expressive sips of
|
||
|
what made them poor, were not wanting; the tax for the state, the tax
|
||
|
for the church, the tax for the lord, tax local and tax general, were
|
||
|
to be paid here and to be paid there, according to solemn inscription
|
||
|
in the little village, until the wonder was, that there was any
|
||
|
village left unswallowed.
|
||
|
|
||
|
Few children were to be seen, and no dogs. As to the men and women,
|
||
|
their choice on earth was stated in the prospect--Life on the lowest
|
||
|
terms that could sustain it, down in the little village under the
|
||
|
mill; or captivity and Death in the dominant prison on the crag.
|
||
|
|
||
|
Heralded by a courier in advance, and by the cracking of his
|
||
|
postilions' whips, which twined snake-like about their heads in the
|
||
|
evening air, as if he came attended by the Furies, Monsieur the
|
||
|
Marquis drew up in his travelling carriage at the posting-house gate.
|
||
|
It was hard by the fountain, and the peasants suspended their
|
||
|
operations to look at him. He looked at them, and saw in them,
|
||
|
without knowing it, the slow sure filing down of misery-worn face and
|
||
|
figure, that was to make the meagreness of Frenchmen an English
|
||
|
superstition which should survive the truth through the best part of
|
||
|
a hundred years.
|
||
|
|
||
|
Monsieur the Marquis cast his eyes over the submissive faces that
|
||
|
drooped before him, as the like of himself had drooped before
|
||
|
Monseigneur of the Court--only the difference was, that these faces
|
||
|
drooped merely to suffer and not to propitiate--when a grizzled
|
||
|
mender of the roads joined the group.
|
||
|
|
||
|
"Bring me hither that fellow!" said the Marquis to the courier.
|
||
|
|
||
|
The fellow was brought, cap in hand, and the other fellows closed
|
||
|
round to look and listen, in the manner of the people at the Paris
|
||
|
fountain.
|
||
|
|
||
|
"I passed you on the road?"
|
||
|
|
||
|
"Monseigneur, it is true. I had the honour of being passed on the road."
|
||
|
|
||
|
"Coming up the hill, and at the top of the hill, both?"
|
||
|
|
||
|
"Monseigneur, it is true."
|
||
|
|
||
|
"What did you look at, so fixedly?"
|
||
|
|
||
|
"Monseigneur, I looked at the man."
|
||
|
|
||
|
He stooped a little, and with his tattered blue cap pointed under the
|
||
|
carriage. All his fellows stooped to look under the carriage.
|
||
|
|
||
|
"What man, pig? And why look there?"
|
||
|
|
||
|
"Pardon, Monseigneur; he swung by the chain of the shoe--the drag."
|
||
|
|
||
|
"Who?" demanded the traveller.
|
||
|
|
||
|
"Monseigneur, the man."
|
||
|
|
||
|
"May the Devil carry away these idiots! How do you can the man?
|
||
|
You know all the men of this part of the country. Who was he?"
|
||
|
|
||
|
"Your clemency, Monseigneur! He was not of this part of the country.
|
||
|
Of all the days of my life, I never saw him."
|
||
|
|
||
|
"Swinging by the chain? To be suffocated?"
|
||
|
|
||
|
"With your gracious permission, that was the wonder of it,
|
||
|
Monseigneur. His head hanging over--like this!"
|
||
|
|
||
|
He turned himself sideways to the carriage, and leaned back, with his
|
||
|
face thrown up to the sky, and his head hanging down; then recovered
|
||
|
himself, fumbled with his cap, and made a bow.
|
||
|
|
||
|
"What was he like?"
|
||
|
|
||
|
"Monseigneur, he was whiter than the miller. All covered with dust,
|
||
|
white as a spectre, tall as a spectre!"
|
||
|
|
||
|
The picture produced an immense sensation in the little crowd;
|
||
|
but all eyes, without comparing notes with other eyes, looked at
|
||
|
Monsieur the Marquis. Perhaps, to observe whether he had any spectre
|
||
|
on his conscience.
|
||
|
|
||
|
"Truly, you did well," said the Marquis, felicitously sensible that
|
||
|
such vermin were not to ruffle him, "to see a thief accompanying my
|
||
|
carriage, and not open that great mouth of yours. Bah! Put him aside,
|
||
|
Monsieur Gabelle!"
|
||
|
|
||
|
Monsieur Gabelle was the Postmaster, and some other taxing functionary
|
||
|
united; he had come out with great obsequiousness to assist at this
|
||
|
examination, and had held the examined by the drapery of his arm in
|
||
|
an official manner.
|
||
|
|
||
|
"Bah! Go aside!" said Monsieur Gabelle.
|
||
|
|
||
|
"Lay hands on this stranger if he seeks to lodge in your village
|
||
|
to-night, and be sure that his business is honest, Gabelle."
|
||
|
|
||
|
"Monseigneur, I am flattered to devote myself to your orders."
|
||
|
|
||
|
"Did he run away, fellow?--where is that Accursed?"
|
||
|
|
||
|
The accursed was already under the carriage with some half-dozen
|
||
|
particular friends, pointing out the chain with his blue cap.
|
||
|
Some half-dozen other particular friends promptly hauled him out,
|
||
|
and presented him breathless to Monsieur the Marquis.
|
||
|
|
||
|
"Did the man run away, Dolt, when we stopped for the drag?"
|
||
|
|
||
|
"Monseigneur, he precipitated himself over the hill-side, head first,
|
||
|
as a person plunges into the river."
|
||
|
|
||
|
"See to it, Gabelle. Go on!"
|
||
|
|
||
|
The half-dozen who were peering at the chain were still among the
|
||
|
wheels, like sheep; the wheels turned so suddenly that they were
|
||
|
lucky to save their skins and bones; they had very little else to
|
||
|
save, or they might not have been so fortunate.
|
||
|
|
||
|
The burst with which the carriage started out of the village and up
|
||
|
the rise beyond, was soon checked by the steepness of the hill.
|
||
|
Gradually, it subsided to a foot pace, swinging and lumbering upward
|
||
|
among the many sweet scents of a summer night. The postilions, with
|
||
|
a thousand gossamer gnats circling about them in lieu of the Furies,
|
||
|
quietly mended the points to the lashes of their whips; the valet
|
||
|
walked by the horses; the courier was audible, trotting on ahead into
|
||
|
the dun distance.
|
||
|
|
||
|
At the steepest point of the hill there was a little burial-ground,
|
||
|
with a Cross and a new large figure of Our Saviour on it; it was a
|
||
|
poor figure in wood, done by some inexperienced rustic carver, but he
|
||
|
had studied the figure from the life--his own life, maybe--for it was
|
||
|
dreadfully spare and thin.
|
||
|
|
||
|
To this distressful emblem of a great distress that had long been
|
||
|
growing worse, and was not at its worst, a woman was kneeling.
|
||
|
She turned her head as the carriage came up to her, rose quickly,
|
||
|
and presented herself at the carriage-door.
|
||
|
|
||
|
"It is you, Monseigneur! Monseigneur, a petition."
|
||
|
|
||
|
With an exclamation of impatience, but with his unchangeable face,
|
||
|
Monseigneur looked out.
|
||
|
|
||
|
"How, then! What is it? Always petitions!"
|
||
|
|
||
|
"Monseigneur. For the love of the great God! My husband, the forester."
|
||
|
|
||
|
"What of your husband, the forester? Always the same with you people.
|
||
|
He cannot pay something?"
|
||
|
|
||
|
"He has paid all, Monseigneur. He is dead."
|
||
|
|
||
|
"Well! He is quiet. Can I restore him to you?"
|
||
|
|
||
|
"Alas, no, Monseigneur! But he lies yonder, under a little heap of
|
||
|
poor grass."
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"Monseigneur, there are so many little heaps of poor grass?"
|
||
|
|
||
|
"Again, well?"
|
||
|
|
||
|
She looked an old woman, but was young. Her manner was one of
|
||
|
passionate grief; by turns she clasped her veinous and knotted hands
|
||
|
together with wild energy, and laid one of them on the carriage-door
|
||
|
--tenderly, caressingly, as if it had been a human breast, and could
|
||
|
be expected to feel the appealing touch.
|
||
|
|
||
|
"Monseigneur, hear me! Monseigneur, hear my petition! My husband
|
||
|
died of want; so many die of want; so many more will die of want."
|
||
|
|
||
|
"Again, well? Can I feed them?"
|
||
|
|
||
|
"Monseigneur, the good God knows; but I don't ask it. My petition is,
|
||
|
that a morsel of stone or wood, with my husband's name, may be placed
|
||
|
over him to show where he lies. Otherwise, the place will be quickly
|
||
|
forgotten, it will never be found when I am dead of the same malady,
|
||
|
I shall be laid under some other heap of poor grass. Monseigneur,
|
||
|
they are so many, they increase so fast, there is so much want.
|
||
|
Monseigneur! Monseigneur!"
|
||
|
|
||
|
The valet had put her away from the door, the carriage had broken
|
||
|
into a brisk trot, the postilions had quickened the pace, she was
|
||
|
left far behind, and Monseigneur, again escorted by the Furies, was
|
||
|
rapidly diminishing the league or two of distance that remained
|
||
|
between him and his chateau.
|
||
|
|
||
|
The sweet scents of the summer night rose all around him, and rose,
|
||
|
as the rain falls, impartially, on the dusty, ragged, and toil-worn
|
||
|
group at the fountain not far away; to whom the mender of roads, with
|
||
|
the aid of the blue cap without which he was nothing, still enlarged
|
||
|
upon his man like a spectre, as long as they could bear it.
|
||
|
By degrees, as they could bear no more, they dropped off one by one,
|
||
|
and lights twinkled in little casements; which lights, as the
|
||
|
casements darkened, and more stars came out, seemed to have shot up
|
||
|
into the sky instead of having been extinguished.
|
||
|
|
||
|
The shadow of a large high-roofed house, and of many over-hanging
|
||
|
trees, was upon Monsieur the Marquis by that time; and the shadow was
|
||
|
exchanged for the light of a flambeau, as his carriage stopped,
|
||
|
and the great door of his chateau was opened to him.
|
||
|
|
||
|
"Monsieur Charles, whom I expect; is he arrived from England?"
|
||
|
|
||
|
"Monseigneur, not yet."
|
||
|
|
||
|
|
||
|
|
||
|
IX
|
||
|
|
||
|
The Gorgon's Head
|
||
|
|
||
|
|
||
|
It was a heavy mass of building, that chateau of Monsieur the Marquis,
|
||
|
with a large stone courtyard before it, and two stone sweeps of
|
||
|
staircase meeting in a stone terrace before the principal door.
|
||
|
A stony business altogether, with heavy stone balustrades, and stone
|
||
|
urns, and stone flowers, and stone faces of men, and stone heads of
|
||
|
lions, in all directions. As if the Gorgon's head had surveyed it,
|
||
|
when it was finished, two centuries ago.
|
||
|
|
||
|
Up the broad flight of shallow steps, Monsieur the Marquis, flambeau
|
||
|
preceded, went from his carriage, sufficiently disturbing the darkness
|
||
|
to elicit loud remonstrance from an owl in the roof of the great pile
|
||
|
of stable building away among the trees. All else was so quiet, that
|
||
|
the flambeau carried up the steps, and the other flambeau held at the
|
||
|
great door, burnt as if they were in a close room of state, instead
|
||
|
of being in the open night-air. Other sound than the owl's voice
|
||
|
there was none, save the failing of a fountain into its stone basin;
|
||
|
for, it was one of those dark nights that hold their breath by the hour
|
||
|
together, and then heave a long low sigh, and hold their breath again.
|
||
|
|
||
|
The great door clanged behind him, and Monsieur the Marquis crossed
|
||
|
a hall grim with certain old boar-spears, swords, and knives of the
|
||
|
chase; grimmer with certain heavy riding-rods and riding-whips, of
|
||
|
which many a peasant, gone to his benefactor Death, had felt the
|
||
|
weight when his lord was angry.
|
||
|
|
||
|
Avoiding the larger rooms, which were dark and made fast for the
|
||
|
night, Monsieur the Marquis, with his flambeau-bearer going on before,
|
||
|
went up the staircase to a door in a corridor. This thrown open,
|
||
|
admitted him to his own private apartment of three rooms:
|
||
|
his bed-chamber and two others. High vaulted rooms with cool
|
||
|
uncarpeted floors, great dogs upon the hearths for the burning
|
||
|
of wood in winter time, and all luxuries befitting the state
|
||
|
of a marquis in a luxurious age and country. The fashion
|
||
|
of the last Louis but one, of the line that was never to break
|
||
|
--the fourteenth Louis--was conspicuous in their rich furniture;
|
||
|
but, it was diversified by many objects that were illustrations
|
||
|
of old pages in the history of France.
|
||
|
|
||
|
A supper-table was laid for two, in the third of the rooms; a round
|
||
|
room, in one of the chateau's four extinguisher-topped towers.
|
||
|
A small lofty room, with its window wide open, and the wooden
|
||
|
jalousie-blinds closed, so that the dark night only showed in slight
|
||
|
horizontal lines of black, alternating with their broad lines of
|
||
|
stone colour.
|
||
|
|
||
|
"My nephew," said the Marquis, glancing at the supper preparation;
|
||
|
"they said he was not arrived."
|
||
|
|
||
|
Nor was he; but, he had been expected with Monseigneur.
|
||
|
|
||
|
"Ah! It is not probable he will arrive to-night; nevertheless, leave
|
||
|
the table as it is. I shall be ready in a quarter of an hour."
|
||
|
|
||
|
In a quarter of an hour Monseigneur was ready, and sat down alone
|
||
|
to his sumptuous and choice supper. His chair was opposite to the
|
||
|
window, and he had taken his soup, and was raising his glass of
|
||
|
Bordeaux to his lips, when he put it down.
|
||
|
|
||
|
"What is that?" he calmly asked, looking with attention at the
|
||
|
horizontal lines of black and stone colour.
|
||
|
|
||
|
"Monseigneur? That?"
|
||
|
|
||
|
"Outside the blinds. Open the blinds."
|
||
|
|
||
|
It was done.
|
||
|
|
||
|
"Well?"
|
||
|
|
||
|
"Monseigneur, it is nothing. The trees and the night are all that
|
||
|
are here."
|
||
|
|
||
|
The servant who spoke, had thrown the blinds wide, had looked out
|
||
|
into the vacant darkness, and stood with that blank behind him,
|
||
|
looking round for instructions.
|
||
|
|
||
|
"Good," said the imperturbable master. "Close them again."
|
||
|
|
||
|
That was done too, and the Marquis went on with his supper. He was
|
||
|
half way through it, when he again stopped with his glass in his
|
||
|
hand, hearing the sound of wheels. It came on briskly, and came up
|
||
|
to the front of the chateau.
|
||
|
|
||
|
"Ask who is arrived."
|
||
|
|
||
|
It was the nephew of Monseigneur. He had been some few leagues
|
||
|
behind Monseigneur, early in the afternoon. He had diminished the
|
||
|
distance rapidly, but not so rapidly as to come up with Monseigneur
|
||
|
on the road. He had heard of Monseigneur, at the posting-houses,
|
||
|
as being before him.
|
||
|
|
||
|
He was to be told (said Monseigneur) that supper awaited him then and
|
||
|
there, and that he was prayed to come to it. In a little while he came.
|
||
|
He had been known in England as Charles Darnay.
|
||
|
|
||
|
Monseigneur received him in a courtly manner, but they did not shake hands.
|
||
|
|
||
|
"You left Paris yesterday, sir?" he said to Monseigneur, as he took
|
||
|
his seat at table.
|
||
|
|
||
|
"Yesterday. And you?"
|
||
|
|
||
|
"I come direct."
|
||
|
|
||
|
"From London?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"You have been a long time coming," said the Marquis, with a smile.
|
||
|
|
||
|
"On the contrary; I come direct."
|
||
|
|
||
|
"Pardon me! I mean, not a long time on the journey; a long time
|
||
|
intending the journey."
|
||
|
|
||
|
"I have been detained by"--the nephew stopped a moment in his
|
||
|
answer--"various business."
|
||
|
|
||
|
"Without doubt," said the polished uncle.
|
||
|
|
||
|
So long as a servant was present, no other words passed between them.
|
||
|
When coffee had been served and they were alone together, the nephew,
|
||
|
looking at the uncle and meeting the eyes of the face that was like a
|
||
|
fine mask, opened a conversation.
|
||
|
|
||
|
"I have come back, sir, as you anticipate, pursuing the object that
|
||
|
took me away. It carried me into great and unexpected peril; but it
|
||
|
is a sacred object, and if it had carried me to death I hope it would
|
||
|
have sustained me."
|
||
|
|
||
|
"Not to death," said the uncle; "it is not necessary to say, to death."
|
||
|
|
||
|
"I doubt, sir," returned the nephew, "whether, if it had carried me
|
||
|
to the utmost brink of death, you would have cared to stop me there."
|
||
|
|
||
|
The deepened marks in the nose, and the lengthening of the fine
|
||
|
straight lines in the cruel face, looked ominous as to that; the
|
||
|
uncle made a graceful gesture of protest, which was so clearly a
|
||
|
slight form of good breeding that it was not reassuring.
|
||
|
|
||
|
"Indeed, sir," pursued the nephew, "for anything I know, you may
|
||
|
have expressly worked to give a more suspicious appearance to the
|
||
|
suspicious circumstances that surrounded me."
|
||
|
|
||
|
"No, no, no," said the uncle, pleasantly.
|
||
|
|
||
|
"But, however that may be," resumed the nephew, glancing at him with
|
||
|
deep distrust, "I know that your diplomacy would stop me by any
|
||
|
means, and would know no scruple as to means."
|
||
|
|
||
|
"My friend, I told you so," said the uncle, with a fine pulsation in
|
||
|
the two marks. "Do me the favour to recall that I told you so, long ago."
|
||
|
|
||
|
"I recall it."
|
||
|
|
||
|
"Thank you," said the Marquise--very sweetly indeed.
|
||
|
|
||
|
His tone lingered in the air, almost like the tone of a musical
|
||
|
instrument.
|
||
|
|
||
|
"In effect, sir," pursued the nephew, "I believe it to be at once
|
||
|
your bad fortune, and my good fortune, that has kept me out of a
|
||
|
prison in France here."
|
||
|
|
||
|
"I do not quite understand," returned the uncle, sipping his coffee.
|
||
|
"Dare I ask you to explain?"
|
||
|
|
||
|
"I believe that if you were not in disgrace with the Court,
|
||
|
and had not been overshadowed by that cloud for years past, a letter
|
||
|
de cachet would have sent me to some fortress indefinitely."
|
||
|
|
||
|
"It is possible," said the uncle, with great calmness. "For the
|
||
|
honour of the family, I could even resolve to incommode you to that
|
||
|
extent. Pray excuse me!"
|
||
|
|
||
|
"I perceive that, happily for me, the Reception of the day before
|
||
|
yesterday was, as usual, a cold one," observed the nephew.
|
||
|
|
||
|
"I would not say happily, my friend," returned the uncle, with
|
||
|
refined politeness; "I would not be sure of that. A good opportunity
|
||
|
for consideration, surrounded by the advantages of solitude, might
|
||
|
influence your destiny to far greater advantage than you influence it
|
||
|
for yourself. But it is useless to discuss the question. I am, as
|
||
|
you say, at a disadvantage. These little instruments of correction,
|
||
|
these gentle aids to the power and honour of families, these slight
|
||
|
favours that might so incommode you, are only to be obtained now by
|
||
|
interest and importunity. They are sought by so many, and they are
|
||
|
granted (comparatively) to so few! It used not to be so, but France
|
||
|
in all such things is changed for the worse. Our not remote
|
||
|
ancestors held the right of life and death over the surrounding
|
||
|
vulgar. From this room, many such dogs have been taken out to be
|
||
|
hanged; in the next room (my bedroom), one fellow, to our knowledge,
|
||
|
was poniarded on the spot for professing some insolent delicacy
|
||
|
respecting his daughter--HIS daughter? We have lost many privileges;
|
||
|
a new philosophy has become the mode; and the assertion of our
|
||
|
station, in these days, might (I do not go so far as to say would,
|
||
|
but might) cause us real inconvenience. All very bad, very bad!"
|
||
|
|
||
|
The Marquis took a gentle little pinch of snuff, and shook his head;
|
||
|
as elegantly despondent as he could becomingly be of a country still
|
||
|
containing himself, that great means of regeneration.
|
||
|
|
||
|
"We have so asserted our station, both in the old time and in the
|
||
|
modern time also," said the nephew, gloomily, "that I believe our
|
||
|
name to be more detested than any name in France."
|
||
|
|
||
|
"Let us hope so," said the uncle. "Detestation of the high is the
|
||
|
involuntary homage of the low."
|
||
|
|
||
|
"There is not," pursued the nephew, in his former tone, "a face I can
|
||
|
look at, in all this country round about us, which looks at me with
|
||
|
any deference on it but the dark deference of fear and slavery."
|
||
|
|
||
|
"A compliment," said the Marquis, "to the grandeur of the family,
|
||
|
merited by the manner in which the family has sustained its grandeur.
|
||
|
Hah!" And he took another gentle little pinch of snuff, and lightly
|
||
|
crossed his legs.
|
||
|
|
||
|
But, when his nephew, leaning an elbow on the table, covered his eyes
|
||
|
thoughtfully and dejectedly with his hand, the fine mask looked at him
|
||
|
sideways with a stronger concentration of keenness, closeness, and dislike,
|
||
|
than was comportable with its wearer's assumption of indifference.
|
||
|
|
||
|
"Repression is the only lasting philosophy. The dark deference of
|
||
|
fear and slavery, my friend," observed the Marquis, "will keep the
|
||
|
dogs obedient to the whip, as long as this roof," looking up to it,
|
||
|
"shuts out the sky."
|
||
|
|
||
|
That might not be so long as the Marquis supposed. If a picture of
|
||
|
the chateau as it was to be a very few years hence, and of fifty like
|
||
|
it as they too were to be a very few years hence, could have been
|
||
|
shown to him that night, he might have been at a loss to claim his
|
||
|
own from the ghastly, fire-charred, plunder-wrecked rains. As for
|
||
|
the roof he vaunted, he might have found THAT shutting out the sky
|
||
|
in a new way--to wit, for ever, from the eyes of the bodies into which
|
||
|
its lead was fired, out of the barrels of a hundred thousand muskets.
|
||
|
|
||
|
"Meanwhile," said the Marquis, "I will preserve the honour and repose
|
||
|
of the family, if you will not. But you must be fatigued. Shall we
|
||
|
terminate our conference for the night?"
|
||
|
|
||
|
"A moment more."
|
||
|
|
||
|
"An hour, if you please."
|
||
|
|
||
|
"Sir," said the nephew, "we have done wrong, and are reaping the
|
||
|
fruits of wrong."
|
||
|
|
||
|
"WE have done wrong?" repeated the Marquis, with an inquiring
|
||
|
smile, and delicately pointing, first to his nephew, then to himself.
|
||
|
|
||
|
"Our family; our honourable family, whose honour is of so much
|
||
|
account to both of us, in such different ways. Even in my father's
|
||
|
time, we did a world of wrong, injuring every human creature who came
|
||
|
between us and our pleasure, whatever it was. Why need I speak of my
|
||
|
father's time, when it is equally yours? Can I separate my father's
|
||
|
twin-brother, joint inheritor, and next successor, from himself?"
|
||
|
|
||
|
"Death has done that!" said the Marquis.
|
||
|
|
||
|
"And has left me," answered the nephew, "bound to a system that is
|
||
|
frightful to me, responsible for it, but powerless in it; seeking to
|
||
|
execute the last request of my dear mother's lips, and obey the last
|
||
|
look of my dear mother's eyes, which implored me to have mercy and to
|
||
|
redress; and tortured by seeking assistance and power in vain."
|
||
|
|
||
|
"Seeking them from me, my nephew," said the Marquis, touching him on
|
||
|
the breast with his forefinger--they were now standing by the
|
||
|
hearth--"you will for ever seek them in vain, be assured."
|
||
|
|
||
|
Every fine straight line in the clear whiteness of his face, was
|
||
|
cruelly, craftily, and closely compressed, while he stood looking
|
||
|
quietly at his nephew, with his snuff-box in his hand. Once again he
|
||
|
touched him on the breast, as though his finger were the fine point
|
||
|
of a small sword, with which, in delicate finesse, he ran him through
|
||
|
the body, and said,
|
||
|
|
||
|
"My friend, I will die, perpetuating the system under which I have lived."
|
||
|
|
||
|
When he had said it, he took a culminating pinch of snuff, and put
|
||
|
his box in his pocket.
|
||
|
|
||
|
"Better to be a rational creature," he added then, after ringing a
|
||
|
small bell on the table, "and accept your natural destiny. But you
|
||
|
are lost, Monsieur Charles, I see."
|
||
|
|
||
|
"This property and France are lost to me," said the nephew, sadly;
|
||
|
"I renounce them."
|
||
|
|
||
|
"Are they both yours to renounce? France may be, but is the property?
|
||
|
It is scarcely worth mentioning; but, is it yet?"
|
||
|
|
||
|
"I had no intention, in the words I used, to claim it yet. If it
|
||
|
passed to me from you, to-morrow--"
|
||
|
|
||
|
"Which I have the vanity to hope is not probable."
|
||
|
|
||
|
"--or twenty years hence--"
|
||
|
|
||
|
"You do me too much honour," said the Marquis; "still, I prefer that
|
||
|
supposition."
|
||
|
|
||
|
"--I would abandon it, and live otherwise and elsewhere. It is
|
||
|
little to relinquish. What is it but a wilderness of misery and ruin!"
|
||
|
|
||
|
"Hah!" said the Marquis, glancing round the luxurious room.
|
||
|
|
||
|
"To the eye it is fair enough, here; but seen in its integrity, under
|
||
|
the sky, and by the daylight, it is a crumbling tower of waste,
|
||
|
mismanagement, extortion, debt, mortgage, oppression, hunger,
|
||
|
nakedness, and suffering."
|
||
|
|
||
|
"Hah!" said the Marquis again, in a well-satisfied manner.
|
||
|
|
||
|
"If it ever becomes mine, it shall be put into some hands better
|
||
|
qualified to free it slowly (if such a thing is possible) from the
|
||
|
weight that drags it down, so that the miserable people who cannot
|
||
|
leave it and who have been long wrung to the last point of endurance,
|
||
|
may, in another generation, suffer less; but it is not for me.
|
||
|
There is a curse on it, and on all this land."
|
||
|
|
||
|
"And you?" said the uncle. "Forgive my curiosity; do you, under your
|
||
|
new philosophy, graciously intend to live?"
|
||
|
|
||
|
"I must do, to live, what others of my countrymen, even with nobility
|
||
|
at their backs, may have to do some day-work."
|
||
|
|
||
|
"In England, for example?"
|
||
|
|
||
|
"Yes. The family honour, sir, is safe from me in this country. The
|
||
|
family name can suffer from me in no other, for I bear it in no other."
|
||
|
|
||
|
The ringing of the bell had caused the adjoining bed-chamber to be
|
||
|
lighted. It now shone brightly, through the door of communication.
|
||
|
The Marquis looked that way, and listened for the retreating step of
|
||
|
his valet.
|
||
|
|
||
|
"England is very attractive to you, seeing how indifferently you have
|
||
|
prospered there," he observed then, turning his calm face to his
|
||
|
nephew with a smile.
|
||
|
|
||
|
"I have already said, that for my prospering there, I am sensible I
|
||
|
may be indebted to you, sir. For the rest, it is my Refuge."
|
||
|
|
||
|
"They say, those boastful English, that it is the Refuge of many.
|
||
|
You know a compatriot who has found a Refuge there? A Doctor?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"With a daughter?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Yes," said the Marquis. "You are fatigued. Good night!"
|
||
|
|
||
|
As he bent his head in his most courtly manner, there was a secrecy
|
||
|
in his smiling face, and he conveyed an air of mystery to those
|
||
|
words, which struck the eyes and ears of his nephew forcibly. At the
|
||
|
same time, the thin straight lines of the setting of the eyes, and
|
||
|
the thin straight lips, and the markings in the nose, curved with a
|
||
|
sarcasm that looked handsomely diabolic.
|
||
|
|
||
|
"Yes," repeated the Marquis. "A Doctor with a daughter. Yes.
|
||
|
So commences the new philosophy! You are fatigued. Good night!"
|
||
|
|
||
|
It would have been of as much avail to interrogate any stone face
|
||
|
outside the chateau as to interrogate that face of his. The nephew
|
||
|
looked at him, in vain, in passing on to the door.
|
||
|
|
||
|
"Good night!" said the uncle. "I look to the pleasure of seeing you
|
||
|
again in the morning. Good repose! Light Monsieur my nephew to his
|
||
|
chamber there!--And burn Monsieur my nephew in his bed, if you will,"
|
||
|
he added to himself, before he rang his little ben again, and summoned
|
||
|
his valet to his own bedroom.
|
||
|
|
||
|
The valet come and gone, Monsieur the Marquis walked to and fro in
|
||
|
his loose chamber-robe, to prepare himself gently for sleep, that hot
|
||
|
still night. Rustling about the room, his softly-slippered feet
|
||
|
making no noise on the floor, he moved like a refined tiger:--looked
|
||
|
like some enchanted marquis of the impenitently wicked sort, in story,
|
||
|
whose periodical change into tiger form was either just going off, or
|
||
|
just coming on.
|
||
|
|
||
|
He moved from end to end of his voluptuous bedroom, looking again at
|
||
|
the scraps of the day's journey that came unbidden into his mind; the
|
||
|
slow toil up the hill at sunset, the setting sun, the descent, the
|
||
|
mill, the prison on the crag, the little village in the hollow, the
|
||
|
peasants at the fountain, and the mender of roads with his blue cap
|
||
|
pointing out the chain under the carriage. That fountain suggested
|
||
|
the Paris fountain, the little bundle lying on the step, the women
|
||
|
bending over it, and the tall man with his arms up, crying, "Dead!"
|
||
|
|
||
|
"I am cool now," said Monsieur the Marquis, "and may go to bed."
|
||
|
|
||
|
So, leaving only one light burning on the large hearth, he let his
|
||
|
thin gauze curtains fa]J around him, and heard the night break its
|
||
|
silence with a long sigh as he composed himself to sleep.
|
||
|
|
||
|
The stone faces on the outer wails stared blindly at the black night
|
||
|
for three heavy hours; for three heavy hours, the horses in the
|
||
|
stables rattled at their racks, the dogs barked, and the owl made a
|
||
|
noise with very little resemblance in it to the noise conventionally
|
||
|
assigned to the owl by men-poets. But it is the obstinate custom of
|
||
|
such creatures hardly ever to say what is set down for them.
|
||
|
|
||
|
For three heavy hours, the stone faces of the chateau, lion and
|
||
|
human, stared blindly at the night. Dead darkness lay on all the
|
||
|
landscape, dead darkness added its own hush to the hushing dust on
|
||
|
all the roads. The burial-place had got to the pass that its little
|
||
|
heaps of poor grass were undistinguishable from one another; the
|
||
|
figure on the Cross might have come down, for anything that could be
|
||
|
seen of it. In the village, taxers and taxed were fast asleep.
|
||
|
Dreaming, perhaps, of banquets, as the starved usually do, and of
|
||
|
ease and rest, as the driven slave and the yoked ox may, its lean
|
||
|
inhabitants slept soundly, and were fed and freed.
|
||
|
|
||
|
The fountain in the village flowed unseen and unheard, and the
|
||
|
fountain at the chateau dropped unseen and unheard--both melting
|
||
|
away, like the minutes that were falling from the spring of Time--
|
||
|
through three dark hours. Then, the grey water of both began to be
|
||
|
ghostly in the light, and the eyes of the stone faces of the chateau
|
||
|
were opened.
|
||
|
|
||
|
Lighter and lighter, until at last the sun touched the tops of the
|
||
|
still trees, and poured its radiance over the hill. In the glow,
|
||
|
the water of the chateau fountain seemed to turn to blood, and the
|
||
|
stone faces crimsoned. The carol of the birds was loud and high,
|
||
|
and, on the weather-beaten sill of the great window of the bed-
|
||
|
chamber of Monsieur the Marquis, one little bird sang its sweetest
|
||
|
song with all its might. At this, the nearest stone face seemed
|
||
|
to stare amazed, and, with open mouth and dropped under-jaw, looked
|
||
|
awe-stricken.
|
||
|
|
||
|
Now, the sun was full up, and movement began in the village.
|
||
|
Casement windows opened, crazy doors were unbarred, and people came
|
||
|
forth shivering--chilled, as yet, by the new sweet air. Then began
|
||
|
the rarely lightened toil of the day among the village population.
|
||
|
Some, to the fountain; some, to the fields; men and women here, to
|
||
|
dig and delve; men and women there, to see to the poor live stock,
|
||
|
and lead the bony cows out, to such pasture as could be found by the
|
||
|
roadside. In the church and at the Cross, a kneeling figure or two;
|
||
|
attendant on the latter prayers, the led cow, trying for a breakfast
|
||
|
among the weeds at its foot.
|
||
|
|
||
|
The chateau awoke later, as became its quality, but awoke gradually
|
||
|
and surely. First, the lonely boar-spears and knives of the chase
|
||
|
had been reddened as of old; then, had gleamed trenchant in the
|
||
|
morning sunshine; now, doors and windows were thrown open, horses
|
||
|
in their stables looked round over their shoulders at the light and
|
||
|
freshness pouring in at doorways, leaves sparkled and rustled at
|
||
|
iron-grated windows, dogs pulled hard at their chains, and reared
|
||
|
impatient to be loosed.
|
||
|
|
||
|
All these trivial incidents belonged to the routine of life, and the
|
||
|
return of morning. Surely, not so the ringing of the great bell of
|
||
|
the chateau, nor the running up and down the stairs; nor the hurried
|
||
|
figures on the terrace; nor the booting and tramping here and there
|
||
|
and everywhere, nor the quick saddling of horses and riding away?
|
||
|
|
||
|
What winds conveyed this hurry to the grizzled mender of roads,
|
||
|
already at work on the hill-top beyond the village, with his day's
|
||
|
dinner (not much to carry) lying in a bundle that it was worth no
|
||
|
crow's while to peck at, on a heap of stones? Had the birds, carrying
|
||
|
some grains of it to a distance, dropped one over him as they sow
|
||
|
chance seeds? Whether or no, the mender of roads ran, on the sultry
|
||
|
morning, as if for his life, down the hill, knee-high in dust, and
|
||
|
never stopped till he got to the fountain.
|
||
|
|
||
|
All the people of the village were at the fountain, standing about in
|
||
|
their depressed manner, and whispering low, but showing no other
|
||
|
emotions than grim curiosity and surprise. The led cows, hastily
|
||
|
brought in and tethered to anything that would hold them, were looking
|
||
|
stupidly on, or lying down chewing the cud of nothing particularly
|
||
|
repaying their trouble, which they had picked up in their interrupted
|
||
|
saunter. Some of the people of the chateau, and some of those of the
|
||
|
posting-house, and all the taxing authorities, were armed more or less,
|
||
|
and were crowded on the other side of the little street in a
|
||
|
purposeless way, that was highly fraught with nothing. Already,
|
||
|
the mender of roads had penetrated into the midst of a group of fifty
|
||
|
particular friends, and was smiting himself in the breast with his
|
||
|
blue cap. What did all this portend, and what portended the swift
|
||
|
hoisting-up of Monsieur Gabelle behind a servant on horseback, and
|
||
|
the conveying away of the said Gabelle (double-laden though the horse
|
||
|
was), at a gallop, like a new version of the German ballad of Leonora?
|
||
|
|
||
|
It portended that there was one stone face too many, up at the chateau.
|
||
|
|
||
|
The Gorgon had surveyed the building again in the night, and had
|
||
|
added the one stone face wanting; the stone face for which it had
|
||
|
waited through about two hundred years.
|
||
|
|
||
|
It lay back on the pillow of Monsieur the Marquis. It was like a
|
||
|
fine mask, suddenly startled, made angry, and petrified. Driven home
|
||
|
into the heart of the stone figure attached to it, was a knife.
|
||
|
Round its hilt was a frill of paper, on which was scrawled:
|
||
|
|
||
|
"Drive him fast to his tomb. This, from Jacques."
|
||
|
|
||
|
|
||
|
|
||
|
X
|
||
|
|
||
|
Two Promises
|
||
|
|
||
|
|
||
|
More months, to the number of twelve, had come and gone, and Mr.
|
||
|
Charles Darnay was established in England as a higher teacher of the
|
||
|
French language who was conversant with French literature. In this
|
||
|
age, he would have been a Professor; in that age, he was a Tutor.
|
||
|
He read with young men who could find any leisure and interest for
|
||
|
the study of a living tongue spoken all over the world, and he
|
||
|
cultivated a taste for its stores of knowledge and fancy. He could
|
||
|
write of them, besides, in sound English, and render them into sound
|
||
|
English. Such masters were not at that time easily found; Princes
|
||
|
that had been, and Kings that were to be, were not yet of the Teacher
|
||
|
class, and no ruined nobility had dropped out of Tellson's ledgers,
|
||
|
to turn cooks and carpenters. As a tutor, whose attainments made the
|
||
|
student's way unusually pleasant and profitable, and as an elegant
|
||
|
translator who brought something to his work besides mere dictionary
|
||
|
knowledge, young Mr. Darnay soon became known and encouraged. He was
|
||
|
well acquainted, more-over, with the circumstances of his country,
|
||
|
and those were of ever-growing interest. So, with great perseverance
|
||
|
and untiring industry, he prospered.
|
||
|
|
||
|
In London, he had expected neither to walk on pavements of gold, nor
|
||
|
to lie on beds of roses; if he had had any such exalted expectation,
|
||
|
he would not have prospered. He had expected labour, and he found it,
|
||
|
and did it and made the best of it. In this, his prosperity consisted.
|
||
|
|
||
|
A certain portion of his time was passed at Cambridge, where he read
|
||
|
with undergraduates as a sort of tolerated smuggler who drove a
|
||
|
contraband trade in European languages, instead of conveying Greek
|
||
|
and Latin through the Custom-house. The rest of his time he passed
|
||
|
in London.
|
||
|
|
||
|
Now, from the days when it was always summer in Eden, to these days
|
||
|
when it is mostly winter in fallen latitudes, the world of a man has
|
||
|
invariably gone one way--Charles Darnay's way--the way of the love of
|
||
|
a woman.
|
||
|
|
||
|
He had loved Lucie Manette from the hour of his danger. He had never
|
||
|
heard a sound so sweet and dear as the sound of her compassionate
|
||
|
voice; he had never seen a face so tenderly beautiful, as hers when
|
||
|
it was confronted with his own on the edge of the grave that had been
|
||
|
dug for him. But, he had not yet spoken to her on the subject;
|
||
|
the assassination at the deserted chateau far away beyond the heaving
|
||
|
water and the long, tong, dusty roads--the solid stone chateau which
|
||
|
had itself become the mere mist of a dream--had been done a year,
|
||
|
and he had never yet, by so much as a single spoken word, disclosed
|
||
|
to her the state of his heart.
|
||
|
|
||
|
That he had his reasons for this, he knew full well. It was again a
|
||
|
summer day when, lately arrived in London from his college occupation,
|
||
|
he turned into the quiet corner in Soho, bent on seeking an opportunity
|
||
|
of opening his mind to Doctor Manette. It was the close of the
|
||
|
summer day, and he knew Lucie to be out with Miss Pross.
|
||
|
|
||
|
He found the Doctor reading in his arm-chair at a window. The energy
|
||
|
which had at once supported him under his old sufferings and aggravated
|
||
|
their sharpness, had been gradually restored to him. He was now a
|
||
|
very energetic man indeed, with great firmness of purpose, strength
|
||
|
of resolution, and vigour of action. In his recovered energy he was
|
||
|
sometimes a little fitful and sudden, as he had at first been in the
|
||
|
exercise of his other recovered faculties; but, this had never been
|
||
|
frequently observable, and had grown more and more rare.
|
||
|
|
||
|
He studied much, slept little, sustained a great deal of fatigue with
|
||
|
ease, and was equably cheerful. To him, now entered Charles Darnay,
|
||
|
at sight of whom he laid aside his book and held out his hand.
|
||
|
|
||
|
"Charles Darnay! I rejoice to see you. We have been counting on your
|
||
|
return these three or four days past. Mr. Stryver and Sydney Carton
|
||
|
were both here yesterday, and both made you out to be more than due."
|
||
|
|
||
|
"I am obliged to them for their interest in the matter," he answered,
|
||
|
a little coldly as to them, though very warmly as to the Doctor.
|
||
|
"Miss Manette--"
|
||
|
|
||
|
"Is well," said the Doctor, as he stopped short, "and your return
|
||
|
will delight us all. She has gone out on some household matters,
|
||
|
but will soon be home."
|
||
|
|
||
|
"Doctor Manette, I knew she was from home. I took the opportunity of
|
||
|
her being from home, to beg to speak to you."
|
||
|
|
||
|
There was a blank silence.
|
||
|
|
||
|
"Yes?" said the Doctor, with evident constraint. "Bring your chair here,
|
||
|
and speak on."
|
||
|
|
||
|
He complied as to the chair, but appeared to find the speaking on
|
||
|
less easy.
|
||
|
|
||
|
"I have had the happiness, Doctor Manette, of being so intimate
|
||
|
here," so he at length began, "for some year and a half, that I hope
|
||
|
the topic on which I am about to touch may not--"
|
||
|
|
||
|
He was stayed by the Doctor's putting out his hand to stop him.
|
||
|
When he had kept it so a little while, he said, drawing it back:
|
||
|
|
||
|
"Is Lucie the topic?"
|
||
|
|
||
|
"She is."
|
||
|
|
||
|
"It is hard for me to speak of her at any time. It is very hard for
|
||
|
me to hear her spoken of in that tone of yours, Charles Darnay."
|
||
|
|
||
|
"It is a tone of fervent admiration, true homage, and deep love,
|
||
|
Doctor Manette!" he said deferentially.
|
||
|
|
||
|
There was another blank silence before her father rejoined:
|
||
|
|
||
|
"I believe it. I do you justice; I believe it."
|
||
|
|
||
|
His constraint was so manifest, and it was so manifest, too, that it
|
||
|
originated in an unwillingness to approach the subject, that Charles
|
||
|
Darnay hesitated.
|
||
|
|
||
|
"Shall I go on, sir?"
|
||
|
|
||
|
Another blank.
|
||
|
|
||
|
"Yes, go on."
|
||
|
|
||
|
"You anticipate what I would say, though you cannot know how earnestly
|
||
|
I say it, how earnestly I feel it, without knowing my secret heart,
|
||
|
and the hopes and fears and anxieties with which it has long been
|
||
|
laden. Dear Doctor Manette, I love your daughter fondly, dearly,
|
||
|
disinterestedly, devotedly. If ever there were love in the world,
|
||
|
I love her. You have loved yourself; let your old love speak for me!"
|
||
|
|
||
|
The Doctor sat with his face turned away, and his eyes bent on the
|
||
|
ground. At the last words, he stretched out his hand again, hurriedly,
|
||
|
and cried:
|
||
|
|
||
|
"Not that, sir! Let that be! I adjure you, do not recall that!"
|
||
|
|
||
|
His cry was so like a cry of actual pain, that it rang in Charles
|
||
|
Darnay's ears long after he had ceased. He motioned with the hand he
|
||
|
had extended, and it seemed to be an appeal to Darnay to pause.
|
||
|
The latter so received it, and remained silent.
|
||
|
|
||
|
"I ask your pardon," said the Doctor, in a subdued tone, after some
|
||
|
moments. "I do not doubt your loving Lucie; you may be satisfied of it."
|
||
|
|
||
|
He turned towards him in his chair, but did not look at him, or raise
|
||
|
his eyes. His chin dropped upon his hand, and his white hair
|
||
|
overshadowed his face:
|
||
|
|
||
|
"Have you spoken to Lucie?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"Nor written?"
|
||
|
|
||
|
"Never."
|
||
|
|
||
|
"It would be ungenerous to affect not to know that your self-denial
|
||
|
is to be referred to your consideration for her father. Her father
|
||
|
thanks you.
|
||
|
|
||
|
He offered his hand; but his eyes did not go with it.
|
||
|
|
||
|
"I know," said Darnay, respectfully, "how can I fail to know,
|
||
|
Doctor Manette, I who have seen you together from day to day,
|
||
|
that between you and Miss Manette there is an affection so unusual,
|
||
|
so touching, so belonging to the circumstances in which it has been
|
||
|
nurtured, that it can have few parallels, even in the tenderness
|
||
|
between a father and child. I know, Doctor Manette--how can I fail
|
||
|
to know--that, mingled with the affection and duty of a daughter who
|
||
|
has become a woman, there is, in her heart, towards you, all the love
|
||
|
and reliance of infancy itself. I know that, as in her childhood she
|
||
|
had no parent, so she is now devoted to you with all the constancy
|
||
|
and fervour of her present years and character, united to the
|
||
|
trustfulness and attachment of the early days in which you were lost
|
||
|
to her. I know perfectly well that if you had been restored to her
|
||
|
from the world beyond this life, you could hardly be invested, in her
|
||
|
sight, with a more sacred character than that in which you are always
|
||
|
with her. I know that when she is clinging to you, the hands of baby,
|
||
|
girl, and woman, all in one, are round your neck. I know that in
|
||
|
loving you she sees and loves her mother at her own age, sees and
|
||
|
loves you at my age, loves her mother broken-hearted, loves you
|
||
|
through your dreadful trial and in your blessed restoration. I have
|
||
|
known this, night and day, since I have known you in your home."
|
||
|
|
||
|
Her father sat silent, with his face bent down. His breathing was a
|
||
|
little quickened; but he repressed all other signs of agitation.
|
||
|
|
||
|
"Dear Doctor Manette, always knowing this, always seeing her and you
|
||
|
with this hallowed light about you, I have forborne, and forborne,
|
||
|
as long as it was in the nature of man to do it. I have felt, and do
|
||
|
even now feel, that to bring my love--even mine--between you, is to
|
||
|
touch your history with something not quite so good as itself.
|
||
|
But I love her. Heaven is my witness that I love her!"
|
||
|
|
||
|
"I believe it," answered her father, mournfully. "I have thought so
|
||
|
before now. I believe it."
|
||
|
|
||
|
"But, do not believe," said Darnay, upon whose ear the mournful voice
|
||
|
struck with a reproachful sound, "that if my fortune were so cast as
|
||
|
that, being one day so happy as to make her my wife, I must at any
|
||
|
time put any separation between her and you, I could or would breathe
|
||
|
a word of what I now say. Besides that I should know it to be
|
||
|
hopeless, I should know it to be a baseness. If I had any such
|
||
|
possibility, even at a remote distance of years, harboured in my
|
||
|
thoughts, and hidden in my heart--if it ever had been there--if it
|
||
|
ever could be there--I could not now touch this honoured hand."
|
||
|
|
||
|
He laid his own upon it as he spoke.
|
||
|
|
||
|
"No, dear Doctor Manette. Like you, a voluntary exile from France;
|
||
|
like you, driven from it by its distractions, oppressions, and
|
||
|
miseries; like you, striving to live away from it by my own exertions,
|
||
|
and trusting in a happier future; I look only to sharing your fortunes,
|
||
|
sharing your life and home, and being faithful to you to the death.
|
||
|
Not to divide with Lucie her privilege as your child, companion, and
|
||
|
friend; but to come in aid of it, and bind her closer to you, if such
|
||
|
a thing can be."
|
||
|
|
||
|
His touch still lingered on her father's hand. Answering the touch
|
||
|
for a moment, but not coldly, her father rested his hands upon the
|
||
|
arms of his chair, and looked up for the first time since the
|
||
|
beginning of the conference. A struggle was evidently in his face;
|
||
|
a struggle with that occasional look which had a tendency in it to
|
||
|
dark doubt and dread.
|
||
|
|
||
|
"You speak so feelingly and so manfully, Charles Darnay, that I thank
|
||
|
you with all my heart, and will open all my heart--or nearly so.
|
||
|
Have you any reason to believe that Lucie loves you?"
|
||
|
|
||
|
"None. As yet, none."
|
||
|
|
||
|
"Is it the immediate object of this confidence, that you may at once
|
||
|
ascertain that, with my knowledge?"
|
||
|
|
||
|
"Not even so. I might not have the hopefulness to do it for weeks;
|
||
|
I might (mistaken or not mistaken) have that hopefulness to-morrow."
|
||
|
|
||
|
"Do you seek any guidance from me?"
|
||
|
|
||
|
"I ask none, sir. But I have thought it possible that you might have
|
||
|
it in your power, if you should deem it right, to give me some."
|
||
|
|
||
|
"Do you seek any promise from me?"
|
||
|
|
||
|
"I do seek that."
|
||
|
|
||
|
"What is it?"
|
||
|
|
||
|
"I well understand that, without you, I could have no hope. I well
|
||
|
understand that, even if Miss Manette held me at this moment in her
|
||
|
innocent heart-do not think I have the presumption to assume so much--
|
||
|
I could retain no place in it against her love for her father."
|
||
|
|
||
|
"If that be so, do you see what, on the other hand, is involved in it?"
|
||
|
|
||
|
"I understand equally well, that a word from her father in any suitor's
|
||
|
favour, would outweigh herself and all the world. For which reason,
|
||
|
Doctor Manette," said Darnay, modestly but firmly, "I would not ask
|
||
|
that word, to save my life."
|
||
|
|
||
|
"I am sure of it. Charles Darnay, mysteries arise out of close love,
|
||
|
as well as out of wide division; in the former case, they are subtle
|
||
|
and delicate, and difficult to penetrate. My daughter Lucie is, in
|
||
|
this one respect, such a mystery to me; I can make no guess at the
|
||
|
state of her heart."
|
||
|
|
||
|
"May I ask, sir, if you think she is--" As he hesitated, her father
|
||
|
supplied the rest.
|
||
|
|
||
|
"Is sought by any other suitor?"
|
||
|
|
||
|
"It is what I meant to say."
|
||
|
|
||
|
Her father considered a little before he answered:
|
||
|
|
||
|
"You have seen Mr. Carton here, yourself. Mr. Stryver is here too,
|
||
|
occasionally. If it be at all, it can only be by one of these."
|
||
|
|
||
|
"Or both," said Darnay.
|
||
|
|
||
|
"I had not thought of both; I should not think either, likely.
|
||
|
You want a promise from me. Tell me what it is."
|
||
|
|
||
|
"It is, that if Miss Manette should bring to you at any time, on her
|
||
|
own part, such a confidence as I have ventured to lay before you,
|
||
|
you will bear testimony to what I have said, and to your belief in it.
|
||
|
I hope you may be able to think so well of me, as to urge no influence
|
||
|
against me. I say nothing more of my stake in this; this is what I ask.
|
||
|
The condition on which I ask it, and which you have an undoubted right
|
||
|
to require, I will observe immediately."
|
||
|
|
||
|
"I give the promise," said the Doctor, "without any condition.
|
||
|
I believe your object to be, purely and truthfully, as you have
|
||
|
stated it. I believe your intention is to perpetuate, and not to
|
||
|
weaken, the ties between me and my other and far dearer self. If she
|
||
|
should ever tell me that you are essential to her perfect happiness,
|
||
|
I will give her to you. If there were--Charles Darnay, if there were--"
|
||
|
|
||
|
The young man had taken his hand gratefully; their hands were joined
|
||
|
as the Doctor spoke:
|
||
|
|
||
|
"--any fancies, any reasons, any apprehensions, anything whatsoever,
|
||
|
new or old, against the man she really loved--the direct responsibility
|
||
|
thereof not lying on his head--they should all be obliterated for her
|
||
|
sake. She is everything to me; more to me than suffering, more to me
|
||
|
than wrong, more to me--Well! This is idle talk."
|
||
|
|
||
|
So strange was the way in which he faded into silence, and so strange
|
||
|
his fixed look when he had ceased to speak, that Darnay felt his own
|
||
|
hand turn cold in the hand that slowly released and dropped it.
|
||
|
|
||
|
"You said something to me," said Doctor Manette, breaking into a smile.
|
||
|
"What was it you said to me?"
|
||
|
|
||
|
He was at a loss how to answer, until he remembered having spoken of
|
||
|
a condition. Relieved as his mind reverted to that, he answered:
|
||
|
|
||
|
"Your confidence in me ought to be returned with full confidence on
|
||
|
my part. My present name, though but slightly changed from my
|
||
|
mother's, is not, as you will remember, my own. I wish to tell you
|
||
|
what that is, and why I am in England."
|
||
|
|
||
|
"Stop!" said the Doctor of Beauvais.
|
||
|
|
||
|
"I wish it, that I may the better deserve your confidence, and have
|
||
|
no secret from you."
|
||
|
|
||
|
"Stop!"
|
||
|
|
||
|
For an instant, the Doctor even had his two hands at his ears; for
|
||
|
another instant, even had his two hands laid on Darnay's lips.
|
||
|
|
||
|
"Tell me when I ask you, not now. If your suit should prosper, if
|
||
|
Lucie should love you, you shall tell me on your marriage morning.
|
||
|
Do you promise?"
|
||
|
|
||
|
"Willingly.
|
||
|
|
||
|
"Give me your hand. She will be home directly, and it is better she
|
||
|
should not see us together to-night. Go! God bless you!"
|
||
|
|
||
|
It was dark when Charles Darnay left him, and it was an hour later
|
||
|
and darker when Lucie came home; she hurried into the room alone--
|
||
|
for Miss Pross had gone straight up-stairs--and was surprised to find
|
||
|
his reading-chair empty.
|
||
|
|
||
|
"My father!" she called to him. "Father dear!"
|
||
|
|
||
|
Nothing was said in answer, but she heard a low hammering sound in
|
||
|
his bedroom. Passing lightly across the intermediate room, she
|
||
|
looked in at his door and came running back frightened, crying to
|
||
|
herself, with her blood all chilled, "What shall I do! What shall I do!"
|
||
|
|
||
|
Her uncertainty lasted but a moment; she hurried back, and tapped at
|
||
|
his door, and softly called to him. The noise ceased at the sound of
|
||
|
her voice, and he presently came out to her, and they walked up and
|
||
|
down together for a long time.
|
||
|
|
||
|
She came down from her bed, to look at him in his sleep that night.
|
||
|
He slept heavily, and his tray of shoemaking tools, and his old
|
||
|
unfinished work, were all as usual.
|
||
|
|
||
|
|
||
|
|
||
|
XI
|
||
|
|
||
|
A Companion Picture
|
||
|
|
||
|
|
||
|
"Sydney," said Mr. Stryver, on that self-same night, or morning, to his
|
||
|
jackal; "mix another bowl of punch; I have something to say to you."
|
||
|
|
||
|
Sydney had been working double tides that night, and the night before,
|
||
|
and the night before that, and a good many nights in succession, making
|
||
|
a grand clearance among Mr. Stryver's papers before the setting in of
|
||
|
the long vacation. The clearance was effected at last; the Stryver
|
||
|
arrears were handsomely fetched up; everything was got rid of until
|
||
|
November should come with its fogs atmospheric, and fogs legal, and
|
||
|
bring grist to the mill again.
|
||
|
|
||
|
Sydney was none the livelier and none the soberer for so much application.
|
||
|
It had taken a deal of extra wet-towelling to pull him through the night;
|
||
|
a correspondingly extra quantity of wine had preceded the towelling;
|
||
|
and he was in a very damaged condition, as he now pulled his turban
|
||
|
off and threw it into the basin in which he had steeped it at intervals
|
||
|
for the last six hours.
|
||
|
|
||
|
"Are you mixing that other bowl of punch?" said Stryver the portly,
|
||
|
with his hands in his waistband, glancing round from the sofa where
|
||
|
he lay on his back.
|
||
|
|
||
|
"I am."
|
||
|
|
||
|
"Now, look here! I am going to tell you something that will rather
|
||
|
surprise you, and that perhaps will make you think me not quite as
|
||
|
shrewd as you usually do think me. I intend to marry."
|
||
|
|
||
|
"DO you?"
|
||
|
|
||
|
"Yes. And not for money. What do you say now?"
|
||
|
|
||
|
"I don't feel disposed to say much. Who is she?"
|
||
|
|
||
|
"Guess."
|
||
|
|
||
|
"Do I know her?"
|
||
|
|
||
|
"Guess."
|
||
|
|
||
|
"I am not going to guess, at five o'clock in the morning, with my
|
||
|
brains frying and sputtering in my head. if you want me to guess, you
|
||
|
must ask me to dinner."
|
||
|
|
||
|
"Well then, I'll tell you, said Stryver, coming slowly into a sitting
|
||
|
posture. "Sydney, I rather despair of making myself intelligible to you,
|
||
|
because you are such an insensible dog.
|
||
|
|
||
|
"And you," returned Sydney, busy concocting the punch, "are such a
|
||
|
sensitive and poetical spirit--"
|
||
|
|
||
|
"Come!" rejoined Stryver, laughing boastfully, "though I don't prefer
|
||
|
any claim to being the soul of Romance (for I hope I know better),
|
||
|
still I am a tenderer sort of fellow than YOU."
|
||
|
|
||
|
"You are a luckier, if you mean that."
|
||
|
|
||
|
"I don't mean that. I mean I am a man of more--more--"
|
||
|
|
||
|
"Say gallantry, while you are about it," suggested Carton.
|
||
|
|
||
|
"Well! I'll say gallantry. My meaning is that I am a man," said
|
||
|
Stryver, inflating himself at his friend as he made the punch,
|
||
|
"who cares more to be agreeable, who takes more pains to be agreeable,
|
||
|
who knows better how to be agreeable, in a woman's society, than you do."
|
||
|
|
||
|
"Go on," said Sydney Carton.
|
||
|
|
||
|
"No; but before I go on," said Stryver, shaking his head in his bullying
|
||
|
way, I'll have this out with you. You've been at Doctor Manette's
|
||
|
house as much as I have, or more than I have. Why, I have been ashamed
|
||
|
of your moroseness there! Your manners have been of that silent and
|
||
|
sullen and hangdog kind, that, upon my life and soul, I have been
|
||
|
ashamed of you, Sydney!"
|
||
|
|
||
|
"It should be very beneficial to a man in your practice at the bar,
|
||
|
to be ashamed of anything," returned Sydney; "you ought to be much
|
||
|
obliged to me."
|
||
|
|
||
|
"You shall not get off in that way," rejoined Stryver, shouldering the
|
||
|
rejoinder at him; "no, Sydney, it's my duty to tell you--and I tell you
|
||
|
to your face to do you good--that you are a devilish ill-conditioned
|
||
|
fellow in that sort of society. You are a disagreeable fellow."
|
||
|
|
||
|
Sydney drank a bumper of the punch he had made, and laughed.
|
||
|
|
||
|
"Look at me!" said Stryver, squaring himself; "I have less need to
|
||
|
make myself agreeable than you have, being more independent in
|
||
|
circumstances. Why do I do it?"
|
||
|
|
||
|
"I never saw you do it yet," muttered Carton.
|
||
|
|
||
|
"I do it because it's politic; I do it on principle. And look at me!
|
||
|
I get on."
|
||
|
|
||
|
"You don't get on with your account of your matrimonial intentions,"
|
||
|
answered Carton, with a careless air; "I wish you would keep to that.
|
||
|
As to me--will you never understand that I am incorrigible?"
|
||
|
|
||
|
He asked the question with some appearance of scorn.
|
||
|
|
||
|
"You have no business to be incorrigible," was his friend's answer,
|
||
|
delivered in no very soothing tone.
|
||
|
|
||
|
"I have no business to be, at all, that I know of," said Sydney Carton.
|
||
|
"Who is the lady?"
|
||
|
|
||
|
"Now, don't let my announcement of the name make you uncomfortable,
|
||
|
Sydney," said Mr. Stryver, preparing him with ostentatious
|
||
|
friendliness for the disclosure he was about to make, "because I know
|
||
|
you don't mean half you say; and if you meant it all, it would be of
|
||
|
no importance. I make this little preface, because you once mentioned
|
||
|
the young lady to me in slighting terms."
|
||
|
|
||
|
"I did?"
|
||
|
|
||
|
"Certainly; and in these chambers."
|
||
|
|
||
|
Sydney Carton looked at his punch and looked at his complacent friend;
|
||
|
drank his punch and looked at his complacent friend.
|
||
|
|
||
|
"You made mention of the young lady as a golden-haired doll. The young
|
||
|
lady is Miss Manette. If you had been a fellow of any sensitiveness or
|
||
|
delicacy of feeling in that kind of way, Sydney, I might have been a
|
||
|
little resentful of your employing such a designation; but you are not.
|
||
|
You want that sense altogether; therefore I am no more annoyed when I
|
||
|
think of the expression, than I should be annoyed by a man's opinion of
|
||
|
a picture of mine, who had no eye for pictures: or of a piece of music
|
||
|
of mine, who had no ear for music."
|
||
|
|
||
|
Sydney Carton drank the punch at a great rate; drank it by bumpers,
|
||
|
looking at his friend.
|
||
|
|
||
|
"Now you know all about it, Syd," said Mr. Stryver. "I don't care
|
||
|
about fortune: she is a charming creature, and I have made up my mind
|
||
|
to please myself: on the whole, I think I can afford to please myself.
|
||
|
She will have in me a man already pretty well off, and a rapidly
|
||
|
rising man, and a man of some distinction: it is a piece of good fortune
|
||
|
for her, but she is worthy of good fortune. Are you astonished?"
|
||
|
|
||
|
Carton, still drinking the punch, rejoined, "Why should I be astonished?"
|
||
|
|
||
|
"You approve?"
|
||
|
|
||
|
Carton, still drinking the punch, rejoined, "Why should I not approve?"
|
||
|
|
||
|
"Well!" said his friend Stryver, "you take it more easily than I
|
||
|
fancied you would, and are less mercenary on my behalf than I thought
|
||
|
you would be; though, to be sure, you know well enough by this time
|
||
|
that your ancient chum is a man of a pretty strong will. Yes, Sydney,
|
||
|
I have had enough of this style of life, with no other as a change
|
||
|
from it; I feel that it is a pleasant thing for a man to have a home
|
||
|
when he feels inclined to go to it (when he doesn't, he can stay away),
|
||
|
and I feel that Miss Manette will tell well in any station, and will
|
||
|
always do me credit. So I have made up my mind. And now, Sydney,
|
||
|
old boy, I want to say a word to YOU about YOUR prospects. You are
|
||
|
in a bad way, you know; you really are in a bad way. You don't know
|
||
|
the value of money, you Eve hard, you'll knock up one of these days,
|
||
|
and be ill and poor; you really ought to think about a nurse."
|
||
|
|
||
|
The prosperous patronage with which he said it, made him look twice
|
||
|
as big as he was, and four times as offensive.
|
||
|
|
||
|
"Now, let me recommend you," pursued Stryver, "to look it in the face.
|
||
|
I have looked it in the face, in my different way; look it in the face,
|
||
|
you, in your different way. Marry. Provide somebody to take care of you.
|
||
|
Never mind your having no enjoyment of women's society, nor understanding
|
||
|
of it, nor tact for it. Find out somebody. Find out some respectable
|
||
|
woman with a little property--somebody in the landlady way, or
|
||
|
lodging-letting way--and marry her, against a rainy day. That's the
|
||
|
kind of thing for YOU. Now think of it, Sydney."
|
||
|
|
||
|
"I'll think of it," said Sydney.
|
||
|
|
||
|
|
||
|
|
||
|
XII
|
||
|
|
||
|
The Fellow of Delicacy
|
||
|
|
||
|
|
||
|
Mr. Stryver having made up his mind to that magnanimous bestowal of
|
||
|
good fortune on the Doctor's daughter, resolved to make her happiness
|
||
|
known to her before he left town for the Long Vacation. After some
|
||
|
mental debating of the point, he came to the conclusion that it would
|
||
|
be as well to get all the preliminaries done with, and they could
|
||
|
then arrange at their leisure whether he should give her his hand a
|
||
|
week or two before Michaelmas Term, or in the little Christmas vacation
|
||
|
between it and Hilary.
|
||
|
|
||
|
As to the strength of his case, he had not a doubt about it, but
|
||
|
clearly saw his way to the verdict. Argued with the jury on substantial
|
||
|
worldly grounds--the only grounds ever worth taking into account--
|
||
|
it was a plain case, and had not a weak spot in it. He called himself
|
||
|
for the plaintiff, there was no getting over his evidence, the counsel
|
||
|
for the defendant threw up his brief, and the jury did not even turn
|
||
|
to consider. After trying it, Stryver, C. J., was satisfied that no
|
||
|
plainer case could be.
|
||
|
|
||
|
Accordingly, Mr. Stryver inaugurated the Long Vacation with a
|
||
|
formal proposal to take Miss Manette to Vauxhall Gardens; that failing,
|
||
|
to Ranelagh; that unaccountably failing too, it behoved him to present
|
||
|
himself in Soho, and there declare his noble mind.
|
||
|
|
||
|
Towards Soho, therefore, Mr. Stryver shouldered his way from the
|
||
|
Temple, while the bloom of the Long Vacation's infancy was still upon
|
||
|
it. Anybody who had seen him projecting himself into Soho while he
|
||
|
was yet on Saint Dunstan's side of Temple Bar, bursting in his
|
||
|
full-blown way along the pavement, to the jostlement of all weaker
|
||
|
people, might have seen how safe and strong he was.
|
||
|
|
||
|
His way taking him past Tellson's, and he both banking at Tellson's
|
||
|
and knowing Mr. Lorry as the intimate friend of the Manettes, it
|
||
|
entered Mr. Stryver's mind to enter the bank, and reveal to Mr. Lorry
|
||
|
the brightness of the Soho horizon. So, he pushed open the door with
|
||
|
the weak rattle in its throat, stumbled down the two steps, got past
|
||
|
the two ancient cashiers, and shouldered himself into the musty back
|
||
|
closet where Mr. Lorry sat at great books ruled for figures, with
|
||
|
perpendicular iron bars to his window as if that were ruled for
|
||
|
figures too, and everything under the clouds were a sum.
|
||
|
|
||
|
"Halloa!" said Mr. Stryver. "How do you do? I hope you are well!"
|
||
|
|
||
|
It was Stryver's grand peculiarity that he always seemed too big for
|
||
|
any place, or space. He was so much too big for Tellson's, that
|
||
|
old clerks in distant corners looked up with looks of remonstrance,
|
||
|
as though he squeezed them against the wall. The House itself,
|
||
|
magnificently reading the paper quite in the far-off perspective,
|
||
|
lowered displeased, as if the Stryver head had been butted into its
|
||
|
responsible waistcoat.
|
||
|
|
||
|
The discreet Mr. Lorry said, in a sample tone of the voice he would
|
||
|
recommend under the circumstances, "How do you do, Mr. Stryver?
|
||
|
How do you do, sir?" and shook hands. There was a peculiarity in his
|
||
|
manner of shaking hands, always to be seen in any clerk at Tellson's
|
||
|
who shook hands with a customer when the House pervaded the air.
|
||
|
He shook in a self-abnegating way, as one who shook for Tellson and Co.
|
||
|
|
||
|
"Can I do anything for you, Mr. Stryver?" asked Mr. Lorry, in his
|
||
|
business character.
|
||
|
|
||
|
"Why, no, thank you; this is a private visit to yourself, Mr. Lorry;
|
||
|
I have come for a private word."
|
||
|
|
||
|
"Oh indeed!" said Mr. Lorry, bending down his ear, while his eye
|
||
|
strayed to the House afar off.
|
||
|
|
||
|
"I am going," said Mr. Stryver, leaning his arms confidentially on the
|
||
|
desk: whereupon, although it was a large double one, there appeared to
|
||
|
be not half desk enough for him: "I am going to make an offer of myself
|
||
|
in marriage to your agreeable little friend, Miss Manette, Mr. Lorry."
|
||
|
|
||
|
"Oh dear me!" cried Mr. Lorry, rubbing his chin, and looking at his
|
||
|
visitor dubiously.
|
||
|
|
||
|
"Oh dear me, sir?" repeated Stryver, drawing back. "Oh dear you, sir?
|
||
|
What may your meaning be, Mr. Lorry?"
|
||
|
|
||
|
"My meaning," answered the man of business, "is, of course, friendly
|
||
|
and appreciative, and that it does you the greatest credit, and--
|
||
|
in short, my meaning is everything you could desire. But--really, you
|
||
|
know, Mr. Stryver--" Mr. Lorry paused, and shook his head at him in
|
||
|
the oddest manner, as if he were compelled against his will to add,
|
||
|
internally, "you know there really is so much too much of you!"
|
||
|
|
||
|
"Well!" said Stryver, slapping the desk with his contentious hand,
|
||
|
opening his eyes wider, and taking a long breath, "if I understand
|
||
|
you, Mr. Lorry, I'll be hanged!"
|
||
|
|
||
|
Mr. Lorry adjusted his little wig at both ears as a means towards
|
||
|
that end, and bit the feather of a pen.
|
||
|
|
||
|
"D--n it all, sir!" said Stryver, staring at him, "am I not eligible?"
|
||
|
|
||
|
"Oh dear yes! Yes. Oh yes, you're eligible!" said Mr. Lorry. "If you
|
||
|
say eligible, you are eligible."
|
||
|
|
||
|
"Am I not prosperous?" asked Stryver.
|
||
|
|
||
|
"Oh! if you come to prosperous, you are prosperous," said Mr. Lorry.
|
||
|
|
||
|
"And advancing?"
|
||
|
|
||
|
"If you come to advancing you know," said Mr. Lorry, delighted to be
|
||
|
able to make another admission, "nobody can doubt that."
|
||
|
|
||
|
"Then what on earth is your meaning, Mr. Lorry?" demanded Stryver,
|
||
|
perceptibly crestfallen.
|
||
|
|
||
|
"Well! I--Were you going there now?" asked Mr. Lorry.
|
||
|
|
||
|
"Straight!" said Stryver, with a plump of his fist on the desk.
|
||
|
|
||
|
"Then I think I wouldn't, if I was you."
|
||
|
|
||
|
"Why?" said Stryver. "Now, I'll put you in a corner," forensically
|
||
|
shaking a forefinger at him. "You are a man of business and bound
|
||
|
to have a reason. State your reason. Why wouldn't you go?"
|
||
|
|
||
|
"Because," said Mr. Lorry, "I wouldn't go on such an object without
|
||
|
having some cause to believe that I should succeed."
|
||
|
|
||
|
"D--n ME!" cried Stryver, "but this beats everything."
|
||
|
|
||
|
Mr. Lorry glanced at the distant House, and glanced at the angry Stryver.
|
||
|
|
||
|
"Here's a man of business--a man of years--a man of experience--
|
||
|
IN a Bank," said Stryver; "and having summed up three leading reasons
|
||
|
for complete success, he says there's no reason at all! Says it with
|
||
|
his head on!" Mr. Stryver remarked upon the peculiarity as if it would
|
||
|
have been infinitely less remarkable if he had said it with his head off.
|
||
|
|
||
|
"When I speak of success, I speak of success with the young lady; and
|
||
|
when I speak of causes and reasons to make success probable, I speak
|
||
|
of causes and reasons that will tell as such with the young lady.
|
||
|
The young lady, my good sir," said Mr. Lorry, mildly tapping the
|
||
|
Stryver arm, "the young lady. The young lady goes before all."
|
||
|
|
||
|
"Then you mean to tell me, Mr. Lorry," said Stryver, squaring his
|
||
|
elbows, "that it is your deliberate opinion that the young lady at
|
||
|
present in question is a mincing Fool?"
|
||
|
|
||
|
"Not exactly so. I mean to tell you, Mr. Stryver," said Mr. Lorry,
|
||
|
reddening, "that I will hear no disrespectful word of that young lady
|
||
|
from any lips; and that if I knew any man--which I hope I do not--
|
||
|
whose taste was so coarse, and whose temper was so overbearing,
|
||
|
that he could not restrain himself from speaking disrespectfully of
|
||
|
that young lady at this desk, not even Tellson's should prevent my
|
||
|
giving him a piece of my mind."
|
||
|
|
||
|
The necessity of being angry in a suppressed tone had put Mr. Stryver's
|
||
|
blood-vessels into a dangerous state when it was his turn to be angry;
|
||
|
Mr. Lorry's veins, methodical as their courses could usually be,
|
||
|
were in no better state now it was his turn.
|
||
|
|
||
|
"That is what I mean to tell you, sir," said Mr. Lorry.
|
||
|
"Pray let there be no mistake about it."
|
||
|
|
||
|
Mr. Stryver sucked the end of a ruler for a little while, and then
|
||
|
stood hitting a tune out of his teeth with it, which probably gave
|
||
|
him the toothache. He broke the awkward silence by saying:
|
||
|
|
||
|
"This is something new to me, Mr. Lorry. You deliberately advise
|
||
|
me not to go up to Soho and offer myself--MYself, Stryver of
|
||
|
the King's Bench bar?"
|
||
|
|
||
|
"Do you ask me for my advice, Mr. Stryver?"
|
||
|
|
||
|
"Yes, I do."
|
||
|
|
||
|
"Very good. Then I give it, and you have repeated it correctly."
|
||
|
|
||
|
"And all I can say of it is," laughed Stryver with a vexed laugh,
|
||
|
"that this--ha, ha!--beats everything past, present, and to come."
|
||
|
|
||
|
"Now understand me," pursued Mr. Lorry. "As a man of business, I
|
||
|
am not justified in saying anything about this matter, for, as a man
|
||
|
of business, I know nothing of it. But, as an old fellow, who has
|
||
|
carried Miss Manette in his arms, who is the trusted friend of
|
||
|
Miss Manette and of her father too, and who has a great affection for
|
||
|
them both, I have spoken. The confidence is not of my seeking,
|
||
|
recollect. Now, you think I may not be right?"
|
||
|
|
||
|
"Not I!" said Stryver, whistling. "I can't undertake to find third
|
||
|
parties in common sense; I can only find it for myself. I suppose
|
||
|
sense in certain quarters; you suppose mincing bread-and-butter
|
||
|
nonsense. It's new to me, but you are right, I dare say."
|
||
|
|
||
|
"What I suppose, Mr. Stryver, I claim to characterise for myself--And
|
||
|
understand me, sir," said Mr. Lorry, quickly flushing again,
|
||
|
"I will not--not even at Tellson's--have it characterised for me by any
|
||
|
gentleman breathing."
|
||
|
|
||
|
"There! I beg your pardon!" said Stryver.
|
||
|
|
||
|
"Granted. Thank you. Well, Mr. Stryver, I was about to say:--it
|
||
|
might be painful to you to find yourself mistaken, it might be painful
|
||
|
to Doctor Manette to have the task of being explicit with you, it
|
||
|
might be very painful to Miss Manette to have the task of being
|
||
|
explicit with you. You know the terms upon which I have the honour
|
||
|
and happiness to stand with the family. If you please, committing you
|
||
|
in no way, representing you in no way, I will undertake to correct my
|
||
|
advice by the exercise of a little new observation and judgment expressly
|
||
|
brought to bear upon it. If you should then be dissatisfied with it,
|
||
|
you can but test its soundness for yourself; if, on the other hand,
|
||
|
you should be satisfied with it, and it should be what it now is,
|
||
|
it may spare all sides what is best spared. What do you say?"
|
||
|
|
||
|
"How long would you keep me in town?"
|
||
|
|
||
|
"Oh! It is only a question of a few hours. I could go to Soho in the
|
||
|
evening, and come to your chambers afterwards."
|
||
|
|
||
|
"Then I say yes," said Stryver: "I won't go up there now, I am not
|
||
|
so hot upon it as that comes to; I say yes, and I shall expect you
|
||
|
to look in to-night. Good morning."
|
||
|
|
||
|
Then Mr. Stryver turned and burst out of the Bank, causing such a
|
||
|
concussion of air on his passage through, that to stand up against it
|
||
|
bowing behind the two counters, required the utmost remaining strength
|
||
|
of the two ancient clerks. Those venerable and feeble persons were
|
||
|
always seen by the public in the act of bowing, and were popularly
|
||
|
believed, when they had bowed a customer out, still to keep on bowing
|
||
|
in the empty office until they bowed another customer in.
|
||
|
|
||
|
The barrister was keen enough to divine that the banker would not
|
||
|
have gone so far in his expression of opinion on any less solid
|
||
|
ground than moral certainty. Unprepared as he was for the large pill
|
||
|
he had to swallow, he got it down. "And now," said Mr. Stryver,
|
||
|
shaking his forensic forefinger at the Temple in general, when it
|
||
|
was down, "my way out of this, is, to put you all in the wrong."
|
||
|
|
||
|
It was a bit of the art of an Old Bailey tactician, in which he
|
||
|
found great relief. "You shall not put me in the wrong, young lady,"
|
||
|
said Mr. Stryver; "I'll do that for you."
|
||
|
|
||
|
Accordingly, when Mr. Lorry called that night as late as ten o'clock,
|
||
|
Mr. Stryver, among a quantity of books and papers littered out for
|
||
|
the purpose, seemed to have nothing less on his mind than the subject
|
||
|
of the morning. He even showed surprise when he saw Mr. Lorry, and
|
||
|
was altogether in an absent and preoccupied state.
|
||
|
|
||
|
"Well!" said that good-natured emissary, after a full half-hour of
|
||
|
bootless attempts to bring him round to the question. "I have
|
||
|
been to Soho."
|
||
|
|
||
|
"To Soho?" repeated Mr. Stryver, coldly. "Oh, to be sure!
|
||
|
What am I thinking of!"
|
||
|
|
||
|
"And I have no doubt," said Mr. Lorry, "that I was right in the
|
||
|
conversation we had. My opinion is confirmed, and I reiterate my advice."
|
||
|
|
||
|
"I assure you," returned Mr. Stryver, in the friendliest way, "that I
|
||
|
am sorry for it on your account, and sorry for it on the poor father's
|
||
|
account. I know this must always be a sore subject with the family;
|
||
|
let us say no more about it."
|
||
|
|
||
|
"I don't understand you," said Mr. Lorry.
|
||
|
|
||
|
"I dare say not," rejoined Stryver, nodding his head in a smoothing
|
||
|
and final way; "no matter, no matter."
|
||
|
|
||
|
"But it does matter," Mr. Lorry urged.
|
||
|
|
||
|
"No it doesn't; I assure you it doesn't. Having supposed that there
|
||
|
was sense where there is no sense, and a laudable ambition where there
|
||
|
is not a laudable ambition, I am well out of my mistake, and no harm
|
||
|
is done. Young women have committed similar follies often before,
|
||
|
and have repented them in poverty and obscurity often before. In an
|
||
|
unselfish aspect, I am sorry that the thing is dropped, because it
|
||
|
would have been a bad thing for me in a worldly point of view;
|
||
|
in a selfish aspect, I am glad that the thing has dropped, because it
|
||
|
would have been a bad thing for me in a worldly point of view--
|
||
|
it is hardly necessary to say I could have gained nothing by it.
|
||
|
There is no harm at all done. I have not proposed to the young lady,
|
||
|
and, between ourselves, I am by no means certain, on reflection,
|
||
|
that I ever should have committed myself to that extent. Mr. Lorry,
|
||
|
you cannot control the mincing vanities and giddinesses of
|
||
|
empty-headed girls; you must not expect to do it, or you will always
|
||
|
be disappointed. Now, pray say no more about it. I tell you,
|
||
|
I regret it on account of others, but I am satisfied on my own account.
|
||
|
And I am really very much obliged to you for allowing me to sound you,
|
||
|
and for giving me your advice; you know the young lady better
|
||
|
than I do; you were right, it never would have done."
|
||
|
|
||
|
Mr. Lorry was so taken aback, that he looked quite stupidly at
|
||
|
Mr. Stryver shouldering him towards the door, with an appearance of
|
||
|
showering generosity, forbearance, and goodwill, on his erring head.
|
||
|
"Make the best of it, my dear sir," said Stryver; "say no more
|
||
|
about it; thank you again for allowing me to sound you; good night!"
|
||
|
|
||
|
Mr. Lorry was out in the night, before he knew where he was.
|
||
|
Mr. Stryver was lying back on his sofa, winking at his ceiling.
|
||
|
|
||
|
|
||
|
|
||
|
XIII
|
||
|
|
||
|
The Fellow of No Delicacy
|
||
|
|
||
|
|
||
|
If Sydney Carton ever shone anywhere, he certainly never shone in the
|
||
|
house of Doctor Manette. He had been there often, during a whole year,
|
||
|
and had always been the same moody and morose lounger there. When he
|
||
|
cared to talk, he talked well; but, the cloud of caring for nothing,
|
||
|
which overshadowed him with such a fatal darkness, was very rarely
|
||
|
pierced by the light within him.
|
||
|
|
||
|
And yet he did care something for the streets that environed that house,
|
||
|
and for the senseless stones that made their pavements. Many a night
|
||
|
he vaguely and unhappily wandered there, when wine had brought
|
||
|
no transitory gladness to him; many a dreary daybreak revealed his
|
||
|
solitary figure lingering there, and still lingering there when the first
|
||
|
beams of the sun brought into strong relief, removed beauties of
|
||
|
architecture in spires of churches and lofty buildings, as perhaps
|
||
|
the quiet time brought some sense of better things, else forgotten
|
||
|
and unattainable, into his mind. Of late, the neglected bed in the
|
||
|
Temple Court had known him more scantily than ever; and often when he
|
||
|
had thrown himself upon it no longer than a few minutes, he had got up
|
||
|
again, and haunted that neighbourhood.
|
||
|
|
||
|
On a day in August, when Mr. Stryver (after notifying to his jackal
|
||
|
that "he had thought better of that marrying matter") had carried his
|
||
|
delicacy into Devonshire, and when the sight and scent of flowers in
|
||
|
the City streets had some waifs of goodness in them for the worst,
|
||
|
of health for the sickliest, and of youth for the oldest, Sydney's feet
|
||
|
still trod those stones. From being irresolute and purposeless,
|
||
|
his feet became animated by an intention, and, in the working out of
|
||
|
that intention, they took him to the Doctor's door.
|
||
|
|
||
|
He was shown up-stairs, and found Lucie at her work, alone. She had
|
||
|
never been quite at her ease with him, and received him with some
|
||
|
little embarrassment as he seated himself near her table. But,
|
||
|
looking up at his face in the interchange of the first few
|
||
|
common-places, she observed a change in it.
|
||
|
|
||
|
"I fear you are not well, Mr. Carton!"
|
||
|
|
||
|
"No. But the life I lead, Miss Manette, is not conducive to health.
|
||
|
What is to be expected of, or by, such profligates?"
|
||
|
|
||
|
"Is it not--forgive me; I have begun the question on my lips--a pity
|
||
|
to live no better life?"
|
||
|
|
||
|
"God knows it is a shame!"
|
||
|
|
||
|
"Then why not change it?"
|
||
|
|
||
|
Looking gently at him again, she was surprised and saddened to see
|
||
|
that there were tears in his eyes. There were tears in his voice too,
|
||
|
as he answered:
|
||
|
|
||
|
"It is too late for that. I shall never be better than I am.
|
||
|
I shall sink lower, and be worse."
|
||
|
|
||
|
He leaned an elbow on her table, and covered his eyes with his hand.
|
||
|
The table trembled in the silence that followed.
|
||
|
|
||
|
She had never seen him softened, and was much distressed. He knew
|
||
|
her to be so, without looking at her, and said:
|
||
|
|
||
|
"Pray forgive me, Miss Manette. I break down before the knowledge
|
||
|
of what I want to say to you. Will you hear me?"
|
||
|
|
||
|
"If it will do you any good, Mr. Carton, if it would make you happier,
|
||
|
it would make me very glad!"
|
||
|
|
||
|
"God bless you for your sweet compassion!"
|
||
|
|
||
|
He unshaded his face after a little while, and spoke steadily.
|
||
|
|
||
|
"Don't be afraid to hear me. Don't shrink from anything I say.
|
||
|
I am like one who died young. All my life might have been."
|
||
|
|
||
|
"No, Mr. Carton. I am sure that the best part of it might still be;
|
||
|
I am sure that you might be much, much worthier of yourself."
|
||
|
|
||
|
"Say of you, Miss Manette, and although I know better--although
|
||
|
in the mystery of my own wretched heart I know better--I shall
|
||
|
never forget it!"
|
||
|
|
||
|
She was pale and trembling. He came to her relief with a fixed
|
||
|
despair of himself which made the interview unlike any other
|
||
|
that could have been holden.
|
||
|
|
||
|
"If it had been possible, Miss Manette, that you could have returned
|
||
|
the love of the man you see before yourself--flung away, wasted,
|
||
|
drunken, poor creature of misuse as you know him to be--he would have
|
||
|
been conscious this day and hour, in spite of his happiness, that he
|
||
|
would bring you to misery, bring you to sorrow and repentance, blight
|
||
|
you, disgrace you, pull you down with him. I know very well that you
|
||
|
can have no tenderness for me; I ask for none; I am even thankful
|
||
|
that it cannot be."
|
||
|
|
||
|
"Without it, can I not save you, Mr. Carton? Can I not recall you--
|
||
|
forgive me again!--to a better course? Can I in no way repay your
|
||
|
confidence? I know this is a confidence," she modestly said, after a
|
||
|
little hesitation, and in earnest tears, "I know you would say this to
|
||
|
no one else. Can I turn it to no good account for yourself, Mr. Carton?"
|
||
|
|
||
|
He shook his head.
|
||
|
|
||
|
"To none. No, Miss Manette, to none. If you will hear me through a
|
||
|
very little more, all you can ever do for me is done. I wish you to
|
||
|
know that you have been the last dream of my soul. In my degradation
|
||
|
I have not been so degraded but that the sight of you with your father,
|
||
|
and of this home made such a home by you, has stirred old shadows that
|
||
|
I thought had died out of me. Since I knew you, I have been troubled
|
||
|
by a remorse that I thought would never reproach me again, and have
|
||
|
heard whispers from old voices impelling me upward, that I thought were
|
||
|
silent for ever. I have had unformed ideas of striving afresh, beginning
|
||
|
anew, shaking off sloth and sensuality, and fighting out the abandoned
|
||
|
fight. A dream, all a dream, that ends in nothing, and leaves the
|
||
|
sleeper where he lay down, but I wish you to know that you inspired it."
|
||
|
|
||
|
"Will nothing of it remain? O Mr. Carton, think again! Try again!"
|
||
|
|
||
|
"No, Miss Manette; all through it, I have known myself to be quite
|
||
|
undeserving. And yet I have had the weakness, and have still the
|
||
|
weakness, to wish you to know with what a sudden mastery you kindled me,
|
||
|
heap of ashes that I am, into fire--a fire, however, inseparable
|
||
|
in its nature from myself, quickening nothing, lighting nothing,
|
||
|
doing no service, idly burning away."
|
||
|
|
||
|
"Since it is my misfortune, Mr. Carton, to have made you more unhappy
|
||
|
than you were before you knew me--"
|
||
|
|
||
|
"Don't say that, Miss Manette, for you would have reclaimed me,
|
||
|
if anything could. you will not be the cause of my becoming worse."
|
||
|
|
||
|
"Since the state of your mind that you describe, is, at all events,
|
||
|
attributable to some influence of mine--this is what I mean,
|
||
|
if I can make it plain--can I use no influence to serve you?
|
||
|
Have I no power for good, with you, at all?"
|
||
|
|
||
|
"The utmost good that I am capable of now, Miss Manette, I have come
|
||
|
here to realise. Let me carry through the rest of my misdirected life,
|
||
|
the remembrance that I opened my heart to you, last of all the world;
|
||
|
and that there was something left in me at this time which you could
|
||
|
deplore and pity."
|
||
|
|
||
|
"Which I entreated you to believe, again and again, most fervently,
|
||
|
with all my heart, was capable of better things, Mr. Carton!"
|
||
|
|
||
|
"Entreat me to believe it no more, Miss Manette. I have proved myself,
|
||
|
and I know better. I distress you; I draw fast to an end. Will you let
|
||
|
me believe, when I recall this day, that the last confidence of my life
|
||
|
was reposed in your pure and innocent breast, and that it lies there
|
||
|
alone, and will be shared by no one?"
|
||
|
|
||
|
"If that will be a consolation to you, yes."
|
||
|
|
||
|
"Not even by the dearest one ever to be known to you?"
|
||
|
|
||
|
"Mr. Carton," she answered, after an agitated pause, "the secret is
|
||
|
yours, not mine; and I promise to respect it."
|
||
|
|
||
|
"Thank you. And again, God bless you."
|
||
|
|
||
|
He put her hand to his lips, and moved towards the door.
|
||
|
|
||
|
"Be under no apprehension, Miss Manette, of my ever resuming this
|
||
|
conversation by so much as a passing word. I will never refer to it
|
||
|
again. If I were dead, that could not be surer than it is henceforth.
|
||
|
In the hour of my death, I shall hold sacred the one good remembrance--
|
||
|
and shall thank and bless you for it--that my last avowal of myself was
|
||
|
made to you, and that my name, and faults, and miseries were gently
|
||
|
carried in your heart. May it otherwise be light and happy!"
|
||
|
|
||
|
He was so unlike what he had ever shown himself to be, and it was
|
||
|
so sad to think how much he had thrown away, and how much he every
|
||
|
day kept down and perverted, that Lucie Manette wept mournfully for
|
||
|
him as he stood looking back at her.
|
||
|
|
||
|
"Be comforted!" he said, "I am not worth such feeling, Miss Manette.
|
||
|
An hour or two hence, and the low companions and low habits that I scorn
|
||
|
but yield to, will render me less worth such tears as those, than any
|
||
|
wretch who creeps along the streets. Be comforted! But, within myself,
|
||
|
I shall always be, towards you, what I am now, though outwardly I shall
|
||
|
be what you have heretofore seen me. The last supplication but one
|
||
|
I make to you, is, that you will believe this of me."
|
||
|
|
||
|
"I will, Mr. Carton."
|
||
|
|
||
|
"My last supplication of all, is this; and with it, I will relieve
|
||
|
you of a visitor with whom I well know you have nothing in unison,
|
||
|
and between whom and you there is an impassable space. It is useless
|
||
|
to say it, I know, but it rises out of my soul. For you, and for any
|
||
|
dear to you, I would do anything. If my career were of that better
|
||
|
kind that there was any opportunity or capacity of sacrifice in it,
|
||
|
I would embrace any sacrifice for you and for those dear to you.
|
||
|
Try to hold me in your mind, at some quiet times, as ardent and sincere
|
||
|
in this one thing. The time will come, the time will not be long
|
||
|
in coming, when new ties will be formed about you--ties that will bind
|
||
|
you yet more tenderly and strongly to the home you so adorn--the dearest
|
||
|
ties that will ever grace and gladden you. O Miss Manette, when the
|
||
|
little picture of a happy father's face looks up in yours, when you
|
||
|
see your own bright beauty springing up anew at your feet, think
|
||
|
now and then that there is a man who would give his life, to keep
|
||
|
a life you love beside you!"
|
||
|
|
||
|
He said, "Farewell!" said a last "God bless you!" and left her.
|
||
|
|
||
|
|
||
|
|
||
|
XIV
|
||
|
|
||
|
The Honest Tradesman
|
||
|
|
||
|
|
||
|
To the eyes of Mr. Jeremiah Cruncher, sitting on his stool in
|
||
|
Fleet-street with his grisly urchin beside him, a vast number and
|
||
|
variety of objects in movement were every day presented. Who could
|
||
|
sit upon anything in Fleet-street during the busy hours of the day,
|
||
|
and not be dazed and deafened by two immense processions, one ever
|
||
|
tending westward with the sun, the other ever tending eastward
|
||
|
from the sun, both ever tending to the plains beyond the range of red
|
||
|
and purple where the sun goes down!
|
||
|
|
||
|
With his straw in his mouth, Mr. Cruncher sat watching the two streams,
|
||
|
like the heathen rustic who has for several centuries been on duty
|
||
|
watching one stream--saving that Jerry had no expectation of their
|
||
|
ever running dry. Nor would it have been an expectation of a hopeful
|
||
|
kind, since a small part of his income was derived from the pilotage
|
||
|
of timid women (mostly of a full habit and past the middle term of life)
|
||
|
from Tellson's side of the tides to the opposite shore. Brief as such
|
||
|
companionship was in every separate instance, Mr. Cruncher never
|
||
|
failed to become so interested in the lady as to express a strong desire
|
||
|
to have the honour of drinking her very good health. And it was from
|
||
|
the gifts bestowed upon him towards the execution of this benevolent
|
||
|
purpose, that he recruited his finances, as just now observed.
|
||
|
|
||
|
Time was, when a poet sat upon a stool in a public place, and mused
|
||
|
in the sight of men. Mr. Cruncher, sitting on a stool in a public place,
|
||
|
but not being a poet, mused as little as possible, and looked about him.
|
||
|
|
||
|
It fell out that he was thus engaged in a season when crowds were few,
|
||
|
and belated women few, and when his affairs in general were so
|
||
|
unprosperous as to awaken a strong suspicion in his breast that
|
||
|
Mrs. Cruncher must have been "flopping" in some pointed manner, when
|
||
|
an unusual concourse pouring down Fleet-street westward, attracted his
|
||
|
attention. Looking that way, Mr. Cruncher made out that some kind of
|
||
|
funeral was coming along, and that there was popular objection to this
|
||
|
funeral, which engendered uproar.
|
||
|
|
||
|
"Young Jerry," said Mr. Cruncher, turning to his offspring,
|
||
|
"it's a buryin'."
|
||
|
|
||
|
"Hooroar, father!" cried Young Jerry.
|
||
|
|
||
|
The young gentleman uttered this exultant sound with mysterious
|
||
|
significance. The elder gentleman took the cry so ill, that he
|
||
|
watched his opportunity, and smote the young gentleman on the ear.
|
||
|
|
||
|
"What d'ye mean? What are you hooroaring at? What do you want to
|
||
|
conwey to your own father, you young Rip? This boy is a getting
|
||
|
too many for ME!" said Mr. Cruncher, surveying him. "Him and
|
||
|
his hooroars! Don't let me hear no more of you, or you shall feel
|
||
|
some more of me. D'ye hear?"
|
||
|
|
||
|
"I warn't doing no harm," Young Jerry protested, rubbing his cheek.
|
||
|
|
||
|
"Drop it then," said Mr. Cruncher; "I won't have none of YOUR
|
||
|
no harms. Get a top of that there seat, and look at the crowd."
|
||
|
|
||
|
His son obeyed, and the crowd approached; they were bawling and hissing
|
||
|
round a dingy hearse and dingy mourning coach, in which mourning coach
|
||
|
there was only one mourner, dressed in the dingy trappings that were
|
||
|
considered essential to the dignity of the position. The position
|
||
|
appeared by no means to please him, however, with an increasing rabble
|
||
|
surrounding the coach, deriding him, making grimaces at him,
|
||
|
and incessantly groaning and calling out: "Yah! Spies! Tst! Yaha!
|
||
|
Spies!" with many compliments too numerous and forcible to repeat.
|
||
|
|
||
|
Funerals had at all times a remarkable attraction for Mr. Cruncher;
|
||
|
he always pricked up his senses, and became excited, when a funeral
|
||
|
passed Tellson's. Naturally, therefore, a funeral with this uncommon
|
||
|
attendance excited him greatly, and he asked of the first man who ran
|
||
|
against him:
|
||
|
|
||
|
"What is it, brother? What's it about?"
|
||
|
|
||
|
"_I_ don't know," said the man. "Spies! Yaha! Tst! Spies!"
|
||
|
|
||
|
He asked another man. "Who is it?"
|
||
|
|
||
|
"_I_ don't know," returned the man, clapping his hands to his mouth
|
||
|
nevertheless, and vociferating in a surprising heat and with the
|
||
|
greatest ardour, "Spies! Yaha! Tst, tst! Spi--ies!"
|
||
|
|
||
|
At length, a person better informed on the merits of the case,
|
||
|
tumbled against him, and from this person he learned that the funeral
|
||
|
was the funeral of one Roger Cly.
|
||
|
|
||
|
"Was He a spy?" asked Mr. Cruncher.
|
||
|
|
||
|
"Old Bailey spy," returned his informant. "Yaha! Tst! Yah!
|
||
|
Old Bailey Spi--i--ies!"
|
||
|
|
||
|
"Why, to be sure!" exclaimed Jerry, recalling the Trial at which he
|
||
|
had assisted. "I've seen him. Dead, is he?"
|
||
|
|
||
|
"Dead as mutton," returned the other, "and can't be too dead.
|
||
|
Have 'em out, there! Spies! Pull 'em out, there! Spies!"
|
||
|
|
||
|
The idea was so acceptable in the prevalent absence of any idea,
|
||
|
that the crowd caught it up with eagerness, and loudly repeating the
|
||
|
suggestion to have 'em out, and to pull 'em out, mobbed the two vehicles
|
||
|
so closely that they came to a stop. On the crowd's opening the coach
|
||
|
doors, the one mourner scuffled out of himself and was in their hands
|
||
|
for a moment; but he was so alert, and made such good use of his time,
|
||
|
that in another moment he was scouring away up a bye-street, after
|
||
|
shedding his cloak, hat, long hatband, white pocket-handkerchief,
|
||
|
and other symbolical tears.
|
||
|
|
||
|
These, the people tore to pieces and scattered far and wide with
|
||
|
great enjoyment, while the tradesmen hurriedly shut up their shops;
|
||
|
for a crowd in those times stopped at nothing, and was a monster
|
||
|
much dreaded. They had already got the length of opening the hearse
|
||
|
to take the coffin out, when some brighter genius proposed instead,
|
||
|
its being escorted to its destination amidst general rejoicing.
|
||
|
Practical suggestions being much needed, this suggestion, too, was
|
||
|
received with acclamation, and the coach was immediately filled with
|
||
|
eight inside and a dozen out, while as many people got on the roof of
|
||
|
the hearse as could by any exercise of ingenuity stick upon it.
|
||
|
Among the first of these volunteers was Jerry Cruncher himself, who
|
||
|
modestly concealed his spiky head from the observation of Tellson's,
|
||
|
in the further corner of the mourning coach.
|
||
|
|
||
|
The officiating undertakers made some protest against these changes
|
||
|
in the ceremonies; but, the river being alarmingly near, and several
|
||
|
voices remarking on the efficacy of cold immersion in bringing
|
||
|
refractory members of the profession to reason, the protest was faint
|
||
|
and brief. The remodelled procession started, with a chimney-sweep
|
||
|
driving the hearse--advised by the regular driver, who was perched
|
||
|
beside him, under close inspection, for the purpose--and with a pieman,
|
||
|
also attended by his cabinet minister, driving the mourning coach.
|
||
|
A bear-leader, a popular street character of the time, was impressed
|
||
|
as an additional ornament, before the cavalcade had gone far down
|
||
|
the Strand; and his bear, who was black and very mangy, gave quite
|
||
|
an Undertaking air to that part of the procession in which he walked.
|
||
|
|
||
|
Thus, with beer-drinking, pipe-smoking, song-roaring, and infinite
|
||
|
caricaturing of woe, the disorderly procession went its way, recruiting
|
||
|
at every step, and all the shops shutting up before it. Its destination
|
||
|
was the old church of Saint Pancras, far off in the fields. It got
|
||
|
there in course of time; insisted on pouring into the burial-ground;
|
||
|
finally, accomplished the interment of the deceased Roger Cly in
|
||
|
its own way, and highly to its own satisfaction.
|
||
|
|
||
|
The dead man disposed of, and the crowd being under the necessity of
|
||
|
providing some other entertainment for itself, another brighter genius
|
||
|
(or perhaps the same) conceived the humour of impeaching casual
|
||
|
passers-by, as Old Bailey spies, and wreaking vengeance on them.
|
||
|
Chase was given to some scores of inoffensive persons who had never
|
||
|
been near the Old Bailey in their lives, in the realisation of this
|
||
|
fancy, and they were roughly hustled and maltreated. The transition
|
||
|
to the sport of window-breaking, and thence to the plundering of
|
||
|
public-houses, was easy and natural. At last, after several hours,
|
||
|
when sundry summer-houses had been pulled down, and some area-railings
|
||
|
had been torn up, to arm the more belligerent spirits, a rumour got
|
||
|
about that the Guards were coming. Before this rumour, the crowd
|
||
|
gradually melted away, and perhaps the Guards came, and perhaps they
|
||
|
never came, and this was the usual progress of a mob.
|
||
|
|
||
|
Mr. Cruncher did not assist at the closing sports, but had remained
|
||
|
behind in the churchyard, to confer and condole with the undertakers.
|
||
|
The place had a soothing influence on him. He procured a pipe from a
|
||
|
neighbouring public-house, and smoked it, looking in at the railings
|
||
|
and maturely considering the spot.
|
||
|
|
||
|
"Jerry," said Mr. Cruncher, apostrophising himself in his usual way,
|
||
|
"you see that there Cly that day, and you see with your own eyes that
|
||
|
he was a young 'un and a straight made 'un."
|
||
|
|
||
|
Having smoked his pipe out, and ruminated a little longer, he turned
|
||
|
himself about, that he might appear, before the hour of closing, on his
|
||
|
station at Tellson's. Whether his meditations on mortality had touched
|
||
|
his liver, or whether his general health had been previously at all
|
||
|
amiss, or whether he desired to show a little attention to an eminent
|
||
|
man, is not so much to the purpose, as that he made a short call upon
|
||
|
his medical adviser--a distinguished surgeon--on his way back.
|
||
|
|
||
|
Young Jerry relieved his father with dutiful interest, and reported No
|
||
|
job in his absence. The bank closed, the ancient clerks came out, the
|
||
|
usual watch was set, and Mr. Cruncher and his son went home to tea.
|
||
|
|
||
|
"Now, I tell you where it is!" said Mr. Cruncher to his wife, on
|
||
|
entering. "If, as a honest tradesman, my wenturs goes wrong to-night,
|
||
|
I shall make sure that you've been praying again me, and I shall work
|
||
|
you for it just the same as if I seen you do it."
|
||
|
|
||
|
The dejected Mrs. Cruncher shook her head.
|
||
|
|
||
|
"Why, you're at it afore my face!" said Mr. Cruncher, with signs of
|
||
|
angry apprehension.
|
||
|
|
||
|
"I am saying nothing."
|
||
|
|
||
|
"Well, then; don't meditate nothing. You might as well flop as
|
||
|
meditate. You may as well go again me one way as another.
|
||
|
Drop it altogether."
|
||
|
|
||
|
"Yes, Jerry."
|
||
|
|
||
|
"Yes, Jerry," repeated Mr. Cruncher sitting down to tea. "Ah!
|
||
|
It IS yes, Jerry. That's about it. You may say yes, Jerry."
|
||
|
|
||
|
Mr. Cruncher had no particular meaning in these sulky corroborations,
|
||
|
but made use of them, as people not unfrequently do, to express
|
||
|
general ironical dissatisfaction.
|
||
|
|
||
|
"You and your yes, Jerry," said Mr. Cruncher, taking a bite out of his
|
||
|
bread-and-butter, and seeming to help it down with a large invisible
|
||
|
oyster out of his saucer. "Ah! I think so. I believe you."
|
||
|
|
||
|
"You are going out to-night?" asked his decent wife, when he took
|
||
|
another bite.
|
||
|
|
||
|
"Yes, I am."
|
||
|
|
||
|
"May I go with you, father?" asked his son, briskly.
|
||
|
|
||
|
"No, you mayn't. I'm a going--as your mother knows--a fishing.
|
||
|
That's where I'm going to. Going a fishing."
|
||
|
|
||
|
"Your fishing-rod gets rayther rusty; don't it, father?"
|
||
|
|
||
|
"Never you mind."
|
||
|
|
||
|
"Shall you bring any fish home, father?"
|
||
|
|
||
|
"If I don't, you'll have short commons, to-morrow," returned that
|
||
|
gentleman, shaking his head; "that's questions enough for you; I
|
||
|
ain't a going out, till you've been long abed."
|
||
|
|
||
|
He devoted himself during the remainder of the evening to keeping
|
||
|
a most vigilant watch on Mrs. Cruncher, and sullenly holding her in
|
||
|
conversation that she might be prevented from meditating any petitions
|
||
|
to his disadvantage. With this view, he urged his son to hold her in
|
||
|
conversation also, and led the unfortunate woman a hard life by dwelling
|
||
|
on any causes of complaint he could bring against her, rather than he
|
||
|
would leave her for a moment to her own reflections. The devoutest
|
||
|
person could have rendered no greater homage to the efficacy of an honest
|
||
|
prayer than he did in this distrust of his wife. It was as if a
|
||
|
professed unbeliever in ghosts should be frightened by a ghost story.
|
||
|
|
||
|
"And mind you!" said Mr. Cruncher. "No games to-morrow! If I,
|
||
|
as a honest tradesman, succeed in providing a jinte of meat or two,
|
||
|
none of your not touching of it, and sticking to bread. If I,
|
||
|
as a honest tradesman, am able to provide a little beer, none of your
|
||
|
declaring on water. When you go to Rome, do as Rome does. Rome will
|
||
|
be a ugly customer to you, if you don't. _I_'m your Rome, you know."
|
||
|
|
||
|
Then he began grumbling again:
|
||
|
|
||
|
"With your flying into the face of your own wittles and drink! I don't
|
||
|
know how scarce you mayn't make the wittles and drink here, by your
|
||
|
flopping tricks and your unfeeling conduct. Look at your boy: he IS
|
||
|
your'n, ain't he? He's as thin as a lath. Do you call yourself a
|
||
|
mother, and not know that a mother's first duty is to blow her boy out?"
|
||
|
|
||
|
This touched Young Jerry on a tender place; who adjured his mother to
|
||
|
perform her first duty, and, whatever else she did or neglected, above
|
||
|
all things to lay especial stress on the discharge of that maternal
|
||
|
function so affectingly and delicately indicated by his other parent.
|
||
|
|
||
|
Thus the evening wore away with the Cruncher family, until Young Jerry
|
||
|
was ordered to bed, and his mother, laid under similar injunctions,
|
||
|
obeyed them. Mr. Cruncher beguiled the earlier watches of the night
|
||
|
with solitary pipes, and did not start upon his excursion until nearly
|
||
|
one o'clock. Towards that small and ghostly hour, he rose up from his
|
||
|
chair, took a key out of his pocket, opened a locked cupboard, and
|
||
|
brought forth a sack, a crowbar of convenient size, a rope and chain,
|
||
|
and other fishing tackle of that nature. Disposing these articles about
|
||
|
him in skilful manner, he bestowed a parting defiance on Mrs. Cruncher,
|
||
|
extinguished the light, and went out.
|
||
|
|
||
|
Young Jerry, who had only made a feint of undressing when he went to bed,
|
||
|
was not long after his father. Under cover of the darkness he followed
|
||
|
out of the room, followed down the stairs, followed down the court,
|
||
|
followed out into the streets. He was in no uneasiness concerning
|
||
|
his getting into the house again, for it was full of lodgers, and the
|
||
|
door stood ajar all night.
|
||
|
|
||
|
Impelled by a laudable ambition to study the art and mystery of his
|
||
|
father's honest calling, Young Jerry, keeping as close to house fronts,
|
||
|
walls, and doorways, as his eyes were close to one another, held his
|
||
|
honoured parent in view. The honoured parent steering Northward,
|
||
|
had not gone far, when he was joined by another disciple of
|
||
|
Izaak Walton, and the two trudged on together.
|
||
|
|
||
|
Within half an hour from the first starting, they were beyond the
|
||
|
winking lamps, and the more than winking watchmen, and were out upon
|
||
|
a lonely road. Another fisherman was picked up here--and that so
|
||
|
silently, that if Young Jerry had been superstitious, he might have
|
||
|
supposed the second follower of the gentle craft to have, all of a
|
||
|
sudden, split himself into two.
|
||
|
|
||
|
The three went on, and Young Jerry went on, until the three stopped
|
||
|
under a bank overhanging the road. Upon the top of the bank was a
|
||
|
low brick wall, surmounted by an iron railing. In the shadow of bank
|
||
|
and wall the three turned out of the road, and up a blind lane, of which
|
||
|
the wall--there, risen to some eight or ten feet high--formed one side.
|
||
|
Crouching down in a corner, peeping up the lane, the next object that
|
||
|
Young Jerry saw, was the form of his honoured parent, pretty well
|
||
|
defined against a watery and clouded moon, nimbly scaling an iron
|
||
|
gate. He was soon over, and then the second fisherman got over, and
|
||
|
then the third. They all dropped softly on the ground within the gate,
|
||
|
and lay there a little--listening perhaps. Then, they moved away on
|
||
|
their hands and knees.
|
||
|
|
||
|
It was now Young Jerry's turn to approach the gate: which he did,
|
||
|
holding his breath. Crouching down again in a corner there, and looking
|
||
|
in, he made out the three fishermen creeping through some rank grass!
|
||
|
and all the gravestones in the churchyard--it was a large churchyard
|
||
|
that they were in--looking on like ghosts in white, while the church
|
||
|
tower itself looked on Eke the ghost of a monstrous giant. They did
|
||
|
not creep far, before they stopped and stood upright. And then they
|
||
|
began to fish.
|
||
|
|
||
|
They fished with a spade, at first. Presently the honoured parent
|
||
|
appeared to be adjusting some instrument like a great corkscrew.
|
||
|
Whatever tools they worked with, they worked hard, until the awful
|
||
|
striking of the church clock so terrified Young Jerry, that he made off,
|
||
|
with his hair as stiff as his father's.
|
||
|
|
||
|
But, his long-cherished desire to know more about these matters, not
|
||
|
only stopped him in his running away, but lured him back again. They
|
||
|
were still fishing perseveringly, when he peeped in at the gate for
|
||
|
the second time; but, now they seemed to have got a bite. There was a
|
||
|
screwing and complaining sound down below, and their bent figures were
|
||
|
strained, as if by a weight. By slow degrees the weight broke away the
|
||
|
earth upon it, and came to the surface. Young Jerry very well knew what
|
||
|
it would be; but, when he saw it, and saw his honoured parent about to
|
||
|
wrench it open, he was so frightened, being new to the sight, that he
|
||
|
made off again, and never stopped until he had run a mile or more.
|
||
|
|
||
|
He would not have stopped then, for anything less necessary than
|
||
|
breath, it being a spectral sort of race that he ran, and one highly
|
||
|
desirable to get to the end of. He had a strong idea that the coffin
|
||
|
he had seen was running after him; and, pictured as hopping on behind
|
||
|
him, bolt upright, upon its narrow end, always on the point of
|
||
|
overtaking him and hopping on at his side--perhaps taking his arm--
|
||
|
it was a pursuer to shun. It was an inconsistent and ubiquitous fiend
|
||
|
too, for, while it was making the whole night behind him dreadful,
|
||
|
he darted out into the roadway to avoid dark alleys, fearful of its
|
||
|
coming hopping out of them like a dropsical boy's-Kite without tail
|
||
|
and wings. It hid in doorways too, rubbing its horrible shoulders
|
||
|
against doors, and drawing them up to its ears, as if it were laughing.
|
||
|
It got into shadows on the road, and lay cunningly on its back to
|
||
|
trip him up. All this time it was incessantly hopping on behind and
|
||
|
gaining on him, so that when the boy got to his own door he had reason
|
||
|
for being half dead. And even then it would not leave him, but followed
|
||
|
him upstairs with a bump on every stair, scrambled into bed with him,
|
||
|
and bumped down, dead and heavy, on his breast when he fell asleep.
|
||
|
|
||
|
>From his oppressed slumber, Young Jerry in his closet was awakened
|
||
|
after daybreak and before sunrise, by the presence of his father in
|
||
|
the family room. Something had gone wrong with him; at least, so
|
||
|
Young Jerry inferred, from the circumstance of his holding
|
||
|
Mrs. Cruncher by the ears, and knocking the back of her head against
|
||
|
the head-board of the bed.
|
||
|
|
||
|
"I told you I would," said Mr. Cruncher, "and I did."
|
||
|
|
||
|
"Jerry, Jerry, Jerry!" his wife implored.
|
||
|
|
||
|
"You oppose yourself to the profit of the business," said Jerry,
|
||
|
"and me and my partners suffer. You was to honour and obey;
|
||
|
why the devil don't you?"
|
||
|
|
||
|
"I try to be a good wife, Jerry," the poor woman protested, with tears.
|
||
|
|
||
|
"Is it being a good wife to oppose your husband's business? Is it
|
||
|
honouring your husband to dishonour his business? Is it obeying your
|
||
|
husband to disobey him on the wital subject of his business?"
|
||
|
|
||
|
"You hadn't taken to the dreadful business then, Jerry."
|
||
|
|
||
|
"It's enough for you," retorted Mr. Cruncher, "to be the wife of a
|
||
|
honest tradesman, and not to occupy your female mind with calculations
|
||
|
when he took to his trade or when he didn't. A honouring and obeying
|
||
|
wife would let his trade alone altogether. Call yourself a religious
|
||
|
woman? If you're a religious woman, give me a irreligious one!
|
||
|
You have no more nat'ral sense of duty than the bed of this here Thames
|
||
|
river has of a pile, and similarly it must be knocked into you."
|
||
|
|
||
|
The altercation was conducted in a low tone of voice, and terminated
|
||
|
in the honest tradesman's kicking off his clay-soiled boots, and lying
|
||
|
down at his length on the floor. After taking a timid peep at him
|
||
|
lying on his back, with his rusty hands under his head for a pillow,
|
||
|
his son lay down too, and fell asleep again.
|
||
|
|
||
|
There was no fish for breakfast, and not much of anything else.
|
||
|
Mr. Cruncher was out of spirits, and out of temper, and kept an iron
|
||
|
pot-lid by him as a projectile for the correction of Mrs. Cruncher,
|
||
|
in case he should observe any symptoms of her saying Grace. He was
|
||
|
brushed and washed at the usual hour, and set off with his son to
|
||
|
pursue his ostensible calling.
|
||
|
|
||
|
Young Jerry, walking with the stool under his arm at his father's
|
||
|
side along sunny and crowded Fleet-street, was a very different
|
||
|
Young Jerry from him of the previous night, running home through
|
||
|
darkness and solitude from his grim pursuer. His cunning was fresh
|
||
|
with the day, and his qualms were gone with the night--in which
|
||
|
particulars it is not improbable that he had compeers in Fleet-street
|
||
|
and the City of London, that fine morning.
|
||
|
|
||
|
"Father," said Young Jerry, as they walked along: taking care to
|
||
|
keep at arm's length and to have the stool well between them:
|
||
|
"what's a Resurrection-Man?"
|
||
|
|
||
|
Mr. Cruncher came to a stop on the pavement before he answered,
|
||
|
"How should I know?"
|
||
|
|
||
|
"I thought you knowed everything, father," said the artless boy.
|
||
|
|
||
|
"Hem! Well," returned Mr. Cruncher, going on again, and lifting off
|
||
|
his hat to give his spikes free play, "he's a tradesman."
|
||
|
|
||
|
"What's his goods, father?" asked the brisk Young Jerry.
|
||
|
|
||
|
"His goods," said Mr. Cruncher, after turning it over in his mind,
|
||
|
"is a branch of Scientific goods."
|
||
|
|
||
|
"Persons' bodies, ain't it, father?" asked the lively boy.
|
||
|
|
||
|
"I believe it is something of that sort," said Mr. Cruncher.
|
||
|
|
||
|
"Oh, father, I should so like to be a Resurrection-Man when I'm
|
||
|
quite growed up!"
|
||
|
|
||
|
Mr. Cruncher was soothed, but shook his head in a dubious and moral
|
||
|
way. "It depends upon how you dewelop your talents. Be careful
|
||
|
to dewelop your talents, and never to say no more than you can help
|
||
|
to nobody, and there's no telling at the present time what you may
|
||
|
not come to be fit for." As Young Jerry, thus encouraged, went on
|
||
|
a few yards in advance, to plant the stool in the shadow of the Bar,
|
||
|
Mr. Cruncher added to himself: "Jerry, you honest tradesman, there's
|
||
|
hopes wot that boy will yet be a blessing to you, and a recompense
|
||
|
to you for his mother!"
|
||
|
|
||
|
|
||
|
|
||
|
XV
|
||
|
|
||
|
Knitting
|
||
|
|
||
|
|
||
|
There had been earlier drinking than usual in the wine-shop of
|
||
|
Monsieur Defarge. As early as six o'clock in the morning, sallow
|
||
|
faces peeping through its barred windows had descried other faces within,
|
||
|
bending over measures of wine. Monsieur Defarge sold a very thin wine
|
||
|
at the best of times, but it would seem to have been an unusually thin
|
||
|
wine that he sold at this time. A sour wine, moreover, or a souring,
|
||
|
for its influence on the mood of those who drank it was to make them
|
||
|
gloomy. No vivacious Bacchanalian flame leaped out of the pressed grape
|
||
|
of Monsieur Defarge: but, a smouldering fire that burnt in the dark,
|
||
|
lay hidden in the dregs of it.
|
||
|
|
||
|
This had been the third morning in succession, on which there had been
|
||
|
early drinking at the wine-shop of Monsieur Defarge. It had begun
|
||
|
on Monday, and here was Wednesday come. There had been more of early
|
||
|
brooding than drinking; for, many men had listened and whispered and
|
||
|
slunk about there from the time of the opening of the door, who could
|
||
|
not have laid a piece of money on the counter to save their souls.
|
||
|
These were to the full as interested in the place, however, as if
|
||
|
they could have commanded whole barrels of wine; and they glided from
|
||
|
seat to seat, and from corner to corner, swallowing talk in lieu
|
||
|
of drink, with greedy looks.
|
||
|
|
||
|
Notwithstanding an unusual flow of company, the master of the wine-shop
|
||
|
was not visible. He was not missed; for, nobody who crossed the
|
||
|
threshold looked for him, nobody asked for him, nobody wondered to
|
||
|
see only Madame Defarge in her seat, presiding over the distribution
|
||
|
of wine, with a bowl of battered small coins before her, as much defaced
|
||
|
and beaten out of their original impress as the small coinage of humanity
|
||
|
from whose ragged pockets they had come.
|
||
|
|
||
|
A suspended interest and a prevalent absence of mind, were perhaps
|
||
|
observed by the spies who looked in at the wine-shop, as they looked in
|
||
|
at every place, high and low, from the kings palace to the criminal's
|
||
|
gaol. Games at cards languished, players at dominoes musingly built
|
||
|
towers with them, drinkers drew figures on the tables with spilt drops
|
||
|
of wine, Madame Defarge herself picked out the pattern on her sleeve
|
||
|
with her toothpick, and saw and heard something inaudible and invisible
|
||
|
a long way off.
|
||
|
|
||
|
Thus, Saint Antoine in this vinous feature of his, until midday. It
|
||
|
was high noontide, when two dusty men passed through his streets and
|
||
|
under his swinging lamps: of whom, one was Monsieur Defarge: the other
|
||
|
a mender of roads in a blue cap. All adust and athirst, the two entered
|
||
|
the wine-shop. Their arrival had lighted a kind of fire in the breast
|
||
|
of Saint Antoine, fast spreading as they came along, which stirred and
|
||
|
flickered in flames of faces at most doors and windows. Yet, no one
|
||
|
had followed them, and no man spoke when they entered the wine-shop,
|
||
|
though the eyes of every man there were turned upon them.
|
||
|
|
||
|
"Good day, gentlemen!" said Monsieur Defarge.
|
||
|
|
||
|
It may have been a signal for loosening the general tongue.
|
||
|
It elicited an answering chorus of "Good day!"
|
||
|
|
||
|
"It is bad weather, gentlemen," said Defarge, shaking his head.
|
||
|
|
||
|
Upon which, every man looked at his neighbour, and then an cast down
|
||
|
their eyes and sat silent. Except one man, who got up and went out.
|
||
|
|
||
|
"My wife," said Defarge aloud, addressing Madame Defarge: "I have
|
||
|
travelled certain leagues with this good mender of roads, called
|
||
|
Jacques. I met him--by accident--a day and half's journey out of
|
||
|
Paris. He is a good child, this mender of roads, called Jacques.
|
||
|
Give him to drink, my wife!"
|
||
|
|
||
|
A second man got up and went out. Madame Defarge set wine before the
|
||
|
mender of roads called Jacques, who doffed his blue cap to the company,
|
||
|
and drank. In the breast of his blouse he carried some coarse dark
|
||
|
bread; he ate of this between whiles, and sat munching and drinking
|
||
|
near Madame Defarge's counter. A third man got up and went out.
|
||
|
|
||
|
Defarge refreshed himself with a draught of wine--but, he took less
|
||
|
than was given to the stranger, as being himself a man to whom it was
|
||
|
no rarity--and stood waiting until the countryman had made his breakfast.
|
||
|
He looked at no one present, and no one now looked at him; not even
|
||
|
Madame Defarge, who had taken up her knitting, and was at work.
|
||
|
|
||
|
"Have you finished your repast, friend?" he asked, in due season.
|
||
|
|
||
|
"Yes, thank you."
|
||
|
|
||
|
"Come, then! You shall see the apartment that I told you you could
|
||
|
occupy. It will suit you to a marvel."
|
||
|
|
||
|
Out of the wine-shop into the street, out of the street into a
|
||
|
courtyard, out of the courtyard up a steep staircase, out of the
|
||
|
staircase into a garret,--formerly the garret where a white-haired
|
||
|
man sat on a low bench, stooping forward and very busy, making shoes.
|
||
|
|
||
|
No white-haired man was there now; but, the three men were there
|
||
|
who had gone out of the wine-shop singly. And between them and the
|
||
|
white-haired man afar off, was the one small link, that they had once
|
||
|
looked in at him through the chinks in the wall.
|
||
|
|
||
|
Defarge closed the door carefully, and spoke in a subdued voice:
|
||
|
|
||
|
"Jacques One, Jacques Two, Jacques Three! This is the witness
|
||
|
encountered by appointment, by me, Jacques Four. He will tell you all.
|
||
|
Speak, Jacques Five!"
|
||
|
|
||
|
The mender of roads, blue cap in hand, wiped his swarthy forehead with
|
||
|
it, and said, "Where shall I commence, monsieur?"
|
||
|
|
||
|
"Commence," was Monsieur Defarge's not unreasonable reply, "at the
|
||
|
commencement."
|
||
|
|
||
|
"I saw him then, messieurs," began the mender of roads, "a year ago
|
||
|
this running summer, underneath the carriage of the Marquis, hanging by
|
||
|
the chain. Behold the manner of it. I leaving my work on the road,
|
||
|
the sun going to bed, the carriage of the Marquis slowly ascending
|
||
|
the hill, he hanging by the chain--like this."
|
||
|
|
||
|
Again the mender of roads went through the whole performance; in which
|
||
|
he ought to have been perfect by that time, seeing that it had been
|
||
|
the infallible resource and indispensable entertainment of his village
|
||
|
during a whole year.
|
||
|
|
||
|
Jacques One struck in, and asked if he had ever seen the man before?
|
||
|
|
||
|
"Never," answered the mender of roads, recovering his perpendicular.
|
||
|
|
||
|
Jacques Three demanded how he afterwards recognised him then?
|
||
|
|
||
|
"By his tall figure," said the mender of roads, softly, and with his
|
||
|
finger at his nose. "When Monsieur the Marquis demands that evening,
|
||
|
'Say, what is he like?' I make response, `Tall as a spectre.'"
|
||
|
|
||
|
"You should have said, short as a dwarf," returned Jacques Two.
|
||
|
|
||
|
"But what did I know? The deed was not then accomplished, neither did
|
||
|
he confide in me. Observe! Under those circumstances even, I do not
|
||
|
offer my testimony. Monsieur the Marquis indicates me with his finger,
|
||
|
standing near our little fountain, and says, `To me! Bring that rascal!'
|
||
|
My faith, messieurs, I offer nothing."
|
||
|
|
||
|
"He is right there, Jacques," murmured Defarge, to him who had
|
||
|
interrupted. "Go on!"
|
||
|
|
||
|
"Good!" said the mender of roads, with an air of mystery. "The tall
|
||
|
man is lost, and he is sought--how many months? Nine, ten, eleven?"
|
||
|
|
||
|
"No matter, the number," said Defarge. "He is well hidden, but at last
|
||
|
he is unluckily found. Go on!"
|
||
|
|
||
|
"I am again at work upon the hill-side, and the sun is again about to
|
||
|
go to bed. I am collecting my tools to descend to my cottage down in
|
||
|
the village below, where it is already dark, when I raise my eyes,
|
||
|
and see coming over the hill six soldiers. In the midst of them
|
||
|
is a tall man with his arms bound--tied to his sides--like this!"
|
||
|
|
||
|
With the aid of his indispensable cap, he represented a man with his
|
||
|
elbows bound fast at his hips, with cords that were knotted behind him.
|
||
|
|
||
|
"I stand aside, messieurs, by my heap of stones, to see the soldiers
|
||
|
and their prisoner pass (for it is a solitary road, that, where any
|
||
|
spectacle is well worth looking at), and at first, as they approach,
|
||
|
I see no more than that they are six soldiers with a tall man bound,
|
||
|
and that they are almost black to my sight--except on the side of the
|
||
|
sun going to bed, where they have a red edge, messieurs. Also, I see
|
||
|
that their long shadows are on the hollow ridge on the opposite side
|
||
|
of the road, and are on the hill above it, and are like the shadows of
|
||
|
giants. Also, I see that they are covered with dust, and that the dust
|
||
|
moves with them as they come, tramp, tramp! But when they advance
|
||
|
quite near to me, I recognise the tall man, and he recognises me.
|
||
|
Ah, but he would be well content to precipitate himself over the
|
||
|
hill-side once again, as on the evening when he and I first encountered,
|
||
|
close to the same spot!"
|
||
|
|
||
|
He described it as if he were there, and it was evident that he saw
|
||
|
it vividly; perhaps he had not seen much in his life.
|
||
|
|
||
|
"I do not show the soldiers that I recognise the tall man; he does
|
||
|
not show the soldiers that he recognises me; we do it, and we know it,
|
||
|
with our eyes. `Come on!' says the chief of that company, pointing to
|
||
|
the village, `bring him fast to his tomb!' and they bring him faster.
|
||
|
I follow. His arms are swelled because of being bound so tight, his
|
||
|
wooden shoes are large and clumsy, and he is lame. Because he is lame,
|
||
|
and consequently slow, they drive him with their guns--like this!"
|
||
|
|
||
|
He imitated the action of a man's being impelled forward by the
|
||
|
butt-ends of muskets.
|
||
|
|
||
|
"As they descend the hill like madmen running a race, he falls.
|
||
|
They laugh and pick him up again. His face is bleeding and covered with
|
||
|
dust, but he cannot touch it; thereupon they laugh again. They bring
|
||
|
him into the village; all the village runs to look; they take him past
|
||
|
the mill, and up to the prison; all the village sees the prison gate
|
||
|
open in the darkness of the night, and swallow him--like this!"
|
||
|
|
||
|
He opened his mouth as wide as he could, and shut it with a sounding
|
||
|
snap of his teeth. Observant of his unwillingness to mar the effect
|
||
|
by opening it again, Defarge said, "Go on, Jacques."
|
||
|
|
||
|
"All the village," pursued the mender of roads, on tiptoe and in a
|
||
|
low voice, "withdraws; all the village whispers by the fountain;
|
||
|
all the village sleeps; all the village dreams of that unhappy one,
|
||
|
within the locks and bars of the prison on the crag, and never to come
|
||
|
out of it, except to perish. In the morning, with my tools upon my
|
||
|
shoulder, eating my morsel of black bread as I go, I make a circuit
|
||
|
by the prison, on my way to my work. There I see him, high up,
|
||
|
behind the bars of a lofty iron cage, bloody and dusty as last night,
|
||
|
looking through. He has no hand free, to wave to me; I dare not call
|
||
|
to him; he regards me like a dead man."
|
||
|
|
||
|
Defarge and the three glanced darkly at one another. The looks of
|
||
|
all of them were dark, repressed, and revengeful, as they listened to
|
||
|
the countryman's story; the manner of all of them, while it was secret,
|
||
|
was authoritative too. They had the air of a rough tribunal; Jacques
|
||
|
One and Two sitting on the old pallet-bed, each with his chin resting
|
||
|
on his hand, and his eyes intent on the road-mender; Jacques Three,
|
||
|
equally intent, on one knee behind them, with his agitated hand always
|
||
|
gliding over the network of fine nerves about his mouth and nose;
|
||
|
Defarge standing between them and the narrator, whom he had stationed
|
||
|
in the light of the window, by turns looking from him to them, and
|
||
|
from them to him.
|
||
|
|
||
|
"Go on, Jacques," said Defarge.
|
||
|
|
||
|
"He remains up there in his iron cage some days. The village looks
|
||
|
at him by stealth, for it is afraid. But it always looks up, from
|
||
|
a distance, at the prison on the crag; and in the evening, when the
|
||
|
work of the day is achieved and it assembles to gossip at the fountain,
|
||
|
all faces are turned towards the prison. Formerly, they were turned
|
||
|
towards the posting-house; now, they are turned towards the prison.
|
||
|
They whisper at the fountain, that although condemned to death he will
|
||
|
not be executed; they say that petitions have been presented in Paris,
|
||
|
showing that he was enraged and made mad by the death of his child;
|
||
|
they say that a petition has been presented to the King himself.
|
||
|
What do I know? It is possible. Perhaps yes, perhaps no."
|
||
|
|
||
|
"Listen then, Jacques," Number One of that name sternly interposed.
|
||
|
"Know that a petition was presented to the King and Queen. All here,
|
||
|
yourself excepted, saw the King take it, in his carriage in the street,
|
||
|
sitting beside the Queen. It is Defarge whom you see here, who,
|
||
|
at the hazard of his life, darted out before the horses, with the
|
||
|
petition in his hand."
|
||
|
|
||
|
"And once again listen, Jacques!" said the kneeling Number Three:
|
||
|
his fingers ever wandering over and over those fine nerves, with a
|
||
|
strikingly greedy air, as if he hungered for something--that was
|
||
|
neither food nor drink; "the guard, horse and foot, surrounded
|
||
|
the petitioner, and struck him blows. You hear?"
|
||
|
|
||
|
"I hear, messieurs."
|
||
|
|
||
|
"Go on then," said Defarge.
|
||
|
|
||
|
"Again; on the other hand, they whisper at the fountain," resumed the
|
||
|
countryman, "that he is brought down into our country to be executed
|
||
|
on the spot, and that he will very certainly be executed. They even
|
||
|
whisper that because he has slain Monseigneur, and because Monseigneur
|
||
|
was the father of his tenants--serfs--what you will--he will be
|
||
|
executed as a parricide. One old man says at the fountain, that his
|
||
|
right hand, armed with the knife, will be burnt off before his face;
|
||
|
that, into wounds which will be made in his arms, his breast,
|
||
|
and his legs, there will be poured boiling oil, melted lead, hot resin,
|
||
|
wax, and sulphur; finally, that he will be torn limb from limb by four
|
||
|
strong horses. That old man says, all this was actually done to a
|
||
|
prisoner who made an attempt on the life of the late King,
|
||
|
Louis Fifteen. But how do I know if he lies? I am not a scholar."
|
||
|
|
||
|
"Listen once again then, Jacques!" said the man with the restless hand
|
||
|
and the craving air. "The name of that prisoner was Damiens, and it
|
||
|
was all done in open day, in the open streets of this city of Paris;
|
||
|
and nothing was more noticed in the vast concourse that saw it done,
|
||
|
than the crowd of ladies of quality and fashion, who were full of eager
|
||
|
attention to the last--to the last, Jacques, prolonged until nightfall,
|
||
|
when he had lost two legs and an arm, and still breathed! And it
|
||
|
was done--why, how old are you?"
|
||
|
|
||
|
"Thirty-five," said the mender of roads, who looked sixty.
|
||
|
|
||
|
"It was done when you were more than ten years old; you might
|
||
|
have seen it."
|
||
|
|
||
|
"Enough!" said Defarge, with grim impatience. "Long live the Devil!
|
||
|
Go on."
|
||
|
|
||
|
"Well! Some whisper this, some whisper that; they speak of nothing else;
|
||
|
even the fountain appears to fall to that tune. At length, on Sunday
|
||
|
night when all the village is asleep, come soldiers, winding down from
|
||
|
the prison, and their guns ring on the stones of the little street.
|
||
|
Workmen dig, workmen hammer, soldiers laugh and sing; in the morning,
|
||
|
by the fountain, there is raised a gallows forty feet high, poisoning
|
||
|
the water."
|
||
|
|
||
|
The mender of roads looked THROUGH rather than AT the low ceiling,
|
||
|
and pointed as if he saw the gallows somewhere in the sky.
|
||
|
|
||
|
"All work is stopped, all assemble there, nobody leads the cows out,
|
||
|
the cows are there with the rest. At midday, the roll of drums.
|
||
|
Soldiers have marched into the prison in the night, and he is in the
|
||
|
midst of many soldiers. He is bound as before, and in his mouth there
|
||
|
is a gag--tied so, with a tight string, making him look almost as if he
|
||
|
laughed." He suggested it, by creasing his face with his two thumbs,
|
||
|
from the corners of his mouth to his ears. "On the top of the gallows
|
||
|
is fixed the knife, blade upwards, with its point in the air. He is
|
||
|
hanged there forty feet high--and is left hanging, poisoning the water."
|
||
|
|
||
|
They looked at one another, as he used his blue cap to wipe his face,
|
||
|
on which the perspiration had started afresh while he recalled the spectacle.
|
||
|
|
||
|
"It is frightful, messieurs. How can the women and the children draw
|
||
|
water! Who can gossip of an evening, under that shadow! Under it,
|
||
|
have I said? When I left the village, Monday evening as the sun was
|
||
|
going to bed, and looked back from the hill, the shadow struck across
|
||
|
the church, across the mill, across the prison--seemed to strike across
|
||
|
the earth, messieurs, to where the sky rests upon it!"
|
||
|
|
||
|
The hungry man gnawed one of his fingers as he looked at the other
|
||
|
three, and his finger quivered with the craving that was on him.
|
||
|
|
||
|
"That's all, messieurs. I left at sunset (as I had been warned to do),
|
||
|
and I walked on, that night and half next day, until I met (as I was
|
||
|
warned I should) this comrade. With him, I came on, now riding and
|
||
|
now walking, through the rest of yesterday and through last night.
|
||
|
And here you see me!"
|
||
|
|
||
|
After a gloomy silence, the first Jacques said, "Good! You have
|
||
|
acted and recounted faithfully. Will you wait for us a little,
|
||
|
outside the door?"
|
||
|
|
||
|
"Very willingly," said the mender of roads. Whom Defarge escorted
|
||
|
to the top of the stairs, and, leaving seated there, returned.
|
||
|
|
||
|
The three had risen, and their heads were together when he came
|
||
|
back to the garret.
|
||
|
|
||
|
"How say you, Jacques?" demanded Number One. "To be registered?"
|
||
|
|
||
|
"To be registered, as doomed to destruction," returned Defarge.
|
||
|
|
||
|
"Magnificent!" croaked the man with the craving.
|
||
|
|
||
|
"The chateau, and all the race?" inquired the first.
|
||
|
|
||
|
"The chateau and all the race," returned Defarge. "Extermination."
|
||
|
|
||
|
The hungry man repeated, in a rapturous croak, "Magnificent!" and began
|
||
|
gnawing another finger.
|
||
|
|
||
|
"Are you sure," asked Jacques Two, of Defarge, "that no embarrassment
|
||
|
can arise from our manner of keeping the register? Without doubt it
|
||
|
is safe, for no one beyond ourselves can decipher it; but shall we
|
||
|
always be able to decipher it--or, I ought to say, will she?"
|
||
|
|
||
|
"Jacques," returned Defarge, drawing himself up, "if madame my wife
|
||
|
undertook to keep the register in her memory alone, she would not
|
||
|
lose a word of it--not a syllable of it. Knitted, in her own stitches
|
||
|
and her own symbols, it will always be as plain to her as the sun.
|
||
|
Confide in Madame Defarge. It would be easier for the weakest poltroon
|
||
|
that lives, to erase himself from existence, than to erase one letter
|
||
|
of his name or crimes from the knitted register of Madame Defarge."
|
||
|
|
||
|
There was a murmur of confidence and approval, and then the man who
|
||
|
hungered, asked: "Is this rustic to be sent back soon? I hope so.
|
||
|
He is very simple; is he not a little dangerous?"
|
||
|
|
||
|
"He knows nothing," said Defarge; "at least nothing more than would
|
||
|
easily elevate himself to a gallows of the same height. I charge myself
|
||
|
with him; let him remain with me; I will take care of him, and set him
|
||
|
on his road. He wishes to see the fine world--the King, the Queen, and
|
||
|
Court; let him see them on Sunday."
|
||
|
|
||
|
"What?" exclaimed the hungry man, staring. "Is it a good sign, that
|
||
|
he wishes to see Royalty and Nobility?"
|
||
|
|
||
|
"Jacques," said Defarge; "judiciously show a cat milk, if you wish
|
||
|
her to thirst for it. Judiciously show a dog his natural prey,
|
||
|
if you wish him to bring it down one day."
|
||
|
|
||
|
Nothing more was said, and the mender of roads, being found already
|
||
|
dozing on the topmost stair, was advised to lay himself down on the
|
||
|
pallet-bed and take some rest. He needed no persuasion,
|
||
|
and was soon asleep.
|
||
|
|
||
|
Worse quarters than Defarge's wine-shop, could easily have been found
|
||
|
in Paris for a provincial slave of that degree. Saving for a mysterious
|
||
|
dread of madame by which he was constantly haunted, his life was very
|
||
|
new and agreeable. But, madame sat all day at her counter, so expressly
|
||
|
unconscious of him, and so particularly determined not to perceive that
|
||
|
his being there had any connection with anything below the surface,
|
||
|
that he shook in his wooden shoes whenever his eye lighted on her.
|
||
|
For, he contended with himself that it was impossible to foresee what
|
||
|
that lady might pretend next; and he felt assured that if she should
|
||
|
take it into her brightly ornamented head to pretend that she had seen
|
||
|
him do a murder and afterwards flay the victim, she would infallibly
|
||
|
go through with it until the play was played out.
|
||
|
|
||
|
Therefore, when Sunday came, the mender of roads was not enchanted
|
||
|
(though he said he was) to find that madame was to accompany monsieur
|
||
|
and himself to Versailles. It was additionally disconcerting to have
|
||
|
madame knitting all the way there, in a public conveyance; it was
|
||
|
additionally disconcerting yet, to have madame in the crowd in the
|
||
|
afternoon, still with her knitting in her hands as the crowd waited
|
||
|
to see the carriage of the King and Queen.
|
||
|
|
||
|
"You work hard, madame," said a man near her.
|
||
|
|
||
|
"Yes," answered Madame Defarge; "I have a good deal to do."
|
||
|
|
||
|
"What do you make, madame?"
|
||
|
|
||
|
"Many things."
|
||
|
|
||
|
"For instance--"
|
||
|
|
||
|
"For instance," returned Madame Defarge, composedly, "shrouds."
|
||
|
|
||
|
The man moved a little further away, as soon as he could, and the
|
||
|
mender of roads fanned himself with his blue cap: feeling it mightily
|
||
|
close and oppressive. If he needed a King and Queen to restore him,
|
||
|
he was fortunate in having his remedy at hand; for, soon the large-faced
|
||
|
King and the fair-faced Queen came in their golden coach, attended by
|
||
|
the shining Bull's Eye of their Court, a glittering multitude of
|
||
|
laughing ladies and fine lords; and in jewels and silks and powder and
|
||
|
splendour and elegantly spurning figures and handsomely disdainful faces
|
||
|
of both sexes, the mender of roads bathed himself, so much to his
|
||
|
temporary intoxication, that he cried Long live the King, Long live
|
||
|
the Queen, Long live everybody and everything! as if he had never
|
||
|
heard of ubiquitous Jacques in his time. Then, there were gardens,
|
||
|
courtyards, terraces, fountains, green banks, more King and Queen,
|
||
|
more Bull's Eye,more lords and ladies, more Long live they all! until
|
||
|
he absolutely wept with sentiment. During the whole of this scene,
|
||
|
which lasted some three hours, he had plenty of shouting and weeping
|
||
|
and sentimental company, and throughout Defarge held him by the collar,
|
||
|
as if to restrain him from flying at the objects of his brief devotion
|
||
|
and tearing them to pieces.
|
||
|
|
||
|
"Bravo!" said Defarge, clapping him on the back when it was over,
|
||
|
like a patron; "you are a good boy!"
|
||
|
|
||
|
The mender of roads was now coming to himself, and was mistrustful of
|
||
|
having made a mistake in his late demonstrations; but no.
|
||
|
|
||
|
"You are the fellow we want," said Defarge, in his ear; "you make these
|
||
|
fools believe that it will last for ever. Then, they are the more
|
||
|
insolent, and it is the nearer ended."
|
||
|
|
||
|
"Hey!" cried the mender of roads, reflectively; "that's true."
|
||
|
|
||
|
"These fools know nothing. While they despise your breath, and would
|
||
|
stop it for ever and ever, in you or in a hundred like you rather than
|
||
|
in one of their own horses or dogs, they only know what your breath
|
||
|
tells them. Let it deceive them, then, a little longer; it cannot
|
||
|
deceive them too much."
|
||
|
|
||
|
Madame Defarge looked superciliously at the client, and nodded in
|
||
|
confirmation.
|
||
|
|
||
|
"As to you," said she, "you would shout and shed tears for anything,
|
||
|
if it made a show and a noise. Say! Would you not?"
|
||
|
|
||
|
"Truly, madame, I think so. For the moment."
|
||
|
|
||
|
"If you were shown a great heap of dolls, and were set upon them to
|
||
|
pluck them to pieces and despoil them for your own advantage, you
|
||
|
would pick out the richest and gayest. Say! Would you not?"
|
||
|
|
||
|
"Truly yes, madame."
|
||
|
|
||
|
"Yes. And if you were shown a flock of birds, unable to fly, and were
|
||
|
set upon them to strip them of their feathers for your own advantage,
|
||
|
you would set upon the birds of the finest feathers; would you not?"
|
||
|
|
||
|
"It is true, madame."
|
||
|
|
||
|
"You have seen both dolls and birds to-day," said Madame Defarge,
|
||
|
with a wave of her hand towards the place where they had last been
|
||
|
apparent; "now, go home!"
|
||
|
|
||
|
|
||
|
|
||
|
XVI
|
||
|
|
||
|
Still Knitting
|
||
|
|
||
|
|
||
|
Madame Defarge and monsieur her husband returned amicably to the bosom
|
||
|
of Saint Antoine, while a speck in a blue cap toiled through the
|
||
|
darkness, and through the dust, and down the weary miles of avenue by
|
||
|
the wayside, slowly tending towards that point of the compass where the
|
||
|
chateau of Monsieur the Marquis, now in his grave, listened to the
|
||
|
whispering trees. Such ample leisure had the stone faces, now, for
|
||
|
listening to the trees and to the fountain, that the few village
|
||
|
scarecrows who, in their quest for herbs to eat and fragments of dead
|
||
|
stick to burn, strayed within sight of the great stone courtyard and
|
||
|
terrace staircase, had it borne in upon their starved fancy that the
|
||
|
expression of the faces was altered. A rumour just lived in the
|
||
|
village--had a faint and bare existence there, as its people had--that
|
||
|
when the knife struck home, the faces changed, from faces of pride to
|
||
|
faces of anger and pain; also, that when that dangling figure was
|
||
|
hauled up forty feet above the fountain, they changed again, and bore
|
||
|
a cruel look of being avenged, which they would henceforth bear
|
||
|
for ever. In the stone face over the great window of the bed-chamber
|
||
|
where the murder was done, two fine dints were pointed out in the
|
||
|
sculptured nose, which everybody recognised, and which nobody had
|
||
|
seen of old; and on the scarce occasions when two or three ragged
|
||
|
peasants emerged from the crowd to take a hurried peep at Monsieur
|
||
|
the Marquis petrified, a skinny finger would not have pointed to it
|
||
|
for a minute, before they all started away among the moss and leaves,
|
||
|
like the more fortunate hares who could find a living there.
|
||
|
|
||
|
Chateau and hut, stone face and dangling figure, the red stain on the
|
||
|
stone floor, and the pure water in the village well--thousands of acres
|
||
|
of land--a whole province of France--all France itself--lay under the
|
||
|
night sky, concentrated into a faint hair-breadth line. So does a
|
||
|
whole world, with all its greatnesses and littlenesses, lie in a
|
||
|
twinkling star. And as mere human knowledge can split a ray of light
|
||
|
and analyse the manner of its composition, so, sublimer intelligences
|
||
|
may read in the feeble shining of this earth of ours, every thought
|
||
|
and act, every vice and virtue, of every responsible creature on it.
|
||
|
|
||
|
The Defarges, husband and wife, came lumbering under the starlight,
|
||
|
in their public vehicle, to that gate of Paris whereunto their journey
|
||
|
naturally tended. There was the usual stoppage at the barrier
|
||
|
guardhouse, and the usual lanterns came glancing forth for the usual
|
||
|
examination and inquiry. Monsieur Defarge alighted; knowing one or
|
||
|
two of the soldiery there, and one of the police. The latter he was
|
||
|
intimate with, and affectionately embraced.
|
||
|
|
||
|
When Saint Antoine had again enfolded the Defarges in his dusky wings,
|
||
|
and they, having finally alighted near the Saint's boundaries, were
|
||
|
picking their way on foot through the black mud and offal of his streets,
|
||
|
Madame Defarge spoke to her husband:
|
||
|
|
||
|
"Say then, my friend; what did Jacques of the police tell thee?"
|
||
|
|
||
|
"Very little to-night, but all he knows. There is another spy
|
||
|
commissioned for our quarter. There may be many more, for all that
|
||
|
he can say, but he knows of one."
|
||
|
|
||
|
"Eh well!" said Madame Defarge, raising her eyebrows with a cool
|
||
|
business air. "It is necessary to register him. How do they
|
||
|
call that man?"
|
||
|
|
||
|
"He is English."
|
||
|
|
||
|
"So much the better. His name?"
|
||
|
|
||
|
"Barsad," said Defarge, making it French by pronunciation. But,
|
||
|
he had been so careful to get it accurately, that he then spelt
|
||
|
it with perfect correctness.
|
||
|
|
||
|
"Barsad," repeated madame. "Good. Christian name?"
|
||
|
|
||
|
"John."
|
||
|
|
||
|
"John Barsad," repeated madame, after murmuring it once to herself.
|
||
|
"Good. His appearance; is it known?"
|
||
|
|
||
|
"Age, about forty years; height, about five feet nine; black hair;
|
||
|
complexion dark; generally, rather handsome visage; eyes dark, face thin,
|
||
|
long, and sallow; nose aquiline, but not straight, having a peculiar
|
||
|
inclination towards the left cheek; expression, therefore, sinister."
|
||
|
|
||
|
"Eh my faith. It is a portrait!" said madame, laughing. "He shall
|
||
|
be registered to-morrow."
|
||
|
|
||
|
They turned into the wine-shop, which was closed (for it was midnight),
|
||
|
and where Madame Defarge immediately took her post at her desk,
|
||
|
counted the small moneys that had been taken during her absence,
|
||
|
examined the stock, went through the entries in the book, made other
|
||
|
entries of her own, checked the serving man in every possible way,
|
||
|
and finally dismissed him to bed. Then she turned out the contents
|
||
|
of the bowl of money for the second time, and began knotting them up
|
||
|
in her handkerchief, in a chain of separate knots, for safe keeping
|
||
|
through the night. All this while, Defarge, with his pipe in his mouth,
|
||
|
walked up and down, complacently admiring, but never interfering;
|
||
|
in which condition, indeed, as to the business and his domestic affairs,
|
||
|
he walked up and down through life.
|
||
|
|
||
|
The night was hot, and the shop, close shut and surrounded by so foul
|
||
|
a neighbourhood, was ill-smelling. Monsieur Defarge's olfactory
|
||
|
sense was by no means delicate, but the stock of wine smelt much
|
||
|
stronger than it ever tasted, and so did the stock of rum and brandy
|
||
|
and aniseed. He whiffed the compound of scents away, as he put down
|
||
|
his smoked-out pipe.
|
||
|
|
||
|
"You are fatigued," said madame, raising her glance as she knotted
|
||
|
the money. "There are only the usual odours."
|
||
|
|
||
|
"I am a little tired," her husband acknowledged.
|
||
|
|
||
|
"You are a little depressed, too," said madame, whose quick eyes had
|
||
|
never been so intent on the accounts, but they had had a ray or two
|
||
|
for him. "Oh, the men, the men!"
|
||
|
|
||
|
"But my dear!" began Defarge.
|
||
|
|
||
|
"But my dear!" repeated madame, nodding firmly; "but my dear!
|
||
|
You are faint of heart to-night, my dear!"
|
||
|
|
||
|
"Well, then," said Defarge, as if a thought were wrung out of his breast,
|
||
|
"it IS a long time."
|
||
|
|
||
|
"It is a long time," repeated his wife; "and when is it not a long time?
|
||
|
Vengeance and retribution require a long time; it is the rule."
|
||
|
|
||
|
"It does not take a long time to strike a man with Lightning,"
|
||
|
said Defarge.
|
||
|
|
||
|
"How long," demanded madame, composedly, "does it take to make and
|
||
|
store the lightning? Tell me."
|
||
|
|
||
|
Defarge raised his head thoughtfully, as if there were something
|
||
|
in that too.
|
||
|
|
||
|
"It does not take a long time," said madame, "for an earthquake to swallow
|
||
|
a town. Eh well! Tell me how long it takes to prepare the earthquake?"
|
||
|
|
||
|
"A long time, I suppose," said Defarge.
|
||
|
|
||
|
"But when it is ready, it takes place, and grinds to pieces everything
|
||
|
before it. In the meantime, it is always preparing, though it is not
|
||
|
seen or heard. That is your consolation. Keep it."
|
||
|
|
||
|
She tied a knot with flashing eyes, as if it throttled a foe.
|
||
|
|
||
|
"I tell thee," said madame, extending her right hand, for emphasis,
|
||
|
"that although it is a long time on the road, it is on the road and
|
||
|
coming. I tell thee it never retreats, and never stops. I tell thee
|
||
|
it is always advancing. Look around and consider the Eves of all the
|
||
|
world that we know, consider the faces of all the world that we know,
|
||
|
consider the rage and discontent to which the Jacquerie addresses itself
|
||
|
with more and more of certainty every hour. Can such things last?
|
||
|
Bah! I mock you."
|
||
|
|
||
|
"My brave wife," returned Defarge, standing before her with his head
|
||
|
a little bent, and his hands clasped at his back, like a docile and
|
||
|
attentive pupil before his catechist, "I do not question all this.
|
||
|
But it has lasted a long time, and it is possible--you know well,
|
||
|
my wife, it is possible--that it may not come, during our lives."
|
||
|
|
||
|
"Eh well! How then?" demanded madame, tying another knot, as if
|
||
|
there were another enemy strangled.
|
||
|
|
||
|
"Well!" said Defarge, with a half complaining and half apologetic shrug.
|
||
|
"We shall not see the triumph."
|
||
|
|
||
|
"We shall have helped it," returned madame, with her extended hand in
|
||
|
strong action. "Nothing that we do, is done in vain. I believe, with
|
||
|
all my soul, that we shall see the triumph. But even if not, even if
|
||
|
I knew certainly not, show me the neck of an aristocrat and tyrant,
|
||
|
and still I would--"
|
||
|
|
||
|
Then madame, with her teeth set, tied a very terrible knot indeed.
|
||
|
|
||
|
"Hold!" cried Defarge, reddening a little as if he felt charged with
|
||
|
cowardice; "I too, my dear, will stop at nothing."
|
||
|
|
||
|
"Yes! But it is your weakness that you sometimes need to see your
|
||
|
victim and your opportunity, to sustain you. Sustain yourself without
|
||
|
that. When the time comes, let loose a tiger and a devil; but wait
|
||
|
for the time with the tiger and the devil chained--not shown--yet
|
||
|
always ready."
|
||
|
|
||
|
Madame enforced the conclusion of this piece of advice by striking
|
||
|
her little counter with her chain of money as if she knocked its brains
|
||
|
out, and then gathering the heavy handkerchief under her arm in a
|
||
|
serene manner, and observing that it was time to go to bed.
|
||
|
|
||
|
Next noontide saw the admirable woman in her usual place in the
|
||
|
wine-shop, knitting away assiduously. A rose lay beside her, and
|
||
|
if she now and then glanced at the flower, it was with no infraction
|
||
|
of her usual preoccupied air. There were a few customers, drinking
|
||
|
or not drinking, standing or seated, sprinkled about. The day was
|
||
|
very hot, and heaps of flies, who were extending their inquisitive
|
||
|
and adventurous perquisitions into all the glutinous little glasses
|
||
|
near madame, fell dead at the bottom. Their decease made no impression
|
||
|
on the other flies out promenading, who looked at them in the coolest
|
||
|
manner (as if they themselves were elephants, or something as far
|
||
|
removed), until they met the same fate. Curious to consider how heedless
|
||
|
flies are!--perhaps they thought as much at Court that sunny summer day.
|
||
|
|
||
|
A figure entering at the door threw a shadow on Madame Defarge which
|
||
|
she felt to be a new one. She laid down her knitting, and began to
|
||
|
pin her rose in her head-dress, before she looked at the figure.
|
||
|
|
||
|
It was curious. The moment Madame Defarge took up the rose, the
|
||
|
customers ceased talking, and began gradually to drop out of the
|
||
|
wine-shop.
|
||
|
|
||
|
"Good day, madame," said the new-comer.
|
||
|
|
||
|
"Good day, monsieur."
|
||
|
|
||
|
She said it aloud, but added to herself, as she resumed her knitting:
|
||
|
"Hah! Good day, age about forty, height about five feet nine, black
|
||
|
hair, generally rather handsome visage, complexion dark, eyes dark,
|
||
|
thin, long and sallow face, aquiline nose but not straight, having a
|
||
|
peculiar inclination towards the left cheek which imparts a sinister
|
||
|
expression! Good day, one and all!"
|
||
|
|
||
|
"Have the goodness to give me a little glass of old cognac, and a
|
||
|
mouthful of cool fresh water, madame."
|
||
|
|
||
|
Madame complied with a polite air.
|
||
|
|
||
|
"Marvellous cognac this, madame!"
|
||
|
|
||
|
It was the first time it had ever been so complemented, and Madame
|
||
|
Defarge knew enough of its antecedents to know better. She said,
|
||
|
however, that the cognac was flattered, and took up her knitting.
|
||
|
The visitor watched her fingers for a few moments, and took the
|
||
|
opportunity of observing the place in general.
|
||
|
|
||
|
"You knit with great skill, madame."
|
||
|
|
||
|
"I am accustomed to it."
|
||
|
|
||
|
"A pretty pattern too!"
|
||
|
|
||
|
"YOU think so?" said madame, looking at him with a smile.
|
||
|
|
||
|
"Decidedly. May one ask what it is for?"
|
||
|
|
||
|
"Pastime," said madame, still looking at him with a smile while her
|
||
|
fingers moved nimbly.
|
||
|
|
||
|
"Not for use?"
|
||
|
|
||
|
"That depends. I may find a use for it one day. If I do--Well,"
|
||
|
said madame, drawing a breath and nodding her head with a stem kind
|
||
|
of coquetry, "I'll use it!"
|
||
|
|
||
|
It was remarkable; but, the taste of Saint Antoine seemed to be
|
||
|
decidedly opposed to a rose on the head-dress of Madame Defarge.
|
||
|
Two men had entered separately, and had been about to order drink, when,
|
||
|
catching sight of that novelty, they faltered, made a pretence of
|
||
|
looking about as if for some friend who was not there, and went away.
|
||
|
Nor, of those who had been there when this visitor entered, was there one
|
||
|
left. They had all dropped off. The spy had kept his eyes open, but had
|
||
|
been able to detect no sign. They had lounged away in a poverty-stricken,
|
||
|
purposeless, accidental manner, quite natural and unimpeachable.
|
||
|
|
||
|
"JOHN," thought madame, checking off her work as her fingers knitted,
|
||
|
and her eyes looked at the stranger. "Stay long enough, and I shall
|
||
|
knit `BARSAD' before you go."
|
||
|
|
||
|
"You have a husband, madame?"
|
||
|
|
||
|
"I have."
|
||
|
|
||
|
"Children?"
|
||
|
|
||
|
"No children."
|
||
|
|
||
|
"Business seems bad?"
|
||
|
|
||
|
"Business is very bad; the people are so poor."
|
||
|
|
||
|
"Ah, the unfortunate, miserable people! So oppressed, too--as you say."
|
||
|
|
||
|
"As YOU say," madame retorted, correcting him, and deftly knitting
|
||
|
an extra something into his name that boded him no good.
|
||
|
|
||
|
"Pardon me; certainly it was I who said so, but you naturally think so.
|
||
|
Of course."
|
||
|
|
||
|
"_I_ think?" returned madame, in a high voice. "I and my husband
|
||
|
have enough to do to keep this wine-shop open, without thinking. All
|
||
|
we think, here, is how to live. That is the subject WE think of,
|
||
|
and it gives us, from morning to night, enough to think about, without
|
||
|
embarrassing our heads concerning others. _I_ think for others? No, no."
|
||
|
|
||
|
The spy, who was there to pick up any crumbs he could find or make, did
|
||
|
not allow his baffled state to express itself in his sinister face; but,
|
||
|
stood with an air of gossiping gallantry, leaning his elbow on Madame
|
||
|
Defarge's little counter, and occasionally sipping his cognac.
|
||
|
|
||
|
"A bad business this, madame, of Gaspard's execution. Ah! the poor
|
||
|
Gaspard!" With a sigh of great compassion.
|
||
|
|
||
|
"My faith!" returned madame, coolly and lightly, "if people use knives
|
||
|
for such purposes, they have to pay for it. He knew beforehand what
|
||
|
the price of his luxury was; he has paid the price."
|
||
|
|
||
|
"I believe," said the spy, dropping his soft voice to a tone that
|
||
|
invited confidence, and expressing an injured revolutionary
|
||
|
susceptibility in every muscle of his wicked face: "I believe there
|
||
|
is much compassion and anger in this neighbourhood, touching the
|
||
|
poor fellow? Between ourselves."
|
||
|
|
||
|
"Is there?" asked madame, vacantly.
|
||
|
|
||
|
"Is there not?"
|
||
|
|
||
|
"--Here is my husband!" said Madame Defarge.
|
||
|
|
||
|
As the keeper of the wine-shop entered at the door, the spy saluted
|
||
|
him by touching his hat, and saying, with an engaging smile, "Good
|
||
|
day, Jacques!" Defarge stopped short, and stared at him.
|
||
|
|
||
|
"Good day, Jacques!" the spy repeated; with not quite so much
|
||
|
confidence, or quite so easy a smile under the stare.
|
||
|
|
||
|
"You deceive yourself, monsieur," returned the keeper of the
|
||
|
wine-shop. "You mistake me for another. That is not my name.
|
||
|
I am Ernest Defarge."
|
||
|
|
||
|
"It is all the same," said the spy, airily, but discomfited too:
|
||
|
"good day!"
|
||
|
|
||
|
"Good day!" answered Defarge, drily.
|
||
|
|
||
|
"I was saying to madame, with whom I had the pleasure of chatting when
|
||
|
you entered, that they tell me there is--and no wonder!--much sympathy
|
||
|
and anger in Saint Antoine, touching the unhappy fate of poor Gaspard."
|
||
|
|
||
|
"No one has told me so," said Defarge, shaking his head. "I know
|
||
|
nothing of it."
|
||
|
|
||
|
Having said it, he passed behind the little counter, and stood with
|
||
|
his hand on the back of his wife's chair, looking over that barrier
|
||
|
at the person to whom they were both opposed, and whom either of them
|
||
|
would have shot with the greatest satisfaction.
|
||
|
|
||
|
The spy, well used to his business, did not change his unconscious
|
||
|
attitude, but drained his little glass of cognac, took a sip of fresh
|
||
|
water, and asked for another glass of cognac. Madame Defarge poured it
|
||
|
out for him, took to her knitting again, and hummed a little song over it.
|
||
|
|
||
|
"You seem to know this quarter well; that is to say, better than I do?"
|
||
|
observed Defarge.
|
||
|
|
||
|
"Not at all, but I hope to know it better. I am so profoundly interested
|
||
|
in its miserable inhabitants."
|
||
|
|
||
|
"Hah!" muttered Defarge.
|
||
|
|
||
|
"The pleasure of conversing with you, Monsieur Defarge, recalls to me,"
|
||
|
pursued the spy, "that I have the honour of cherishing some interesting
|
||
|
associations with your name."
|
||
|
|
||
|
"Indeed!" said Defarge, with much indifference.
|
||
|
|
||
|
"Yes, indeed. When Doctor Manette was released, you, his old domestic,
|
||
|
had the charge of him, I know. He was delivered to you. You see I am
|
||
|
informed of the circumstances?"
|
||
|
|
||
|
"Such is the fact, certainly," said Defarge. He had had it conveyed
|
||
|
to him, in an accidental touch of his wife's elbow as she knitted and
|
||
|
warbled, that he would do best to answer, but always with brevity.
|
||
|
|
||
|
"It was to you," said the spy, "that his daughter came; and it was
|
||
|
from your care that his daughter took him, accompanied by a neat brown
|
||
|
monsieur; how is he called?--in a little wig--Lorry--of the bank of
|
||
|
Tellson and Company--over to England."
|
||
|
|
||
|
"Such is the fact," repeated Defarge.
|
||
|
|
||
|
"Very interesting remembrances!" said the spy. "I have known Doctor
|
||
|
Manette and his daughter, in England."
|
||
|
|
||
|
"Yes?" said Defarge.
|
||
|
|
||
|
"You don't hear much about them now?" said the spy.
|
||
|
|
||
|
"No," said Defarge.
|
||
|
|
||
|
"In effect," madame struck in, looking up from her work and her little
|
||
|
song, "we never hear about them. We received the news of their safe
|
||
|
arrival, and perhaps another letter, or perhaps two; but, since then,
|
||
|
they have gradually taken their road in life--we, ours--and we have
|
||
|
held no correspondence."
|
||
|
|
||
|
"Perfectly so, madame," replied the spy. "She is going to be married."
|
||
|
|
||
|
"Going?" echoed madame. "She was pretty enough to have been married
|
||
|
long ago. You English are cold, it seems to me."
|
||
|
|
||
|
"Oh! You know I am English."
|
||
|
|
||
|
"I perceive your tongue is," returned madame; "and what the tongue is,
|
||
|
I suppose the man is."
|
||
|
|
||
|
He did not take the identification as a compliment; but he made the
|
||
|
best of it, and turned it off with a laugh. After sipping his
|
||
|
cognac to the end, he added:
|
||
|
|
||
|
"Yes, Miss Manette is going to be married. But not to an Englishman;
|
||
|
to one who, like herself, is French by birth. And speaking of Gaspard
|
||
|
(ah, poor Gaspard! It was cruel, cruel!), it is a curious thing that
|
||
|
she is going to marry the nephew of Monsieur the Marquis, for whom
|
||
|
Gaspard was exalted to that height of so many feet; in other words,
|
||
|
the present Marquis. But he lives unknown in England, he is no
|
||
|
Marquis there; he is Mr. Charles Darnay. D'Aulnais is the name
|
||
|
of his mother's family."
|
||
|
|
||
|
Madame Defarge knitted steadily, but the intelligence had a palpable
|
||
|
effect upon her husband. Do what he would, behind the little counter,
|
||
|
as to the striking of a light and the lighting of his pipe, he was
|
||
|
troubled, and his hand was not trustworthy. The spy would have been
|
||
|
no spy if he had failed to see it, or to record it in his mind.
|
||
|
|
||
|
Having made, at least, this one hit, whatever it might prove to be worth,
|
||
|
and no customers coming in to help him to any other, Mr. Barsad paid
|
||
|
for what he had drunk, and took his leave: taking occasion to say, in a
|
||
|
genteel manner, before he departed, that he looked forward to the pleasure
|
||
|
of seeing Monsieur and Madame Defarge again. For some minutes after he
|
||
|
had emerged into the outer presence of Saint Antoine, the husband and
|
||
|
wife remained exactly as he had left them, lest he should come back.
|
||
|
|
||
|
"Can it be true," said Defarge, in a low voice, looking down at his
|
||
|
wife as he stood smoking with his hand on the back of her chair: "what
|
||
|
he has said of Ma'amselle Manette?"
|
||
|
|
||
|
"As he has said it," returned madame, lifting her eyebrows a little,
|
||
|
"it is probably false. But it may be true."
|
||
|
|
||
|
"If it is--" Defarge began, and stopped.
|
||
|
|
||
|
"If it is?" repeated his wife.
|
||
|
|
||
|
"--And if it does come, while we live to see it triumph--I hope, for
|
||
|
her sake, Destiny will keep her husband out of France."
|
||
|
|
||
|
"Her husband's destiny," said Madame Defarge, with her usual composure,
|
||
|
"will take him where he is to go, and will lead him to the end that is
|
||
|
to end him. That is all I know."
|
||
|
|
||
|
"But it is very strange--now, at least, is it not very strange"--said
|
||
|
Defarge, rather pleading with his wife to induce her to admit it,
|
||
|
"that, after all our sympathy for Monsieur her father, and herself,
|
||
|
her husband's name should be proscribed under your hand at this moment,
|
||
|
by the side of that infernal dog's who has just left us?"
|
||
|
|
||
|
"Stranger things than that will happen when it does come," answered
|
||
|
madame. "I have them both here, of a certainty; and they are both
|
||
|
here for their merits; that is enough."
|
||
|
|
||
|
She roiled up her knitting when she had said those words, and presently
|
||
|
took the rose out of the handkerchief that was wound about her head.
|
||
|
Either Saint Antoine had an instinctive sense that the objectionable
|
||
|
decoration was gone, or Saint Antoine was on the watch for its
|
||
|
disappearance; howbeit, the Saint took courage to lounge in, very
|
||
|
shortly afterwards, and the wine-shop recovered its habitual aspect.
|
||
|
|
||
|
In the evening, at which season of all others Saint Antoine turned
|
||
|
himself inside out, and sat on door-steps and window-ledges, and
|
||
|
came to the corners of vile streets and courts, for a breath of air,
|
||
|
Madame Defarge with her work in her hand was accustomed to pass from
|
||
|
place to place and from group to group: a Missionary--there were
|
||
|
many like her--such as the world will do well never to breed again.
|
||
|
All the women knitted. They knitted worthless things; but, the
|
||
|
mechanical work was a mechanical substitute for eating and drinking;
|
||
|
the hands moved for the jaws and the digestive apparatus: if the bony
|
||
|
fingers had been still, the stomachs would have been more famine-pinched.
|
||
|
|
||
|
But, as the fingers went, the eyes went, and the thoughts. And as
|
||
|
Madame Defarge moved on from group to group, all three went quicker
|
||
|
and fiercer among every little knot of women that she had spoken with,
|
||
|
and left behind.
|
||
|
|
||
|
Her husband smoked at his door, looking after her with admiration.
|
||
|
"A great woman," said he, "a strong woman, a grand woman, a frightfully
|
||
|
grand woman!"
|
||
|
|
||
|
Darkness closed around, and then came the ringing of church bells and
|
||
|
the distant beating of the military drums in the Palace Courtyard, as
|
||
|
the women sat knitting, knitting. Darkness encompassed them. Another
|
||
|
darkness was closing in as surely, when the church bells, then ringing
|
||
|
pleasantly in many an airy steeple over France, should be melted into
|
||
|
thundering cannon; when the military drums should be beating to drown
|
||
|
a wretched voice, that night all potent as the voice of Power and
|
||
|
Plenty, Freedom and Life. So much was closing in about the women
|
||
|
who sat knitting, knitting, that they their very selves were closing
|
||
|
in around a structure yet unbuilt, where they were to sit knitting,
|
||
|
knitting, counting dropping heads.
|
||
|
|
||
|
|
||
|
|
||
|
XVII
|
||
|
|
||
|
One Night
|
||
|
|
||
|
|
||
|
Never did the sun go down with a brighter glory on the quiet corner
|
||
|
in Soho, than one memorable evening when the Doctor and his daughter
|
||
|
sat under the plane-tree together. Never did the moon rise with a
|
||
|
milder radiance over great London, than on that night when it found
|
||
|
them still seated under the tree, and shone upon their faces
|
||
|
through its leaves.
|
||
|
|
||
|
Lucie was to be married to-morrow. She had reserved this last
|
||
|
evening for her father, and they sat alone under the plane-tree.
|
||
|
|
||
|
"You are happy, my dear father?"
|
||
|
|
||
|
"Quite, my child."
|
||
|
|
||
|
They had said little, though they had been there a long time. When
|
||
|
it was yet light enough to work and read, she had neither engaged
|
||
|
herself in her usual work, nor had she read to him. She had employed
|
||
|
herself in both ways, at his side under the tree, many and many a time;
|
||
|
but, this time was not quite like any other, and nothing could make it so.
|
||
|
|
||
|
"And I am very happy to-night, dear father. I am deeply happy in the
|
||
|
love that Heaven has so blessed--my love for Charles, and Charles's
|
||
|
love for me. But, if my life were not to be still consecrated to you,
|
||
|
or if my marriage were so arranged as that it would part us, even by
|
||
|
the length of a few of these streets, I should be more unhappy and
|
||
|
self-reproachful now than I can tell you. Even as it is--"
|
||
|
|
||
|
Even as it was, she could not command her voice.
|
||
|
|
||
|
In the sad moonlight, she clasped him by the neck, and laid her face
|
||
|
upon his breast. In the moonlight which is always sad, as the light
|
||
|
of the sun itself is--as the light called human life is--at its
|
||
|
coming and its going.
|
||
|
|
||
|
"Dearest dear! Can you tell me, this last time, that you feel quite,
|
||
|
quite sure, no new affections of mine, and no new duties of mine,
|
||
|
will ever interpose between us? _I_ know it well, but do you know it?
|
||
|
In your own heart, do you feel quite certain?"
|
||
|
|
||
|
Her father answered, with a cheerful firmness of conviction he could
|
||
|
scarcely have assumed, "Quite sure, my darling! More than that,"
|
||
|
he added, as he tenderly kissed her: "my future is far brighter,
|
||
|
Lucie, seen through your marriage, than it could have been--nay,
|
||
|
than it ever was--without it."
|
||
|
|
||
|
"If I could hope THAT, my father!--"
|
||
|
|
||
|
"Believe it, love! Indeed it is so. Consider how natural and how
|
||
|
plain it is, my dear, that it should be so. You, devoted and young,
|
||
|
cannot fully appreciate the anxiety I have felt that your life
|
||
|
should not be wasted--"
|
||
|
|
||
|
She moved her hand towards his lips, but he took it in his,
|
||
|
and repeated the word.
|
||
|
|
||
|
"--wasted, my child--should not be wasted, struck aside from the
|
||
|
natural order of things--for my sake. Your unselfishness cannot
|
||
|
entirely comprehend how much my mind has gone on this; but, only ask
|
||
|
yourself, how could my happiness be perfect, while yours was incomplete?"
|
||
|
|
||
|
"If I had never seen Charles, my father, I should have been quite
|
||
|
happy with you."
|
||
|
|
||
|
He smiled at her unconscious admission that she would have been unhappy
|
||
|
without Charles, having seen him; and replied:
|
||
|
|
||
|
"My child, you did see him, and it is Charles. If it had not been
|
||
|
Charles, it would have been another. Or, if it had been no other,
|
||
|
I should have been the cause, and then the dark part of my life would
|
||
|
have cast its shadow beyond myself, and would have fallen on you."
|
||
|
|
||
|
It was the first time, except at the trial, of her ever hearing him refer
|
||
|
to the period of his suffering. It gave her a strange and new sensation
|
||
|
while his words were in her ears; and she remembered it long afterwards.
|
||
|
|
||
|
"See!" said the Doctor of Beauvais, raising his hand towards the moon.
|
||
|
"I have looked at her from my prison-window, when I could not bear
|
||
|
her light. I have looked at her when it has been such torture to me
|
||
|
to think of her shining upon what I had lost, that I have beaten my
|
||
|
head against my prison-walls. I have looked at her, in a state so
|
||
|
dun and lethargic, that I have thought of nothing but the number of
|
||
|
horizontal lines I could draw across her at the full, and the number of
|
||
|
perpendicular lines with which I could intersect them." He added in his
|
||
|
inward and pondering manner, as he looked at the moon, "It was twenty
|
||
|
either way, I remember, and the twentieth was difficult to squeeze in."
|
||
|
|
||
|
The strange thrill with which she heard him go back to that time,
|
||
|
deepened as he dwelt upon it; but, there was nothing to shock her in
|
||
|
the manner of his reference. He only seemed to contrast his present
|
||
|
cheerfulness and felicity with the dire endurance that was over.
|
||
|
|
||
|
"I have looked at her, speculating thousands of times upon the unborn
|
||
|
child from whom I had been rent. Whether it was alive. Whether it had
|
||
|
been born alive, or the poor mother's shock had killed it. Whether it
|
||
|
was a son who would some day avenge his father. (There was a time in my
|
||
|
imprisonment, when my desire for vengeance was unbearable.) Whether it
|
||
|
was a son who would never know his father's story; who might even live
|
||
|
to weigh the possibility of his father's having disappeared of his own
|
||
|
will and act. Whether it was a daughter who would grow to be a woman."
|
||
|
|
||
|
She drew closer to him, and kissed his cheek and his hand.
|
||
|
|
||
|
"I have pictured my daughter, to myself, as perfectly forgetful of me
|
||
|
--rather, altogether ignorant of me, and unconscious of me. I have
|
||
|
cast up the years of her age, year after year. I have seen her married
|
||
|
to a man who knew nothing of my fate. I have altogether perished from
|
||
|
the remembrance of the living, and in the next generation my place
|
||
|
was a blank."
|
||
|
|
||
|
"My father! Even to hear that you had such thoughts of a daughter
|
||
|
who never existed, strikes to my heart as if I had been that child."
|
||
|
|
||
|
"You, Lucie? It is out of the Consolation and restoration you have
|
||
|
brought to me, that these remembrances arise, and pass between us and
|
||
|
the moon on this last night.--What did I say just now?"
|
||
|
|
||
|
"She knew nothing of you. She cared nothing for you."
|
||
|
|
||
|
"So! But on other moonlight nights, when the sadness and the silence
|
||
|
have touched me in a different way--have affected me with something as
|
||
|
like a sorrowful sense of peace, as any emotion that had pain for its
|
||
|
foundations could--I have imagined her as coming to me in my cell, and
|
||
|
leading me out into the freedom beyond the fortress. I have seen her
|
||
|
image in the moonlight often, as I now see you; except that I never held
|
||
|
her in my arms; it stood between the little grated window and the door.
|
||
|
But, you understand that that was not the child I am speaking of?"
|
||
|
|
||
|
"The figure was not; the--the--image; the fancy?"
|
||
|
|
||
|
"No. That was another thing. It stood before my disturbed sense of
|
||
|
sight, but it never moved. The phantom that my mind pursued, was
|
||
|
another and more real child. Of her outward appearance I know no more
|
||
|
than that she was like her mother. The other had that likeness too
|
||
|
--as you have--but was not the same. Can you follow me, Lucie?
|
||
|
Hardly, I think? I doubt you must have been a solitary prisoner to
|
||
|
understand these perplexed distinctions."
|
||
|
|
||
|
His collected and calm manner could not prevent her blood from running
|
||
|
cold, as he thus tried to anatomise his old condition.
|
||
|
|
||
|
"In that more peaceful state, I have imagined her, in the moonlight,
|
||
|
coming to me and taking me out to show me that the home of her married
|
||
|
life was full of her loving remembrance of her lost father. My picture
|
||
|
was in her room, and I was in her prayers. Her life was active,
|
||
|
cheerful, useful; but my poor history pervaded it all."
|
||
|
|
||
|
"I was that child, my father, I was not half so good, but in my love
|
||
|
that was I."
|
||
|
|
||
|
"And she showed me her children," said the Doctor of Beauvais, "and
|
||
|
they had heard of me, and had been taught to pity me. When they
|
||
|
passed a prison of the State, they kept far from its frowning walls,
|
||
|
and looked up at its bars, and spoke in whispers. She could never
|
||
|
deliver me; I imagined that she always brought me back after showing
|
||
|
me such things. But then, blessed with the relief of tears,
|
||
|
I fell upon my knees, and blessed her."
|
||
|
|
||
|
"I am that child, I hope, my father. O my dear, my dear, will you
|
||
|
bless me as fervently to-morrow?"
|
||
|
|
||
|
"Lucie, I recall these old troubles in the reason that I have to-night
|
||
|
for loving you better than words can tell, and thanking God for my
|
||
|
great happiness. My thoughts, when they were wildest, never rose near
|
||
|
the happiness that I have known with you, and that we have before us."
|
||
|
|
||
|
He embraced her, solemnly commended her to Heaven, and humbly thanked
|
||
|
Heaven for having bestowed her on him. By-and-bye, they went
|
||
|
into the house.
|
||
|
|
||
|
There was no one bidden to the marriage but Mr. Lorry; there was even
|
||
|
to be no bridesmaid but the gaunt Miss Pross. The marriage was to
|
||
|
make no change in their place of residence; they had been able to
|
||
|
extend it, by taking to themselves the upper rooms formerly belonging
|
||
|
to the apocryphal invisible lodger, and they desired nothing more.
|
||
|
|
||
|
Doctor Manette was very cheerful at the little supper. They were
|
||
|
only three at table, and Miss Pross made the third. He regretted that
|
||
|
Charles was not there; was more than half disposed to object to the
|
||
|
loving little plot that kept him away; and drank to him affectionately.
|
||
|
|
||
|
So, the time came for him to bid Lucie good night, and they separated.
|
||
|
But, in the stillness of the third hour of the morning, Lucie came
|
||
|
downstairs again, and stole into his room; not free from unshaped fears,
|
||
|
beforehand.
|
||
|
|
||
|
All things, however, were in their places; all was quiet; and he lay
|
||
|
asleep, his white hair picturesque on the untroubled pillow, and his
|
||
|
hands lying quiet on the coverlet. She put her needless candle in the
|
||
|
shadow at a distance, crept up to his bed, and put her lips to his;
|
||
|
then, leaned over him, and looked at him.
|
||
|
|
||
|
Into his handsome face, the bitter waters of captivity had worn; but,
|
||
|
he covered up their tracks with a determination so strong, that he held
|
||
|
the mastery of them even in his sleep. A more remarkable face in its
|
||
|
quiet, resolute, and guarded struggle with an unseen assailant, was
|
||
|
not to be beheld in all the wide dominions of sleep, that night.
|
||
|
|
||
|
She timidly laid her hand on his dear breast, and put up a prayer that
|
||
|
she might ever be as true to him as her love aspired to be, and as his
|
||
|
sorrows deserved. Then, she withdrew her hand, and kissed his lips
|
||
|
once more, and went away. So, the sunrise came, and the shadows of
|
||
|
the leaves of the plane-tree moved upon his face, as softly as her
|
||
|
lips had moved in praying for him.
|
||
|
|
||
|
|
||
|
|
||
|
XVIII
|
||
|
|
||
|
Nine Days
|
||
|
|
||
|
|
||
|
The marriage-day was shining brightly, and they were ready outside
|
||
|
the closed door of the Doctor's room, where he was speaking with
|
||
|
Charles Darnay. They were ready to go to church; the beautiful bride,
|
||
|
Mr. Lorry, and Miss Pross--to whom the event, through a gradual process
|
||
|
of reconcilement to the inevitable, would have been one of absolute
|
||
|
bliss, but for the yet lingering consideration that her brother
|
||
|
Solomon should have been the bridegroom.
|
||
|
|
||
|
"And so," said Mr. Lorry, who could not sufficiently admire the bride,
|
||
|
and who had been moving round her to take in every point of her quiet,
|
||
|
pretty dress; "and so it was for this, my sweet Lucie, that I brought
|
||
|
you across the Channel, such a baby' Lord bless me' How little I
|
||
|
thought what I was doing! How lightly I valued the obligation I was
|
||
|
conferring on my friend Mr. Charles!"
|
||
|
|
||
|
"You didn't mean it," remarked the matter-of-fact Miss Pross, "and
|
||
|
therefore how could you know it? Nonsense!"
|
||
|
|
||
|
"Really? Well; but don't cry," said the gentle Mr. Lorry.
|
||
|
|
||
|
"I am not crying," said Miss Pross; "YOU are."
|
||
|
|
||
|
"I, my Pross?" (By this time, Mr. Lorry dared to be pleasant with
|
||
|
her, on occasion.)
|
||
|
|
||
|
"You were, just now; I saw you do it, and I don't wonder at it. Such
|
||
|
a present of plate as you have made 'em, is enough to bring tears into
|
||
|
anybody's eyes. There's not a fork or a spoon in the collection,"
|
||
|
said Miss Pross, "that I didn't cry over, last night after the box came,
|
||
|
till I couldn't see it."
|
||
|
|
||
|
"I am highly gratified," said Mr. Lorry, "though, upon my honour, I
|
||
|
had no intention of rendering those trifling articles of remembrance
|
||
|
invisible to any one. Dear me! This is an occasion that makes a man
|
||
|
speculate on all he has lost. Dear, dear, dear! To think that there
|
||
|
might have been a Mrs. Lorry, any time these fifty years almost!"
|
||
|
|
||
|
"Not at all!" From Miss Pross.
|
||
|
|
||
|
"You think there never might have been a Mrs. Lorry?" asked the
|
||
|
gentleman of that name.
|
||
|
|
||
|
"Pooh!" rejoined Miss Pross; "you were a bachelor in your cradle."
|
||
|
|
||
|
"Well!" observed Mr. Lorry, beamingly adjusting his little wig,
|
||
|
"that seems probable, too."
|
||
|
|
||
|
"And you were cut out for a bachelor," pursued Miss Pross, "before
|
||
|
you were put in your cradle."
|
||
|
|
||
|
"Then, I think," said Mr. Lorry, "that I was very unhandsomely dealt
|
||
|
with, and that I ought to have had a voice in the selection of my
|
||
|
pattern. Enough! Now, my dear Lucie," drawing his arm soothingly
|
||
|
round her waist, "I hear them moving in the next room, and Miss Pross
|
||
|
and I, as two formal folks of business, are anxious not to lose the
|
||
|
final opportunity of saying something to you that you wish to hear.
|
||
|
You leave your good father, my dear, in hands as earnest and as
|
||
|
loving as your own; he shall be taken every conceivable care of;
|
||
|
during the next fortnight, while you are in Warwickshire and thereabouts,
|
||
|
even Tellson's shall go to the wall (comparatively speaking) before him.
|
||
|
And when, at the fortnight's end, he comes to join you and your beloved
|
||
|
husband, on your other fortnight's trip in Wales, you shall say that
|
||
|
we have sent him to you in the best health and in the happiest frame.
|
||
|
Now, I hear Somebody's step coming to the door. Let me kiss my dear
|
||
|
girl with an old-fashioned bachelor blessing, before Somebody comes
|
||
|
to claim his own."
|
||
|
|
||
|
For a moment, he held the fair face from him to look at the
|
||
|
well-remembered expression on the forehead, and then laid the bright
|
||
|
golden hair against his little brown wig, with a genuine tenderness and
|
||
|
delicacy which, if such things be old-fashioned, were as old as Adam.
|
||
|
|
||
|
The door of the Doctor's room opened, and he came out with Charles
|
||
|
Darnay. He was so deadly pale--which had not been the case when they
|
||
|
went in together--that no vestige of colour was to be seen in his face.
|
||
|
But, in the composure of his manner he was unaltered, except that to
|
||
|
the shrewd glance of Mr. Lorry it disclosed some shadowy indication
|
||
|
that the old air of avoidance and dread had lately passed over him,
|
||
|
like a cold wind.
|
||
|
|
||
|
He gave his arm to his daughter, and took her down-stairs to the chariot
|
||
|
which Mr. Lorry had hired in honour of the day. The rest followed in
|
||
|
another carriage, and soon, in a neighbouring church, where no strange
|
||
|
eyes looked on, Charles Darnay and Lucie Manette were happily married.
|
||
|
|
||
|
Besides the glancing tears that shone among the smiles of the little
|
||
|
group when it was done, some diamonds, very bright and sparkling,
|
||
|
glanced on the bride's hand, which were newly released from the dark
|
||
|
obscurity of one of Mr. Lorry's pockets. They returned home to
|
||
|
breakfast, and all went well, and in due course the golden hair that
|
||
|
had mingled with the poor shoemaker's white locks in the Paris garret,
|
||
|
were mingled with them again in the morning sunlight, on the threshold
|
||
|
of the door at parting.
|
||
|
|
||
|
It was a hard parting, though it was not for long. But her father
|
||
|
cheered her, and said at last, gently disengaging himself from her
|
||
|
enfolding arms, "Take her, Charles! She is yours!"
|
||
|
|
||
|
And her agitated hand waved to them from a chaise window, and
|
||
|
she was gone.
|
||
|
|
||
|
The corner being out of the way of the idle and curious, and the
|
||
|
preparations having been very simple and few, the Doctor, Mr. Lorry,
|
||
|
and Miss Pross, were left quite alone. It was when they turned into
|
||
|
the welcome shade of the cool old hall, that Mr. Lorry observed a
|
||
|
great change to have come over the Doctor; as if the golden arm
|
||
|
uplifted there, had struck him a poisoned blow.
|
||
|
|
||
|
He had naturally repressed much, and some revulsion might have been
|
||
|
expected in him when the occasion for repression was gone. But, it
|
||
|
was the old scared lost look that troubled Mr. Lorry; and through
|
||
|
his absent manner of clasping his head and drearily wandering away
|
||
|
into his own room when they got up-stairs, Mr. Lorry was reminded of
|
||
|
Defarge the wine-shop keeper, and the starlight ride.
|
||
|
|
||
|
"I think," he whispered to Miss Pross, after anxious consideration,
|
||
|
"I think we had best not speak to him just now, or at all disturb him.
|
||
|
I must look in at Tellson's; so I will go there at once and come back
|
||
|
presently. Then, we will take him a ride into the country, and dine
|
||
|
there, and all will be well."
|
||
|
|
||
|
It was easier for Mr. Lorry to look in at Tellson's, than to look
|
||
|
out of Tellson's. He was detained two hours. When he came back,
|
||
|
he ascended the old staircase alone, having asked no question of
|
||
|
the servant; going thus into the Doctor's rooms, he was stopped by
|
||
|
a low sound of knocking.
|
||
|
|
||
|
"Good God!" he said, with a start. "What's that?"
|
||
|
|
||
|
Miss Pross, with a terrified face, was at his ear. "O me, O me!
|
||
|
All is lost!" cried she, wringing her hands. "What is to be told
|
||
|
to Ladybird? He doesn't know me, and is making shoes!"
|
||
|
|
||
|
Mr. Lorry said what he could to calm her, and went himself into the
|
||
|
Doctor's room. The bench was turned towards the light, as it had
|
||
|
been when he had seen the shoemaker at his work before, and his head
|
||
|
was bent down, and he was very busy.
|
||
|
|
||
|
"Doctor Manette. My dear friend, Doctor Manette!"
|
||
|
|
||
|
The Doctor looked at him for a moment--half inquiringly, half as if
|
||
|
he were angry at being spoken to--and bent over his work again.
|
||
|
|
||
|
He had laid aside his coat and waistcoat; his shirt was open at the
|
||
|
throat, as it used to be when he did that work; and even the old
|
||
|
haggard, faded surface of face had come back to him. He worked hard--
|
||
|
impatiently--as if in some sense of having been interrupted.
|
||
|
|
||
|
Mr. Lorry glanced at the work in his hand, and observed that it was
|
||
|
a shoe of the old size and shape. He took up another that was lying
|
||
|
by him, and asked what it was.
|
||
|
|
||
|
"A young lady's walking shoe," he muttered, without looking up.
|
||
|
"It ought to have been finished long ago. Let it be."
|
||
|
|
||
|
"But, Doctor Manette. Look at me!"
|
||
|
|
||
|
He obeyed, in the old mechanically submissive manner, without
|
||
|
pausing in his work.
|
||
|
|
||
|
"You know me, my dear friend? Think again. This is not your proper
|
||
|
occupation. Think, dear friend!"
|
||
|
|
||
|
Nothing would induce him to speak more. He looked up, for an instant
|
||
|
at a time, when he was requested to do so; but, no persuasion would
|
||
|
extract a word from him. He worked, and worked, and worked, in silence,
|
||
|
and words fell on him as they would have fallen on an echoless wall,
|
||
|
or on the air. The only ray of hope that Mr. Lorry could discover,
|
||
|
was, that he sometimes furtively looked up without being asked. In that,
|
||
|
there seemed a faint expression of curiosity or perplexity--as though
|
||
|
he were trying to reconcile some doubts in his mind.
|
||
|
|
||
|
Two things at once impressed themselves on Mr. Lorry, as important
|
||
|
above all others; the first, that this must be kept secret from Lucie;
|
||
|
the second, that it must be kept secret from all who knew him. In
|
||
|
conjunction with Miss Pross, he took immediate steps towards the
|
||
|
latter precaution, by giving out that the Doctor was not well, and
|
||
|
required a few days of complete rest. In aid of the kind deception
|
||
|
to be practised on his daughter, Miss Pross was to write, describing
|
||
|
his having been called away professionally, and referring to an
|
||
|
imaginary letter of two or three hurried lines in his own hand,
|
||
|
represented to have been addressed to her by the same post.
|
||
|
|
||
|
These measures, advisable to be taken in any case, Mr. Lorry took in
|
||
|
the hope of his coming to himself. If that should happen soon, he kept
|
||
|
another course in reserve; which was, to have a certain opinion that he
|
||
|
thought the best, on the Doctor's case.
|
||
|
|
||
|
In the hope of his recovery, and of resort to this third course being
|
||
|
thereby rendered practicable, Mr. Lorry resolved to watch him
|
||
|
attentively, with as little appearance as possible of doing so.
|
||
|
He therefore made arrangements to absent himself from Tellson's for the
|
||
|
first time in his life, and took his post by the window in the same room.
|
||
|
|
||
|
He was not long in discovering that it was worse than useless to speak
|
||
|
to him, since, on being pressed, he became worried. He abandoned that
|
||
|
attempt on the first day, and resolved merely to keep himself always
|
||
|
before him, as a silent protest against the delusion into which he had
|
||
|
fallen, or was failing. He remained, therefore, in his seat near the
|
||
|
window, reading and writing, and expressing in as many pleasant and
|
||
|
natural ways as he could think of, that it was a free place.
|
||
|
|
||
|
Doctor Manette took what was given him to eat and drink, and worked on,
|
||
|
that first day, until it was too dark to see--worked on, half an hour
|
||
|
after Mr. Lorry could not have seen, for his life, to read or write.
|
||
|
When he put his tools aside as useless, until morning, Mr. Lorry rose
|
||
|
and said to him:
|
||
|
|
||
|
"Will you go out?"
|
||
|
|
||
|
He looked down at the floor on either side of him in the old manner,
|
||
|
looked up in the old manner, and repeated in the old low voice:
|
||
|
|
||
|
"Out?"
|
||
|
|
||
|
"Yes; for a walk with me. Why not?"
|
||
|
|
||
|
He made no effort to say why not, and said not a word more. But,
|
||
|
Mr. Lorry thought he saw, as he leaned forward on his bench in the
|
||
|
dusk, with his elbows on his knees and his head in his hands, that he
|
||
|
was in some misty way asking himself, "Why not?" The sagacity of the
|
||
|
man of business perceived an advantage here, and determined to hold it.
|
||
|
|
||
|
Miss Pross and he divided the night into two watches, and observed him
|
||
|
at intervals from the adjoining room. He paced up and down for a long
|
||
|
time before he lay down; but, when he did finally lay himself down,
|
||
|
he fell asleep. In the morning, he was up betimes, and went straight
|
||
|
to his bench and to work.
|
||
|
|
||
|
On this second day, Mr. Lorry saluted him cheerfully by his name, and
|
||
|
spoke to him on topics that had been of late familiar to them. He
|
||
|
returned no reply, but it was evident that he heard what was said,
|
||
|
and that he thought about it, however confusedly. This encouraged
|
||
|
Mr. Lorry to have Miss Pross in with her work, several times during the
|
||
|
day; at those times, they quietly spoke of Lucie, and of her father then
|
||
|
present, precisely in the usual manner, and as if there were nothing
|
||
|
amiss. This was done without any demonstrative accompaniment, not long
|
||
|
enough, or often enough to harass him; and it lightened Mr. Lorry's
|
||
|
friendly heart to believe that he looked up oftener, and that he appeared
|
||
|
to be stirred by some perception of inconsistencies surrounding him.
|
||
|
|
||
|
When it fell dark again, Mr. Lorry asked him as before:
|
||
|
|
||
|
"Dear Doctor, will you go out?"
|
||
|
|
||
|
As before, he repeated, "Out?"
|
||
|
|
||
|
"Yes; for a walk with me. Why not?"
|
||
|
|
||
|
This time, Mr. Lorry feigned to go out when he could extract no answer
|
||
|
from him, and, after remaining absent for an hour, returned. In the
|
||
|
meanwhile, the Doctor had removed to the seat in the window, and had
|
||
|
sat there looking down at the plane-tree; but, on Mr. Lorry's return,
|
||
|
be slipped away to his bench.
|
||
|
|
||
|
The time went very slowly on, and Mr. Lorry's hope darkened, and his
|
||
|
heart grew heavier again, and grew yet heavier and heavier every day.
|
||
|
The third day came and went, the fourth, the fifth. Five days, six
|
||
|
days, seven days, eight days, nine days.
|
||
|
|
||
|
With a hope ever darkening, and with a heart always growing heavier
|
||
|
and heavier, Mr. Lorry passed through this anxious time. The secret
|
||
|
was well kept, and Lucie was unconscious and happy; but he could not
|
||
|
fail to observe that the shoemaker, whose hand had been a little out
|
||
|
at first, was growing dreadfully skilful, and that he had never been
|
||
|
so intent on his work, and that his hands had never been so nimble and
|
||
|
expert, as in the dusk of the ninth evening.
|
||
|
|
||
|
|
||
|
|
||
|
XIX
|
||
|
|
||
|
An Opinion
|
||
|
|
||
|
|
||
|
Worn out by anxious watching, Mr. Lorry fell asleep at his post. On
|
||
|
the tenth morning of his suspense, he was startled by the shining of
|
||
|
the sun into the room where a heavy slumber had overtaken him when it
|
||
|
was dark night.
|
||
|
|
||
|
He rubbed his eyes and roused himself; but he doubted, when he had
|
||
|
done so, whether he was not still asleep. For, going to the door of
|
||
|
the Doctor's room and looking in, he perceived that the shoemaker's
|
||
|
bench and tools were put aside again, and that the Doctor himself sat
|
||
|
reading at the window. He was in his usual morning dress, and his face
|
||
|
(which Mr. Lorry could distinctly see), though still very pale, was
|
||
|
calmly studious and attentive.
|
||
|
|
||
|
Even when he had satisfied himself that he was awake, Mr. Lorry felt
|
||
|
giddily uncertain for some few moments whether the late shoemaking
|
||
|
might not be a disturbed dream of his own; for, did not his eyes show
|
||
|
him his friend before him in his accustomed clothing and aspect, and
|
||
|
employed as usual; and was there any sign within their range, that the
|
||
|
change of which he had so strong an impression had actually happened?
|
||
|
|
||
|
It was but the inquiry of his first confusion and astonishment, the
|
||
|
answer being obvious. If the impression were not produced by a real
|
||
|
corresponding and sufficient cause, how came he, Jarvis Lorry, there?
|
||
|
How came he to have fallen asleep, in his clothes, on the sofa in
|
||
|
Doctor Manette's consulting-room, and to be debating these points
|
||
|
outside the Doctor's bedroom door in the early morning?
|
||
|
|
||
|
Within a few minutes, Miss Pross stood whispering at his side. If he
|
||
|
had had any particle of doubt left, her talk would of necessity have
|
||
|
resolved it; but he was by that time clear-headed, and had none. He
|
||
|
advised that they should let the time go by until the regular
|
||
|
breakfast-hour, and should then meet the Doctor as if nothing unusual
|
||
|
had occurred. If he appeared to be in his customary state of mind,
|
||
|
Mr. Lorry would then cautiously proceed to seek direction and guidance
|
||
|
from the opinion he had been, in his anxiety, so anxious to obtain.
|
||
|
|
||
|
Miss Pross, submitting herself to his judgment, the scheme was worked
|
||
|
out with care. Having abundance of time for his usual methodical
|
||
|
toilette, Mr. Lorry presented himself at the breakfast-hour in his
|
||
|
usual white linen, and with his usual neat leg. The Doctor was
|
||
|
summoned in the usual way, and came to breakfast.
|
||
|
|
||
|
So far as it was possible to comprehend him without overstepping
|
||
|
those delicate and gradual approaches which Mr. Lorry felt to be the
|
||
|
only safe advance, he at first supposed that his daughter's marriage
|
||
|
had taken place yesterday. An incidental allusion, purposely thrown
|
||
|
out, to the day of the week, and the day of the month, set him thinking
|
||
|
and counting, and evidently made him uneasy. In all other respects,
|
||
|
however, he was so composedly himself, that Mr. Lorry determined to
|
||
|
have the aid he sought. And that aid was his own.
|
||
|
|
||
|
Therefore, when the breakfast was done and cleared away, and he and
|
||
|
the Doctor were left together, Mr. Lorry said, feelingly:
|
||
|
|
||
|
"My dear Manette, I am anxious to have your opinion, in confidence,
|
||
|
on a very curious case in which I am deeply interested; that is to say,
|
||
|
it is very curious to me; perhaps, to your better information it may
|
||
|
be less so."
|
||
|
|
||
|
Glancing at his hands, which were discoloured by his late work, the
|
||
|
Doctor looked troubled, and listened attentively. He had already
|
||
|
glanced at his hands more than once.
|
||
|
|
||
|
"Doctor Manette," said Mr. Lorry, touching him affectionately on the
|
||
|
arm, "the case is the case of a particularly dear friend of mine.
|
||
|
Pray give your mind to it, and advise me well for his sake--and
|
||
|
above all, for his daughter's--his daughter's, my dear Manette."
|
||
|
|
||
|
"If I understand," said the Doctor, in a subdued tone, "some mental
|
||
|
shock--?"
|
||
|
|
||
|
"Yes!"
|
||
|
|
||
|
"Be explicit," said the Doctor. "Spare no detail."
|
||
|
|
||
|
Mr. Lorry saw that they understood one another, and proceeded.
|
||
|
|
||
|
"My dear Manette, it is the case of an old and a prolonged shock, of
|
||
|
great acuteness and severity to the affections, the feelings,
|
||
|
the--the--as you express it--the mind. The mind. It is the case of
|
||
|
a shock under which the sufferer was borne down, one cannot say for
|
||
|
how long, because I believe he cannot calculate the time himself, and
|
||
|
there are no other means of getting at it. It is the case of a shock
|
||
|
from which the sufferer recovered, by a process that he cannot trace
|
||
|
himself--as I once heard him publicly relate in a striking manner.
|
||
|
It is the case of a shock from which he has recovered, so completely,
|
||
|
as to be a highly intelligent man, capable of close application of mind,
|
||
|
and great exertion of body, and of constantly making fresh additions to
|
||
|
his stock of knowledge, which was already very large. But, unfortunately,
|
||
|
there has been," he paused and took a deep breath--"a slight relapse."
|
||
|
|
||
|
The Doctor, in a low voice, asked, "Of how long duration?"
|
||
|
|
||
|
"Nine days and nights."
|
||
|
|
||
|
"How did it show itself? I infer," glancing at his hands again,
|
||
|
"in the resumption of some old pursuit connected with the shock?"
|
||
|
|
||
|
"That is the fact."
|
||
|
|
||
|
"Now, did you ever see him," asked the Doctor, distinctly and
|
||
|
collectedly, though in the same low voice, "engaged in that
|
||
|
pursuit originally?"
|
||
|
|
||
|
"Once."
|
||
|
|
||
|
"And when the relapse fell on him, was he in most respects--or in
|
||
|
all respects--as he was then?"
|
||
|
|
||
|
"I think in all respects."
|
||
|
|
||
|
"You spoke of his daughter. Does his daughter know of the relapse?"
|
||
|
|
||
|
"No. It has been kept from her, and I hope will always be kept from
|
||
|
her. It is known only to myself, and to one other who may be trusted."
|
||
|
|
||
|
The Doctor grasped his band, and murmured, "That was very kind.
|
||
|
That was very thoughtful!" Mr. Lorry grasped his hand in return,
|
||
|
and neither of the two spoke for a little while.
|
||
|
|
||
|
"Now, my dear Manette," said Mr. Lorry, at length, in his most
|
||
|
considerate and most affectionate way, "I am a mere man of business,
|
||
|
and unfit to cope with such intricate and difficult matters. I do
|
||
|
not possess the kind of information necessary; I do not possess the
|
||
|
kind of intelligence; I want guiding. There is no man in this world
|
||
|
on whom I could so rely for right guidance, as on you. Tell me, how
|
||
|
does this relapse come about? Is there danger of another? Could a
|
||
|
repetition of it be prevented? How should a repetition of it be
|
||
|
treated? How does it come about at all? What can I do for my friend?
|
||
|
No man ever can have been more desirous in his heart to serve a friend,
|
||
|
than I am to serve mine, if I knew how.
|
||
|
|
||
|
But I don't know how to originate, in such a case. If your sagacity,
|
||
|
knowledge, and experience, could put me on the right track, I might be
|
||
|
able to do so much; unenlightened and undirected, I can do so little.
|
||
|
Pray discuss it with me; pray enable me to see it a little more clearly,
|
||
|
and teach me how to be a little more useful."
|
||
|
|
||
|
Doctor Manette sat meditating after these earnest words were spoken,
|
||
|
and Mr. Lorry did not press him.
|
||
|
|
||
|
"I think it probable," said the Doctor, breaking silence with an
|
||
|
effort, "that the relapse you have described, my dear friend, was
|
||
|
not quite unforeseen by its subject."
|
||
|
|
||
|
"Was it dreaded by him?" Mr. Lorry ventured to ask.
|
||
|
|
||
|
"Very much." He said it with an involuntary shudder.
|
||
|
|
||
|
"You have no idea how such an apprehension weighs on the sufferer's
|
||
|
mind, and how difficult--how almost impossible--it is, for him to force
|
||
|
himself to utter a word upon the topic that oppresses him."
|
||
|
|
||
|
"Would he," asked Mr. Lorry, "be sensibly relieved if he could
|
||
|
prevail upon himself to impart that secret brooding to any one,
|
||
|
when it is on him?"
|
||
|
|
||
|
"I think so. But it is, as I have told you, next to impossible.
|
||
|
I even believe it--in some cases--to be quite impossible."
|
||
|
|
||
|
"Now," said Mr. Lorry, gently laying his hand on the Doctor's arm
|
||
|
again, after a short silence on both sides, "to what would you refer
|
||
|
this attack? "
|
||
|
|
||
|
"I believe," returned Doctor Manette, "that there had been a strong
|
||
|
and extraordinary revival of the train of thought and remembrance that
|
||
|
was the first cause of the malady. Some intense associations of a
|
||
|
most distressing nature were vividly recalled, I think. It is probable
|
||
|
that there had long been a dread lurking in his mind, that those
|
||
|
associations would be recalled--say, under certain circumstances--say,
|
||
|
on a particular occasion. He tried to prepare himself in vain; perhaps
|
||
|
the effort to prepare himself made him less able to bear it."
|
||
|
|
||
|
"Would he remember what took place in the relapse?" asked Mr. Lorry,
|
||
|
with natural hesitation.
|
||
|
|
||
|
The Doctor looked desolately round the room, shook his head, and
|
||
|
answered, in a low voice, "Not at all."
|
||
|
|
||
|
"Now, as to the future," hinted Mr. Lorry.
|
||
|
|
||
|
"As to the future," said the Doctor, recovering firmness, "I should
|
||
|
have great hope. As it pleased Heaven in its mercy to restore him so
|
||
|
soon, I should have great hope. He, yielding under the pressure of a
|
||
|
complicated something, long dreaded and long vaguely foreseen and
|
||
|
contended against, and recovering after the cloud had burst and passed,
|
||
|
I should hope that the worst was over."
|
||
|
|
||
|
"Well, well! That's good comfort. I am thankful!" said Mr. Lorry.
|
||
|
|
||
|
"I am thankful!" repeated the Doctor, bending his head with reverence.
|
||
|
|
||
|
"There are two other points," said Mr. Lorry, "on which I am anxious
|
||
|
to be instructed. I may go on?"
|
||
|
|
||
|
"You cannot do your friend a better service." The Doctor gave him
|
||
|
his hand.
|
||
|
|
||
|
"To the first, then. He is of a studious habit, and unusually
|
||
|
energetic; he applies himself with great ardour to the acquisition
|
||
|
of professional knowledge, to the conducting of experiments, to
|
||
|
many things. Now, does he do too much?"
|
||
|
|
||
|
"I think not. It may be the character of his mind, to be always in
|
||
|
singular need of occupation. That may be, in part, natural to it; in
|
||
|
part, the result of affliction. The less it was occupied with healthy
|
||
|
things, the more it would be in danger of turning in the unhealthy
|
||
|
direction. He may have observed himself, and made the discovery."
|
||
|
|
||
|
"You are sure that he is not under too great a strain?"
|
||
|
|
||
|
"I think I am quite sure of it."
|
||
|
|
||
|
"My dear Manette, if he were overworked now--"
|
||
|
|
||
|
"My dear Lorry, I doubt if that could easily be. There has been a
|
||
|
violent stress in one direction, and it needs a counterweight."
|
||
|
|
||
|
"Excuse me, as a persistent man of business. Assuming for a moment,
|
||
|
that he WAS overworked; it would show itself in some renewal of this disorder?"
|
||
|
|
||
|
"I do not think so. I do not think," said Doctor Manette with the
|
||
|
firmness of self-conviction, "that anything but the one train of
|
||
|
association would renew it. I think that, henceforth, nothing but
|
||
|
some extraordinary jarring of that chord could renew it. After what
|
||
|
has happened, and after his recovery, I find it difficult to imagine
|
||
|
any such violent sounding of that string again. I trust, and I almost
|
||
|
believe, that the circumstances likely to renew it are exhausted."
|
||
|
|
||
|
He spoke with the diffidence of a man who knew how slight a thing
|
||
|
would overset the delicate organisation of the mind, and yet with the
|
||
|
confidence of a man who had slowly won his assurance out of personal
|
||
|
endurance and distress. It was not for his friend to abate that
|
||
|
confidence. He professed himself more relieved and encouraged than he
|
||
|
really was, and approached his second and last point. He felt it to
|
||
|
be the most difficult of all; but, remembering his old Sunday morning
|
||
|
conversation with Miss Pross, and remembering what he had seen in the
|
||
|
last nine days, he knew that he must face it.
|
||
|
|
||
|
"The occupation resumed under the influence of this passing affliction
|
||
|
so happily recovered from," said Mr. Lorry, clearing his throat, "we will
|
||
|
call--Blacksmith's work, Blacksmith's work. We will say, to put a case
|
||
|
and for the sake of illustration, that he had been used, in his bad time,
|
||
|
to work at a little forge. We will say that he was unexpectedly found
|
||
|
at his forge again. Is it not a pity that he should keep it by him?"
|
||
|
|
||
|
The Doctor shaded his forehead with his hand, and beat his foot nervously
|
||
|
on the ground.
|
||
|
|
||
|
"He has always kept it by him," said Mr. Lorry, with an anxious look
|
||
|
at his friend. "Now, would it not be better that he should let it go?"
|
||
|
|
||
|
Still, the Doctor, with shaded forehead, beat his foot nervously on
|
||
|
the ground.
|
||
|
|
||
|
"You do not find it easy to advise me?" said Mr. Lorry. "I quite
|
||
|
understand it to be a nice question. And yet I think--" And there he
|
||
|
shook his head, and stopped.
|
||
|
|
||
|
"You see," said Doctor Manette, turning to him after an uneasy pause,
|
||
|
"it is very hard to explain, consistently, the innermost workings of
|
||
|
this poor man's mind. He once yearned so frightfully for that
|
||
|
occupation, and it was so welcome when it came; no doubt it relieved
|
||
|
his pain so much, by substituting the perplexity of the fingers for
|
||
|
the perplexity of the brain, and by substituting, as he became more
|
||
|
practised, the ingenuity of the hands, for the ingenuity of the
|
||
|
mental torture; that he has never been able to bear the thought of
|
||
|
putting it quite out of his reach. Even now, when I believe he is
|
||
|
more hopeful of himself than he has ever been, and even speaks of
|
||
|
himself with a kind of confidence, the idea that he might need that
|
||
|
old employment, and not find it, gives him a sudden sense of terror,
|
||
|
like that which one may fancy strikes to the heart of a lost child."
|
||
|
|
||
|
He looked like his illustration, as he raised his eyes to
|
||
|
Mr. Lorry's face.
|
||
|
|
||
|
"But may not--mind! I ask for information, as a plodding man of
|
||
|
business who only deals with such material objects as guineas,
|
||
|
shillings, and bank-notes--may not the retention of the thing involve
|
||
|
the retention of the idea? If the thing were gone, my dear Manette,
|
||
|
might not the fear go with it? In short, is it not a concession to
|
||
|
the misgiving, to keep the forge?"
|
||
|
|
||
|
There was another silence.
|
||
|
|
||
|
"You see, too," said the Doctor, tremulously, "it is such an
|
||
|
old companion."
|
||
|
|
||
|
"I would not keep it," said Mr. Lorry, shaking his head; for he gained
|
||
|
in firmness as he saw the Doctor disquieted. "I would recommend him
|
||
|
to sacrifice it. I only want your authority. I am sure it does no
|
||
|
good. Come! Give me your authority, like a dear good man. For his
|
||
|
daughter's sake, my dear Manette!"
|
||
|
|
||
|
Very strange to see what a struggle there was within him!
|
||
|
|
||
|
"In her name, then, let it be done; I sanction it. But, I would not
|
||
|
take it away while he was present. Let it be removed when he is not
|
||
|
there; let him miss his old companion after an absence."
|
||
|
|
||
|
Mr. Lorry readily engaged for that, and the conference was ended.
|
||
|
They passed the day in the country, and the Doctor was quite restored.
|
||
|
On the three following days he remained perfectly well, and on the
|
||
|
fourteenth day he went away to join Lucie and her husband. The
|
||
|
precaution that had been taken to account for his silence, Mr. Lorry
|
||
|
had previously explained to him, and he had written to Lucie in
|
||
|
accordance with it, and she had no suspicions.
|
||
|
|
||
|
On the night of the day on which he left the house, Mr. Lorry went
|
||
|
into his room with a chopper, saw, chisel, and hammer, attended by
|
||
|
Miss Pross carrying a light. There, with closed doors, and in a
|
||
|
mysterious and guilty manner, Mr. Lorry hacked the shoemaker's bench
|
||
|
to pieces, while Miss Pross held the candle as if she were assisting
|
||
|
at a murder--for which, indeed, in her grimness, she was no unsuitable
|
||
|
figure. The burning of the body (previously reduced to pieces
|
||
|
convenient for the purpose) was commenced without delay in the kitchen
|
||
|
fire; and the tools, shoes, and leather, were buried in the garden.
|
||
|
So wicked do destruction and secrecy appear to honest minds, that
|
||
|
Mr. Lorry and Miss Pross, while engaged in the commission of their
|
||
|
deed and in the removal of its traces, almost felt, and almost looked,
|
||
|
like accomplices in a horrible crime.
|
||
|
|
||
|
|
||
|
|
||
|
XX
|
||
|
|
||
|
A Plea
|
||
|
|
||
|
|
||
|
When the newly-married pair came home, the first person who appeared,
|
||
|
to offer his congratulations, was Sydney Carton. They had not been
|
||
|
at home many hours, when he presented himself. He was not improved in
|
||
|
habits, or in looks, or in manner; but there was a certain rugged air of
|
||
|
fidelity about him, which was new to the observation of Charles Darnay.
|
||
|
|
||
|
He watched his opportunity of taking Darnay aside into a window, and
|
||
|
of speaking to him when no one overheard.
|
||
|
|
||
|
"Mr. Darnay," said Carton, "I wish we might be friends."
|
||
|
|
||
|
"We are already friends, I hope."
|
||
|
|
||
|
"You are good enough to say so, as a fashion of speech; but, I don't
|
||
|
mean any fashion of speech. Indeed, when I say I wish we might be friends,
|
||
|
I scarcely mean quite that, either."
|
||
|
|
||
|
Charles Darnay--as was natural--asked him, in all good-humour and
|
||
|
good-fellowship, what he did mean?
|
||
|
|
||
|
"Upon my life," said Carton, smiling, "I find that easier to comprehend
|
||
|
in my own mind, than to convey to yours. However, let me try. You
|
||
|
remember a certain famous occasion when I was more drunk than--
|
||
|
than usual?"
|
||
|
|
||
|
"I remember a certain famous occasion when you forced me to confess
|
||
|
that you had been drinking."
|
||
|
|
||
|
"I remember it too. The curse of those occasions is heavy upon me,
|
||
|
for I always remember them. I hope it may be taken into account one
|
||
|
day, when all days are at an end for me! Don't be alarmed;
|
||
|
I am not going to preach."
|
||
|
|
||
|
"I am not at all alarmed. Earnestness in you, is anything but
|
||
|
alarming to me."
|
||
|
|
||
|
"Ah!" said Carton, with a careless wave of his hand, as if he waved
|
||
|
that away. "On the drunken occasion in question (one of a large number,
|
||
|
as you know), I was insufferable about liking you, and not liking you.
|
||
|
I wish you would forget it."
|
||
|
|
||
|
"I forgot it long ago."
|
||
|
|
||
|
"Fashion of speech again! But, Mr. Darnay, oblivion is not so easy to
|
||
|
me, as you represent it to be to you. I have by no means forgotten it,
|
||
|
and a light answer does not help me to forget it."
|
||
|
|
||
|
"If it was a light answer," returned Darnay, "I beg your forgiveness
|
||
|
for it. I had no other object than to turn a slight thing, which,
|
||
|
to my surprise, seems to trouble you too much, aside. I declare to you,
|
||
|
on the faith of a gentleman, that I have long dismissed it from my mind.
|
||
|
Good Heaven, what was there to dismiss! Have I had nothing more
|
||
|
important to remember, in the great service you rendered me that day?"
|
||
|
|
||
|
"As to the great service," said Carton, "I am bound to avow to you,
|
||
|
when you speak of it in that way, that it was mere professional
|
||
|
claptrap, I don't know that I cared what became of you, when I
|
||
|
rendered it.--Mind! I say when I rendered it; I am speaking of the past."
|
||
|
|
||
|
"You make light of the obligation," returned Darnay, "but I will not
|
||
|
quarrel with YOUR light answer."
|
||
|
|
||
|
"Genuine truth, Mr. Darnay, trust me! I have gone aside from my
|
||
|
purpose; I was speaking about our being friends. Now, you know me;
|
||
|
you know I am incapable of all the higher and better flights of men.
|
||
|
If you doubt it, ask Stryver, and he'll tell you so."
|
||
|
|
||
|
"I prefer to form my own opinion, without the aid of his."
|
||
|
|
||
|
"Well! At any rate you know me as a dissolute dog, who has never
|
||
|
done any good, and never will."
|
||
|
|
||
|
"I don't know that you `never will.'"
|
||
|
|
||
|
"But I do, and you must take my word for it. Well! If you could
|
||
|
endure to have such a worthless fellow, and a fellow of such indifferent
|
||
|
reputation, coming and going at odd times, I should ask that I might be
|
||
|
permitted to come and go as a privileged person here; that I might be
|
||
|
regarded as an useless (and I would add, if it were not for the
|
||
|
resemblance I detected between you and me, an unornamental) piece of
|
||
|
furniture, tolerated for its old service, and taken no notice of.
|
||
|
I doubt if I should abuse the permission. It is a hundred to one
|
||
|
if I should avail myself of it four times in a year. It would satisfy me,
|
||
|
I dare say, to know that I had it."
|
||
|
|
||
|
"Will you try?"
|
||
|
|
||
|
"That is another way of saying that I am placed on the footing I have
|
||
|
indicated. I thank you, Darnay. I may use that freedom with your name?"
|
||
|
|
||
|
"I think so, Carton, by this time."
|
||
|
|
||
|
They shook hands upon it, and Sydney turned away. Within a minute
|
||
|
afterwards, he was, to all outward appearance, as unsubstantial as ever.
|
||
|
|
||
|
When he was gone, and in the course of an evening passed with Miss Pross,
|
||
|
the Doctor, and Mr. Lorry, Charles Darnay made some mention of this
|
||
|
conversation in general terms, and spoke of Sydney Carton as a problem
|
||
|
of carelessness and recklessness. He spoke of him, in short, not
|
||
|
bitterly or meaning to bear hard upon him, but as anybody might who
|
||
|
saw him as he showed himself.
|
||
|
|
||
|
He had no idea that this could dwell in the thoughts of his fair young
|
||
|
wife; but, when he afterwards joined her in their own rooms, he found
|
||
|
her waiting for him with the old pretty lifting of the forehead
|
||
|
strongly marked.
|
||
|
|
||
|
"We are thoughtful to-night!" said Darnay, drawing his arm about her.
|
||
|
|
||
|
"Yes, dearest Charles," with her hands on his breast, and the
|
||
|
inquiring and attentive expression fixed upon him; "we are rather
|
||
|
thoughtful to-night, for we have something on our mind to-night."
|
||
|
|
||
|
"What is it, my Lucie?"
|
||
|
|
||
|
"Will you promise not to press one question on me, if I beg you
|
||
|
not to ask it?"
|
||
|
|
||
|
"Will I promise? What will I not promise to my Love?"
|
||
|
|
||
|
What, indeed, with his hand putting aside the golden hair from the
|
||
|
cheek, and his other hand against the heart that beat for him!
|
||
|
|
||
|
"I think, Charles, poor Mr. Carton deserves more consideration and
|
||
|
respect than you expressed for him to-night."
|
||
|
|
||
|
"Indeed, my own? Why so?"
|
||
|
|
||
|
"That is what you are not to ask me. But I think--I know--he does."
|
||
|
|
||
|
"If you know it, it is enough. What would you have me do, my Life?"
|
||
|
|
||
|
"I would ask you, dearest, to be very generous with him always, and
|
||
|
very lenient on his faults when he is not by. I would ask you to
|
||
|
believe that he has a heart he very, very seldom reveals, and that there
|
||
|
are deep wounds in it. My dear, I have seen it bleeding."
|
||
|
|
||
|
"It is a painful reflection to me," said Charles Darnay, quite astounded,
|
||
|
"that I should have done him any wrong. I never thought this of him."
|
||
|
|
||
|
"My husband, it is so. I fear he is not to be reclaimed; there is
|
||
|
scarcely a hope that anything in his character or fortunes is reparable
|
||
|
now. But, I am sure that he is capable of good things, gentle things,
|
||
|
even magnanimous things."
|
||
|
|
||
|
She looked so beautiful in the purity of her faith in this lost man,
|
||
|
that her husband could have looked at her as she was for hours.
|
||
|
|
||
|
"And, O my dearest Love!" she urged, clinging nearer to him, laying
|
||
|
her head upon his breast, and raising her eyes to his, "remember how
|
||
|
strong we are in our happiness, and how weak he is in his misery!"
|
||
|
|
||
|
The supplication touched him home. "I will always remember it, dear
|
||
|
Heart! I will remember it as long as I live."
|
||
|
|
||
|
He bent over the golden head, and put the rosy lips to his, and folded
|
||
|
her in his arms. If one forlorn wanderer then pacing the dark streets,
|
||
|
could have heard her innocent disclosure, and could have seen the drops
|
||
|
of pity kissed away by her husband from the soft blue eyes so loving of
|
||
|
that husband, he might have cried to the night--and the words would not
|
||
|
have parted from his lips for the first time--
|
||
|
|
||
|
"God bless her for her sweet compassion!"
|
||
|
|
||
|
|
||
|
|
||
|
XXI
|
||
|
|
||
|
Echoing Footsteps
|
||
|
|
||
|
|
||
|
A wonderful corner for echoes, it has been remarked, that corner where
|
||
|
the Doctor lived. Ever busily winding the golden thread which bound
|
||
|
her husband, and her father, and herself, and her old directress and
|
||
|
companion, in a life of quiet bliss, Lucie sat in the still house in the
|
||
|
tranquilly resounding corner, listening to the echoing footsteps of years.
|
||
|
|
||
|
At first, there were times, though she was a perfectly happy young
|
||
|
wife, when her work would slowly fall from her hands, and her eyes
|
||
|
would be dimmed. For, there was something coming in the echoes,
|
||
|
something light, afar off, and scarcely audible yet, that stirred
|
||
|
her heart too much. Fluttering hopes and doubts--hopes, of a love as
|
||
|
yet unknown to her: doubts, of her remaining upon earth, to enjoy that
|
||
|
new delight--divided her breast. Among the echoes then, there would
|
||
|
arise the sound of footsteps at her own early grave; and thoughts of
|
||
|
the husband who would be left so desolate, and who would mourn for
|
||
|
her so much, swelled to her eyes, and broke like waves.
|
||
|
|
||
|
That time passed, and her little Lucie lay on her bosom. Then,
|
||
|
among the advancing echoes, there was the tread of her tiny feet and
|
||
|
the sound of her prattling words. Let greater echoes resound as they
|
||
|
would, the young mother at the cradle side could always hear those
|
||
|
coming. They came, and the shady house was sunny with a child's laugh,
|
||
|
and the Divine friend of children, to whom in her trouble she had
|
||
|
confided hers, seemed to take her child in his arms, as He took the
|
||
|
child of old, and made it a sacred joy to her.
|
||
|
|
||
|
Ever busily winding the golden thread that bound them all together,
|
||
|
weaving the service of her happy influence through the tissue of all
|
||
|
their lives, and making it predominate nowhere, Lucie heard in the
|
||
|
echoes of years none but friendly and soothing sounds. Her husband's
|
||
|
step was strong and prosperous among them; her father's firm and equal.
|
||
|
Lo, Miss Pross, in harness of string, awakening the echoes, as an
|
||
|
unruly charger, whip-corrected, snorting and pawing the earth under
|
||
|
the plane-tree in the garden!
|
||
|
|
||
|
Even when there were sounds of sorrow among the rest, they were not
|
||
|
harsh nor cruel. Even when golden hair, like her own, lay in a halo
|
||
|
on a pillow round the worn face of a little boy, and he said, with a
|
||
|
radiant smile, "Dear papa and mamma, I am very sorry to leave you both,
|
||
|
and to leave my pretty sister; but I am called, and I must go!"
|
||
|
those were not tears all of agony that wetted his young mother's cheek,
|
||
|
as the spirit departed from her embrace that had been entrusted to it.
|
||
|
Suffer them and forbid them not. They see my Father's face.
|
||
|
O Father, blessed words!
|
||
|
|
||
|
Thus, the rustling of an Angel's wings got blended with the other
|
||
|
echoes, and they were not wholly of earth, but had in them that breath
|
||
|
of Heaven. Sighs of the winds that blew over a little garden-tomb were
|
||
|
mingled with them also, and both were audible to Lucie, in a hushed
|
||
|
murmur--like the breathing of a summer sea asleep upon a sandy shore
|
||
|
--as the little Lucie, comically studious at the task of the morning,
|
||
|
or dressing a doll at her mother's footstool, chattered in the
|
||
|
tongues of the Two Cities that were blended in her life.
|
||
|
|
||
|
The Echoes rarely answered to the actual tread of Sydney Carton.
|
||
|
Some half-dozen times a year, at most, he claimed his privilege of coming
|
||
|
in uninvited, and would sit among them through the evening, as he had
|
||
|
once done often. He never came there heated with wine. And one other
|
||
|
thing regarding him was whispered in the echoes, which has been
|
||
|
whispered by all true echoes for ages and ages.
|
||
|
|
||
|
No man ever really loved a woman, lost her, and knew her with a
|
||
|
blameless though an unchanged mind, when she was a wife and a mother,
|
||
|
but her children had a strange sympathy with him--an instinctive
|
||
|
delicacy of pity for him. What fine hidden sensibilities are touched
|
||
|
in such a case, no echoes tell; but it is so, and it was so here.
|
||
|
Carton was the first stranger to whom little Lucie held out her chubby
|
||
|
arms, and he kept his place with her as she grew. The little boy had
|
||
|
spoken of him, almost at the last. "Poor Carton! Kiss him for me!"
|
||
|
|
||
|
Mr. Stryver shouldered his way through the law, like some great engine
|
||
|
forcing itself through turbid water, and dragged his useful friend in
|
||
|
his wake, like a boat towed astern. As the boat so favoured is usually
|
||
|
in a rough plight, and mostly under water, so, Sydney had a swamped life
|
||
|
of it. But, easy and strong custom, unhappily so much easier and
|
||
|
stronger in him than any stimulating sense of desert or disgrace, made
|
||
|
it the life he was to lead; and he no more thought of emerging from his
|
||
|
state of lion's jackal, than any real jackal may be supposed to think
|
||
|
of rising to be a lion. Stryver was rich; had married a florid widow
|
||
|
with property and three boys, who had nothing particularly shining about
|
||
|
them but the straight hair of their dumpling heads.
|
||
|
|
||
|
These three young gentlemen, Mr. Stryver, exuding patronage of the most
|
||
|
offensive quality from every pore, had walked before him like three
|
||
|
sheep to the quiet corner in Soho, and had offered as pupils to Lucie's
|
||
|
husband: delicately saying "Halloa! here are three lumps of bread-and-
|
||
|
cheese towards your matrimonial picnic, Darnay!" The polite rejection
|
||
|
of the three lumps of bread-and-cheese had quite bloated Mr. Stryver
|
||
|
with indignation, which he afterwards turned to account in the training
|
||
|
of the young gentlemen, by directing them to beware of the pride of
|
||
|
Beggars, like that tutor-fellow. He was also in the habit of declaiming
|
||
|
to Mrs. Stryver, over his full-bodied wine, on the arts Mrs. Darnay had
|
||
|
once put in practice to "catch" him, and on the diamond-cut-diamond
|
||
|
arts in himself, madam, which had rendered him "not to be caught."
|
||
|
Some of his King's Bench familiars, who were occasionally parties
|
||
|
to the full-bodied wine and the lie, excused him for the latter by saying
|
||
|
that he had told it so often, that he believed it himself--which is
|
||
|
surely such an incorrigible aggravation of an originally bad offence,
|
||
|
as to justify any such offender's being carried off to some suitably
|
||
|
retired spot, and there hanged out of the way.
|
||
|
|
||
|
These were among the echoes to which Lucie, sometimes pensive,
|
||
|
sometimes amused and laughing, listened in the echoing corner, until
|
||
|
her little daughter was six years old. How near to her heart the echoes
|
||
|
of her child's tread came, and those of her own dear father's, always
|
||
|
active and self-possessed, and those of her dear husband's, need not
|
||
|
be told. Nor, how the lightest echo of their united home, directed
|
||
|
by herself with such a wise and elegant thrift that it was more
|
||
|
abundant than any waste, was music to her. Nor, how there were echoes
|
||
|
all about her, sweet in her ears, of the many times her father had
|
||
|
told her that he found her more devoted to him married (if that could be)
|
||
|
than single, and of the many times her husband had said to her that no
|
||
|
cares and duties seemed to divide her love for him or her help to him,
|
||
|
and asked her "What is the magic secret, my darling, of your being
|
||
|
everything to all of us, as if there were only one of us,
|
||
|
yet never seeming to be hurried, or to have too much to do?"
|
||
|
|
||
|
But, there were other echoes, from a distance, that rumbled menacingly
|
||
|
in the corner all through this space of time. And it was now, about
|
||
|
little Lucie's sixth birthday, that they began to have an awful sound,
|
||
|
as of a great storm in France with a dreadful sea rising.
|
||
|
|
||
|
On a night in mid-July, one thousand seven hundred and eighty-nine,
|
||
|
Mr. Lorry came in late, from Tellson's, and sat himself down by Lucie
|
||
|
and her husband in the dark window. It was a hot, wild night, and
|
||
|
they were all three reminded of the old Sunday night when they had
|
||
|
looked at the lightning from the same place.
|
||
|
|
||
|
"I began to think," said Mr. Lorry, pushing his brown wig back, "that
|
||
|
I should have to pass the night at Tellson's. We have been so full of
|
||
|
business all day, that we have not known what to do first, or which
|
||
|
way to turn. There is such an uneasiness in Paris, that we have
|
||
|
actually a run of confidence upon us! Our customers over there, seem
|
||
|
not to be able to confide their property to us fast enough. There is
|
||
|
positively a mania among some of them for sending it to England."
|
||
|
|
||
|
"That has a bad look," said Darnay--
|
||
|
|
||
|
"A bad look, you say, my dear Darnay? Yes, but we don't know what
|
||
|
reason there is in it. People are so unreasonable! Some of us at
|
||
|
Tellson's are getting old, and we really can't be troubled out of
|
||
|
the ordinary course without due occasion."
|
||
|
|
||
|
"Still," said Darnay, "you know how gloomy and threatening the sky is."
|
||
|
|
||
|
"I know that, to be sure," assented Mr. Lorry, trying to persuade
|
||
|
himself that his sweet temper was soured, and that he grumbled,
|
||
|
"but I am determined to be peevish after my long day's botheration.
|
||
|
Where is Manette?"
|
||
|
|
||
|
"Here he is," said the Doctor, entering the dark room at the moment.
|
||
|
|
||
|
"I am quite glad you are at home; for these hurries and forebodings by
|
||
|
which I have been surrounded all day long, have made me nervous
|
||
|
without reason. You are not going out, I hope?"
|
||
|
|
||
|
"No; I am going to play backgammon with you, if you like,"
|
||
|
said the Doctor.
|
||
|
|
||
|
"I don't think I do like, if I may speak my mind. I am not fit to
|
||
|
be pitted against you to-night. Is the teaboard still there, Lucie?
|
||
|
I can't see."
|
||
|
|
||
|
"Of course, it has been kept for you."
|
||
|
|
||
|
"Thank ye, my dear. The precious child is safe in bed?"
|
||
|
|
||
|
"And sleeping soundly."
|
||
|
|
||
|
"That's right; all safe and well! I don't know why anything should
|
||
|
be otherwise than safe and well here, thank God; but I have been so
|
||
|
put out all day, and I am not as young as I was! My tea, my dear!
|
||
|
Thank ye. Now, come and take your place in the circle, and let us
|
||
|
sit quiet, and hear the echoes about which you have your theory."
|
||
|
|
||
|
"Not a theory; it was a fancy."
|
||
|
|
||
|
"A fancy, then, my wise pet," said Mr. Lorry, patting her hand. "They
|
||
|
are very numerous and very loud, though, are they not? Only hear them!"
|
||
|
|
||
|
Headlong, mad, and dangerous footsteps to force their way into anybody's
|
||
|
life, footsteps not easily made clean again if once stained red, the
|
||
|
footsteps raging in Saint Antoine afar off, as the little circle sat
|
||
|
in the dark London window.
|
||
|
|
||
|
Saint Antoine had been, that morning, a vast dusky mass of scarecrows
|
||
|
heaving to and fro, with frequent gleams of light above the billowy
|
||
|
heads, where steel blades and bayonets shone in the sun. A tremendous
|
||
|
roar arose from the throat of Saint Antoine, and a forest of naked arms
|
||
|
struggled in the air like shrivelled branches of trees in a winter wind:
|
||
|
all the fingers convulsively clutching at every weapon or semblance of
|
||
|
a weapon that was thrown up from the depths below, no matter how far off.
|
||
|
|
||
|
Who gave them out, whence they last came, where they began, through
|
||
|
what agency they crookedly quivered and jerked, scores at a time, over
|
||
|
the heads of the crowd, like a kind of lightning, no eye in the throng
|
||
|
could have told; but, muskets were being distributed--so were
|
||
|
cartridges, powder, and ball, bars of iron and wood, knives, axes,
|
||
|
pikes, every weapon that distracted ingenuity could discover or devise.
|
||
|
People who could lay hold of nothing else, set themselves with bleeding
|
||
|
hands to force stones and bricks out of their places in walls. Every
|
||
|
pulse and heart in Saint Antoine was on high-fever strain and at
|
||
|
high-fever heat. Every living creature there held life as of no account,
|
||
|
and was demented with a passionate readiness to sacrifice it.
|
||
|
|
||
|
As a whirlpool of boiling waters has a centre point, so, all this raging
|
||
|
circled round Defarge's wine-shop, and every human drop in the caldron
|
||
|
had a tendency to be sucked towards the vortex where Defarge himself,
|
||
|
already begrimed with gunpowder and sweat, issued orders, issued arms,
|
||
|
thrust this man back, dragged this man forward, disarmed one to arm
|
||
|
another, laboured and strove in the thickest of the uproar.
|
||
|
|
||
|
"Keep near to me, Jacques Three," cried Defarge; "and do you,
|
||
|
Jacques One and Two, separate and put yourselves at the head of
|
||
|
as many of these patriots as you can. Where is my wife?"
|
||
|
|
||
|
"Eh, well! Here you see me!" said madame, composed as ever, but not
|
||
|
knitting to-day. Madame's resolute right hand was occupied with an axe,
|
||
|
in place of the usual softer implements, and in her girdle were a pistol
|
||
|
and a cruel knife.
|
||
|
|
||
|
"Where do you go, my wife?"
|
||
|
|
||
|
"I go," said madame, "with you at present. You shall see me at the
|
||
|
head of women, by-and-bye."
|
||
|
|
||
|
"Come, then!" cried Defarge, in a resounding voice. "Patriots and
|
||
|
friends, we are ready! The Bastille!"
|
||
|
|
||
|
With a roar that sounded as if all the breath in France had been
|
||
|
shaped into the detested word, the living sea rose, wave on wave,
|
||
|
depth on depth, and overflowed the city to that point. Alarm-bells
|
||
|
ringing, drums beating, the sea raging and thundering on its new beach,
|
||
|
the attack began.
|
||
|
|
||
|
Deep ditches, double drawbridge, massive stone walls, eight great
|
||
|
towers, cannon, muskets, fire and smoke. Through the fire and through
|
||
|
the smoke--in the fire and in the smoke, for the sea cast him up against
|
||
|
a cannon, and on the instant he became a cannonier--Defarge of the
|
||
|
wine-shop worked like a manful soldier, Two fierce hours.
|
||
|
|
||
|
Deep ditch, single drawbridge, massive stone walls, eight great towers,
|
||
|
cannon, muskets, fire and smoke. One drawbridge down! "Work, comrades
|
||
|
all, work! Work, Jacques One, Jacques Two, Jacques One Thousand,
|
||
|
Jacques Two Thousand, Jacques Five-and-Twenty Thousand; in the name of
|
||
|
all the Angels or the Devils--which you prefer--work!" Thus Defarge
|
||
|
of the wine-shop, still at his gun, which had long gown hot.
|
||
|
|
||
|
"To me, women!" cried madame his wife. "What! We can kill as well as
|
||
|
the men when the place is taken!" And to her, with a shrill thirsty cry,
|
||
|
trooping women variously armed, but all armed age in hunger and revenge.
|
||
|
|
||
|
Cannon, muskets, fire and smoke; but, still the deep ditch, the single
|
||
|
drawbridge, the massive stone wails, and the eight great towers. Slight
|
||
|
displacements of the raging sea, made by the falling wounded. Flashing
|
||
|
weapons, blazing torches, smoking waggonloads of wet straw, hard work
|
||
|
at neighbouring barricades in all directions, shrieks, volleys,
|
||
|
execrations, bravery without stint, boom smash and rattle, and the
|
||
|
furious sounding of the living sea; but, still the deep ditch, and the
|
||
|
single drawbridge, and the massive stone walls, and the eight great
|
||
|
towers, and still Defarge of the wine-shop at his gun, grown doubly
|
||
|
hot by the service of Four fierce hours.
|
||
|
|
||
|
A white flag from within the fortress, and a parley--this dimly
|
||
|
perceptible through the raging storm, nothing audible in it--suddenly
|
||
|
the sea rose immeasurably wider and higher, and swept Defarge of the
|
||
|
wine-shop over the lowered drawbridge, past the massive stone outer
|
||
|
walls, in among the eight great towers surrendered!
|
||
|
|
||
|
So resistless was the force of the ocean bearing him on, that even
|
||
|
to draw his breath or turn his head was as impracticable as if he had
|
||
|
been struggling in the surf at the South Sea, until he was landed in
|
||
|
the outer courtyard of the Bastille. There, against an angle of a
|
||
|
wall, he made a struggle to look about him. Jacques Three was nearly
|
||
|
at his side; Madame Defarge, still heading some of her women, was
|
||
|
visible in the inner distance, and her knife was in her hand. Everywhere
|
||
|
was tumult, exultation, deafening and maniacal bewilderment, astounding
|
||
|
noise, yet furious dumb-show.
|
||
|
|
||
|
"The Prisoners!"
|
||
|
|
||
|
"The Records!"
|
||
|
|
||
|
"The secret cells!"
|
||
|
|
||
|
"The instruments of torture!"
|
||
|
|
||
|
"The Prisoners!"
|
||
|
|
||
|
Of all these cries, and ten thousand incoherences, "The Prisoners!"
|
||
|
was the cry most taken up by the sea that rushed in, as if there were
|
||
|
an eternity of people, as well as of time and space. When the foremost
|
||
|
billows rolled past, bearing the prison officers with them, and
|
||
|
threatening them all with instant death if any secret nook remained
|
||
|
undisclosed, Defarge laid his strong hand on the breast of one of
|
||
|
these men--a man with a grey head, who had a lighted torch in his hand--
|
||
|
separated him from the rest, and got him between himself and the wall.
|
||
|
|
||
|
"Show me the North Tower!" said Defarge. "Quick!"
|
||
|
|
||
|
"I will faithfully," replied the man, "if you will come with me. But
|
||
|
there is no one there."
|
||
|
|
||
|
"What is the meaning of One Hundred and Five, North Tower?"
|
||
|
asked Defarge. "Quick!"
|
||
|
|
||
|
"The meaning, monsieur?"
|
||
|
|
||
|
"Does it mean a captive, or a place of captivity? Or do you mean that
|
||
|
I shall strike you dead?"
|
||
|
|
||
|
"Kill him!" croaked Jacques Three, who had come close up.
|
||
|
|
||
|
"Monsieur, it is a cell."
|
||
|
|
||
|
"Show it me!"
|
||
|
|
||
|
"Pass this way, then."
|
||
|
|
||
|
Jacques Three, with his usual craving on him, and evidently
|
||
|
disappointed by the dialogue taking a turn that did not seem to promise
|
||
|
bloodshed, held by Defarge's arm as he held by the turnkey's. Their
|
||
|
three heads had been close together during this brief discourse, and
|
||
|
it had been as much as they could do to hear one another, even then:
|
||
|
so tremendous was the noise of the living ocean, in its irruption into
|
||
|
the Fortress, and its inundation of the courts and passages and
|
||
|
staircases. All around outside, too, it beat the walls with a deep,
|
||
|
hoarse roar, from which, occasionally, some partial shouts of tumult
|
||
|
broke and leaped into the air like spray.
|
||
|
|
||
|
Through gloomy vaults where the light of day had never shone, past
|
||
|
hideous doors of dark dens and cages, down cavernous flights of steps,
|
||
|
and again up steep rugged ascents of stone and brick, more like dry
|
||
|
waterfalls than staircases, Defarge, the turnkey, and Jacques Three,
|
||
|
linked hand and arm, went with all the speed they could make. Here
|
||
|
and there, especially at first, the inundation started on them and
|
||
|
swept by; but when they had done descending, and were winding and
|
||
|
climbing up a tower, they were alone. Hemmed in here by the massive
|
||
|
thickness of walls and arches, the storm within the fortress and without
|
||
|
was only audible to them in a dull, subdued way, as if the noise out of
|
||
|
which they had come had almost destroyed their sense of hearing.
|
||
|
|
||
|
The turnkey stopped at a low door, put a key in a clashing lock,
|
||
|
swung the door slowly open, and said, as they all bent their heads
|
||
|
and passed in:
|
||
|
|
||
|
"One hundred and five, North Tower!"
|
||
|
|
||
|
There was a small, heavily-grated, unglazed window high in the wall,
|
||
|
with a stone screen before it, so that the sky could be only seen by
|
||
|
stooping low and looking up. There was a small chimney, heavily barred
|
||
|
across, a few feet within. There was a heap of old feathery wood-ashes
|
||
|
on the hearth. There was a stool, and table, and a straw bed. There
|
||
|
were the four blackened walls, and a rusted iron ring in one of them.
|
||
|
|
||
|
"Pass that torch slowly along these walls, that I may see them,"
|
||
|
said Defarge to the turnkey.
|
||
|
|
||
|
The man obeyed, and Defarge followed the light closely with his eyes.
|
||
|
|
||
|
"Stop!--Look here, Jacques!"
|
||
|
|
||
|
"A. M.!" croaked Jacques Three, as he read greedily.
|
||
|
|
||
|
"Alexandre Manette," said Defarge in his ear, following the letters
|
||
|
with his swart forefinger, deeply engrained with gunpowder. "And here
|
||
|
he wrote `a poor physician.' And it was he, without doubt, who scratched
|
||
|
a calendar on this stone. What is that in your hand? A crowbar?
|
||
|
Give it me!"
|
||
|
|
||
|
He had still the linstock of his gun in his own hand. He made a
|
||
|
sudden exchange of the two instruments, and turning on the worm-eaten
|
||
|
stool and table, beat them to pieces in a few blows.
|
||
|
|
||
|
"Hold the light higher!" he said, wrathfully, to the turnkey.
|
||
|
"Look among those fragments with care, Jacques. And see! Here is my knife,"
|
||
|
throwing it to him; "rip open that bed, and search the straw.
|
||
|
Hold the light higher, you!"
|
||
|
|
||
|
With a menacing look at the turnkey he crawled upon the hearth,
|
||
|
and, peering up the chimney, struck and prised at its sides with the
|
||
|
crowbar, and worked at the iron grating across it. In a few minutes,
|
||
|
some mortar and dust came dropping down, which he averted his face to
|
||
|
avoid; and in it, and in the old wood-ashes, and in a crevice in the
|
||
|
chimney into which his weapon had slipped or wrought itself, he groped
|
||
|
with a cautious touch.
|
||
|
|
||
|
"Nothing in the wood, and nothing in the straw, Jacques?"
|
||
|
|
||
|
"Nothing."
|
||
|
|
||
|
"Let us collect them together, in the middle of the cell. So!
|
||
|
Light them, you!"
|
||
|
|
||
|
The turnkey fired the little pile, which blazed high and hot. Stooping
|
||
|
again to come out at the low-arched door, they left it burning, and
|
||
|
retraced their way to the courtyard; seeming to recover their sense of
|
||
|
hearing as they came down, until they were in the raging flood once more.
|
||
|
|
||
|
They found it surging and tossing, in quest of Defarge himself.
|
||
|
Saint Antoine was clamorous to have its wine-shop keeper foremost in
|
||
|
the guard upon the governor who had defended the Bastille and shot the
|
||
|
people. Otherwise, the governor would not be marched to the Hotel de
|
||
|
Ville for judgment. Otherwise, the governor would escape, and the
|
||
|
people's blood (suddenly of some value, after many years of
|
||
|
worthlessness) be unavenged.
|
||
|
|
||
|
In the howling universe of passion and contention that seemed to
|
||
|
encompass this grim old officer conspicuous in his grey coat and red
|
||
|
decoration, there was but one quite steady figure, and that was a
|
||
|
woman's. "See, there is my husband!" she cried, pointing him out.
|
||
|
"See Defarge!" She stood immovable close to the grain old officer,
|
||
|
and remained immovable close to him; remained immovable close to him
|
||
|
through the streets, as Defarge and the rest bore him along; remained
|
||
|
immovable close to him when he was got near his destination, and began
|
||
|
to be struck at from behind; remained immovable close to him when the
|
||
|
long-gathering rain of stabs and blows fell heavy; was so close to him
|
||
|
when he dropped dead under it, that, suddenly animated, she put her foot
|
||
|
upon his neck, and with her cruel knife--long ready--hewed off his head.
|
||
|
|
||
|
The hour was come, when Saint Antoine was to execute his horrible idea
|
||
|
of hoisting up men for lamps to show what he could be and do. Saint
|
||
|
Antoine's blood was up, and the blood of tyranny and domination by
|
||
|
the iron hand was down--down on the steps of the Hotel de Ville where
|
||
|
the governor's body lay--down on the sole of the shoe of Madame Defarge
|
||
|
where she had trodden on the body to steady it for mutilation.
|
||
|
"Lower the lamp yonder!" cried Saint Antoine, after glaring round for a
|
||
|
new means of death; "here is one of his soldiers to be left on guard!"
|
||
|
The swinging sentinel was posted, and the sea rushed on.
|
||
|
|
||
|
The sea of black and threatening waters, and of destructive upheaving
|
||
|
of wave against wave, whose depths were yet unfathomed and whose
|
||
|
forces were yet unknown. The remorseless sea of turbulently swaying
|
||
|
shapes, voices of vengeance, and faces hardened in the furnaces of
|
||
|
suffering until the touch of pity could make no mark on them.
|
||
|
|
||
|
But, in the ocean of faces where every fierce and furious expression
|
||
|
was in vivid life, there were two groups of faces--each seven in number
|
||
|
--so fixedly contrasting with the rest, that never did sea roll which
|
||
|
bore more memorable wrecks with it. Seven faces of prisoners, suddenly
|
||
|
released by the storm that had burst their tomb, were carried high
|
||
|
overhead: all scared, all lost, all wondering and amazed, as if the
|
||
|
Last Day were come, and those who rejoiced around them were lost spirits.
|
||
|
Other seven faces there were, carried higher, seven dead faces, whose
|
||
|
drooping eyelids and half-seen eyes awaited the Last Day. Impassive
|
||
|
faces, yet with a suspended--not an abolished--expression on them; faces,
|
||
|
rather, in a fearful pause, as having yet to raise the dropped lids of
|
||
|
the eyes, and bear witness with the bloodless lips, "THOU DIDST IT!"
|
||
|
|
||
|
Seven prisoners released, seven gory heads on pikes, the keys of the
|
||
|
accursed fortress of the eight strong towers, some discovered letters
|
||
|
and other memorials of prisoners of old time, long dead of broken
|
||
|
hearts,--such, and such--like, the loudly echoing footsteps of Saint
|
||
|
Antoine escort through the Paris streets in mid-July, one thousand seven
|
||
|
hundred and eighty-nine. Now, Heaven defeat the fancy of Lucie Darnay,
|
||
|
and keep these feet far out of her life! For, they are headlong, mad,
|
||
|
and dangerous; and in the years so long after the breaking of the cask
|
||
|
at Defarge's wine-shop door, they are not easily purified when once
|
||
|
stained red.
|
||
|
|
||
|
|
||
|
|
||
|
XXII
|
||
|
|
||
|
The Sea Still Rises
|
||
|
|
||
|
|
||
|
Haggard Saint Antoine had had only one exultant week, in which to
|
||
|
soften his modicum of hard and bitter bread to such extent as he
|
||
|
could, with the relish of fraternal embraces and congratulations,
|
||
|
when Madame Defarge sat at her counter, as usual, presiding over the
|
||
|
customers. Madame Defarge wore no rose in her head, for the great
|
||
|
brotherhood of Spies had become, even in one short week, extremely
|
||
|
chary of trusting themselves to the saint's mercies. The lamps across
|
||
|
his streets had a portentously elastic swing with them.
|
||
|
|
||
|
Madame Defarge, with her arms folded, sat in the morning light and heat,
|
||
|
contemplating the wine-shop and the street. In both, there were several
|
||
|
knots of loungers, squalid and miserable, but now with a manifest sense
|
||
|
of power enthroned on their distress. The raggedest nightcap, awry on
|
||
|
the wretchedest head, had this crooked significance in it: "I know how
|
||
|
hard it has grown for me, the wearer of this, to support life in myself;
|
||
|
but do you know how easy it has grown for me, the wearer of this, to
|
||
|
destroy life in you?" Every lean bare arm, that bad been without work
|
||
|
before, had this work always ready for it now, that it could strike.
|
||
|
The fingers of the knitting women were vicious, with the experience that
|
||
|
they could tear. There was a change in the appearance of Saint Antoine;
|
||
|
the image had been hammering into this for hundreds of years, and the
|
||
|
last finishing blows had told mightily on the expression.
|
||
|
|
||
|
Madame Defarge sat observing it, with such suppressed approval as was
|
||
|
to be desired in the leader of the Saint Antoine women. One of her
|
||
|
sisterhood knitted beside her. The short, rather plump wife of a
|
||
|
starved grocer, and the mother of two children withal, this lieutenant
|
||
|
had already earned the complimentary name of The Vengeance.
|
||
|
|
||
|
"Hark!" said The Vengeance. "Listen, then! Who comes?"
|
||
|
|
||
|
As if a train of powder laid from the outermost bound of Saint Antoine
|
||
|
Quarter to the wine-shop door, had been suddenly fired, a fast-spreading
|
||
|
murmur came rushing along.
|
||
|
|
||
|
"It is Defarge," said madame. "Silence, patriots!"
|
||
|
|
||
|
Defarge came in breathless, pulled off a red cap he wore, and looked
|
||
|
around him! "Listen, everywhere!" said madame again. "Listen to him!"
|
||
|
Defarge stood, panting, against a background of eager eyes and open
|
||
|
mouths, formed outside the door; all those within the wine-shop had
|
||
|
sprung to their feet.
|
||
|
|
||
|
"Say then, my husband. What is it?"
|
||
|
|
||
|
"News from the other world!"
|
||
|
|
||
|
"How, then?" cried madame, contemptuously. "The other world?"
|
||
|
|
||
|
"Does everybody here recall old Foulon, who told the famished people
|
||
|
that they might eat grass, and who died, and went to Hell?"
|
||
|
|
||
|
"Everybody!" from all throats.
|
||
|
|
||
|
"The news is of him. He is among us!"
|
||
|
|
||
|
"Among us!" from the universal throat again. "And dead?"
|
||
|
|
||
|
"Not dead! He feared us so much--and with reason--that he caused
|
||
|
himself to be represented as dead, and had a grand mock-funeral. But
|
||
|
they have found him alive, hiding in the country, and have brought him
|
||
|
in. I have seen him but now, on his way to the Hotel de Ville, a
|
||
|
prisoner. I have said that he had reason to fear us. Say all!
|
||
|
HAD he reason?"
|
||
|
|
||
|
Wretched old sinner of more than threescore years and ten, if he had
|
||
|
never known it yet, he would have known it in his heart of hearts if
|
||
|
he could have heard the answering cry.
|
||
|
|
||
|
A moment of profound silence followed. Defarge and his wife looked
|
||
|
steadfastly at one another. The Vengeance stooped, and the jar of
|
||
|
a drum was heard as she moved it at her feet behind the counter.
|
||
|
|
||
|
"Patriots!" said Defarge, in a determined voice, "are we ready?"
|
||
|
|
||
|
Instantly Madame Defarge's knife was in her girdle; the drum was beating
|
||
|
in the streets, as if it and a drummer had flown together by magic; and
|
||
|
The Vengeance, uttering terrific shrieks, and flinging her arms about
|
||
|
her head like all the forty Furies at once, was tearing from house to
|
||
|
house, rousing the women.
|
||
|
|
||
|
The men were terrible, in the bloody-minded anger with which they looked
|
||
|
from windows, caught up what arms they had, and came pouring down into
|
||
|
the streets; but, the women were a sight to chill the boldest. From
|
||
|
such household occupations as their bare poverty yielded, from their
|
||
|
children, from their aged and their sick crouching on the bare ground
|
||
|
famished and naked, they ran out with streaming hair, urging one
|
||
|
another, and themselves, to madness with the wildest cries and actions.
|
||
|
Villain Foulon taken, my sister! Old Foulon taken, my mother!
|
||
|
Miscreant Foulon taken, my daughter! Then, a score of others ran into
|
||
|
the midst of these, beating their breasts, tearing their hair, and
|
||
|
screaming, Foulon alive! Foulon who told the starving people they
|
||
|
might eat grass! Foulon who told my old father that he might eat
|
||
|
grass, when I had no bread to give him! Foulon who told my baby it
|
||
|
might suck grass, when these breasts where dry with want! O mother
|
||
|
of God, this Foulon! O Heaven our suffering! Hear me, my dead baby
|
||
|
and my withered father: I swear on my knees, on these stones, to avenge
|
||
|
you on Foulon! Husbands, and brothers, and young men, Give us the blood
|
||
|
of Foulon, Give us the head of Foulon, Give us the heart of Foulon,
|
||
|
Give us the body and soul of Foulon, Rend Foulon to pieces, and dig
|
||
|
him into the ground, that grass may grow from him! With these cries,
|
||
|
numbers of the women, lashed into blind frenzy, whirled about, striking
|
||
|
and tearing at their own friends until they dropped into a passionate
|
||
|
swoon, and were only saved by the men belonging to them from being
|
||
|
trampled under foot.
|
||
|
|
||
|
Nevertheless, not a moment was lost; not a moment! This Foulon was
|
||
|
at the Hotel de Ville, and might be loosed. Never, if Saint Antoine
|
||
|
knew his own sufferings, insults, and wrongs! Armed men and women
|
||
|
flocked out of the Quarter so fast, and drew even these last dregs
|
||
|
after them with such a force of suction, that within a quarter of an
|
||
|
hour there was not a human creature in Saint Antoine's bosom but a
|
||
|
few old crones and the wailing children.
|
||
|
|
||
|
No. They were all by that time choking the Hall of Examination where
|
||
|
this old man, ugly and wicked, was, and overflowing into the adjacent
|
||
|
open space and streets. The Defarges, husband and wife, The Vengeance,
|
||
|
and Jacques Three, were in the first press, and at no great distance
|
||
|
from him in the Hall.
|
||
|
|
||
|
"See!" cried madame, pointing with her knife. "See the old villain
|
||
|
bound with ropes. That was well done to tie a bunch of grass upon
|
||
|
his back. Ha, ha! That was well done. Let him eat it now!" Madame
|
||
|
put her knife under her arm, and clapped her hands as at a play.
|
||
|
|
||
|
The people immediately behind Madame Defarge, explaining the cause of
|
||
|
her satisfaction to those behind them, and those again explaining
|
||
|
to others, and those to others, the neighbouring streets resounded with
|
||
|
the clapping of hands. Similarly, during two or three hours of drawl,
|
||
|
and the winnowing of many bushels of words, Madame Defarge's frequent
|
||
|
expressions of impatience were taken up, with marvellous quickness,
|
||
|
at a distance: the more readily, because certain men who had by some
|
||
|
wonderful exercise of agility climbed up the external architecture to
|
||
|
look in from the windows, knew Madame Defarge well, and acted as a
|
||
|
telegraph between her and the crowd outside the building.
|
||
|
|
||
|
At length the sun rose so high that it struck a kindly ray as of hope
|
||
|
or protection, directly down upon the old prisoner's head. The favour
|
||
|
was too much to bear; in an instant the barrier of dust and chaff that
|
||
|
had stood surprisingly long, went to the winds, and Saint Antoine had
|
||
|
got him!
|
||
|
|
||
|
It was known directly, to the furthest confines of the crowd. Defarge
|
||
|
had but sprung over a railing and a table, and folded the miserable
|
||
|
wretch in a deadly embrace--Madame Defarge had but followed and turned
|
||
|
her hand in one of the ropes with which he was tied--The Vengeance
|
||
|
and Jacques Three were not yet up with them, and the men at the windows
|
||
|
had not yet swooped into the Hall, like birds of prey from their high
|
||
|
perches--when the cry seemed to go up, all over the city, "Bring him
|
||
|
out! Bring him to the lamp!"
|
||
|
|
||
|
Down, and up, and head foremost on the steps of the building; now, on
|
||
|
his knees; now, on his feet; now, on his back; dragged, and struck at,
|
||
|
and stifled by the bunches of grass and straw that were thrust into his
|
||
|
face by hundreds of hands; torn, bruised, panting, bleeding, yet always
|
||
|
entreating and beseeching for mercy; now full of vehement agony of
|
||
|
action, with a small clear space about him as the people drew one
|
||
|
another back that they might see; now, a log of dead wood drawn through
|
||
|
a forest of legs; he was hauled to the nearest street corner where one
|
||
|
of the fatal lamps swung, and there Madame Defarge let him go--as a
|
||
|
cat might have done to a mouse--and silently and composedly looked
|
||
|
at him while they made ready, and while he besought her: the women
|
||
|
passionately screeching at him all the time, and the men sternly
|
||
|
calling out to have him killed with grass in his mouth. Once, he went
|
||
|
aloft, and the rope broke, and they caught him shrieking; twice, he went
|
||
|
aloft, and the rope broke, and they caught him shrieking; then, the rope
|
||
|
was merciful, and held him, and his head was soon upon a pike, with
|
||
|
grass enough in the mouth for all Saint Antoine to dance at the sight of.
|
||
|
|
||
|
Nor was this the end of the day's bad work, for Saint Antoine so
|
||
|
shouted and danced his angry blood up, that it boiled again, on
|
||
|
hearing when the day closed in that the son-in-law of the despatched,
|
||
|
another of the people's enemies and insulters, was coming into Paris
|
||
|
under a guard five hundred strong, in cavalry alone. Saint Antoine
|
||
|
wrote his crimes on flaring sheets of paper, seized him--would have
|
||
|
torn him out of the breast of an army to bear Foulon company--set
|
||
|
his head and heart on pikes, and carried the three spoils of the day,
|
||
|
in Wolf-procession through the streets.
|
||
|
|
||
|
Not before dark night did the men and women come back to the children,
|
||
|
wailing and breadless. Then, the miserable bakers' shops were beset
|
||
|
by long files of them, patiently waiting to buy bad bread; and while
|
||
|
they waited with stomachs faint and empty, they beguiled the time by
|
||
|
embracing one another on the triumphs of the day, and achieving them
|
||
|
again in gossip. Gradually, these strings of ragged people shortened
|
||
|
and frayed away; and then poor lights began to shine in high windows,
|
||
|
and slender fires were made in the streets, at which neighbours cooked
|
||
|
in common, afterwards supping at their doors.
|
||
|
|
||
|
Scanty and insufficient suppers those, and innocent of meat, as of
|
||
|
most other sauce to wretched bread. Yet, human fellowship infused
|
||
|
some nourishment into the flinty viands, and struck some sparks of
|
||
|
cheerfulness out of them. Fathers and mothers who had had their full
|
||
|
share in the worst of the day, played gently with their meagre
|
||
|
children; and lovers, with such a world around them and before them,
|
||
|
loved and hoped.
|
||
|
|
||
|
It was almost morning, when Defarge's wine-shop parted with its last
|
||
|
knot of customers, and Monsieur Defarge said to madame his wife, in
|
||
|
husky tones, while fastening the door:
|
||
|
|
||
|
"At last it is come, my dear!"
|
||
|
|
||
|
"Eh well!" returned madame. "Almost."
|
||
|
|
||
|
Saint Antoine slept, the Defarges slept: even The Vengeance slept with
|
||
|
her starved grocer, and the drum was at rest. The drum's was the only
|
||
|
voice in Saint Antoine that blood and hurry had not changed. The
|
||
|
Vengeance, as custodian of the drum, could have wakened him up and had
|
||
|
the same speech out of him as before the Bastille fell, or old Foulon
|
||
|
was seized; not so with the hoarse tones of the men and women in Saint
|
||
|
Antoine's bosom.
|
||
|
|
||
|
|
||
|
|
||
|
XXIII
|
||
|
|
||
|
Fire Rises
|
||
|
|
||
|
|
||
|
There was a change on the village where the fountain fell, and where
|
||
|
the mender of roads went forth daily to hammer out of the stones on
|
||
|
the highway such morsels of bread as might serve for patches to hold
|
||
|
his poor ignorant soul and his poor reduced body together. The prison
|
||
|
on the crag was not so dominant as of yore; there were soldiers to guard
|
||
|
it, but not many; there were officers to guard the soldiers, but not
|
||
|
one of them knew what his men would do--beyond this: that it would
|
||
|
probably not be what he was ordered.
|
||
|
|
||
|
Far and wide lay a ruined country, yielding nothing but desolation.
|
||
|
Every green leaf, every blade of grass and blade of grain, was as
|
||
|
shrivelled and poor as the miserable people. Everything was bowed
|
||
|
down, dejected, oppressed, and broken. Habitations, fences,
|
||
|
domesticated animals, men, women, children, and the soil that bore
|
||
|
them--all worn out.
|
||
|
|
||
|
Monseigneur (often a most worthy individual gentleman) was a national
|
||
|
blessing, gave a chivalrous tone to things, was a polite example of
|
||
|
luxurious and shining fife, and a great deal more to equal purpose;
|
||
|
nevertheless, Monseigneur as a class had, somehow or other, brought
|
||
|
things to this. Strange that Creation, designed expressly for
|
||
|
Monseigneur, should be so soon wrung dry and squeezed out! There must
|
||
|
be something short-sighted in the eternal arrangements, surely! Thus
|
||
|
it was, however; and the last drop of blood having been extracted from
|
||
|
the flints, and the last screw of the rack having been turned so often
|
||
|
that its purchase crumbled, and it now turned and turned with nothing
|
||
|
to bite, Monseigneur began to run away from a phenomenon so low
|
||
|
and unaccountable.
|
||
|
|
||
|
But, this was not the change on the village, and on many a village
|
||
|
like it. For scores of years gone by, Monseigneur had squeezed it
|
||
|
and wrung it, and had seldom graced it with his presence except for
|
||
|
the pleasures of the chase--now, found in hunting the people; now,
|
||
|
found in hunting the beasts, for whose preservation Monseigneur made
|
||
|
edifying spaces of barbarous and barren wilderness. No. The change
|
||
|
consisted in the appearance of strange faces of low caste, rather than
|
||
|
in the disappearance of the high caste, chiselled, and otherwise
|
||
|
beautified and beautifying features of Monseigneur.
|
||
|
|
||
|
For, in these times, as the mender of roads worked, solitary, in the
|
||
|
dust, not often troubling himself to reflect that dust he was and to
|
||
|
dust he must return, being for the most part too much occupied in
|
||
|
thinking how little he had for supper and how much more he would eat
|
||
|
if he had it--in these times, as he raised his eyes from his lonely
|
||
|
labour, and viewed the prospect, he would see some rough figure
|
||
|
approaching on foot, the like of which was once a rarity in those
|
||
|
parts, but was now a frequent presence. As it advanced, the mender
|
||
|
of roads would discern without surprise, that it was a shaggy-haired
|
||
|
man, of almost barbarian aspect, tall, in wooden shoes that were
|
||
|
clumsy even to the eyes of a mender of roads, grim, rough, swart,
|
||
|
steeped in the mud and dust of many highways, dank with the marshy
|
||
|
moisture of many low grounds, sprinkled with the thorns and leaves
|
||
|
and moss of many byways through woods.
|
||
|
|
||
|
Such a man came upon him, like a ghost, at noon in the July weather,
|
||
|
as he sat on his heap of stones under a bank, taking such shelter as
|
||
|
he could get from a shower of hail.
|
||
|
|
||
|
The man looked at him, looked at the village in the hollow, at the
|
||
|
mill, and at the prison on the crag. When he had identified these
|
||
|
objects in what benighted mind he had, he said, in a dialect that
|
||
|
was just intelligible:
|
||
|
|
||
|
"How goes it, Jacques?"
|
||
|
|
||
|
"All well, Jacques."
|
||
|
|
||
|
"Touch then!"
|
||
|
|
||
|
They joined hands, and the man sat down on the heap of stones.
|
||
|
|
||
|
"No dinner?"
|
||
|
|
||
|
"Nothing but supper now," said the mender of roads, with a hungry face.
|
||
|
|
||
|
"It is the fashion," growled the man. "I meet no dinner anywhere."
|
||
|
|
||
|
He took out a blackened pipe, filled it, lighted it with flint and
|
||
|
steel, pulled at it until it was in a bright glow: then, suddenly held
|
||
|
it from him and dropped something into it from between his finger and
|
||
|
thumb, that blazed and went out in a puff of smoke.
|
||
|
|
||
|
"Touch then." It was the turn of the mender of roads to say it this
|
||
|
time, after observing these operations. They again joined hands.
|
||
|
|
||
|
"To-night?" said the mender of roads.
|
||
|
|
||
|
"To-night," said the man, putting the pipe in his mouth.
|
||
|
|
||
|
"Where?"
|
||
|
|
||
|
"Here."
|
||
|
|
||
|
He and the mender of roads sat on the heap of stones looking silently
|
||
|
at one another, with the hail driving in between them like a pigmy
|
||
|
charge of bayonets, until the sky began to clear over the village.
|
||
|
|
||
|
"Show me!" said the traveller then, moving to the brow of the hill.
|
||
|
|
||
|
"See!" returned the mender of roads, with extended finger. "You go
|
||
|
down here, and straight through the street, and past the fountain--"
|
||
|
|
||
|
"To the Devil with all that!" interrupted the other, rolling his eye
|
||
|
over the landscape. "_I_ go through no streets and past no fountains.
|
||
|
Well?"
|
||
|
|
||
|
"Well! About two leagues beyond the summit of that hill above
|
||
|
the village."
|
||
|
|
||
|
"Good. When do you cease to work?"
|
||
|
|
||
|
"At sunset."
|
||
|
|
||
|
"Will you wake me, before departing? I have walked two nights without
|
||
|
resting. Let me finish my pipe, and I shall sleep like a child. Will
|
||
|
you wake me?"
|
||
|
|
||
|
"Surely."
|
||
|
|
||
|
The wayfarer smoked his pipe out, put it in his breast, slipped off
|
||
|
his great wooden shoes, and lay down on his back on the heap of stones.
|
||
|
He was fast asleep directly.
|
||
|
|
||
|
As the road-mender plied his dusty labour, and the hail-clouds, rolling
|
||
|
away, revealed bright bars and streaks of sky which were responded to
|
||
|
by silver gleams upon the landscape, the little man (who wore a red cap
|
||
|
now, in place of his blue one) seemed fascinated by the figure on the
|
||
|
heap of stones. His eyes were so often turned towards it, that he
|
||
|
used his tools mechanically, and, one would have said, to very poor
|
||
|
account. The bronze face, the shaggy black hair and beard, the coarse
|
||
|
woollen red cap, the rough medley dress of home-spun stuff and hairy
|
||
|
skins of beasts, the powerful frame attenuated by spare living, and
|
||
|
the sullen and desperate compression of the lips in sleep, inspired
|
||
|
the mender of roads with awe. The traveller had travelled far, and
|
||
|
his feet were footsore, and his ankles chafed and bleeding; his great
|
||
|
shoes, stuffed with leaves and grass, had been heavy to drag over the
|
||
|
many long leagues, and his clothes were chafed into holes, as he himself
|
||
|
was into sores. Stooping down beside him, the road-mender tried to
|
||
|
get a peep at secret weapons in his breast or where not; but, in vain,
|
||
|
for he slept with his arms crossed upon him, and set as resolutely as
|
||
|
his lips. Fortified towns with their stockades, guard-houses, gates,
|
||
|
trenches, and drawbridges, seemed to the mender of roads, to be so much
|
||
|
air as against this figure. And when he lifted his eyes from it to
|
||
|
the horizon and looked around, he saw in his small fancy similar figures,
|
||
|
stopped by no obstacle, tending to centres all over France.
|
||
|
|
||
|
The man slept on, indifferent to showers of hail and intervals of
|
||
|
brightness, to sunshine on his face and shadow, to the paltering lumps
|
||
|
of dull ice on his body and the diamonds into which the sun changed
|
||
|
them, until the sun was low in the west, and the sky was glowing.
|
||
|
Then, the mender of roads having got his tools together and all things
|
||
|
ready to go down into the village, roused him.
|
||
|
|
||
|
"Good!" said the sleeper, rising on his elbow. "Two leagues beyond
|
||
|
the summit of the hill?"
|
||
|
|
||
|
"About."
|
||
|
|
||
|
"About. Good!"
|
||
|
|
||
|
The mender of roads went home, with the dust going on before him
|
||
|
according to the set of the wind, and was soon at the fountain,
|
||
|
squeezing himself in among the lean kine brought there to drink, and
|
||
|
appearing even to whisper to them in his whispering to all the village.
|
||
|
When the village had taken its poor supper, it did not creep to bed,
|
||
|
as it usually did, but came out of doors again, and remained there.
|
||
|
A curious contagion of whispering was upon it, and also, when it
|
||
|
gathered together at the fountain in the dark, another curious contagion
|
||
|
of looking expectantly at the sky in one direction only. Monsieur
|
||
|
Gabelle, chief functionary of the place, became uneasy; went out on
|
||
|
his house-top alone, and looked in that direction too; glanced down
|
||
|
from behind his chimneys at the darkening faces by the fountain below,
|
||
|
and sent word to the sacristan who kept the keys of the church, that
|
||
|
there might be need to ring the tocsin by-and-bye.
|
||
|
|
||
|
The night deepened. The trees environing the old chateau, keeping
|
||
|
its solitary state apart, moved in a rising wind, as though they
|
||
|
threatened the pile of building massive and dark in the gloom. Up
|
||
|
the two terrace flights of steps the rain ran wildly, and beat at
|
||
|
the great door, like a swift messenger rousing those within; uneasy
|
||
|
rushes of wind went through the hall, among the old spears and knives,
|
||
|
and passed lamenting up the stairs, and shook the curtains of the bed
|
||
|
where the last Marquis had slept. East, West, North, and South, through
|
||
|
the woods, four heavy-treading, unkempt figures crushed the high grass
|
||
|
and cracked the branches, striding on cautiously to come together in
|
||
|
the courtyard. Four lights broke out there, and moved away in different
|
||
|
directions, and all was black again.
|
||
|
|
||
|
But, not for long. Presently, the chateau began to make itself
|
||
|
strangely visible by some light of its own, as though it were growing
|
||
|
luminous. Then, a flickering streak played behind the architecture
|
||
|
of the front, picking out transparent places, and showing where
|
||
|
balustrades, arches, and windows were. Then it soared higher, and
|
||
|
grew broader and brighter. Soon, from a score of the great windows,
|
||
|
flames burst forth, and the stone faces awakened, stared out of fire.
|
||
|
|
||
|
A faint murmur arose about the house from the few people who were left
|
||
|
there, and there was a saddling of a horse and riding away. There was
|
||
|
spurring and splashing through the darkness, and bridle was drawn in
|
||
|
the space by the village fountain, and the horse in a foam stood at
|
||
|
Monsieur Gabelle's door. "Help, Gabelle! Help, every one!" The
|
||
|
tocsin rang impatiently, but other help (if that were any) there was
|
||
|
none. The mender of roads, and two hundred and fifty particular
|
||
|
friends, stood with folded arms at the fountain, looking at the pillar
|
||
|
of fire in the sky. "It must be forty feet high," said they, grimly;
|
||
|
and never moved.
|
||
|
|
||
|
The rider from the chateau, and the horse in a foam, clattered away
|
||
|
through the village, and galloped up the stony steep, to the prison
|
||
|
on the crag. At the gate, a group of officers were looking at the
|
||
|
fire; removed from them, a group of soldiers. "Help, gentlemen--
|
||
|
officers! The chateau is on fire; valuable objects may be saved from
|
||
|
the flames by timely aid! Help, help!" The officers looked towards
|
||
|
the soldiers who looked at the fire; gave no orders; and answered,
|
||
|
with shrugs and biting of lips, "It must burn."
|
||
|
|
||
|
As the rider rattled down the hill again and through the street, the
|
||
|
village was illuminating. The mender of roads, and the two hundred
|
||
|
and fifty particular friends, inspired as one man and woman by the
|
||
|
idea of lighting up, had darted into their houses, and were putting
|
||
|
candles in every dull little pane of glass. The general scarcity of
|
||
|
everything, occasioned candles to be borrowed in a rather peremptory
|
||
|
manner of Monsieur Gabelle; and in a moment of reluctance and hesitation
|
||
|
on that functionary's part, the mender of roads, once so submissive
|
||
|
to authority, had remarked that carriages were good to make bonfires
|
||
|
with, and that post-horses would roast.
|
||
|
|
||
|
The chateau was left to itself to flame and burn. In the roaring and
|
||
|
raging of the conflagration, a red-hot wind, driving straight from
|
||
|
the infernal regions, seemed to be blowing the edifice away. With the
|
||
|
rising and falling of the blaze, the stone faces showed as if they were
|
||
|
in torment. When great masses of stone and timber fell, the face with
|
||
|
the two dints in the nose became obscured: anon struggled out of the
|
||
|
smoke again, as if it were the face of the cruel Marquis, burning at
|
||
|
the stake and contending with the fire.
|
||
|
|
||
|
The chateau burned; the nearest trees, laid hold of by the fire,
|
||
|
scorched and shrivelled; trees at a distance, fired by the four fierce
|
||
|
figures, begirt the blazing edifice with a new forest of smoke. Molten
|
||
|
lead and iron boiled in the marble basin of the fountain; the water
|
||
|
ran dry; the extinguisher tops of the towers vanished like ice before
|
||
|
the heat, and trickled down into four rugged wells of flame. Great
|
||
|
rents and splits branched out in the solid walls, like crystallisation;
|
||
|
stupefied birds wheeled about and dropped into the furnace; four fierce
|
||
|
figures trudged away, East, West, North, and South, along the night-
|
||
|
enshrouded roads, guided by the beacon they had lighted, towards their
|
||
|
next destination. The illuminated village had seized hold of the
|
||
|
tocsin, and, abolishing the lawful ringer, rang for joy.
|
||
|
|
||
|
Not only that; but the village, light-headed with famine, fire, and
|
||
|
bell-ringing, and bethinking itself that Monsieur Gabelle had to do
|
||
|
with the collection of rent and taxes--though it was but a small
|
||
|
instalment of taxes, and no rent at all, that Gabelle had got in those
|
||
|
latter days--became impatient for an interview with him, and,
|
||
|
surrounding his house, summoned him to come forth for personal conference.
|
||
|
Whereupon, Monsieur Gabelle did heavily bar his door, and retire to
|
||
|
hold counsel with himself. The result of that conference was, that
|
||
|
Gabelle again withdrew himself to his housetop behind his stack of
|
||
|
chimneys; this time resolved, if his door were broken in (he was a
|
||
|
small Southern man of retaliative temperament), to pitch himself head
|
||
|
foremost over the parapet, and crush a man or two below.
|
||
|
|
||
|
Probably, Monsieur Gabelle passed a long night up there, with the
|
||
|
distant chateau for fire and candle, and the beating at his door,
|
||
|
combined with the joy-ringing, for music; not to mention his having
|
||
|
an ill-omened lamp slung across the road before his posting-house gate,
|
||
|
which the village showed a lively inclination to displace in his favour.
|
||
|
A trying suspense, to be passing a whole summer night on the brink of
|
||
|
the black ocean, ready to take that plunge into it upon which Monsieur
|
||
|
Gabelle had resolved! But, the friendly dawn appearing at last, and
|
||
|
the rush-candles of the village guttering out, the people happily
|
||
|
dispersed, and Monsieur Gabelle came down bringing his life with him
|
||
|
for that while.
|
||
|
|
||
|
Within a hundred miles, and in the light of other fires, there were
|
||
|
other functionaries less fortunate, that night and other nights, whom
|
||
|
the rising sun found hanging across once-peaceful streets, where they
|
||
|
had been born and bred; also, there were other villagers and townspeople
|
||
|
less fortunate than the mender of roads and his fellows, upon whom
|
||
|
the functionaries and soldiery turned with success, and whom they
|
||
|
strung up in their turn. But, the fierce figures were steadily wending
|
||
|
East, West, North, and South, be that as it would; and whosoever hung,
|
||
|
fire burned. The altitude of the gallows that would turn to water
|
||
|
and quench it, no functionary, by any stretch of mathematics, was
|
||
|
able to calculate successfully.
|
||
|
|
||
|
|
||
|
|
||
|
XXIV
|
||
|
|
||
|
Drawn to the Loadstone Rock
|
||
|
|
||
|
|
||
|
In such risings of fire and risings of sea--the firm earth shaken by
|
||
|
the rushes of an angry ocean which had now no ebb, but was always on
|
||
|
the flow, higher and higher, to the terror and wonder of the beholders
|
||
|
on the shore--three years of tempest were consumed. Three more
|
||
|
birthdays of little Lucie had been woven by the golden thread into
|
||
|
the peaceful tissue of the life of her home.
|
||
|
|
||
|
Many a night and many a day had its inmates listened to the echoes in
|
||
|
the corner, with hearts that failed them when they heard the thronging
|
||
|
feet. For, the footsteps had become to their minds as the footsteps
|
||
|
of a people, tumultuous under a red flag and with their country declared
|
||
|
in danger, changed into wild beasts, by terrible enchantment long
|
||
|
persisted in.
|
||
|
|
||
|
Monseigneur, as a class, had dissociated himself from the phenomenon
|
||
|
of his not being appreciated: of his being so little wanted in France,
|
||
|
as to incur considerable danger of receiving his dismissal from it,
|
||
|
and this life together. Like the fabled rustic who raised the Devil
|
||
|
with infinite pains, and was so terrified at the sight of him that he
|
||
|
could ask the Enemy no question, but immediately fled; so, Monseigneur,
|
||
|
after boldly reading the Lord's Prayer backwards for a great number of
|
||
|
years, and performing many other potent spells for compelling the Evil
|
||
|
One, no sooner beheld him in his terrors than he took to his noble heels.
|
||
|
|
||
|
The shining Bull's Eye of the Court was gone, or it would have been
|
||
|
the mark for a hurricane of national bullets. It had never been a
|
||
|
good eye to see with--had long had the mote in it of Lucifer's pride,
|
||
|
Sardana--palus's luxury, and a mole's blindness--but it had dropped
|
||
|
out and was gone. The Court, from that exclusive inner circle to its
|
||
|
outermost rotten ring of intrigue, corruption, and dissimulation, was
|
||
|
all gone together. Royalty was gone; had been besieged in its Palace
|
||
|
and "suspended," when the last tidings came over.
|
||
|
|
||
|
The August of the year one thousand seven hundred and ninety-two was
|
||
|
come, and Monseigneur was by this time scattered far and wide.
|
||
|
|
||
|
As was natural, the head-quarters and great gathering-place of
|
||
|
Monseigneur, in London, was Tellson's Bank. Spirits are supposed to
|
||
|
haunt the places where their bodies most resorted, and Monseigneur
|
||
|
without a guinea haunted the spot where his guineas used to be.
|
||
|
Moreover, it was the spot to which such French intelligence as was
|
||
|
most to be relied upon, came quickest. Again: Tellson's was a
|
||
|
munificent house, and extended great liberality to old customers who
|
||
|
had fallen from their high estate. Again: those nobles who had seen
|
||
|
the coming storm in time, and anticipating plunder or confiscation,
|
||
|
had made provident remittances to Tellson's, were always to be heard
|
||
|
of there by their needy brethren. To which it must be added that every
|
||
|
new-comer from France reported himself and his tidings at Tellson's,
|
||
|
almost as a matter of course. For such variety of reasons, Tellson's
|
||
|
was at that time, as to French intelligence, a kind of High Exchange;
|
||
|
and this was so well known to the public, and the inquiries made there
|
||
|
were in consequence so numerous, that Tellson's sometimes wrote the
|
||
|
latest news out in a line or so and posted it in the Bank windows,
|
||
|
for all who ran through Temple Bar to read.
|
||
|
|
||
|
On a steaming, misty afternoon, Mr. Lorry sat at his desk, and Charles
|
||
|
Darnay stood leaning on it, talking with him in a low voice. The
|
||
|
penitential den once set apart for interviews with the House, was now
|
||
|
the news-Exchange, and was filled to overflowing. It was within half
|
||
|
an hour or so of the time of closing.
|
||
|
|
||
|
"But, although you are the youngest man that ever lived," said Charles
|
||
|
Darnay, rather hesitating, "I must still suggest to you--"
|
||
|
|
||
|
"I understand. That I am too old?" said Mr. Lorry.
|
||
|
|
||
|
"Unsettled weather, a long journey, uncertain means of travelling, a
|
||
|
disorganised country, a city that may not be even safe for you."
|
||
|
|
||
|
"My dear Charles," said Mr. Lorry, with cheerful confidence, "you
|
||
|
touch some of the reasons for my going: not for my staying away.
|
||
|
It is safe enough for me; nobody will care to interfere with an old
|
||
|
fellow of hard upon fourscore when there are so many people there
|
||
|
much better worth interfering with. As to its being a disorganised
|
||
|
city, if it were not a disorganised city there would be no occasion
|
||
|
to send somebody from our House here to our House there, who knows
|
||
|
the city and the business, of old, and is in Tellson's confidence.
|
||
|
As to the uncertain travelling, the long journey, and the winter
|
||
|
weather, if I were not prepared to submit myself to a few inconveniences
|
||
|
for the sake of Tellson's, after all these years, who ought to be?"
|
||
|
|
||
|
"I wish I were going myself," said Charles Darnay, somewhat restlessly,
|
||
|
and like one thinking aloud.
|
||
|
|
||
|
"Indeed! You are a pretty fellow to object and advise!" exclaimed
|
||
|
Mr. Lorry. "You wish you were going yourself? And you a Frenchman
|
||
|
born? You are a wise counsellor."
|
||
|
|
||
|
"My dear Mr. Lorry, it is because I am a Frenchman born, that the
|
||
|
thought (which I did not mean to utter here, however) has passed
|
||
|
through my mind often. One cannot help thinking, having had some
|
||
|
sympathy for the miserable people, and having abandoned something to
|
||
|
them," he spoke here in his former thoughtful manner, "that one might
|
||
|
be listened to, and might have the power to persuade to some restraint.
|
||
|
Only last night, after you had left us, when I was talking to Lucie--"
|
||
|
|
||
|
"When you were talking to Lucie," Mr. Lorry repeated. "Yes. I wonder
|
||
|
you are not ashamed to mention the name of Lucie! Wishing you were
|
||
|
going to France at this time of day!"
|
||
|
|
||
|
"However, I am not going," said Charles Darnay, with a smile. "It is
|
||
|
more to the purpose that you say you are."
|
||
|
|
||
|
"And I am, in plain reality. The truth is, my dear Charles," Mr. Lorry
|
||
|
glanced at the distant House, and lowered his voice, "you can have no
|
||
|
conception of the difficulty with which our business is transacted,
|
||
|
and of the peril in which our books and papers over yonder are involved.
|
||
|
The Lord above knows what the compromising consequences would be to
|
||
|
numbers of people, if some of our documents were seized or destroyed;
|
||
|
and they might be, at any time, you know, for who can say that Paris
|
||
|
is not set afire to-day, or sacked to-morrow! Now, a judicious selection
|
||
|
from these with the least possible delay, and the burying of them,
|
||
|
or otherwise getting of them out of harm's way, is within the power
|
||
|
(without loss of precious time) of scarcely any one but myself,
|
||
|
if any one. And shall I hang back, when Tellson's knows this and says
|
||
|
this--Tellson's, whose bread I have eaten these sixty years--because
|
||
|
I am a little stiff about the joints? Why, I am a boy, sir, to half
|
||
|
a dozen old codgers here!"
|
||
|
|
||
|
"How I admire the gallantry of your youthful spirit, Mr. Lorry."
|
||
|
|
||
|
"Tut! Nonsense, sir!--And, my dear Charles," said Mr. Lorry, glancing
|
||
|
at the House again, "you are to remember, that getting things out of
|
||
|
Paris at this present time, no matter what things, is next to an
|
||
|
impossibility. Papers and precious matters were this very day brought
|
||
|
to us here (I speak in strict confidence; it is not business-like to
|
||
|
whisper it, even to you), by the strangest bearers you can imagine,
|
||
|
every one of whom had his head hanging on by a single hair as he
|
||
|
passed the Barriers. At another time, our parcels would come and go,
|
||
|
as easily as in business-like Old England; but now, everything
|
||
|
is stopped."
|
||
|
|
||
|
"And do you really go to-night?"
|
||
|
|
||
|
"I really go to-night, for the case has become too pressing to
|
||
|
admit of delay."
|
||
|
|
||
|
"And do you take no one with you?"
|
||
|
|
||
|
"All sorts of people have been proposed to me, but I will have
|
||
|
nothing to say to any of them. I intend to take Jerry. Jerry has
|
||
|
been my bodyguard on Sunday nights for a long time past and I am used
|
||
|
to him. Nobody will suspect Jerry of being anything but an English
|
||
|
bull-dog, or of having any design in his head but to fly at anybody
|
||
|
who touches his master."
|
||
|
|
||
|
"I must say again that I heartily admire your gallantry and
|
||
|
youthfulness."
|
||
|
|
||
|
"I must say again, nonsense, nonsense! When I have executed this
|
||
|
little commission, I shall, perhaps, accept Tellson's proposal to retire
|
||
|
and live at my ease. Time enough, then, to think about growing old."
|
||
|
|
||
|
This dialogue had taken place at Mr. Lorry's usual desk, with Monseigneur
|
||
|
swarming within a yard or two of it, boastful of what he would do to
|
||
|
avenge himself on the rascal-people before long. It was too much the
|
||
|
way of Monseigneur under his reverses as a refugee, and it was much
|
||
|
too much the way of native British orthodoxy, to talk of this terrible
|
||
|
Revolution as if it were the only harvest ever known under the skies
|
||
|
that had not been sown--as if nothing had ever been done, or omitted
|
||
|
to be done, that had led to it--as if observers of the wretched
|
||
|
millions in France, and of the misused and perverted resources that
|
||
|
should have made them prosperous, had not seen it inevitably coming,
|
||
|
years before, and had not in plain words recorded what they saw. Such
|
||
|
vapouring, combined with the extravagant plots of Monseigneur for the
|
||
|
restoration of a state of things that had utterly exhausted itself,
|
||
|
and worn out Heaven and earth as well as itself, was hard to be endured
|
||
|
without some remonstrance by any sane man who knew the truth. And it
|
||
|
was such vapouring all about his ears, like a troublesome confusion of
|
||
|
blood in his own head, added to a latent uneasiness in his mind, which
|
||
|
had already made Charles Darnay restless, and which still kept him so.
|
||
|
|
||
|
Among the talkers, was Stryver, of the King's Bench Bar, far on his
|
||
|
way to state promotion, and, therefore, loud on the theme: broaching
|
||
|
to Monseigneur, his devices for blowing the people up and
|
||
|
exterminating them from the face of the earth, and doing without them:
|
||
|
and for accomplishing many similar objects akin in their nature to
|
||
|
the abolition of eagles by sprinkling salt on the tails of the race.
|
||
|
Him, Darnay heard with a particular feeling of objection; and Darnay
|
||
|
stood divided between going away that he might hear no more, and
|
||
|
remaining to interpose his word, when the thing that was to be, went
|
||
|
on to shape itself out.
|
||
|
|
||
|
The House approached Mr. Lorry, and laying a soiled and unopened
|
||
|
letter before him, asked if he had yet discovered any traces of the
|
||
|
person to whom it was addressed? The House laid the letter down so
|
||
|
close to Darnay that he saw the direction--the more quickly because
|
||
|
it was his own right name. The address, turned into English, ran:
|
||
|
|
||
|
"Very pressing. To Monsieur heretofore the Marquis St. Evremonde,
|
||
|
of France. Confided to the cares of Messrs. Tellson and Co., Bankers,
|
||
|
London, England."
|
||
|
|
||
|
On the marriage morning, Doctor Manette bad made it his one urgent
|
||
|
and express request to Charles Darnay, that the secret of this name
|
||
|
should be--unless he, the Doctor, dissolved the obligation--kept
|
||
|
inviolate between them. Nobody else knew it to be his name; his own
|
||
|
wife had no suspicion of the fact; Mr. Lorry could have none.
|
||
|
|
||
|
"No," said Mr. Lorry, in reply to the House; "I have referred it,
|
||
|
I think, to everybody now here, and no one can tell me where this
|
||
|
gentleman is to be found."
|
||
|
|
||
|
The hands of the clock verging upon the hour of closing the Bank,
|
||
|
there was a general set of the current of talkers past Mr. Lorry's
|
||
|
desk. He held the letter out inquiringly; and Monseigneur looked at
|
||
|
it, in the person of this plotting and indignant refugee; and
|
||
|
Monseigneur looked at it in the person of that plotting and indignant
|
||
|
refugee; and This, That, and The Other, all had something disparaging
|
||
|
to say, in French or in English, concerning the Marquis who was not
|
||
|
to be found.
|
||
|
|
||
|
"Nephew, I believe--but in any case degenerate successor--of the
|
||
|
polished Marquis who was murdered," said one. "Happy to say, I never
|
||
|
knew him."
|
||
|
|
||
|
"A craven who abandoned his post," said another--this Monseigneur
|
||
|
had been got out of Paris, legs uppermost and half suffocated, in a
|
||
|
load of hay--"some years ago."
|
||
|
|
||
|
"Infected with the new doctrines," said a third, eyeing the direction
|
||
|
through his glass in passing; "set himself in opposition to the last
|
||
|
Marquis, abandoned the estates when he inherited them, and left them
|
||
|
to the ruffian herd. They will recompense him now, I hope,
|
||
|
as he deserves."
|
||
|
|
||
|
"Hey?" cried the blatant Stryver. "Did he though? Is that the sort
|
||
|
of fellow? Let us look at his infamous name. D--n the fellow!"
|
||
|
|
||
|
Darnay, unable to restrain himself any longer, touched Mr. Stryver on
|
||
|
the shoulder, and said:
|
||
|
|
||
|
"I know the fellow."
|
||
|
|
||
|
"Do you, by Jupiter?" said Stryver. "I am sorry for it."
|
||
|
|
||
|
"Why?"
|
||
|
|
||
|
"Why, Mr. Darnay? D'ye hear what he did? Don't ask, why,
|
||
|
in these times."
|
||
|
|
||
|
"But I do ask why?"
|
||
|
|
||
|
"Then I tell you again, Mr. Darnay, I am sorry for it. I am sorry to
|
||
|
hear you putting any such extraordinary questions. Here is a fellow,
|
||
|
who, infected by the most pestilent and blasphemous code of devilry
|
||
|
that ever was known, abandoned his property to the vilest scum of the
|
||
|
earth that ever did murder by wholesale, and you ask me why I am
|
||
|
sorry that a man who instructs youth knows him? Well, but I'll
|
||
|
answer you. I am sorry because I believe there is contamination in
|
||
|
such a scoundrel. That's why."
|
||
|
|
||
|
Mindful of the secret, Darnay with great difficulty checked himself,
|
||
|
and said: "You may not understand the gentleman."
|
||
|
|
||
|
"I understand how to put YOU in a corner, Mr. Darnay," said Bully
|
||
|
Stryver, "and I'll do it. If this fellow is a gentleman, I DON'T
|
||
|
understand him. You may tell him so, with my compliments. You may
|
||
|
also tell him, from me, that after abandoning his worldly goods and
|
||
|
position to this butcherly mob, I wonder he is not at the head of them.
|
||
|
But, no, gentlemen," said Stryver, looking all round, and snapping his
|
||
|
fingers, "I know something of human nature, and I tell you that you'll
|
||
|
never find a fellow like this fellow, trusting himself to the mercies
|
||
|
of such precious PROTEGES. No, gentlemen; he'll always show 'em
|
||
|
a clean pair of heels very early in the scuffle, and sneak away."
|
||
|
|
||
|
With those words, and a final snap of his fingers, Mr. Stryver
|
||
|
shouldered himself into Fleet-street, amidst the general approbation
|
||
|
of his hearers. Mr. Lorry and Charles Darnay were left alone at the
|
||
|
desk, in the general departure from the Bank.
|
||
|
|
||
|
"Will you take charge of the letter?" said Mr. Lorry. "You know
|
||
|
where to deliver it?"
|
||
|
|
||
|
"I do."
|
||
|
|
||
|
"Will you undertake to explain, that we suppose it to have been
|
||
|
addressed here, on the chance of our knowing where to forward it,
|
||
|
and that it has been here some time?"
|
||
|
|
||
|
"I will do so. Do you start for Paris from here?"
|
||
|
|
||
|
"From here, at eight."
|
||
|
|
||
|
"I will come back, to see you off."
|
||
|
|
||
|
Very ill at ease with himself, and with Stryver and most other men,
|
||
|
Darnay made the best of his way into the quiet of the Temple,
|
||
|
opened the letter, and read it. These were its contents:
|
||
|
|
||
|
|
||
|
"Prison of the Abbaye, Paris.
|
||
|
|
||
|
"June 21, 1792.
|
||
|
"MONSIEUR HERETOFORE THE MARQUIS.
|
||
|
|
||
|
"After having long been in danger of my life at the hands of the
|
||
|
village, I have been seized, with great violence and indignity, and
|
||
|
brought a long journey on foot to Paris. On the road I have suffered
|
||
|
a great deal. Nor is that all; my house has been destroyed--razed
|
||
|
to the ground.
|
||
|
|
||
|
"The crime for which I am imprisoned, Monsieur heretofore the
|
||
|
Marquis, and for which I shall be summoned before the tribunal, and
|
||
|
shall lose my life (without your so generous help), is, they tell me,
|
||
|
treason against the majesty of the people, in that I have acted
|
||
|
against them for an emigrant. It is in vain I represent that I have
|
||
|
acted for them, and not against, according to your commands. It is
|
||
|
in vain I represent that, before the sequestration of emigrant
|
||
|
property, I had remitted the imposts they had ceased to pay; that I
|
||
|
had collected no rent; that I had had recourse to no process. The
|
||
|
only response is, that I have acted for an emigrant, and where is
|
||
|
that emigrant?
|
||
|
|
||
|
"Ah! most gracious Monsieur heretofore the Marquis, where is that
|
||
|
emigrant? I cry in my sleep where is he? I demand of Heaven, will
|
||
|
he not come to deliver me? No answer. Ah Monsieur heretofore the
|
||
|
Marquis, I send my desolate cry across the sea, hoping it may perhaps
|
||
|
reach your ears through the great bank of Tilson known at Paris!
|
||
|
|
||
|
"For the love of Heaven, of justice, of generosity, of the honour of
|
||
|
your noble name, I supplicate you, Monsieur heretofore the Marquis,
|
||
|
to succour and release me. My fault is, that I have been true to you.
|
||
|
Oh Monsieur heretofore the Marquis, I pray you be you true to me!
|
||
|
|
||
|
"From this prison here of horror, whence I every hour tend nearer
|
||
|
and nearer to destruction, I send you, Monsieur heretofore the Marquis,
|
||
|
the assurance of my dolorous and unhappy service.
|
||
|
|
||
|
|
||
|
"Your afflicted,
|
||
|
|
||
|
"Gabelle."
|
||
|
|
||
|
|
||
|
The latent uneasiness in Darnay's mind was roused to vigourous life
|
||
|
by this letter. The peril of an old servant and a good one, whose
|
||
|
only crime was fidelity to himself and his family, stared him so
|
||
|
reproachfully in the face, that, as he walked to and fro in the Temple
|
||
|
considering what to do, he almost hid his face from the passersby.
|
||
|
|
||
|
He knew very well, that in his horror of the deed which had culminated
|
||
|
the bad deeds and bad reputation of the old family house, in his
|
||
|
resentful suspicions of his uncle, and in the aversion with which his
|
||
|
conscience regarded the crumbling fabric that he was supposed to
|
||
|
uphold, he had acted imperfectly. He knew very well, that in his love
|
||
|
for Lucie, his renunciation of his social place, though by no means
|
||
|
new to his own mind, had been hurried and incomplete. He knew that
|
||
|
he ought to have systematically worked it out and supervised it, and
|
||
|
that he had meant to do it, and that it had never been done.
|
||
|
|
||
|
The happiness of his own chosen English home, the necessity of being
|
||
|
always actively employed, the swift changes and troubles of the time
|
||
|
which bad followed on one another so fast, that the events of this
|
||
|
week annihilated the immature plans of last week, and the events of
|
||
|
the week following made all new again; he knew very well, that to the
|
||
|
force of these circumstances he had yielded:--not without disquiet,
|
||
|
but still without continuous and accumulating resistance. That he
|
||
|
had watched the times for a time of action, and that they had shifted
|
||
|
and struggled until the time had gone by, and the nobility were
|
||
|
trooping from France by every highway and byway, and their property
|
||
|
was in course of confiscation and destruction, and their very names
|
||
|
were blotting out, was as well known to himself as it could be to any
|
||
|
new authority in France that might impeach him for it.
|
||
|
|
||
|
But, he had oppressed no man, he had imprisoned no man; he was so far
|
||
|
from having harshly exacted payment of his dues, that he had
|
||
|
relinquished them of his own will, thrown himself on a world with no
|
||
|
favour in it, won his own private place there, and earned his own
|
||
|
bread. Monsieur Gabelle had held the impoverished and involved estate
|
||
|
on written instructions, to spare the people, to give them what little
|
||
|
there was to give--such fuel as the heavy creditors would let them
|
||
|
have in the winter, and such produce as could be saved from the same
|
||
|
grip in the summer--and no doubt he had put the fact in plea and proof,
|
||
|
for his own safety, so that it could not but appear now.
|
||
|
|
||
|
This favoured the desperate resolution Charles Darnay had begun to make,
|
||
|
that he would go to Paris.
|
||
|
|
||
|
Yes. Like the mariner in the old story, the winds and streams had
|
||
|
driven him within the influence of the Loadstone Rock, and it was
|
||
|
drawing him to itself, and he must go. Everything that arose before
|
||
|
his mind drifted him on, faster and faster, more and more steadily,
|
||
|
to the terrible attraction. His latent uneasiness had been, that bad
|
||
|
aims were being worked out in his own unhappy land by bad instruments,
|
||
|
and that he who could not fail to know that he was better than they,
|
||
|
was not there, trying to do something to stay bloodshed, and assert
|
||
|
the claims of mercy and humanity. With this uneasiness half stifled,
|
||
|
and half reproaching him, he had been brought to the pointed comparison
|
||
|
of himself with the brave old gentleman in whom duty was so strong;
|
||
|
upon that comparison (injurious to himself) had instantly followed
|
||
|
the sneers of Monseigneur, which had stung him bitterly, and those of
|
||
|
Stryver, which above all were coarse and galling, for old reasons.
|
||
|
Upon those, had followed Gabelle's letter: the appeal of an innocent
|
||
|
prisoner, in danger of death, to his justice, honour, and good name.
|
||
|
|
||
|
His resolution was made. He must go to Paris.
|
||
|
|
||
|
Yes. The Loadstone Rock was drawing him, and he must sail on, until
|
||
|
he struck. He knew of no rock; he saw hardly any danger. The
|
||
|
intention with which he had done what he had done, even although he
|
||
|
had left it incomplete, presented it before him in an aspect that
|
||
|
would be gratefully acknowledged in France on his presenting himself
|
||
|
to assert it. Then, that glorious vision of doing good, which is so
|
||
|
often the sanguine mirage of so many good minds, arose before him,
|
||
|
and he even saw himself in the illusion with some influence to guide
|
||
|
this raging Revolution that was running so fearfully wild.
|
||
|
|
||
|
As he walked to and fro with his resolution made, he considered that
|
||
|
neither Lucie nor her father must know of it until he was gone.
|
||
|
Lucie should be spared the pain of separation; and her father, always
|
||
|
reluctant to turn his thoughts towards the dangerous ground of old,
|
||
|
should come to the knowledge of the step, as a step taken, and not in
|
||
|
the balance of suspense and doubt. How much of the incompleteness of
|
||
|
his situation was referable to her father, through the painful
|
||
|
anxiety to avoid reviving old associations of France in his mind, he
|
||
|
did not discuss with himself. But, that circumstance too,
|
||
|
had had its influence in his course.
|
||
|
|
||
|
He walked to and fro, with thoughts very busy, until it was time to
|
||
|
return to Tellson's and take leave of Mr. Lorry. As soon as he
|
||
|
arrived in Paris he would present himself to this old friend, but he
|
||
|
must say nothing of his intention now.
|
||
|
|
||
|
A carriage with post-horses was ready at the Bank door, and Jerry
|
||
|
was booted and equipped.
|
||
|
|
||
|
"I have delivered that letter," said Charles Darnay to Mr. Lorry.
|
||
|
"I would not consent to your being charged with any written answer,
|
||
|
but perhaps you will take a verbal one?"
|
||
|
|
||
|
"That I will, and readily," said Mr. Lorry, "if it is not dangerous."
|
||
|
|
||
|
"Not at all. Though it is to a prisoner in the Abbaye."
|
||
|
|
||
|
"What is his name?" said Mr. Lorry, with his open pocket-book in his hand.
|
||
|
|
||
|
"Gabelle."
|
||
|
|
||
|
"Gabelle. And what is the message to the unfortunate Gabelle in prison?"
|
||
|
|
||
|
"Simply, `that he has received the letter, and will come.'"
|
||
|
|
||
|
"Any time mentioned?"
|
||
|
|
||
|
"He will start upon his journey to-morrow night."
|
||
|
|
||
|
"Any person mentioned?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
He helped Mr. Lorry to wrap himself in a number of coats and cloaks,
|
||
|
and went out with him from the warm atmosphere of the old Bank, into
|
||
|
the misty air of Fleet-street. "My love to Lucie, and to little
|
||
|
Lucie," said Mr. Lorry at parting, "and take precious care of them
|
||
|
till I come back." Charles Darnay shook his head and doubtfully smiled,
|
||
|
as the carriage rolled away.
|
||
|
|
||
|
That night--it was the fourteenth of August--he sat up late, and
|
||
|
wrote two fervent letters; one was to Lucie, explaining the strong
|
||
|
obligation he was under to go to Paris, and showing her, at length,
|
||
|
the reasons that he had, for feeling confident that he could become
|
||
|
involved in no personal danger there; the other was to the Doctor,
|
||
|
confiding Lucie and their dear child to his care, and dwelling on
|
||
|
the same topics with the strongest assurances. To both, he wrote
|
||
|
that he would despatch letters in proof of his safety, immediately
|
||
|
after his arrival.
|
||
|
|
||
|
It was a hard day, that day of being among them, with the first
|
||
|
reservation of their joint lives on his mind. It was a hard matter
|
||
|
to preserve the innocent deceit of which they were profoundly
|
||
|
unsuspicious. But, an affectionate glance at his wife, so happy and
|
||
|
busy, made him resolute not to tell her what impended (he had been
|
||
|
half moved to do it, so strange it was to him to act in anything
|
||
|
without her quiet aid), and the day passed quickly. Early in the
|
||
|
evening he embraced her, and her scarcely less dear namesake, pretending
|
||
|
that he would return by-and-bye (an imaginary engagement took him out,
|
||
|
and he had secreted a valise of clothes ready), and so he emerged
|
||
|
into the heavy mist of the heavy streets, with a heavier heart.
|
||
|
|
||
|
The unseen force was drawing him fast to itself, now, and all the
|
||
|
tides and winds were setting straight and strong towards it. He left
|
||
|
his two letters with a trusty porter, to be delivered half an hour
|
||
|
before midnight, and no sooner; took horse for Dover; and began his
|
||
|
journey. "For the love of Heaven, of justice, of generosity, of the
|
||
|
honour of your noble name!" was the poor prisoner's cry with which
|
||
|
he strengthened his sinking heart, as he left all that was dear on
|
||
|
earth behind him, and floated away for the Loadstone Rock.
|
||
|
|
||
|
|
||
|
|
||
|
The end of the second book.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Book the Third--the Track of a Storm
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
I
|
||
|
|
||
|
In Secret
|
||
|
|
||
|
|
||
|
The traveller fared slowly on his way, who fared towards Paris from
|
||
|
England in the autumn of the year one thousand seven hundred and
|
||
|
ninety-two. More than enough of bad roads, bad equipages, and bad
|
||
|
horses, he would have encountered to delay him, though the fallen and
|
||
|
unfortunate King of France had been upon his throne in all his glory;
|
||
|
but, the changed times were fraught with other obstacles than these.
|
||
|
Every town-gate and village taxing-house had its band of citizen-
|
||
|
patriots, with their national muskets in a most explosive state of
|
||
|
readiness, who stopped all comers and goers, cross-questioned them,
|
||
|
inspected their papers, looked for their names in lists of their own,
|
||
|
turned them back, or sent them on, or stopped them and laid them in
|
||
|
hold, as their capricious judgment or fancy deemed best for the
|
||
|
dawning Republic One and Indivisible, of Liberty, Equality,
|
||
|
Fraternity, or Death.
|
||
|
|
||
|
A very few French leagues of his journey were accomplished, when
|
||
|
Charles Darnay began to perceive that for him along these country
|
||
|
roads there was no hope of return until he should have been declared
|
||
|
a good citizen at Paris. Whatever might befall now, he must on to
|
||
|
his journey's end. Not a mean village closed upon him, not a common
|
||
|
barrier dropped across the road behind him, but he knew it to be
|
||
|
another iron door in the series that was barred between him and
|
||
|
England. The universal watchfulness so encompassed him, that if he
|
||
|
had been taken in a net, or were being forwarded to his destination
|
||
|
in a cage, he could not have felt his freedom more completely gone.
|
||
|
|
||
|
This universal watchfulness not only stopped him on the highway
|
||
|
twenty times in a stage, but retarded his progress twenty times in a
|
||
|
day, by riding after him and taking him back, riding before him and
|
||
|
stopping him by anticipation, riding with him and keeping him in
|
||
|
charge. He had been days upon his journey in France alone, when he
|
||
|
went to bed tired out, in a little town on the high road, still a
|
||
|
long way from Paris.
|
||
|
|
||
|
Nothing but the production of the afflicted Gabelle's letter from his
|
||
|
prison of the Abbaye would have got him on so far. Ms difficulty at
|
||
|
the guard-house in this small place had been such, that he felt his
|
||
|
journey to have come to a crisis. And he was, therefore, as little
|
||
|
surprised as a man could be, to find himself awakened at the small
|
||
|
inn to which he had been remitted until morning, in the middle of the
|
||
|
night.
|
||
|
|
||
|
Awakened by a timid local functionary and three armed patriots in
|
||
|
rough red caps and with pipes in their mouths, who sat down on the bed.
|
||
|
|
||
|
"Emigrant," said the functionary, "I am going to send you on to Paris,
|
||
|
under an escort."
|
||
|
|
||
|
"Citizen, I desire nothing more than to get to Paris, though I could
|
||
|
dispense with the escort."
|
||
|
|
||
|
"Silence!" growled a red-cap, striking at the coverlet with the
|
||
|
butt-end of his musket. "Peace, aristocrat!"
|
||
|
|
||
|
"It is as the good patriot says," observed the timid functionary.
|
||
|
"You are an aristocrat, and must have an escort--and must pay for it."
|
||
|
|
||
|
"I have no choice," said Charles Darnay.
|
||
|
|
||
|
"Choice! Listen to him!" cried the same scowling red-cap. "As if it
|
||
|
was not a favour to be protected from the lamp-iron!"
|
||
|
|
||
|
"It is always as the good patriot says," observed the functionary.
|
||
|
"Rise and dress yourself, emigrant."
|
||
|
|
||
|
Darnay complied, and was taken back to the guard-house, where other
|
||
|
patriots in rough red caps were smoking, drinking, and sleeping, by a
|
||
|
watch-fire. Here he paid a heavy price for his escort, and hence he
|
||
|
started with it on the wet, wet roads at three o'clock in the morning.
|
||
|
|
||
|
The escort were two mounted patriots in red caps and tri-coloured
|
||
|
cockades, armed with national muskets and sabres, who rode one on
|
||
|
either side of him.
|
||
|
|
||
|
The escorted governed his own horse, but a loose line was attached to
|
||
|
his bridle, the end of which one of the patriots kept girded round
|
||
|
his wrist. In this state they set forth with the sharp rain driving
|
||
|
in their faces: clattering at a heavy dragoon trot over the uneven
|
||
|
town pavement, and out upon the mire-deep roads. In this state they
|
||
|
traversed without change, except of horses and pace, all the mire-
|
||
|
deep leagues that lay between them and the capital.
|
||
|
|
||
|
They travelled in the night, halting an hour or two after daybreak,
|
||
|
and lying by until the twilight fell. The escort were so wretchedly
|
||
|
clothed, that they twisted straw round their bare legs, and thatched
|
||
|
their ragged shoulders to keep the wet off. Apart from the personal
|
||
|
discomfort of being so attended, and apart from such considerations
|
||
|
of present danger as arose from one of the patriots being chronically
|
||
|
drunk, and carrying his musket very recklessly, Charles Darnay did
|
||
|
not allow the restraint that was laid upon him to awaken any serious
|
||
|
fears in his breast; for, he reasoned with himself that it could have
|
||
|
no reference to the merits of an individual case that was not yet
|
||
|
stated, and of representations, confirmable by the prisoner in the
|
||
|
Abbaye, that were not yet made.
|
||
|
|
||
|
But when they came to the town of Beauvais--which they did at
|
||
|
eventide, when the streets were filled with people--he could not
|
||
|
conceal from himself that the aspect of affairs was very alarming.
|
||
|
An ominous crowd gathered to see him dismount of the posting-yard,
|
||
|
and many voices called out loudly, "Down with the emigrant!"
|
||
|
|
||
|
He stopped in the act of swinging himself out of his saddle, and,
|
||
|
resuming it as his safest place, said:
|
||
|
|
||
|
"Emigrant, my friends! Do you not see me here, in France, of my own will?"
|
||
|
|
||
|
"You are a cursed emigrant," cried a farrier, making at him in a
|
||
|
furious manner through the press, hammer in hand; "and you are a
|
||
|
cursed aristocrat!"
|
||
|
|
||
|
The postmaster interposed himself between this man and the rider's
|
||
|
bridle (at which he was evidently making), and soothingly said,
|
||
|
"Let him be; let him be! He will be judged at Paris."
|
||
|
|
||
|
"Judged!" repeated the farrier, swinging his hammer.
|
||
|
"Ay! and condemned as a traitor." At this the crowd roared approval.
|
||
|
|
||
|
Checking the postmaster, who was for turning his horse's head to the
|
||
|
yard (the drunken patriot sat composedly in his saddle looking on,
|
||
|
with the line round his wrist), Darnay said, as soon as he could make
|
||
|
his voice heard:
|
||
|
|
||
|
"Friends, you deceive yourselves, or you are deceived. I am not a traitor."
|
||
|
|
||
|
"He lies!" cried the smith. "He is a traitor since the decree.
|
||
|
His life is forfeit to the people. His cursed life is not his own!"
|
||
|
|
||
|
At the instant when Darnay saw a rush in the eyes of the crowd,
|
||
|
which another instant would have brought upon him, the postmaster
|
||
|
turned his horse into the yard, the escort rode in close upon his
|
||
|
horse's flanks, and the postmaster shut and barred the crazy double
|
||
|
gates. The farrier struck a blow upon them with his hammer, and the
|
||
|
crowd groaned; but, no more was done.
|
||
|
|
||
|
"What is this decree that the smith spoke of?" Darnay asked the
|
||
|
postmaster, when he had thanked him, and stood beside him in the yard.
|
||
|
|
||
|
"Truly, a decree for selling the property of emigrants."
|
||
|
|
||
|
"When passed?"
|
||
|
|
||
|
"On the fourteenth."
|
||
|
|
||
|
"The day I left England!"
|
||
|
|
||
|
"Everybody says it is but one of several, and that there will be
|
||
|
others--if there are not already-banishing all emigrants, and
|
||
|
condemning all to death who return. That is what he meant when he
|
||
|
said your life was not your own."
|
||
|
|
||
|
"But there are no such decrees yet?"
|
||
|
|
||
|
"What do I know!" said the postmaster, shrugging his shoulders;
|
||
|
"there may be, or there will be. It is all the same. What would
|
||
|
you have?"
|
||
|
|
||
|
They rested on some straw in a loft until the middle of the night,
|
||
|
and then rode forward again when all the town was asleep. Among the
|
||
|
many wild changes observable on familiar things which made this wild
|
||
|
ride unreal, not the least was the seeming rarity of sleep.
|
||
|
After long and lonely spurring over dreary roads, they would come to
|
||
|
a cluster of poor cottages, not steeped in darkness, but all
|
||
|
glittering with lights, and would find the people, in a ghostly
|
||
|
manner in the dead of the night, circling hand in hand round a
|
||
|
shrivelled tree of Liberty, or all drawn up together singing a
|
||
|
Liberty song. Happily, however, there was sleep in Beauvais that
|
||
|
night to help them out of it and they passed on once more into
|
||
|
solitude and loneliness: jingling through the untimely cold and wet,
|
||
|
among impoverished fields that had yielded no fruits of the earth
|
||
|
that year, diversified by the blackened remains of burnt houses, and
|
||
|
by the sudden emergence from ambuscade, and sharp reining up across
|
||
|
their way, of patriot patrols on the watch on all the roads.
|
||
|
|
||
|
Daylight at last found them before the wall of Paris. The barrier
|
||
|
was closed and strongly guarded when they rode up to it.
|
||
|
|
||
|
"Where are the papers of this prisoner?" demanded a resolute-looking
|
||
|
man in authority, who was summoned out by the guard.
|
||
|
|
||
|
Naturally struck by the disagreeable word, Charles Darnay requested
|
||
|
the speaker to take notice that he was a free traveller and French
|
||
|
citizen, in charge of an escort which the disturbed state of the
|
||
|
country had imposed upon him, and which he had paid for.
|
||
|
|
||
|
"Where," repeated the same personage, without taking any heed of him
|
||
|
whatever, "are the papers of this prisoner?"
|
||
|
|
||
|
The drunken patriot had them in his cap, and produced them. Casting his
|
||
|
eyes over Gabelle's letter, the same personage in authority showed
|
||
|
some disorder and surprise, and looked at Darnay with a close attention.
|
||
|
|
||
|
He left escort and escorted without saying a word, however, and went
|
||
|
into the guard-room; meanwhile, they sat upon their horses outside
|
||
|
the gate. Looking about him while in this state of suspense, Charles
|
||
|
Darnay observed that the gate was held by a mixed guard of soldiers
|
||
|
and patriots, the latter far outnumbering the former; and that while
|
||
|
ingress into the city for peasants' carts bringing in supplies, and
|
||
|
for similar traffic and traffickers, was easy enough, egress, even
|
||
|
for the homeliest people, was very difficult. A numerous medley of
|
||
|
men and women, not to mention beasts and vehicles of various sorts,
|
||
|
was waiting to issue forth; but, the previous identification was so
|
||
|
strict, that they filtered through the barrier very slowly. Some of
|
||
|
these people knew their turn for examination to be so far off, that
|
||
|
they lay down on the ground to sleep or smoke, while others talked
|
||
|
together, or loitered about. The red cap and tri-colour cockade were
|
||
|
universal, both among men and women.
|
||
|
|
||
|
When he had sat in his saddle some half-hour, taking note of these
|
||
|
things, Darnay found himself confronted by the same man in authority,
|
||
|
who directed the guard to open the barrier. Then he delivered to the
|
||
|
escort, drunk and sober, a receipt for the escorted, and requested him
|
||
|
to dismount. He did so, and the two patriots, leading his tired horse,
|
||
|
turned and rode away without entering the city.
|
||
|
|
||
|
He accompanied his conductor into a guard-room, smelling of common
|
||
|
wine and tobacco, where certain soldiers and patriots, asleep and
|
||
|
awake, drunk and sober, and in various neutral states between
|
||
|
sleeping and waking, drunkenness and sobriety, were standing and
|
||
|
lying about. The light in the guard-house, half derived from the
|
||
|
waning oil-lamps of the night, and half from the overcast day, was in
|
||
|
a correspondingly uncertain condition. Some registers were lying
|
||
|
open on a desk, and an officer of a coarse, dark aspect, presided
|
||
|
over these.
|
||
|
|
||
|
"Citizen Defarge," said he to Darnay's conductor, as he took a slip
|
||
|
of paper to write on. "Is this the emigrant Evremonde?"
|
||
|
|
||
|
"This is the man."
|
||
|
|
||
|
"Your age, Evremonde?"
|
||
|
|
||
|
"Thirty-seven."
|
||
|
|
||
|
"Married, Evremonde?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Where married?"
|
||
|
|
||
|
"In England."
|
||
|
|
||
|
"Without doubt. Where is your wife, Evremonde?"
|
||
|
|
||
|
"In England."
|
||
|
|
||
|
"Without doubt. You are consigned, Evremonde, to the prison of La Force."
|
||
|
|
||
|
"Just Heaven!" exclaimed Darnay. "Under what law, and for what offence?"
|
||
|
|
||
|
The officer looked up from his slip of paper for a moment.
|
||
|
|
||
|
"We have new laws, Evremonde, and new offences, since you were here."
|
||
|
He said it with a hard smile, and went on writing.
|
||
|
|
||
|
"I entreat you to observe that I have come here voluntarily, in response
|
||
|
to that written appeal of a fellow-countryman which lies before you.
|
||
|
I demand no more than the opportunity to do so without delay.
|
||
|
Is not that my right?"
|
||
|
|
||
|
"Emigrants have no rights, Evremonde," was the stolid reply.
|
||
|
The officer wrote until he had finished, read over to himself what he
|
||
|
had written, sanded it, and handed it to Defarge, with the words
|
||
|
"In secret."
|
||
|
|
||
|
Defarge motioned with the paper to the prisoner that he must
|
||
|
accompany him. The prisoner obeyed, and a guard of two armed
|
||
|
patriots attended them.
|
||
|
|
||
|
"Is it you," said Defarge, in a low voice, as they went down the
|
||
|
guardhouse steps and turned into Paris, "who married the daughter of
|
||
|
Doctor Manette, once a prisoner in the Bastille that is no more?"
|
||
|
|
||
|
"Yes," replied Darnay, looking at him with surprise.
|
||
|
|
||
|
"My name is Defarge, and I keep a wine-shop in the Quarter Saint
|
||
|
Antoine. Possibly you have heard of me."
|
||
|
|
||
|
"My wife came to your house to reclaim her father? Yes!"
|
||
|
|
||
|
The word "wife" seemed to serve as a gloomy reminder to Defarge,
|
||
|
to say with sudden impatience, "In the name of that sharp female
|
||
|
newly-born, and called La Guillotine, why did you come to France?"
|
||
|
|
||
|
"You heard me say why, a minute ago. Do you not believe it is the
|
||
|
truth?"
|
||
|
|
||
|
"A bad truth for you," said Defarge, speaking with knitted brows,
|
||
|
and looking straight before him.
|
||
|
|
||
|
"Indeed I am lost here. All here is so unprecedented, so changed,
|
||
|
so sudden and unfair, that I am absolutely lost. Will you render me
|
||
|
a little help?"
|
||
|
|
||
|
"None." Defarge spoke, always looking straight before him.
|
||
|
|
||
|
"Will you answer me a single question?"
|
||
|
|
||
|
"Perhaps. According to its nature. You can say what it is."
|
||
|
|
||
|
"In this prison that I am going to so unjustly, shall I have some
|
||
|
free communication with the world outside?"
|
||
|
|
||
|
"You will see."
|
||
|
|
||
|
"I am not to be buried there, prejudged, and without any means of
|
||
|
presenting my case?"
|
||
|
|
||
|
"You will see. But, what then? Other people have been similarly
|
||
|
buried in worse prisons, before now."
|
||
|
|
||
|
"But never by me, Citizen Defarge."
|
||
|
|
||
|
Defarge glanced darkly at him for answer, and walked on in a steady
|
||
|
and set silence. The deeper he sank into this silence, the fainter
|
||
|
hope there was--or so Darnay thought--of his softening in any slight
|
||
|
degree. He, therefore, made haste to say:
|
||
|
|
||
|
"It is of the utmost importance to me (you know, Citizen, even better
|
||
|
than I, of how much importance), that I should be able to communicate
|
||
|
to Mr. Lorry of Tellson's Bank, an English gentleman who is now in
|
||
|
Paris, the simple fact, without comment, that I have been thrown into
|
||
|
the prison of La Force. Will you cause that to be done for me?"
|
||
|
|
||
|
"I will do," Defarge doggedly rejoined, "nothing for you. My duty is
|
||
|
to my country and the People. I am the sworn servant of both,
|
||
|
against you. I will do nothing for you."
|
||
|
|
||
|
Charles Darnay felt it hopeless to entreat him further, and his pride
|
||
|
was touched besides. As they walked on in silence, he could not but
|
||
|
see how used the people were to the spectacle of prisoners passing
|
||
|
along the streets. The very children scarcely noticed him. A few
|
||
|
passers turned their heads, and a few shook their fingers at him as
|
||
|
an aristocrat; otherwise, that a man in good clothes should be going
|
||
|
to prison, was no more remarkable than that a labourer in working
|
||
|
clothes should be going to work. In one narrow, dark, and dirty
|
||
|
street through which they passed, an excited orator, mounted on a stool,
|
||
|
was addressing an excited audience on the cranes against the people,
|
||
|
of the king and the royal family. The few words that he caught from
|
||
|
this man's lips, first made it known to Charles Darnay that the king
|
||
|
was in prison, and that the foreign ambassadors had one and all left
|
||
|
Paris. On the road (except at Beauvais) he had heard absolutely nothing.
|
||
|
The escort and the universal watchfulness had completely isolated him.
|
||
|
|
||
|
That he had fallen among far greater dangers than those which had
|
||
|
developed themselves when he left England, he of course knew now.
|
||
|
That perils had thickened about him fast, and might thicken faster
|
||
|
and faster yet, he of course knew now. He could not but admit to
|
||
|
himself that he might not have made this journey, if he could have
|
||
|
foreseen the events of a few days. And yet his misgivings were not
|
||
|
so dark as, imagined by the light of this later time, they would appear.
|
||
|
Troubled as the future was, it was the unknown future, and in its
|
||
|
obscurity there was ignorant hope. The horrible massacre, days and
|
||
|
nights long, which, within a few rounds of the clock, was to set a
|
||
|
great mark of blood upon the blessed garnering time of harvest, was
|
||
|
as far out of his knowledge as if it had been a hundred thousand
|
||
|
years away. The "sharp female newly-born, and called La Guillotine,"
|
||
|
was hardly known to him, or to the generality of people, by name.
|
||
|
The frightful deeds that were to be soon done, were probably
|
||
|
unimagined at that time in the brains of the doers. How could they
|
||
|
have a place in the shadowy conceptions of a gentle mind?
|
||
|
|
||
|
Of unjust treatment in detention and hardship, and in cruel
|
||
|
separation from his wife and child, he foreshadowed the likelihood,
|
||
|
or the certainty; but, beyond this, he dreaded nothing distinctly.
|
||
|
With this on his mind, which was enough to carry into a dreary prison
|
||
|
courtyard, he arrived at the prison of La Force.
|
||
|
|
||
|
A man with a bloated face opened the strong wicket, to whom Defarge
|
||
|
presented "The Emigrant Evremonde."
|
||
|
|
||
|
"What the Devil! How many more of them!" exclaimed the man with
|
||
|
the bloated face.
|
||
|
|
||
|
Defarge took his receipt without noticing the exclamation,
|
||
|
and withdrew, with his two fellow-patriots.
|
||
|
|
||
|
"What the Devil, I say again!" exclaimed the gaoler, left with his wife.
|
||
|
"How many more!"
|
||
|
|
||
|
The gaoler's wife, being provided with no answer to the question,
|
||
|
merely replied, "One must have patience, my dear!" Three turnkeys who
|
||
|
entered responsive to a bell she rang, echoed the sentiment, and one
|
||
|
added, "For the love of Liberty;" which sounded in that place like an
|
||
|
inappropriate conclusion.
|
||
|
|
||
|
The prison of La Force was a gloomy prison, dark and filthy, and with
|
||
|
a horrible smell of foul sleep in it. Extraordinary how soon the
|
||
|
noisome flavour of imprisoned sleep, becomes manifest in all such
|
||
|
places that are ill cared for!
|
||
|
|
||
|
"In secret, too," grumbled the gaoler, looking at the written paper.
|
||
|
"As if I was not already full to bursting!"
|
||
|
|
||
|
He stuck the paper on a file, in an ill-humour, and Charles Darnay
|
||
|
awaited his further pleasure for half an hour: sometimes, pacing to
|
||
|
and fro in the strong arched room: sometimes, resting on a stone seat:
|
||
|
in either case detained to be imprinted on the memory of the chief
|
||
|
and his subordinates.
|
||
|
|
||
|
"Come!" said the chief, at length taking up his keys, "come with me, emigrant."
|
||
|
|
||
|
Through the dismal prison twilight, his new charge accompanied him by
|
||
|
corridor and staircase, many doors clanging and locking behind them,
|
||
|
until they came into a large, low, vaulted chamber, crowded with
|
||
|
prisoners of both sexes. The women were seated at a long table,
|
||
|
reading and writing, knitting, sewing, and embroidering; the men were
|
||
|
for the most part standing behind their chairs, or lingering up and
|
||
|
down the room.
|
||
|
|
||
|
In the instinctive association of prisoners with shameful crime and
|
||
|
disgrace, the new-comer recoiled from this company. But the crowning
|
||
|
unreality of his long unreal ride, was, their all at once rising to
|
||
|
receive him, with every refinement of manner known to the time, and
|
||
|
with all the engaging graces and courtesies of life.
|
||
|
|
||
|
So strangely clouded were these refinements by the prison manners and
|
||
|
gloom, so spectral did they become in the inappropriate squalor and
|
||
|
misery through which they were seen, that Charles Darnay seemed to
|
||
|
stand in a company of the dead. Ghosts all! The ghost of beauty,
|
||
|
the ghost of stateliness, the ghost of elegance, the ghost of pride,
|
||
|
the ghost of frivolity, the ghost of wit, the ghost of youth, the
|
||
|
ghost of age, all waiting their dismissal from the desolate shore,
|
||
|
all turning on him eyes that were changed by the death they had died
|
||
|
in coming there.
|
||
|
|
||
|
It struck him motionless. The gaoler standing at his side, and the
|
||
|
other gaolers moving about, who would have been well enough as to
|
||
|
appearance in the ordinary exercise of their functions, looked so
|
||
|
extravagantly coarse contrasted with sorrowing mothers and blooming
|
||
|
daughters who were there--with the apparitions of the coquette,
|
||
|
the young beauty, and the mature woman delicately bred--that the
|
||
|
inversion of all experience and likelihood which the scene of shadows
|
||
|
presented, was heightened to its utmost. Surely, ghosts all.
|
||
|
Surely, the long unreal ride some progress of disease that had
|
||
|
brought him to these gloomy shades!
|
||
|
|
||
|
"In the name of the assembled companions in misfortune," said a
|
||
|
gentleman of courtly appearance and address, coming forward,
|
||
|
"I have the honour of giving you welcome to La Force, and of
|
||
|
condoling with you on the calamity that has brought you among us.
|
||
|
May it soon terminate happily! It would be an impertinence elsewhere,
|
||
|
but it is not so here, to ask your name and condition?"
|
||
|
|
||
|
Charles Darnay roused himself, and gave the required information,
|
||
|
in words as suitable as he could find.
|
||
|
|
||
|
"But I hope," said the gentleman, following the chief gaoler with his
|
||
|
eyes, who moved across the room, "that you are not in secret?"
|
||
|
|
||
|
"I do not understand the meaning of the term, but I have heard them
|
||
|
say so."
|
||
|
|
||
|
"Ah, what a pity! We so much regret it! But take courage; several
|
||
|
members of our society have been in secret, at first, and it has
|
||
|
lasted but a short time." Then he added, raising his voice,
|
||
|
"I grieve to inform the society--in secret."
|
||
|
|
||
|
There was a murmur of commiseration as Charles Darnay crossed the
|
||
|
room to a grated door where the gaoler awaited him, and many
|
||
|
voices--among which, the soft and compassionate voices of women were
|
||
|
conspicuous--gave him good wishes and encouragement. He turned at
|
||
|
the grated door, to render the thanks of his heart; it closed under
|
||
|
the gaoler's hand; and the apparitions vanished from his sight forever.
|
||
|
|
||
|
The wicket opened on a stone staircase, leading upward. When they
|
||
|
bad ascended forty steps (the prisoner of half an hour already
|
||
|
counted them), the gaoler opened a low black door, and they passed
|
||
|
into a solitary cell. It struck cold and damp, but was not dark.
|
||
|
|
||
|
"Yours," said the gaoler.
|
||
|
|
||
|
"Why am I confined alone?"
|
||
|
|
||
|
"How do I know!"
|
||
|
|
||
|
"I can buy pen, ink, and paper?"
|
||
|
|
||
|
"Such are not my orders. You will be visited, and can ask then.
|
||
|
At present, you may buy your food, and nothing more."
|
||
|
|
||
|
There were in the cell, a chair, a table, and a straw mattress.
|
||
|
As the gaoler made a general inspection of these objects, and of the
|
||
|
four walls, before going out, a wandering fancy wandered through the
|
||
|
mind of the prisoner leaning against the wall opposite to him, that
|
||
|
this gaoler was so unwholesomely bloated, both in face and person,
|
||
|
as to look like a man who had been drowned and filled with water.
|
||
|
When the gaoler was gone, he thought in the same wandering way,
|
||
|
"Now am I left, as if I were dead." Stopping then, to look down at
|
||
|
the mattress, he turned from it with a sick feeling, and thought,
|
||
|
"And here in these crawling creatures is the first condition of the
|
||
|
body after death."
|
||
|
|
||
|
"Five paces by four and a half, five paces by four and a half, five
|
||
|
paces by four and a half." The prisoner walked to and fro in his
|
||
|
cell, counting its measurement, and the roar of the city arose like
|
||
|
muffled drums with a wild swell of voices added to them. "He made
|
||
|
shoes, he made shoes, he made shoes." The prisoner counted the
|
||
|
measurement again, and paced faster, to draw his mind with him from
|
||
|
that latter repetition. "The ghosts that vanished when the wicket
|
||
|
closed. There was one among them, the appearance of a lady dressed
|
||
|
in black, who was leaning in the embrasure of a window, and she had a
|
||
|
light shining upon her golden hair, and she looked like * * * * Let
|
||
|
us ride on again, for God's sake, through the illuminated villages
|
||
|
with the people all awake! * * * * He made shoes, he made shoes,
|
||
|
he made shoes. * * * * Five paces by four and a half." With such scraps
|
||
|
tossing and rolling upward from the depths of his mind, the prisoner
|
||
|
walked faster and faster, obstinately counting and counting; and the
|
||
|
roar of the city changed to this extent--that it still rolled in like
|
||
|
muffled drums, but with the wail of voices that he knew, in the swell
|
||
|
that rose above them.
|
||
|
|
||
|
|
||
|
|
||
|
II
|
||
|
|
||
|
The Grindstone
|
||
|
|
||
|
|
||
|
Tellson's Bank, established in the Saint Germain Quarter of Paris,
|
||
|
was in a wing of a large house, approached by a courtyard and shut
|
||
|
off from the street by a high wall and a strong gate. The house
|
||
|
belonged to a great nobleman who had lived in it until he made a
|
||
|
flight from the troubles, in his own cook's dress, and got across the
|
||
|
borders. A mere beast of the chase flying from hunters, he was still
|
||
|
in his metempsychosis no other than the same Monseigneur, the
|
||
|
preparation of whose chocolate for whose lips had once occupied three
|
||
|
strong men besides the cook in question.
|
||
|
|
||
|
Monseigneur gone, and the three strong men absolving themselves from
|
||
|
the sin of having drawn his high wages, by being more than ready and
|
||
|
willing to cut his throat on the altar of the dawning Republic one and
|
||
|
indivisible of Liberty, Equality, Fraternity, or Death, Monseigneur's
|
||
|
house had been first sequestrated, and then confiscated. For, all
|
||
|
things moved so fast, and decree followed decree with that fierce
|
||
|
precipitation, that now upon the third night of the autumn month of
|
||
|
September, patriot emissaries of the law were in possession of
|
||
|
Monseigneur's house, and had marked it with the tri-colour, and were
|
||
|
drinking brandy in its state apartments.
|
||
|
|
||
|
A place of business in London like Tellson's place of business in
|
||
|
Paris, would soon have driven the House out of its mind and into the
|
||
|
Gazette. For, what would staid British responsibility and
|
||
|
respectability have said to orange-trees in boxes in a Bank courtyard,
|
||
|
and even to a Cupid over the counter? Yet such things were.
|
||
|
Tellson's had whitewashed the Cupid, but he was still to be seen on
|
||
|
the ceiling, in the coolest linen, aiming (as he very often does) at
|
||
|
money from morning to night. Bankruptcy must inevitably have come of
|
||
|
this young Pagan, in Lombard-street, London, and also of a curtained
|
||
|
alcove in the rear of the immortal boy, and also of a looking-glass
|
||
|
let into the wall, and also of clerks not at all old, who danced in
|
||
|
public on the slightest provocation. Yet, a French Tellson's could
|
||
|
get on with these things exceedingly well, and, as long as the times
|
||
|
held together, no man had taken fright at them, and drawn out his money.
|
||
|
|
||
|
What money would be drawn out of Tellson's henceforth, and what would
|
||
|
lie there, lost and forgotten; what plate and jewels would tarnish in
|
||
|
Tellson's hiding-places, while the depositors rusted in prisons, and
|
||
|
when they should have violently perished; how many accounts with
|
||
|
Tellson's never to be balanced in this world, must be carried over
|
||
|
into the next; no man could have said, that night, any more than
|
||
|
Mr. Jarvis Lorry could, though he thought heavily of these questions.
|
||
|
He sat by a newly-lighted wood fire (the blighted and unfruitful year
|
||
|
was prematurely cold), and on his honest and courageous face there
|
||
|
was a deeper shade than the pendent lamp could throw, or any object
|
||
|
in the room distortedly reflect--a shade of horror.
|
||
|
|
||
|
He occupied rooms in the Bank, in his fidelity to the House of which
|
||
|
he had grown to be a part, lie strong root-ivy. it chanced that they
|
||
|
derived a kind of security from the patriotic occupation of the main
|
||
|
building, but the true-hearted old gentleman never calculated about
|
||
|
that. All such circumstances were indifferent to him, so that he did
|
||
|
his duty. On the opposite side of the courtyard, under a colonnade,
|
||
|
was extensive standin--for carriages--where, indeed, some carriages
|
||
|
of Monseigneur yet stood. Against two of the pillars were fastened
|
||
|
two great flaring flambeaux, and in the light of these, standing out
|
||
|
in the open air, was a large grindstone: a roughly mounted thing
|
||
|
which appeared to have hurriedly been brought there from some
|
||
|
neighbouring smithy, or other workshop. Rising and looking out of
|
||
|
window at these harmless objects, Mr. Lorry shivered, and retired to
|
||
|
his seat by the fire. He had opened, not only the glass window, but
|
||
|
the lattice blind outside it, and he had closed both again, and he
|
||
|
shivered through his frame.
|
||
|
|
||
|
From the streets beyond the high wall and the strong gate, there came
|
||
|
the usual night hum of the city, with now and then an indescribable
|
||
|
ring in it, weird and unearthly, as if some unwonted sounds of a
|
||
|
terrible nature were going up to Heaven.
|
||
|
|
||
|
"Thank God," said Mr. Lorry, clasping his hands, "that no one near
|
||
|
and dear to me is in this dreadful town to-night. May He have mercy
|
||
|
on all who are in danger!"
|
||
|
|
||
|
Soon afterwards, the bell at the great gate sounded, and he thought,
|
||
|
"They have come back!" and sat listening. But, there was no loud
|
||
|
irruption into the courtyard, as he had expected, and he heard the
|
||
|
gate clash again, and all was quiet.
|
||
|
|
||
|
The nervousness and dread that were upon him inspired that vague
|
||
|
uneasiness respecting the Bank, which a great change would naturally
|
||
|
awaken, with such feelings roused. It was well guarded, and he got
|
||
|
up to go among the trusty people who were watching it, when his door
|
||
|
suddenly opened, and two figures rushed in, at sight of which he fell
|
||
|
back in amazement.
|
||
|
|
||
|
Lucie and her father! Lucie with her arms stretched out to him, and
|
||
|
with that old look of earnestness so concentrated and intensified,
|
||
|
that it seemed as though it had been stamped upon her face expressly
|
||
|
to give force and power to it in this one passage of her life.
|
||
|
|
||
|
"What is this?" cried Mr. Lorry, breathless and confused.
|
||
|
"What is the matter? Lucie! Manette! What has happened? What has
|
||
|
brought you here? What is it?"
|
||
|
|
||
|
With the look fixed upon him, in her paleness and wildness,
|
||
|
she panted out in his arms, imploringly, "O my dear friend!
|
||
|
My husband!"
|
||
|
|
||
|
"Your husband, Lucie?"
|
||
|
|
||
|
"Charles."
|
||
|
|
||
|
"What of Charles?"
|
||
|
|
||
|
"Here.
|
||
|
|
||
|
"Here, in Paris?"
|
||
|
|
||
|
"Has been here some days--three or four--I don't know how many--
|
||
|
I can't collect my thoughts. An errand of generosity brought him
|
||
|
here unknown to us; he was stopped at the barrier, and sent to prison."
|
||
|
|
||
|
The old man uttered an irrepressible cry. Almost at the same moment,
|
||
|
the beg of the great gate rang again, and a loud noise of feet and
|
||
|
voices came pouring into the courtyard.
|
||
|
|
||
|
"What is that noise?" said the Doctor, turning towards the window.
|
||
|
|
||
|
"Don't look!" cried Mr. Lorry. "Don't look out! Manette,
|
||
|
for your life, don't touch the blind!"
|
||
|
|
||
|
The Doctor turned, with his hand upon the fastening of the window,
|
||
|
and said, with a cool, bold smile:
|
||
|
|
||
|
"My dear friend, I have a charmed life in this city. I have been a
|
||
|
Bastille prisoner. There is no patriot in Paris--in Paris? In
|
||
|
France--who, knowing me to have been a prisoner in the Bastille,
|
||
|
would touch me, except to overwhelm me with embraces, or carry me in
|
||
|
triumph. My old pain has given me a power that has brought us
|
||
|
through the barrier, and gained us news of Charles there, and brought
|
||
|
us here. I knew it would be so; I knew I could help Charles out of
|
||
|
all danger; I told Lucie so.--What is that noise?" His hand was again
|
||
|
upon the window.
|
||
|
|
||
|
"Don't look!" cried Mr. Lorry, absolutely desperate. "No, Lucie, my
|
||
|
dear, nor you!" He got his arm round her, and held her. "Don't be so
|
||
|
terrified, my love. I solemnly swear to you that I know of no harm
|
||
|
having happened to Charles; that I had no suspicion even of his being
|
||
|
in this fatal place. What prison is he in?"
|
||
|
|
||
|
"La Force!"
|
||
|
|
||
|
"La Force! Lucie, my child, if ever you were brave and serviceable in
|
||
|
your life--and you were always both--you will compose yourself now,
|
||
|
to do exactly as I bid you; for more depends upon it than you can think,
|
||
|
or I can say. There is no help for you in any action on your part
|
||
|
to-night; you cannot possibly stir out. I say this, because what I
|
||
|
must bid you to do for Charles's sake, is the hardest thing to do of all.
|
||
|
You must instantly be obedient, still, and quiet. You must let me
|
||
|
put you in a room at the back here. You must leave your father and
|
||
|
me alone for two minutes, and as there are Life and Death in the
|
||
|
world you must not delay."
|
||
|
|
||
|
"I will be submissive to you. I see in your face that you know I can
|
||
|
do nothing else than this. I know you are true."
|
||
|
|
||
|
The old man kissed her, and hurried her into his room, and turned the
|
||
|
key; then, came hurrying back to the Doctor, and opened the window
|
||
|
and partly opened the blind, and put his hand upon the Doctor's arm,
|
||
|
and looked out with him into the courtyard.
|
||
|
|
||
|
Looked out upon a throng of men and women: not enough in number, or
|
||
|
near enough, to fill the courtyard: not more than forty or fifty in
|
||
|
all. The people in possession of the house had let them in at the
|
||
|
gate, and they had rushed in to work at the grindstone; it had
|
||
|
evidently been set up there for their purpose, as in a convenient and
|
||
|
retired spot.
|
||
|
|
||
|
But, such awful workers, and such awful work!
|
||
|
|
||
|
The grindstone had a double handle, and, turning at it madly were two
|
||
|
men, whose faces, as their long hair Rapped back when the whirlings
|
||
|
of the grindstone brought their faces up, were more horrible and
|
||
|
cruel than the visages of the wildest savages in their most barbarous
|
||
|
disguise. False eyebrows and false moustaches were stuck upon them,
|
||
|
and their hideous countenances were all bloody and sweaty, and all
|
||
|
awry with howling, and all staring and glaring with beastly
|
||
|
excitement and want of sleep. As these ruffians turned and turned,
|
||
|
their matted locks now flung forward over their eyes, now flung
|
||
|
backward over their necks, some women held wine to their mouths that
|
||
|
they might drink; and what with dropping blood, and what with
|
||
|
dropping wine, and what with the stream of sparks struck out of the
|
||
|
stone, all their wicked atmosphere seemed gore and fire. The eye
|
||
|
could not detect one creature in the group free from the smear of blood.
|
||
|
Shouldering one another to get next at the sharpening-stone, were men
|
||
|
stripped to the waist, with the stain all over their limbs and
|
||
|
bodies; men in all sorts of rags, with the stain upon those rags; men
|
||
|
devilishly set off with spoils of women's lace and silk and ribbon,
|
||
|
with the stain dyeing those trifles through and through. Hatchets,
|
||
|
knives, bayonets, swords, all brought to be sharpened, were all red
|
||
|
with it. Some of the hacked swords were tied to the wrists of those
|
||
|
who carried them, with strips of linen and fragments of dress:
|
||
|
ligatures various in kind, but all deep of the one colour. And as
|
||
|
the frantic wielders of these weapons snatched them from the stream
|
||
|
of sparks and tore away into the streets, the same red hue was red in
|
||
|
their frenzied eyes;--eyes which any unbrutalised beholder would have
|
||
|
given twenty years of life, to petrify with a well-directed gun.
|
||
|
|
||
|
All this was seen in a moment, as the vision of a drowning man, or of
|
||
|
any human creature at any very great pass, could see a world if it
|
||
|
were there. They drew back from the window, and the Doctor looked
|
||
|
for explanation in his friend's ashy face.
|
||
|
|
||
|
"They are," Mr. Lorry whispered the words, glancing fearfully round
|
||
|
at the locked room, "murdering the prisoners. If you are sure of
|
||
|
what you say; if you really have the power you think you have--as I
|
||
|
believe you have--make yourself known to these devils, and get taken
|
||
|
to La Force. It may be too late, I don't know, but let it not be a
|
||
|
minute later!"
|
||
|
|
||
|
Doctor Manette pressed his hand, hastened bareheaded out of the room,
|
||
|
and was in the courtyard when Mr. Lorry regained the blind.
|
||
|
|
||
|
His streaming white hair, his remarkable face, and the impetuous
|
||
|
confidence of his manner, as he put the weapons aside like water,
|
||
|
carried him in an instant to the heart of the concourse at the stone.
|
||
|
For a few moments there was a pause, and a hurry, and a murmur, and
|
||
|
the unintelligible sound of his voice; and then Mr. Lorry saw him,
|
||
|
surrounded by all, and in the midst of a line of twenty men long, all
|
||
|
linked shoulder to shoulder, and hand to shoulder, hurried out with
|
||
|
cries of--"Live the Bastille prisoner! Help for the Bastille
|
||
|
prisoner's kindred in La Force! Room for the Bastille prisoner in
|
||
|
front there! Save the prisoner Evremonde at La Force!" and a thousand
|
||
|
answering shouts.
|
||
|
|
||
|
He closed the lattice again with a fluttering heart, closed the
|
||
|
window and the curtain, hastened to Lucie, and told her that her
|
||
|
father was assisted by the people, and gone in search of her husband.
|
||
|
He found her child and Miss Pross with her; but, it never occurred to
|
||
|
him to be surprised by their appearance until a long time afterwards,
|
||
|
when he sat watching them in such quiet as the night knew.
|
||
|
|
||
|
Lucie had, by that time, fallen into a stupor on the floor at his feet,
|
||
|
clinging to his hand. Miss Pross had laid the child down on his own bed,
|
||
|
and her head had gradually fallen on the pillow beside her pretty charge.
|
||
|
O the long, long night, with the moans of the poor wife! And O the long,
|
||
|
long night, with no return of her father and no tidings!
|
||
|
|
||
|
Twice more in the darkness the bell at the great gate sounded,
|
||
|
and the irruption was repeated, and the grindstone whirled and
|
||
|
spluttered. "What is it?" cried Lucie, affrighted. "Hush! The
|
||
|
soldiers' swords are sharpened there," said Mr. Lorry. "The place
|
||
|
is national property now, and used as a kind of armoury, my love."
|
||
|
|
||
|
Twice more in all; but, the last spell of work was feeble and fitful.
|
||
|
Soon afterwards the day began to dawn, and he softly detached himself
|
||
|
from the clasping hand, and cautiously looked out again. A man, so
|
||
|
besmeared that he might have been a sorely wounded soldier creeping
|
||
|
back to consciousness on a field of slain, was rising from the
|
||
|
pavement by the side of the grindstone, and looking about him with a
|
||
|
vacant air. Shortly, this worn-out murderer descried in the imperfect
|
||
|
light one of the carriages of Monseigneur, and, staggering to that
|
||
|
gorgeous vehicle, climbed in at the door, and shut himself up to take
|
||
|
his rest on its dainty cushions.
|
||
|
|
||
|
The great grindstone, Earth, had turned when Mr. Lorry looked out again,
|
||
|
and the sun was red on the courtyard. But, the lesser grindstone
|
||
|
stood alone there in the calm morning air, with a red upon it that
|
||
|
the sun had never given, and would never take away.
|
||
|
|
||
|
|
||
|
|
||
|
III
|
||
|
|
||
|
The Shadow
|
||
|
|
||
|
|
||
|
One of the first considerations which arose in the business mind of
|
||
|
Mr. Lorry when business hours came round, was this:--that he had no
|
||
|
right to imperil Tellson's by sheltering the wife of an emigrant
|
||
|
prisoner under the Bank roof, His own possessions, safety, life,
|
||
|
he would have hazarded for Lucie and her child, without a moment's
|
||
|
demur; but the great trust he held was not his own, and as to that
|
||
|
business charge he was a strict man of business.
|
||
|
|
||
|
At first, his mind reverted to Defarge, and he thought of finding out
|
||
|
the wine-shop again and taking counsel with its master in reference
|
||
|
to the safest dwelling-place in the distracted state of the city.
|
||
|
But, the same consideration that suggested him, repudiated him; he
|
||
|
lived in the most violent Quarter, and doubtless was influential
|
||
|
there, and deep in its dangerous workings.
|
||
|
|
||
|
Noon coming, and the Doctor not returning, and every minute's delay
|
||
|
tending to compromise Tellson's, Mr. Lorry advised with Lucie.
|
||
|
She said that her father had spoken of hiring a lodging for a short
|
||
|
term, in that Quarter, near the Banking-house. As there was no
|
||
|
business objection to this, and as he foresaw that even if it were
|
||
|
all well with Charles, and he were to be released, he could not hope
|
||
|
to leave the city, Mr. Lorry went out in quest of such a lodging, and
|
||
|
found a suitable one, high up in a removed by-street where the closed
|
||
|
blinds in all the other windows of a high melancholy square of buildings
|
||
|
marked deserted homes.
|
||
|
|
||
|
To this lodging he at once removed Lucie and her child, and Miss
|
||
|
Pross: giving them what comfort he could, and much more than he had
|
||
|
himself. He left Jerry with them, as a figure to fill a doorway that
|
||
|
would bear considerable knocking on the head, and retained to his own
|
||
|
occupations. A disturbed and doleful mind he brought to bear upon them,
|
||
|
and slowly and heavily the day lagged on with him.
|
||
|
|
||
|
It wore itself out, and wore him out with it, until the Bank closed.
|
||
|
He was again alone in his room of the previous night, considering
|
||
|
what to do next, when he heard a foot upon the stair. In a few
|
||
|
moments, a man stood in his presence, who, with a keenly observant
|
||
|
look at him, addressed him by his name.
|
||
|
|
||
|
"Your servant," said Mr. Lorry. "Do you know me?"
|
||
|
|
||
|
He was a strongly made man with dark curling hair, from forty-five to
|
||
|
fifty years of age. For answer he repeated, without any change of
|
||
|
emphasis, the words:
|
||
|
|
||
|
"Do you know me?"
|
||
|
|
||
|
"I have seen you somewhere."
|
||
|
|
||
|
"Perhaps at my wine-shop?"
|
||
|
|
||
|
Much interested and agitated, Mr. Lorry said: "You come from Doctor
|
||
|
Manette?"
|
||
|
|
||
|
"Yes. I come from Doctor Manette."
|
||
|
|
||
|
"And what says he? What does he send me?"
|
||
|
|
||
|
Defarge gave into his anxious hand, an open scrap of paper. It bore
|
||
|
the words in the Doctor's writing:
|
||
|
|
||
|
"Charles is safe, but I cannot safely leave this place yet.
|
||
|
I have obtained the favour that the bearer has a short note
|
||
|
from Charles to his wife. Let the bearer see his wife."
|
||
|
|
||
|
It was dated from La Force, within an hour.
|
||
|
|
||
|
"Will you accompany me," said Mr. Lorry, joyfully relieved after
|
||
|
reading this note aloud, "to where his wife resides?"
|
||
|
|
||
|
"Yes," returned Defarge.
|
||
|
|
||
|
Scarcely noticing as yet, in what a curiously reserved and mechanical
|
||
|
way Defarge spoke, Mr. Lorry put on his hat and they went down into
|
||
|
the courtyard. There, they found two women; one, knitting.
|
||
|
|
||
|
"Madame Defarge, surely!" said Mr. Lorry, who had left her in exactly
|
||
|
the same attitude some seventeen years ago.
|
||
|
|
||
|
"It is she," observed her husband.
|
||
|
|
||
|
"Does Madame go with us?" inquired Mr. Lorry, seeing that she moved
|
||
|
as they moved.
|
||
|
|
||
|
"Yes. That she may be able to recognise the faces and know the persons.
|
||
|
It is for their safety."
|
||
|
|
||
|
Beginning to be struck by Defarge's manner, Mr. Lorry looked
|
||
|
dubiously at him, and led the way. Both the women followed; the
|
||
|
second woman being The Vengeance.
|
||
|
|
||
|
They passed through the intervening streets as quickly as they might,
|
||
|
ascended the staircase of the new domicile, were admitted by Jerry,
|
||
|
and found Lucie weeping, alone. She was thrown into a transport by
|
||
|
the tidings Mr. Lorry gave her of her husband, and clasped the hand
|
||
|
that delivered his note--little thinking what it had been doing near
|
||
|
him in the night, and might, but for a chance, have done to him.
|
||
|
|
||
|
"DEAREST,--Take courage. I am well, and your father has
|
||
|
influence around me. You cannot answer this.
|
||
|
Kiss our child for me."
|
||
|
|
||
|
That was all the writing. It was so much, however, to her who
|
||
|
received it, that she turned from Defarge to his wife, and kissed one
|
||
|
of the hands that knitted. It was a passionate, loving, thankful,
|
||
|
womanly action, but the hand made no response--dropped cold and
|
||
|
heavy, and took to its knitting again.
|
||
|
|
||
|
There was something in its touch that gave Lucie a check.
|
||
|
She stopped in the act of putting the note in her bosom, and,
|
||
|
with her hands yet at her neck, looked terrified at Madame Defarge.
|
||
|
Madame Defarge met the lifted eyebrows and forehead with a cold,
|
||
|
impassive stare.
|
||
|
|
||
|
"My dear," said Mr. Lorry, striking in to explain; "there are
|
||
|
frequent risings in the streets; and, although it is not likely they
|
||
|
will ever trouble you, Madame Defarge wishes to see those whom she
|
||
|
has the power to protect at such times, to the end that she may know
|
||
|
them--that she may identify them. I believe," said Mr. Lorry,
|
||
|
rather halting in his reassuring words, as the stony manner of all
|
||
|
the three impressed itself upon him more and more, "I state the case,
|
||
|
Citizen Defarge?"
|
||
|
|
||
|
Defarge looked gloomily at his wife, and gave no other answer than a
|
||
|
gruff sound of acquiescence.
|
||
|
|
||
|
"You had better, Lucie," said Mr. Lorry, doing all he could to
|
||
|
propitiate, by tone and manner, "have the dear child here, and our
|
||
|
good Pross. Our good Pross, Defarge, is an English lady, and knows
|
||
|
no French."
|
||
|
|
||
|
The lady in question, whose rooted conviction that she was more than
|
||
|
a match for any foreigner, was not to be shaken by distress and,
|
||
|
danger, appeared with folded arms, and observed in English to The
|
||
|
Vengeance, whom her eyes first encountered, "Well, I am sure, Boldface!
|
||
|
I hope YOU are pretty well!" She also bestowed a British cough on
|
||
|
Madame Defarge; but, neither of the two took much heed of her.
|
||
|
|
||
|
"Is that his child?" said Madame Defarge, stopping in her work for
|
||
|
the first time, and pointing her knitting-needle at little Lucie as
|
||
|
if it were the finger of Fate.
|
||
|
|
||
|
"Yes, madame," answered Mr. Lorry; "this is our poor prisoner's
|
||
|
darling daughter, and only child."
|
||
|
|
||
|
The shadow attendant on Madame Defarge and her party seemed to fall
|
||
|
so threatening and dark on the child, that her mother instinctively
|
||
|
kneeled on the ground beside her, and held her to her breast. The
|
||
|
shadow attendant on Madame Defarge and her party seemed then to fall,
|
||
|
threatening and dark, on both the mother and the child.
|
||
|
|
||
|
"It is enough, my husband," said Madame Defarge. "I have seen them.
|
||
|
We may go."
|
||
|
|
||
|
But, the suppressed manner had enough of menace in it--not visible
|
||
|
and presented, but indistinct and withheld--to alarm Lucie into
|
||
|
saying, as she laid her appealing hand on Madame Defarge's dress:
|
||
|
|
||
|
"You will be good to my poor husband. You will do him no harm.
|
||
|
You will help me to see him if you can?"
|
||
|
|
||
|
"Your husband is not my business here," returned Madame Defarge,
|
||
|
looking down at her with perfect composure. "It is the daughter of
|
||
|
your father who is my business here."
|
||
|
|
||
|
"For my sake, then, be merciful to my husband. For my child's sake!
|
||
|
She will put her hands together and pray you to be merciful. We are
|
||
|
more afraid of you than of these others."
|
||
|
|
||
|
Madame Defarge received it as a compliment, and looked at her
|
||
|
husband. Defarge, who had been uneasily biting his thumb-nail and
|
||
|
looking at her, collected his face into a sterner expression.
|
||
|
|
||
|
"What is it that your husband says in that little letter?" asked
|
||
|
Madame Defarge, with a lowering smile. "Influence; he says something
|
||
|
touching influence?"
|
||
|
|
||
|
"That my father," said Lucie, hurriedly taking the paper from her
|
||
|
breast, but with her alarmed eyes on her questioner and not on it,
|
||
|
"has much influence around him."
|
||
|
|
||
|
"Surely it will release him!" said Madame Defarge. "Let it do so."
|
||
|
|
||
|
"As a wife and mother," cried Lucie, most earnestly, "I implore you
|
||
|
to have pity on me and not to exercise any power that you possess,
|
||
|
against my innocent husband, but to use it in his behalf.
|
||
|
O sister-woman, think of me. As a wife and mother!"
|
||
|
|
||
|
Madame Defarge looked, coldly as ever, at the suppliant, and said,
|
||
|
turning to her friend The Vengeance:
|
||
|
|
||
|
"The wives and mothers we have been used to see, since we were as
|
||
|
little as this child, and much less, have not been greatly
|
||
|
considered? We have known THEIR husbands and fathers laid in prison
|
||
|
and kept from them, often enough? All our lives, we have seen our
|
||
|
sister-women suffer, in themselves and in their children, poverty,
|
||
|
nakedness, hunger, thirst, sickness, misery, oppression and neglect
|
||
|
of all kinds?"
|
||
|
|
||
|
"We have seen nothing else," returned The Vengeance.
|
||
|
|
||
|
"We have borne this a long time," said Madame Defarge, turning her
|
||
|
eyes again upon Lucie. "Judge you! Is it likely that the trouble of
|
||
|
one wife and mother would be much to us now?"
|
||
|
|
||
|
She resumed her knitting and went out. The Vengeance followed.
|
||
|
Defarge went last, and closed the door.
|
||
|
|
||
|
"Courage, my dear Lucie," said Mr. Lorry, as he raised her.
|
||
|
"Courage, courage! So far all goes well with us--much, much better
|
||
|
than it has of late gone with many poor souls. Cheer up, and have a
|
||
|
thankful heart."
|
||
|
|
||
|
"I am not thankless, I hope, but that dreadful woman seems to throw a
|
||
|
shadow on me and on all my hopes."
|
||
|
|
||
|
"Tut, tut!" said Mr. Lorry; "what is this despondency in the brave
|
||
|
little breast? A shadow indeed! No substance in it, Lucie."
|
||
|
|
||
|
But the shadow of the manner of these Defarges was dark upon himself,
|
||
|
for all that, and in his secret mind it troubled him greatly.
|
||
|
|
||
|
|
||
|
|
||
|
IV
|
||
|
|
||
|
Calm in Storm
|
||
|
|
||
|
|
||
|
Doctor Manette did not return until the morning of the fourth day of
|
||
|
his absence. So much of what had happened in that dreadful time as
|
||
|
could be kept from the knowledge of Lucie was so well concealed from
|
||
|
her, that not until long afterwards, when France and she were far apart,
|
||
|
did she know that eleven hundred defenceless prisoners of both sexes
|
||
|
and all ages had been killed by the populace; that four days and
|
||
|
nights had been darkened by this deed of horror; and that the air
|
||
|
around her had been tainted by the slain. She only knew that there
|
||
|
had been an attack upon the prisons, that all political prisoners had
|
||
|
been in danger, and that some had been dragged out by the crowd and
|
||
|
murdered.
|
||
|
|
||
|
To Mr. Lorry, the Doctor communicated under an injunction of secrecy
|
||
|
on which he had no need to dwell, that the crowd had taken him
|
||
|
through a scene of carnage to the prison of La Force. That, in the
|
||
|
prison he had found a self-appointed Tribunal sitting, before which
|
||
|
the prisoners were brought singly, and by which they were rapidly
|
||
|
ordered to be put forth to be massacred, or to be released, or (in a
|
||
|
few cases) to be sent back to their cells. That, presented by his
|
||
|
conductors to this Tribunal, he had announced himself by name and
|
||
|
profession as having been for eighteen years a secret and unaccused
|
||
|
prisoner in the Bastille; that, one of the body so sitting in
|
||
|
judgment had risen and identified him, and that this man was Defarge.
|
||
|
|
||
|
That, hereupon he had ascertained, through the registers on the table,
|
||
|
that his son-in-law was among the living prisoners, and had pleaded
|
||
|
hard to the Tribunal--of whom some members were asleep and some awake,
|
||
|
some dirty with murder and some clean, some sober and some not--for
|
||
|
his life and liberty. That, in the first frantic greetings lavished
|
||
|
on himself as a notable sufferer under the overthrown system, it had
|
||
|
been accorded to him to have Charles Darnay brought before the lawless
|
||
|
Court, and examined. That, he seemed on the point of being at once
|
||
|
released, when the tide in his favour met with some unexplained check
|
||
|
(not intelligible to the Doctor), which led to a few words of secret
|
||
|
conference. That, the man sitting as President had then informed
|
||
|
Doctor Manette that the prisoner must remain in custody, but should,
|
||
|
for his sake, be held inviolate in safe custody. That, immediately,
|
||
|
on a signal, the prisoner was removed to the interior of the prison
|
||
|
again; but, that he, the Doctor, had then so strongly pleaded for
|
||
|
permission to remain and assure himself that his son-in-law was,
|
||
|
through no malice or mischance, delivered to the concourse whose
|
||
|
murderous yells outside the gate had often drowned the proceedings,
|
||
|
that he had obtained the permission, and had remained in that Hall of
|
||
|
Blood until the danger was over.
|
||
|
|
||
|
The sights he had seen there, with brief snatches of food and sleep
|
||
|
by intervals, shall remain untold. The mad joy over the prisoners
|
||
|
who were saved, had astounded him scarcely less than the mad ferocity
|
||
|
against those who were cut to pieces. One prisoner there was, he
|
||
|
said, who had been discharged into the street free, but at whom a
|
||
|
mistaken savage had thrust a pike as he passed out. Being besought
|
||
|
to go to him and dress the wound, the Doctor had passed out at the
|
||
|
same gate, and had found him in the arms of a company of Samaritans,
|
||
|
who were seated on the bodies of their victims. With an inconsistency
|
||
|
as monstrous as anything in this awful nightmare, they had helped the
|
||
|
healer, and tended the wounded man with the gentlest solicitude--
|
||
|
had made a litter for him and escorted him carefully from the spot--
|
||
|
had then caught up their weapons and plunged anew into a butchery so
|
||
|
dreadful, that the Doctor had covered his eyes with his hands, and
|
||
|
swooned away in the midst of it.
|
||
|
|
||
|
As Mr. Lorry received these confidences, and as he watched the face
|
||
|
of his friend now sixty-two years of age, a misgiving arose within
|
||
|
him that such dread experiences would revive the old danger.
|
||
|
|
||
|
But, he had never seen his friend in his present aspect: he had never
|
||
|
at all known him in his present character. For the first time the
|
||
|
Doctor felt, now, that his suffering was strength and power. For the
|
||
|
first time he felt that in that sharp fire, he had slowly forged the
|
||
|
iron which could break the prison door of his daughter's husband, and
|
||
|
deliver him. "It all tended to a good end, my friend; it was not
|
||
|
mere waste and ruin. As my beloved child was helpful in restoring me
|
||
|
to myself, I will be helpful now in restoring the dearest part of
|
||
|
herself to her; by the aid of Heaven I will do it!" Thus, Doctor
|
||
|
Manette. And when Jarvis Lorry saw the kindled eyes, the resolute
|
||
|
face, the calm strong look and bearing of the man whose life always
|
||
|
seemed to him to have been stopped, like a clock, for so many years,
|
||
|
and then set going again with an energy which had lain dormant during
|
||
|
the cessation of its usefulness, he believed.
|
||
|
|
||
|
Greater things than the Doctor had at that time to contend with,
|
||
|
would have yielded before his persevering purpose. While he kept
|
||
|
himself in his place, as a physician, whose business was with all
|
||
|
degrees of mankind, bond and free, rich and poor, bad and good, he
|
||
|
used his personal influence so wisely, that he was soon the inspecting
|
||
|
physician of three prisons, and among them of La Force. He could now
|
||
|
assure Lucie that her husband was no longer confined alone, but was
|
||
|
mixed with the general body of prisoners; he saw her husband weekly,
|
||
|
and brought sweet messages to her, straight from his lips; sometimes
|
||
|
her husband himself sent a letter to her (though never by the Doctor's
|
||
|
hand), but she was not permitted to write to him: for, among the many
|
||
|
wild suspicions of plots in the prisons, the wildest of all pointed
|
||
|
at emigrants who were known to have made friends or permanent
|
||
|
connections abroad.
|
||
|
|
||
|
This new life of the Doctor's was an anxious life, no doubt; still,
|
||
|
the sagacious Mr. Lorry saw that there was a new sustaining pride in it.
|
||
|
Nothing unbecoming tinged the pride; it was a natural and worthy one;
|
||
|
but he observed it as a curiosity. The Doctor knew, that up to that
|
||
|
time, his imprisonment had been associated in the minds of his
|
||
|
daughter and his friend, with his personal affliction, deprivation,
|
||
|
and weakness. Now that this was changed, and he knew himself to be
|
||
|
invested through that old trial with forces to which they both looked
|
||
|
for Charles's ultimate safety and deliverance, he became so far exalted
|
||
|
by the change, that he took the lead and direction, and required them
|
||
|
as the weak, to trust to him as the strong. The preceding relative
|
||
|
positions of himself and Lucie were reversed, yet only as the
|
||
|
liveliest gratitude and affection could reverse them, for he could
|
||
|
have had no pride but in rendering some service to her who had
|
||
|
rendered so much to him. "All curious to see," thought Mr. Lorry,
|
||
|
in his amiably shrewd way, "but all natural and right; so, take the
|
||
|
lead, my dear friend, and keep it; it couldn't be in better hands."
|
||
|
|
||
|
But, though the Doctor tried hard, and never ceased trying, to get
|
||
|
Charles Darnay set at liberty, or at least to get him brought to trial,
|
||
|
the public current of the time set too strong and fast for him.
|
||
|
The new era began; the king was tried, doomed, and beheaded; the
|
||
|
Republic of Liberty, Equality, Fraternity, or Death, declared for
|
||
|
victory or death against the world in arms; the black flag waved
|
||
|
night and day from the great towers of Notre Dame; three hundred
|
||
|
thousand men, summoned to rise against the tyrants of the earth, rose
|
||
|
from all the varying soils of France, as if the dragon's teeth had
|
||
|
been sown broadcast, and had yielded fruit equally on hill and plain,
|
||
|
on rock, in gravel, and alluvial mud, under the bright sky of the
|
||
|
South and under the clouds of the North, in fell and forest, in the
|
||
|
vineyards and the olive-grounds and among the cropped grass and the
|
||
|
stubble of the corn, along the fruitful banks of the broad rivers,
|
||
|
and in the sand of the sea-shore. What private solicitude could rear
|
||
|
itself against the deluge of the Year One of Liberty--the deluge
|
||
|
rising from below, not falling from above, and with the windows of
|
||
|
Heaven shut, not opened!
|
||
|
|
||
|
There was no pause, no pity, no peace, no interval of relenting rest,
|
||
|
no measurement of time. Though days and nights circled as regularly
|
||
|
as when time was young, and the evening and morning were the first
|
||
|
day, other count of time there was none. Hold of it was lost in the
|
||
|
raging fever of a nation, as it is in the fever of one patient.
|
||
|
Now, breaking the unnatural silence of a whole city, the executioner
|
||
|
showed the people the head of the king--and now, it seemed almost in
|
||
|
the same breath, the bead of his fair wife which had had eight weary
|
||
|
months of imprisoned widowhood and misery, to turn it grey.
|
||
|
|
||
|
And yet, observing the strange law of contradiction which obtains in
|
||
|
all such cases, the time was long, while it flamed by so fast.
|
||
|
A revolutionary tribunal in the capital, and forty or fifty thousand
|
||
|
revolutionary committees all over the land; a law of the Suspected,
|
||
|
which struck away all security for liberty or life, and delivered
|
||
|
over any good and innocent person to any bad and guilty one; prisons
|
||
|
gorged with people who had committed no offence, and could obtain no
|
||
|
hearing; these things became the established order and nature of
|
||
|
appointed things, and seemed to be ancient usage before they were
|
||
|
many weeks old. Above all, one hideous figure grew as familiar as if
|
||
|
it had been before the general gaze from the foundations of the
|
||
|
world--the figure of the sharp female called La Guillotine.
|
||
|
|
||
|
It was the popular theme for jests; it was the best cure for
|
||
|
headache, it infallibly prevented the hair from turning grey, it
|
||
|
imparted a peculiar delicacy to the complexion, it was the National
|
||
|
Razor which shaved close: who kissed La Guillotine, looked through
|
||
|
the little window and sneezed into the sack. It was the sign of the
|
||
|
regeneration of the human race. It superseded the Cross. Models of
|
||
|
it were worn on breasts from which the Cross was discarded, and it
|
||
|
was bowed down to and believed in where the Cross was denied.
|
||
|
|
||
|
It sheared off heads so many, that it, and the ground it most
|
||
|
polluted, were a rotten red. It was taken to pieces, like a
|
||
|
toy-puzzle for a young Devil, and was put together again when the
|
||
|
occasion wanted it. It hushed the eloquent, struck down the powerful,
|
||
|
abolished the beautiful and good. Twenty-two friends of high public
|
||
|
mark, twenty-one living and one dead, it had lopped the heads off,
|
||
|
in one morning, in as many minutes. The name of the strong man of
|
||
|
Old Scripture had descended to the chief functionary who worked it;
|
||
|
but, so armed, he was stronger than his namesake, and blinder, and
|
||
|
tore away the gates of God's own Temple every day.
|
||
|
|
||
|
Among these terrors, and the brood belonging to them, the Doctor
|
||
|
walked with a steady head: confident in his power, cautiously
|
||
|
persistent in his end, never doubting that he would save Lucie's
|
||
|
husband at last. Yet the current of the time swept by, so strong and
|
||
|
deep, and carried the time away so fiercely, that Charles had lain in
|
||
|
prison one year and three months when the Doctor was thus steady and
|
||
|
confident. So much more wicked and distracted had the Revolution
|
||
|
grown in that December month, that the rivers of the South were
|
||
|
encumbered with the bodies of the violently drowned by night, and
|
||
|
prisoners were shot in lines and squares under the southern wintry sun.
|
||
|
Still, the Doctor walked among the terrors with a steady head.
|
||
|
No man better known than he, in Paris at that day; no man in a
|
||
|
stranger situation. Silent, humane, indispensable in hospital and
|
||
|
prison, using his art equally among assassins and victims, he was a
|
||
|
man apart. In the exercise of his skill, the appearance and the
|
||
|
story of the Bastille Captive removed him from all other men. He was
|
||
|
not suspected or brought in question, any more than if he bad indeed
|
||
|
been recalled to life some eighteen years before, or were a Spirit
|
||
|
moving among mortals.
|
||
|
|
||
|
|
||
|
|
||
|
V
|
||
|
|
||
|
The Wood-Sawyer
|
||
|
|
||
|
|
||
|
One year and three months. During all that time Lucie was never
|
||
|
sure, from hour to hour, but that the Guillotine would strike off her
|
||
|
husband's head next day. Every day, through the stony streets, the
|
||
|
tumbrils now jolted heavily, filled with Condemned. Lovely girls;
|
||
|
bright women, brown-haired, black-haired, and grey; youths; stalwart
|
||
|
men and old; gentle born and peasant born; all red wine for La
|
||
|
Guillotine, all daily brought into light from the dark cellars of the
|
||
|
loathsome prisons, and carried to her through the streets to slake
|
||
|
her devouring thirst. Liberty, equality, fraternity, or death;--the
|
||
|
last, much the easiest to bestow, O Guillotine!
|
||
|
|
||
|
If the suddenness of her calamity, and the whirling wheels of the
|
||
|
time, had stunned the Doctor's daughter into awaiting the result in
|
||
|
idle despair, it would but have been with her as it was with many.
|
||
|
But, from the hour when she had taken the white head to her fresh
|
||
|
young bosom in the garret of Saint Antoine, she had been true to her
|
||
|
duties. She was truest to them in the season of trial, as all the
|
||
|
quietly loyal and good will always be.
|
||
|
|
||
|
As soon as they were established in their new residence, and her
|
||
|
father had entered on the routine of his avocations, she arranged the
|
||
|
little household as exactly as if her husband had been there.
|
||
|
Everything had its appointed place and its appointed time. Little
|
||
|
Lucie she taught, as regularly, as if they had all been united in
|
||
|
their English home. The slight devices with which she cheated
|
||
|
herself into the show of a belief that they would soon be reunited--
|
||
|
the little preparations for his speedy return, the setting aside of
|
||
|
his chair and his books--these, and the solemn prayer at night for
|
||
|
one dear prisoner especially, among the many unhappy souls in prison
|
||
|
and the shadow of death--were almost the only outspoken reliefs of
|
||
|
her heavy mind.
|
||
|
|
||
|
She did not greatly alter in appearance. The plain dark dresses,
|
||
|
akin to mourning dresses, which she and her child wore, were as neat
|
||
|
and as well attended to as the brighter clothes of happy days.
|
||
|
She lost her colour, and the old and intent expression was a constant,
|
||
|
not an occasional, thing; otherwise, she remained very pretty and
|
||
|
comely. Sometimes, at night on kissing her father, she would burst
|
||
|
into the grief she had repressed all day, and would say that her sole
|
||
|
reliance, under Heaven, was on him. He always resolutely answered:
|
||
|
"Nothing can happen to him without my knowledge, and I know that I
|
||
|
can save him, Lucie."
|
||
|
|
||
|
They had not made the round of their changed life many weeks,
|
||
|
when her father said to her, on coming home one evening:
|
||
|
|
||
|
"My dear, there is an upper window in the prison, to which Charles
|
||
|
can sometimes gain access at three in the afternoon. When he can get
|
||
|
to it--which depends on many uncertainties and incidents--he might
|
||
|
see you in the street, he thinks, if you stood in a certain place
|
||
|
that I can show you. But you will not be able to see him, my poor
|
||
|
child, and even if you could, it would be unsafe for you to make a
|
||
|
sign of recognition."
|
||
|
|
||
|
"O show me the place, my father, and I will go there every day."
|
||
|
|
||
|
From that time, in all weathers, she waited there two hours.
|
||
|
As the clock struck two, she was there, and at four she turned
|
||
|
resignedly away. When it was not too wet or inclement for her child
|
||
|
to be with her, they went together; at other times she was alone;
|
||
|
but, she never missed a single day.
|
||
|
|
||
|
It was the dark and dirty corner of a small winding street.
|
||
|
The hovel of a cutter of wood into lengths for burning, was the only
|
||
|
house at that end; all else was wall. On the third day of her being
|
||
|
there, he noticed her.
|
||
|
|
||
|
"Good day, citizeness."
|
||
|
|
||
|
"Good day, citizen."
|
||
|
|
||
|
This mode of address was now prescribed by decree. It had been
|
||
|
established voluntarily some time ago, among the more thorough
|
||
|
patriots; but, was now law for everybody.
|
||
|
|
||
|
"Walking here again, citizeness?"
|
||
|
|
||
|
"You see me, citizen!"
|
||
|
|
||
|
The wood-sawyer, who was a little man with a redundancy of gesture
|
||
|
(he had once been a mender of roads), cast a glance at the prison,
|
||
|
pointed at the prison, and putting his ten fingers before his face to
|
||
|
represent bars, peeped through them jocosely.
|
||
|
|
||
|
"But it's not my business," said he. And went on sawing his wood.
|
||
|
|
||
|
Next day he was looking out for her, and accosted her the moment she
|
||
|
appeared.
|
||
|
|
||
|
"What? Walking here again, citizeness?"
|
||
|
|
||
|
"Yes, citizen."
|
||
|
|
||
|
"Ah! A child too! Your mother, is it not, my little citizeness?"
|
||
|
|
||
|
"Do I say yes, mamma?" whispered little Lucie, drawing close to her.
|
||
|
|
||
|
"Yes, dearest."
|
||
|
|
||
|
"Yes, citizen."
|
||
|
|
||
|
"Ah! But it's not my business. My work is my business. See my saw!
|
||
|
I call it my Little Guillotine. La, la, la; La, la, la! And off his
|
||
|
head comes!"
|
||
|
|
||
|
The billet fell as he spoke, and he threw it into a basket.
|
||
|
|
||
|
"I call myself the Samson of the firewood guillotine. See here again!
|
||
|
Loo, loo, loo; Loo, loo, loo! And off HER head comes! Now, a child.
|
||
|
Tickle, tickle; Pickle, pickle! And off ITS head comes. All the family!"
|
||
|
|
||
|
Lucie shuddered as he threw two more billets into his basket, but it
|
||
|
was impossible to be there while the wood-sawyer was at work, and not
|
||
|
be in his sight. Thenceforth, to secure his good will, she always
|
||
|
spoke to him first, and often gave him drink-money, which he readily
|
||
|
received.
|
||
|
|
||
|
He was an inquisitive fellow, and sometimes when she had quite
|
||
|
forgotten him in gazing at the prison roof and grates, and in lifting
|
||
|
her heart up to her husband, she would come to herself to find him
|
||
|
looking at her, with his knee on his bench and his saw stopped in its
|
||
|
work. "But it's not my business!" he would generally say at those
|
||
|
times, and would briskly fall to his sawing again.
|
||
|
|
||
|
In all weathers, in the snow and frost of winter, in the bitter winds
|
||
|
of spring, in the hot sunshine of summer, in the rains of autumn, and
|
||
|
again in the snow and frost of winter, Lucie passed two hours of
|
||
|
every day at this place; and every day on leaving it, she kissed the
|
||
|
prison wall. Her husband saw her (so she learned from her father) it
|
||
|
might be once in five or six times: it might be twice or thrice running:
|
||
|
it might be, not for a week or a fortnight together. It was enough
|
||
|
that he could and did see her when the chances served, and on that
|
||
|
possibility she would have waited out the day, seven days a week.
|
||
|
|
||
|
These occupations brought her round to the December month, wherein
|
||
|
her father walked among the terrors with a steady head. On a
|
||
|
lightly-snowing afternoon she arrived at the usual corner. It was a
|
||
|
day of some wild rejoicing, and a festival. She had seen the houses,
|
||
|
as she came along, decorated with little pikes, and with little red
|
||
|
caps stuck upon them; also, with tricoloured ribbons; also, with the
|
||
|
standard inscription (tricoloured letters were the favourite),
|
||
|
Republic One and Indivisible. Liberty, Equality, Fraternity, or Death!
|
||
|
|
||
|
The miserable shop of the wood-sawyer was so small, that its whole
|
||
|
surface furnished very indifferent space for this legend. He had got
|
||
|
somebody to scrawl it up for him, however, who had squeezed Death in
|
||
|
with most inappropriate difficulty. On his house-top, he displayed
|
||
|
pike and cap, as a good citizen must, and in a window he had
|
||
|
stationed his saw inscribed as his "Little Sainte Guillotine"--
|
||
|
for the great sharp female was by that time popularly canonised.
|
||
|
His shop was shut and he was not there, which was a relief to Lucie,
|
||
|
and left her quite alone.
|
||
|
|
||
|
But, he was not far off, for presently she heard a troubled movement
|
||
|
and a shouting coming along, which filled her with fear. A moment
|
||
|
afterwards, and a throng of people came pouring round the corner by
|
||
|
the prison wall, in the midst of whom was the wood-sawyer hand in
|
||
|
hand with The Vengeance. There could not be fewer than five hundred
|
||
|
people, and they were dancing like five thousand demons. There was
|
||
|
no other music than their own singing. They danced to the popular
|
||
|
Revolution song, keeping a ferocious time that was like a gnashing of
|
||
|
teeth in unison. Men and women danced together, women danced
|
||
|
together, men danced together, as hazard had brought them together.
|
||
|
At first, they were a mere storm of coarse red caps and coarse
|
||
|
woollen rags; but, as they filled the place, and stopped to dance
|
||
|
about Lucie, some ghastly apparition of a dance-figure gone raving
|
||
|
mad arose among them. They advanced, retreated, struck at one
|
||
|
another's hands, clutched at one another's heads, spun round alone,
|
||
|
caught one another and spun round in pairs, until many of them
|
||
|
dropped. While those were down, the rest linked hand in hand, and
|
||
|
all spun round together: then the ring broke, and in separate rings
|
||
|
of two and four they turned and turned until they all stopped at
|
||
|
once, began again, struck, clutched, and tore, and then reversed the
|
||
|
spin, and all spun round another way. Suddenly they stopped again,
|
||
|
paused, struck out the time afresh, formed into lines the width of
|
||
|
the public way, and, with their heads low down and their hands high
|
||
|
up, swooped screaming off. No fight could have been half so terrible
|
||
|
as this dance. It was so emphatically a fallen sport--a something,
|
||
|
once innocent, delivered over to all devilry--a healthy pastime
|
||
|
changed into a means of angering the blood, bewildering the senses,
|
||
|
and steeling the heart. Such grace as was visible in it, made it the
|
||
|
uglier, showing how warped and perverted all things good by nature
|
||
|
were become. The maidenly bosom bared to this, the pretty
|
||
|
almost-child's head thus distracted, the delicate foot mincing in
|
||
|
this slough of blood and dirt, were types of the disjointed time.
|
||
|
|
||
|
This was the Carmagnole. As it passed, leaving Lucie frightened and
|
||
|
bewildered in the doorway of the wood-sawyer's house, the feathery
|
||
|
snow fell as quietly and lay as white and soft, as if it had never been.
|
||
|
|
||
|
"O my father!" for he stood before her when she lifted up the eyes
|
||
|
she had momentarily darkened with her hand; "such a cruel, bad sight."
|
||
|
|
||
|
"I know, my dear, I know. I have seen it many times. Don't be
|
||
|
frightened! Not one of them would harm you."
|
||
|
|
||
|
"I am not frightened for myself, my father. But when I think of my
|
||
|
husband, and the mercies of these people--"
|
||
|
|
||
|
"We will set him above their mercies very soon. I left him climbing
|
||
|
to the window, and I came to tell you. There is no one here to see.
|
||
|
You may kiss your hand towards that highest shelving roof."
|
||
|
|
||
|
"I do so, father, and I send him my Soul with it!"
|
||
|
|
||
|
"You cannot see him, my poor dear?"
|
||
|
|
||
|
"No, father," said Lucie, yearning and weeping as she kissed her hand,
|
||
|
"no."
|
||
|
|
||
|
A footstep in the snow. Madame Defarge. "I salute you, citizeness,"
|
||
|
from the Doctor. "I salute you, citizen." This in passing. Nothing
|
||
|
more. Madame Defarge gone, like a shadow over the white road.
|
||
|
|
||
|
"Give me your arm, my love. Pass from here with an air of cheerfulness
|
||
|
and courage, for his sake. That was well done;" they had left the spot;
|
||
|
"it shall not be in vain. Charles is summoned for to-morrow."
|
||
|
|
||
|
"For to-morrow!"
|
||
|
|
||
|
"There is no time to lose. I am well prepared, but there are
|
||
|
precautions to be taken, that could not be taken until he was actually
|
||
|
summoned before the Tribunal. He has not received the notice yet,
|
||
|
but I know that he will presently be summoned for to-morrow, and
|
||
|
removed to the Conciergerie; I have timely information.
|
||
|
You are not afraid?"
|
||
|
|
||
|
She could scarcely answer, "I trust in you."
|
||
|
|
||
|
"Do so, implicitly. Your suspense is nearly ended, my darling; he
|
||
|
shall be restored to you within a few hours; I have encompassed him
|
||
|
with every protection. I must see Lorry."
|
||
|
|
||
|
He stopped. There was a heavy lumbering of wheels within hearing.
|
||
|
They both knew too well what it meant. One. Two. Three. Three
|
||
|
tumbrils faring away with their dread loads over the hushing snow.
|
||
|
|
||
|
"I must see Lorry," the Doctor repeated, turning her another way.
|
||
|
|
||
|
The staunch old gentleman was still in his trust; had never left it.
|
||
|
He and his books were in frequent requisition as to property
|
||
|
confiscated and made national. What he could save for the owners, he
|
||
|
saved. No better man living to hold fast by what Tellson's had in
|
||
|
keeping, and to hold his peace.
|
||
|
|
||
|
A murky red and yellow sky, and a rising mist from the Seine, denoted
|
||
|
the approach of darkness. It was almost dark when they arrived at
|
||
|
the Bank. The stately residence of Monseigneur was altogether
|
||
|
blighted and deserted. Above a heap of dust and ashes in the court,
|
||
|
ran the letters: National Property. Republic One and Indivisible.
|
||
|
Liberty, Equality, Fraternity, or Death!
|
||
|
|
||
|
Who could that be with Mr. Lorry--the owner of the riding-coat upon
|
||
|
the chair--who must not be seen? From whom newly arrived, did he come
|
||
|
out, agitated and surprised, to take his favourite in his arms? To
|
||
|
whom did he appear to repeat her faltering words, when, raising his
|
||
|
voice and turning his head towards the door of the room from which he
|
||
|
had issued, he said: "Removed to the Conciergerie, and summoned for
|
||
|
to-morrow?"
|
||
|
|
||
|
|
||
|
|
||
|
VI
|
||
|
|
||
|
Triumph
|
||
|
|
||
|
|
||
|
The dread tribunal of five Judges, Public Prosecutor, and determined
|
||
|
Jury, sat every day. Their lists went forth every evening, and were
|
||
|
read out by the gaolers of the various prisons to their prisoners.
|
||
|
The standard gaoler-joke was, "Come out and listen to the Evening Paper,
|
||
|
you inside there!"
|
||
|
|
||
|
"Charles Evremonde, called Darnay!"
|
||
|
|
||
|
So at last began the Evening Paper at La Force.
|
||
|
|
||
|
When a name was called, its owner stepped apart into a spot reserved
|
||
|
for those who were announced as being thus fatally recorded. Charles
|
||
|
Evremonde, called Darnay, had reason to know the usage; he had seen
|
||
|
hundreds pass away so.
|
||
|
|
||
|
His bloated gaoler, who wore spectacles to read with, glanced over
|
||
|
them to assure himself that he had taken his place, and went through
|
||
|
the list, making a similar short pause at each name. There were
|
||
|
twenty-three names, but only twenty were responded to; for one of the
|
||
|
prisoners so summoned had died in gaol and been forgotten, and two
|
||
|
had already been guillotined and forgotten. The list was read, in
|
||
|
the vaulted chamber where Darnay had seen the associated prisoners on
|
||
|
the night of his arrival. Every one of those had perished in the
|
||
|
massacre; every human creature he had since cared for and parted with,
|
||
|
had died on the scaffold.
|
||
|
|
||
|
There were hurried words of farewell and kindness, but the parting
|
||
|
was soon over. It was the incident of every day, and the society of
|
||
|
La Force were engaged in the preparation of some games of forfeits
|
||
|
and a little concert, for that evening. They crowded to the grates
|
||
|
and shed tears there; but, twenty places in the projected
|
||
|
entertainments had to be refilled, and the time was, at best, short
|
||
|
to the lock-up hour, when the common rooms and corridors would be
|
||
|
delivered over to the great dogs who kept watch there through the
|
||
|
night. The prisoners were far from insensible or unfeeling; their
|
||
|
ways arose out of the condition of the time. Similarly, though with
|
||
|
a subtle difference, a species of fervour or intoxication, known,
|
||
|
without doubt, to have led some persons to brave the guillotine
|
||
|
unnecessarily, and to die by it, was not mere boastfulness, but a
|
||
|
wild infection of the wildly shaken public mind. In seasons of
|
||
|
pestilence, some of us will have a secret attraction to the disease--
|
||
|
a terrible passing inclination to die of it. And all of us have like
|
||
|
wonders hidden in our breasts, only needing circumstances to evoke them.
|
||
|
|
||
|
The passage to the Conciergerie was short and dark; the night in its
|
||
|
vermin-haunted cells was long and cold. Next day, fifteen prisoners
|
||
|
were put to the bar before Charles Darnay's name was called. All the
|
||
|
fifteen were condemned, and the trials of the whole occupied an hour
|
||
|
and a half.
|
||
|
|
||
|
"Charles Evremonde, called Darnay," was at length arraigned.
|
||
|
|
||
|
His judges sat upon the Bench in feathered hats; but the rough red
|
||
|
cap and tricoloured cockade was the head-dress otherwise prevailing.
|
||
|
Looking at the Jury and the turbulent audience, he might have thought
|
||
|
that the usual order of things was reversed, and that the felons were
|
||
|
trying the honest men. The lowest, cruelest, and worst populace of a
|
||
|
city, never without its quantity of low, cruel, and bad, were the
|
||
|
directing spirits of the scene: noisily commenting, applauding,
|
||
|
disapproving, anticipating, and precipitating the result, without a
|
||
|
check. Of the men, the greater part were armed in various ways; of
|
||
|
the women, some wore knives, some daggers, some ate and drank as they
|
||
|
looked on, many knitted. Among these last, was one, with a spare
|
||
|
piece of knitting under her arm as she worked. She was in a front
|
||
|
row, by the side of a man whom he had never seen since his arrival at
|
||
|
the Barrier, but whom he directly remembered as Defarge. He noticed
|
||
|
that she once or twice whispered in his ear, and that she seemed to
|
||
|
be his wife; but, what he most noticed in the two figures was, that
|
||
|
although they were posted as close to himself as they could be, they
|
||
|
never looked towards him. They seemed to be waiting for something
|
||
|
with a dogged determination, and they looked at the Jury, but at
|
||
|
nothing else. Under the President sat Doctor Manette, in his usual
|
||
|
quiet dress. As well as the prisoner could see, he and Mr. Lorry
|
||
|
were the only men there, unconnected with the Tribunal, who wore their
|
||
|
usual clothes, and had not assumed the coarse garb of the Carmagnole.
|
||
|
|
||
|
Charles Evremonde, called Darnay, was accused by the public
|
||
|
prosecutor as an emigrant, whose life was forfeit to the Republic,
|
||
|
under the decree which banished all emigrants on pain of Death.
|
||
|
It was nothing that the decree bore date since his return to France.
|
||
|
There he was, and there was the decree; he had been taken in France,
|
||
|
and his head was demanded.
|
||
|
|
||
|
"Take off his head!" cried the audience. "An enemy to the Republic!"
|
||
|
|
||
|
The President rang his bell to silence those cries, and asked the
|
||
|
prisoner whether it was not true that he had lived many years in England?
|
||
|
|
||
|
Undoubtedly it was.
|
||
|
|
||
|
Was he not an emigrant then? What did he call himself?
|
||
|
|
||
|
Not an emigrant, he hoped, within the sense and spirit of the law.
|
||
|
|
||
|
Why not? the President desired to know.
|
||
|
|
||
|
Because he had voluntarily relinquished a title that was distasteful
|
||
|
to him, and a station that was distasteful to him, and had left his
|
||
|
country--he submitted before the word emigrant in the present
|
||
|
acceptation by the Tribunal was in use--to live by his own industry
|
||
|
in England, rather than on the industry of the overladen people of
|
||
|
France.
|
||
|
|
||
|
What proof had he of this?
|
||
|
|
||
|
He handed in the names of two witnesses; Theophile Gabelle, and
|
||
|
Alexandre Manette.
|
||
|
|
||
|
But he had married in England? the President reminded him.
|
||
|
|
||
|
True, but not an English woman.
|
||
|
|
||
|
A citizeness of France?
|
||
|
|
||
|
Yes. By birth.
|
||
|
|
||
|
Her name and family?
|
||
|
|
||
|
"Lucie Manette, only daughter of Doctor Manette, the good physician
|
||
|
who sits there."
|
||
|
|
||
|
This answer had a happy effect upon the audience. Cries in
|
||
|
exaltation of the well-known good physician rent the hall. So
|
||
|
capriciously were the people moved, that tears immediately rolled
|
||
|
down several ferocious countenances which had been glaring at the
|
||
|
prisoner a moment before, as if with impatience to pluck him out into
|
||
|
the streets and kill him.
|
||
|
|
||
|
On these few steps of his dangerous way, Charles Darnay had set his
|
||
|
foot according to Doctor Manette's reiterated instructions. The same
|
||
|
cautious counsel directed every step that lay before him, and had
|
||
|
prepared every inch of his road.
|
||
|
|
||
|
The President asked, why had he returned to France when he did,
|
||
|
and not sooner?
|
||
|
|
||
|
He had not returned sooner, he replied, simply because he had no
|
||
|
means of living in France, save those he had resigned; whereas, in
|
||
|
England, he lived by giving instruction in the French language and
|
||
|
literature. He had returned when he did, on the pressing and written
|
||
|
entreaty of a French citizen, who represented that his life was
|
||
|
endangered by his absence. He had come back, to save a citizen's life,
|
||
|
and to bear his testimony, at whatever personal hazard, to the truth.
|
||
|
Was that criminal in the eyes of the Republic?
|
||
|
|
||
|
The populace cried enthusiastically, "No!" and the President rang his
|
||
|
bell to quiet them. Which it did not, for they continued to cry
|
||
|
"No!" until they left off, of their own will.
|
||
|
|
||
|
The President required the name of that citizen. The accused
|
||
|
explained that the citizen was his first witness. He also referred
|
||
|
with confidence to the citizen's letter, which had been taken from
|
||
|
him at the Barrier, but which he did not doubt would be found among
|
||
|
the papers then before the President.
|
||
|
|
||
|
The Doctor had taken care that it should be there--had assured him
|
||
|
that it would be there--and at this stage of the proceedings it was
|
||
|
produced and read. Citizen Gabelle was called to confirm it, and did
|
||
|
so. Citizen Gabelle hinted, with infinite delicacy and politeness,
|
||
|
that in the pressure of business imposed on the Tribunal by the
|
||
|
multitude of enemies of the Republic with which it had to deal, he
|
||
|
had been slightly overlooked in his prison of the Abbaye--in fact,
|
||
|
had rather passed out of the Tribunal's patriotic remembrance--until
|
||
|
three days ago; when he had been summoned before it, and had been set
|
||
|
at liberty on the Jury's declaring themselves satisfied that the
|
||
|
accusation against him was answered, as to himself, by the surrender
|
||
|
of the citizen Evremonde, called Darnay.
|
||
|
|
||
|
Doctor Manette was next questioned. His high personal popularity,
|
||
|
and the clearness of his answers, made a great impression; but, as he
|
||
|
proceeded, as he showed that the Accused was his first friend on his
|
||
|
release from his long imprisonment; that, the accused had remained in
|
||
|
England, always faithful and devoted to his daughter and himself in
|
||
|
their exile; that, so far from being in favour with the Aristocrat
|
||
|
government there, he had actually been tried for his life by it, as
|
||
|
the foe of England and friend of the United States--as he brought
|
||
|
these circumstances into view, with the greatest discretion and with
|
||
|
the straightforward force of truth and earnestness, the Jury and the
|
||
|
populace became one. At last, when he appealed by name to Monsieur
|
||
|
Lorry, an English gentleman then and there present, who, like himself,
|
||
|
had been a witness on that English trial and could corroborate his
|
||
|
account of it, the Jury declared that they had heard enough, and that
|
||
|
they were ready with their votes if the President were content to
|
||
|
receive them.
|
||
|
|
||
|
At every vote (the Jurymen voted aloud and individually), the
|
||
|
populace set up a shout of applause. All the voices were in the
|
||
|
prisoner's favour, and the President declared him free.
|
||
|
|
||
|
Then, began one of those extraordinary scenes with which the populace
|
||
|
sometimes gratified their fickleness, or their better impulses
|
||
|
towards generosity and mercy, or which they regarded as some set-off
|
||
|
against their swollen account of cruel rage. No man can decide now
|
||
|
to which of these motives such extraordinary scenes were referable;
|
||
|
it is probable, to a blending of all the three, with the second
|
||
|
predominating. No sooner was the acquittal pronounced, than tears
|
||
|
were shed as freely as blood at another time, and such fraternal
|
||
|
embraces were bestowed upon the prisoner by as many of both sexes as
|
||
|
could rush at him, that after his long and unwholesome confinement he
|
||
|
was in danger of fainting from exhaustion; none the less because he
|
||
|
knew very well, that the very same people, carried by another current,
|
||
|
would have rushed at him with the very same intensity, to rend him to
|
||
|
pieces and strew him over the streets.
|
||
|
|
||
|
His removal, to make way for other accused persons who were to be
|
||
|
tried, rescued him from these caresses for the moment. Five were to
|
||
|
be tried together, next, as enemies of the Republic, forasmuch as
|
||
|
they had not assisted it by word or deed. So quick was the Tribunal
|
||
|
to compensate itself and the nation for a chance lost, that these
|
||
|
five came down to him before he left the place, condemned to die
|
||
|
within twenty-four hours. The first of them told him so, with the
|
||
|
customary prison sign of Death--a raised finger--and they all added
|
||
|
in words, "Long live the Republic!"
|
||
|
|
||
|
The five had had, it is true, no audience to lengthen their
|
||
|
proceedings, for when he and Doctor Manette emerged from the gate,
|
||
|
there was a great crowd about it, in which there seemed to be every
|
||
|
face he had seen in Court--except two, for which he looked in vain.
|
||
|
On his coming out, the concourse made at him anew, weeping,
|
||
|
embracing, and shouting, all by turns and all together, until the
|
||
|
very tide of the river on the bank of which the mad scene was acted,
|
||
|
seemed to run mad, like the people on the shore.
|
||
|
|
||
|
They put him into a great chair they had among them, and which they
|
||
|
had taken either out of the Court itself, or one of its rooms or
|
||
|
passages. Over the chair they had thrown a red flag, and to the back
|
||
|
of it they had bound a pike with a red cap on its top. In this car
|
||
|
of triumph, not even the Doctor's entreaties could prevent his being
|
||
|
carried to his home on men's shoulders, with a confused sea of red
|
||
|
caps heaving about him, and casting up to sight from the stormy deep
|
||
|
such wrecks of faces, that he more than once misdoubted his mind
|
||
|
being in confusion, and that he was in the tumbril on his way to the
|
||
|
Guillotine.
|
||
|
|
||
|
In wild dreamlike procession, embracing whom they met and pointing
|
||
|
him out, they carried him on. Reddening the snowy streets with the
|
||
|
prevailing Republican colour, in winding and tramping through them,
|
||
|
as they had reddened them below the snow with a deeper dye, they
|
||
|
carried him thus into the courtyard of the building where he lived.
|
||
|
Her father had gone on before, to prepare her, and when her husband
|
||
|
stood upon his feet, she dropped insensible in his arms.
|
||
|
|
||
|
As he held her to his heart and turned her beautiful head between his
|
||
|
face and the brawling crowd, so that his tears and her lips might
|
||
|
come together unseen, a few of the people fell to dancing. Instantly,
|
||
|
all the rest fell to dancing, and the courtyard overflowed with the
|
||
|
Carmagnole. Then, they elevated into the vacant chair a young woman
|
||
|
from the crowd to be carried as the Goddess of Liberty, and then
|
||
|
swelling and overflowing out into the adjacent streets, and along the
|
||
|
river's bank, and over the bridge, the Carmagnole absorbed them every
|
||
|
one and whirled them away.
|
||
|
|
||
|
After grasping the Doctor's hand, as he stood victorious and proud
|
||
|
before him; after grasping the hand of Mr. Lorry, who came panting in
|
||
|
breathless from his struggle against the waterspout of the Carmagnole;
|
||
|
after kissing little Lucie, who was lifted up to clasp her arms round
|
||
|
his neck; and after embracing the ever zealous and faithful Pross who
|
||
|
lifted her; he took his wife in his arms, and carried her up to their
|
||
|
rooms.
|
||
|
|
||
|
"Lucie! My own! I am safe."
|
||
|
|
||
|
"O dearest Charles, let me thank God for this on my knees as I have
|
||
|
prayed to Him."
|
||
|
|
||
|
They all reverently bowed their heads and hearts. When she was again
|
||
|
in his arms, he said to her:
|
||
|
|
||
|
"And now speak to your father, dearest. No other man in all this
|
||
|
France could have done what he has done for me."
|
||
|
|
||
|
She laid her head upon her father's breast, as she had laid his poor
|
||
|
head on her own breast, long, long ago. He was happy in the return
|
||
|
he had made her, he was recompensed for his suffering, be was proud
|
||
|
of his strength. "You must not be weak, my darling," he remonstrated;
|
||
|
"don't tremble so. I have saved him."
|
||
|
|
||
|
|
||
|
|
||
|
VII
|
||
|
|
||
|
A Knock at the Door
|
||
|
|
||
|
|
||
|
"I have saved him." It was not another of the dreams in which he had
|
||
|
often come back; he was really here. And yet his wife trembled, and
|
||
|
a vague but heavy fear was upon her.
|
||
|
|
||
|
All the air round was so thick and dark, the people were so
|
||
|
passionately revengeful and fitful, the innocent were so constantly
|
||
|
put to death on vague suspicion and black malice, it was so
|
||
|
impossible to forget that many as blameless as her husband and as
|
||
|
dear to others as he was to her, every day shared the fate from which
|
||
|
he had been clutched, that her heart could not be as lightened of its
|
||
|
load as she felt it ought to be. The shadows of the wintry afternoon
|
||
|
were beginning to fall, and even now the dreadful carts were rolling
|
||
|
through the streets. Her mind pursued them, looking for him among
|
||
|
the Condemned; and then she clung closer to his real presence and
|
||
|
trembled more.
|
||
|
|
||
|
Her father, cheering her, showed a compassionate superiority to this
|
||
|
woman's weakness, which was wonderful to see. No garret, no shoemaking,
|
||
|
no One Hundred and Five, North Tower, now! He had accomplished the
|
||
|
task he had set himself, his promise was redeemed, he had saved Charles.
|
||
|
Let them all lean upon him.
|
||
|
|
||
|
Their housekeeping was of a very frugal kind: not only because that
|
||
|
was the safest way of life, involving the least offence to the
|
||
|
people, but because they were not rich, and Charles, throughout his
|
||
|
imprisonment, had had to pay heavily for his bad food, and for his
|
||
|
guard, and towards the living of the poorer prisoners. Partly on
|
||
|
this account, and partly to avoid a domestic spy, they kept no
|
||
|
servant; the citizen and citizeness who acted as porters at the
|
||
|
courtyard gate, rendered them occasional service; and Jerry (almost
|
||
|
wholly transferred to them by Mr. Lorry) had become their daily
|
||
|
retainer, and had his bed there every night.
|
||
|
|
||
|
It was an ordinance of the Republic One and Indivisible of Liberty,
|
||
|
Equality, Fraternity, or Death, that on the door or doorpost of every
|
||
|
house, the name of every inmate must be legibly inscribed in letters
|
||
|
of a certain size, at a certain convenient height from the ground.
|
||
|
Mr. Jerry Cruncher's name, therefore, duly embellished the doorpost
|
||
|
down below; and, as the afternoon shadows deepened, the owner of that
|
||
|
name himself appeared, from overlooking a painter whom Doctor Manette
|
||
|
had employed to add to the list the name of Charles Evremonde, called
|
||
|
Darnay.
|
||
|
|
||
|
In the universal fear and distrust that darkened the time, all the
|
||
|
usual harmless ways of life were changed. In the Doctor's little
|
||
|
household, as in very many others, the articles of daily consumption
|
||
|
that were wanted were purchased every evening, in small quantities
|
||
|
and at various small shops. To avoid attracting notice, and to give
|
||
|
as little occasion as possible for talk and envy, was the general desire.
|
||
|
|
||
|
For some months past, Miss Pross and Mr. Cruncher had discharged the
|
||
|
office of purveyors; the former carrying the money; the latter, the
|
||
|
basket. Every afternoon at about the time when the public lamps were
|
||
|
lighted, they fared forth on this duty, and made and brought home
|
||
|
such purchases as were needful. Although Miss Pross, through her
|
||
|
long association with a French family, might have known as much of
|
||
|
their language as of her own, if she had had a mind, she had no mind
|
||
|
in that direction; consequently she knew no more of that "nonsense"
|
||
|
(as she was pleased to call it) than Mr. Cruncher did. So her
|
||
|
manner of marketing was to plump a noun-substantive at the head of a
|
||
|
shopkeeper without any introduction in the nature of an article, and,
|
||
|
if it happened not to be the name of the thing she wanted, to look
|
||
|
round for that thing, lay hold of it, and hold on by it until the
|
||
|
bargain was concluded. She always made a bargain for it, by holding
|
||
|
up, as a statement of its just price, one finger less than the merchant
|
||
|
held up, whatever his number might be.
|
||
|
|
||
|
"Now, Mr. Cruncher," said Miss Pross, whose eyes were red with
|
||
|
felicity; "if you are ready, I am."
|
||
|
|
||
|
Jerry hoarsely professed himself at Miss Pross's service. He had worn
|
||
|
all his rust off long ago, but nothing would file his spiky head down.
|
||
|
|
||
|
"There's all manner of things wanted," said Miss Pross, "and we shall
|
||
|
have a precious time of it. We want wine, among the rest.
|
||
|
Nice toasts these Redheads will be drinking, wherever we buy it."
|
||
|
|
||
|
"It will be much the same to your knowledge, miss, I should think,"
|
||
|
retorted Jerry, "whether they drink your health or the Old Un's."
|
||
|
|
||
|
"Who's he?" said Miss Pross.
|
||
|
|
||
|
Mr. Cruncher, with some diffidence, explained himself as meaning "Old
|
||
|
Nick's."
|
||
|
|
||
|
"Ha!" said Miss Pross, "it doesn't need an interpreter to explain the
|
||
|
meaning of these creatures. They have but one, and it's Midnight
|
||
|
Murder, and Mischief."
|
||
|
|
||
|
"Hush, dear! Pray, pray, be cautious!" cried Lucie.
|
||
|
|
||
|
"Yes, yes, yes, I'll be cautious," said Miss Pross; "but I may say
|
||
|
among ourselves, that I do hope there will be no oniony and tobaccoey
|
||
|
smotherings in the form of embracings all round, going on in the
|
||
|
streets. Now, Ladybird, never you stir from that fire till I come
|
||
|
back! Take care of the dear husband you have recovered, and don't
|
||
|
move your pretty head from his shoulder as you have it now, till you
|
||
|
see me again! May I ask a question, Doctor Manette, before I go?"
|
||
|
|
||
|
"I think you may take that liberty," the Doctor answered, smiling.
|
||
|
|
||
|
"For gracious sake, don't talk about Liberty; we have quite enough of
|
||
|
that," said Miss Pross.
|
||
|
|
||
|
"Hush, dear! Again?" Lucie remonstrated.
|
||
|
|
||
|
"Well, my sweet," said Miss Pross, nodding her head emphatically,
|
||
|
"the short and the long of it is, that I am a subject of His Most
|
||
|
Gracious Majesty King George the Third;" Miss Pross curtseyed at the
|
||
|
name; "and as such, my maxim is, Confound their politics, Frustrate
|
||
|
their knavish tricks, On him our hopes we fix, God save the King!"
|
||
|
|
||
|
Mr. Cruncher, in an access of loyalty, growlingly repeated the words
|
||
|
after Miss Pross, Re somebody at church.
|
||
|
|
||
|
"I am glad you have so much of the Englishman in you, though I wish
|
||
|
you had never taken that cold in your voice," said Miss Pross,
|
||
|
approvingly. "But the question, Doctor Manette. Is there"--it was
|
||
|
the good creature's way to affect to make light of anything that was
|
||
|
a great anxiety with them all, and to come at it in this chance
|
||
|
manner--"is there any prospect yet, of our getting out of this place?"
|
||
|
|
||
|
"I fear not yet. It would be dangerous for Charles yet."
|
||
|
|
||
|
"Heigh-ho-hum!" said Miss Pross, cheerfully repressing a sigh as she
|
||
|
glanced at her darling's golden hair in the light of the fire,
|
||
|
"then we must have patience and wait: that's all. We must hold up
|
||
|
our heads and fight low, as my brother Solomon used to say.
|
||
|
Now, Mr. Cruncher!--Don't you move, Ladybird!"
|
||
|
|
||
|
They went out, leaving Lucie, and her husband, her father, and the
|
||
|
child, by a bright fire. Mr. Lorry was expected back presently from
|
||
|
the Banking House. Miss Pross had lighted the lamp, but had put it
|
||
|
aside in a corner, that they might enjoy the fire-light undisturbed.
|
||
|
Little Lucie sat by her grandfather with her hands clasped through
|
||
|
his arm: and he, in a tone not rising much above a whisper, began to
|
||
|
ten her a story of a great and powerful Fairy who had opened a
|
||
|
prison-wall and let out a captive who had once done the Fairy a
|
||
|
service. All was subdued and quiet, and Lucie was more at ease than
|
||
|
she had been.
|
||
|
|
||
|
"What is that?" she cried, all at once.
|
||
|
|
||
|
"My dear!" said her father, stopping in his story, and laying his
|
||
|
hand on hers, "command yourself. What a disordered state you are in!
|
||
|
The least thing--nothing--startles you! YOU, your father's daughter!"
|
||
|
|
||
|
"I thought, my father," said Lucie, excusing herself, with a pale face
|
||
|
and in a faltering voice, "that I heard strange feet upon the stairs."
|
||
|
|
||
|
"My love, the staircase is as still as Death."
|
||
|
|
||
|
As he said the word, a blow was struck upon the door.
|
||
|
|
||
|
"Oh father, father. What can this be! Hide Charles. Save him!"
|
||
|
|
||
|
"My child," said the Doctor, rising, and laying his hand upon her
|
||
|
shoulder, "I HAVE saved him. What weakness is this, my dear!
|
||
|
Let me go to the door."
|
||
|
|
||
|
He took the lamp in his hand, crossed the two intervening outer
|
||
|
rooms, and opened it. A rude clattering of feet over the floor,
|
||
|
and four rough men in red caps, armed with sabres and pistols,
|
||
|
entered the room.
|
||
|
|
||
|
"The Citizen Evremonde, called Darnay," said the first.
|
||
|
|
||
|
"Who seeks him?" answered Darnay.
|
||
|
|
||
|
"I seek him. We seek him. I know you, Evremonde; I saw you before
|
||
|
the Tribunal to-day. You are again the prisoner of the Republic."
|
||
|
|
||
|
The four surrounded him, where he stood with his wife and child
|
||
|
clinging to him.
|
||
|
|
||
|
"Tell me how and why am I again a prisoner?"
|
||
|
|
||
|
"It is enough that you return straight to the Conciergerie, and will
|
||
|
know to-morrow. You are summoned for to-morrow."
|
||
|
|
||
|
Doctor Manette, whom this visitation had so turned into stone, that
|
||
|
be stood with the lamp in his band, as if be woe a statue made to
|
||
|
hold it, moved after these words were spoken, put the lamp down, and
|
||
|
confronting the speaker, and taking him, not ungently, by the loose
|
||
|
front of his red woollen shirt, said:
|
||
|
|
||
|
"You know him, you have said. Do you know me?"
|
||
|
|
||
|
"Yes, I know you, Citizen Doctor."
|
||
|
|
||
|
"We all know you, Citizen Doctor," said the other three.
|
||
|
|
||
|
He looked abstractedly from one to another, and said, in a lower
|
||
|
voice, after a pause:
|
||
|
|
||
|
"Will you answer his question to me then? How does this happen?"
|
||
|
|
||
|
"Citizen Doctor," said the first, reluctantly, "he has been denounced
|
||
|
to the Section of Saint Antoine. This citizen," pointing out the
|
||
|
second who had entered, "is from Saint Antoine."
|
||
|
|
||
|
The citizen here indicated nodded his head, and added:
|
||
|
|
||
|
"He is accused by Saint Antoine."
|
||
|
|
||
|
"Of what?" asked the Doctor.
|
||
|
|
||
|
"Citizen Doctor," said the first, with his former reluctance, "ask no
|
||
|
more. If the Republic demands sacrifices from you, without doubt you
|
||
|
as a good patriot will be happy to make them. The Republic goes
|
||
|
before all. The People is supreme. Evremonde, we are pressed."
|
||
|
|
||
|
"One word," the Doctor entreated. "Will you tell me who denounced him?"
|
||
|
|
||
|
"It is against rule," answered the first; "but you can ask Him of
|
||
|
Saint Antoine here."
|
||
|
|
||
|
The Doctor turned his eyes upon that man. Who moved uneasily on his
|
||
|
feet, rubbed his beard a little, and at length said:
|
||
|
|
||
|
"Well! Truly it is against rule. But he is denounced--and
|
||
|
gravely--by the Citizen and Citizeness Defarge. And by one other."
|
||
|
|
||
|
"What other?"
|
||
|
|
||
|
"Do YOU ask, Citizen Doctor?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Then," said he of Saint Antoine, with a strange look, "you will be
|
||
|
answered to-morrow. Now, I am dumb!"
|
||
|
|
||
|
|
||
|
|
||
|
VIII
|
||
|
|
||
|
A Hand at Cards
|
||
|
|
||
|
|
||
|
Happily unconscious of the new calamity at home, Miss Pross threaded
|
||
|
her way along the narrow streets and crossed the river by the bridge
|
||
|
of the Pont-Neuf, reckoning in her mind the number of indispensable
|
||
|
purchases she had to make. Mr. Cruncher, with the basket, walked at
|
||
|
her side. They both looked to the right and to the left into most of
|
||
|
the shops they passed, had a wary eye for all gregarious assemblages
|
||
|
of people, and turned out of their road to avoid any very excited
|
||
|
group of talkers. It was a raw evening, and the misty river, blurred
|
||
|
to the eye with blazing lights and to the ear with harsh noises,
|
||
|
showed where the barges were stationed in which the smiths worked,
|
||
|
making guns for the Army of the Republic. Woe to the man who played
|
||
|
tricks with THAT Army, or got undeserved promotion in it! Better
|
||
|
for him that his beard had never grown, for the National Razor shaved
|
||
|
him close.
|
||
|
|
||
|
Having purchased a few small articles of grocery, and a measure of
|
||
|
oil for the lamp, Miss Pross bethought herself of the wine they
|
||
|
wanted. After peeping into several wine-shops, she stopped at the
|
||
|
sign of the Good Republican Brutus of Antiquity, not far from the
|
||
|
National Palace, once (and twice) the Tuileries, where the aspect of
|
||
|
things rather took her fancy. It had a quieter look than any other
|
||
|
place of the same description they had passed, and, though red with
|
||
|
patriotic caps, was not so red as the rest. Sounding Mr. Cruncher,
|
||
|
and finding him of her opinion, Miss Pross resorted to the Good
|
||
|
Republican Brutus of Antiquity, attended by her cavalier.
|
||
|
|
||
|
Slightly observant of the smoky lights; of the people, pipe in mouth,
|
||
|
playing with limp cards and yellow dominoes; of the one bare-
|
||
|
breasted, bare-armed, soot-begrimed workman reading a journal aloud,
|
||
|
and of the others listening to him; of the weapons worn, or laid
|
||
|
aside to be resumed; of the two or three customers fallen forward
|
||
|
asleep, who in the popular high-shouldered shaggy black spencer
|
||
|
looked, in that attitude, like slumbering bears or dogs; the two
|
||
|
outlandish customers approached the counter, and showed what they wanted.
|
||
|
|
||
|
As their wine was measuring out, a man parted from another man in a
|
||
|
corner, and rose to depart. In going, he had to face Miss Pross.
|
||
|
No sooner did he face her, than Miss Pross uttered a scream, and
|
||
|
clapped her hands.
|
||
|
|
||
|
In a moment, the whole company were on their feet. That somebody was
|
||
|
assassinated by somebody vindicating a difference of opinion was the
|
||
|
likeliest occurrence. Everybody looked to see somebody fall, but
|
||
|
only saw a man and a woman standing staring at each other; the man
|
||
|
with all the outward aspect of a Frenchman and a thorough Republican;
|
||
|
the woman, evidently English.
|
||
|
|
||
|
What was said in this disappointing anti-climax, by the disciples of
|
||
|
the Good Republican Brutus of Antiquity, except that it was something
|
||
|
very voluble and loud, would have been as so much Hebrew or Chaldean
|
||
|
to Miss Pross and her protector, though they had been all ears. But,
|
||
|
they bad no ears for anything in their surprise. For, it must be
|
||
|
recorded, that not only was Miss Pross lost in amazement and
|
||
|
agitation, but, Mr. Cruncher--though it seemed on his own separate
|
||
|
and individual account--was in a state of the greatest wonder.
|
||
|
|
||
|
"What is the matter?" said the man who had caused Miss Pross to scream;
|
||
|
speaking in a vexed, abrupt voice (though in a low tone), and in
|
||
|
English.
|
||
|
|
||
|
"Oh, Solomon, dear Solomon!" cried Miss Pross, clapping her hands
|
||
|
again. "After not setting eyes upon you or hearing of you for so
|
||
|
long a time, do I find you here!"
|
||
|
|
||
|
"Don't call me Solomon. Do you want to be the death of me?" asked
|
||
|
the man, in a furtive, frightened way.
|
||
|
|
||
|
"Brother, brother!" cried Miss Pross, bursting into tears. "Have I
|
||
|
ever been so hard with you that you ask me such a cruel question?"
|
||
|
|
||
|
"Then hold your meddlesome tongue," said Solomon, "and come out, if
|
||
|
you want to speak to me. Pay for your wine, and come out.
|
||
|
Who's this man?"
|
||
|
|
||
|
Miss Pross, shaking her loving and dejected head at her by no means
|
||
|
affectionate brother, said through her tears, "Mr. Cruncher."
|
||
|
|
||
|
"Let him come out too," said Solomon. "Does he think me a ghost?"
|
||
|
|
||
|
Apparently, Mr. Cruncher did, to judge from his looks. He said not a
|
||
|
word, however, and Miss Pross, exploring the depths of her reticule
|
||
|
through her tears with great difficulty paid for her wine. As she
|
||
|
did so, Solomon turned to the followers of the Good Republican Brutus
|
||
|
of Antiquity, and offered a few words of explanation in the French
|
||
|
language, which caused them all to relapse into their former places
|
||
|
and pursuits.
|
||
|
|
||
|
"Now," said Solomon, stopping at the dark street corner, "what do you want?"
|
||
|
|
||
|
"How dreadfully unkind in a brother nothing has ever turned my love
|
||
|
away from!" cried Miss Pross, "to give me such a greeting, and show
|
||
|
me no affection."
|
||
|
|
||
|
"There. Confound it! There," said Solomon, making a dab at Miss
|
||
|
Pross's lips with his own. "Now are you content?"
|
||
|
|
||
|
Miss Pross only shook her head and wept in silence.
|
||
|
|
||
|
"If you expect me to be surprised," said her brother Solomon, "I am
|
||
|
not surprised; I knew you were here; I know of most people who are
|
||
|
here. If you really don't want to endanger my existence--which I half
|
||
|
believe you do--go your ways as soon as possible, and let me go mine.
|
||
|
I am busy. I am an official."
|
||
|
|
||
|
"My English brother Solomon," mourned Miss Pross, casting up her
|
||
|
tear-fraught eyes, "that had the makings in him of one of the best
|
||
|
and greatest of men in his native country, an official among
|
||
|
foreigners, and such foreigners! I would almost sooner have seen the
|
||
|
dear boy lying in his--"
|
||
|
|
||
|
"I said so!" cried her brother, interrupting. "I knew it. You want
|
||
|
to be the death of me. I shall be rendered Suspected, by my own
|
||
|
sister. Just as I am getting on!"
|
||
|
|
||
|
"The gracious and merciful Heavens forbid!" cried Miss Pross. "Far
|
||
|
rather would I never see you again, dear Solomon, though I have ever
|
||
|
loved you truly, and ever shall. Say but one affectionate word to
|
||
|
me, and tell me there is nothing angry or estranged between us, and I
|
||
|
will detain you no longer."
|
||
|
|
||
|
Good Miss Pross! As if the estrangement between them had come of any
|
||
|
culpability of hers. As if Mr. Lorry had not known it for a fact,
|
||
|
years ago, in the quiet corner in Soho, that this precious brother
|
||
|
had spent her money and left her!
|
||
|
|
||
|
He was saying the affectionate word, however, with a far more
|
||
|
grudging condescension and patronage than he could have shown if
|
||
|
their relative merits and positions had been reversed (which is
|
||
|
invariably the case, all the world over), when Mr. Cruncher, touching
|
||
|
him on the shoulder, hoarsely and unexpectedly interposed with the
|
||
|
following singular question:
|
||
|
|
||
|
"I say! Might I ask the favour? As to whether your name is John
|
||
|
Solomon, or Solomon John?"
|
||
|
|
||
|
The official turned towards him with sudden distrust. He had not
|
||
|
previously uttered a word.
|
||
|
|
||
|
"Come!" said Mr. Cruncher. "Speak out, you know." (Which, by the
|
||
|
way, was more than he could do himself.) "John Solomon, or Solomon
|
||
|
John? She calls you Solomon, and she must know, being your sister.
|
||
|
And _I_ know you're John, you know. Which of the two goes first?
|
||
|
And regarding that name of Pross, likewise. That warn't your name
|
||
|
over the water."
|
||
|
|
||
|
"What do you mean?"
|
||
|
|
||
|
"Well, I don't know all I mean, for I can't call to mind what your
|
||
|
name was, over the water."
|
||
|
|
||
|
"No?"
|
||
|
|
||
|
"No. But I'll swear it was a name of two syllables."
|
||
|
|
||
|
"Indeed?"
|
||
|
|
||
|
"Yes. T'other one's was one syllable. I know you. You was a spy--
|
||
|
witness at the Bailey. What, in the name of the Father of Lies,
|
||
|
own father to yourself, was you called at that time?"
|
||
|
|
||
|
"Barsad," said another voice, striking in.
|
||
|
|
||
|
"That's the name for a thousand pound!" cried Jerry.
|
||
|
|
||
|
The speaker who struck in, was Sydney Carton. He had his hands
|
||
|
behind him under the skirts of his riding-coat, and he stood at
|
||
|
Mr. Cruncher's elbow as negligently as he might have stood at the Old
|
||
|
Bailey itself.
|
||
|
|
||
|
"Don't be alarmed, my dear Miss Pross. I arrived at Mr. Lorry's,
|
||
|
to his surprise, yesterday evening; we agreed that I would not
|
||
|
present myself elsewhere until all was well, or unless I could be
|
||
|
useful; I present myself here, to beg a little talk with your brother.
|
||
|
I wish you had a better employed brother than Mr. Barsad. I wish
|
||
|
for your sake Mr. Barsad was not a Sheep of the Prisons."
|
||
|
|
||
|
Sheep was a cant word of the time for a spy, under the gaolers.
|
||
|
The spy, who was pale, turned paler, and asked him how he dared--
|
||
|
|
||
|
"I'll tell you," said Sydney. "I lighted on you, Mr. Barsad, coming
|
||
|
out of the prison of the Conciergerie while I was contemplating the
|
||
|
walls, an hour or more ago. You have a face to be remembered, and I
|
||
|
remember faces well. Made curious by seeing you in that connection,
|
||
|
and having a reason, to which you are no stranger, for associating
|
||
|
you with the misfortunes of a friend now very unfortunate, I walked
|
||
|
in your direction. I walked into the wine-shop here, close after you,
|
||
|
and sat near you. I had no difficulty in deducing from your unreserved
|
||
|
conversation, and the rumour openly going about among your admirers,
|
||
|
the nature of your calling. And gradually, what I had done at random,
|
||
|
seemed to shape itself into a purpose, Mr. Barsad."
|
||
|
|
||
|
"What purpose?" the spy asked.
|
||
|
|
||
|
"It would be troublesome, and might be dangerous, to explain in the
|
||
|
street. Could you favour me, in confidence, with some minutes of
|
||
|
your company--at the office of Tellson's Bank, for instance?"
|
||
|
|
||
|
"Under a threat?"
|
||
|
|
||
|
"Oh! Did I say that?"
|
||
|
|
||
|
"Then, why should I go there?"
|
||
|
|
||
|
"Really, Mr. Barsad, I can't say, if you can't."
|
||
|
|
||
|
"Do you mean that you won't say, sir?" the spy irresolutely asked.
|
||
|
|
||
|
"You apprehend me very clearly, Mr. Barsad. I won't."
|
||
|
|
||
|
Carton's negligent recklessness of manner came powerfully in aid of
|
||
|
his quickness and skill, in such a business as be had in his secret
|
||
|
mind, and with such a man as he had to do with. His practised eye
|
||
|
saw it, and made the most of it.
|
||
|
|
||
|
"Now, I told you so," said the spy, casting a reproachful look at his
|
||
|
sister; "if any trouble comes of this, it's your doing."
|
||
|
|
||
|
"Come, come, Mr. Barsad!" exclaimed Sydney. "Don't be
|
||
|
ungrateful. But for my great respect for your sister, I might not
|
||
|
have led up so pleasantly to a little proposal that I wish to make
|
||
|
for our mutual satisfaction. Do you go with me to the Bank?"
|
||
|
|
||
|
"I'll hear what you have got to say. Yes, I'll go with you."
|
||
|
|
||
|
"I propose that we first conduct your sister safely to the corner of
|
||
|
her own street. Let me take your arm, Miss Pross. This is not a
|
||
|
good city, at this time, for you to be out in, unprotected; and as
|
||
|
your escort knows Mr. Barsad, I will invite him to Mr. Lorry's with us.
|
||
|
Are we ready? Come then!"
|
||
|
|
||
|
Miss Pross recalled soon afterwards, and to the end of her life
|
||
|
remembered, that as she pressed her hands on Sydney's arm and looked
|
||
|
up in his face, imploring him to do no hurt to Solomon, there was a
|
||
|
braced purpose in the arm and a kind of inspiration in the eyes,
|
||
|
which not only contradicted his light manner, but changed and raised
|
||
|
the man. She was too much occupied then with fears for the brother
|
||
|
who so little deserved her affection, and with Sydney's friendly
|
||
|
reassurances, adequately to heed what she observed.
|
||
|
|
||
|
They left her at the corner of the street, and Carton led the way to
|
||
|
Mr. Lorry's, which was within a few minutes' walk. John Barsad, or
|
||
|
Solomon Pross, walked at his side.
|
||
|
|
||
|
Mr. Lorry had just finished his dinner, and was sitting before a
|
||
|
cheery little log or two of fire--perhaps looking into their blaze
|
||
|
for the picture of that younger elderly gentleman from Tellson's, who
|
||
|
had looked into the red coals at the Royal George at Dover, now a
|
||
|
good many years ago. He turned his head as they entered, and showed
|
||
|
the surprise with which he saw a stranger.
|
||
|
|
||
|
"Miss Pross's brother, sir," said Sydney. "Mr. Barsad."
|
||
|
|
||
|
"Barsad?" repeated the old gentleman, "Barsad? I have an association
|
||
|
with the name--and with the face."
|
||
|
|
||
|
"I told you you had a remarkable face, Mr. Barsad," observed Carton,
|
||
|
coolly. "Pray sit down."
|
||
|
|
||
|
As he took a chair himself, he supplied the link that Mr. Lorry
|
||
|
wanted, by saying to him with a frown, "Witness at that trial."
|
||
|
Mr. Lorry immediately remembered, and regarded his new visitor with
|
||
|
an undisguised look of abhorrence.
|
||
|
|
||
|
"Mr. Barsad has been recognised by Miss Pross as the affectionate
|
||
|
brother you have heard of," said Sydney, "and has acknowledged the
|
||
|
relationship. I pass to worse news. Darnay has been arrested again."
|
||
|
|
||
|
Struck with consternation, the old gentleman exclaimed, "What do you
|
||
|
tell me! I left him safe and free within these two hours, and am
|
||
|
about to return to him!"
|
||
|
|
||
|
"Arrested for all that. When was it done, Mr. Barsad?"
|
||
|
|
||
|
"Just now, if at all."
|
||
|
|
||
|
"Mr. Barsad is the best authority possible, sir," said Sydney, "and I
|
||
|
have it from Mr. Barsad's communication to a friend and brother Sheep
|
||
|
over a bottle of wine, that the arrest has taken place. He left the
|
||
|
messengers at the gate, and saw them admitted by the porter.
|
||
|
There is no earthly doubt that he is retaken."
|
||
|
|
||
|
Mr. Lorry's business eye read in the speaker's face that it was loss
|
||
|
of time to dwell upon the point. Confused, but sensible that
|
||
|
something might depend on his presence of mind, he commanded himself,
|
||
|
and was silently attentive.
|
||
|
|
||
|
"Now, I trust," said Sydney to him, "that the name and influence of
|
||
|
Doctor Manette may stand him in as good stead to-morrow--you said he
|
||
|
would be before the Tribunal again to-morrow, Mr. Barsad?--"
|
||
|
|
||
|
"Yes; I believe so."
|
||
|
|
||
|
"--In as good stead to-morrow as to-day. But it may not be so.
|
||
|
I own to you, I am shaken, Mr. Lorry, by Doctor Manette's not having
|
||
|
had the power to prevent this arrest."
|
||
|
|
||
|
"He may not have known of it beforehand," said Mr. Lorry.
|
||
|
|
||
|
"But that very circumstance would be alarming, when we remember how
|
||
|
identified he is with his son-in-law."
|
||
|
|
||
|
"That's true," Mr. Lorry acknowledged, with his troubled hand at his
|
||
|
chin, and his troubled eyes on Carton.
|
||
|
|
||
|
"In short," said Sydney, "this is a desperate time, when desperate
|
||
|
games are played for desperate stakes. Let the Doctor play the
|
||
|
winning game; I will play the losing one. No man's life here is
|
||
|
worth purchase. Any one carried home by the people to-day, may be
|
||
|
condemned tomorrow. Now, the stake I have resolved to play for, in
|
||
|
case of the worst, is a friend in the Conciergerie. And the friend I
|
||
|
purpose to myself to win, is Mr. Barsad."
|
||
|
|
||
|
"You need have good cards, sir," said the spy.
|
||
|
|
||
|
"I'll run them over. I'll see what I hold,--Mr. Lorry, you know
|
||
|
what a brute I am; I wish you'd give me a little brandy."
|
||
|
|
||
|
It was put before him, and he drank off a glassful--drank off another
|
||
|
glassful--pushed the bottle thoughtfully away.
|
||
|
|
||
|
"Mr. Barsad," he went on, in the tone of one who really was looking
|
||
|
over a hand at cards: "Sheep of the prisons, emissary of Republican
|
||
|
committees, now turnkey, now prisoner, always spy and secret
|
||
|
informer, so much the more valuable here for being English that an
|
||
|
Englishman is less open to suspicion of subornation in those
|
||
|
characters than a Frenchman, represents himself to his employers
|
||
|
under a false name. That's a very good card. Mr. Barsad, now in the
|
||
|
employ of the republican French government, was formerly in the
|
||
|
employ of the aristocratic English government, the enemy of France
|
||
|
and freedom. That's an excellent card. Inference clear as day in
|
||
|
this region of suspicion, that Mr. Barsad, still in the pay of the
|
||
|
aristocratic English government, is the spy of Pitt, the treacherous
|
||
|
foe of the Republic crouching in its bosom, the English traitor and
|
||
|
agent of all mischief so much spoken of and so difficult to find.
|
||
|
That's a card not to be beaten. Have you followed my hand, Mr. Barsad?"
|
||
|
|
||
|
"Not to understand your play," returned the spy, somewhat uneasily.
|
||
|
|
||
|
"I play my Ace, Denunciation of Mr. Barsad to the nearest Section
|
||
|
Committee. Look over your hand, Mr. Barsad, and see what you have.
|
||
|
Don't hurry."
|
||
|
|
||
|
He drew the bottle near, poured out another glassful of brandy,
|
||
|
and drank it off. He saw that the spy was fearful of his drinking
|
||
|
himself into a fit state for the immediate denunciation of him.
|
||
|
Seeing it, he poured out and drank another glassful.
|
||
|
|
||
|
"Look over your hand carefully, Mr. Barsad. Take time."
|
||
|
|
||
|
It was a poorer hand than he suspected. Mr. Barsad saw losing cards
|
||
|
in it that Sydney Carton knew nothing of. Thrown out of his
|
||
|
honourable employment in England, through too much unsuccessful hard
|
||
|
swearing there--not because he was not wanted there; our English
|
||
|
reasons for vaunting our superiority to secrecy and spies are of very
|
||
|
modern date--he knew that he had crossed the Channel, and accepted
|
||
|
service in France: first, as a tempter and an eavesdropper among his
|
||
|
own countrymen there: gradually, as a tempter and an eavesdropper
|
||
|
among the natives. He knew that under the overthrown government he
|
||
|
had been a spy upon Saint Antoine and Defarge's wine-shop; had
|
||
|
received from the watchful police such heads of information
|
||
|
concerning Doctor Manette's imprisonment, release, and history, as
|
||
|
should serve him for an introduction to familiar conversation with
|
||
|
the Defarges; and tried them on Madame Defarge, and had broken down
|
||
|
with them signally. He always remembered with fear and trembling,
|
||
|
that that terrible woman had knitted when he talked with her, and had
|
||
|
looked ominously at him as her fingers moved. He had since seen her,
|
||
|
in the Section of Saint Antoine, over and over again produce her
|
||
|
knitted registers, and denounce people whose lives the guillotine
|
||
|
then surely swallowed up. He knew, as every one employed as he was
|
||
|
did, that he was never safe; that flight was impossible; that he was
|
||
|
tied fast under the shadow of the axe; and that in spite of his
|
||
|
utmost tergiversation and treachery in furtherance of the reigning
|
||
|
terror, a word might bring it down upon him. Once denounced, and on
|
||
|
such grave grounds as had just now been suggested to his mind, he
|
||
|
foresaw that the dreadful woman of whose unrelenting character he had
|
||
|
seen many proofs, would produce against him that fatal register, and
|
||
|
would quash his last chance of life. Besides that all secret men are
|
||
|
men soon terrified, here were surely cards enough of one black suit,
|
||
|
to justify the holder in growing rather livid as he turned them over.
|
||
|
|
||
|
"You scarcely seem to like your hand," said Sydney, with the greatest
|
||
|
composure. "Do you play?"
|
||
|
|
||
|
"I think, sir," said the spy, in the meanest manner, as he turned to
|
||
|
Mr. Lorry, "I may appeal to a gentleman of your years and benevolence,
|
||
|
to put it to this other gentleman, so much your junior, whether he
|
||
|
can under any circumstances reconcile it to his station to play that
|
||
|
Ace of which he has spoken. I admit that _I_ am a spy, and that it
|
||
|
is considered a discreditable station--though it must be filled by
|
||
|
somebody; but this gentleman is no spy, and why should he so demean
|
||
|
himself as to make himself one?"
|
||
|
|
||
|
"I play my Ace, Mr. Barsad," said Carton, taking the answer on himself,
|
||
|
and looking at his watch, "without any scruple, in a very few minutes."
|
||
|
|
||
|
"I should have hoped, gentlemen both," said the spy, always striving
|
||
|
to hook Mr. Lorry into the discussion, "that your respect for my
|
||
|
sister--"
|
||
|
|
||
|
"I could not better testify my respect for your sister than by
|
||
|
finally relieving her of her brother," said Sydney Carton.
|
||
|
|
||
|
"You think not, sir?"
|
||
|
|
||
|
"I have thoroughly made up my mind about it."
|
||
|
|
||
|
The smooth manner of the spy, curiously in dissonance with his
|
||
|
ostentatiously rough dress, and probably with his usual demeanour,
|
||
|
received such a check from the inscrutability of Carton,--who was a
|
||
|
mystery to wiser and honester men than he,--that it faltered here and
|
||
|
failed him. While he was at a loss, Carton said, resuming his former
|
||
|
air of contemplating cards:
|
||
|
|
||
|
"And indeed, now I think again, I have a strong impression that I
|
||
|
have another good card here, not yet enumerated. That friend and
|
||
|
fellow-Sheep, who spoke of himself as pasturing in the country prisons;
|
||
|
who was he?"
|
||
|
|
||
|
"French. You don't know him," said the spy, quickly.
|
||
|
|
||
|
"French, eh?" repeated Carton, musing, and not appearing to notice
|
||
|
him at all, though he echoed his word. "Well; he may be."
|
||
|
|
||
|
"Is, I assure you," said the spy; "though it's not important."
|
||
|
|
||
|
"Though it's not important," repeated Carton, in the same mechanical
|
||
|
way--"though it's not important--No, it's not important. No. Yet I
|
||
|
know the face."
|
||
|
|
||
|
"I think not. I am sure not. It can't be," said the spy.
|
||
|
|
||
|
"It-can't-be," muttered Sydney Carton, retrospectively, and idling
|
||
|
his glass (which fortunately was a small one) again. "Can't-be.
|
||
|
Spoke good French. Yet like a foreigner, I thought?"
|
||
|
|
||
|
"Provincial," said the spy.
|
||
|
|
||
|
"No. Foreign!" cried Carton, striking his open hand on the table, as
|
||
|
a light broke clearly on his mind. "Cly! Disguised, but the same man.
|
||
|
We had that man before us at the Old Bailey."
|
||
|
|
||
|
"Now, there you are hasty, sir," said Barsad, with a smile that gave
|
||
|
his aquiline nose an extra inclination to one side; "there you really
|
||
|
give me an advantage over you. Cly (who I will unreservedly admit,
|
||
|
at this distance of time, was a partner of mine) has been dead
|
||
|
several years. I attended him in his last illness. He was buried in
|
||
|
London, at the church of Saint Pancras-in-the-Fields. His unpopularity
|
||
|
with the blackguard multitude at the moment prevented my following
|
||
|
his remains, but I helped to lay him in his coffin."
|
||
|
|
||
|
Here, Mr. Lorry became aware, from where he sat, of a most remarkable
|
||
|
goblin shadow on the wall. Tracing it to its source, he discovered
|
||
|
it to be caused by a sudden extraordinary rising and stiffening of
|
||
|
all the risen and stiff hair on Mr. Cruncher's head.
|
||
|
|
||
|
"Let us be reasonable," said the spy, "and let us be fair. To show
|
||
|
you how mistaken you are, and what an unfounded assumption yours is,
|
||
|
I will lay before you a certificate of Cly's burial, which I happened
|
||
|
to have carried in my pocket-book," with a hurried hand he produced
|
||
|
and opened it, "ever since. There it is. Oh, look at it, look at it!
|
||
|
You may take it in your hand; it's no forgery."
|
||
|
|
||
|
Here, Mr. Lorry perceived the reflection on the wall to elongate, and
|
||
|
Mr. Cruncher rose and stepped forward. His hair could not have been
|
||
|
more violently on end, if it had been that moment dressed by the Cow
|
||
|
with the crumpled horn in the house that Jack built.
|
||
|
|
||
|
Unseen by the spy, Mr. Cruncher stood at his side, and touched him on
|
||
|
the shoulder like a ghostly bailiff.
|
||
|
|
||
|
"That there Roger Cly, master," said Mr. Cruncher, with a taciturn
|
||
|
and iron-bound visage. "So YOU put him in his coffin?"
|
||
|
|
||
|
"I did."
|
||
|
|
||
|
"Who took him out of it?"
|
||
|
|
||
|
Barsad leaned back in his chair, and stammered, "What do you mean?"
|
||
|
|
||
|
"I mean," said Mr. Cruncher, "that he warn't never in it. No! Not he!
|
||
|
I'll have my head took off, if he was ever in it."
|
||
|
|
||
|
The spy looked round at the two gentlemen; they both looked in
|
||
|
unspeakable astonishment at Jerry.
|
||
|
|
||
|
"I tell you," said Jerry, "that you buried paving-stones and earth in
|
||
|
that there coffin. Don't go and tell me that you buried Cly. It was
|
||
|
a take in. Me and two more knows it."
|
||
|
|
||
|
"How do you know it?"
|
||
|
|
||
|
"What's that to you? Ecod!" growled Mr. Cruncher, "it's you I have got
|
||
|
a old grudge again, is it, with your shameful impositions upon tradesmen!
|
||
|
I'd catch hold of your throat and choke you for half a guinea."
|
||
|
|
||
|
Sydney Carton, who, with Mr. Lorry, had been lost in amazement at
|
||
|
this turn of the business, here requested Mr. Cruncher to moderate
|
||
|
and explain himself.
|
||
|
|
||
|
"At another time, sir," he returned, evasively, "the present time is
|
||
|
ill-conwenient for explainin'. What I stand to, is, that he knows
|
||
|
well wot that there Cly was never in that there coffin. Let him say
|
||
|
he was, in so much as a word of one syllable, and I'll either catch
|
||
|
hold of his throat and choke him for half a guinea;" Mr. Cruncher
|
||
|
dwelt upon this as quite a liberal offer; "or I'll out and announce him."
|
||
|
|
||
|
"Humph! I see one thing," said Carton. "I hold another card,
|
||
|
Mr. Barsad. Impossible, here in raging Paris, with Suspicion filling
|
||
|
the air, for you to outlive denunciation, when you are in communication
|
||
|
with another aristocratic spy of the same antecedents as yourself,
|
||
|
who, moreover, has the mystery about him of having feigned death and
|
||
|
come to life again! A plot in the prisons, of the foreigner against
|
||
|
the Republic. A strong card--a certain Guillotine card! Do you play?"
|
||
|
|
||
|
"No!" returned the spy. "I throw up. I confess that we were so
|
||
|
unpopular with the outrageous mob, that I only got away from England
|
||
|
at the risk of being ducked to death, and that Cly was so ferreted up
|
||
|
and down, that he never would have got away at all but for that sham.
|
||
|
Though how this man knows it was a sham, is a wonder of wonders to me."
|
||
|
|
||
|
"Never you trouble your head about this man," retorted the
|
||
|
contentious Mr. Cruncher; "you'll have trouble enough with giving
|
||
|
your attention to that gentleman. And look here! Once more!"--
|
||
|
Mr. Cruncher could not be restrained from making rather an ostentatious
|
||
|
parade of his liberality--"I'd catch hold of your throat and choke
|
||
|
you for half a guinea."
|
||
|
|
||
|
The Sheep of the prisons turned from him to Sydney Carton, and said,
|
||
|
with more decision, "It has come to a point. I go on duty soon, and
|
||
|
can't overstay my time. You told me you had a proposal; what is it?
|
||
|
Now, it is of no use asking too much of me. Ask me to do anything in
|
||
|
my office, putting my head in great extra danger, and I had better
|
||
|
trust my life to the chances of a refusal than the chances of consent.
|
||
|
In short, I should make that choice. You talk of desperation.
|
||
|
We are all desperate here. Remember! I may denounce you if I think
|
||
|
proper, and I can swear my way through stone walls, and so can others.
|
||
|
Now, what do you want with me?"
|
||
|
|
||
|
"Not very much. You are a turnkey at the Conciergerie?"
|
||
|
|
||
|
"I tell you once for all, there is no such thing as an escape possible,"
|
||
|
said the spy, firmly.
|
||
|
|
||
|
"Why need you tell me what I have not asked? You are a turnkey at the
|
||
|
Conciergerie?"
|
||
|
|
||
|
"I am sometimes."
|
||
|
|
||
|
"You can be when you choose?"
|
||
|
|
||
|
"I can pass in and out when I choose."
|
||
|
|
||
|
Sydney Carton filled another glass with brandy, poured it slowly out
|
||
|
upon the hearth, and watched it as it dropped. It being all spent,
|
||
|
he said, rising:
|
||
|
|
||
|
"So far, we have spoken before these two, because it was as well that
|
||
|
the merits of the cards should not rest solely between you and me.
|
||
|
Come into the dark room here, and let us have one final word alone."
|
||
|
|
||
|
|
||
|
|
||
|
IX
|
||
|
|
||
|
The Game Made
|
||
|
|
||
|
|
||
|
While Sydney Carton and the Sheep of the prisons were in the
|
||
|
adjoining dark room, speaking so low that not a sound was heard,
|
||
|
Mr. Lorry looked at Jerry in considerable doubt and mistrust. That
|
||
|
honest tradesman's manner of receiving the look, did not inspire
|
||
|
confidence; he changed the leg on which he rested, as often as if he
|
||
|
had fifty of those limbs, and were trying them all; he examined his
|
||
|
finger-nails with a very questionable closeness of attention; and
|
||
|
whenever Mr. Lorry's eye caught his, he was taken with that peculiar
|
||
|
kind of short cough requiring the hollow of a hand before it, which
|
||
|
is seldom, if ever, known to be an infirmity attendant on perfect
|
||
|
openness of character.
|
||
|
|
||
|
"Jerry," said Mr. Lorry. "Come here."
|
||
|
|
||
|
Mr. Cruncher came forward sideways, with one of his shoulders in
|
||
|
advance of him.
|
||
|
|
||
|
"What have you been, besides a messenger?"
|
||
|
|
||
|
After some cogitation, accompanied with an intent look at his patron,
|
||
|
Mr. Cruncher conceived the luminous idea of replying, "Agicultooral
|
||
|
character."
|
||
|
|
||
|
"My mind misgives me much," said Mr. Lorry, angrily shaking a
|
||
|
forefinger at him, "that you have used the respectable and great
|
||
|
house of Tellson's as a blind, and that you have had an unlawful
|
||
|
occupation of an infamous description. If you have, don't expect me
|
||
|
to befriend you when you get back to England. If you have, don't
|
||
|
expect me to keep your secret. Tellson's shall not be imposed upon."
|
||
|
|
||
|
"I hope, sir," pleaded the abashed Mr. Cruncher, "that a gentleman
|
||
|
like yourself wot I've had the honour of odd jobbing till I'm grey at
|
||
|
it, would think twice about harming of me, even if it wos so--I don't
|
||
|
say it is, but even if it wos. And which it is to be took into
|
||
|
account that if it wos, it wouldn't, even then, be all o' one side.
|
||
|
There'd be two sides to it. There might be medical doctors at the
|
||
|
present hour, a picking up their guineas where a honest tradesman
|
||
|
don't pick up his fardens--fardens! no, nor yet his half fardens--
|
||
|
half fardens! no, nor yet his quarter--a banking away like smoke at
|
||
|
Tellson's, and a cocking their medical eyes at that tradesman on the
|
||
|
sly, a going in and going out to their own carriages--ah! equally
|
||
|
like smoke, if not more so. Well, that 'ud be imposing, too, on
|
||
|
Tellson's. For you cannot sarse the goose and not the gander.
|
||
|
And here's Mrs. Cruncher, or leastways wos in the Old England times,
|
||
|
and would be to-morrow, if cause given, a floppin' again the business
|
||
|
to that degree as is ruinating--stark ruinating! Whereas them medical
|
||
|
doctors' wives don't flop--catch 'em at it! Or, if they flop, their
|
||
|
toppings goes in favour of more patients, and how can you rightly
|
||
|
have one without t'other? Then, wot with undertakers, and wot with
|
||
|
parish clerks, and wot with sextons, and wot with private watchmen
|
||
|
(all awaricious and all in it), a man wouldn't get much by it, even
|
||
|
if it wos so. And wot little a man did get, would never prosper with
|
||
|
him, Mr. Lorry. He'd never have no good of it; he'd want all along
|
||
|
to be out of the line, if he, could see his way out, being once in--
|
||
|
even if it wos so."
|
||
|
|
||
|
"Ugh!" cried Mr. Lorry, rather relenting, nevertheless, "I am shocked
|
||
|
at the sight of you."
|
||
|
|
||
|
"Now, what I would humbly offer to you, sir," pursued Mr. Cruncher,
|
||
|
"even if it wos so, which I don't say it is--"
|
||
|
|
||
|
"Don't prevaricate," said Mr. Lorry.
|
||
|
|
||
|
"No, I will NOT, sir," returned Mr. Crunches as if nothing were
|
||
|
further from his thoughts or practice--"which I don't say it is--wot
|
||
|
I would humbly offer to you, sir, would be this. Upon that there
|
||
|
stool, at that there Bar, sets that there boy of mine, brought up and
|
||
|
growed up to be a man, wot will errand you, message you, general-
|
||
|
light-job you, till your heels is where your head is, if such should
|
||
|
be your wishes. If it wos so, which I still don't say it is (for I
|
||
|
will not prewaricate to you, sir), let that there boy keep his
|
||
|
father's place, and take care of his mother; don't blow upon that
|
||
|
boy's father--do not do it, sir--and let that father go into the line
|
||
|
of the reg'lar diggin', and make amends for what he would have
|
||
|
undug--if it wos so-by diggin' of 'em in with a will, and with
|
||
|
conwictions respectin' the futur' keepin' of 'em safe. That,
|
||
|
Mr. Lorry," said Mr. Cruncher, wiping his forehead with his arm, as
|
||
|
an announcement that he had arrived at the peroration of his
|
||
|
discourse, "is wot I would respectfully offer to you, sir. A man
|
||
|
don't see all this here a goin' on dreadful round him, in the way of
|
||
|
Subjects without heads, dear me, plentiful enough fur to bring the
|
||
|
price down to porterage and hardly that, without havin' his serious
|
||
|
thoughts of things. And these here would be mine, if it wos so,
|
||
|
entreatin' of you fur to bear in mind that wot I said just now, I up
|
||
|
and said in the good cause when I might have kep' it back."
|
||
|
|
||
|
"That at least is true, said Mr. Lorry. "Say no more now. It may be
|
||
|
that I shall yet stand your friend, if you deserve it, and repent in
|
||
|
action--not in words. I want no more words."
|
||
|
|
||
|
Mr. Cruncher knuckled his forehead, as Sydney Carton and the spy
|
||
|
returned from the dark room. "Adieu, Mr. Barsad," said the former;
|
||
|
"our arrangement thus made, you have nothing to fear from me."
|
||
|
|
||
|
He sat down in a chair on the hearth, over against Mr. Lorry.
|
||
|
When they were alone, Mr. Lorry asked him what he had done?
|
||
|
|
||
|
"Not much. If it should go ill with the prisoner, I have ensured
|
||
|
access to him, once."
|
||
|
|
||
|
Mr. Lorry's countenance fell.
|
||
|
|
||
|
"It is all I could do," said Carton. "To propose too much, would be
|
||
|
to put this man's head under the axe, and, as he himself said,
|
||
|
nothing worse could happen to him if he were denounced. It was
|
||
|
obviously the weakness of the position. There is no help for it."
|
||
|
|
||
|
"But access to him," said Mr. Lorry, "if it should go ill before the
|
||
|
Tribunal, will not save him."
|
||
|
|
||
|
"I never said it would."
|
||
|
|
||
|
Mr. Lorry's eyes gradually sought the fire; his sympathy with his
|
||
|
darling, and the heavy disappointment of his second arrest, gradually
|
||
|
weakened them; he was an old man now, overborne with anxiety of late,
|
||
|
and his tears fell.
|
||
|
|
||
|
"You are a good man and a true friend," said Carton, in an altered
|
||
|
voice. "Forgive me if I notice that you are affected. I could not
|
||
|
see my father weep, and sit by, careless. And I could not respect
|
||
|
your sorrow more, if you were my father. You are free from that
|
||
|
misfortune, however."
|
||
|
|
||
|
Though he said the last words, with a slip into his usual manner,
|
||
|
there was a true feeling and respect both in his tone and in his
|
||
|
touch, that Mr. Lorry, who had never seen the better side of him,
|
||
|
was wholly unprepared for. He gave him his band, and Carton gently
|
||
|
pressed it.
|
||
|
|
||
|
"To return to poor Darnay," said Carton. "Don't tell Her of this
|
||
|
interview, or this arrangement. It would not enable Her to go to see
|
||
|
him. She might think it was contrived, in case of the worse, to
|
||
|
convey to him the means of anticipating the sentence."
|
||
|
|
||
|
Mr. Lorry had not thought of that, and he looked quickly at Carton to
|
||
|
see if it were in his mind. It seemed to be; he returned the look,
|
||
|
and evidently understood it.
|
||
|
|
||
|
"She might think a thousand things," Carton said, "and any of them
|
||
|
would only add to her trouble. Don't speak of me to her. As I said
|
||
|
to you when I first came, I had better not see her. I can put my
|
||
|
hand out, to do any little helpful work for her that my hand can find
|
||
|
to do, without that. You are going to her, I hope? She must be very
|
||
|
desolate to-night."
|
||
|
|
||
|
"I am going now, directly."
|
||
|
|
||
|
"I am glad of that. She has such a strong attachment to you and
|
||
|
reliance on you. How does she look?"
|
||
|
|
||
|
"Anxious and unhappy, but very beautiful."
|
||
|
|
||
|
"Ah!"
|
||
|
|
||
|
It was a long, grieving sound, like a sigh--almost like a sob. It
|
||
|
attracted Mr. Lorry's eyes to Carton's face, which was turned to the
|
||
|
fire. A light, or a shade (the old gentleman could not have said
|
||
|
which), passed from it as swiftly as a change will sweep over a
|
||
|
hill-side on a wild bright day, and he lifted his foot to put back
|
||
|
one of the little flaming logs, which was tumbling forward. He wore
|
||
|
the white riding-coat and top-boots, then in vogue, and the light of
|
||
|
the fire touching their light surfaces made him look very pale, with
|
||
|
his long brown hair, all untrimmed, hanging loose about him. His
|
||
|
indifference to fire was sufficiently remarkable to elicit a word of
|
||
|
remonstrance from Mr. Lorry; his boot was still upon the hot embers
|
||
|
of the flaming log, when it had broken under the weight of Ms foot.
|
||
|
|
||
|
"I forgot it," he said.
|
||
|
|
||
|
Mr. Lorry's eyes were again attracted to his face. Taking note of
|
||
|
the wasted air which clouded the naturally handsome features, and
|
||
|
having the expression of prisoners' faces fresh in his mind, he was
|
||
|
strongly reminded of that expression.
|
||
|
|
||
|
"And your duties here have drawn to an end, sir?" said Carton,
|
||
|
turning to him.
|
||
|
|
||
|
"Yes. As I was telling you last night when Lucie came in so
|
||
|
unexpectedly, I have at length done all that I can do here. I hoped
|
||
|
to have left them in perfect safety, and then to have quitted Paris.
|
||
|
I have my Leave to Pass. I was ready to go."
|
||
|
|
||
|
They were both silent.
|
||
|
|
||
|
"Yours is a long life to look back upon, sir?" said Carton, wistfully.
|
||
|
|
||
|
"I am in my seventy-eighth year."
|
||
|
|
||
|
"You have been useful all your life; steadily and constantly occupied;
|
||
|
trusted, respected, and looked up to?"
|
||
|
|
||
|
"I have been a man of business, ever since I have been a man.
|
||
|
indeed, I may say that I was a man of business when a boy."
|
||
|
|
||
|
"See what a place you fill at seventy-eight. How many people will
|
||
|
miss you when you leave it empty!"
|
||
|
|
||
|
"A solitary old bachelor," answered Mr. Lorry, shaking his
|
||
|
head. "There is nobody to weep for me."
|
||
|
|
||
|
"How can you say that? Wouldn't She weep for you? Wouldn't her child?"
|
||
|
|
||
|
"Yes, yes, thank God. I didn't quite mean what I said."
|
||
|
|
||
|
"It IS a thing to thank God for; is it not?"
|
||
|
|
||
|
"Surely, surely."
|
||
|
|
||
|
"If you could say, with truth, to your own solitary heart, to-night,
|
||
|
'I have secured to myself the love and attachment, the gratitude or
|
||
|
respect, of no human creature; I have won myself a tender place in no
|
||
|
regard; I have done nothing good or serviceable to be remembered by!'
|
||
|
your seventy-eight years would be seventy-eight heavy curses; would
|
||
|
they not?"
|
||
|
|
||
|
"You say truly, Mr. Carton; I think they would be."
|
||
|
|
||
|
Sydney turned his eyes again upon the fire, and, after a silence of a
|
||
|
few moments, said:
|
||
|
|
||
|
"I should like to ask you:--Does your childhood seem far off? Do the
|
||
|
days when you sat at your mother's knee, seem days of very long ago?"
|
||
|
|
||
|
Responding to his softened manner, Mr. Lorry answered:
|
||
|
|
||
|
"Twenty years back, yes; at this time of my life, no. For, as I draw
|
||
|
closer and closer to the end, I travel in the circle, nearer and
|
||
|
nearer to the beginning. It seems to be one of the kind smoothings
|
||
|
and preparings of the way. My heart is touched now, by many
|
||
|
remembrances that had long fallen asleep, of my pretty young mother
|
||
|
(and I so old!), and by many associations of the days when what we
|
||
|
call the World was not so real with me, and my faults were not
|
||
|
confirmed in me."
|
||
|
|
||
|
"I understand the feeling!" exclaimed Carton, with a bright flush.
|
||
|
"And you are the better for it?"
|
||
|
|
||
|
"I hope so."
|
||
|
|
||
|
Carton terminated the conversation here, by rising to help him on
|
||
|
with his outer coat; "But you," said Mr. Lorry, reverting to the theme,
|
||
|
"you are young."
|
||
|
|
||
|
"Yes," said Carton. "I am not old, but my young way was never the
|
||
|
way to age. Enough of me."
|
||
|
|
||
|
"And of me, I am sure," said Mr. Lorry. "Are you going out?"
|
||
|
|
||
|
"I'll walk with you to her gate. You know my vagabond and restless
|
||
|
habits. If I should prowl about the streets a long time, don't be
|
||
|
uneasy; I shall reappear in the morning. You go to the Court to-morrow?"
|
||
|
|
||
|
"Yes, unhappily."
|
||
|
|
||
|
"I shall be there, but only as one of the crowd. My Spy will find a
|
||
|
place for me. Take my arm, sir."
|
||
|
|
||
|
Mr. Lorry did so, and they went down-stairs and out in the streets.
|
||
|
A few minutes brought them to Mr. Lorry's destination. Carton left
|
||
|
him there; but lingered at a little distance, and turned back to the
|
||
|
gate again when it was shut, and touched it. He had heard of her
|
||
|
going to the prison every day. "She came out here," he said, looking
|
||
|
about him, "turned this way, must have trod on these stones often.
|
||
|
Let me follow in her steps."
|
||
|
|
||
|
It was ten o'clock at night when he stood before the prison of La
|
||
|
Force, where she had stood hundreds of times. A little wood-sawyer,
|
||
|
having closed his shop, was smoking his pipe at his shop-door.
|
||
|
|
||
|
"Good night, citizen," said Sydney Carton, pausing in going by;
|
||
|
for, the man eyed him inquisitively.
|
||
|
|
||
|
"Good night, citizen."
|
||
|
|
||
|
"How goes the Republic?"
|
||
|
|
||
|
"You mean the Guillotine. Not ill. Sixty-three to-day. We shall
|
||
|
mount to a hundred soon. Samson and his men complain sometimes, of
|
||
|
being exhausted. Ha, ha, ha! He is so droll, that Samson.
|
||
|
Such a Barber!"
|
||
|
|
||
|
"Do you often go to see him--"
|
||
|
|
||
|
"Shave? Always. Every day. What a barber! You have seen him at work?"
|
||
|
|
||
|
"Never."
|
||
|
|
||
|
"Go and see him when he has a good batch. Figure this to yourself,
|
||
|
citizen; he shaved the sixty-three to-day, in less than two pipes!
|
||
|
Less than two pipes. Word of honour!"
|
||
|
|
||
|
As the grinning little man held out the pipe he was smoking, to
|
||
|
explain how he timed the executioner, Carton was so sensible of a
|
||
|
rising desire to strike the life out of him, that he turned away.
|
||
|
|
||
|
"But you are not English," said the wood-sawyer, "though you wear
|
||
|
English dress?"
|
||
|
|
||
|
"Yes," said Carton, pausing again, and answering over his shoulder.
|
||
|
|
||
|
"You speak like a Frenchman."
|
||
|
|
||
|
"I am an old student here."
|
||
|
|
||
|
"Aha, a perfect Frenchman! Good night, Englishman."
|
||
|
|
||
|
"Good night, citizen."
|
||
|
|
||
|
"But go and see that droll dog," the little man persisted, calling
|
||
|
after him. "And take a pipe with you!"
|
||
|
|
||
|
Sydney had not gone far out of sight, when he stopped in the middle
|
||
|
of the street under a glimmering lamp, and wrote with his pencil on a
|
||
|
scrap of paper. Then, traversing with the decided step of one who
|
||
|
remembered the way well, several dark and dirty streets--much dirtier
|
||
|
than usual, for the best public thoroughfares remained uncleansed in
|
||
|
those times of terror--he stopped at a chemist's shop, which the
|
||
|
owner was closing with his own hands. A small, dim, crooked shop,
|
||
|
kept in a tortuous, up-hill thoroughfare, by a small, dim, crooked man.
|
||
|
|
||
|
Giving this citizen, too, good night, as he confronted him at his
|
||
|
counter, he laid the scrap of paper before him. "Whew!" the chemist
|
||
|
whistled softly, as he read it. "Hi! hi! hi!"
|
||
|
|
||
|
Sydney Carton took no heed, and the chemist said:
|
||
|
|
||
|
"For you, citizen?"
|
||
|
|
||
|
"For me."
|
||
|
|
||
|
"You will be careful to keep them separate, citizen? You know the
|
||
|
consequences of mixing them?"
|
||
|
|
||
|
"Perfectly."
|
||
|
|
||
|
Certain small packets were made and given to him. He put them, one
|
||
|
by one, in the breast of his inner coat, counted out the money for
|
||
|
them, and deliberately left the shop. "There is nothing more to do,"
|
||
|
said he, glancing upward at the moon, "until to-morrow. I can't sleep."
|
||
|
|
||
|
It was not a reckless manner, the manner in which he said these words
|
||
|
aloud under the fast-sailing clouds, nor was it more expressive of
|
||
|
negligence than defiance. It was the settled manner of a tired man,
|
||
|
who had wandered and struggled and got lost, but who at length struck
|
||
|
into his road and saw its end.
|
||
|
|
||
|
Long ago, when he had been famous among his earliest competitors as a
|
||
|
youth of great promise, be had followed his father to the grave.
|
||
|
His mother had died, years before. These solemn words, which had
|
||
|
been read at his father's grave, arose in his mind as he went down
|
||
|
the dark streets, among the heavy shadows, with the moon and the
|
||
|
clouds sailing on high above him. "I am the resurrection and the
|
||
|
life, saith the Lord: he that believeth in me, though he were dead,
|
||
|
yet shall he live: and whosoever liveth and believeth in me, shall
|
||
|
never die."
|
||
|
|
||
|
In a city dominated by the axe, alone at night, with natural sorrow
|
||
|
rising in him for the sixty-three who had been that day put to death,
|
||
|
and for to-morrow's victims then awaiting their doom in the prisons,
|
||
|
and still of to-morrow's and to-morrow's, the chain of association
|
||
|
that brought the words home, like a rusty old ship's anchor from the
|
||
|
deep, might have been easily found. He did not seek it, but repeated
|
||
|
them and went on.
|
||
|
|
||
|
With a solemn interest in the lighted windows where the people were
|
||
|
going to rest, forgetful through a few calm hours of the horrors
|
||
|
surrounding them; in the towers of the churches, where no prayers
|
||
|
were said, for the popular revulsion had even travelled that length
|
||
|
of self-destruction from years of priestly impostors, plunderers, and
|
||
|
profligates; in the distant burial-places, reserved, as they wrote
|
||
|
upon the gates, for Eternal Sleep; in the abounding gaols; and in the
|
||
|
streets along which the sixties rolled to a death which had become so
|
||
|
common and material, that no sorrowful story of a haunting Spirit
|
||
|
ever arose among the people out of all the working of the Guillotine;
|
||
|
with a solemn interest in the whole life and death of the city
|
||
|
settling down to its short nightly pause in fury; Sydney Carton
|
||
|
crossed the Seine again for the lighter streets.
|
||
|
|
||
|
Few coaches were abroad, for riders in coaches were liable to be
|
||
|
suspected, and gentility hid its head in red nightcaps, and put on
|
||
|
heavy shoes, and trudged. But, the theatres were all well filled,
|
||
|
and the people poured cheerfully out as he passed, and went chatting
|
||
|
home. At one of the theatre doors, there was a little girl with a
|
||
|
mother, looking for a way across the street through the mud.
|
||
|
He carried the child over, and before, the timid arm was loosed from
|
||
|
his neck asked her for a kiss.
|
||
|
|
||
|
"I am the resurrection and the life, saith the Lord: he that
|
||
|
believeth in me, though he were dead, yet shall he live: and
|
||
|
whosoever liveth and believeth in me, shall never die."
|
||
|
|
||
|
Now, that the streets were quiet, and the night wore on, the words
|
||
|
were in the echoes of his feet, and were in the air. Perfectly calm
|
||
|
and steady, he sometimes repeated them to himself as he walked; but,
|
||
|
he heard them always.
|
||
|
|
||
|
The night wore out, and, as he stood upon the bridge listening to the
|
||
|
water as it splashed the river-walls of the Island of Paris, where
|
||
|
the picturesque confusion of houses and cathedral shone bright in the
|
||
|
light of the moon, the day came coldly, looking like a dead face out
|
||
|
of the sky. Then, the night, with the moon and the stars, turned pale
|
||
|
and died, and for a little while it seemed as if Creation were
|
||
|
delivered over to Death's dominion.
|
||
|
|
||
|
But, the glorious sun, rising, seemed to strike those words, that
|
||
|
burden of the night, straight and warm to his heart in its long
|
||
|
bright rays. And looking along them, with reverently shaded eyes,
|
||
|
a bridge of light appeared to span the air between him and the sun,
|
||
|
while the river sparkled under it.
|
||
|
|
||
|
The strong tide, so swift, so deep, and certain, was like a congenial
|
||
|
friend, in the morning stillness. He walked by the stream, far from
|
||
|
the houses, and in the light and warmth of the sun fell asleep on the
|
||
|
bank. When he awoke and was afoot again, he lingered there yet a
|
||
|
little longer, watching an eddy that turned and turned purposeless,
|
||
|
until the stream absorbed it, and carried it on to the sea.--"Like me."
|
||
|
|
||
|
A trading-boat, with a sail of the softened colour of a dead leaf,
|
||
|
then glided into his view, floated by him, and died away. As its
|
||
|
silent track in the water disappeared, the prayer that had broken up
|
||
|
out of his heart for a merciful consideration of all his poor
|
||
|
blindnesses and errors, ended in the words, "I am the resurrection
|
||
|
and the life."
|
||
|
|
||
|
Mr. Lorry was already out when he got back, and it was easy to
|
||
|
surmise where the good old man was gone. Sydney Carton drank nothing
|
||
|
but a tittle coffee, ate some bread, and, having washed and changed
|
||
|
to refresh himself, went out to the place of trial.
|
||
|
|
||
|
The court was all astir and a-buzz, when the black sheep--whom many
|
||
|
fell away from in dread--pressed him into an obscure corner among the
|
||
|
crowd. Mr. Lorry was there, and Doctor Manette was there. She was
|
||
|
there, sitting beside her father.
|
||
|
|
||
|
When her husband was brought in, she turned a look upon him, so
|
||
|
sustaining, so encouraging, so full of admiring love and pitying
|
||
|
tenderness, yet so courageous for his sake, that it called the
|
||
|
healthy blood into his face, brightened his glance, and animated his
|
||
|
heart. If there had been any eyes to notice the influence of her
|
||
|
look, on Sydney Carton, it would have been seen to be the same
|
||
|
influence exactly.
|
||
|
|
||
|
Before that unjust Tribunal, there was little or no order of
|
||
|
procedure, ensuring to any accused person any reasonable hearing.
|
||
|
There could have been no such Revolution, if all laws, forms, and
|
||
|
ceremonies, had not first been so monstrously abused, that the
|
||
|
suicidal vengeance of the Revolution was to scatter them all to the
|
||
|
winds.
|
||
|
|
||
|
Every eye was turned to the jury. The same determined patriots and
|
||
|
good republicans as yesterday and the day before, and to-morrow and
|
||
|
the day after. Eager and prominent among them, one man with a
|
||
|
craving face, and his fingers perpetually hovering about his lips,
|
||
|
whose appearance gave great satisfaction to the spectators. A life-
|
||
|
thirsting, cannibal-looking, bloody-minded juryman, the Jacques Three
|
||
|
of St. Antoine. The whole jury, as a jury of dogs empannelled to try
|
||
|
the deer.
|
||
|
|
||
|
Every eye then turned to the five judges and the public prosecutor.
|
||
|
No favourable leaning in that quarter to-day. A fell, uncompromising,
|
||
|
murderous business-meaning there. Every eye then sought some other
|
||
|
eye in the crowd, and gleamed at it approvingly; and heads nodded at
|
||
|
one another, before bending forward with a strained attention.
|
||
|
|
||
|
Charles Evremonde, called Darnay. Released yesterday. Reaccused and
|
||
|
retaken yesterday. Indictment delivered to him last night. Suspected
|
||
|
and Denounced enemy of the Republic, Aristocrat, one of a family of
|
||
|
tyrants, one of a race proscribed, for that they had used their
|
||
|
abolished privileges to the infamous oppression of the people.
|
||
|
Charles Evremonde, called Darnay, in right of such proscription,
|
||
|
absolutely Dead in Law.
|
||
|
|
||
|
To this effect, in as few or fewer words, the Public Prosecutor.
|
||
|
|
||
|
The President asked, was the Accused openly denounced or secretly?
|
||
|
|
||
|
"Openly, President."
|
||
|
|
||
|
"By whom?"
|
||
|
|
||
|
"Three voices. Ernest Defarge, wine-vendor of St. Antoine."
|
||
|
|
||
|
"Good."
|
||
|
|
||
|
"Therese Defarge, his wife."
|
||
|
|
||
|
"Good."
|
||
|
|
||
|
"Alexandre Manette, physician."
|
||
|
|
||
|
A great uproar took place in the court, and in the midst of it,
|
||
|
Doctor Manette was seen, pale and trembling, standing where he had
|
||
|
been seated.
|
||
|
|
||
|
"President, I indignantly protest to you that this is a forgery and a
|
||
|
fraud. You know the accused to be the husband of my daughter. My
|
||
|
daughter, and those dear to her, are far dearer to me than my life.
|
||
|
Who and where is the false conspirator who says that I denounce the
|
||
|
husband of my child!"
|
||
|
|
||
|
"Citizen Manette, be tranquil. To fail in submission to the
|
||
|
authority of the Tribunal would be to put yourself out of Law.
|
||
|
As to what is dearer to you than life, nothing can be so dear to a
|
||
|
good citizen as the Republic."
|
||
|
|
||
|
Loud acclamations hailed this rebuke. The President rang his bell,
|
||
|
and with warmth resumed.
|
||
|
|
||
|
"If the Republic should demand of you the sacrifice of your child
|
||
|
herself, you would have no duty but to sacrifice her. Listen to what
|
||
|
is to follow. In the meanwhile, be silent!"
|
||
|
|
||
|
Frantic acclamations were again raised. Doctor Manette sat down,
|
||
|
with his eyes looking around, and his lips trembling; his daughter
|
||
|
drew closer to him. The craving man on the jury rubbed his hands
|
||
|
together, and restored the usual hand to his mouth.
|
||
|
|
||
|
Defarge was produced, when the court was quiet enough to admit of his
|
||
|
being heard, and rapidly expounded the story of the imprisonment, and
|
||
|
of his having been a mere boy in the Doctor's service, and of the
|
||
|
release, and of the state of the prisoner when released and delivered
|
||
|
to him. This short examination followed, for the court was quick
|
||
|
with its work.
|
||
|
|
||
|
"You did good service at the taking of the Bastille, citizen?"
|
||
|
|
||
|
"I believe so."
|
||
|
|
||
|
Here, an excited woman screeched from the crowd: "You were one of the
|
||
|
best patriots there. Why not say so? You were a cannoneer that day
|
||
|
there, and you were among the first to enter the accursed fortress
|
||
|
when it fell. Patriots, I speak the truth!"
|
||
|
|
||
|
It was The Vengeance who, amidst the warm commendations of the
|
||
|
audience, thus assisted the proceedings. The President rang his
|
||
|
bell; but, The Vengeance, warming with encouragement, shrieked,
|
||
|
"I defy that bell!" wherein she was likewise much commended.
|
||
|
|
||
|
"Inform the Tribunal of what you did that day within the Bastille,
|
||
|
citizen."
|
||
|
|
||
|
"I knew," said Defarge, looking down at his wife, who stood at the
|
||
|
bottom of the steps on which he was raised, looking steadily up at
|
||
|
him; "I knew that this prisoner, of whom I speak, had been confined
|
||
|
in a cell known as One Hundred and Five, North Tower. I knew it from
|
||
|
himself. He knew himself by no other name than One Hundred and Five,
|
||
|
North Tower, when he made shoes under my care. As I serve my gun
|
||
|
that day, I resolve, when the place shall fall, to examine that cell.
|
||
|
It falls. I mount to the cell, with a fellow-citizen who is one of
|
||
|
the Jury, directed by a gaoler. I examine it, very closely. In a
|
||
|
hole in the chimney, where a stone has been worked out and replaced,
|
||
|
I find a written paper. This is that written paper. I have made it
|
||
|
my business to examine some specimens of the writing of Doctor
|
||
|
Manette. This is the writing of Doctor Manette. I confide this
|
||
|
paper, in the writing of Doctor Manette, to the hands of the President."
|
||
|
|
||
|
"Let it be read."
|
||
|
|
||
|
In a dead silence and stillness--the prisoner under trial looking
|
||
|
lovingly at his wife, his wife only looking from him to look with
|
||
|
solicitude at her father, Doctor Manette keeping his eyes fixed on
|
||
|
the reader, Madame Defarge never taking hers from the prisoner,
|
||
|
Defarge never taking his from his feasting wife, and all the other
|
||
|
eyes there intent upon the Doctor, who saw none of them--the paper
|
||
|
was read, as follows.
|
||
|
|
||
|
|
||
|
|
||
|
X
|
||
|
|
||
|
THE Substance of the Shadow
|
||
|
|
||
|
|
||
|
"I, Alexandre Manette, unfortunate physician, native of Beauvais,
|
||
|
and afterwards resident in Paris, write this melancholy paper in my
|
||
|
doleful cell in the Bastille, during the last month of the year,
|
||
|
1767. I write it at stolen intervals, under every difficulty.
|
||
|
I design to secrete it in the wall of the chimney, where I have
|
||
|
slowly and laboriously made a place of concealment for it. Some
|
||
|
pitying hand may find it there, when I and my sorrows are dust.
|
||
|
|
||
|
"These words are formed by the rusty iron point with which I write
|
||
|
with difficulty in scrapings of soot and charcoal from the chimney,
|
||
|
mixed with blood, in the last month of the tenth year of my captivity.
|
||
|
Hope has quite departed from my breast. I know from terrible
|
||
|
warnings I have noted in myself that my reason will not long remain
|
||
|
unimpaired, but I solemnly declare that I am at this time in the
|
||
|
possession of my right mind--that my memory is exact and
|
||
|
circumstantial--and that I write the truth as I shall answer for
|
||
|
these my last recorded words, whether they be ever read by men or not,
|
||
|
at the Eternal Judgment-seat.
|
||
|
|
||
|
"One cloudy moonlight night, in the third week of December (I think
|
||
|
the twenty-second of the month) in the year 1757, I was walking on a
|
||
|
retired part of the quay by the Seine for the refreshment of the
|
||
|
frosty air, at an hour's distance from my place of residence in the
|
||
|
Street of the School of Medicine, when a carriage came along behind
|
||
|
me, driven very fast. As I stood aside to let that carriage pass,
|
||
|
apprehensive that it might otherwise run me down, a head was put out
|
||
|
at the window, and a voice called to the driver to stop.
|
||
|
|
||
|
"The carriage stopped as soon as the driver could rein in his horses,
|
||
|
and the same voice called to me by my name. I answered. The carriage
|
||
|
was then so far in advance of me that two gentlemen had time to open
|
||
|
the door and alight before I came up with it.
|
||
|
|
||
|
I observed that they were both wrapped in cloaks, and appeared to
|
||
|
conceal themselves. As they stood side by side near the carriage
|
||
|
door, I also observed that they both looked of about my own age, or
|
||
|
rather younger, and that they were greatly alike, in stature, manner,
|
||
|
voice, and (as far as I could see) face too.
|
||
|
|
||
|
"`You are Doctor Manette?' said one.
|
||
|
|
||
|
"I am."
|
||
|
|
||
|
"`Doctor Manette, formerly of Beauvais,' said the other; `the young
|
||
|
physician, originally an expert surgeon, who within the last year or
|
||
|
two has made a rising reputation in Paris?'
|
||
|
|
||
|
"`Gentlemen,' I returned, `I am that Doctor Manette of whom you speak
|
||
|
so graciously.'
|
||
|
|
||
|
"`We have been to your residence,' said the first, `and not being so
|
||
|
fortunate as to find you there, and being informed that you were
|
||
|
probably walking in this direction, we followed, in the hope of
|
||
|
overtaking you. Will you please to enter the carriage?'
|
||
|
|
||
|
"The manner of both was imperious, and they both moved, as these
|
||
|
words were spoken, so as to place me between themselves and the
|
||
|
carriage door. They were armed. I was not.
|
||
|
|
||
|
"`Gentlemen,' said I, `pardon me; but I usually inquire who does me
|
||
|
the honour to seek my assistance, and what is the nature of the case
|
||
|
to which I am summoned.'
|
||
|
|
||
|
"The reply to this was made by him who had spoken second.
|
||
|
'Doctor, your clients are people of condition. As to the nature of
|
||
|
the case, our confidence in your skill assures us that you will
|
||
|
ascertain it for yourself better than we can describe it. Enough.
|
||
|
Will you please to enter the carriage?'
|
||
|
|
||
|
"I could do nothing but comply, and I entered it in silence. They
|
||
|
both entered after me--the last springing in, after putting up the
|
||
|
steps. The carriage turned about, and drove on at its former speed.
|
||
|
|
||
|
"I repeat this conversation exactly as it occurred. I have no doubt
|
||
|
that it is, word for word, the same. I describe everything exactly
|
||
|
as it took place, constraining my mind not to wander from the task.
|
||
|
Where I make the broken marks that follow here, I leave off for the
|
||
|
time, and put my paper in its hiding-place.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"The carriage left the streets behind, passed the North Barrier, and
|
||
|
emerged upon the country road. At two-thirds of a league from the
|
||
|
Barrier--I did not estimate the distance at that time, but afterwards
|
||
|
when I traversed it--it struck out of the main avenue, and presently
|
||
|
stopped at a solitary house, We all three alighted, and walked, by a
|
||
|
damp soft footpath in a garden where a neglected fountain had
|
||
|
overflowed, to the door of the house. It was not opened immediately,
|
||
|
in answer to the ringing of the bell, and one of my two conductors
|
||
|
struck the man who opened it, with his heavy riding glove, across the
|
||
|
face.
|
||
|
|
||
|
"There was nothing in this action to attract my particular attention,
|
||
|
for I had seen common people struck more commonly than dogs.
|
||
|
But, the other of the two, being angry likewise, struck the man in
|
||
|
like manner with his arm; the look and bearing of the brothers were
|
||
|
then so exactly alike, that I then first perceived them to be twin
|
||
|
brothers.
|
||
|
|
||
|
"From the time of our alighting at the outer gate (which we found
|
||
|
locked, and which one of the brothers had opened to admit us, and had
|
||
|
relocked), I had heard cries proceeding from an upper chamber. I was
|
||
|
conducted to this chamber straight, the cries growing louder as we
|
||
|
ascended the stairs, and I found a patient in a high fever of the brain,
|
||
|
lying on a bed.
|
||
|
|
||
|
"The patient was a woman of great beauty, and young; assuredly not
|
||
|
much past twenty. Her hair was torn and ragged, and her arms were
|
||
|
bound to her sides with sashes and handkerchiefs. I noticed that
|
||
|
these bonds were all portions of a gentleman's dress. On one of
|
||
|
them, which was a fringed scarf for a dress of ceremony, I saw the
|
||
|
armorial bearings of a Noble, and the letter E.
|
||
|
|
||
|
"I saw this, within the first minute of my contemplation of the
|
||
|
patient; for, in her restless strivings she had turned over on her
|
||
|
face on the edge of the bed, had drawn the end of the scarf into her
|
||
|
mouth, and was in danger of suffocation. My first act was to put out
|
||
|
my hand to relieve her breathing; and in moving the scarf aside, the
|
||
|
embroidery in the corner caught my sight.
|
||
|
|
||
|
"I turned her gently over, placed my hands upon her breast to calm
|
||
|
her and keep her down, and looked into her face. Her eyes were
|
||
|
dilated and wild, and she constantly uttered piercing shrieks, and
|
||
|
repeated the words, `My husband, my father, and my brother!' and
|
||
|
then counted up to twelve, and said, `Hush!' For an instant, and no
|
||
|
more, she would pause to listen, and then the piercing shrieks would
|
||
|
begin again, and she would repeat the cry, `My husband, my father,
|
||
|
and my brother!' and would count up to twelve, and say, `Hush!' There
|
||
|
was no variation in the order, or the manner. There was no cessation,
|
||
|
but the regular moment's pause, in the utterance of these sounds.
|
||
|
|
||
|
"`How long,' I asked, `has this lasted?'
|
||
|
|
||
|
"To distinguish the brothers, I will call them the elder and the
|
||
|
younger; by the elder, I mean him who exercised the most authority.
|
||
|
It was the elder who replied, `Since about this hour last night.'
|
||
|
|
||
|
"`She has a husband, a father, and a brother?'
|
||
|
|
||
|
"`A brother.'
|
||
|
|
||
|
"`I do not address her brother?'
|
||
|
|
||
|
"He answered with great contempt, `No.'
|
||
|
|
||
|
"`She has some recent association with the number twelve?'
|
||
|
|
||
|
"The younger brother impatiently rejoined, `With twelve o'clock?'
|
||
|
|
||
|
"`See, gentlemen,' said I, still keeping my hands upon her breast,
|
||
|
'how useless I am, as you have brought me! If I had known what I was
|
||
|
coming to see, I could have come provided. As it is, time must be
|
||
|
lost. There are no medicines to be obtained in this lonely place.'
|
||
|
|
||
|
"The elder brother looked to the younger, who said haughtily, `There
|
||
|
is a case of medicines here;' and brought it from a closet, and put
|
||
|
it on the table.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"I opened some of the bottles, smelt them, and put the stoppers to my
|
||
|
lips. If I had wanted to use anything save narcotic medicines that
|
||
|
were poisons in themselves, I would not have administered any of those.
|
||
|
|
||
|
"`Do you doubt them?' asked the younger brother.
|
||
|
|
||
|
"`You see, monsieur, I am going to use them,' I replied, and said no
|
||
|
more.
|
||
|
|
||
|
"I made the patient swallow, with great difficulty, and after many
|
||
|
efforts, the dose that I desired to give. As I intended to repeat it
|
||
|
after a while, and as it was necessary to watch its influence, I then
|
||
|
sat down by the side of the bed. There was a timid and suppressed
|
||
|
woman in attendance (wife of the man down-stairs), who had retreated
|
||
|
into a corner. The house was damp and decayed, indifferently
|
||
|
furnished--evidently, recently occupied and temporarily used.
|
||
|
Some thick old hangings had been nailed up before the windows, to
|
||
|
deaden the sound of the shrieks. They continued to be uttered in
|
||
|
their regular succession, with the cry, `My husband, my father, and
|
||
|
my brother!' the counting up to twelve, and `Hush!' The frenzy was
|
||
|
so violent, that I had not unfastened the bandages restraining the
|
||
|
arms; but, I had looked to them, to see that they were not painful.
|
||
|
The only spark of encouragement in the case, was, that my hand upon
|
||
|
the sufferer's breast had this much soothing influence, that for
|
||
|
minutes at a time it tranquillised the figure. It had no effect upon
|
||
|
the cries; no pendulum could be more regular.
|
||
|
|
||
|
"For the reason that my hand had this effect (I assume), I had sat by
|
||
|
the side of the bed for half an hour, with the two brothers looking
|
||
|
on, before the elder said:
|
||
|
|
||
|
"`There is another patient.'
|
||
|
|
||
|
"I was startled, and asked, `Is it a pressing case?'
|
||
|
|
||
|
"`You had better see,' he carelessly answered; and took up a light.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"The other patient lay in a back room across a second staircase,
|
||
|
which was a species of loft over a stable. There was a low plastered
|
||
|
ceiling to a part of it; the rest was open, to the ridge of the tiled
|
||
|
roof, and there were beams across. Hay and straw were stored in that
|
||
|
portion of the place, fagots for firing, and a heap of apples in sand.
|
||
|
I had to pass through that part, to get at the other. My memory is
|
||
|
circumstantial and unshaken. I try it with these details, and I see
|
||
|
them all, in this my cell in the Bastille, near the close of the
|
||
|
tenth year of my captivity, as I saw them all that night.
|
||
|
|
||
|
"On some hay on the ground, with a cushion thrown under his head, lay
|
||
|
a handsome peasant boy--a boy of not more than seventeen at the most.
|
||
|
He lay on his back, with his teeth set, his right hand clenched on
|
||
|
his breast, and his glaring eyes looking straight upward. I could
|
||
|
not see where his wound was, as I kneeled on one knee over him;
|
||
|
but, I could see that he was dying of a wound from a sharp point.
|
||
|
|
||
|
"`I am a doctor, my poor fellow,' said I. `Let me examine it.'
|
||
|
|
||
|
"`I do not want it examined,' he answered; `let it be.'
|
||
|
|
||
|
"It was under his hand, and I soothed him to let me move his hand
|
||
|
away. The wound was a sword-thrust, received from twenty to twenty-
|
||
|
four hours before, but no skill could have saved him if it had been
|
||
|
looked to without delay. He was then dying fast. As I turned my
|
||
|
eyes to the elder brother, I saw him looking down at this handsome
|
||
|
boy whose life was ebbing out, as if he were a wounded bird, or hare,
|
||
|
or rabbit; not at all as if he were a fellow-creature.
|
||
|
|
||
|
"`How has this been done, monsieur?' said I.
|
||
|
|
||
|
"`A crazed young common dog! A serf! Forced my brother to draw upon him,
|
||
|
and has fallen by my brother's sword--like a gentleman.'
|
||
|
|
||
|
"There was no touch of pity, sorrow, or kindred humanity, in this
|
||
|
answer. The speaker seemed to acknowledge that it was inconvenient
|
||
|
to have that different order of creature dying there, and that it
|
||
|
would have been better if he had died in the usual obscure routine of
|
||
|
his vermin kind. He was quite incapable of any compassionate feeling
|
||
|
about the boy, or about his fate.
|
||
|
|
||
|
"The boy's eyes had slowly moved to him as he had spoken, and they
|
||
|
now slowly moved to me.
|
||
|
|
||
|
"`Doctor, they are very proud, these Nobles; but we common dogs are
|
||
|
proud too, sometimes. They plunder us, outrage us, beat us, kill us;
|
||
|
but we have a little pride left, sometimes. She--have you seen her, Doctor?'
|
||
|
|
||
|
"The shrieks and the cries were audible there, though subdued by the
|
||
|
distance. He referred to them, as if she were lying in our presence.
|
||
|
|
||
|
"I said, `I have seen her.'
|
||
|
|
||
|
"`She is my sister, Doctor. They have had their shameful rights,
|
||
|
these Nobles, in the modesty and virtue of our sisters, many years,
|
||
|
but we have had good girls among us. I know it, and have heard my
|
||
|
father say so. She was a good girl. She was betrothed to a good
|
||
|
young man, too: a tenant of his. We were all tenants of his--that man's
|
||
|
who stands there. The other is his brother, the worst of a bad race.'
|
||
|
|
||
|
"It was with the greatest difficulty that the boy gathered bodily
|
||
|
force to speak; but, his spirit spoke with a dreadful emphasis.
|
||
|
|
||
|
"`We were so robbed by that man who stands there, as an we common
|
||
|
dogs are by those superior Beings--taxed by him without mercy, obliged
|
||
|
to work for him without pay, obliged to grind our corn at his mill,
|
||
|
obliged to feed scores of his tame birds on our wretched crops, and
|
||
|
forbidden for our lives to keep a single tame bird of our own,
|
||
|
pillaged and plundered to that degree that when we chanced to have a
|
||
|
bit of meat, we ate it in fear, with the door barred and the shutters
|
||
|
closed, that his people should not see it and take it from us--I say,
|
||
|
we were so robbed, and hunted, and were made so poor, that our father
|
||
|
told us it was a dreadful thing to bring a child into the world, and
|
||
|
that what we should most pray for, was, that our women might be barren
|
||
|
and our miserable race die out!'
|
||
|
|
||
|
"I had never before seen the sense of being oppressed, bursting forth
|
||
|
like a fire. I had supposed that it must be latent in the people
|
||
|
somewhere; but, I had never seen it break out, until I saw it in the
|
||
|
dying boy.
|
||
|
|
||
|
"`Nevertheless, Doctor, my sister married. He was ailing at that
|
||
|
time, poor fellow, and she married her lover, that she might tend and
|
||
|
comfort him in our cottage--our dog-hut, as that man would call it.
|
||
|
She had not been married many weeks, when that man's brother saw her
|
||
|
and admired her, and asked that man to lend her to him--for what are
|
||
|
husbands among us! He was willing enough, but my sister was good and
|
||
|
virtuous, and hated his brother with a hatred as strong as mine.
|
||
|
What did the two then, to persuade her husband to use his influence
|
||
|
with her, to make her willing?'
|
||
|
|
||
|
"The boy's eyes, which had been fixed on mine, slowly turned to the
|
||
|
looker-on, and I saw in the two faces that all he said was true.
|
||
|
The two opposing kinds of pride confronting one another, I can see,
|
||
|
even in this Bastille; the gentleman's, all negligent indifference;
|
||
|
the peasants, all trodden-down sentiment, and passionate revenge.
|
||
|
|
||
|
"`You know, Doctor, that it is among the Rights of these Nobles to
|
||
|
harness us common dogs to carts, and drive us. They so harnessed him
|
||
|
and drove him. You know that it is among their Rights to keep us in
|
||
|
their grounds all night, quieting the frogs, in order that their
|
||
|
noble sleep may not be disturbed. They kept him out in the unwholesome
|
||
|
mists at night, and ordered him back into his harness in the day.
|
||
|
But he was not persuaded. No! Taken out of harness one day at noon,
|
||
|
to feed--if he could find food--he sobbed twelve times, once for
|
||
|
every stroke of the bell, and died on her bosom.'
|
||
|
|
||
|
"Nothing human could have held life in the boy but his determination
|
||
|
to tell all his wrong. He forced back the gathering shadows of death,
|
||
|
as he forced his clenched right hand to remain clenched, and to cover
|
||
|
his wound.
|
||
|
|
||
|
"`Then, with that man's permission and even with his aid, his brother
|
||
|
took her away; in spite of what I know she must have told his
|
||
|
brother--and what that is, will not be long unknown to you, Doctor,
|
||
|
if it is now--his brother took her away--for his pleasure and
|
||
|
diversion, for a little while. I saw her pass me on the road.
|
||
|
When I took the tidings home, our father's heart burst; he never
|
||
|
spoke one of the words that fined it. I took my young sister (for
|
||
|
I have another) to a place beyond the reach of this man, and where,
|
||
|
at least, she will never be HIS vassal. Then, I tracked the
|
||
|
brother here, and last night climbed in--a common dog, but sword in
|
||
|
hand.--Where is the loft window? It was somewhere here?'
|
||
|
|
||
|
"The room was darkening to his sight; the world was narrowing around
|
||
|
him. I glanced about me, and saw that the hay and straw were
|
||
|
trampled over the floor, as if there had been a struggle.
|
||
|
|
||
|
"`She heard me, and ran in. I told her not to come near us till he
|
||
|
was dead. He came in and first tossed me some pieces of money; then
|
||
|
struck at me with a whip. But I, though a common dog, so struck at
|
||
|
him as to make him draw. Let him break into as many pieces as he
|
||
|
will, the sword that he stained with my common blood; he drew to
|
||
|
defend himself--thrust at me with all his skill for his life.'
|
||
|
|
||
|
"My glance had fallen, but a few moments before, on the fragments of
|
||
|
a broken sword, lying among the hay. That weapon was a gentleman's.
|
||
|
In another place, lay an old sword that seemed to have been a soldier's.
|
||
|
|
||
|
"`Now, lift me up, Doctor; lift me up. Where is he?'
|
||
|
|
||
|
"`He is not here,' I said, supporting the boy, and thinking that he
|
||
|
referred to the brother.
|
||
|
|
||
|
"`He! Proud as these nobles are, he is afraid to see me. Where is
|
||
|
the man who was here? turn my face to him.'
|
||
|
|
||
|
"I did so, raising the boy's head against my knee. But, invested for
|
||
|
the moment with extraordinary power, he raised himself completely:
|
||
|
obliging me to rise too, or I could not have still supported him.
|
||
|
|
||
|
"`Marquis,' said the boy, turned to him with his eyes opened wide,
|
||
|
and his right hand raised, `in the days when all these things are to
|
||
|
be answered for, I summon you and yours, to the last of your bad race,
|
||
|
to answer for them. I mark this cross of blood upon you, as a sign
|
||
|
that I do it. In the days when all these things are to be answered
|
||
|
for, I summon your brother, the worst of the bad race, to answer for
|
||
|
them separately. I mark this cross of blood upon him, as a sign that
|
||
|
I do it.'
|
||
|
|
||
|
"Twice, he put his hand to the wound in his breast, and with his
|
||
|
forefinger drew a cross in the air. He stood for an instant with the
|
||
|
finger yet raised, and as it dropped, he dropped with it, and I laid
|
||
|
him down dead.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"When I returned to the bedside of the young woman, I found her
|
||
|
raving in precisely the same order of continuity. I knew that this
|
||
|
might last for many hours, and that it would probably end in the
|
||
|
silence of the grave.
|
||
|
|
||
|
"I repeated the medicines I had given her, and I sat at the side of
|
||
|
the bed until the night was far advanced. She never abated the
|
||
|
piercing quality of her shrieks, never stumbled in the distinctness
|
||
|
or the order of her words. They were always `My husband, my father,
|
||
|
and my brother! One, two, three, four, five, six, seven, eight, nine,
|
||
|
ten, eleven, twelve. Hush!'
|
||
|
|
||
|
"This lasted twenty-six hours from the time when I first saw her. I
|
||
|
had come and gone twice, and was again sitting by her, when she began
|
||
|
to falter. I did what little could be done to assist that opportunity,
|
||
|
and by-and-bye she sank into a lethargy, and lay like the dead.
|
||
|
|
||
|
"It was as if the wind and rain had lulled at last, after a long and
|
||
|
fearful storm. I released her arms, and called the woman to assist
|
||
|
me to compose her figure and the dress she had tom. It was then that
|
||
|
I knew her condition to be that of one in whom the first expectations
|
||
|
of being a mother have arisen; and it was then that I lost the little
|
||
|
hope I had had of her.
|
||
|
|
||
|
"`Is she dead?' asked the Marquis, whom I will still describe as the
|
||
|
elder brother, coming booted into the room from his horse.
|
||
|
|
||
|
"`Not dead,' said I; `but like to die.'
|
||
|
|
||
|
"`What strength there is in these common bodies!' he said, looking
|
||
|
down at her with some curiosity.
|
||
|
|
||
|
"`There is prodigious strength,' I answered him, `in sorrow and despair.'
|
||
|
|
||
|
"He first laughed at my words, and then frowned at them. He moved a
|
||
|
chair with his foot near to mine, ordered the woman away, and said in
|
||
|
a subdued voice,
|
||
|
|
||
|
"`Doctor, finding my brother in this difficulty with these hinds,
|
||
|
I recommended that your aid should be invited. Your reputation is
|
||
|
high, and, as a young man with your fortune to make, you are probably
|
||
|
mindful of your interest. The things that you see here, are things
|
||
|
to be seen, and not spoken of.'
|
||
|
|
||
|
"I listened to the patient's breathing, and avoided answering.
|
||
|
|
||
|
"`Do you honour me with your attention, Doctor?'
|
||
|
|
||
|
"`Monsieur,' said I, `in my profession, the communications of
|
||
|
patients are always received in confidence.' I was guarded in my
|
||
|
answer, for I was troubled in my mind with what I had heard and seen.
|
||
|
|
||
|
"Her breathing was so difficult to trace, that I carefully tried the
|
||
|
pulse and the heart. There was life, and no more. Looking round as
|
||
|
I resumed my seat, I found both the brothers intent upon me.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"I write with so much difficulty, the cold is so severe, I am so
|
||
|
fearful of being detected and consigned to an underground cell and
|
||
|
total darkness, that I must abridge this narrative. There is no
|
||
|
confusion or failure in my memory; it can recall, and could detail,
|
||
|
every word that was ever spoken between me and those brothers.
|
||
|
|
||
|
"She lingered for a week. Towards the last, I could understand some
|
||
|
few syllables that she said to me, by placing my ear close to her lips.
|
||
|
She asked me where she was, and I told her; who I was, and I told her.
|
||
|
It was in vain that I asked her for her family name. She faintly
|
||
|
shook her head upon the pillow, and kept her secret, as the boy had done.
|
||
|
|
||
|
"I had no opportunity of asking her any question, until I had told
|
||
|
the brothers she was sinking fast, and could not live another day.
|
||
|
Until then, though no one was ever presented to her consciousness
|
||
|
save the woman and myself, one or other of them had always jealously
|
||
|
sat behind the curtain at the head of the bed when I was there.
|
||
|
But when it came to that, they seemed careless what communication I
|
||
|
might hold with her; as if--the thought passed through my mind--I
|
||
|
were dying too.
|
||
|
|
||
|
"I always observed that their pride bitterly resented the younger
|
||
|
brother's (as I call him) having crossed swords with a peasant, and
|
||
|
that peasant a boy. The only consideration that appeared to affect
|
||
|
the mind of either of them was the consideration that this was highly
|
||
|
degrading to the family, and was ridiculous. As often as I caught
|
||
|
the younger brother's eyes, their expression reminded me that he
|
||
|
disliked me deeply, for knowing what I knew from the boy. He was
|
||
|
smoother and more polite to me than the elder; but I saw this.
|
||
|
I also saw that I was an incumbrance in the mind of the elder, too.
|
||
|
|
||
|
"My patient died, two hours before midnight--at a time, by my watch,
|
||
|
answering almost to the minute when I had first seen her. I was
|
||
|
alone with her, when her forlorn young head drooped gently on one
|
||
|
side, and all her earthly wrongs and sorrows ended.
|
||
|
|
||
|
"The brothers were waiting in a room down-stairs, impatient to ride
|
||
|
away. I had heard them, alone at the bedside, striking their boots
|
||
|
with their riding-whips, and loitering up and down.
|
||
|
|
||
|
"`At last she is dead?' said the elder, when I went in.
|
||
|
|
||
|
"'She is dead,' said I.
|
||
|
|
||
|
"`I congratulate you, my brother,'were his words as he turned round.
|
||
|
|
||
|
"He had before offered me money, which I had postponed taking. He
|
||
|
now gave me a rouleau of gold. I took it from his hand, but laid it
|
||
|
on the table. I had considered the question, and had resolved to
|
||
|
accept nothing.
|
||
|
|
||
|
"`Pray excuse me,' said I. `Under the circumstances, no.'
|
||
|
|
||
|
"They exchanged looks, but bent their heads to me as I bent mine to
|
||
|
them, and we parted without another word on either side.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"I am weary, weary, weary-worn down by misery. I cannot read what I
|
||
|
have written with this gaunt hand.
|
||
|
|
||
|
"Early in the morning, the rouleau of gold was left at my door in a
|
||
|
little box, with my name on the outside. From the first, I had
|
||
|
anxiously considered what I ought to do. I decided, that day, to
|
||
|
write privately to the Minister, stating the nature of the two cases
|
||
|
to which I had been summoned, and the place to which I had gone: in
|
||
|
effect, stating all the circumstances. I knew what Court influence
|
||
|
was, and what the immunities of the Nobles were, and I expected that
|
||
|
the matter would never be heard of; but, I wished to relieve my own
|
||
|
mind. I had kept the matter a profound secret, even from my wife;
|
||
|
and this, too, I resolved to state in my letter. I had no apprehension
|
||
|
whatever of my real danger; but I was conscious that there might be
|
||
|
danger for others, if others were compromised by possessing the
|
||
|
knowledge that I possessed.
|
||
|
|
||
|
"I was much engaged that day, and could not complete my letter that
|
||
|
night. I rose long before my usual time next morning to finish it.
|
||
|
It was the last day of the year. The letter was lying before me just
|
||
|
completed, when I was told that a lady waited, who wished to see me.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"I am growing more and more unequal to the task I have set myself.
|
||
|
It is so cold, so dark, my senses are so benumbed, and the gloom upon
|
||
|
me is so dreadful.
|
||
|
|
||
|
"The lady was young, engaging, and handsome, but not marked for long
|
||
|
life. She was in great agitation. She presented herself to me as
|
||
|
the wife of the Marquis St. Evremonde. I connected the title by
|
||
|
which the boy had addressed the elder brother, with the initial
|
||
|
letter embroidered on the scarf, and had no difficulty in arriving at
|
||
|
the conclusion that I had seen that nobleman very lately.
|
||
|
|
||
|
"My memory is still accurate, but I cannot write the words of our
|
||
|
conversation. I suspect that I am watched more closely than I was,
|
||
|
and I know not at what times I may be watched. She had in part
|
||
|
suspected, and in part discovered, the main facts of the cruel story,
|
||
|
of her husband's share in it, and my being resorted to. She did not
|
||
|
know that the girl was dead. Her hope had been, she said in great
|
||
|
distress, to show her, in secret, a woman's sympathy. Her hope had
|
||
|
been to avert the wrath of Heaven from a House that had long been
|
||
|
hateful to the suffering many.
|
||
|
|
||
|
"She had reasons for believing that there was a young sister living,
|
||
|
and her greatest desire was, to help that sister. I could tell her
|
||
|
nothing but that there was such a sister; beyond that, I knew nothing.
|
||
|
Her inducement to come to me, relying on my confidence, had been the
|
||
|
hope that I could tell her the name and place of abode. Whereas,
|
||
|
to this wretched hour I am ignorant of both.
|
||
|
|
||
|
* * * *
|
||
|
|
||
|
"These scraps of paper fail me. One was taken from me, with a
|
||
|
warning, yesterday. I must finish my record to-day.
|
||
|
|
||
|
"She was a good, compassionate lady, and not happy in her marriage.
|
||
|
How could she be! The brother distrusted and disliked her, and his
|
||
|
influence was all opposed to her; she stood in dread of him, and in
|
||
|
dread of her husband too. When I handed her down to the door, there
|
||
|
was a child, a pretty boy from two to three years old, in her carriage.
|
||
|
|
||
|
"`For his sake, Doctor,' she said, pointing to him in tears, `I would
|
||
|
do all I can to make what poor amends I can. He will never prosper
|
||
|
in his inheritance otherwise. I have a presentiment that if no other
|
||
|
innocent atonement is made for this, it will one day be required of
|
||
|
him. What I have left to call my own--it is little beyond the worth
|
||
|
of a few jewels--I will make it the first charge of his life to
|
||
|
bestow, with the compassion and lamenting of his dead mother, on this
|
||
|
injured family, if the sister can be discovered.'
|
||
|
|
||
|
"She kissed the boy, and said, caressing him, `It is for thine own
|
||
|
dear sake. Thou wilt be faithful, little Charles?' The child
|
||
|
answered her bravely, `Yes!' I kissed her hand, and she took him in
|
||
|
her arms, and went away caressing him. I never saw her more.
|
||
|
|
||
|
"As she had mentioned her husband's name in the faith that I knew it,
|
||
|
I added no mention of it to my letter. I sealed my letter, and, not
|
||
|
trusting it out of my own hands, delivered it myself that day.
|
||
|
|
||
|
"That night, the last night of the year, towards nine o'clock, a man
|
||
|
in a black dress rang at my gate, demanded to see me, and softly
|
||
|
followed my servant, Ernest Defarge, a youth, up-stairs. When my
|
||
|
servant came into the room where I sat with my wife--O my wife,
|
||
|
beloved of my heart! My fair young English wife!--we saw the man,
|
||
|
who was supposed to be at the gate, standing silent behind him.
|
||
|
|
||
|
"An urgent case in the Rue St. Honore, he said. It would not detain
|
||
|
me, he had a coach in waiting.
|
||
|
|
||
|
"It brought me here, it brought me to my grave. When I was clear of
|
||
|
the house, a black muffler was drawn tightly over my mouth from
|
||
|
behind, and my arms were pinioned. The two brothers crossed the road
|
||
|
from a dark corner, and identified me with a single gesture. The
|
||
|
Marquis took from his pocket the letter I had written, showed it me,
|
||
|
burnt it in the light of a lantern that was held, and extinguished
|
||
|
the ashes with his foot. Not a word was spoken. I was brought here,
|
||
|
I was brought to my living grave.
|
||
|
|
||
|
"If it had pleased GOD to put it in the hard heart of either of the
|
||
|
brothers, in all these frightful years, to grant me any tidings of my
|
||
|
dearest wife--so much as to let me know by a word whether alive or
|
||
|
dead--I might have thought that He had not quite abandoned them.
|
||
|
But, now I believe that the mark of the red cross is fatal to them,
|
||
|
and that they have no part in His mercies. And them and their
|
||
|
descendants, to the last of their race, I, Alexandre Manette, unhappy
|
||
|
prisoner, do this last night of the year 1767, in my unbearable agony,
|
||
|
denounce to the times when all these things shall be answered for.
|
||
|
I denounce them to Heaven and to earth."
|
||
|
|
||
|
|
||
|
|
||
|
A terrible sound arose when the reading of this document was done. A
|
||
|
sound of craving and eagerness that had nothing articulate in it but
|
||
|
blood. The narrative called up the most revengeful passions of the
|
||
|
time, and there was not a head in the nation but must have dropped
|
||
|
before it.
|
||
|
|
||
|
Little need, in presence of that tribunal and that auditory, to &how
|
||
|
how the Defarges had not made the paper public, with the other
|
||
|
captured Bastille memorials borne in procession, and had kept it,
|
||
|
biding their time. Little need to show that this detested family
|
||
|
name had long been anathematised by Saint Antoine, and was wrought
|
||
|
into the fatal register. The man never trod ground whose virtues and
|
||
|
services would have sustained him in that place that day, against
|
||
|
such denunciation.
|
||
|
|
||
|
And all the worse for the doomed man, that the denouncer was a
|
||
|
well-known citizen, his own attached friend, the father of his wife.
|
||
|
One of the frenzied aspirations of the populace was, for imitations
|
||
|
of the questionable public virtues of antiquity, and for sacrifices
|
||
|
and self-immolations on the people's altar. Therefore when the
|
||
|
President said (else had his own head quivered on his shoulders),
|
||
|
that the good physician of the Republic would deserve better still of
|
||
|
the Republic by rooting out an obnoxious family of Aristocrats, and
|
||
|
would doubtless feel a sacred glow and joy in making his daughter a
|
||
|
widow and her child an orphan, there was wild excitement, patriotic
|
||
|
fervour, not a touch of human sympathy.
|
||
|
|
||
|
"Much influence around him, has that Doctor?" murmured Madame Defarge,
|
||
|
smiling to The Vengeance. "Save him now, my Doctor, save him!"
|
||
|
|
||
|
At every juryman's vote, there was a roar. Another and another.
|
||
|
Roar and roar.
|
||
|
|
||
|
Unanimously voted. At heart and by descent an Aristocrat, an enemy
|
||
|
of the Republic, a notorious oppressor of the People. Back to the
|
||
|
Conciergerie, and Death within four-and-twenty hours!
|
||
|
|
||
|
|
||
|
|
||
|
XI
|
||
|
|
||
|
Dusk
|
||
|
|
||
|
|
||
|
The wretched wife of the innocent man thus doomed to die, fell under
|
||
|
the sentence, as if she had been mortally stricken. But, she uttered
|
||
|
no sound; and so strong was the voice within her, representing that
|
||
|
it was she of all the world who must uphold him in his misery and not
|
||
|
augment it, that it quickly raised her, even from that shock.
|
||
|
|
||
|
The Judges having to take part in a public demonstration out of
|
||
|
doors, the Tribunal adjourned. The quick noise and movement of the
|
||
|
court's emptying itself by many passages had not ceased, when Lucie
|
||
|
stood stretching out her arms towards her husband, with nothing in
|
||
|
her face but love and consolation.
|
||
|
|
||
|
"If I might touch him! If I might embrace him once! O, good citizens,
|
||
|
if you would have so much compassion for us!"
|
||
|
|
||
|
There was but a gaoler left, along with two of the four men who had
|
||
|
taken him last night, and Barsad. The people had all poured out to
|
||
|
the show in the streets. Barsad proposed to the rest, "Let her
|
||
|
embrace him then; it is but a moment." It was silently acquiesced in,
|
||
|
and they passed her over the seats in the hall to a raised place,
|
||
|
where he, by leaning over the dock, could fold her in his arms.
|
||
|
|
||
|
"Farewell, dear darling of my soul. My parting blessing on my love.
|
||
|
We shall meet again, where the weary are at rest!"
|
||
|
|
||
|
They were her husband's words, as he held her to his bosom.
|
||
|
|
||
|
"I can bear it, dear Charles. I am supported from above: don't
|
||
|
suffer for me. A parting blessing for our chad."
|
||
|
|
||
|
"I send it to her by you. I kiss her by you. I say farewell to her by you."
|
||
|
|
||
|
"My husband. No! A moment!" He was tearing himself apart from her.
|
||
|
"We shall not be separated long. I feel that this will break my heart
|
||
|
by-and-bye; but I will do my duty while I can, and when I leave her,
|
||
|
God will raise up friends for her, as He did for me."
|
||
|
|
||
|
Her father had followed her, and would have fallen on his knees to
|
||
|
both of them, but that Darnay put out a hand and seized him, crying:
|
||
|
|
||
|
"No, no! What have you done, what have you done, that you should
|
||
|
kneel to us! We know now, what a struggle you made of old. We know,
|
||
|
now what you underwent when you suspected my descent, and when you
|
||
|
knew it. We know now, the natural antipathy you strove against, and
|
||
|
conquered, for her dear sake. We thank you with all our hearts, and
|
||
|
all our love and duty. Heaven be with you!"
|
||
|
|
||
|
Her father's only answer was to draw his hands through his white hair,
|
||
|
and wring them with a shriek of anguish.
|
||
|
|
||
|
"It could not be otherwise," said the prisoner. "All things have
|
||
|
worked together as they have fallen out. it was the always-vain
|
||
|
endeavour to discharge my poor mother's trust that first brought my
|
||
|
fatal presence near you. Good could never come of such evil,
|
||
|
a happier end was not in nature to so unhappy a beginning. Be comforted,
|
||
|
and forgive me. Heaven bless you!"
|
||
|
|
||
|
As he was drawn away, his wife released him, and stood looking after
|
||
|
him with her hands touching one another in the attitude of prayer,
|
||
|
and with a radiant look upon her face, in which there was even a
|
||
|
comforting smile. As he went out at the prisoners' door, she turned,
|
||
|
laid her head lovingly on her father's breast, tried to speak to him,
|
||
|
and fell at his feet.
|
||
|
|
||
|
Then, issuing from the obscure corner from which he had never moved,
|
||
|
Sydney Carton came and took her up. Only her father and Mr. Lorry
|
||
|
were with her. His arm trembled as it raised her, and supported her head.
|
||
|
Yet, there was an air about him that was not all of pity--that had a flush
|
||
|
of pride in it.
|
||
|
|
||
|
"Shall I take her to a coach? I shall never feel her weight."
|
||
|
|
||
|
He carried her lightly to the door, and laid her tenderly down in a
|
||
|
coach. Her father and their old friend got into it, and he took his
|
||
|
seat beside the driver.
|
||
|
|
||
|
When they arrived at the gateway where he had paused in the dark not
|
||
|
many hours before, to picture to himself on which of the rough stones
|
||
|
of the street her feet had trodden, he lifted her again, and carried
|
||
|
her up the staircase to their rooms. There, he laid her down on a
|
||
|
couch, where her child and Miss Pross wept over her.
|
||
|
|
||
|
"Don't recall her to herself," he said, softly, to the latter, "she is
|
||
|
better so. Don't revive her to consciousness, while she only faints."
|
||
|
|
||
|
"Oh, Carton, Carton, dear Carton!" cried little Lucie, springing up
|
||
|
and throwing her arms passionately round him, in a burst of grief.
|
||
|
"Now that you have come, I think you will do something to help mamma,
|
||
|
something to save papa! O, look at her, dear Carton! Can you, of all
|
||
|
the people who love her, bear to see her so?"
|
||
|
|
||
|
He bent over the child, and laid her blooming cheek against his face.
|
||
|
He put her gently from him, and looked at her unconscious mother.
|
||
|
|
||
|
"Before I go," he said, and paused--"I may kiss her?"
|
||
|
|
||
|
It was remembered afterwards that when he bent down and touched her
|
||
|
face with his lips, he murmured some words. The child, who was
|
||
|
nearest to him, told them afterwards, and told her grandchildren when
|
||
|
she was a handsome old lady, that she heard him say, "A life you love."
|
||
|
|
||
|
When he had gone out into the next room, he turned suddenly on
|
||
|
Mr. Lorry and her father, who were following, and said to the latter:
|
||
|
|
||
|
"You had great influence but yesterday, Doctor Manette; let it at
|
||
|
least be tried. These judges, and all the men in power, are very
|
||
|
friendly to you, and very recognisant of your services; are they not?"
|
||
|
|
||
|
"Nothing connected with Charles was concealed from me. I had the
|
||
|
strongest assurances that I should save him; and I did." He returned
|
||
|
the answer in great trouble, and very slowly.
|
||
|
|
||
|
"Try them again. The hours between this and to-morrow afternoon are
|
||
|
few and short, but try."
|
||
|
|
||
|
"I intend to try. I will not rest a moment."
|
||
|
|
||
|
"That's well. I have known such energy as yours do great things
|
||
|
before now--though never," he added, with a smile and a sigh together,
|
||
|
"such great things as this. But try! Of little worth as life is when
|
||
|
we misuse it, it is worth that effort. It would cost nothing to lay
|
||
|
down if it were not."
|
||
|
|
||
|
"I will go," said Doctor Manette, "to the Prosecutor and the President
|
||
|
straight, and I will go to others whom it is better not to name.
|
||
|
I will write too, and--But stay! There is a Celebration in the streets,
|
||
|
and no one will be accessible until dark."
|
||
|
|
||
|
"That's true. Well! It is a forlorn hope at the best, and not much
|
||
|
the forlorner for being delayed till dark. I should like to know how
|
||
|
you speed; though, mind! I expect nothing! When are you likely to
|
||
|
have seen these dread powers, Doctor Manette?"
|
||
|
|
||
|
"Immediately after dark, I should hope. Within an hour or two from this."
|
||
|
|
||
|
"It will be dark soon after four. Let us stretch the hour or two.
|
||
|
If I go to Mr. Lorry's at nine, shall I hear what you have done,
|
||
|
either from our friend or from yourself?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"May you prosper!"
|
||
|
|
||
|
Mr. Lorry followed Sydney to the outer door, and, touching him on the
|
||
|
shoulder as he was going away, caused him to turn.
|
||
|
|
||
|
"I have no hope," said Mr. Lorry, in a low and sorrowful whisper.
|
||
|
|
||
|
"Nor have I."
|
||
|
|
||
|
"If any one of these men, or all of these men, were disposed to spare
|
||
|
him--which is a large supposition; for what is his life, or any man's
|
||
|
to them!--I doubt if they durst spare him after the demonstration in
|
||
|
the court."
|
||
|
|
||
|
"And so do I. I heard the fall of the axe in that sound."
|
||
|
|
||
|
Mr. Lorry leaned his arm upon the door-post, and bowed his face upon it.
|
||
|
|
||
|
"Don't despond," said Carton, very gently; "don't grieve.
|
||
|
I encouraged Doctor Manette in this idea, because I felt that it
|
||
|
might one day be consolatory to her. Otherwise, she might think `his
|
||
|
life was want only thrown away or wasted,' and that might trouble her."
|
||
|
|
||
|
"Yes, yes, yes," returned Mr. Lorry, drying his eyes, "you are
|
||
|
right. But he will perish; there is no real hope."
|
||
|
|
||
|
"Yes. He will perish: there is no real hope," echoed Carton.
|
||
|
|
||
|
And walked with a settled step, down-stairs.
|
||
|
|
||
|
|
||
|
|
||
|
XII
|
||
|
|
||
|
Darkness
|
||
|
|
||
|
|
||
|
Sydney Carton paused in the street, not quite decided where to go.
|
||
|
"At Tellson's banking-house at nine," he said, with a musing face.
|
||
|
"Shall I do well, in the mean time, to show myself? I think so.
|
||
|
It is best that these people should know there is such a man as I
|
||
|
here; it is a sound precaution, and may be a necessary preparation.
|
||
|
But care, care, care! Let me think it out!"
|
||
|
|
||
|
Checking his steps which had begun to tend towards an object, he took
|
||
|
a turn or two in the already darkening street, and traced the thought
|
||
|
in his mind to its possible consequences. His first impression was
|
||
|
confirmed. "It is best," he said, finally resolved, "that these
|
||
|
people should know there is such a man as I here." And he turned his
|
||
|
face towards Saint Antoine.
|
||
|
|
||
|
Defarge had described himself, that day, as the keeper of a wine-shop
|
||
|
in the Saint Antoine suburb. It was not difficult for one who knew
|
||
|
the city well, to find his house without asking any question. Having
|
||
|
ascertained its situation, Carton came out of those closer streets
|
||
|
again, and dined at a place of refreshment and fell sound asleep
|
||
|
after dinner. For the first time in many years, he had no strong drink.
|
||
|
Since last night he had taken nothing but a little light thin wine,
|
||
|
and last night he had dropped the brandy slowly down on Mr. Lorry's
|
||
|
hearth like a man who had done with it.
|
||
|
|
||
|
It was as late as seven o'clock when he awoke refreshed, and went out
|
||
|
into the streets again. As he passed along towards Saint Antoine, he
|
||
|
stopped at a shop-window where there was a mirror, and slightly
|
||
|
altered the disordered arrangement of his loose cravat, and his coat-
|
||
|
collar, and his wild hair. This done, he went on direct to Defarge's,
|
||
|
and went in.
|
||
|
|
||
|
There happened to be no customer in the shop but Jacques Three,
|
||
|
of the restless fingers and the croaking voice. This man, whom he
|
||
|
had seen upon the Jury, stood drinking at the little counter, in
|
||
|
conversation with the Defarges, man and wife. The Vengeance assisted
|
||
|
in the conversation, like a regular member of the establishment.
|
||
|
|
||
|
As Carton walked in, took his seat and asked (in very indifferent
|
||
|
French) for a small measure of wine, Madame Defarge cast a careless
|
||
|
glance at him, and then a keener, and then a keener, and then
|
||
|
advanced to him herself, and asked him what it was he had ordered.
|
||
|
|
||
|
He repeated what he had already said.
|
||
|
|
||
|
"English?" asked Madame Defarge, inquisitively raising her dark eyebrows.
|
||
|
|
||
|
After looking at her, as if the sound of even a single French word
|
||
|
were slow to express itself to him, he answered, in his former strong
|
||
|
foreign accent. "Yes, madame, yes. I am English!"
|
||
|
|
||
|
Madame Defarge returned to her counter to get the wine, and, as he
|
||
|
took up a Jacobin journal and feigned to pore over it puzzling out
|
||
|
its meaning, he heard her say, "I swear to you, like Evremonde!"
|
||
|
|
||
|
Defarge brought him the wine, and gave him Good Evening.
|
||
|
|
||
|
"How?"
|
||
|
|
||
|
"Good evening."
|
||
|
|
||
|
"Oh! Good evening, citizen," filling his glass. "Ah! and good wine.
|
||
|
I drink to the Republic."
|
||
|
|
||
|
Defarge went back to the counter, and said, "Certainly, a little
|
||
|
like." Madame sternly retorted, "I tell you a good deal like."
|
||
|
Jacques Three pacifically remarked, "He is so much in your mind,
|
||
|
see you, madame." The amiable Vengeance added, with a laugh, "Yes,
|
||
|
my faith! And you are looking forward with so much pleasure to seeing
|
||
|
him once more to-morrow!"
|
||
|
|
||
|
Carton followed the lines and words of his paper, with a slow
|
||
|
forefinger, and with a studious and absorbed face. They were all
|
||
|
leaning their arms on the counter close together, speaking low.
|
||
|
After a silence of a few moments, during which they all looked
|
||
|
towards him without disturbing his outward attention from the Jacobin
|
||
|
editor, they resumed their conversation.
|
||
|
|
||
|
"It is true what madame says," observed Jacques Three. "Why stop?
|
||
|
There is great force in that. Why stop?"
|
||
|
|
||
|
"Well, well," reasoned Defarge, "but one must stop somewhere.
|
||
|
After all, the question is still where?"
|
||
|
|
||
|
"At extermination," said madame.
|
||
|
|
||
|
"Magnificent!" croaked Jacques Three. The Vengeance, also, highly approved.
|
||
|
|
||
|
"Extermination is good doctrine, my wife," said Defarge, rather
|
||
|
troubled; "in general, I say nothing against it. But this Doctor has
|
||
|
suffered much; you have seen him to-day; you have observed his face
|
||
|
when the paper was read."
|
||
|
|
||
|
"I have observed his face!" repeated madame, contemptuously and
|
||
|
angrily. "Yes. I have observed his face. I have observed his face
|
||
|
to be not the face of a true friend of the Republic. Let him take
|
||
|
care of his face!"
|
||
|
|
||
|
"And you have observed, my wife," said Defarge, in a deprecatory
|
||
|
manner, "the anguish of his daughter, which must be a dreadful
|
||
|
anguish to him!"
|
||
|
|
||
|
"I have observed his daughter," repeated madame; "yes, I have
|
||
|
observed his daughter, more times than one. I have observed her
|
||
|
to-day, and I have observed her other days. I have observed her
|
||
|
in the court, and I have observed her in the street by the prison.
|
||
|
Let me but lift my finger--!" She seemed to raise it (the listener's
|
||
|
eyes were always on his paper), and to let it fall with a rattle on
|
||
|
the ledge before her, as if the axe had dropped.
|
||
|
|
||
|
"The citizeness is superb!" croaked the Juryman.
|
||
|
|
||
|
"She is an Angel!" said The Vengeance, and embraced her.
|
||
|
|
||
|
"As to thee," pursued madame, implacably, addressing her husband,
|
||
|
"if it depended on thee--which, happily, it does not--thou wouldst
|
||
|
rescue this man even now."
|
||
|
|
||
|
"No!" protested Defarge. "Not if to lift this glass would do it!
|
||
|
But I would leave the matter there. I say, stop there."
|
||
|
|
||
|
"See you then, Jacques," said Madame Defarge, wrathfully; "and see
|
||
|
you, too, my little Vengeance; see you both! Listen! For other crimes
|
||
|
as tyrants and oppressors, I have this race a long time on my register,
|
||
|
doomed to destruction and extermination. Ask my husband, is that so."
|
||
|
|
||
|
"It is so," assented Defarge, without being asked.
|
||
|
|
||
|
"In the beginning of the great days, when the Bastille falls, he
|
||
|
finds this paper of to-day, and he brings it home, and in the middle
|
||
|
of the night when this place is clear and shut, we read it, here on
|
||
|
this spot, by the light of this lamp. Ask him, is that so."
|
||
|
|
||
|
"It is so," assented Defarge.
|
||
|
|
||
|
"That night, I tell him, when the paper is read through, and the lamp
|
||
|
is burnt out, and the day is gleaming in above those shutters and
|
||
|
between those iron bars, that I have now a secret to communicate.
|
||
|
Ask him, is that so."
|
||
|
|
||
|
"It is so," assented Defarge again.
|
||
|
|
||
|
"I communicate to him that secret. I smite this bosom with these two
|
||
|
hands as I smite it now, and I tell him, `Defarge, I was brought up
|
||
|
among the fishermen of the sea-shore, and that peasant family so
|
||
|
injured by the two Evremonde brothers, as that Bastille paper describes,
|
||
|
is my family. Defarge, that sister of the mortally wounded boy upon
|
||
|
the ground was my sister, that husband was my sister's husband, that
|
||
|
unborn child was their child, that brother was my brother, that
|
||
|
father was my father, those dead are my dead, and that summons to
|
||
|
answer for those things descends to me!' Ask him, is that so."
|
||
|
|
||
|
"It is so," assented Defarge once more.
|
||
|
|
||
|
"Then tell Wind and Fire where to stop," returned madame; "but don't tell me."
|
||
|
|
||
|
Both her hearers derived a horrible enjoyment from the deadly nature
|
||
|
of her wrath--the listener could feel how white she was, without
|
||
|
seeing her--and both highly commended it. Defarge, a weak minority,
|
||
|
interposed a few words for the memory of the compassionate wife of
|
||
|
the Marquis; but only elicited from his own wife a repetition of her
|
||
|
last reply. "Tell the Wind and the Fire where to stop; not me!"
|
||
|
|
||
|
Customers entered, and the group was broken up. The English customer
|
||
|
paid for what he had had, perplexedly counted his change, and asked,
|
||
|
as a stranger, to be directed towards the National Palace.
|
||
|
Madame Defarge took him to the door, and put her arm on his, in
|
||
|
pointing out the road. The English customer was not without his
|
||
|
reflections then, that it might be a good deed to seize that arm,
|
||
|
lift it, and strike under it sharp and deep.
|
||
|
|
||
|
But, he went his way, and was soon swallowed up in the shadow of the
|
||
|
prison wan. At the appointed hour, he emerged from it to present
|
||
|
himself in Mr. Lorry's room again, where he found the old gentleman
|
||
|
walking to and fro in restless anxiety. He said he had been with
|
||
|
Lucie until just now, and had only left her for a few minutes, to
|
||
|
come and keep his appointment. Her father had not been seen, since
|
||
|
he quitted the banking-house towards four o'clock. She had some
|
||
|
faint hopes that his mediation might save Charles, but they were very
|
||
|
slight. He had been more than five hours gone: where could he be?
|
||
|
|
||
|
Mr. Lorry waited until ten; but, Doctor Manette not returning, and he
|
||
|
being unwilling to leave Lucie any longer, it was arranged that he
|
||
|
should go back to her, and come to the banking-house again at midnight.
|
||
|
In the meanwhile, Carton would wait alone by the fire for the Doctor.
|
||
|
|
||
|
He waited and waited, and the clock struck twelve; but Doctor Manette
|
||
|
did not come back. Mr. Lorry returned, and found no tidings of him,
|
||
|
and brought none. Where could he be?
|
||
|
|
||
|
They were discussing this question, and were almost building up some
|
||
|
weak structure of hope on his prolonged absence, when they heard him
|
||
|
on the stairs. The instant he entered the room, it was plain that
|
||
|
all was lost.
|
||
|
|
||
|
Whether he had really been to any one, or whether be had been all
|
||
|
that time traversing the streets, was never known. As he stood
|
||
|
staring at them, they asked him no question, for his face told them
|
||
|
everything.
|
||
|
|
||
|
"I cannot find it," said he, "and I must have it. Where is it?"
|
||
|
|
||
|
His head and throat were bare, and, as he spoke with a helpless look
|
||
|
straying all around, he took his coat off, and let it drop on the floor.
|
||
|
|
||
|
"Where is my bench? I have been looking everywhere for my bench, and
|
||
|
I can't find it. What have they done with my work? Time presses:
|
||
|
I must finish those shoes."
|
||
|
|
||
|
They looked at one another, and their hearts died within them.
|
||
|
|
||
|
"Come, come!" said he, in a whimpering miserable way; "let me get to work.
|
||
|
Give me my work."
|
||
|
|
||
|
Receiving no answer, he tore his hair, and beat his feet upon the ground,
|
||
|
like a distracted child.
|
||
|
|
||
|
"Don't torture a poor forlorn wretch," he implored them, with a dreadful cry;
|
||
|
"but give me my work! What is to become of us, if those shoes are not done
|
||
|
to-night?"
|
||
|
|
||
|
Lost, utterly lost!
|
||
|
|
||
|
It was so clearly beyond hope to reason with him, or try to restore him,
|
||
|
that--as if by agreement--they each put a hand upon his shoulder,
|
||
|
and soothed him to sit down before the fire, with a promise that he
|
||
|
should have his work presently. He sank into the chair, and brooded
|
||
|
over the embers, and shed tears. As if all that had happened since
|
||
|
the garret time were a momentary fancy, or a dream, Mr. Lorry saw him
|
||
|
shrink into the exact figure that Defarge had had in keeping.
|
||
|
|
||
|
Affected, and impressed with terror as they both were, by this
|
||
|
spectacle of ruin, it was not a time to yield to such emotions.
|
||
|
His lonely daughter, bereft of her final hope and reliance, appealed
|
||
|
to them both too strongly. Again, as if by agreement, they looked at
|
||
|
one another with one meaning in their faces.
|
||
|
Carton was the first to speak:
|
||
|
|
||
|
"The last chance is gone: it was not much. Yes; he had better be
|
||
|
taken to her. But, before you go, will you, for a moment, steadily
|
||
|
attend to me? Don't ask me why I make the stipulations I am going to
|
||
|
make, and exact the promise I am going to exact; I have a reason--
|
||
|
a good one."
|
||
|
|
||
|
"I do not doubt it," answered Mr. Lorry. "Say on."
|
||
|
|
||
|
The figure in the chair between them, was all the time monotonously
|
||
|
rocking itself to and fro, and moaning. They spoke in such a tone as
|
||
|
they would have used if they had been watching by a sick-bed in the night.
|
||
|
|
||
|
Carton stooped to pick up the coat, which lay almost entangling his feet.
|
||
|
As he did so, a small case in which the Doctor was accustomed to
|
||
|
carry the lists of his day's duties, fen lightly on the floor.
|
||
|
Carton took it up, and there was a folded paper in it. "We should
|
||
|
look at this!" he said. Mr. Lorry nodded his consent. He opened it,
|
||
|
and exclaimed, "Thank GOD!"
|
||
|
|
||
|
"What is it?" asked Mr. Lorry, eagerly.
|
||
|
|
||
|
"A moment! Let me speak of it in its place. First," he put his hand
|
||
|
in his coat, and took another paper from it, "that is the certificate
|
||
|
which enables me to pass out of this city. Look at it. You see--
|
||
|
Sydney Carton, an Englishman?"
|
||
|
|
||
|
Mr. Lorry held it open in his hand, gazing in his earnest face.
|
||
|
|
||
|
"Keep it for me until to-morrow. I shall see him to-morrow,
|
||
|
you remember, and I had better not take it into the prison."
|
||
|
|
||
|
"Why not?"
|
||
|
|
||
|
"I don't know; I prefer not to do so. Now, take this paper that
|
||
|
Doctor Manette has carried about him. It is a similar certificate,
|
||
|
enabling him and his daughter and her child, at any time, to pass the
|
||
|
barrier and the frontier! You see?"
|
||
|
|
||
|
"Yes!"
|
||
|
|
||
|
"Perhaps he obtained it as his last and utmost precaution against
|
||
|
evil, yesterday. When is it dated? But no matter; don't stay to look;
|
||
|
put it up carefully with mine and your own. Now, observe! I never
|
||
|
doubted until within this hour or two, that he had, or could have
|
||
|
such a paper. It is good, until recalled. But it may be soon recalled,
|
||
|
and, I have reason to think, will be."
|
||
|
|
||
|
"They are not in danger?"
|
||
|
|
||
|
"They are in great danger. They are in danger of denunciation by
|
||
|
Madame Defarge. I know it from her own lips. I have overheard words
|
||
|
of that woman's, to-night, which have presented their danger to me in
|
||
|
strong colours. I have lost no time, and since then, I have seen the
|
||
|
spy. He confirms me. He knows that a wood-sawyer, living by the
|
||
|
prison wall, is under the control of the Defarges, and has been
|
||
|
rehearsed by Madame Defarge as to his having seen Her"--he never
|
||
|
mentioned Lucie's name--"making signs and signals to prisoners.
|
||
|
It is easy to foresee that the pretence will be the common one, a
|
||
|
prison plot, and that it will involve her life--and perhaps her
|
||
|
child's--and perhaps her father's--for both have been seen with her
|
||
|
at that place. Don't look so horrified. You will save them all."
|
||
|
|
||
|
"Heaven grant I may, Carton! But how?"
|
||
|
|
||
|
"I am going to tell you how. It will depend on you, and it could
|
||
|
depend on no better man. This new denunciation will certainly not
|
||
|
take place until after to-morrow; probably not until two or three
|
||
|
days afterwards; more probably a week afterwards. You know it is a
|
||
|
capital crime, to mourn for, or sympathise with, a victim of the
|
||
|
Guillotine. She and her father would unquestionably be guilty of
|
||
|
this crime, and this woman (the inveteracy of whose pursuit cannot
|
||
|
be described) would wait to add that strength to her case, and make
|
||
|
herself doubly sure. You follow me?"
|
||
|
|
||
|
"So attentively, and with so much confidence in what you say, that
|
||
|
for the moment I lose sight," touching the back of the Doctor's
|
||
|
chair, even of this distress."
|
||
|
|
||
|
"You have money, and can buy the means of travelling to the seacoast
|
||
|
as quickly as the journey can be made. Your preparations have been
|
||
|
completed for some days, to return to England. Early to-morrow have
|
||
|
your horses ready, so that they may be in starting trim at two o'clock
|
||
|
in the afternoon."
|
||
|
|
||
|
"It shall be done!"
|
||
|
|
||
|
His manner was so fervent and inspiring, that Mr. Lorry caught the
|
||
|
flame, and was as quick as youth.
|
||
|
|
||
|
"You are a noble heart. Did I say we could depend upon no better man?
|
||
|
Tell her, to-night, what you know of her danger as involving her
|
||
|
child and her father. Dwell upon that, for she would lay her own
|
||
|
fair head beside her husband's cheerfully." He faltered for an instant;
|
||
|
then went on as before. "For the sake of her child and her father,
|
||
|
press upon her the necessity of leaving Paris, with them and you,
|
||
|
at that hour. Tell her that it was her husband's last arrangement.
|
||
|
Tell her that more depends upon it than she dare believe, or hope.
|
||
|
You think that her father, even in this sad state, will submit
|
||
|
himself to her; do you not?"
|
||
|
|
||
|
"I am sure of it."
|
||
|
|
||
|
"I thought so. Quietly and steadily have all these arrangements made
|
||
|
in the courtyard here, even to the taking of your own seat in the
|
||
|
carriage. The moment I come to you, take me in, and drive away."
|
||
|
|
||
|
"I understand that I wait for you under all circumstances?"
|
||
|
|
||
|
"You have my certificate in your hand with the rest, you know,
|
||
|
and will reserve my place. Wait for nothing but to have my place
|
||
|
occupied, and then for England!"
|
||
|
|
||
|
"Why, then," said Mr. Lorry, grasping his eager but so firm and
|
||
|
steady hand, "it does not all depend on one old man, but I shall have
|
||
|
a young and ardent man at my side."
|
||
|
|
||
|
"By the help of Heaven you shall! Promise me solemnly that nothing
|
||
|
will influence you to alter the course on which we now stand pledged
|
||
|
to one another."
|
||
|
|
||
|
"Nothing, Carton."
|
||
|
|
||
|
"Remember these words to-morrow: change the course, or delay in it--
|
||
|
for any reason--and no life can possibly be saved, and many lives
|
||
|
must inevitably be sacrificed."
|
||
|
|
||
|
"I will remember them. I hope to do my part faithfully."
|
||
|
|
||
|
"And I hope to do mine. Now, good bye!"
|
||
|
|
||
|
Though he said it with a grave smile of earnestness, and though he
|
||
|
even put the old man's hand to his lips, he did not part from him
|
||
|
then. He helped him so far to arouse the rocking figure before the
|
||
|
dying embers, as to get a cloak and hat put upon it, and to tempt it
|
||
|
forth to find where the bench and work were hidden that it still
|
||
|
moaningly besought to have. He walked on the other side of it and
|
||
|
protected it to the courtyard of the house where the afflicted
|
||
|
heart--so happy in the memorable time when he had revealed his own
|
||
|
desolate heart to it--outwatched the awful night. He entered the
|
||
|
courtyard and remained there for a few moments alone, looking up at
|
||
|
the light in the window of her room. Before he went away, he
|
||
|
breathed a blessing towards it, and a Farewell.
|
||
|
|
||
|
|
||
|
|
||
|
XIII
|
||
|
|
||
|
Fifty-two
|
||
|
|
||
|
|
||
|
In the black prison of the Conciergerie, the doomed of the day
|
||
|
awaited their fate. They were in number as the weeks of the year.
|
||
|
Fifty-two were to roll that afternoon on the life-tide of the city to
|
||
|
the boundless everlasting sea. Before their cells were quit of them,
|
||
|
new occupants were appointed; before their blood ran into the blood
|
||
|
spilled yesterday, the blood that was to mingle with theirs to-morrow
|
||
|
was already set apart.
|
||
|
|
||
|
Two score and twelve were told off. From the farmer-general of seventy,
|
||
|
whose riches could not buy his life, to the seamstress of twenty,
|
||
|
whose poverty and obscurity could not save her. Physical diseases,
|
||
|
engendered in the vices and neglects of men, will seize on victims
|
||
|
of all degrees; and the frightful moral disorder, born of unspeakable
|
||
|
suffering, intolerable oppression, and heartless indifference,
|
||
|
smote equally without distinction.
|
||
|
|
||
|
Charles Darnay, alone in a cell, had sustained himself with
|
||
|
no flattering delusion since he came to it from the Tribunal.
|
||
|
In every line of the narrative he had heard, he had heard his condemnation.
|
||
|
He had fully comprehended that no personal influence could possibly save him,
|
||
|
that he was virtually sentenced by the millions, and that units could
|
||
|
avail him nothing.
|
||
|
|
||
|
Nevertheless, it was not easy, with the face of his beloved wife
|
||
|
fresh before him, to compose his mind to what it must bear. His hold
|
||
|
on life was strong, and it was very, very hard, to loosen; by gradual
|
||
|
efforts and degrees unclosed a little here, it clenched the tighter
|
||
|
there; and when he brought his strength to bear on that hand and it
|
||
|
yielded, this was closed again. There was a hurry, too, in all his
|
||
|
thoughts, a turbulent and heated working of his heart, that contended
|
||
|
against resignation. If, for a moment, he did feel resigned, then
|
||
|
his wife and child who had to live after him, seemed to protest and
|
||
|
to make it a selfish thing.
|
||
|
|
||
|
But, all this was at first. Before long, the consideration that
|
||
|
there was no disgrace in the fate he must meet, and that numbers went
|
||
|
the same road wrongfully, and trod it firmly every day, sprang up to
|
||
|
stimulate him. Next followed the thought that much of the future
|
||
|
peace of mind enjoyable by the dear ones, depended on his quiet
|
||
|
fortitude. So, by degrees he calmed into the better state, when he
|
||
|
could raise his thoughts much higher, and draw comfort down.
|
||
|
|
||
|
Before it had set in dark on the night of his condemnation, he had
|
||
|
travelled thus far on his last way. Being allowed to purchase the
|
||
|
means of writing, and a light, he sat down to write until such time
|
||
|
as the prison lamps should be extinguished.
|
||
|
|
||
|
He wrote a long letter to Lucie, showing her that he had known
|
||
|
nothing of her father's imprisonment, until he had heard of it from
|
||
|
herself, and that he had been as ignorant as she of his father's and
|
||
|
uncle's responsibility for that misery, until the paper had been read.
|
||
|
He had already explained to her that his concealment from herself of
|
||
|
the name he had relinquished, was the one condition--fully
|
||
|
intelligible now--that her father had attached to their betrothal,
|
||
|
and was the one promise he had still exacted on the morning of their
|
||
|
marriage. He entreated her, for her father's sake, never to seek to
|
||
|
know whether her father had become oblivious of the existence of the
|
||
|
paper, or had had it recalled to him (for the moment, or for good),
|
||
|
by the story of the Tower, on that old Sunday under the dear old
|
||
|
plane-tree in the garden. If he had preserved any definite remembrance
|
||
|
of it, there could be no doubt that he had supposed it destroyed with
|
||
|
the Bastille, when he had found no mention of it among the relics of
|
||
|
prisoners which the populace had discovered there, and which had been
|
||
|
described to all the world. He besought her--though he added that he
|
||
|
knew it was needless--to console her father, by impressing him
|
||
|
through every tender means she could think of, with the truth that he
|
||
|
had done nothing for which he could justly reproach himself, but had
|
||
|
uniformly forgotten himself for their joint sakes. Next to her
|
||
|
preservation of his own last grateful love and blessing, and her
|
||
|
overcoming of her sorrow, to devote herself to their dear child,
|
||
|
he adjured her, as they would meet in Heaven, to comfort her father.
|
||
|
|
||
|
To her father himself, he wrote in the same strain; but, he told her
|
||
|
father that he expressly confided his wife and child to his care.
|
||
|
And he told him this, very strongly, with the hope of rousing him
|
||
|
from any despondency or dangerous retrospect towards which he foresaw
|
||
|
he might be tending.
|
||
|
|
||
|
To Mr. Lorry, he commended them all, and explained his worldly affairs.
|
||
|
That done, with many added sentences of grateful friendship and warm
|
||
|
attachment, all was done. He never thought of Carton. His mind was
|
||
|
so full of the others, that he never once thought of him.
|
||
|
|
||
|
He had time to finish these letters before the lights were put out.
|
||
|
When he lay down on his straw bed, he thought he had done with this world.
|
||
|
|
||
|
But, it beckoned him back in his sleep, and showed itself in shining
|
||
|
forms. Free and happy, back in the old house in Soho (though it had
|
||
|
nothing in it like the real house), unaccountably released and light
|
||
|
of heart, he was with Lucie again, and she told him it was all a dream,
|
||
|
and he had never gone away. A pause of forgetfulness, and then he
|
||
|
had even suffered, and had come back to her, dead and at peace, and yet
|
||
|
there was no difference in him. Another pause of oblivion, and he
|
||
|
awoke in the sombre morning, unconscious where he was or what had
|
||
|
happened, until it flashed upon his mind, "this is the day of my death!"
|
||
|
|
||
|
Thus, had he come through the hours, to the day when the fifty-two
|
||
|
heads were to fall. And now, while he was composed, and hoped that
|
||
|
he could meet the end with quiet heroism, a new action began in his
|
||
|
waking thoughts, which was very difficult to master.
|
||
|
|
||
|
He had never seen the instrument that was to terminate his life.
|
||
|
How high it was from the ground, how many steps it had, where he
|
||
|
would be stood, bow he would be touched, whether the touching hands
|
||
|
would be dyed red, which way his face would be turned, whether he
|
||
|
would be the first, or might be the last: these and many similar
|
||
|
questions, in nowise directed by his will, obtruded themselves over
|
||
|
and over again, countless times. Neither were they connected with
|
||
|
fear: he was conscious of no fear. Rather, they originated in a
|
||
|
strange besetting desire to know what to do when the time came;
|
||
|
a desire gigantically disproportionate to the few swift moments to
|
||
|
which it referred; a wondering that was more like the wondering of
|
||
|
some other spirit within his, than his own.
|
||
|
|
||
|
The hours went on as he walked to and fro, and the clocks struck the
|
||
|
numbers he would never hear again. Nine gone for ever, ten gone for
|
||
|
ever, eleven gone for ever, twelve coming on to pass away. After a
|
||
|
hard contest with that eccentric action of thought which had last
|
||
|
perplexed him, he had got the better of it. He walked up and down,
|
||
|
softly repeating their names to himself. The worst of the strife was
|
||
|
over. He could walk up and down, free from distracting fancies,
|
||
|
praying for himself and for them.
|
||
|
|
||
|
Twelve gone for ever.
|
||
|
|
||
|
He had been apprised that the final hour was Three, and be knew he
|
||
|
would be summoned some time earlier, inasmuch as the tumbrils jolted
|
||
|
heavily and slowly through the streets. Therefore, he resolved to keep
|
||
|
Two before his mind, as the hour, and so to strengthen himself in the
|
||
|
interval that he might be able, after that time, to strengthen others.
|
||
|
|
||
|
Walking regularly to and fro with his arms folded on his breast,
|
||
|
a very different man from the prisoner, who had walked to and fro at
|
||
|
La Force, he heard One struck away from him, without surprise.
|
||
|
The hour had measured like most other hours. Devoutly thankful to
|
||
|
Heaven for his recovered self-possession, he thought, "There is but
|
||
|
another now," and turned to walk again.
|
||
|
|
||
|
Footsteps in the stone passage outside the door. He stopped.
|
||
|
|
||
|
The key was put in the lock, and turned. Before the door was opened,
|
||
|
or as it opened, a man said in a low voice, in English: "He has never
|
||
|
seen me here; I have kept out of his way. Go you in alone; I wait near.
|
||
|
Lose no time!"
|
||
|
|
||
|
The door was quickly opened and closed, and there stood before him
|
||
|
face to face, quiet, intent upon him, with the light of a smile on
|
||
|
his features, and a cautionary finger on his lip, Sydney Carton.
|
||
|
|
||
|
There was something so bright and remarkable in his look, that, for
|
||
|
the first moment, the prisoner misdoubted him to be an apparition of
|
||
|
his own imagining. But, he spoke, and it was his voice; he took the
|
||
|
prisoner's hand, and it was his real grasp.
|
||
|
|
||
|
"Of all the people upon earth, you least expected to see me?" be said.
|
||
|
|
||
|
"I could not believe it to be you. I can scarcely believe it now.
|
||
|
You are not"--the apprehension came suddenly into his mind--"a prisoner?"
|
||
|
|
||
|
"No. I am accidentally possessed of a power over one of the keepers
|
||
|
here, and in virtue of it I stand before you. I come from her--
|
||
|
your wife, dear Darnay."
|
||
|
|
||
|
The prisoner wrung his hand.
|
||
|
|
||
|
"I bring you a request from her."
|
||
|
|
||
|
"What is it?"
|
||
|
|
||
|
"A most earnest, pressing, and emphatic entreaty, addressed to you in
|
||
|
the most pathetic tones of the voice so dear to you, that you well remember."
|
||
|
|
||
|
The prisoner turned his face partly aside.
|
||
|
|
||
|
"You have no time to ask me why I bring it, or what it means; I have
|
||
|
no time to tell you. You must comply with it--take off those boots
|
||
|
you wear, and draw on these of mine."
|
||
|
|
||
|
There was a chair against the wall of the cell, behind the
|
||
|
prisoner. Carton, pressing forward, had already, with the speed of
|
||
|
lightning, got him down into it, and stood over him, barefoot.
|
||
|
|
||
|
"Draw on these boots of mine. Put your hands to them;
|
||
|
put your will to them. Quick!"
|
||
|
|
||
|
"Carton, there is no escaping from this place; it never can be done.
|
||
|
You will only die with me. It is madness."
|
||
|
|
||
|
"It would be madness if I asked you to escape; but do I? When I ask
|
||
|
you to pass out at that door, tell me it is madness and remain here.
|
||
|
Change that cravat for this of mine, that coat for this of mine.
|
||
|
While you do it, let me take this ribbon from your hair, and shake
|
||
|
out your hair like this of mine!"
|
||
|
|
||
|
With wonderful quickness, and with a strength both of will and action,
|
||
|
that appeared quite supernatural, he forced all these changes upon him.
|
||
|
The prisoner was like a young child in his hands.
|
||
|
|
||
|
"Carton! Dear Carton! It is madness. It cannot be accomplished,
|
||
|
it never can be done, it has been attempted, and has always failed.
|
||
|
I implore you not to add your death to the bitterness of mine."
|
||
|
|
||
|
"Do I ask you, my dear Darnay, to pass the door? When I ask that,
|
||
|
refuse. There are pen and ink and paper on this table. Is your hand
|
||
|
steady enough to write?"
|
||
|
|
||
|
"It was when you came in."
|
||
|
|
||
|
"Steady it again, and write what I shall dictate. Quick, friend, quick!"
|
||
|
|
||
|
Pressing his hand to his bewildered head, Darnay sat down at the table.
|
||
|
Carton, with his right hand in his breast, stood close beside him.
|
||
|
|
||
|
"Write exactly as I speak."
|
||
|
|
||
|
"To whom do I address it?"
|
||
|
|
||
|
"To no one." Carton still had his hand in his breast.
|
||
|
|
||
|
"Do I date it?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
The prisoner looked up, at each question. Carton, standing over him
|
||
|
with his hand in his breast, looked down.
|
||
|
|
||
|
"`If you remember,'" said Carton, dictating, "`the words that passed
|
||
|
between us, long ago, you will readily comprehend this when you see it.
|
||
|
You do remember them, I know. It is not in your nature to forget them.'"
|
||
|
|
||
|
He was drawing his hand from his breast; the prisoner chancing to
|
||
|
look up in his hurried wonder as he wrote, the hand stopped, closing
|
||
|
upon something.
|
||
|
|
||
|
"Have you written `forget them'?" Carton asked.
|
||
|
|
||
|
"I have. Is that a weapon in your hand?"
|
||
|
|
||
|
"No; I am not armed."
|
||
|
|
||
|
"What is it in your hand?"
|
||
|
|
||
|
"You shall know directly. Write on; there are but a few words more."
|
||
|
He dictated again. "`I am thankful that the time has come, when I
|
||
|
can prove them. That I do so is no subject for regret or grief.'"
|
||
|
As he said these words with his eyes fixed on the writer, his hand
|
||
|
slowly and softly moved down close to the writer's face.
|
||
|
|
||
|
The pen dropped from Darnay's fingers on the table, and he looked
|
||
|
about him vacantly.
|
||
|
|
||
|
"What vapour is that?" he asked.
|
||
|
|
||
|
"Vapour?"
|
||
|
|
||
|
"Something that crossed me?"
|
||
|
|
||
|
"I am conscious of nothing; there can be nothing here. Take up the
|
||
|
pen and finish. Hurry, hurry!"
|
||
|
|
||
|
As if his memory were impaired, or his faculties disordered, the
|
||
|
prisoner made an effort to rally his attention. As he looked at
|
||
|
Carton with clouded eyes and with an altered manner of breathing,
|
||
|
Carton--his hand again in his breast--looked steadily at him.
|
||
|
|
||
|
"Hurry, hurry!"
|
||
|
|
||
|
The prisoner bent over the paper, once more.
|
||
|
|
||
|
"`If it had been otherwise;'" Carton's hand was again watchfully
|
||
|
and softly stealing down; "`I never should have used the longer
|
||
|
opportunity. If it had been otherwise;'" the hand was at the
|
||
|
prisoner's face; "`I should but have had so much the more to answer
|
||
|
for. If it had been otherwise--'" Carton looked at the pen and saw
|
||
|
it was trailing off into unintelligible signs.
|
||
|
|
||
|
Carton's hand moved back to his breast no more. The prisoner sprang
|
||
|
up with a reproachful look, but Carton's hand was close and firm at
|
||
|
his nostrils, and Carton's left arm caught him round the waist.
|
||
|
For a few seconds he faintly struggled with the man who had come
|
||
|
to lay down his life for him; but, within a minute or so, he was
|
||
|
stretched insensible on the ground.
|
||
|
|
||
|
Quickly, but with hands as true to the purpose as his heart was,
|
||
|
Carton dressed himself in the clothes the prisoner bad laid aside,
|
||
|
combed back his hair, and tied it with the ribbon the prisoner had
|
||
|
worn. Then, he softly called, "Enter there! Come in!" and the Spy
|
||
|
presented himself.
|
||
|
|
||
|
"You see?" said Carton, looking up, as he kneeled on one knee beside
|
||
|
the insensible figure, putting the paper in the breast: "is your
|
||
|
hazard very great?"
|
||
|
|
||
|
"Mr. Carton," the Spy answered, with a timid snap of his fingers,
|
||
|
"my hazard is not THAT, in the thick of business here, if you are
|
||
|
true to the whole of your bargain."
|
||
|
|
||
|
"Don't fear me. I will be true to the death."
|
||
|
|
||
|
"You must be, Mr. Carton, if the tale of fifty-two is to be right.
|
||
|
Being made right by you in that dress, I shall have no fear."
|
||
|
|
||
|
"Have no fear! I shall soon be out of the way of harming you, and the
|
||
|
rest will soon be far from here, please God! Now, get assistance and
|
||
|
take me to the coach."
|
||
|
|
||
|
"You?" said the Spy nervously.
|
||
|
|
||
|
"Him, man, with whom I have exchanged. You go out at the gate by
|
||
|
which you brought me in?"
|
||
|
|
||
|
"Of course."
|
||
|
|
||
|
"I was weak and faint when you brought me in, and I am fainter now
|
||
|
you take me out. The parting interview has overpowered me. Such a
|
||
|
thing has happened here, often, and too often. Your life is in your
|
||
|
own hands. Quick! Call assistance!"
|
||
|
|
||
|
"You swear not to betray me?" said the trembling Spy, as he paused
|
||
|
for a last moment.
|
||
|
|
||
|
"Man, man!" returned Carton, stamping his foot; "have I sworn by no
|
||
|
solemn vow already, to go through with this, that you waste the
|
||
|
precious moments now? Take him yourself to the courtyard you know of,
|
||
|
place him yourself in the carriage, show him yourself to Mr. Lorry,
|
||
|
tell him yourself to give him no restorative but air, and to remember
|
||
|
my words of last night, and his promise of last night, and drive away!"
|
||
|
|
||
|
The Spy withdrew, and Carton seated himself at the table, resting his
|
||
|
forehead on his hands. The Spy returned immediately, with two men.
|
||
|
|
||
|
"How, then?" said one of them, contemplating the fallen figure. "So
|
||
|
afflicted to find that his friend has drawn a prize in the lottery of
|
||
|
Sainte Guillotine?"
|
||
|
|
||
|
"A good patriot," said the other, "could hardly have been more
|
||
|
afflicted if the Aristocrat had drawn a blank."
|
||
|
|
||
|
They raised the unconscious figure, placed it on a litter they had
|
||
|
brought to the door, and bent to carry it away.
|
||
|
|
||
|
"The time is short, Evremonde," said the Spy, in a warning voice.
|
||
|
|
||
|
"I know it well," answered Carton. "Be careful of my friend, I
|
||
|
entreat you, and leave me."
|
||
|
|
||
|
"Come, then, my children," said Barsad. "Lift him, and come away!"
|
||
|
|
||
|
The door closed, and Carton was left alone. Straining his powers of
|
||
|
listening to the utmost, he listened for any sound that might denote
|
||
|
suspicion or alarm. There was none. Keys turned, doors clashed,
|
||
|
footsteps passed along distant passages: no cry was raised, or hurry
|
||
|
made, that seemed unusual. Breathing more freely in a little while,
|
||
|
he sat down at the table, and listened again until the clock struck Two.
|
||
|
|
||
|
Sounds that he was not afraid of, for he divined their meaning, then
|
||
|
began to be audible. Several doors were opened in succession, and
|
||
|
finally his own. A gaoler, with a list in his hand, looked in,
|
||
|
merely saying, "Follow me, Evremonde!" and he followed into a large
|
||
|
dark room, at a distance. It was a dark winter day, and what with
|
||
|
the shadows within, and what with the shadows without, he could but
|
||
|
dimly discern the others who were brought there to have their arms
|
||
|
bound. Some were standing; some seated. Some were lamenting, and in
|
||
|
restless motion; but, these were few. The great majority were silent
|
||
|
and still, looking fixedly at the ground.
|
||
|
|
||
|
As he stood by the wall in a dim corner, while some of the fifty-two
|
||
|
were brought in after him, one man stopped in passing, to embrace
|
||
|
him, as having a knowledge of him. It thrilled him with a great
|
||
|
dread of discovery; but the man went on. A very few moments after
|
||
|
that, a young woman, with a slight girlish form, a sweet spare face
|
||
|
in which there was no vestige of colour, and large widely opened
|
||
|
patient eyes, rose from the seat where he had observed her sitting,
|
||
|
and came to speak to him.
|
||
|
|
||
|
"Citizen Evremonde," she said, touching him with her cold hand.
|
||
|
"I am a poor little seamstress, who was with you in La Force."
|
||
|
|
||
|
He murmured for answer: "True. I forget what you were accused of?"
|
||
|
|
||
|
"Plots. Though the just Heaven knows that I am innocent of any.
|
||
|
Is it likely? Who would think of plotting with a poor little weak
|
||
|
creature like me?"
|
||
|
|
||
|
The forlorn smile with which she said it, so touched him, that tears
|
||
|
started from his eyes.
|
||
|
|
||
|
"I am not afraid to die, Citizen Evremonde, but I have done nothing.
|
||
|
I am not unwilling to die, if the Republic which is to do so much
|
||
|
good to us poor, will profit by my death; but I do not know how that
|
||
|
can be, Citizen Evremonde. Such a poor weak little creature!"
|
||
|
|
||
|
As the last thing on earth that his heart was to warm and soften to,
|
||
|
it warmed and softened to this pitiable girl.
|
||
|
|
||
|
"I heard you were released, Citizen Evremonde. I hoped it was true?"
|
||
|
|
||
|
"It was. But, I was again taken and condemned."
|
||
|
|
||
|
"If I may ride with you, Citizen Evremonde, will you let me hold your
|
||
|
hand? I am not afraid, but I am little and weak, and it will give me
|
||
|
more courage."
|
||
|
|
||
|
As the patient eyes were lifted to his face, he saw a sudden doubt in
|
||
|
them, and then astonishment. He pressed the work-worn, hunger-worn
|
||
|
young fingers, and touched his lips.
|
||
|
|
||
|
"Are you dying for him?" she whispered.
|
||
|
|
||
|
"And his wife and child. Hush! Yes."
|
||
|
|
||
|
"O you will let me hold your brave hand, stranger?"
|
||
|
|
||
|
"Hush! Yes, my poor sister; to the last."
|
||
|
|
||
|
|
||
|
The same shadows that are falling on the prison, are falling, in that
|
||
|
same hour of the early afternoon, on the Barrier with the crowd about it,
|
||
|
when a coach going out of Paris drives up to be examined.
|
||
|
|
||
|
"Who goes here? Whom have we within? Papers!"
|
||
|
|
||
|
The papers are handed out, and read.
|
||
|
|
||
|
"Alexandre Manette. Physician. French. Which is he?"
|
||
|
|
||
|
This is he; this helpless, inarticulately murmuring, wandering old
|
||
|
man pointed out.
|
||
|
|
||
|
"Apparently the Citizen-Doctor is not in his right mind?
|
||
|
The Revolution-fever will have been too much for him?"
|
||
|
|
||
|
Greatly too much for him.
|
||
|
|
||
|
"Hah! Many suffer with it. Lucie. His daughter. French. Which is she?"
|
||
|
|
||
|
This is she.
|
||
|
|
||
|
"Apparently it must be. Lucie, the wife of Evremonde; is it not?"
|
||
|
|
||
|
It is.
|
||
|
|
||
|
"Hah! Evremonde has an assignation elsewhere. Lucie, her child.
|
||
|
English. This is she?"
|
||
|
|
||
|
She and no other.
|
||
|
|
||
|
"Kiss me, child of Evremonde. Now, thou hast kissed a good
|
||
|
Republican; something new in thy family; remember it! Sydney Carton.
|
||
|
Advocate. English. Which is he?"
|
||
|
|
||
|
He lies here, in this corner of the carriage. He, too, is pointed out.
|
||
|
|
||
|
"Apparently the English advocate is in a swoon?"
|
||
|
|
||
|
It is hoped he will recover in the fresher air. It is represented
|
||
|
that he is not in strong health, and has separated sadly from a
|
||
|
friend who is under the displeasure of the Republic.
|
||
|
|
||
|
"Is that all? It is not a great deal, that! Many are under the
|
||
|
displeasure of the Republic, and must look out at the little window.
|
||
|
Jarvis Lorry. Banker. English. Which is he?"
|
||
|
|
||
|
"I am he. Necessarily, being the last."
|
||
|
|
||
|
It is Jarvis Lorry who has replied to all the previous questions.
|
||
|
It is Jarvis Lorry who has alighted and stands with his hand on the
|
||
|
coach door, replying to a group of officials. They leisurely walk
|
||
|
round the carriage and leisurely mount the box, to look at what
|
||
|
little luggage it carries on the roof; the country-people hanging
|
||
|
about, press nearer to the coach doors and greedily stare in; a
|
||
|
little child, carried by its mother, has its short arm held out for
|
||
|
it, that it may touch the wife of an aristocrat who has gone to the
|
||
|
Guillotine.
|
||
|
|
||
|
"Behold your papers, Jarvis Lorry, countersigned."
|
||
|
|
||
|
"One can depart, citizen?"
|
||
|
|
||
|
"One can depart. Forward, my postilions! A good journey!"
|
||
|
|
||
|
"I salute you, citizens.--And the first danger passed!"
|
||
|
|
||
|
These are again the words of Jarvis Lorry, as he clasps his hands,
|
||
|
and looks upward. There is terror in the carriage, there is weeping,
|
||
|
there is the heavy breathing of the insensible traveller.
|
||
|
|
||
|
"Are we not going too slowly? Can they not be induced to go faster?"
|
||
|
asks Lucie, clinging to the old man.
|
||
|
|
||
|
"It would seem like flight, my darling. I must not urge them too much;
|
||
|
it would rouse suspicion."
|
||
|
|
||
|
"Look back, look back, and see if we are pursued!"
|
||
|
|
||
|
"The road is clear, my dearest. So far, we are not pursued."
|
||
|
|
||
|
Houses in twos and threes pass by us, solitary farms, ruinous
|
||
|
buildings, dye-works, tanneries, and the like, open country, avenues
|
||
|
of leafless trees. The hard uneven pavement is under us, the soft
|
||
|
deep mud is on either side. Sometimes, we strike into the skirting
|
||
|
mud, to avoid the stones that clatter us and shake us; sometimes, we
|
||
|
stick in ruts and sloughs there. The agony of our impatience is then
|
||
|
so great, that in our wild alarm and hurry we are for getting out and
|
||
|
running--hiding--doing anything but stopping.
|
||
|
|
||
|
Out of the open country, in again among ruinous buildings, solitary
|
||
|
farms, dye-works, tanneries, and the like, cottages in twos and
|
||
|
threes, avenues of leafless trees. Have these men deceived us, and
|
||
|
taken us back by another road? Is not this the same place twice over?
|
||
|
Thank Heaven, no. A village. Look back, look back, and see if we are
|
||
|
pursued! Hush! the posting-house.
|
||
|
|
||
|
Leisurely, our four horses are taken out; leisurely, the coach stands
|
||
|
in the little street, bereft of horses, and with no likelihood upon
|
||
|
it of ever moving again; leisurely, the new horses come into visible
|
||
|
existence, one by one; leisurely, the new postilions follow, sucking
|
||
|
and plaiting the lashes of their whips; leisurely, the old postilions
|
||
|
count their money, make wrong additions, and arrive at dissatisfied
|
||
|
results. All the time, our overfraught hearts are beating at a rate
|
||
|
that would far outstrip the fastest gallop of the fastest horses ever
|
||
|
foaled.
|
||
|
|
||
|
At length the new postilions are in their saddles, and the old are
|
||
|
left behind. We are through the village, up the hill, and down the
|
||
|
hill, and on the low watery grounds. Suddenly, the postilions
|
||
|
exchange speech with animated gesticulation, and the horses are
|
||
|
pulled up, almost on their haunches. We are pursued?
|
||
|
|
||
|
"Ho! Within the carriage there. Speak then!"
|
||
|
|
||
|
"What is it?" asks Mr. Lorry, looking out at window.
|
||
|
|
||
|
"How many did they say?"
|
||
|
|
||
|
"I do not understand you."
|
||
|
|
||
|
"--At the last post. How many to the Guillotine to-day?"
|
||
|
|
||
|
"Fifty-two."
|
||
|
|
||
|
"I said so! A brave number! My fellow-citizen here would have it
|
||
|
forty-two; ten more heads are worth having. The Guillotine goes
|
||
|
handsomely. I love it. Hi forward. Whoop!"
|
||
|
|
||
|
The night comes on dark. He moves more; he is beginning to revive,
|
||
|
and to speak intelligibly; he thinks they are still together; he asks
|
||
|
him, by his name, what he has in his hand. O pity us, kind Heaven,
|
||
|
and help us! Look out, look out, and see if we are pursued.
|
||
|
|
||
|
The wind is rushing after us, and the clouds are flying after us, and
|
||
|
the moon is plunging after us, and the whole wild night is in pursuit
|
||
|
of us; but, so far, we are pursued by nothing else.
|
||
|
|
||
|
|
||
|
|
||
|
XIV
|
||
|
|
||
|
The Knitting Done
|
||
|
|
||
|
|
||
|
In that same juncture of time when the Fifty-Two awaited their fate
|
||
|
Madame Defarge held darkly ominous council with The Vengeance and
|
||
|
Jacques Three of the Revolutionary Jury. Not in the wine-shop did
|
||
|
Madame Defarge confer with these ministers, but in the shed of the
|
||
|
wood-sawyer, erst a mender of roads. The sawyer himself did not
|
||
|
participate in the conference, but abided at a little distance,
|
||
|
like an outer satellite who was not to speak until required, or to
|
||
|
offer an opinion until invited.
|
||
|
|
||
|
"But our Defarge," said Jacques Three, "is undoubtedly a good
|
||
|
Republican? Eh?"
|
||
|
|
||
|
"There is no better," the voluble Vengeance protested in her shrill
|
||
|
notes, "in France."
|
||
|
|
||
|
"Peace, little Vengeance," said Madame Defarge, laying her hand with
|
||
|
a slight frown on her lieutenant's lips, "hear me speak. My husband,
|
||
|
fellow-citizen, is a good Republican and a bold man; he has deserved
|
||
|
well of the Republic, and possesses its confidence. But my husband
|
||
|
has his weaknesses, and he is so weak as to relent towards this Doctor."
|
||
|
|
||
|
"It is a great pity," croaked Jacques Three, dubiously shaking his
|
||
|
head, with his cruel fingers at his hungry mouth; "it is not quite
|
||
|
like a good citizen; it is a thing to regret."
|
||
|
|
||
|
"See you," said madame, "I care nothing for this Doctor, I. He may
|
||
|
wear his head or lose it, for any interest I have in him; it is all
|
||
|
one to me. But, the Evremonde people are to be exterminated, and the
|
||
|
wife and child must follow the husband and father."
|
||
|
|
||
|
"She has a fine head for it," croaked Jacques Three. "I have seen
|
||
|
blue eyes and golden hair there, and they looked charming when Samson
|
||
|
held them up." Ogre that he was, he spoke like an epicure.
|
||
|
|
||
|
Madame Defarge cast down her eyes, and reflected a little.
|
||
|
|
||
|
"The child also," observed Jacques Three, with a meditative enjoyment
|
||
|
of his words, "has golden hair and blue eyes. And we seldom have a
|
||
|
child there. It is a pretty sight!"
|
||
|
|
||
|
"In a word," said Madame Defarge, coming out of her short abstraction,
|
||
|
"I cannot trust my husband in this matter. Not only do I feel, since
|
||
|
last night, that I dare not confide to him the details of my projects;
|
||
|
but also I feel that if I delay, there is danger of his giving warning,
|
||
|
and then they might escape."
|
||
|
|
||
|
"That must never be," croaked Jacques Three; "no one must escape.
|
||
|
We have not half enough as it is. We ought to have six score a day."
|
||
|
|
||
|
"In a word," Madame Defarge went on, "my husband has not my reason
|
||
|
for pursuing this family to annihilation, and I have not his reason
|
||
|
for regarding this Doctor with any sensibility. I must act for myself,
|
||
|
therefore. Come hither, little citizen."
|
||
|
|
||
|
The wood-sawyer, who held her in the respect, and himself in the
|
||
|
submission, of mortal fear, advanced with his hand to his red cap.
|
||
|
|
||
|
"Touching those signals, little citizen," said Madame Defarge,
|
||
|
sternly, "that she made to the prisoners; you are ready to bear
|
||
|
witness to them this very day?"
|
||
|
|
||
|
"Ay, ay, why not!" cried the sawyer. "Every day, in all weathers,
|
||
|
from two to four, always signalling, sometimes with the little one,
|
||
|
sometimes without. I know what I know. I have seen with my eyes."
|
||
|
|
||
|
He made all manner of gestures while he spoke, as if in incidental
|
||
|
imitation of some few of the great diversity of signals that he had
|
||
|
never seen.
|
||
|
|
||
|
"Clearly plots," said Jacques Three. "Transparently!"
|
||
|
|
||
|
"There is no doubt of the Jury?" inquired Madame Defarge, letting her
|
||
|
eyes turn to him with a gloomy smile.
|
||
|
|
||
|
"Rely upon the patriotic Jury, dear citizeness. I answer for my
|
||
|
fellow-Jurymen."
|
||
|
|
||
|
"Now, let me see," said Madame Defarge, pondering again. "Yet once more!
|
||
|
Can I spare this Doctor to my husband? I have no feeling either way.
|
||
|
Can I spare him?"
|
||
|
|
||
|
"He would count as one head," observed Jacques Three, in a low voice.
|
||
|
"We really have not heads enough; it would be a pity, I think."
|
||
|
|
||
|
"He was signalling with her when I saw her," argued Madame Defarge;
|
||
|
"I cannot speak of one without the other; and I must not be silent,
|
||
|
and trust the case wholly to him, this little citizen here.
|
||
|
For, I am not a bad witness."
|
||
|
|
||
|
The Vengeance and Jacques Three vied with each other in their fervent
|
||
|
protestations that she was the most admirable and marvellous of
|
||
|
witnesses. The little citizen, not to be outdone, declared her to be
|
||
|
a celestial witness.
|
||
|
|
||
|
"He must take his chance," said Madame Defarge. "No, I cannot spare
|
||
|
him! You are engaged at three o'clock; you are going to see the batch
|
||
|
of to-day executed.--You?"
|
||
|
|
||
|
The question was addressed to the wood-sawyer, who hurriedly replied
|
||
|
in the affirmative: seizing the occasion to add that he was the most
|
||
|
ardent of Republicans, and that he would be in effect the most
|
||
|
desolate of Republicans, if anything prevented him from enjoying the
|
||
|
pleasure of smoking his afternoon pipe in the contemplation of the
|
||
|
droll national barber. He was so very demonstrative herein, that he
|
||
|
might have been suspected (perhaps was, by the dark eyes that looked
|
||
|
contemptuously at him out of Madame Defarge's head) of having his small
|
||
|
individual fears for his own personal safety, every hour in the day.
|
||
|
|
||
|
"I," said madame, "am equally engaged at the same place. After it is
|
||
|
over-say at eight to-night--come you to me, in Saint Antoine, and we
|
||
|
will give information against these people at my Section."
|
||
|
|
||
|
The wood-sawyer said he would be proud and flattered to attend the
|
||
|
citizeness. The citizeness looking at him, he became embarrassed,
|
||
|
evaded her glance as a small dog would have done, retreated among
|
||
|
his wood, and hid his confusion over the handle of his saw.
|
||
|
|
||
|
Madame Defarge beckoned the Juryman and The Vengeance a little nearer
|
||
|
to the door, and there expounded her further views to them thus:
|
||
|
|
||
|
"She will now be at home, awaiting the moment of his death. She will
|
||
|
be mourning and grieving. She will be in a state of mind to impeach
|
||
|
the justice of the Republic. She will be full of sympathy with its
|
||
|
enemies. I will go to her."
|
||
|
|
||
|
"What an admirable woman; what an adorable woman!" exclaimed
|
||
|
Jacques Three, rapturously. "Ah, my cherished!" cried The Vengeance;
|
||
|
and embraced her.
|
||
|
|
||
|
"Take you my knitting," said Madame Defarge, placing it in her
|
||
|
lieutenant's hands, "and have it ready for me in my usual seat.
|
||
|
Keep me my usual chair. Go you there, straight, for there will
|
||
|
probably be a greater concourse than usual, to-day."
|
||
|
|
||
|
"I willingly obey the orders of my Chief," said The Vengeance with
|
||
|
alacrity, and kissing her cheek. "You will not be late?"
|
||
|
|
||
|
"I shall be there before the commencement."
|
||
|
|
||
|
"And before the tumbrils arrive. Be sure you are there, my soul,"
|
||
|
said The Vengeance, calling after her, for she had already turned
|
||
|
into the street, "before the tumbrils arrive!"
|
||
|
|
||
|
Madame Defarge slightly waved her hand, to imply that she heard, and
|
||
|
might be relied upon to arrive in good time, and so went through the
|
||
|
mud, and round the corner of the prison wall. The Vengeance and the
|
||
|
Juryman, looking after her as she walked away, were highly appreciative
|
||
|
of her fine figure, and her superb moral endowments.
|
||
|
|
||
|
There were many women at that time, upon whom the time laid a
|
||
|
dreadfully disfiguring hand; but, there was not one among them more
|
||
|
to be dreaded than this ruthless woman, now taking her way along the
|
||
|
streets. Of a strong and fearless character, of shrewd sense and
|
||
|
readiness, of great determination, of that kind of beauty which not
|
||
|
only seems to impart to its possessor firmness and animosity, but to
|
||
|
strike into others an instinctive recognition of those qualities; the
|
||
|
troubled time would have heaved her up, under any circumstances.
|
||
|
But, imbued from her childhood with a brooding sense of wrong, and an
|
||
|
inveterate hatred of a class, opportunity had developed her into a
|
||
|
tigress. She was absolutely without pity. If she had ever had the
|
||
|
virtue in her, it had quite gone out of her.
|
||
|
|
||
|
It was nothing to her, that an innocent man was to die for the sins
|
||
|
of his forefathers; she saw, not him, but them. It was nothing to her,
|
||
|
that his wife was to be made a widow and his daughter an orphan; that
|
||
|
was insufficient punishment, because they were her natural enemies
|
||
|
and her prey, and as such had no right to live. To appeal to her,
|
||
|
was made hopeless by her having no sense of pity, even for herself.
|
||
|
If she had been laid low in the streets, in any of the many encounters
|
||
|
in which she had been engaged, she would not have pitied herself;
|
||
|
nor, if she had been ordered to the axe to-morrow, would she have
|
||
|
gone to it with any softer feeling than a fierce desire to change
|
||
|
places with the man who sent here there.
|
||
|
|
||
|
Such a heart Madame Defarge carried under her rough robe. Carelessly
|
||
|
worn, it was a becoming robe enough, in a certain weird way, and her
|
||
|
dark hair looked rich under her coarse red cap. Lying hidden in her
|
||
|
bosom, was a loaded pistol. Lying hidden at her waist, was a sharpened
|
||
|
dagger. Thus accoutred, and walking with the confident tread of such
|
||
|
a character, and with the supple freedom of a woman who had habitually
|
||
|
walked in her girlhood, bare-foot and bare-legged, on the brown
|
||
|
sea-sand, Madame Defarge took her way along the streets.
|
||
|
|
||
|
Now, when the journey of the travelling coach, at that very moment
|
||
|
waiting for the completion of its load, had been planned out last
|
||
|
night, the difficulty of taking Miss Pross in it had much engaged
|
||
|
Mr. Lorry's attention. It was not merely desirable to avoid
|
||
|
overloading the coach, but it was of the highest importance that the
|
||
|
time occupied in examining it and its passengers, should be reduced
|
||
|
to the utmost; since their escape might depend on the saving of only
|
||
|
a few seconds here and there. Finally, he had proposed, after anxious
|
||
|
|
||
|
consideration, that Miss Pross and Jerry, who were at liberty to
|
||
|
leave the city, should leave it at three o'clock in the lightest-
|
||
|
wheeled conveyance known to that period. Unencumbered with luggage,
|
||
|
they would soon overtake the coach, and, passing it and preceding it
|
||
|
on the road, would order its horses in advance, and greatly facilitate
|
||
|
its progress during the precious hours of the night, when delay was
|
||
|
the most to be dreaded.
|
||
|
|
||
|
Seeing in this arrangement the hope of rendering real service in that
|
||
|
pressing emergency, Miss Pross hailed it with joy. She and Jerry had
|
||
|
beheld the coach start, had known who it was that Solomon brought,
|
||
|
had passed some ten minutes in tortures of suspense, and were now
|
||
|
concluding their arrangements to follow the coach, even as Madame
|
||
|
Defarge, taking her way through the streets, now drew nearer and
|
||
|
nearer to the else-deserted lodging in which they held their consultation.
|
||
|
|
||
|
"Now what do you think, Mr. Cruncher," said Miss Pross, whose
|
||
|
agitation was so great that she could hardly speak, or stand,
|
||
|
or move, or live: "what do you think of our not starting from this
|
||
|
courtyard? Another carriage having already gone from here to-day,
|
||
|
it might awaken suspicion."
|
||
|
|
||
|
"My opinion, miss," returned Mr. Cruncher, "is as you're right.
|
||
|
Likewise wot I'll stand by you, right or wrong."
|
||
|
|
||
|
"I am so distracted with fear and hope for our precious creatures,"
|
||
|
said Miss Pross, wildly crying, "that I am incapable of forming any
|
||
|
plan. Are YOU capable of forming any plan, my dear good Mr. Cruncher?"
|
||
|
|
||
|
"Respectin' a future spear o' life, miss," returned Mr. Cruncher,
|
||
|
"I hope so. Respectin' any present use o' this here blessed old head
|
||
|
o' mind, I think not. Would you do me the favour, miss, to take
|
||
|
notice o' two promises and wows wot it is my wishes fur to record in
|
||
|
this here crisis?"
|
||
|
|
||
|
"Oh, for gracious sake!" cried Miss Pross, still wildly crying,
|
||
|
"record them at once, and get them out of the way, like an excellent man."
|
||
|
|
||
|
"First," said Mr. Cruncher, who was all in a tremble, and who spoke
|
||
|
with an ashy and solemn visage, "them poor things well out o' this,
|
||
|
never no more will I do it, never no more!"
|
||
|
|
||
|
"I am quite sure, Mr. Cruncher," returned Miss Pross, "that you never
|
||
|
will do it again, whatever it is, and I beg you not to think it
|
||
|
necessary to mention more particularly what it is."
|
||
|
|
||
|
"No, miss," returned Jerry, "it shall not be named to you. Second:
|
||
|
them poor things well out o' this, and never no more will I interfere
|
||
|
with Mrs. Cruncher's flopping, never no more!"
|
||
|
|
||
|
"Whatever housekeeping arrangement that may be," said Miss Pross,
|
||
|
striving to dry her eyes and compose herself, "I have no doubt it
|
||
|
is best that Mrs. Cruncher should have it entirely under her own
|
||
|
superintendence.--O my poor darlings!"
|
||
|
|
||
|
"I go so far as to say, miss, moreover," proceeded Mr. Cruncher, with
|
||
|
a most alarming tendency to hold forth as from a pulpit--"and let my
|
||
|
words be took down and took to Mrs. Cruncher through yourself--that
|
||
|
wot my opinions respectin' flopping has undergone a change, and that
|
||
|
wot I only hope with all my heart as Mrs. Cruncher may be a flopping
|
||
|
at the present time."
|
||
|
|
||
|
"There, there, there! I hope she is, my dear man," cried the distracted
|
||
|
Miss Pross, "and I hope she finds it answering her expectations."
|
||
|
|
||
|
"Forbid it," proceeded Mr. Cruncher, with additional solemnity,
|
||
|
additional slowness, and additional tendency to hold forth and hold
|
||
|
out, "as anything wot I have ever said or done should be wisited on
|
||
|
my earnest wishes for them poor creeturs now! Forbid it as we shouldn't
|
||
|
all flop (if it was anyways conwenient) to get 'em out o' this here
|
||
|
dismal risk! Forbid it, miss! Wot I say, for-BID it!" This was
|
||
|
Mr. Cruncher's conclusion after a protracted but vain endeavour
|
||
|
to find a better one.
|
||
|
|
||
|
And still Madame Defarge, pursuing her way along the streets, came
|
||
|
nearer and nearer.
|
||
|
|
||
|
"If we ever get back to our native land," said Miss Pross, "you may
|
||
|
rely upon my telling Mrs. Cruncher as much as I may be able to remember
|
||
|
and understand of what you have so impressively said; and at all
|
||
|
events you may be sure that I shall bear witness to your being
|
||
|
thoroughly in earnest at this dreadful time. Now, pray let us think!
|
||
|
My esteemed Mr. Cruncher, let us think!"
|
||
|
|
||
|
Still, Madame Defarge, pursuing her way along the streets, came
|
||
|
nearer and nearer.
|
||
|
|
||
|
"If you were to go before," said Miss Pross, "and stop the vehicle
|
||
|
and horses from coming here, and were to wait somewhere for me;
|
||
|
wouldn't that be best?"
|
||
|
|
||
|
Mr. Cruncher thought it might be best.
|
||
|
|
||
|
"Where could you wait for me?" asked Miss Pross.
|
||
|
|
||
|
Mr. Cruncher was so bewildered that he could think of no locality but
|
||
|
Temple Bar. Alas! Temple Bar was hundreds of miles away, and Madame
|
||
|
Defarge was drawing very near indeed.
|
||
|
|
||
|
"By the cathedral door," said Miss Pross. "Would it be much out of the
|
||
|
way, to take me in, near the great cathedral door between the two towers?"
|
||
|
|
||
|
"No, miss," answered Mr. Cruncher.
|
||
|
|
||
|
"Then, like the best of men," said Miss Pross, "go to the posting-
|
||
|
house straight, and make that change."
|
||
|
|
||
|
"I am doubtful," said Mr. Cruncher, hesitating and shaking his head,
|
||
|
"about leaving of you, you see. We don't know what may happen."
|
||
|
|
||
|
"Heaven knows we don't," returned Miss Pross, "but have no fear for
|
||
|
me. Take me in at the cathedral, at Three o'Clock, or as near it as
|
||
|
you can, and I am sure it will be better than our going from here.
|
||
|
I feel certain of it. There! Bless you, Mr. Cruncher! Think-not of
|
||
|
me, but of the lives that may depend on both of us!"
|
||
|
|
||
|
This exordium, and Miss Pross's two hands in quite agonised entreaty
|
||
|
clasping his, decided Mr. Cruncher. With an encouraging nod or two,
|
||
|
he immediately went out to alter the arrangements, and left her by
|
||
|
herself to follow as she had proposed.
|
||
|
|
||
|
The having originated a precaution which was already in course of
|
||
|
execution, was a great relief to Miss Pross. The necessity of
|
||
|
composing her appearance so that it should attract no special notice
|
||
|
in the streets, was another relief. She looked at her watch, and it
|
||
|
was twenty minutes past two. She had no time to lose, but must get
|
||
|
ready at once.
|
||
|
|
||
|
Afraid, in her extreme perturbation, of the loneliness of the
|
||
|
deserted rooms, and of half-imagined faces peeping from behind every
|
||
|
open door in them, Miss Pross got a basin of cold water and began
|
||
|
laving her eyes, which were swollen and red. Haunted by her feverish
|
||
|
apprehensions, she could not bear to have her sight obscured for a
|
||
|
minute at a time by the dripping water, but constantly paused and
|
||
|
looked round to see that there was no one watching her. In one of
|
||
|
those pauses she recoiled and cried out, for she saw a figure
|
||
|
standing in the room.
|
||
|
|
||
|
The basin fell to the ground broken, and the water flowed to the feet
|
||
|
of Madame Defarge. By strange stem ways, and through much staining
|
||
|
blood, those feet had come to meet that water.
|
||
|
|
||
|
Madame Defarge looked coldly at her, and said, "The wife of Evremonde;
|
||
|
where is she?"
|
||
|
|
||
|
It flashed upon Miss Pross's mind that the doors were all standing
|
||
|
open, and would suggest the flight. Her first act was to shut them.
|
||
|
There were four in the room, and she shut them all. She then placed
|
||
|
herself before the door of the chamber which Lucie had occupied.
|
||
|
|
||
|
Madame Defarge's dark eyes followed her through this rapid movement,
|
||
|
and rested on her when it was finished. Miss Pross had nothing
|
||
|
beautiful about her; years had not tamed the wildness, or softened
|
||
|
the grimness, of her appearance; but, she too was a determined woman
|
||
|
in her different way, and she measured Madame Defarge with her eyes,
|
||
|
every inch.
|
||
|
|
||
|
"You might, from your appearance, be the wife of Lucifer," said Miss
|
||
|
Pross, in her breathing. "Nevertheless, you shall not get the better
|
||
|
of me. I am an Englishwoman."
|
||
|
|
||
|
Madame Defarge looked at her scornfully, but still with something of
|
||
|
Miss Pross's own perception that they two were at bay. She saw a
|
||
|
tight, hard, wiry woman before her, as Mr. Lorry had seen in the same
|
||
|
figure a woman with a strong hand, in the years gone by. She knew
|
||
|
full well that Miss Pross was the family's devoted friend; Miss Pross
|
||
|
knew full well that Madame Defarge was the family's malevolent enemy.
|
||
|
|
||
|
"On my way yonder," said Madame Defarge, with a slight movement of
|
||
|
her hand towards the fatal spot, "where they reserve my chair and my
|
||
|
knitting for me, I am come to make my compliments to her in passing.
|
||
|
I wish to see her."
|
||
|
|
||
|
"I know that your intentions are evil," said Miss Pross, "and you may
|
||
|
depend upon it, I'll hold my own against them."
|
||
|
|
||
|
Each spoke in her own language; neither understood the other's words;
|
||
|
both were very watchful, and intent to deduce from look and manner,
|
||
|
what the unintelligible words meant.
|
||
|
|
||
|
"It will do her no good to keep herself concealed from me at this
|
||
|
moment," said Madame Defarge. "Good patriots will know what that means.
|
||
|
Let me see her. Go tell her that I wish to see her. Do you hear?"
|
||
|
|
||
|
"If those eyes of yours were bed-winches," returned Miss Pross, "and
|
||
|
I was an English four-poster, they shouldn't loose a splinter of me.
|
||
|
No, you wicked foreign woman; I am your match."
|
||
|
|
||
|
Madame Defarge was not likely to follow these idiomatic remarks in
|
||
|
detail; but, she so far understood them as to perceive that she was
|
||
|
set at naught.
|
||
|
|
||
|
"Woman imbecile and pig-like!" said Madame Defarge, frowning.
|
||
|
"I take no answer from you. I demand to see her. Either tell her
|
||
|
that I demand to see her, or stand out of the way of the door and let
|
||
|
me go to her!" This, with an angry explanatory wave of her right arm.
|
||
|
|
||
|
"I little thought," said Miss Pross, "that I should ever want to
|
||
|
understand your nonsensical language; but I would give all I have,
|
||
|
except the clothes I wear, to know whether you suspect the truth, or
|
||
|
any part of it."
|
||
|
|
||
|
Neither of them for a single moment released the other's eyes.
|
||
|
Madame Defarge had not moved from the spot where she stood when Miss
|
||
|
Pross first became aware of her; but, she now advanced one step.
|
||
|
|
||
|
"I am a Briton," said Miss Pross, "I am desperate. I don't care an
|
||
|
English Twopence for myself. I know that the longer I keep you here,
|
||
|
the greater hope there is for my Ladybird. I'll not leave a handful
|
||
|
of that dark hair upon your head, if you lay a finger on me!"
|
||
|
|
||
|
Thus Miss Pross, with a shake of her head and a flash of her eyes
|
||
|
between every rapid sentence, and every rapid sentence a whole breath.
|
||
|
Thus Miss Pross, who had never struck a blow in her life.
|
||
|
|
||
|
But, her courage was of that emotional nature that it brought the
|
||
|
irrepressible tears into her eyes. This was a courage that Madame
|
||
|
Defarge so little comprehended as to mistake for weakness. "Ha, ha!"
|
||
|
she laughed, "you poor wretch! What are you worth! I address myself
|
||
|
to that Doctor." Then she raised her voice and called out, "Citizen
|
||
|
Doctor! Wife of Evremonde! Child of Evremonde! Any person but this
|
||
|
miserable fool, answer the Citizeness Defarge!"
|
||
|
|
||
|
Perhaps the following silence, perhaps some latent disclosure in the
|
||
|
expression of Miss Pross's face, perhaps a sudden misgiving apart from
|
||
|
either suggestion, whispered to Madame Defarge that they were gone.
|
||
|
Three of the doors she opened swiftly, and looked in.
|
||
|
|
||
|
"Those rooms are all in disorder, there has been hurried packing,
|
||
|
there are odds and ends upon the ground. There is no one in that
|
||
|
room behind you! Let me look."
|
||
|
|
||
|
"Never!" said Miss Pross, who understood the request as perfectly as
|
||
|
Madame Defarge understood the answer.
|
||
|
|
||
|
"If they are not in that room, they are gone, and can be pursued and
|
||
|
brought back," said Madame Defarge to herself.
|
||
|
|
||
|
"As long as you don't know whether they are in that room or not, you
|
||
|
are uncertain what to do," said Miss Pross to herself; "and you shall
|
||
|
not know that, if I can prevent your knowing it; and know that, or
|
||
|
not know that, you shall not leave here while I can hold you."
|
||
|
|
||
|
"I have been in the streets from the first, nothing has stopped me,
|
||
|
I will tear you to pieces, but I will have you from that door," said
|
||
|
Madame Defarge.
|
||
|
|
||
|
"We are alone at the top of a high house in a solitary courtyard,
|
||
|
we are not likely to be heard, and I pray for bodily strength to keep
|
||
|
you here, while every minute you are here is worth a hundred thousand
|
||
|
guineas to my darling," said Miss Pross.
|
||
|
|
||
|
Madame Defarge made at the door. Miss Pross, on the instinct of the
|
||
|
moment, seized her round the waist in both her arms, and held her
|
||
|
tight. It was in vain for Madame Defarge to struggle and to strike;
|
||
|
Miss Pross, with the vigorous tenacity of love, always so much
|
||
|
stronger than hate, clasped her tight, and even lifted her from the
|
||
|
floor in the struggle that they had. The two hands of Madame Defarge
|
||
|
buffeted and tore her face; but, Miss Pross, with her head down, held
|
||
|
her round the waist, and clung to her with more than the hold of a
|
||
|
drowning woman.
|
||
|
|
||
|
Soon, Madame Defarge's hands ceased to strike, and felt at her
|
||
|
encircled waist. "It is under my arm," said Miss Pross, in smothered
|
||
|
tones, "you shall not draw it. I am stronger than you, I bless
|
||
|
Heaven for it. I hold you till one or other of us faints or dies!"
|
||
|
|
||
|
Madame Defarge's hands were at her bosom. Miss Pross looked up, saw
|
||
|
what it was, struck at it, struck out a flash and a crash, and stood
|
||
|
alone--blinded with smoke.
|
||
|
|
||
|
All this was in a second. As the smoke cleared, leaving an awful
|
||
|
stillness, it passed out on the air, like the soul of the furious
|
||
|
woman whose body lay lifeless on the ground.
|
||
|
|
||
|
In the first fright and horror of her situation, Miss Pross passed
|
||
|
the body as far from it as she could, and ran down the stairs to call
|
||
|
for fruitless help. Happily, she bethought herself of the
|
||
|
consequences of what she did, in time to check herself and go back.
|
||
|
It was dreadful to go in at the door again; but, she did go in, and
|
||
|
even went near it, to get the bonnet and other things that she must
|
||
|
wear. These she put on, out on the staircase, first shutting and
|
||
|
locking the door and taking away the key. She then sat down on the
|
||
|
stairs a few moments to breathe and to cry, and then got up and
|
||
|
hurried away.
|
||
|
|
||
|
By good fortune she had a veil on her bonnet, or she could hardly
|
||
|
have gone along the streets without being stopped. By good fortune,
|
||
|
too, she was naturally so peculiar in appearance as not to show
|
||
|
disfigurement like any other woman. She needed both advantages, for
|
||
|
the marks of griping fingers were deep in her face, and her hair was
|
||
|
torn, and her dress (hastily composed with unsteady hands) was
|
||
|
clutched and dragged a hundred ways.
|
||
|
|
||
|
In crossing the bridge, she dropped the door key in the river.
|
||
|
Arriving at the cathedral some few minutes before her escort, and
|
||
|
waiting there, she thought, what if the key were already taken in a
|
||
|
net, what if it were identified, what if the door were opened and the
|
||
|
remains discovered, what if she were stopped at the gate, sent to
|
||
|
prison, and charged with murder! In the midst of these fluttering
|
||
|
thoughts, the escort appeared, took her in, and took her away.
|
||
|
|
||
|
"Is there any noise in the streets?" she asked him.
|
||
|
|
||
|
"The usual noises," Mr. Cruncher replied; and looked surprised by the
|
||
|
question and by her aspect.
|
||
|
|
||
|
"I don't hear you," said Miss Pross. "What do you say?"
|
||
|
|
||
|
It was in vain for Mr. Cruncher to repeat what he said; Miss Pross
|
||
|
could not hear him. "So I'll nod my head," thought Mr. Cruncher,
|
||
|
amazed, "at all events she'll see that." And she did.
|
||
|
|
||
|
"Is there any noise in the streets now?" asked Miss Pross again,
|
||
|
presently.
|
||
|
|
||
|
Again Mr. Cruncher nodded his head.
|
||
|
|
||
|
"I don't hear it."
|
||
|
|
||
|
"Gone deaf in an hour?" said Mr. Cruncher, ruminating, with his mind
|
||
|
much disturbed; "wot's come to her?"
|
||
|
|
||
|
"I feel," said Miss Pross, "as if there had been a flash and a crash,
|
||
|
and that crash was the last thing I should ever hear in this life."
|
||
|
|
||
|
"Blest if she ain't in a queer condition!" said Mr. Cruncher, more
|
||
|
and more disturbed. "Wot can she have been a takin', to keep her
|
||
|
courage up? Hark! There's the roll of them dreadful carts! You can
|
||
|
hear that, miss?"
|
||
|
|
||
|
"I can hear," said Miss Pross, seeing that he spoke to her,
|
||
|
"nothing. O, my good man, there was first a great crash, and then a
|
||
|
great stillness, and that stillness seems to be fixed and
|
||
|
unchangeable, never to be broken any more as long as my life lasts."
|
||
|
|
||
|
"If she don't hear the roll of those dreadful carts, now very nigh
|
||
|
their journey's end," said Mr. Cruncher, glancing over his shoulder,
|
||
|
"it's my opinion that indeed she never will hear anything else in
|
||
|
this world."
|
||
|
|
||
|
And indeed she never did.
|
||
|
|
||
|
|
||
|
|
||
|
XV
|
||
|
|
||
|
The Footsteps Die Out For Ever
|
||
|
|
||
|
|
||
|
Along the Paris streets, the death-carts rumble, hollow and harsh.
|
||
|
Six tumbrils carry the day's wine to La Guillotine. All the
|
||
|
devouring and insatiate Monsters imagined since imagination could
|
||
|
record itself, are fused in the one realisation, Guillotine. And yet
|
||
|
there is not in France, with its rich variety of soil and climate,
|
||
|
a blade, a leaf, a root, a sprig, a peppercorn, which will grow to
|
||
|
maturity under conditions more certain than those that have produced
|
||
|
this horror. Crush humanity out of shape once more, under similar
|
||
|
hammers, and it will twist itself into the same tortured forms.
|
||
|
Sow the same seed of rapacious license and oppression over again,
|
||
|
and it will surely yield the same fruit according to its kind.
|
||
|
|
||
|
Six tumbrils roll along the streets. Change these back again to what
|
||
|
they were, thou powerful enchanter, Time, and they shall be seen to
|
||
|
be the carriages of absolute monarchs, the equipages of feudal nobles,
|
||
|
the toilettes of flaring Jezebels, the churches that are not my
|
||
|
father's house but dens of thieves, the huts of millions of starving
|
||
|
peasants! No; the great magician who majestically works out the
|
||
|
appointed order of the Creator, never reverses his transformations.
|
||
|
"If thou be changed into this shape by the will of God," say the
|
||
|
seers to the enchanted, in the wise Arabian stories, "then remain so!
|
||
|
But, if thou wear this form through mere passing conjuration, then resume
|
||
|
thy former aspect!" Changeless and hopeless, the tumbrils roll along.
|
||
|
|
||
|
As the sombre wheels of the six carts go round, they seem to plough
|
||
|
up a long crooked furrow among the populace in the streets. Ridges
|
||
|
of faces are thrown to this side and to that, and the ploughs go
|
||
|
steadily onward. So used are the regular inhabitants of the houses
|
||
|
to the spectacle, that in many windows there are no people,
|
||
|
and in some the occupation of the hands is not so much as suspended,
|
||
|
while the eyes survey the faces in the tumbrils. Here and there,
|
||
|
the inmate has visitors to see the sight; then he points his finger,
|
||
|
with something of the complacency of a curator or authorised exponent,
|
||
|
to this cart and to this, and seems to tell who sat here yesterday,
|
||
|
and who there the day before.
|
||
|
|
||
|
Of the riders in the tumbrils, some observe these things, and all
|
||
|
things on their last roadside, with an impassive stare; others, with
|
||
|
a lingering interest in the ways of life and men. Some, seated with
|
||
|
drooping heads, are sunk in silent despair; again, there are some so
|
||
|
heedful of their looks that they cast upon the multitude such glances
|
||
|
as they have seen in theatres, and in pictures. Several close their
|
||
|
eyes, and think, or try to get their straying thoughts together.
|
||
|
Only one, and he a miserable creature, of a crazed aspect, is so
|
||
|
shattered and made drunk by horror, that he sings, and tries to
|
||
|
dance. Not one of the whole number appeals by look or gesture, to
|
||
|
the pity of the people.
|
||
|
|
||
|
There is a guard of sundry horsemen riding abreast of the tumbrils,
|
||
|
and faces are often turned up to some of them, and they are asked
|
||
|
some question. It would seem to be always the same question, for,
|
||
|
it is always followed by a press of people towards the third cart.
|
||
|
The horsemen abreast of that cart, frequently point out one man in it
|
||
|
with their swords. The leading curiosity is, to know which is he;
|
||
|
he stands at the back of the tumbril with his head bent down,
|
||
|
to converse with a mere girl who sits on the side of the cart,
|
||
|
and holds his hand. He has no curiosity or care for the scene about him,
|
||
|
and always speaks to the girl. Here and there in the long street
|
||
|
of St. Honore, cries are raised against him. If they move him at all,
|
||
|
it is only to a quiet smile, as he shakes his hair a little more
|
||
|
loosely about his face. He cannot easily touch his face, his arms
|
||
|
being bound.
|
||
|
|
||
|
On the steps of a church, awaiting the coming-up of the tumbrils,
|
||
|
stands the Spy and prison-sheep. He looks into the first of them:
|
||
|
not there. He looks into the second: not there. He already asks
|
||
|
himself, "Has he sacrificed me?" when his face clears, as he looks
|
||
|
into the third.
|
||
|
|
||
|
"Which is Evremonde?" says a man behind him.
|
||
|
|
||
|
"That. At the back there."
|
||
|
|
||
|
"With his hand in the girl's?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
The man cries, "Down, Evremonde! To the Guillotine all aristocrats!
|
||
|
Down, Evremonde!"
|
||
|
|
||
|
"Hush, hush!" the Spy entreats him, timidly.
|
||
|
|
||
|
"And why not, citizen?"
|
||
|
|
||
|
"He is going to pay the forfeit: it will be paid in five minutes more.
|
||
|
Let him be at peace."
|
||
|
|
||
|
But the man continuing to exclaim, "Down, Evremonde!" the face of
|
||
|
Evremonde is for a moment turned towards him. Evremonde then sees
|
||
|
the Spy, and looks attentively at him, and goes his way.
|
||
|
|
||
|
The clocks are on the stroke of three, and the furrow ploughed among
|
||
|
the populace is turning round, to come on into the place of execution,
|
||
|
and end. The ridges thrown to this side and to that, now crumble in
|
||
|
and close behind the last plough as it passes on, for all are following
|
||
|
to the Guillotine. In front of it, seated in chairs, as in a garden
|
||
|
of public diversion, are a number of women, busily knitting. On one
|
||
|
of the fore-most chairs, stands The Vengeance, looking about for her friend.
|
||
|
|
||
|
"Therese!" she cries, in her shrill tones. "Who has seen her?
|
||
|
Therese Defarge!"
|
||
|
|
||
|
"She never missed before," says a knitting-woman of the sisterhood.
|
||
|
|
||
|
"No; nor will she miss now," cries The Vengeance, petulantly. "Therese."
|
||
|
|
||
|
"Louder," the woman recommends.
|
||
|
|
||
|
Ay! Louder, Vengeance, much louder, and still she will scarcely hear
|
||
|
thee. Louder yet, Vengeance, with a little oath or so added, and yet
|
||
|
it will hardly bring her. Send other women up and down to seek her,
|
||
|
lingering somewhere; and yet, although the messengers have done dread
|
||
|
deeds, it is questionable whether of their own wills they will go far
|
||
|
enough to find her!
|
||
|
|
||
|
"Bad Fortune!" cries The Vengeance, stamping her foot in the chair,
|
||
|
"and here are the tumbrils! And Evremonde will be despatched in a
|
||
|
wink, and she not here! See her knitting in my hand, and her empty
|
||
|
chair ready for her. I cry with vexation and disappointment!"
|
||
|
|
||
|
As The Vengeance descends from her elevation to do it, the tumbrils
|
||
|
begin to discharge their loads. The ministers of Sainte Guillotine
|
||
|
are robed and ready. Crash!--A head is held up, and the knitting-
|
||
|
women who scarcely lifted their eyes to look at it a moment ago when
|
||
|
it could think and speak, count One.
|
||
|
|
||
|
The second tumbril empties and moves on; the third comes up. Crash!
|
||
|
--And the knitting-women, never faltering or pausing in their Work,
|
||
|
count Two.
|
||
|
|
||
|
The supposed Evremonde descends, and the seamstress is lifted out
|
||
|
next after him. He has not relinquished her patient hand in getting
|
||
|
out, but still holds it as he promised. He gently places her with
|
||
|
her back to the crashing engine that constantly whirrs up and falls,
|
||
|
and she looks into his face and thanks him.
|
||
|
|
||
|
"But for you, dear stranger, I should not be so composed, for I am
|
||
|
naturally a poor little thing, faint of heart; nor should I have been
|
||
|
able to raise my thoughts to Him who was put to death, that we might
|
||
|
have hope and comfort here to-day. I think you were sent to me by Heaven."
|
||
|
|
||
|
"Or you to me," says Sydney Carton. "Keep your eyes upon me, dear child,
|
||
|
and mind no other object."
|
||
|
|
||
|
"I mind nothing while I hold your hand. I shall mind nothing when
|
||
|
I let it go, if they are rapid."
|
||
|
|
||
|
"They will be rapid. Fear not!"
|
||
|
|
||
|
The two stand in the fast-thinning throng of victims, but they speak
|
||
|
as if they were alone. Eye to eye, voice to voice, hand to hand,
|
||
|
heart to heart, these two children of the Universal Mother, else so
|
||
|
wide apart and differing, have come together on the dark highway,
|
||
|
to repair home together, and to rest in her bosom.
|
||
|
|
||
|
"Brave and generous friend, will you let me ask you one last
|
||
|
question? I am very ignorant, and it troubles me--just a little."
|
||
|
|
||
|
"Tell me what it is."
|
||
|
|
||
|
"I have a cousin, an only relative and an orphan, like myself, whom I
|
||
|
love very dearly. She is five years younger than I, and she lives in
|
||
|
a farmer's house in the south country. Poverty parted us, and she
|
||
|
knows nothing of my fate--for I cannot write--and if I could, how
|
||
|
should I tell her! It is better as it is."
|
||
|
|
||
|
"Yes, yes: better as it is."
|
||
|
|
||
|
"What I have been thinking as we came along, and what I am still
|
||
|
thinking now, as I look into your kind strong face which gives me so
|
||
|
much support, is this:--If the Republic really does good to the poor,
|
||
|
and they come to be less hungry, and in all ways to suffer less, she
|
||
|
may live a long time: she may even live to be old."
|
||
|
|
||
|
"What then, my gentle sister?"
|
||
|
|
||
|
"Do you think:" the uncomplaining eyes in which there is so much
|
||
|
endurance, fill with tears, and the lips part a little more and
|
||
|
tremble: "that it will seem long to me, while I wait for her in the
|
||
|
better land where I trust both you and I will be mercifully sheltered?"
|
||
|
|
||
|
"It cannot be, my child; there is no Time there, and no trouble
|
||
|
there."
|
||
|
|
||
|
"You comfort me so much! I am so ignorant. Am I to kiss you now?
|
||
|
Is the moment come?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
She kisses his lips; he kisses hers; they solemnly bless each other.
|
||
|
The spare hand does not tremble as he releases it; nothing worse than
|
||
|
a sweet, bright constancy is in the patient face. She goes next
|
||
|
before him--is gone; the knitting-women count Twenty-Two.
|
||
|
|
||
|
"I am the Resurrection and the Life, saith the Lord:
|
||
|
he that believeth in me, though he were dead, yet shall he live:
|
||
|
and whosoever liveth and believeth in me shall never die."
|
||
|
|
||
|
The murmuring of many voices, the upturning of many faces,
|
||
|
the pressing on of many footsteps in the outskirts of the crowd,
|
||
|
so that it swells forward in a mass, like one great heave of water,
|
||
|
all flashes away. Twenty-Three.
|
||
|
|
||
|
|
||
|
|
||
|
They said of him, about the city that night, that it was the
|
||
|
peacefullest man's face ever beheld there. Many added that he looked
|
||
|
sublime and prophetic.
|
||
|
|
||
|
One of the most remarkable sufferers by the same axe--a woman-had
|
||
|
asked at the foot of the same scaffold, not long before, to be
|
||
|
allowed to write down the thoughts that were inspiring her. If he
|
||
|
had given any utterance to his, and they were prophetic, they would
|
||
|
have been these:
|
||
|
|
||
|
"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the
|
||
|
Judge, long ranks of the new oppressors who have risen on the
|
||
|
destruction of the old, perishing by this retributive instrument,
|
||
|
before it shall cease out of its present use. I see a beautiful city
|
||
|
and a brilliant people rising from this abyss, and, in their struggles
|
||
|
to be truly free, in their triumphs and defeats, through long years
|
||
|
to come, I see the evil of this time and of the previous time of
|
||
|
which this is the natural birth, gradually making expiation for
|
||
|
itself and wearing out.
|
||
|
|
||
|
"I see the lives for which I lay down my life, peaceful, useful,
|
||
|
prosperous and happy, in that England which I shall see no more.
|
||
|
I see Her with a child upon her bosom, who bears my name. I see her
|
||
|
father, aged and bent, but otherwise restored, and faithful to all
|
||
|
men in his healing office, and at peace. I see the good old man, so
|
||
|
long their friend, in ten years' time enriching them with all he has,
|
||
|
and passing tranquilly to his reward.
|
||
|
|
||
|
"I see that I hold a sanctuary in their hearts, and in the hearts of
|
||
|
their descendants, generations hence. I see her, an old woman,
|
||
|
weeping for me on the anniversary of this day. I see her and her
|
||
|
husband, their course done, lying side by side in their last earthly
|
||
|
bed, and I know that each was not more honoured and held sacred in
|
||
|
the other's soul, than I was in the souls of both.
|
||
|
|
||
|
"I see that child who lay upon her bosom and who bore my name, a man
|
||
|
winning his way up in that path of life which once was mine. I see
|
||
|
him winning it so well, that my name is made illustrious there by the
|
||
|
light of his. I see the blots I threw upon it, faded away. I see
|
||
|
him, fore-most of just judges and honoured men, bringing a boy of my
|
||
|
name, with a forehead that I know and golden hair, to this place--
|
||
|
then fair to look upon, with not a trace of this day's disfigurement
|
||
|
--and I hear him tell the child my story, with a tender and a faltering voice.
|
||
|
|
||
|
"It is a far, far better thing that I do, than I have ever done;
|
||
|
it is a far, far better rest that I go to than I have ever known."
|
||
|
|
||
|
|
||
|
End of A Tale of Two Cities
|
||
|
|